an essay is not expository in nature

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Understanding the Common Core’s Writing Genres and Blended Text: Expository, Narrative, and Argument

The Common Core State Standards (hereafter CCSS) use Three Text Types:

1.    Informational/Explanatory Writing (Expository) 2.    Narrative Writing 3.    Argument

Did you know that writers can blend together these three text types to create original and effective writing? The CCSS’s “Definitions of the Standards’ Three Text Types” states the following: “Skilled writers many times use a blend of these three text types to accomplish their purposes.”

Why must students understand this? There are two reasons: 1) Students read! and 2) Students write! Since blended text is commonplace in what students read, it cannot be ignored. Clearly, what we teach students about writing should match what they see when they read. Looked at another way, real writers blend text, and our goal is to develop real writers.

Please note that the CCSS uses the term blended text , but the concept also goes by the term mixed form , and both are quite similar in theory to multi-genre or mixed-genre . I will be using the term blended text . Additionally, although I am primarily interested in blended text as relates to teaching writing, I address this topic with students when reading with them across the curriculum. Across the curriculum, we analyze texts and discover how writer really write. It’s not difficult to find examples of blended text.

Blended Text vs. Overlapping Classification Systems

When the CCSS talks about blended text, they are talking about blending modes of discourse or blending genres. They are not talking about the fact that a narrative can be informational, as with a newspaper article, as opposed to how a narrative can be a fictional narrative story intended to entertain, as with a novel. That issue has more to do with the many classification systems found in the world of writing. Making this matter even more confusing is the fact that many writing classification systems overlap with other classification systems, and most classification systems are composed of other classification systems.

In writing, the classification systems are endless and imperfect. It’s exhausting to sort through and evaluate the multitude of writing classification systems that theorists have developed over the millennia. It’s even more exhausting to figure out how they all connect and what “important truth” is found inside each of these classification systems. These conceptual, abstract systems are a far cry from the objective, verifiable classification systems found in science and math.

The 4×4 Model for Understanding Blended Text ™ by Pattern Based Writing: Quick & Easy Essay

Although academics and theorists have touched on blended text for hundreds of years, this 4×4 Model for Understanding Blended Text ™ is the first model that addresses the topic concretely in a way that makes sense to students.

Students need to understand blended text as both readers and writers. To understand blended text, students must understand two models:

1. The Four Main Genres: 1) Expository, 2) Narrative, 3) Descriptive, and 4) Argument 2. The Four Levels of Text: 1) Whole Composition, 2) Paragraph, 3) Chunk, and 4) Sentence

Of course, we could make this model more complicated by adding more genres and more levels of text. But let’s not. Let’s keep things simple.

The Four Main Genres

In his 1866 book, English Composition and Rhetoric , Alexander Bain introduced the Four Modes of Discourse model, which has remained the foundation of writing instruction ever since. The CCSS Three Text Types are the same Four Modes of Discourse, but with descriptive writing playing a smaller role.

Please Note: I call Bain’s Four Modes of Discourse the Four Main Genres. It just makes more sense to people.

Understanding blended text requires that we understand each of the Four Main Genres, along with how they contribute to creating a whole composition. To be clear, most whole compositions are primarily one main genre. However, the longer the piece of writing is, the more likely that the writer will blend in other main genres.

Let’s take a closer look at our Four Main Genres:

1.  Expository: We inform and explain to help others understand things in the same way that we do. We teach them. (Teach)

2.  Narrative: We tell what happened. (Tell)

3.  Descriptive: We use words to create mental images of sights, sounds, smells, tastes, textures, and feelings in the minds of our readers. We use words to make places, things, activities, and people seem real and vivid in the minds of our readers. (Describe)

4.  Argument: We make claims, give reasons, and provide evidence to prove our claims. (Prove)

In its simplest form, writing comes down to just four verbs or goals: 1) Teach, 2) Tell What Happened, 3) Describe, and 4) Prove. Every sentence we write achieves one of these four goals. Truthfully, many sentences will contribute to achieving several of these goals or possibly all of these goals. But let’s keep things simple. In short, one Main Genre should jump out as being the primary Main Genre.

The Four Levels of Text

Have you taught your students how to create an outline? If you have, then you have probably used the term LEVELS. We speak of outlines as having levels, and we teach students that outlines have levels: e.g., a one-level outline, a two-level outline, a three-level outline, etc.

Outlines represent the levels of text or ideas in a piece of writing. For this reason, every piece of writing has a hidden outline inside of it, and that outline is composed of levels. When teachers teach students about levels, they are teaching students about outlines. That’s win-win!

Once again, let’s keep things simple. Although we could add in more levels of text, we will use just four. In teaching students to write, these are The Four Important Levels of Text :

Level 1: Whole Composition Level 2: Paragraph Level 3: Chunk Level 4: Sentence

If you wish to learn more about hierarchical levels in writing, you may want to read The Four Levels of Text .

Blended Text: See It and Believe It

Once again, I introduce my students to blended text because it exists in real writing. And we learn about it while we are reading real writing. It’s not difficult to find. At the sentence level, blended text exists in almost every single piece of writing. We just need to take a moment to show our students this blended text. In the end, this saves us time, as we don’t have to teach so many inauthentic writing lessons.

Here are a few examples that illustrate what teachers should look for in their texts:

1. The class is reading an expository chapter on the Plains Indians, and we come across a nice description of what they wore.   2. The class is reading a narrative story, and two characters disagree. Each character presents a compelling argument full of claims, reasons, support, and evidence.   3. The class is reading a descriptive essay about Niagara Falls. We see that the writer provides background information ( expository text ) about the falls at the beginning of the text. Later, the writer narrates ( narrative ) the journey of an old log traveling downstream and going over the falls. The writer ends with a two-sentence argument in favor of cherishing nature.

Hopefully, Pattern Based Writing: Quick & Easy Essay’s 4×4 Model ™ (Four Genres x Four Levels) will remind you to take a closer look at the text you are reading and see the truth. Let’s teach our students the truth about writing while we are reading.

Read Like a Writer and Write Like a Reader and a Writer

Students must read and write to become effective writers. This is no secret. You may want to read my entire Nine-Sentence Blueprint for Teaching Writing . Here are the first two sentences I added to my blueprint:

Nobody but a reader ever became a writer.    – Richard Peck – 2001 Newberry Award Winner   You can only learn to be a better writer by actually writing.    – Doris Lessing – 2007 Nobel Prize in Literature Winner

Without a doubt, a reading-writing connection exists. Teachers and theorists have created many words over the years to help us connect reading and writing: e.g., The Reading-Writing Connection, Read Like a Writer, Close Reading, and Writing from Sources. Recently, a new saying has entered the reading-writing lexicon. David Coleman, president of the College Board and one of the lead architects of the CCSS has put it this way: “Read like a detective. Write like an investigative reporter.”

Pattern Based Writing: Quick & Easy Essay’s 4×4 Model ™ (Four Genres x Four Levels) provides a fantastic foundation for seeing what is going on in a piece of writing. The 4×4 Model is simple, universal, and comprehensive in scope. If one is willing to Read Closely and analyze a piece of writing down at the sentence level, it becomes clear that most writing is blended text.

Opening Our Eyes to Genre and Blended Text

There is nothing new in the CCSS Three Text Types or what the CCSS says about blended text. As the following quotes demonstrate, the CCSS simply reflects what people have been saying for centuries:

»   Brooks (1905): Such a description is in effect an enlarged definition, and is exposition…   »   Brooks (1905): Such general narration is really exposition.   »   Scott and Denny (1909): Both description and narrative may be used for expository purposes.   »   Scott and Denny (1909): Between exposition and argument it is often hard to distinguish…   »   Tanner (1917): Narration and description, frequently argument, contribute a considerable share to the essay.

My goal here is not to make things complicated for students, but instead, to open up teachers’ eyes so that they see what is right in front of them. Once again, most whole compositions are PRIMARILY one main genre. In other words, if we step back and look at a whole composition, we should be able to classify the whole thing as being PRIMARILY expository, narrative, descriptive, or argument.

But after we do that, we may want to take a closer look and see what that whole composition is composed of. How does the writer make points? Explain things? Prove things? Entertain the reader? Create interest? Make confusing concepts clear?

Understanding the 4×4 Model (Four Genres x Four Levels) will help readers examine and understand what is going on in a piece of writing. This lets readers analyze exemplars and mentor texts, and in the process, learn from them.

Blended Text and Complicated Genres: Years 1905 to the CCSS

Genre is one of the most interesting and important topics in writing. The truth about genre is that writers do whatever they need to do to create effective writing. As writing teachers, we have two approaches for teaching writing: 1) concrete strategies, and 2) natural strategies. I use both—because I want to teach my students the truth about writing in a way that makes sense to my students.

Pattern Based Writing: Quick & Easy Essay  is a concrete writing curriculum that makes sense to students. It gets results fast and leaves students saying, “I finally get it! I can even read what I was writing before!” But equally important, it creates a foundation and framework that teachers can build on all year long. It creates the foundation and framework that lets teachers teach natural strategies such as blended text by analyzing the texts that are right in front of them. Truthfully, teaching writing is relatively easy once you get your students writing in a way that makes sense to them.

Now let’s see what composition scholars have been saying about genre from 1905 right up until the Common Core. Please keep this mind: A writer’s goal is never to blend text or to avoid blending text. A writer’s goal is always to communicate effectively. We want our student writers to be able to answer questions like these: How do writers make points? Explain things? Prove things? Entertain their readers? Make confusing concepts clear?

YEAR: 1905 – Composition-Rhetoric by Stratton D. Brooks

General Description: If an object is described more for the purpose of giving a clear conception of the class of which it is a type than for the purpose of picturing the object described, we have a general description. Such a description is in effect an enlarged definition, and is exposition rather than description. It is sometimes called scientific description because it is so commonly employed by writers of scientific books.

YEAR: 1909 – Paragraph Writing: A Rhetoric for Colleges by Fred Newton Scott and Joseph Villiers Denny

The four main types occur sometimes in the pure form, sometimes commingled. A composition which as a whole is narrative, may contain, and generally does contain, especially if it is long, a great deal of description, more or less exposition, and not infrequently passages of argument. Both description and narrative may be used for expository purposes, and argument, as in a lawyer’s plea for the conviction of a criminal, may be thrown into the form of a story. Between exposition and argument it is often hard to distinguish, for we may not be able to determine until the end of the composition is reached, whether the writer’s purpose was to bring about a change of opinion or merely to expound a principle, or set of facts, the truth of which is taken for granted. It may even happen that what is exposition for one reader is argument for another; Bryce’s American Commonwealth, for example, is for Americans an exposition of self-evident truths, but for many Englishmen it is a more or less convincing argument.

YEAR: 1917 – Essays and Essay-Writing by William M. Turner, M.A.

The essay, though essentially expository in nature, is rarely pure exposition. It usually includes a combination of exposition with one or more of the other forms of discourse. In such familiar essays… the narrative element may seem to predominate; but in essays of this kind it will usually be found that narration really contributes by way of illustration to the essay that is impliedly, at least, expository. Narration and description, frequently argument, contribute a considerable share to the essay.

YEAR: 2010 – The CCSS’s “Definitions of the Standards’ Three Text Types”

Skilled writers many times use a blend of these three text types to accomplish their purposes.

YEAR: 2010 – CCSS English Language Arts Standards » Writing » Grade 9-10

CCSS.ELA-Literacy.WHST.9-10.2 : Write informative/explanatory texts, including the narration of historical events, scientific procedures/ experiments, or technical processes.

YEAR: 2010 – CCSS Grades 6-12

Students’ narrative skills continue to grow in these grades. The Standards require that students be able to incorporate narrative elements effectively into arguments and informative/explanatory texts. In history/social studies, students must be able to incorporate narrative accounts into their analyses of individuals or events of historical import. In science and technical subjects, students must be able to write precise enough descriptions of the step-by-step procedures they use in their investigations or technical work that others can replicate them and (possibly) reach the same results.

YEAR: 2012 – CCSS Revised Publishers’ Criteria for the Common Core State Standards in English Language Arts and Literacy, Grades 3–12

Informational/Explanatory Writing, Narrative Writing, Argument: These forms of writing are not strictly independent; for example, arguments and explanations often include narrative elements, and both informing and arguing rely on using information or evidence drawn from texts.

Let’s Take a Look at a Blended Text Outline

Writing begins with having something to say. We don’t plan to blend text, but we do plan our writing. We prewrite, we plan, and we organize. We also think about what we are trying to communicate and we make choices. Writers answer this question: What is the best way to communicate my message to my audience? Here is one possible answer to that question in outline form. This is just one possible way to communicate an emotionally powerful argument. This essay would most certainly be an example of blended text!

Ten Paragraph Argument-Persuasive Essay Outline

¶ P1 – Introduction ¶ P2 – Narrate a tear-jerking situation and events ¶ P3 – Inform using facts and statistics 1 ¶ P4 – Inform using facts and statistics 2 ¶ P5 – Narrate possible future 1 – a bad future ¶ P6 – Narrate possible future 2 – a good future if changes are made ¶ P7 – Compare and contrast the two possible futures ¶ P8 – Explain necessary steps to take 1 (How-to) ¶ P9 – Explain necessary steps to take 2 (How-to) ¶ P10 – Conclusion

Once again, such an essay can only be created when one fully understands the topic and the audience, along with truly having something to say.

You may also want to check out some blended text in action. The CCSS provide two examples of blended text. You can find them here:

• CCSS Appendix B – p. 132 – Author and Title: Dash, Joan. The Longitude Prize .
• CCSS Appendix C – p. 60 – Title: Fact vs. Fiction and All the Grey Space in Between .

But please keep in mind, if you open up a book of fiction or non-fiction literature and read closely, you will soon find your own examples of blended text. Oh, and by the way, if you teach elementary school writing or teach struggling middle school writers, be sure to check out Pattern Based Writing: Quick & Easy Essay on the homepage!

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16.5 Writing Process: Thinking Critically About Text

Learning outcomes.

By the end of this section, you will be able to:

• Develop a writing project focused on textual analysis.
• Complete the stages of the writing process, including generating ideas, drafting, reviewing, revising, rewriting, and editing.
• Integrate the writer’s ideas with ideas of others.
• Collaborate in the peer review process.

When analyzing a text, writers usually focus on the content of the text itself and deliberately leave themselves in the background, minimizing personal presence and bias. To write this way, they avoid first-person pronouns and value judgments. In reality, of course, writers do reveal their presence by the choices they make: what they include, what they exclude, and what they emphasize. Although your own subjectivity and situation will likely affect your inferences and judgments, recognizing these potential biases will help you keep the focus on your subject and off yourself.

Summary of Assignment

Write an analytical essay about a short story or another short text of your choice, either fiction or literary nonfiction. If desired, you may choose “The Storm” by Kate Chopin, reprinted above. Consider the author’s form and organization, tone, or stylistic choices, including diction and sensory or figurative language. You might also consider the historical or social context, the theme, the character development, or the relation between setting and plot or characterization. If you are free to choose your own text and topic, consider the following approaches:

• Analyze the literary components mentioned and focus your essay on their significance in the work.
• Like student author Gwyn Garrison, choose one or several components and examine how different authors use them and how they relate to broader contexts.

Convincing textual analysis essays usually include the following information:

• overview of the text, identifying author, title, and genre
• very brief summary
• description of the text’s form and structure
• explanation of the author’s point of view
• summary of the social, historical, or cultural context in which the work was written
• assertion or thesis about what the text means: your main task as an analyst

When writing about a novel or short story, explain how the main elements function:

• narrator (who tells the story)
• plot (what happens in the story)
• one or more characters (who are acting or being acted upon)
• setting (when and where things are happening)
• theme (the meaning of the story)

Keep in mind that the author who writes the story is different from the narrator and invented characters in it. Keep in mind, too, that what happens in the story—the plot—is different from the meaning of the story—the theme. Understanding what happens will help you discover what the text means.

The elements of literary or narrative nonfiction are similar to those of a fictional story except that everything in the text is supposed to have really happened. For this reason, the author and the narrator of the story may be one and the same. Informational nonfiction—essays, reports, and textbook chapters—is also meant to be believed; here, however, ideas and arguments must be strong and well supported to be convincing. When analyzing nonfiction, pay special attention to the author’s thesis or claim and to how it is supported through reasoning and evidence. Also note interesting or unusual tone, style, form, or voice.

Another Lens 1. In writing from a personal or subjective viewpoint, the writer and their beliefs and experiences are necessarily part of your analysis and may need to be expressed and examined. For example, you may write subjectively and compare and contrast your situation with that of the author or a character. You might explain how your personal background causes you to read the text in a particular way that is meaningful to you. If you choose this option, be sure to analyze the text as you would for a more objective analysis before focusing on your personal views.

Another Lens 2. A leading contemporary example of narrative nonfiction writing is Jon Krakauer ’s (b. 1954) Into the Wild , the story of Chris McCandless (1968– c. 1992), a young college graduate who lived at subsistence level in the backwoods of Alaska for 113 days. The text is somewhat similar thematically to Henry David Thoreau ’s (1817–1862) Walden (1854), written more than a century earlier and discussed later in this section. Both are about dropping out of society to create a meaningful life. After reading the excerpt of Into the Wild linked above, you may choose to write a textual analysis of it either on its own or in light of the sample analysis of Thoreau’s writings later in this section. Consider comparing and contrasting McCandless’s situation with Thoreau’s life in Walden and how Krakauer and Thoreau use various literary elements in their writing. Topics for analysis might be setting, character traits, motives, cultural communities, historical context, and attitudes toward life and society.

Quick Launch: Start with Your Thesis

For textual analysis, your thesis should be a clear, concise statement that identifies your analytical stance on which readers will expect you to elaborate.

Develop a working thesis

A working thesis is referred to as such because the thesis is subject to revision. You may have to revisit it later in the writing process, for it is almost impossible to craft a thesis without having analyzed some of the text first. Your thesis, therefore, will come from the element(s) you choose to analyze, such as the following:

• an aspect or several aspects of form and structure and their significance
• social, historical, or cultural context in which the text was written and its significance
• style elements such as diction, imagery, or figurative language and their significance
• aspects of characters, plot, or setting
• overall theme of a single work or more than one work
• comparison or contrast of elements within one or more works
• relation to issues outside the text

To develop a working thesis, use the formula shown in Table 16.1 , basing your answers on one of the bulleted items listed above.

You can also start with an analytical question: For what reason(s) does Chopin use linguistic variety? Your initial answer might yield the thesis above. Or you can ask another analytical question, such as this one: In what ways do the plot and setting of “The Storm” reinforce its theme?

Drafting: Explore Possible Areas of Analysis for Fiction: Approach 1

Analytical essays begin by answering basic questions: What genre is this text—poem, play, story, biography, memoir, essay? What is its title? Who is the author? When was it published?

Identify and Summarize the Text

In addition to the basic questions, analytical essays provide a brief summary of the plot or main idea. Summarize briefly, logically, and objectively to provide a background for what you plan to say about the text. This information may be incorporated into the introduction or may follow it.

Explain the Form and Organization

To analyze the organizational structure of a text, ask: How is it put together? Why does the author start here and end there? Why does the author sequence information in this order? What connects the text from start to finish? For example, by repeating words, ideas, and images, writers call attention to these elements and indicate that they are important to the meaning of the text. No matter what the text, some principle or plan holds it together and gives it structure. Fiction and nonfiction texts that tell stories are often, but not always, organized as a sequence of events in chronological order. Poems may have formal structures or other organizational elements. Other texts may alternate between explanations and examples or between first-person and third-person narrative. You will have to decide which aspects of the text’s form and organization are most important for your analysis.

For example, this student analyzes the point of view of Gwendolyn Brooks ’s poem “ We Real Cool .”.

student sample text Gwendolyn Brooks writes “We Real Cool” (1963) from the point of view of members of a street gang who speak as one voice. The boys have dropped out of school to spend their lives hanging around pool halls—in this case “The Golden Shovel.” These guys speak in slangy lingo, such as “Strike straight,” that reveals their need for a melded identity in their rebellious attitude toward life. The plural speaker in the poem, “We,” celebrates what adults might call adolescent hedonism—but the speaker, feeling powerful in the group identity, makes a conscious choice for a short, intense life over a long, safe, and dull existence. end student sample text

Place the Work in Context

To analyze the context of a text, ask: What circumstances (historical, social, political, biographical) produced this text? How does this text compare or contrast with another by the same author or with a similar work by a different author? No text exists in isolation. Each was created by a particular author in a particular place at a particular time. Describing this context provides readers with important background information and indicates which conditions you think were most influential.

For example, this student analyzes the social context of Gwendolyn Brooks ’s poem “We Real Cool.”

student sample text From society’s viewpoint, the boys are nothing but misfits—refusing to work, leading violent lives, breaking laws, and confronting police. However, these boys live in a society that is dangerous for Black men, who often die at the hands of police even when they are doing the right thing. The boys are hopeless, recognizing no future but death, regardless of their actions, and thus “Die soon.” end student sample text

Explain the Theme of the Text

To analyze the theme of a text, determine the implied theme in fiction, poetry, and narrative nonfiction. One purpose for writing a textual analysis is to point out the theme. Ask yourself: So what? What is this text really about? What do I think the author is trying to say by writing this text? What problems, puzzles, or ideas are most interesting? In what ways do the characters change between the beginning and end of the text? Good ideas for a thesis arise from material in which the meaning is not obviously stated.

For example, this student analyzes one theme of Gwendolyn Brooks’s poem “We Real Cool.”

student sample text For the “Seven at the Golden Shovel,” companionship is everything. For many teenagers, fitting in or conforming to a group identity is more important than developing an individual identity. Brooks expresses this theme through the poem’s point of view, the plural “We” repeated at the end of each line. end student sample text

Analyze Stylistic Choices

To analyze stylistic choices, examine the details of the text. Ask yourself: Why does the author use this word or phrase instead of a synonym for it? In what ways does this word or phrase relate to other words or phrases? In what ways do the author’s figurative comparisons affect the meaning or tone of the text? In what ways does use of sensory language (imagery) affect the meaning or tone of the text? In what ways does this element represent more than itself? In what ways does the author use sound or rhythm to support meaning?

For example, this student analyzes the diction of Gwendolyn Brooks’s poem “We Real Cool.”

student sample text Brooks chooses the word cool to open the poem and build the first rhyme. Being cool is the code by which the boys live. However, the word cool also suggests the idiom “to be placed ‘on ice,’” a term that suggests a delay. The boys live in a state of arrested development, anticipating early deaths. In addition, the term to ice someone means “to kill,” another reference to the death imagery at poem’s end. The boys are not suggesting suicide; they expect to be killed by members of society who find them threatening. end student sample text

Support Your Analysis

Analytical interpretations are built around evidence from the text itself. You’ll note the quotations in the examples above. Summarize larger ideas in your own language to conserve space. Paraphrase more specific ideas, also in your own words, and quote directly to feature the author’s diction. See Editing Focus: Paragraphs and Transitions and Writing Process: Integrating Research for more information about summarizing, paraphrasing, and quoting directly. If you include outside information for support, comparison, or contrast, document the sources carefully: MLA Documentation and Format .

Use a graphic organizer such as Table 16.2 to gather ideas for drafting.

Drafting: Explore Possible Areas of Analysis for Literary Nonfiction: Approach 2

Although similar to fiction, narrative or literary nonfiction has a basic orientation toward exposition: relating real events in a creative way rather than inventing fictional events and characters. In reading and analyzing expository prose, you also may encounter literary language, narrative structure, characters, setting, theme, and plot development, depending on the type of prose. Therefore, your approach to analyzing nonfiction will call on many of the same strategies you use to analyze fiction. Two basic differences, however, are that literary nonfiction may have less dialogue, depending on the genre, and that the author and narrator may be the same. In other words, no intermediary or artistic filter may exist between the author and the work. The nonfiction author is assumed to be speaking a truth, which may be serious, comic, controversial, or neutral. Fictional characters, on the other hand, are creations of an author’s mind; they think and speak as they were created to do.

Planning the Essay

In writing your essay, you will need to present the same kinds of text evidence as you would when analyzing fiction to give credibility to your claims and to support your thesis. And you’ll need to keep in mind the rhetorical situation—purpose, audience, stance, context, and culture—as well, for it remains the building block of an effective analysis. As in most academic essays, body paragraphs refer to the thesis through topic sentences and move consistently toward supporting it before you finally arrive at a convincing conclusion that has grown out of the analysis. In nonfiction, because you assume you are dealing with a truthful explanation of facts and views, your task should be to give a new view and understanding of something that already may be familiar to readers. In writing your analysis, consider the following plan:

• Begin your analysis of nonfiction with an introductory overview in which you include the work’s genre, title, author, and publication date.
• Identify the literary point of view, if relevant: first person— I or plural we —or third-person— he, she , or they .
• Continue with a brief summary of the work, and place it in context: the work’s social, historical, and cultural background will help readers follow your points about its theme.
• Present your thesis near the end of the introduction. It should be argumentative, in an academic sense, so that you can “prove” your points.
• Support your thesis with well-elaborated body paragraphs, as you do with all thesis-based writing. Include paraphrases, summaries, and quotations from the text (and outside sources, if you do research for the assignment). Body paragraphs support the topic sentences, which in turn support the thesis.
• Conclude by restating your thesis (using different words and an appropriate transition). Add a general statement about the work and its significance or, if applicable, its relation to culture, history, current events, art, or anything else outside it.

Use the applicable suggestions in Table 16.3 in planning your essay :

Literary Nonfiction Model

A frequent theme in literary nonfiction is the examination of alternative ways of living, often solitary and away from society, and finding truth in individualism and self-sufficiency. Although most people live in social groups and willingly accept the identity and security that communities offer, dropping out and going it alone have long been a part of emotional as well as physical life for some.

You have the option to analyze the nonfiction accounts of writers exploring solitary human behavior in American life. If you select Another Lens 2 , you will read an excerpt from the story of Chris McCandless (1968–c. 1992), who chose a brief and uncomfortable solitary existence in Alaska. Or you can read the following section dealing with the works of Henry David Thoreau , the American philosopher and author who dropped out of society temporarily, largely because of his strong opposition to government policies he believed to be morally wrong and because of his refusal to conform to social practices and expectations he found objectionable.

Introduction

Henry David Thoreau (1817–1862) is best known as a thinker and writer on nature, as reflected in his two famous works, the highly influential Civil Disobedience (1849) and Walden ; or, Life in the Woods (1854). Both works celebrate individual freedoms: the right to protest against what one believes is morally or ethically wrong and the choice to live as one believes. In describing his life over a period of precisely two years, two months, and two days in a 10-by-15-foot cabin he built on Walden Pond, 20 miles northwest of Boston near Concord, Massachusetts, Thoreau wrote:

public domain text I went to the woods because I wished to live deliberately [carefully, unhurried], to front [confront] only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life. end public domain text

Thoreau’s insistence on standing by his principles and on living a simple life by choice are two abiding themes in his work. Even before the physical move to Walden, Thoreau had refused to pay his poll tax (granting him the right to vote) for a number of years because he strongly objected to the government’s use of his money to support enslavement and the war with Mexico. He went peacefully to jail as a result, until he was bailed out (the next day). In “Civil Disobedience,” Thoreau advocates for more individual freedom and for individuals to defy unjust laws in nonviolent ways. His writings on “passive resistance” inspired the thoughts and actions of influential figures such as Indian leader Mohandas Gandhi (1869–1948), American religious and civil rights leader Martin Luther King , Jr. (1929–1968), and other leaders of nonviolent liberation movements. In Walden , Thoreau describes and advocates for a simple life in which a person breaks with society when they feel the need to express their individualism, often based on ideas others do not share.

These themes are the focus of analysis in the following excerpts from an essay by student Alex Jones for a first-year composition class.

student sample text The Two Freedoms of Henry David Thoreau by Alex Jones end student sample text

student sample text Henry David Thoreau led millions of people throughout the world to think of individual freedom in new ways. During his lifetime he attempted to live free of unjust governmental restraints as well as conventional social expectations. In his 1849 political essay “On the Duty of Civil Disobedience,” he makes his strongest case against governmental interference in the lives of citizens. In his 1854 book Walden; or Life in the Woods , he makes the case for actually living free, as he did in his own life, from social conventions and expectations. end student sample text

annotated text The title clearly identifies Thoreau and sets the expectation that two aspects or definitions of freedom will be discussed in two different works. Alex Jones wants readers to know that millions of people worldwide figure in Thoreau’s legacy. He gives the examples of “unjust governmental restraints” and “conventional social expectations” as the parts of social life Thoreau rejected, thus limiting the scope of the analysis and preparing for the body of the essay. end annotated text

annotated text Jones notes the titles and publication dates of both works and immediately moves ahead to analyze the two works, “Civil Disobedience” first. He will show how this political statement leads to the narrative of Walden , the actual story of a man’s life in temporary exile. end annotated text

student sample text Thoreau opens “Civil Disobedience” with his statement “that government is best which governs not at all.” end student sample text

annotated text The analysis moves immediately to the first work to be discussed and features the memorable quotation regarding a government that does not govern. The statement may seem contradictory, but for Thoreau it is a direct statement in that someone who allows himself to be imprisoned will find freedom by distancing himself from all others to prove his point. end annotated text

student sample text He argues that a government should allow its people to be as free as possible while providing for their needs without interfering in daily life. In other words, in daily life a person attends to the business of eating, sleeping, and earning a living and not dealing in any noticeable way with an entity called “a government.” end student sample text

annotated text Jones repeats “in daily life” to give a rhythm to his own prose and to emphasize the importance to Thoreau of daily activities that are simple and meaningful. The word government is repeated for emphasis as the negative subject of this essay—in literary terms, a powerful and constant antagonist that constrains and disempowers. end annotated text

student sample text Because Thoreau did not want his freedom overshadowed by government regulations, he tried to ignore them. However, the American government of 1845 would not let him. He was arrested and put in the Concord jail for failing to pay his poll tax, a tax he believed unjust because it supported the government’s war with Mexico as well as the immoral institution of slavery. Instead of protesting his arrest, he celebrated it and explained its meaning by writing “Civil Disobedience,” one of the most famous English-language essays ever written. In it, he argues persuasively, “Under a government which imprisons any unjustly, the true place for a just man is also a prison” (230). Thus, the idea of passive resistance—and accepting unjust arrest to make a point—was formed, a doctrine that advocated protest against the government by nonviolent means: end student sample text

student sample text How does it become a man to behave toward this American government today? I answer that he cannot without disgrace be associated with it. I cannot for an instant recognize that political organization as my government which is the slave’s government also. (224) end student sample text

annotated text Jones strengthens his own writing by calling the essay one of the most famous works ever written. This is not an ordinary technique in textual analysis, but when done for emphasis, it helps the analysis gain power. Using “instead of protesting” at the start of his sentence is another example of strong contrast and linkage. end annotated text

student sample text For nearly 200 years, Thoreau’s formulation of passive resistance has been a part of the human struggle for freedom. In fact, it changed the world by inspiring the resistance movements led by Mohandas Gandhi and Martin Luther King, Jr. end student sample text

annotated text The total effect is to make Jones’s analytical essay more important for readers, as Thoreau’s writings have indeed changed the world despite being written humbly as the voice of one man’s conscience and isolation in his own freedom. end annotated text

student sample text Thoreau also wanted to be free from the everyday pressures to conform to society’s expectations. end student sample text

annotated text Jones transitions from the first short work to the different and equally famous nonfiction narrative Walden , moving smoothly from one freedom to the next with the transition “also wanted.” This second analysis of freedom is the second part of the essay’s thesis. end annotated text

student sample text He believed in doing and possessing only the essential things in life. To demonstrate his case, in 1845, he moved to the outskirts of Concord, Massachusetts, and lived by himself for just over two years in a cabin he built at Walden Pond. Thoreau wrote Walden to explain the value of living simply, far removed from the unnecessary complexity of society: “simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand” (66). At Walden, he lived as much as possible by this statement, building his own house and furniture, growing his own food, bartering for simple necessities, and attending to his own business rather than seeking employment from others. end student sample text

annotated text Jones uses textual evidence to support his claim. He summarizes Thoreau’s activities at Walden and quotes Thoreau as evidence to reinforce the freedom of mind that simple living allows. end annotated text

student sample text Living at Walden Pond gave Thoreau the chance to formulate many of his ideas about living an unencumbered, economical life. At Walden, he lived simply to “front only the essential facts of life” (66) and to center his thoughts on “living” instead of on unnecessary details of mere livelihood. He developed survival skills that freed him from the constraints of city dwellers whose lives depended upon a web of material things and services provided by others. He preferred to “take rank hold on life and spend my day more as animals do” (117). end student sample text

annotated text Jones uses the poetic language of high rhetoric directly from Thoreau. The body of the essay gives specific evidence of how Thoreau ate, built, read, and provided for his needs, cutting away all but the essential man in the two settings of his life. end annotated text

student sample text While living at Walden Pond, Thoreau was free to occupy his time in any way that pleased him, which for him meant mostly writing and tending his bean patch. The details of his gardening appear frequently, as he concentrated on it during his time there. He wasn’t troubled by a boss hounding him with deadlines or a wife and children who needed his attention. His neighbors accused him of being selfish and did not understand that he sought most of all “to live deliberately” (66), as he felt all people should learn to do. end student sample text

student sample text Then, as now, most people had more responsibilities than Thoreau had and could not just pack up their belongings and go live in the woods—if they could find free woods to live in. Today, people are intrigued to read about Thoreau’s experiences and are inspired by his thoughts, but few people can actually live or do as he suggests. The idea of life without cell phones or Internet seems inconceivable, even if one grows one’s own food and lives mostly off the grid. end student sample text

annotated text The next-to-last paragraph recognizes what could be a counterclaim: not everyone in contemporary times would view living alone for two years as a pleasure. Rather, they might see it as a different kind of prison, perhaps even a dangerous one. Indeed, such deprivation has less appeal these days, and people who do go off by themselves may be seen to have questionable motives. end annotated text

student sample text The theme of exploring how a man lives in or outside governmental control is clear in the choices he must make to define himself as a free person. Nevertheless, practical or not, Thoreau’s writings about freedom from government and society have inspired countless people to reassess how they live their lives. Though unable to live as Thoreau advocated, readers everywhere remain inspired by his ideals and his belief in the two freedoms. end student sample text

annotated text Jones concludes by emphasizing the strength of Thoreau’s ideas—his two freedoms—and the influence they have had in the world. end annotated text

Review the Essay

After reading Alex Jones’s essay, complete the following sentences to review his work:

• He identifies and summarizes the content by ________.
• He describes the form and structure of Thoreau’s works when ________.
• He places Thoreau and his works in context by ________.
• He clearly states his own theme in reading Thoreau, which is ________.
• He indicates Thoreau’s unusual language at times, such as ________.
• He gives supporting evidence for his points, such as ________.
• He includes a visual to ________.
• He concludes with a balanced and convincing viewpoint by ________.

For Reference: excerpt from Walden by Henry David Thoreau from “Where I Lived and What I Lived For”

public domain text When first I took up my abode in the woods, that is, began to spend my nights as well as days there, which, by accident, was on Independence Day, or the Fourth of July, 1845, my house was not finished for winter, but was merely a defense against the rain, without plastering or chimney, the walls being of rough, weather-stained boards, with wide chinks, which made it cool at night. The upright white hewn studs and freshly planed door and window casings gave it a clean and airy look, especially in the morning, when its timbers were saturated with dew, so that I fancied that by noon some sweet gum would exude from them. To my imagination it retained throughout the day more or less of this auroral character, reminding me of a certain house on a mountain which I had visited the year before. This was an airy and unplastered cabin, fit to entertain a travelling god, and where a goddess might trail her garments. The winds which passed over my dwelling were such as sweep over the ridges of mountains, bearing the broken strains, or celestial parts only, of terrestrial music.… end public domain text

public domain text The only house I had been the owner of before, if I except a boat, was a tent, which I used occasionally when making excursions in the summer, and this is still rolled up in my garret; but the boat, after passing from hand to hand, has gone down the stream of time. With this more substantial shelter about me, I had made some progress toward settling in the world. This frame, so slightly clad, was a sort of crystallization around me, and reacted on the builder. It was suggestive somewhat as a picture in outlines. I did not need to go outdoors to take the air, for the atmosphere within had lost none of its freshness. It was not so much within doors as behind a door where I sat, even in the rainiest weather. The Harivansa [important Sanskrit text] says, “An abode without birds is like a meat without seasoning.” Such was not my abode, for I found myself suddenly neighbor to the birds; not by having imprisoned one, but having caged myself near them.… end public domain text

public domain text For the first week, whenever I looked out on the pond it impressed me like a tarn high up on the side of a mountain, its bottom far above the surface of other lakes, and, as the sun arose, I saw it throwing off its nightly clothing of mist, and here and there, by degrees, its soft ripples or its smooth reflecting surface was revealed, while the mists, like ghosts, were stealthily withdrawing in every direction into the woods, as at the breaking up of some nocturnal conventicle. The very dew seemed to hang upon the trees later into the day than usual, as on the sides of mountains. end public domain text

public domain text This small lake was of most value as a neighbor in the intervals of a gentle rain storm in August, when, both air and water being perfectly still, but the sky overcast, mid-afternoon had all the serenity of evening, and the wood-thrush sang around, and was heard from shore to shore. A lake like this is never smoother than at such a time; and the clear portion of the air above it being shallow and darkened by clouds, the water, full of light and reflections, becomes a lower heaven itself so much the more important. From a hill top nearby, where the wood had been recently cut off, there was a pleasing vista southward across the pond, through a wide indentation in the hills which form the shore there, where their opposite sides sloping toward each other suggested a stream flowing out in that direction through a wooded valley, but stream there was none. That way I looked between and over the near green hills to some distant and higher ones in the horizon, tinged with blue. Indeed, by standing on tiptoe I could catch a glimpse of some of the peaks of the still bluer and more distant mountain ranges in the north-west, those true-blue coins from heaven’s own mint, and also of some portion of the village. But in other directions, even from this point, I could not see over or beyond the woods which surrounded me. It is well to have some water in your neighborhood, to give buoyancy to and float the earth. One value even of the smallest well is, that when you look into it you see that earth is not continent but insular. This is as important as that it keeps butter cool. When I looked across the pond from this peak toward the Sudbury meadows, which in time of flood I distinguished elevated perhaps by a mirage in their seething valley, like a coin in a basin, all the earth beyond the pond appeared like a thin crust insulated and floated even by this small sheet of interverting water, and I was reminded that this on which I dwelt was but dry land . end public domain text

public domain text We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn, which does not forsake us in our soundest sleep. I know of no more encouraging fact than the unquestionable ability of man to elevate his life by a conscious endeavor. It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts. Every man is tasked to make his life, even in its details, worthy of the contemplation of his most elevated and critical hour. If we refused, or rather used up, such paltry information as we get, the oracles would distinctly inform us how this might be done. end public domain text

public domain text I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion. For most men, it appears to me, are in a strange uncertainty about it, whether it is of the devil or of God, and have somewhat hastily concluded that it is the chief end of man here to “glorify God and enjoy him forever.” end public domain text

public domain text Still we live meanly, like ants; though the fable tells us that we were long ago changed into men; like pygmies we fight with cranes; it is error upon error, and clout upon clout, and our best virtue has for its occasion a superfluous and evitable wretchedness. Our life is frittered away by detail. An honest man has hardly need to count more than his ten fingers, or in extreme cases he may add his ten toes, and lump the rest. Simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand; instead of a million count half a dozen, and keep your accounts on your thumb nail. In the midst of this chopping sea of civilized life, such are the clouds and storms and quicksands and thousand-and-one items to be allowed for, that a man has to live, if he would not founder and go to the bottom and not make his port at all, by dead reckoning, and he must be a great calculator indeed who succeeds. Simplify, simplify. Instead of three meals a day, if it be necessary eat but one; instead of a hundred dishes… end public domain text

public domain text Why should we live with such… waste of life? We are determined to be starved before we are hungry. Men say that a stitch in time saves nine, and so they take a thousand stitches to-day to save nine to-morrow. end public domain text

Peer Review:

After you have completed your first draft, exchange essays with a partner for peer review. Look at the questions you answered to address the essay about Thoreau. Then, to provide helpful feedback, answer these questions about your peer’s draft.

• Does the introduction include the author, title of the work, publication date, historical context, and a brief summary?
• What is your peer’s main claim, or thesis? Is it clearly stated? If not, how might your peer clarify it?
• Is the thesis effectively supported throughout the essay? How does each paragraph support the thesis? What evidence does each contain? Has the writer included direct quotations, paraphrases, and summary as relevant and convincing support? Is there enough information to sustain the writer’s claims? How might the author improve their support? In working on this section, go through each body paragraph separately for these criteria.
• Does the analysis address counterclaims? If not, how might the writer include them?
• Which sentence or sentences restate the thesis? If a restatement is not there, what might the writer include?

Once you have feedback from a peer, consider their suggestions. Read all comments, and think carefully before making changes.

• Use your discretion . Sometimes writers do not agree with their peers’ suggestions; indeed, authors do not always revise everything suggested by editors. However, it is important to clarify what might have prompted a response from a peer, such as “This seems like more of an unsupported opinion than text-based evidence.” Here you might consider including a source citation either from the text or from an outside resource, or consider further explaining your claim. However, if you think your peer reviewer misinterpreted or read your claim superficially, do not revise it. At all times, though, maintain ownership. It is your paper; you are the ultimate judge of whether the ideas in it represent you and your views. Never include someone else’s idea in your paper if you do not understand it or believe it. Whether or not you decide to revise, be sure to read and consider all suggestions carefully.
• Focus on global suggestions first. Global feedback applies to your entire paper. You may have to revise your topic or thesis so that your paper meets assigned guidelines or does what it should. It is important to revise global feedback first, for these revisions might necessitate changes in content and organization, among other things.
• Complete a close revision. Check your paper to revise for clarity at the sentence level, and double-check citations, if you have them, for accuracy and style.

In Chapter 16, you have learned about the revision process, including how to evaluate suggestions for revision from peer review. In this activity, evaluate each revision suggestion for specificity. A specific suggestion is helpful and easy to implement. A general suggestion is not helpful and should be ignored unless you can go back and ask the reviewer to provide more details. Based on your evaluation, look at each revision suggestion and decide whether to implement or to ignore.

Student Revision Model

Below is a paragraph from the first draft of Gwyn Garrison’s paper. It was reviewed by a peer, who made the suggestions indicated. First, read the draft. Next, read the reviewer’s suggestions and consider whether you would accept or reject each one. Then, read the paragraph as it appears in the final version. After each suggestion, consider why you think Gwyn Garrison accepted or rejected the reviewer’s comment.

Original Draft

student sample text When Calixta acts outside of societal norms, she discovers the freedom of self-expression and passion. Chopin’s diction evokes a spiritual transcendence that allows Calixta to exist momentarily outside social norms that exist only in the physical plane of existence: “when he possessed her, they seemed to swoon at the very borderland of life’s mystery.” The affair becomes a vehicle that allows Calixta to get to a place of true self-expression. The storm, an aspect of nature or the natural world, acts as the catalyst in Calixta’s natural self-realization of womanhood. The storm breaks externally and internally for Calixta. Chopin’s depiction of Calixta’s sexual liberation and fulfillment outside of her marriage is an early step in the fight to bridge the gap between women’s bodies and their sociopolitical lives. By presenting female sexuality in a way that is enlightening rather than degrading, Chopin helps destigmatize labels such as whore, which have been used to shame women for acting outside of traditional gender expectations. end student sample text

Peer Reviewer’s Comments

• A transition would help link this paragraph with the previous one.
• At the beginning of the paragraph, after the first sentence, add a short description or explanation of what is happening in the scene.
• The quotation from the text doesn’t help explain your claim. Anyway, you left out a word.
• Perhaps you could add a quotation about the storm.
• Can you clarify the relationship between the storm and Calixta’s self-realization?

Final Version

student sample text When Calixta acts outside of societal norms, however , she discovers the freedom of self-expression and passion. All of the parts of her womanhood that have no place in the society in which she lives have been repressed until this one moment. In this scene, Chopin takes possession of the term whore and redefines Calixta’s behavior as a transformative awakening. Chopin’s diction evokes a spiritual transcendence that allows Calixta to exist momentarily outside social norms that exist only in the physical plane of existence: “when he possessed her, they seemed to swoon together at the very borderland of life’s mystery.” The affair becomes a vehicle that allows Calixta to get to a place of true self-expression. The storm, an aspect of nature or the natural world, acts as the catalyst in Calixta’s natural self-realization of womanhood. As the storm breaks externally, it also breaks internally for Calixta. Chopin’s depiction of Calixta’s sexual liberation and fulfillment outside of her marriage is an early step in the fight to bridge the gap between women’s bodies and their sociopolitical lives. By presenting female sexuality in a way that is enlightening rather than degrading, Chopin helps destigmatize labels such as whore, which have been used to shame women for acting outside of traditional gender expectations. end student sample text

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ENGL000: Pre-College English

ENGL000 Study Guide

Unit 5: introductions and conclusions, 5a: craft effective introductions and conclusions.

• What are some examples of introduction strategies to hook the reader?
• What is a thesis statement?
• When should your essay include a thesis?
• What are the characteristics of an effective thesis statement?
• What are some examples of writing devices or strategies for writing effective conclusions?
• What are some examples of ineffective strategies to avoid when writing conclusions?

An introduction sets the expectations for the rest of an essay. It conveys the topic, tone, main ideas, and organization of your argument. The first few sentences of an essay are an opportunity to catch your reader's attention and invite them to think about your topic. A writing device or strategy that engages your reader is called a hook. When your writing includes a thesis statement, the thesis should appear in the introduction.

Effective writers end their essays with a concluding paragraph, rather than ending abruptly after they have finished making their main points. A conclusion should briefly summarize the argument made in the essay, but conclusions do more than just reiterate the thesis and main ideas. The conclusion is an opportunity to offer reader some take-aways: help the reader understand the purpose, implications, and significance of the argument.

To review, see  Writing Introductions and Conclusions , Introduction Strategies , and Conclusions .

5b: Differentiate among different types of academic essays with respect to purpose and writing elements

• What are the basics elements of expository essays?
• What is the purpose and writing elements of narrative essays?
• What is the purpose and writing elements of descriptive essays?
• What is the purpose and writing elements of reflective essays?

Many of the essays college students write are some form of expository writing. Expository writing is meant to explain and inform; it is organized around a central argument, and ideas are supported with evidence and examples. College students may be tasked with writing many types of essays, each with a different purpose. Some of these types of essays will be expository in nature, while others will not be organized around a debatable claim.

Research papers are a form of expository writing. Research papers generally follow a set format, with several writing elements not commonly used in most other types of academic writing. Research papers include abstracts, literature reviews, and a section on methodology.

To review, see Types of Essays ,  What is a Research Paper? , Elements of Expository Essays , and Reflective Writing .

5c: Revise drafts to ensure effective organization

• What strategies are there for revising your writing?

Revision is the fourth step of the writing process. Once you have completed a draft of an essay, you should review your draft for organization, message, and tone. While you revise, bear in mind the purpose and audience for your writing. Think of revision as an opportunity to re-envision your writing: try to see it again with fresh eyes.

To review, see Reorganizing Drafts  and Revising .

5d: Proofread to ensure spelling and usage appropriate to different writing contexts

• What are some strategies for effective proofreading?
• What is the difference between proofreading and revision?

Proofreading is a distinct phase of the writing process that is different than revision.

To review, see Revising .

5e: Write well-organized analytical paragraphs in response to writing prompts

• What is a main idea?
• What is a major detail?
• What is a minor detail?
• What are the relationships between main ideas and subordinate ideas?
• What is a topic sentence?
• What are transitions?
• What is the function of transitions
• What are some examples of transitional expressions that signal different types of relationships?
• What are the elements of a grammatically complete sentence?
• What are two types of sentences?
• What are some strategies for sentence variation?

To review, see Adventure of the Speckled Band Reflective Essay .

5f: Demonstrate principles of active reading

• What is active reading?
• What is the difference between reading actively and reading passively?
• What are some strategies for reading actively, especially in online reading environments?
• What are the steps of the Cornell Note-taking System?

To review, see The Adventure of the Speckled Band Quiz .

5g: Craft short essays employing a variety of organizational patterns

• What are the steps of the writing process?
• What are three writing elements necessary in any type of argumentative essay?

College students are tasked with writing many different types of essays. Each discipline, instructor, and assignment will have different expectations. The most effective writers know how to tailor writing skills and techniques to different writing contexts.

To review, see Essay Based on the Works of Sir Arthur Conan Doyle .

Unit 5 Vocabulary

This vocabulary list includes terms that might help you answer some of the review items above and some terms you should be familiar with to be successful in completing the final exam for the course.

• active reading
• argumentative writing
• compare and contrast essay
• Cornell Note-taking System
• descriptive essay
• expository writing
• introduction
• major detail
• minor detail
• narrative essay
• persuasive essay
• proofreading
• reflective writing
• research paper
• thesis statement
• topic sentence
• transitions
• writing process

expository essay

What is expository essay definition, usage, and literary examples, expository essay definition.

An  expository essay  [ik-SPOZ-ih-tohr-ee ess-ay] is an essay in which the writer researches a topic and uses evidence to inform their readers or clarify the topic. They can take many forms, including a how-to essay, an essay that defines something, or an essay that studies a problem and offers a solution.

The Five-Paragraph Model

Most expository essays follow the five-paragraph essay model:

• Introduction:  The introduction contains the thesis statement or main point of the essay. Here, the writer describes the subject and gives necessary  context .
• Body:  This section is usually three or more paragraphs and offers supporting evidence for the thesis.
• Conclusion:  The conclusion revisits the thesis and summarizes the writer’s main points.

Types of Expository Essays

There are several types of expository essays that can be written.

• Cause and Effect:  These essays question why something happened and the outcome of that occurrence. For example, an essay of this type might question why there’s a large homeless population in Seattle and what effects it has on the city and its citizens.
• Classification:  These break a broad subject down into several, in-depth subcategories. A classification essay might study the various kinds of movies, define genres, and break the most common genres down by subgenre (for example, action thriller and action adventure as subgenres of the action genre).
• Compare and Contrast:  These essays lay out the similarities and differences of at least two subjects. One such essay might compare two different novels by the same author. These essays can explore the pros and cons of different choices as well, like living in the city versus living in the country.
• Definition:  As indicated, a definition essay describes or defines something. For example, it might define the internet and provide a detailed explanation of how it works.
• How-To:  Also called a process essay, a how-to essay gives the reader steps for creating or doing something. For example, a process essay might walk its reader through setting a table, step by step.
• Problem and Solution:  This type of essay explores a problem and, using evidential support, offers potential solutions. For example, a writer might consider the example of Seattle’s homeless population, cite a solution that other cities have used successfully, and propose that same solution for Seattle.

Other Forms of Expository Writing

In addition to the aforementioned, there are other uses for expository writing. Most commonly:

• Newspaper articles
• Encyclopedic entries
• Manuals/assembly instructions

Expository vs. Argumentative Essays

Expository essays are like argumentative essays in that they both require research. Unlike argumentative essays, expository essays are meant to inform their audience rather than persuade it.

Argumentative essays are often controversial and contain the writer’s personal opinions, whereas expository essays give factual information and explore a topic from many  perspectives . Educational spheres often use expository essays to test writing ability, reading comprehension, and/or the writer’s understanding of a topic.

Examples of Expository Essays

1. Susan Sontag, “Notes on ‘Camp’”

This is a definition essay that explores the meaning and usage of the slang word  camp . When she wrote the essay in 1964, people used the word to describe a person or thing as exaggerated, effeminate, or theatrical. Sontag suggests that camp isn’t a solid concept but rather a sensibility, and she acknowledges its connection to contemporary gay culture. Her definition of camp is given in the following passage:

[Camp] is not a natural mode of sensibility, if there be any such. Indeed the essence of Camp is its love of the unnatural: of artifice and exaggeration. And Camp is esoteric–something of a private code, a badge of identity even, among small urban cliques.

2. David Foster Wallace, “Consider the Lobster”

Herein, Wallace reviews the 2003 Main Lobster Festival and questions the morality of boiling lobsters alive. He examines the problem from all facets, including whether a lobster feels pain, without directly asserting his opinion. After descriptions of the festival, physical properties of lobsters, and the common use of the crustaceans, Wallace poses the main question of the essay:

So then here is a question that’s all but unavoidable at the World’s Largest Lobster Cooker, and may arise in the kitchens across the U.S. Is it all right to boil a sentient creature alive just for our gustatory pleasure? A related set of concerns: Is the previous question irksomely PC or sentimental? What does “all right” even mean in this context? Is it all just a matter of individual choice?

3. Rebecca Solnit, “The Longest War”

From Solnit’s 2014 book of essays,  Men Explain Things to Me , “The Longest War” explores issues of male violence against women. Solnit uses both statistical and  anecdotal  evidence to inform her audience of the issue, which supports some of her argumentative essays that appear later in the book:

[T]hough a rape is reported only every 6.2 minutes in this country, the estimated total is perhaps five times as high. Which means that there may be very nearly a rape a minute in the United States. It all adds up to tens of millions of rape victims. A significant portion of the women you know are survivors.

Further Resources on Expository Essays

You can find more examples of expository essays on  LiteraryDevices.net .

Bibme.org  offers guidance for writing expository essays.

Essaytigers.com  provides step-by-step writing instructions and an additional argumentative essay and expository essay comparison.

Related Terms

• Argumentative Essay
• Expository Writing

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Expository Essays

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What is an expository essay?

The expository essay is a genre of essay that requires the student to investigate an idea, evaluate evidence, expound on the idea, and set forth an argument concerning that idea in a clear and concise manner. This can be accomplished through comparison and contrast, definition, example, the analysis of cause and effect, etc.

Please note : This genre is commonly assigned as a tool for classroom evaluation and is often found in various exam formats.

The structure of the expository essay is held together by the following.

• A clear, concise, and defined thesis statement that occurs in the first paragraph of the essay.

It is essential that this thesis statement be appropriately narrowed to follow the guidelines set forth in the assignment. If the student does not master this portion of the essay, it will be quite difficult to compose an effective or persuasive essay.

• Clear and logical transitions between the introduction, body, and conclusion.

Transitions are the mortar that holds the foundation of the essay together. Without logical progression of thought, the reader is unable to follow the essay’s argument, and the structure will collapse.

• Body paragraphs that include evidential support.

Each paragraph should be limited to the exposition of one general idea. This will allow for clarity and direction throughout the essay. What is more, such conciseness creates an ease of readability for one’s audience. It is important to note that each paragraph in the body of the essay must have some logical connection to the thesis statement in the opening paragraph.

• Evidential support (whether factual, logical, statistical, or anecdotal).

Often times, students are required to write expository essays with little or no preparation; therefore, such essays do not typically allow for a great deal of statistical or factual evidence.

• A bit of creativity!

Though creativity and artfulness are not always associated with essay writing, it is an art form nonetheless. Try not to get stuck on the formulaic nature of expository writing at the expense of writing something interesting. Remember, though you may not be crafting the next great novel, you are attempting to leave a lasting impression on the people evaluating your essay.

• A conclusion that does not simply restate the thesis, but readdresses it in light of the evidence provided.

It is at this point of the essay that students will inevitably begin to struggle. This is the portion of the essay that will leave the most immediate impression on the mind of the reader. Therefore, it must be effective and logical. Do not introduce any new information into the conclusion; rather, synthesize and come to a conclusion concerning the information presented in the body of the essay.

A complete argument

Perhaps it is helpful to think of an essay in terms of a conversation or debate with a classmate. If I were to discuss the cause of the Great Depression and its current effect on those who lived through the tumultuous time, there would be a beginning, middle, and end to the conversation. In fact, if I were to end the exposition in the middle of my second point, questions would arise concerning the current effects on those who lived through the Depression. Therefore, the expository essay must be complete, and logically so, leaving no doubt as to its intent or argument.

The five-paragraph Essay

A common method for writing an expository essay is the five-paragraph approach. This is, however, by no means the only formula for writing such essays. If it sounds straightforward, that is because it is; in fact, the method consists of:

• an introductory paragraph
• three evidentiary body paragraphs
• a conclusion

How to Write Excellent Expository Essays

WHAT IS AN EXPOSITORY ESSAY?

An Expository essay ‘exposes’ information to the reader to describe or explain a particular topic logically and concisely.

The purpose of expository writing is to educate or inform the reader first and foremost.

Though the term is sometimes used to include persuasive writing , which exposes us to new ways of thinking, a true expository text does not allow the writer’s personal opinion to intrude into the text and should not be confused.

Expository Writing follows a structured format with an introduction, body paragraphs presenting information and examples, and a conclusion summarising key points and reinforcing the thesis. Common expository essays include process, comparison/contrast, cause and effect, and informative essays.

EXPOSITORY ESSAY STRUCTURE

TEXT ORGANIZATION Organize your thoughts before writing.

CLARITY Use clear and concise wording. There is no room for banter.

THESIS STATEMENT State position in direct terms.

TOPIC SENTENCE Open each paragraph with a topic sentence.

SUPPORTING DETAIL Support the topic sentence with further explanation and evidence.

LINK End each body paragraph by linking to the next.

EXPOSITORY ESSAY TYPES

PROCESS Tell your audience how to achieve something, such as how to bake a cake.

CAUSE & EFFECT Explore relationships between subjects, such as climate change and its impact.

PROBLEM & SOLUTION Explain how to solve a problem, such as improving physical fitness.

COMPARE & CONTRAST Compare and contrast two or more items, such as life in China life vs life in the United States or Australia.

DEFINITION Provides a detailed definition of a word or phrase, such as self-confidence.

CLASSIFICATION Organizes things into categories or groups, such as types of music.

STRUCTURE & FEATURES OF EXPOSITORY WRITING

While there are many types of expository essays, the basic underlying structure is the same. The Hamburger or 5-Paragraph Essay structure is an excellent scaffold for students to build their articles. Let’s explore the expository essay outline.

INTRODUCTION:

This is the top bun of the burger, and here the student introduces the exposition topic. This usually consists of a general statement on the subject, providing an essay overview. It may also preview each significant section, indicating what aspects of the subject will be covered in the text. These sections will likely relate to the headings and subheadings identified at the planning stage.

If the introduction is the top bun of the burger, then each body paragraph is a beef patty. Self-contained in some regards, each patty forms an integral part of the whole.

EXPOSITORY PARAGRAPHS

Each body paragraph deals with one idea or piece of information. More complex topics may be grouped under a common heading, and the number of paragraphs will depend on the complexity of the topic. For example, an expository text on wolves may include a series of paragraphs under headings such as habitat, breeding habits, what they eat, etc.

Each paragraph should open with a topic sentence indicating to the reader what the paragraph is about. The following sentences should further illuminate this main idea through discussion and/or explanation. Encourage students to use evidence and examples here, whether statistical or anecdotal. Remind students to keep things factual – this is not an editorial piece for a newspaper!

Expository writing is usually not the place for flowery flourishes of figurative imagery! Students should be encouraged to select a straightforward language that is easy for the reader to understand. After all, the aim here is to inform and explain, and this is best achieved with explicit language.

As we’ve seen, several variations of the expository essay exist, but the following are the most common features students must include.

The title should be functional. It should instantly inform the reader what they will learn about in the text. This is not the place for opaque poetry!

A table of contents in long essays will help the reader locate helpful information quickly. Usually, the page numbers found here will be linked to headings and subheadings to be found in the text.

HEADINGS / SUBHEADINGS:

These assist the reader in finding information by summarizing the content in their wording.

Usually listed alphabetically, the glossary defines unusual or topic-specific vocabulary and is sometimes accompanied by pictures, illustrations etc.

The index lets the reader identify where to find specific information in longer texts. An index is much more detailed than a table of contents.

VISUAL FORMS OF INFORMATION

Expository essays sometimes support the text with visuals, such as:

• Pictures / Illustrations / Photographs:

These can be used to present a central idea or concept within the text and are often accompanied by a caption explaining what the image shows. Photographs can offer a broad overview or a close-up of essential details.

Diagrams are a great way to convey complex information quickly. They should be labelled clearly to ensure the reader knows what they are looking at.

• Charts and Graphs:

These are extremely useful for showing data and statistics in an easy-to-read manner. They should be labelled clearly and correspond to the information in the nearby text.

Maps may be used to explain where something is or was located. 

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Types of expository essay

There are many different types of expository texts (e.g. encyclopaedias, travel guides, information reports , etc.), but there are also various expository essays, with the most common being.

• Process Essays
• Cause and Effect Essays
• Problem and Solution Essays
• Compare and Contrast Essays
• Definition Essays
• Classification Essays

We will examine each of these in greater detail in the remainder of this article, as they have slight nuances and differences that make them unique. The graphic below explains the general structure for all text types from the expository writing family.

THE PROCESS ESSAY

This how-to essay often takes the form of a set of instructions. Also known as a procedural text , the process essay has very specific features that guide the reader on how to do or make something.

To learn more about this type of writing, check out our information-packed article here .

Features of a process essay

Some of the main features of the process essay include:

• ‘How to’ title
• Numbered or bullet points
• Time connectives
• Imperatives (bossy words)
• List of resources

Example Expository Process Essay:

The cause and effect essay.

The purpose of a cause-and-effect essay is to explore the causal relationships between things. Essays like this often bring the focus back to a single cause. These essays frequently have a historical focus.

The text should focus on facts rather than assumptions as an expository essay. However, cause-and-effect essays sometimes explore hypothetical situations too.

There are two main ways to structure a cause-and-effect essay.

The Block Structure presents all the causes first. The writer then focuses on the effects of these causes in the second half of the essay.

The Chain Structure presents each cause and then immediately follows with the effects it created.

Example Expository Cause and Effect Essay:

The problem and solution essay.

In this type of essay, the writer first identifies a problem and then explores the topic from various angles to ultimately propose a solution. It is similar to the cause-and-effect essay.

While the problem and solution essay can use the block and chain structures as outlined above – substitute cause with problem and effect with a solution – it will also usually work through the following elements:

• Identifies a problem
• Contains a clear thesis statement
• Each paragraph has a topic sentence
• Supports with facts, examples, evidence
• The conclusion summarizes the main points

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Example Expository Problem and Solution Essay:

The compare and contrast essay.

In this type of essay, students evaluate the similarities and differences between two or more things, ideas, people, etc. Usually, the subjects will belong to the same category.

The compare-and-contrast expository essay can be organized in several different ways. Three of these are outlined below.

In the three structures outlined, it is assumed that two subjects are being compared and contrasted. Of course, the precise number of paragraphs required in the text will depend on the number of points the student wishes to make and the number of subjects being compared and contrasted.

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DEFINITION ESSAYS

This type of essay provides a detailed description and definition of a word or phrase. It can be a concrete term, such as car or glass, or a more abstract concept, such as love or fear .

A definition essay comprehensively explains a term’s purpose and meaning. It will frequently contain some or all of the following elements:

• A definition of the term
• An analysis of its meaning
• The etymology of the term
• A comparison to related terms
• Examples to illustrate the meaning
• A summary of the main points

Example Expository Definition Essay:

CLASSIFICATION ESSAYS

Like definition essays, a classification essay sorts or organizes things into various groups or categories and explains each group or category in detail.

Classification essays focus on:

• Sorting things into functional categories
• Ensuring each category follows a common organizing principle
• Provides examples that illustrate each category.

Example Expository Classification Essay:

One of the best ways to understand the different features of expository essays is to see them in action. The sample essay below is a definition essay but shares many features with other expository essays.

EXPOSITORY WRITING PROMPTS

Examples of Expository Essay Titles

 Expository essay prompts are usually pretty easy to spot.

 They typically contain keywords that ask the student to explain something, such as “define,” “outline,” “describe,” or, most directly of all, “explain.”

 This article will examine the purpose of an expository essay and its structure. It will also examine the primary language and stylistic features of this vital text type.

 After this, we’ll explore five distinct tips for helping your students get the most out of writing their expository essays.

Expository Essays vs Argumentative Essays

 Expository essays are often confused with their close cousin, the argumentative essay. Still, it’s easy to help students distinguish between the two by quickly examining their similarities and differences.

 In an expository essay, students will attempt to write about a thing or a concept neutrally and objectively, unlike an argumentative essay where the writer’s opinions permeate the text throughout. Simple as it sounds, this may take some doing for some students as it requires the writer to refine their personal voice almost out of existence!

 Luckily, choosing the correct viewpoint from which to write the essay can go a long way to helping students achieve the desired objectivity. Generally, students should write their expository essays from the third-person perspective.

Contrastingly, argumentative essays are subjective in nature and will usually be written from the first-person perspective as a result.

 In an expository essay, the text’s prime focus is the topic rather than the writer’s feelings on that topic. For the writer, disassociating their personal feelings on a topic is much easier when they’re a step removed from the narration by using the third-person POV rather than the first-person POV.

Expository Essay Tips

Follow these top tips from the experts to craft an amazing expository essay.

 Tip #1: Choose the Right Tool for the Job

Surprising as it may seem, not all expository essays are created equal.

 In fact, there are several different types of expository essays, and our students must learn to recognize each and choose the correct one for their specific needs when producing their own expository essays.

 To do this, students will need to know the 5 types of expository essays:

• The Cause and Effect Essay : This type of essay requires that the writer explain why something happened and what occurred due to that event and subsequent events. It explores the relationship between people, ideas, events, or things and other people, ideas, events, or things.
• The Compare and Contrast Essay: In a compare and contrast essay, the writer examines the similarities and differences between two subjects or ideas throughout the body of the piece and usually brings things together in an analysis at the end .
• The Descriptive Essay: This is a very straightforward expository essay with a detailed description or explanation of a topic. The topic may be an event, place, person, object, or experience. This essay’s direct style is balanced with the freedom of the writer can inject some of their creativity into the description.
• The Problem and Solution Essay : In this expository essay, the student will work to find valid solutions to a specific problem or problem.
• The Process Essay : Also called a how-to essay, this essay type is similar to instruction writing, except in essay form. It provides a step-by-step procedure breakdown to teach the reader how to do something.

 When choosing a specific topic to write about, students should consider several factors:

 ●      Do they know the topic well enough to explain the ins and outs of the subject to an unfamiliar audience?

 ●      Do they have enough interest in this topic to sustain thorough research and writing about it?

 ●      Is enough relevant information and credible sources available to fuel the student’s writing on this topic?

Tip # 2: Research the Topic Thoroughly

Regardless of which type of expository essay your students are working on, they must approach the research stage of the writing process with diligence and focus. The more thorough they are at the research stage, the smoother the remainder of the writing process will be.

A common problem for students while researching is that sometimes they don’t have a clear understanding of the objective of their research. They lack a clear focus on their efforts.

Research is not mindlessly scanning documents and scrawling occasional notes. As with any part of the writing process, it begins with determining clear objectives.

Often, students will start the research process with a broad focus, and as they continue researching, they will naturally narrow their focus as they learn more about the topic.

Take the time to help students understand that writing isn’t only about expressing what we think; it’s also about discovering what we think.

When researching, students should direct their efforts to the following:

• Gather Supporting Evidence : The research process is not only for uncovering the points to be made within the essay but also the evidence to support those points. The aim here is to provide an objective description or analysis of the topic; therefore, the student will need to gather relevant supporting evidence, such as facts and statistics, to bolster their writing. Usually, each paragraph will open with a topic sentence, and subsequent sentences in the paragraph will focus on providing a factual, statistical, and logical analysis of the paragraph’s main point.
• Cite Sources : It’s an essential academic skill to be able to cite sources accurately. There are several accepted methods of doing this, and you must choose a citation style appropriate to your student’s age, abilities, and context. However, whatever style you choose, students should get used to citing any sources they use in their essays, either in the form of embedded quotations, endnotes, or bibliography – or all three!
• Use Credible Sources: The Internet has profoundly impacted knowledge sharing as the Gutenberg Press did almost 600 years ago. It has provided unparalleled access to the sum total of human knowledge as never before, with each student having a dizzying number of sources available at their fingertips. However, we must ensure our students understand that not all sources are created equal. Encourage students to seek credible sources in their research and filter out the more dubious sources. Some questions students can ask themselves to help determine a source’s credibility include:

●      Have I searched thoroughly enough to find the most relevant sources for my topic?

●      Has this source been published recently? Is it still relevant?

●      Has the source been peer-reviewed? Have other sources confirmed this source?

●      What is the publication’s reputation?

●      Is the author an expert in their field?

●      Is the source fact-based or opinion-based?

Tip #3: Sketch an Outline

Every kid knows you can’t find the pirate treasure without a map, which is true of essay writing. Using their knowledge of the essay’s structure, students start whipping their research notes into shape by creating an outline for their essay.

The 5-paragraph essay or ‘Hamburger’ essay provides a perfect template for this.

Students start by mapping out an appealing introduction built around the main idea of their essay. Then, from their mound of research, they’ll extract their most vital ideas to assign to the various body paragraphs of their text.

Finally, they’ll sketch out their conclusion, summarize their essay’s main points, and, where appropriate, make their final statement on the topic.

Tip #4: Write a Draft

Title chosen? Check! Topic researched? Check! Outline sketched? Check!

Well, then, it’s time for the student to begin writing in earnest by completing the first draft of their essay.

They’ll already have a clear idea of the shape their essay will take from their research and outlining processes, but ensure your students allow themselves some leeway to adapt as the writing process throws up new ideas and problems.

That said, students will find it helpful to refer back to their thesis statement and outline to help ensure they stay on track as they work their way through the writing process towards their conclusions.

As students work through their drafts, encourage them to use transition words and phrases to help them move smoothly through the different sections of their essays.

Sometimes, students work directly from an outline as if on a checklist. This can sometimes be seen as the finished essay resembling Frankenstein. That is an incongruous series of disparate body parts crudely stitched together.

Learning to use transitions effectively will help students create an essay that is all of a whole, with all the joins and seams sanded and smoothed from view.

Tip #5: Edit with a Fresh Pair of Eyes

Once the draft is complete, students enter the final crucial editing stage.

But, not so hasty! Students must pencil in some time to let their drafts ‘rest’. If the editing process occurs immediately after the student finishes writing their draft, they’ll likely overlook much.

Editing is best done when students have time to gain a fresh perspective on their work. Ideally, this means leaving the essay overnight or over a few nights. However, practically, this isn’t always possible. Usually, though, it will be possible for students to put aside their writing for a few hours.

With the perspective that only time gives, when returning to their work, students can identify areas for improvement that they may have missed. Some important areas for students to look at in the editing process include:

• Bias : Students need to remember the purpose of this essay is to present a balanced and objective description of the topic. They need to ensure they haven’t let their own personal bias slip through during the writing process – an all too easy thing to do!
• Clarity : Clarity is as much a function of structure as language. Students must ensure their paragraphs are well organized and express their ideas clearly. Where necessary, some restructuring and rewriting may be required.
• Proofread: With stylistic and structural matters taken care of, it’s now time for the student to shift their focus onto matters of spelling , vocabulary choice, grammar, and punctuation. This final proofread represents the last run-through of the editing process. It’s the students’ final chance to catch mistakes and errors that may bias the assessor (aka You! ) against the effectiveness of the piece of writing. Where the text has been word-processed, the student can enlist inbuilt spelling and grammar checkers to help. Still, they should also take the time to go through each line word by word. Automatic checkers are a helpful tool, but they are a long way from infallible, and the final judgement on a text should employ the writer’s own judgement.

Expository essays are relatively straightforward pieces of writing. By following the guidelines mentioned above and practising them regularly, students can learn to produce well-written expository essays quickly and competently.

Explaining and describing events and processes objectively and clearly is a useful skill that students can add to their repertoire. Although it may seem challenging at first, with practice, it will become natural.

To write a good expository essay, students need a good understanding of its basic features and a firm grasp of the hamburger essay structure. As with any writing genre, prewriting is essential, particularly for expository writing.

Since expository writing is designed primarily to inform the reader, sound research and note-taking are essential for students to produce a well-written text. Developing these critical skills is an excellent opportunity for students through expository writing, which will be helpful to them as they continue their education.

Redrafting and editing are also crucial for producing a well-written expository essay. Students should double-check facts and statistics, and the language should be edited tightly for concision.

And, while grading their efforts, we might even learn a thing or two ourselves!

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4.1: Expository Essays

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Learning Objectives

• Understand the function and use of expository essays
• Identify eight types of expository essays
• Apply expository essay structure

What Is an Expository Essay?

An essay that explains a writer’s ideas by defining, explaining, informing, or elaborating on points to allow the reader to clearly understand the concept.

Many of your future academic workplace writing assignments will be expository–explaining your ideas or the significance of a concept or action. An expository essay allows the writer the opportunity to explain his or her ideas about a topic and to provide clarity for the reader by using:

• Explanations
• Definitions

It may also include the writer outlining steps of a procedure in a way that is straightforward for the reader to follow. It is purely informative and often contains elements of summary.

Imagine you need to verbally explain a concept to your classmates, maybe a behavioural theory. What are the key elements on which you would focus? How would you organize the information? You could explain who came up with the theory, the specific area of study to which it is related, its purpose, and the significant details to explain the theory. Telling these four elements to your classmates would give them a complete, yet summarized, picture of the theory, so they could apply the theory in future discussions.

Although you did this verbally, you were still fulfilling the elements of an expository essay by providing definition, details, explanations, and maybe even facts if you have a really good memory. This is the same process that you would use when you write an expository essay. You may actually be doing this all the time; for example, when you are giving someone directions to a place or explaining how to cook something. In the following sections of the chapter, you will practise doing this more in different expository written forms.

The Structure of an Expository Essay

Sections versus paragraphs.

Before looking at the general structure of an expository essay, you first need to know that in your post-secondary education, you should not consider your essay as writing being constructed with five paragraphs as you might have been used to in high school. You should instead think of your essay in terms of sections (there may be five), and each section may have multiple paragraphs.

To understand further why you need to think beyond the five-paragraph essay, imagine you have been asked to submit a six-page paper (approximately 1,500 words). You already know that each paragraph should be roughly 75 to 200 words long. If you divide the required word count by five paragraphs (1,500 by 5), you end with 300 words per paragraph, way above the number you should have in a paragraph. If your paragraphs are too long, they likely have too many ideas and your reader may become confused. Your paragraphs should be two-third of a page at most, and never longer than a page.

Instead, if you think of your essays being divided into sections (with possibly more than one paragraph per section), your writing will likely be more organized and allow your reader to follow your presentation of ideas without creating too much distance between your paragraph’s supporting points and its topic sentence.

As you will see in Section 4.5, some essay forms may require even more than five paragraphs or sections because of how many points are necessary to address. For the rest of this chapter, the term paragraph will also imply section.

Sections of an Expository Essay

An expository essay, regardless of its purpose, should have at least five sections, which are:

• Introduction
• First body section/paragraph
• Second body section/paragraph
• Third body section/paragraph
• Conclusion.

The introduction should state the topic of your paper: your thesis statement as well as brief signposts of what information the rest of the paper will include. That is, you only want to mention the content of the body paragraphs; you do not want to go in to a lot of detail and repeat what will be in the rest of the essay.

The first body section or paragraph should focus on one of your main points and provide evidence to support that point. There should be two to three supporting points: reasons, facts, statistics, quotations, examples, or a mix of these. Both the second and third body sections should follow the same pattern. Providing three body sections with one point each that supports the thesis should provide the reader with enough detail to be convinced of your argument or fully understand the concept you are explaining. However, remember that some sections will require more explanation, and you may need to separate this information into multiple paragraphs.

You can order your sections in the most logical way to explain your ideas. For example, if you are describing a process, you may use chronological order to show the definite time order in which the steps need to happen. You will learn about the different ways to organize your body paragraphs in the next chapter.

The concluding paragraph , or conclusion, can be a little tricky to compose because you need to make sure you give a concise summary of the body paragraphs, but you must be careful not to simply repeat what you have already written. Look back at the main idea of each section/paragraph, and try to summarize the point using words different from those you have already used. Do not include any new points in your concluding paragraph.

Consider Your Audience: How Much Do They Know?

Later in this chapter, you will work on determining and adapting to your audience when writing, but with an expository essay, since you are defining or informing your audience on a certain topic, you need to evaluate how much your audience knows about that topic (aside from having general common knowledge). You want to make sure you are giving thorough, comprehensive, and clear explanations on the topic. Never assume the reader knows everything about your topic (even if it is covered in the reader’s field of study). For example, even though some of your instructors may teach criminology, they may have specialized in different areas from the one about which you are writing; they most likely have a strong understanding of the concepts but may not recall all the small details on the topic. If your instructor specialized in crime mapping and data analysis for example, he or she may not have a strong recollection of specific criminological theories related to other areas of study. Providing enough background information without being too detailed is a fine balance, but you always want to ensure you have no gaps in the information, so your reader will not have to guess your intention. Again, we will practise this more in Section 4.9.

What Comes Next?

In the next eight sections (4.2 through 4.9), we will look at different expository modes, or rhetorical modes, you will often be assigned. These are:

• Illustration
• Description
• Classification
• Process analysis
• Compare and contrast
• Cause and effect

Rhetorical modes refers simply to the ways to communicate effectively through language. As you read about these modes, keep in mind that the rhetorical mode a writer chooses depends on his or her purpose for writing. Sometimes writers incorporate a variety of modes in any one essay. In this chapter, we also emphasize the rhetorical modes as a set of tools that will allow you greater flexibility and effectiveness in communicating with your audience and expressing your ideas.

In a few weeks, you will need to submit your first essay–an expository sample–and you will be given the choice of topic: one from each of the modes. Think about which types of expository essays are easier and which are more challenging for you. As mentioned, as you progress through your studies, you will be exposed to each of these types. You may want to explore a mode you find more challenging than the others in order to ensure you have a full grasp on developing each type. However, it is up to you. As you work through the sections, think about possible topics you may like to cover in your expository essay and start brainstorming as you work through the self-practice exercises.

After we explore each of the individual modes in the eight sections that follow, we will look at outlining and drafting; it is at this point you will want to fine tune and narrow the topic you will write about, so you can focus on that when doing the exercises.

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Expository Writing: Definition and Examples

Hannah Yang

Table of Contents

What is expository writing, what is an expository paragraph, expository writing examples, how prowritingaid can help you with expository composition.

One of the most common types of writing is expository writing. Whether you’re a student taking an English class or a professional trying to communicate to others in your field, you’ll need to use expository writing in your day-to-day work.

So, what exactly does this term mean?

The short answer is that expository writing refers to any writing designed primarily to explain or instruct.

Read on to learn the definition of expository writing as well as some examples of what this type of writing can look like.

Before we look at examples of expository writing, let’s start with a quick definition of what this term actually means.

Expository Writing Definition

The term expository writing refers to any writing that’s designed to explain something. We use the word expository to describe any passage of writing that’s supposed to present information and help you understand it in an objective way.

Some common examples of expository writing include academic essays, textbooks, instructional guides, and news reports. Good expository writing should be factual, objective, and clear.

To better understand what this term means, think about the difference between a scientific article, a short story, and an advertisement.

The scientific article is considered expository writing because its primary purpose is to explain a particular topic in more detail. It presents data, analyzes what that data means, and focuses on the facts.  

On the other hand, the short story isn’t considered expository writing, because its core purpose isn’t to explain or inform—instead, it’s probably trying to entertain you or to take you on a journey. Short stories are narrative writing.

Similarly, an advertisement isn’t expository writing because its core purpose isn’t to explain or inform—instead, it’s trying to persuade you to buy what it’s selling. Advertisements are persuasive writing.   

Here’s a quick rundown of what expository essays should and shouldn’t do.

An expository essay should:

Teach the reader about a particular topic

Focus on the facts

Follow a clearly organized structure

Present information and details from credible sources

An expository essay should not:

Try to change the reader’s mind about something

Present the author’s personal opinions

Include made-up narratives or stories

Follow experimental or nonlinear structures

An expository paragraph is exactly what it sounds like—a paragraph of expository writing.

A well-written expository paragraph should follow a specific format to make it as clear and easy to read as possible. Most expository paragraphs do the following things:

Start with a topic sentence, which explains what the paragraph will be about

Then, include 3 – 5 body sentences that provide supporting details for the topic sentence

Finally, wrap things up with a closing sentence that summarizes what the paragraph has said

Writing an expository paragraph is a great way to practice expository writing. That’s because the paragraph follows the same structure as a more complex expository essay, just on a smaller scale.

Most expository essays should follow this format:  

Start with an introductory paragraph that includes the thesis statement, which tells the reader the core statement of the essay

Then, include 3 – 5 body paragraphs that provide factual evidence to support the thesis statement

Finally, wrap things up with a concluding paragraph that summarizes what the body paragraphs and thesis statement said

You can see the similarities between the two formats. If you can write a fantastic expository paragraph, you’ll be well-prepared to move on to writing a full expository essay.

Example of Expository Paragraph

Here’s an example of an expository paragraph that follows the structure described above.

The leading cause of death in the United States is heart disease, which can be fatal if it leads to heart attack or cardiac arrest. Heart attacks occur when a blockage in the coronary artery prevents oxygenated blood from reaching the heart. Cardiac arrests occur when the heart stops pumping entirely, which prevents the patient from breathing normally. Both of these problems can be deadly, even in seemingly healthy people who don’t have noticeable risk factors. As a result, heart disease is an important problem that many doctors and scientists are researching.

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There are many ways you can present information in an expository essay. Here are four of the most popular ways, along with examples of each one.  

Problem and Solution Essay

A problem and solution essay presents the reader with a problem and then considers possible solutions to that problem. 

Here’s an example passage you might find in a problem and solution essay:

Among the many proposed solutions to rising carbon emissions, one promising possibility is carbon trapping. Scientists are figuring out how to pull carbon emissions out of the atmosphere and trap it in less harmful forms, such as by injecting carbon dioxide underground so it will turn to stone.

Compare and Contrast Essay

This type of essay takes two subjects and compares and contrasts them. It focuses on highlighting the differences and similarities between those two things.

Here’s an example passage of this type of expository writing:

Though country music and R&B music have very different sounds, they also share many similarities. For one thing, both types of music embody a specific cultural identity. For another, both genres trace their roots back to the 1920s, when the Victor Talking Machine Company signed singers from the American South.

Classification Essay

In a classification essay, you describe the categories within a certain group of things.  

Here’s an example passage you might find in a classification essay:

There are three ways in which artificial intelligence might become stronger than humans in the future: high speed, high collective intelligence, and high quality. A speed AI would be able to perform calculations and experience the world much faster than humans. A collective intelligence, like a hive mind, would be able to break down a complex task into several parts and pursue them simultaneously. Finally, a quality AI would simply be able to solve more complex problems than humans could.

Process Essay

In a process essay, you give the reader the steps for completing a specific process. This is similar to a how-to guide or an instruction manual.   

Here’s an example passage you might find in this type of expository writing:

Caramelize the chopped onions in a frying pan. When the onions have caramelized, mix in the bell peppers, mushrooms, and tomatoes and stir for 4 – 6 minutes or until all the ingredients have softened. If you want to add meat, you can add ground beef and cook for another 4 – 6 minutes. Season with salt and pepper to taste.  

Good expository writing should be easy to read. After all, the purpose of exposition is to explain things to your readers, and you won’t be able to accomplish that if they have trouble understanding your writing.

That’s why ProWritingAid can help you write an expository essay. The grammar checker can help you ensure your sentences flow well, you’re not missing any necessary punctuation, and all your words are precise and clear.

Good luck, and happy writing!

Hannah is a speculative fiction writer who loves all things strange and surreal. She holds a BA from Yale University and lives in Colorado. When she’s not busy writing, you can find her painting watercolors, playing her ukulele, or hiking in the Rockies. Follow her work on hannahyang.com or on Twitter at @hannahxyang.

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5 Expository Essay Examples (Full Text with Citations)

• Video Overview
• Quick Example
• Formatting Guide

An expository essay attempts to explain a topic in-depth, demonstrating expert knowledge and understanding.

This form of essay is structured around the clear, factual presentation of information, devoid of the writer’s personal opinions or arguments.

The primary goal is to inform or explain rather than persuade.

Unlike an argumentative essay, which is built around defending a particular point of view with evidence and persuasion, an expository essay maintains a neutral stance, focusing on delivering straightforward facts and explanations.

An example of expository writing could be an article explaining the process of photosynthesis.

The article would systematically describe each stage of how plants convert sunlight into energy, detailing the role of sunlight, water, and carbon dioxide.

It would explain the sequence of reactions – first, second, third, fourth, fifth – that occur and the importance of each step in supporting the life of the plant.

An expository essay generally follows this essay format:

• A) To persuade the reader to adopt a particular viewpoint
• B) To inform or explain a topic clearly
• C) To present the writer’s personal opinions and arguments
• D) To entertain the reader with creative writing
• A) An expository essay uses creative storytelling techniques
• B) An expository essay remains neutral and avoids personal opinions
• C) An expository essay focuses on persuading the reader with evidence
• D) An expository essay prioritizes the writer’s personal experiences

Expository Essay Examples

#1 impacts of technology on education.

955 words | 4 Pages | 15 References

Thesis Statement: “The integration of technology in education represents a complex and critical area of study crucial for understanding and shaping the future of educational practices.”

#2 Impacts of Globalization on Education

1450 words | 5 Pages | 9 References

Thesis Statement: “This essay examines the profound and multifaceted effects of globalization on education, exploring how technological advancements and policy reforms have transformed access to, delivery of, and perceptions of education.”

#3 The Role of Emotional Intelligence in Interpersonal Relationships

1211 Words | 5 Pages | 22 References

Thesis Statement: “The central thesis is that EI, defined as the ability to perceive, understand, and manage emotions, is a crucial determinant of success and well-being.”

#4 The Future of Renewable Energy Sources and Their Impact

870 words | 4 Pages | 20 References

Thesis Statement: “The essay posits that although renewable energy sources hold immense promise for a sustainable future, their full integration into the global energy grid presents significant challenges that must be addressed through technological innovation, economic investment, and policy initiatives.”

#5 The Psychology Behind Consumer Behavior

1053 words | 4 Pages | 17 References

Thesis Statement: “The thesis of this essay is that consumer behavior is not merely a product of rational decision-making; it is deeply rooted in psychological processes, both conscious and subconscious, that drive consumers’ choices and actions.”

How to Write an Expository Essay

Unlike argumentative or persuasive essays, expository essays do not aim to convince the reader of a particular point of view.

Instead, they focus on providing a balanced and thorough explanation of a subject.

Key characteristics of an expository essay include:

• Clarity and Conciseness
• Structured Organization (Introduction, Body, Conclusion)
• Objective Tone
• Evidence-Based (Cite academic sources in every body paragraph)
• Objective thesis statement (see below)
• Informative purpose (Not argumentative)

You can follow my expository essay templates with AI prompts to help guide you through the expository essay writing process:

How to write a Thesis Statement for an Expository Essay

An expository thesis statement doesn’t make an argument or try to persuade. It uses ‘is’ rather than ‘ought’ statements.

Take these comparisons  below. Note how the expository thesis statements don’t prosecute an argument or attempt to persuade, while the argumentative thesis statements clearly take a side on an issue:

💡 AI Prompt for Generating Sample Expository Thesis Statements An expository essay’s thesis statement should be objective rather than argumentative. Write me five broad expository thesis statement ideas on the topic “[TOPIC]”.

Go Deeper: 101 Thesis Statement Examples

Differences Between Expository and Argumentative Essays

Expository and argumentative essays are both common writing styles in academic and professional contexts, but they serve different purposes and follow different structures.

Here are the key differences between them:

• Expository Essay : The primary purpose is to explain, describe, or inform about a topic. It focuses on clarifying a subject or process, providing understanding and insight.
• Argumentative Essay : The goal is to persuade the reader to accept a particular point of view or to take a specific action. It’s about presenting a stance and supporting it with evidence and logic.
• Expository Essay : It maintains a neutral and objective tone. The writer presents information factually and impartially, without expressing personal opinions or biases.
• Argumentative Essay : It often adopts a more assertive, persuasive, and subjective tone. The writer takes a clear position and argues in favor of it, using persuasive language.
• Expository Essay : The reader is expected to gain knowledge, understand a process, or become informed about a topic. There’s no expectation for the reader to agree or disagree.
• Argumentative Essay : The reader is encouraged to consider the writer’s viewpoint, evaluate arguments, and possibly be persuaded to adopt a new perspective or take action.

Go Deeper: Expository vs Argumentative Essays

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Read Next: Process Essay Examples

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Dr. Chris Drew is the founder of the Helpful Professor. He holds a PhD in education and has published over 20 articles in scholarly journals. He is the former editor of the Journal of Learning Development in Higher Education. [Image Descriptor: Photo of Chris]

• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ 7 Key Features of 21st Century Learning
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ Sociocultural Theory of Learning in the Classroom
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ The 4 Principles of Pragmatism in Education
• Chris Drew (PhD) https://helpfulprofessor.com/author/chris-drew-phd/ 17 Deep Processing Examples

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Home — Essay Samples — Environment — Biodiversity — The Beauty of Nature

The Beauty of Nature

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Words: 727 |

Published: Mar 16, 2024

Words: 727 | Pages: 2 | 4 min read

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The aesthetic appeal of nature, the healing power of nature, the importance of biodiversity, the role of nature in human creativity.

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Three Great Documentaries to Stream

A past look at tough times in New York, and current looks at struggles in North Korea and China.

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By Ben Kenigsberg

The proliferation of documentaries on streaming services makes it difficult to choose what to watch. Each month, we’ll choose three nonfiction films — classics, overlooked recent docs and more — that will reward your time.

‘On the Bowery’ (1957)

Stream it on the Criterion Channel , Kanopy and Ovid . Rent it on Amazon and Milestone .

“On the Bowery,” the director Lionel Rogosin’s classic portrait of life on skid row, is not only a time capsule of a bygone New York, but also of a bygone form of documentary filmmaking. To be fair, Rogosin (1924-2000), in a 1987 interview , said that he disliked the word “documentary,” which he found “deadening.” But the movie, like Robert J. Flaherty’s “Nanook of the North” and “Man of Aran,” also clearly involves a degree of staging. Soon after, in films like Robert Drew’s “Primary” (1960) and the work of the brothers Albert and David Maysles, lightweight, portable sound equipment would make so-called “direct cinema” possible. “On the Bowery” doesn’t have that offhandedness. Rogosin, who spent six months observing life on the Bowery before starting to shoot, recruited real-life denizens of the area to essentially play themselves — “men of the Bowery,” as the opening credits call them, although there are a few women around as well.

The film opens with a shot of the Third Avenue subway (which hadn’t yet been dismantled) and turns into a sort of reverse city symphony; instead of the monumentality of buildings or crowds, Rogosin dares to show men sleeping on sidewalks or on park benches. This portion of the film is silent except for a musical score. But the camera soon enters a bar and begins to hear from the men. The heart of “On the Bowery” is the friendship that forms between two alcoholics, Gorman Hendricks, a former doctor, and Ray Salyer, a railroad worker who eventually commits to at least the aspiration of going sober, something about which Gorman harbors few illusions. The two men bond over selling some of Ray’s clothes to get money for more drinks.

Rogosin said he worked from an outline as opposed to a script. Some of the dialogue is frankly expository, seemingly designed to educate viewers. “What’s the story here? What’s the setup?” Ray asks another man while they wait in line to be admitted to a mission, and the man responds with details on how getting a bed works and on how long residents are allowed to stay. Later, there is a moment in which Ray is beaten up and then robbed on camera, in the sort of spontaneous incident that even a devoted direct-cinema practitioner would have been unlikely to capture; the number of shots is a tipoff that this is a re-creation. But what is shown is nevertheless Ray’s reality. And whatever limitations it may have had, “On the Bowery” is still an unvarnished look at poverty and alcoholism in the 1950s.

‘Beyond Utopia’ (2023)

Stream it on Hulu. Rent it on Amazon , Apple TV , Fandango at Home and Google Play .

There is access, and then there is what we see in Madeleine Gavin’s documentary about defectors from North Korea. The film is a portrait of the labyrinthine and extremely dangerous process of escaping from Kim Jong-un’s regime. Anyone who manages to make it across the Yalu River, which forms North Korea’s border with China, must then navigate a course through multiple countries to ultimately reach South Korea. Gavin’s documentary profiles people like Seungeun Kim, a pastor who has taken it as his mission to secure safe passage for North Koreans, and Soyeon Lee, a past defector who hopes that her son will join her in the south but hasn’t seen him in 10 years. Given that he has spent those 10 years ingesting propaganda in North Korea, it is difficult to know how he feels.

But the biggest coup in “Beyond Utopia” is to show long sections of the journey taken by the Ro family, a mother, father, two children and a grandmother who crossed into China on their own. As Pastor Kim assists them in getting beyond that, we see them in cars, in safe houses and in the jungle. “The footage in this film was shot by our subjects, by operatives in the underground network, and by the filmmakers,” says an opening title card. And part of what is shown in “Beyond Utopia” is the Ros’ acclimation to living outside of North Korea. The grandmother, who says they were taught that Americans were evil, begins to think she was misled. “As I look at you and see how kind and nice you are,” she says, presumably referring to an offscreen Gavin, “this makes me think perhaps my government has lied to me somehow.”

Lee, on the other hand, is reduced to suspenseful communications by phone. Her efforts to extract her son have a less heartening outcome. Neither she nor the filmmakers can breach that wall.

‘Youth (Spring)’ (2023)

Rent it on Amazon and Apple TV .

Wang Bing’s sprawling, three-and-a-half hour documentary follows the lives of Chinese garment workers in their late teens or early 20s who have sought work in Zhili, a district of Huzhou province. According to the closing credits, there are more than 18,000 textile workshops there, and part of Wang’s interest is in how thoroughly the workers’ lives have been subsumed by industry. They live in dormitories. They date one another (or seek to, anyway). Housing and food are, as managers see it, part of the pay package, although at one point workers stage a protest to demand better wages, only to have their boss demur that he’s too busy to help them.

Privacy is minimal. We meet a young couple, Hu Zuguo and Li Shengnan, who have to decide how to handle a pregnancy — and the decision, in this context, is not theirs alone. (Management and parents get involved.) Repetition has long been part of Wang’s formal strategy; his other documentaries include “Bitter Money,” also about the textile boom in Huzhou, and “’Til Madness Do Us Part,” set almost entirely within the confines of a mental institution. The shops are difficult to tell apart, although title cards give their addresses. Several are on a street called Happiness Road.

But while the interchangeability of the locations can grow wearisome, that is part of the point. What is it like to live with little sunlight, on trash-strewn blocks, with the irritating buzz of sewing machines continually in your ears? Even with the epic running time, Wang isn’t done. He is said to be working on two follow-up films.

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