college essay about gender identity

Free Gender Identity Essay Examples & Topics

Everyone has their own unique gender identity. Whether a person identifies as female, male, or outside the binary, everyone has ways of expressing themselves. This gender expression is then measured against socially established gender roles. If the two concepts clash, this can become a source of internal and external conflict.

In recent years, the definition of gender is beginning to change. We now consider it as a social construct. It is dictated by our behavior, presentation, and cultural norms. The language surrounding this concept is also evolving. Here our experts have explored some terms that will help you understand gender identity.

Cisgender applies to a person whose identity aligns with the sex that they were assigned at birth. In contrast, transgender refers to a person whose gender identity differs from their assigned sex.

Non-binary describes people whose gender identity lies outside the established man/woman dichotomy. This umbrella term covers a broad number of identities, such as genderfluid, genderqueer, agender, etc.

We have collected advice that will help you in writing your gender identity essay. After all, even when writing about a personal experience, you need to approach the subject thoughtfully. We have also created a list of topics. They will help you compose different types of essays about gender identity.

Essay about Gender Identity: 6 Tips

Doesn’t matter whether you are writing a gender expression essay or a paper about identity. You still have to follow a defined structure. Here we have summarized how to organize your work process best and create an effective outline.

You can start with the following tips:

1. Brainstorm. The most critical step in writing a successful essay is to establish what ideas you already have. Perhaps you are thinking about focusing on gender equality? Or maybe about the differences between masculinity and femininity? Jot down your thoughts on paper and see where that takes you.

2. Get a topic. As soon as you have an idea of the direction you’re heading, start thinking about wording. Keep in mind that you have to narrow down from a broad list of potential subjects. The matter of gender identity is infinitely complex, so choose a single aspect to focus on. Try our topic generator so that it can come up with an idea for you.

3. Research your idea. This is perhaps the step that will take you the longest. To successfully write a compelling essay, you should have a large number of credible sources. Most of the information you need will be available online. Yet, try referring to books and journal articles too. Check for the availability of your resources before you settle on a topic.

4. Come up with a thesis. Here is where you might want to look over all the information you have compiled so far. Refer to your chosen topic and create a thesis statement. It is the main argument that you are trying to make in your essay. So, be concise and precise.

5. Outline your paper. From writing down the title to forming your conclusions, everything in your essay should be pre-planned. Start with writing down your introduction using your thesis statement. Afterward, you may want to note down what you will talk about in the body paragraphs. Don’t forget that using statistics, examples, and quotes can make your essay sound more solid. Finally, summarize your findings and restate your thesis in your conclusion. For this, you can use our online summarizer . Now that you have a rough draft, writing will be much easier.

6. Revise & proofread. When you are done writing, it is time for editing. Many students choose to skip over revising and proofreading, believing that it is not necessary. This is not the case. Your true potential opens up only after you edit your paper and compare it to the writing criteria. Make sure to read through your work at least once.

Amazing Gender Identity Essay Topics

After reading our tips, you may still have a vital question. What should be the topic of my essay on gender identity? We are here to help.

Feel free to make use of these 15 gender identity topics:

• What is gender expression, and how does it feed into gender stereotypes?
• The intersection between race and gender identity.
• Why are feminine traits frowned upon while masculine ones are uplifted?
• Gender identity in society today.
• The history of nonbinary gender identities in the West.
• Gender identity development – a psychological study.
• The third gender – a study of nonbinary gender identities of the past.
• Presentation of gender identity in modern media.
• What is gender performativity, and how does it help shape gender identities?
• The contrast between gender identity and gender role.
• Gender as a spectrum: what lies between masculinity and femininity.
• Dysphoria – a gender identity disorder.
• Breaking down the concept of heteronormativity concerning gender.
• The historical evolution of the female gender identity.
• Understanding equality in terms of gender identity.

Thank you for reading! We hope that you found these tips useful, and we wish you the best in your academic work. If you still find yourself at a loss, read through our sample essays on gender identity below.

163 Best Essay Examples on Gender Identity

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• Words: 1920

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Creating a Culture of Gender Equality in the Workplace

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Woman Perception in Eastern Asia in Two Novels

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The Fight for Masculinity

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Gender and Communication Relations Analysis

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Human sexuality. social problems of queer people, gender identities and politics of women’s activism.

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Recent posts, subscribe here, more expert advice, let's get existential: how to write a college essay about identity.

When you’re a teenager, you’re probably too busy to sit down and think about your own identity. No one exactly assigns you “introspection time” as homework (though, if you’re my student, this has very likely happened). So when you start working on your college essays, it might be the first time you truly start thinking about how you can express who you are in a way that will help a group of strangers understand something about you. Let’s be honest—it feels like a lot of pressure to sum up your identity in 250 words or less. But we’re here to help.

There are many different types of application essays you’ll need to write, as my colleague Annie so perfectly laid out here . But we’re going to talk about one type in particular: the essays about identity and diversity. These are powerful college essays that give admissions officers an opportunity to glimpse into your daily life and understand your unique experiences. For some students, though, these essays can be daunting to think about and write.  

Ever wonder why colleges are asking these questions? Well, the simple answer is that they want to get to know you more. Aside from your academic interests, your activities, and your accomplishments in the classroom, there really isn’t that much space to talk about things like your ethnic background, religion, gender identity, or local community. And these are things colleges want to know about you, too!

How Do You Write a Good Identity and Diversity Essay?

Before you start writing, let’s define a few terms you might run into while drafting your college essays about identity and diversity.

Who are you? I know what you’re thinking—it’s way too early in the morning to get this existential. I hear you. But let’s break this down. Identity is made up of many qualities: personality, culture, ethnic or racial background, sexual orientation, gender, physical ability, and linguistic background, among others. Maybe you identify really strongly with the religion on Mom’s side of the family, but not Dad’s. Maybe you speak a language not typical of folks from your culture. Maybe you have recently come into your gender identity and finally feel like yourself. Why is that identity important to the way you define who you are? Think of it like this: If you’ve met someone new, and your goal is to help them get to know you in the shortest amount of time possible, how would you be able to accomplish this? What’s your tagline? That’s how you’ll want to tackle this type of college essay.

Diversity  

One individual person can’t be diverse. But when a college is referring to diversity, they’re usually looking to their student body and asking how you, as an individual with your own identity, can add to their diversity. What experiences have you had in your life that might help you make the student body more diverse? Have you dealt with dyslexia and come to terms with how best to learn, keeping your abilities in mind? If so, how can you contribute to other students who might learn differently? Did you grow up as the oldest of 10 siblings and have to take care of them on a daily basis? What kind of responsibilities did you have and how did that influence you? These don’t need to be visible qualities. The goal of the diversity college essay is to understand how these identifying factors can help you contribute to a school in a way they haven’t seen before.  

Let’s define community. You may associate it with the city or neighborhood you live in. But a community doesn’t have to be geographical. It doesn’t even have to be formal. Community can come from that sense of connection you have with like-minded people. It can be built with people you’ve shared experiences with. So, when we think of community in this sense, we could be thinking about the community that exists within your apartment complex. We could be thinking about the youth group at your mosque. We could be thinking about your little group of artists within your science and tech magnet school. Think about what communities you are a part of, and be prepared to talk about your place within them.

You might think that these questions are only being asked by small liberal arts schools—but that’s not true. Bigger schools and colleges also want to get to know all of the thousands of students they’re bringing to campus as part of their class.

Big Name Colleges that Care About Diversity

To give you a glimpse of the variety, here are a few examples of college essays where these identity and diversity may come into play:

University of Michigan

“Everyone belongs to many different communities and/or groups defined by (among other things) shared geography, religion, ethnicity, income, cuisine, interest, race, ideology, or intellectual heritage. Choose one of the communities to which you belong, and describe that community and your place within it.”

University of North Carolina-Chapel Hill

“Expand on an aspect of your identity (for example, your religion, culture, race, sexual or gender identity, affinity group, etc.). How has this aspect of your identity shaped your life experiences thus far?”

Pomona College

“Tell us about an experience when you dealt with disagreement or conflict around different perspectives within a community.”

Sarah Lawrence College

“Sarah Lawrence College's community places strong value in inclusion and diversity. In 250-500 words, tell us about what you value in a community and how your perspective, lived experiences, or beliefs might contribute to your College community.”

Remember what these colleges are trying to understand: who you are and what has influenced you to become the person you are today (identity), where you come from (community), and how you might be able to add to the diversity of their college campus. Once you really get to the core and understand the intent of these types of college essays, you’ll absolutely be able to write in an earnest and genuine way. We say this frequently at Collegewise, but it’s worth repeating here, especially when it comes to essays about identity and diversity. Just be yourself.

About Us:  With more than twenty years of experience, Collegewise counselors and tutors are at the forefront of the ever-evolving admissions landscape. Our work has always centered on you: the student. And just like we’ve always done, we look for ways for you to be your best self - whether it’s in the classroom, in your applications or in the right-fit college environment. Our range of tools include  counseling ,  test prep ,  academic tutoring , and essay management, all with the support of our proprietary platform , leading to a 4x higher than average admissions rates. 

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Sat / act prep online guides and tips, how to write a diversity essay: 4 key tips.

College Essays

If you're applying to college, you've probably heard the phrase "diversity essay" once or twice. This type of essay is a little different from your typical "Why this college?" essay . Instead of focusing on why you've chosen a certain school, you'll write about your background, values, community, and experiences—basically, what makes you special.

In this guide, I explain what a diversity college essay is, what schools are looking for in this essay, and what you can do to ensure your diversity essay stands out.

What Is a Diversity Essay for College?

A diversity essay is a college admissions essay that focuses on you as an individual and your relationship with a specific community. The purpose of this essay is to reveal what makes you different from other applicants, including what unique challenges or barriers you've faced and how you've contributed to or learned from a specific community of people.

Generally speaking, the diversity college essay is used to promote diversity in the student body . As a result, the parameters of this essay are typically quite broad. Applicants may write about any relevant community or experience. Here are some examples of communities you could discuss:

• Your cultural group
• Your race or ethnicity
• Your extended family
• Your religion
• Your socioeconomic background (such as your family's income)
• Your sex or gender
• Your sexual orientation
• Your gender identity
• Your values or opinions
• Your experiences
• Your home country or hometown
• Your school
• The area you live in or your neighborhood
• A club or organization of which you're an active member

Although the diversity essay is a common admissions requirement at many colleges, most schools do not specifically refer to this essay as a diversity essay . At some schools, the diversity essay is simply your personal statement , whereas at others, it's a supplemental essay or short answer.

It's also important to note that the diversity essay is not limited to undergraduate programs . Many graduate programs also require diversity essays from applicants. So if you're planning to eventually apply to graduate school, be aware that you might have to write another diversity statement!

Diversity Essay Sample Prompts From Colleges

Now that you understand what diversity essays for college are, let's take a look at some diversity essay sample prompts from actual college applications.

University of Michigan

At the University of Michigan , the diversity college essay is a required supplemental essay for all freshman applicants.

Everyone belongs to many different communities and/or groups defined by (among other things) shared geography, religion, ethnicity, income, cuisine, interest, race, ideology, or intellectual heritage. Choose one of the communities to which you belong, and describe that community and your place within it.

University of Washington

Like UM, the University of Washington asks students for a short-answer (300 words) diversity essay. UW also offers advice on how to answer the prompt.

Our families and communities often define us and our individual worlds. Community might refer to your cultural group, extended family, religious group, neighborhood or school, sports team or club, co-workers, etc. Describe the world you come from and how you, as a product of it, might add to the diversity of the University of Washington.

Keep in mind that the UW strives to create a community of students richly diverse in cultural backgrounds, experiences, values, and viewpoints.

University of California System

The UC system requires freshman applicants to choose four out of eight prompts (or personal insight questions ) and submit short essays of up to 350 words each . Two of these are diversity essay prompts that heavily emphasize community, personal challenges, and background.

For each prompt, the UC system offers tips on what to write about and how to craft a compelling essay.

5. Describe the most significant challenge you have faced and the steps you have taken to overcome this challenge. How has this challenge affected your academic achievement?

Things to consider: A challenge could be personal, or something you have faced in your community or school. Why was the challenge significant to you? This is a good opportunity to talk about any obstacles you've faced and what you've learned from the experience. Did you have support from someone else or did you handle it alone?

If you're currently working your way through a challenge, what are you doing now, and does that affect different aspects of your life? For example, ask yourself, "How has my life changed at home, at my school, with my friends, or with my family?"

7. What have you done to make your school or your community a better place?

Things to consider: Think of community as a term that can encompass a group, team, or place—like your high school, hometown, or home. You can define community as you see fit; just make sure you talk about your role in that community. Was there a problem that you wanted to fix in your community?

Why were you inspired to act? What did you learn from your effort? How did your actions benefit others, the wider community, or both? Did you work alone or with others to initiate change in your community?

Think about your community: How has it helped you? What have you done for it?

University of Oklahoma

First-year applicants to the University of Oklahoma who want to qualify for a leader, community service, or major-based scholarship must answer two optional, additional writing prompts , one of which tackles diversity. The word count for this prompt is 650 words or less.

The University of Oklahoma is the home of a vibrant, diverse, and compassionate university community that is often referred to as “the OU family.” Please describe your cultural and community service activities and why you chose to participate in them.

Duke University

In addition to having to answer the Common Application or Coalition Application essay prompts, applicants to Duke University may (but do not have to) submit short answers to two prompts, four of which are diversity college essay prompts . The maximum word count for each is 250 words.

We believe a wide range of personal perspectives, beliefs, and lived experiences are essential to making Duke a vibrant and meaningful living and learning community. Feel free to share with us anything in this context that might help us better understand you and what you might bring to our community .

We believe there is benefit in sharing and sometimes questioning our beliefs or values; who do you agree with on the big important things, or who do you have your most interesting disagreements with? What are you agreeing or disagreeing about?

We recognize that “fitting in” in all the contexts we live in can sometimes be difficult. Duke values all kinds of differences and believes they make our community better. Feel free to tell us any ways in which you’re different, and how that has affected you or what it means to you.

Duke’s commitment to inclusion and belonging includes sexual orientation, gender identity, and gender expression. Feel free to share with us more about how your identity in this context has meaning for you as an individual or as a member of a community .

Pitzer College

At Pitzer, freshman applicants must use the Common Application and answer one supplemental essay prompt. One of these prompts is a diversity essay prompt that asks you to write about your community.

At Pitzer, five core values distinguish our approach to education: social responsibility, intercultural understanding, interdisciplinary learning, student engagement, and environmental sustainability. As agents of change, our students utilize these values to create solutions to our world's challenges. Reflecting on your involvement throughout high school or within the community, how have you engaged with one of Pitzer's core values?

The Common Application

Many colleges and universities, such as Purdue University , use the Common Application and its essay prompts.

One of its essay prompts is for a diversity essay, which can be anywhere from 250 to 650 words. This prompt has a strong focus on the applicant's identity, interests, and background.

Some students have a background, identity, interest, or talent that is so meaningful, they believe their application would be incomplete without it. If this sounds like you, then please share your story.

ApplyTexas is similar to the Common Application but is only used by public colleges and universities in the state of Texas. The application contains multiple essay prompts, one of which is a diversity college essay prompt that asks you to elaborate on who you are based on a particular identity, a passion you have, or a particular skill that you've cultivated.

Essay B: Some students have an identity, an interest, or a talent that defines them in an essential way. If you are one of these students, then tell us about yourself.

In a diversity essay, focus on an aspect of your identity or cultural background that defines you and makes you stand out.

What Do Colleges Look for in a Diversity Essay?

With the diversity essay, what colleges usually want most is to learn more about you , including what experiences have made you the person you are today and what unique insights you can offer the school. But what kinds of specific qualities do schools look for in a diversity essay?

To answer this, let's look at what schools themselves have said about college essays. Although not many colleges give advice specific to the diversity essay, many provide tips for how to write an effective college essay in general .

For example, here is what Dickinson College hopes to see in applicants' college essays:

Tell your story.

It may be trite advice, but it's also true. Admissions counselors develop a sixth sense about essay writers who are authentic. You'll score points for being earnest and faithful to yourself.

Authenticity is key to writing an effective diversity essay. Schools want you to be honest about who you are and where you come from; don't exaggerate or make up stories to make yourself sound "cooler" or more interesting—99% of the time, admissions committees will see right through it! Remember: admissions committees read thousands of applications, so they can spot a fake story a mile away.

Next, here's what Wellesley College says about the purpose of college essays:

Let the Board of Admission discover:

• More about you as a person.
• The side of you not shown by SATs and grades.
• Your history, attitudes, interests, and creativity.
• Your values and goals—what sets you apart.

It's important to not only be authentic but to also showcase "what sets you apart" from other applicants—that is, what makes you you . This is especially important when you consider how many applications admissions committees go through each year. If you don't stand out in some positive way, you'll likely end up in the crapshoot , significantly reducing or even eliminating your chances of admission .

And finally, here's some advice from the University of Michigan on writing essays for college:

Your college essay will be one of nearly 50,000 that we'll be reading in admissions—use this opportunity to your advantage. Your essay gives us insights into your personality; it helps us determine if your relationship with the school will be mutually beneficial.

So tell us what faculty you'd like to work with, or what research you're interested in. Tell us why you're a leader—or how you overcame adversity in your life. Tell us why this is the school for you. Tell us your story.

Overall, the most important characteristic colleges are looking for in the diversity essay (as well as in any college essay you submit) is authenticity. Colleges want to know who you are and how you got here; they also want to see what makes you memorable and what you can bring to the school.

An excellent diversity essay will represent some aspect of your identity in a sincere, authentic way.

How to Write an Effective Diversity Essay: Four Tips

Here are some tips to help you write a great diversity college essay and increase your chances of admission to college.

#1: Think About What Makes You Unique

One of the main purposes of the diversity essay is to present your uniqueness and explain how you will bring a new perspective to the student body and school as a whole. Therefore, for your essay, be sure to choose a topic that will help you stand apart from other applicants .

For example, instead of writing about your ability to play the piano (which a lot of applicants can do, no doubt), it'd be far more interesting to elaborate on how your experience growing up in Austria led you to become interested in classical music.

Try to think of defining experiences in your life. These don't have to be obvious life-altering events, but they should have had a lasting impact on you and helped shape your identity.

#2: Be Honest and Authentic

Ah, there's that word again: authentic . Although it's important to showcase how unique you are, you also want to make sure you're staying true to who you are. What experiences have made you the person you are today? What kind of impact did these have on your identity, accomplishments, and future goals?

Being honest also means not exaggerating (or lying about) your experiences or views. It's OK if you don't remember every little detail of an event or conversation. Just try to be as honest about your feelings as possible. Don't say something changed your life if it really had zero impact on you.

Ultimately, you want to write in a way that's true to your voice . Don't be afraid to throw in a little humor or a personal anecdote. What matters most is that your diversity essay accurately represents you and your intellectual potential.

#3: Write Clearly, Correctly, and Cogently

This next tip is of a more mechanical nature. As is the case with any college essay, it's critical that your diversity essay is well written . After all, the purpose of this essay is not only to help schools get to know you better but also to demonstrate a refined writing ability—a skill that's necessary for doing well in college, regardless of your major.

A diversity essay that's littered with typos and grammatical errors will fail to tell a smooth, compelling, and coherent story about you. It will also make you look unprofessional and won't convince admissions committees that you're serious about college and your future.

So what should you do? First, separate your essay into clear, well-organized paragraphs. Next, edit your essay several times. As you further tweak your draft, continue to proofread it. If possible, get an adult—such as a teacher, tutor, or parent—to look it over for you as well.

#4: Take Your Time

Our final tip is to give yourself plenty of time to actually write your diversity essay. Usually, college applications are due around December or January , so it's a good idea to start your essay early, ideally in the summer before your senior year (and before classes and homework begin eating up your time).

Starting early also lets you gain some perspective on your diversity essay . Here's how to do this: once you've written a rough draft or even just a couple of paragraphs of your essay, put it away for a few days. Once this time passes, take out your essay again and reread it with a fresh perspective. Try to determine whether it still has the impact you wanted it to have. Ask yourself, "Does this essay sound like the real me or someone else? Are some areas a little too cheesy? Could I add more or less detail to certain paragraphs?"

Finally, giving yourself lots of time to write your diversity essay means you can have more people read it and offer comments and edits on it . This is crucial for producing an effective diversity college essay.

Conclusion: Writing Diversity Essays for College

A diversity essay is a college admissions essay that r evolves around an applicant's background and identity, usually within the context of a particular community. This community can refer to race or ethnicity, income level, neighborhood, school, gender, age, sexual orientation, etc.

Many colleges—such as the University of Michigan, the University of Washington, and Duke—use the diversity essay to ensure diversity in their student bodies . Some schools require the essay; others accept it as an optional application component.

If you'll be writing diversity essays for college, be sure to do the following when writing your essay to give yourself a higher chance of admission:

• Think about what makes you unique: Try to pinpoint an experience or opinion you have that'll separate you from the rest of the crowd in an interesting, positive way.
• Be honest and authentic:  Avoid exaggerating or lying about your feelings and experiences.
• Write clearly, correctly, and cogently:  Edit, proofread, and get someone else to look over your essay.
• Take your time: Start early, preferably during the summer before your senior year, so you can have more time to make changes and get feedback from others.

With that, I wish you the best of luck on your diversity essay!

What's Next?

You understand how to write a diversity essay— but what about a "Why this college?" essay ? What about a general personal statement ? Our guides explain what these essays are and how you can produce amazing responses for your applications.

Want more samples of college essay prompts? Read dozens of real prompts with our guide and learn how to answer them effectively.

Curious about what a good college essay actually looks like? Then check out our analysis of 100+ college essays and what makes them memorable .

Hannah received her MA in Japanese Studies from the University of Michigan and holds a bachelor's degree from the University of Southern California. From 2013 to 2015, she taught English in Japan via the JET Program. She is passionate about education, writing, and travel.

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August 26, 2022

College Admissions: Mining Identity for College Essays, Personal Statements

Langston Hughes begins his poem “Theme for English B” this way:

The instructor said:

Go home and write a page tonight. And let that page come out of you- Then it will be true.

I wonder if it’s that simple?

“Tell us about yourself”

When colleges instruct you to “Tell us about yourself,” it may sound simple, but it is not. Sarah Myers McGinty, of the Harvard Graduate School of Education, conducted a study in 1998 to determine the importance of the college application essay and students’ ability to complete it successfully. She found that while admissions officials viewed the essay as “somewhat important,” students found themselves unprepared to write it. In The Chronicle of Higher Education (1/25/02), McGinty says, “I knew that students felt comfortable talking about the most significant event in the life of Jay Gatsby. But many felt ill-at-ease when asked about the most significant event in their own lives.” After all, as many students will attest, they have never done anything like this before. Students are rarely asked to write personal narratives.

So how do you tell admissions officers about yourself in a true and convincing way? First, you need to “mine” various areas of your identity to discover what makes you an individual . We’re not talking strip-mining, where you just pull up whatever’s on the surface. We’re talking about digging to see what’s below the surface. That takes time and commitment, but in the end, you may strike gold.

Writing is discovery. You cannot write an essay without first discovering what you have to say. You are setting out to discover what has made you who you are. Keep a journal as you explore your past and your present. These jottings and written wanderings are not your essay, but some will serve as the essay’s building materials. (Others might be valuable points for reflection more generally!) 

9 aspects of identity

Some areas of your identity to explore include:

• Sexual Orientation

Events in a college essay

The events of your life, whether big and small, successful or failed, shape you as an individual. 

In other words, your identity is, in part, formed through a series of events, which can be narrated to tell a story that gives the reader a glimpse of who you are. Telling a good story involves strong description (including the colors, sounds, and smells of your life), action (including movement, dialogue or internal monologue, etc); and reflection (including decisions you made, thoughts or feelings you had during an event, and your reflection afterwards). 

Help transport your reader into your story by showing what it was like. And, tell the reader what this anecdote says about you as a person.

Which experience to pick? Looking at a few colleges’ essay questions may provide you with some ideas (emphases added):

• The Common Application asks you to: “Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?’
• The mission of Harvard College is to educate our students to be citizens and citizen-leaders for society. What would you do to contribute to the lives of your classmates in advancing this mission?
• Dartmouth: The Hawaiian word mo’olelo is often translated as “story” but it can also refer to history, legend, genealogy, and tradition. Use one of these translations to introduce yourself.
• Columbia students take an active role in improving their community, whether in their residence hall, classes or throughout New York City. Their actions, small or large, work to positively impact the lives of others. Share one contribution that you have made to your family, school, friend group or another community that surrounds you.

Your experience does not have to be massively life-altering (not all of us have huge turning points in our lives), but can be one of the many little events in our lives that make us see ourselves and the world a bit differently. The time your classmates offered you a stolen test and you refused it. Seeing the ocean for the first time at age 15. Learning to drive or ski or swim. Notice, too, that all of the essay questions ask you both to tell the story of an experience and also to reflect on the significance or impact of the event.

Here are some ideas for getting started on these and related prompts:

Passions in a college essay

Your passion for certain causes or issues, as well as your hobbies or interests, show who you are. How do you spend your free time? What excites you? Concerns you? Enrages you? What have you done to translate this passion into action? I know a student whose concern over the Middle East conflict led him to distribute to all of his classmates bracelets commemorating those who have died in the conflict. His essay on the topic worked because his passion led him to action, and his writing conveyed his passion. Another student explored how his childhood Lego hobby was a springboard to his building robots in national competitions. I taught a young woman whose frustration over male-female relations in her school led her to start a Gender Issues discussion group. I know people who could write fascinating essays on their obsession with beads, their rock collection, or bike riding. Perhaps you think it’s less-than-admirable to say that you spend every Saturday afternoon watching classic movies, but if you can intelligently reflect on why you love old movies and what it shows about you, it could be a worthwhile topic.

People in a college essay

Begin by listing people in your life who have nurtured your identity. In addition to your family members, you may list instructors, coaches, teachers, or neighbors. After you make a list, decide which person or people you could write about most engagingly. Some applications ask you to write about a person; some just leave the door open for you by telling you to explore a topic of choice. You might begin your exploration by reflecting on your family and how it has affected who you have become. Focus on the details of one or two members of your family-their appearance, their habits, their activities, and their interactions with you. Think of a story that encapsulates a relationship. Consider exploring your family’s cultural heritage, traditions, or foods. Bring the people you depict to life, and give them color, personality, a voice. Provide anecdotes about these family members or other important people in your life.

Places in a college essay

Perhaps a place has gotten under your skin because you’ve spent so much time there. Perhaps you’ve worked on your grandfather’s farm in Wisconsin each summer since you were ten. Perhaps you attend a school unlike most schools in the nation, one in an unusual setting or with an unusual philosophy. Perhaps you spent a semester on sabbatical with your parents in Zimbabwe, and once you came back, everything looked different. Place can be a character, and you can tell a vivid story about how it helped shape you . Conversely, you might have spent time in a place only briefly (one night on a camping trip, for example); or, the place you visited or lived in might have been lousy: decrepit, dirty, scary, upsetting. All of the above are fair game: the point is to use the experience as a vehicle for talking about who you are and how you experience the world around you.

Religion in a college essay

For some people, religion is integral to their lives and identities. Even so, you may consider religion a “touchy” subject. You may fear that the reader won’t like your religion. Don’t let that stop you if you have honest stories and reflections to relate. Consider writing a personal statement that reveals your thoughts about religion through a vivid story or series of anecdotes.

Race in a college essay

For some, their racial identity- and perhaps the persecution they’ve experienced or the minority status they have had- is an important part of who they are. Writing about moments of challenges and what you did to be a leader, to hold your ground, or to educate others, can let the reader get a glimpse of your strongest qualities. Colleges seek students from diverse backgrounds and in possession of strong characters, so don’t be afraid to let both of those qualities shine through.

Gender in a college essay

Does your gender identity feel significant to who you are– to your experiences, your community, your identity? For some, being a woman, being transgender, or being genderqueer can be essential to who they are and their experiences. You might consider writing an essay about going to an all girls’ Catholic school; being the only boy in a household of many sisters; experimenting with multiple pronouns. Just remember: this essay should be about more than a certain experience alone; it is also about what your thoughts, decisions, and actions say about who you are and what is important to you.

Disability/different abilities in a college essay

While so often viewed as a setback, your life with a disability – whether since birth or due to an illness or an event later in life– can help distinguish you or a sea of similarly-abled peers. How have you embraced, overcome, or given voice to your disability or those of others? What abilities have you cultivated or discovered because of it? How have you both coped, and strived , with your disability, and what does this say about your character and commitments?

Sexual orientation in a college essay

Perhaps your sexual identity has played a role in your life, inspiring you to form interests in certain writers or ideas; to work on an inclusive marriage campaign; to lead your school’s Gay Straight Alliance. Whether your identity or that of a loved one, be sure to keep yourself center-stage as you use the idea of sexual orientation to speak to your values, passions, and interests.

You care about your essay because it will help you get into Wonderful U. Fair enough. But you will also gain a bonus along the way: self-realization as you step across the threshold from childhood to adulthood; A sense of who you are and what made you that way; some insight into your desires for the future. Happy digging.

(Once you’ve mined for ideas, visit other sections of the Accepted website, which offers lots of essay writing tips and sample student essays to help you pull your essay together.)

If you would like the guidance and support of experienced college admissions consultants as you explore your identity and develop an application strategy, Accepted is here to help. We offer a range of services that can be tailored exactly to your needs. Our singular goal is to help you gain admittance to the college of your choice!

Accepted has helped applicants gain acceptance to top colleges and universities for 25 years. Our team of admissions consultants features former admissions committee members and highly experienced college admissions consultants who have guided our clients to admission at top programs including Princeton, Harvard, Stanford, Columbia, MIT, University of Chicago, and Yale.  Want an admissions expert  to help you get Accepted? Click here to get in touch!

Related Resources:

• Different Dimensions of Diversity , a podcast episode
• The Essay Whisperer: How to Write a College Application Essay
• Common App Essay Prompts 2022-2023: Tips for Writing Essays That Impress

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Supporting and Understanding Gender Identity in College

The college years are some of the most formative, character-building years in a young adult’s life. For many, college is the time they solidify their personal, ethical, religious, and political beliefs. For others, these years may be spent discovering their true sense of self in their sexual orientation, gender identity, and gender expression. A lot of learning is done in college and perhaps one of the most salient things someone may learn in college is how to understand, accept, and appreciate the differences of others.

A topic somewhat new to academia and popular culture alike is the concept of gender fluidity, and how to support and understand individuals who may identify and express their gender in ways that some would not consider traditional. According to Postsecondary National Policy Institute, 10% of college students identify as LGBTQ+. With the rise of this particular minority group on college campuses, it is essential that everyone educate themselves on how to be the best ally, friend, and classmate.

What is gender fluidity?

Before diving into why and how to support people who experience gender fluidity, let’s lay the groundwork for understanding all of the language involved in the discourse surrounding gender and gender expression.

• Gender is how someone identifies and may correlate to the gender they were assigned at birth that aligns with their sex (male or female). If someone was born a female and identifies as a girl or woman, that person is cisgender, meaning their gender identity and expression aligns with their biological sex.
• If someone identifies as a gender they were NOT assigned at birth, that person is transgender.
• If someone is gender fluid, it means that they experience their gender on a spectrum, and may express more masculine, feminine, or androgynously in accordance with how they feel most comfortable. Many gender-fluid people do not identify as transgender, some choosing to align themselves with no gender at all, all of the genders, or no label.

Regardless of how a college peer chooses to identify, it is their choice and their choice alone.

How does a gender-fluid individual present himself/herself?

So, how does someone experiencing gender-fluidity present himself/herself, and what is life like for them? While this varies from person to person, many gender-fluid individuals will choose pronouns and clothing that conform to their gender presentation, perhaps using masculine pronouns such as he/him/his and choosing traditionally masculine clothing some days, and more feminine clothing and pronouns such as she/her/hers on other days . Other fluid individuals prefer they/them pronouns or other neopronouns that are unattached to being male or female, paired with androgynous gender fluid clothing. It may seem odd to those who have identified as cisgender their whole lives to grasp the concept of gender fluidity, but many gender-fluid identifying people describe it as experiencing the reality of both genders, just in different timeframes, experiencing a sense of gender euphoria when presenting according to how they feel.

Supporting gender fluidity on campus

As our society grows more inclusive and understanding, the percentage of people becoming comfortable enough to come out as gender-fluid and live their lives accordingly has increased. So, how can you understand and subsequently support the people around you who identify as gender-fluid? There is no complicated step-by-step guide, nor a specific “how-to” manual in that regard, but there are some basic guidelines that may allow your peers to feel safe, comfortable, and appreciated.

Use their preferred pronouns

Being a good ally to the LGBTQ+ community involves dedicating effort to honoring pronouns, creating inclusive spaces, and educating oneself in areas of inexperience. Although it may take some getting used to, switching back and forth between someone’s pronouns in accordance to their preference is probably the best way someone can be supportive of a gender-fluid college peer. By using the pronoun they identify with, you are proving to them that you hear what they have to say, you respect their feelings, and are dedicated to their comfort.

Take time to listen

Beyond usage of proper pronouns, being supportive can be as simple as listening and validating their experiences as members of the LGBTQ+ community, or as involved as joining a local campus campaign to educate and spread acceptance regarding identities across the gender spectrum. Dormitory living is an aspect of college life that is unique to on-campus living. Allowing gender-fluid dorm mates to use the bathroom and showers that they feel comfortable with will relieve social stigma and gender dysphoria. If campus policy does not support your gender-fluid peers, becoming part of a movement within the student council to modify policy and create a safe, inclusive place for everyone may be a massive way to show support.

Educate yourself

Remember, being a part of a minority group can be stressful, harmful, and even dangerous for some people. Do not expect your gender-fluid classmate to be an educational resource for you or someone who answers all of your LGBTQ+-related questions. There are many online resources, as well as books and other media that can be an asset to you on your educational journey towards understanding and appreciating those around you.

Whether it is using their pronoun of choice, respecting their presentation using gender-fluid clothing, honoring their identity in social situations, or educating yourself on the reality of being different, there are many avenues to being a good ally to gender-fluid individuals, most of which involve simply supporting their right to be comfortable in their own bodies. From organizing student body councils to make inclusive campus policies, to simply honoring someone’s pronoun preference, everyone has the ability to improve the quality of the college experience for their gender fluid peers.

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Tips for Applying to College as a Trans Student

Choosing where to apply and applying to college is hard enough, but when you’re trans, non-binary, genderfluid, or genderqueer, the college admissions experience can be especially tough. If you or someone you love is in one of those groups, you know that these students face additional challenges at home and at school – and that certainly extends to college admissions as well. I’m not only an admissions professional, but also a mother of three children. My middle child is trans, and I’ve learned a lot by watching and supporting her as she has navigated transition and her law school applications and experiences. (She is currently a student at Berkeley Law!)

In honor of Transgender Visibility Day today, here are some tips for our trans, non-binary, genderqueer, and genderfluid friends on applying to college.

Four Things to Consider When Applying to College As a Trans Student:

When and how to use your preferred name.

Many colleges ask for your preferred name on applications. Starting in 2021-2022, the Common App now provides the option for students to:

• Share their preferred first name.
• Select multiple pronouns or add a new one.
• Report their “legal sex” instead of “sex”

If your name hasn’t been legally changed yet, you might need to use it on some parts of your applications though, including test-score submissions, transcripts and on any financial aid forms. This can ensure that all your paperwork and files don't get lost or disorganized. If you mark your preferred name in the application, it’s most likely fine to use it in your essays, letters of recommendation, and other more personal parts of the application, but as with all things college admissions, check with the colleges where you’re applying to confirm so your paperwork doesn’t get discombobulated..

State Laws in the States You’re Applying

I got this amazing advice from a fellow mom of a nonbinary child: “It’s worth checking the state laws where the college is located—the most supportive campus in the world can’t help your student if the state doesn’t guarantee access to health care, makes name/marker change incredibly difficult, etc.” If you are moving to a new state for college, consider choosing a state with a trans-friendly environment, and laws that reflect that.

Ask Specific Questions During the Admissions Process

Be sure to ask colleges specific questions when doing your research or reaching out or on tours/visits/info sessions. The more specific your questions, the more you’ll be able to get a sense of how inclusive and welcoming the environment is for trans students. Write down your questions before attending information sessions. If you’d prefer to ask these questions in private, reach out to admissions to set up a time to talk to an admissions officer one-on-one. You may want to ask:

• What options are there for gender-inclusive housing?
• What is the nondiscrimination policy for trans/queer students?
• Are students allowed to change their names on campus records/ ID cards?
• What resources and opportunities do they have to support trans/queer students?
• Do the schools' health clinics and health plans cover trans medical care – if that’s something you are interested in?

College Essays: To Come Out or Not to Come Out?

You don’t have to write about being transgender in your essays, but you certainly can if it’s a story you want to tell. But coming out is a lifelong and personal process , and it’s up to you to decide what you share, when, and with who. If there is another topic you’d rather write about, you should not feel like you don’t have the space to share about other things that are important to you. Also, if you choose not to write about your transition in your personal essay, but you’d like to address your journey, you can use the Additional Info section to write about your experiences with transitioning there. Essays may not be your only chance to discuss your gender identity. Both the Common App and the Coalition App provide space for students to describe their own gender identity. In 2020-2021, almost 70,000 students provided clarifying information in this box in the Common App box, which was one of the reasons they decided to add more space for students to share pronouns and other gender information the following year.

If you’re worried that being trans might hurt you in admissions, ask yourself this question: Do I want to attend a college that would deny me because of who I am? There are many colleges that are known for being trans-friendly environments; view a list here.

"Your lives matter. Your voice matters. Your stories matter." ~ Laverne Cox

Take care. Be yourself. Love who you are.

For more information, check out these helpful resources:

• MIT's Blog: Applying While Transgender
• FAQ About Transgender Students at Colleges and Universities
• Campus Pride Trans Policy Clearinghouse
• Supporting Transgender Transitioning Students in the College Application Process
• Recordings from NJCAC LGBTQ+ College Fair and Info Sessions
• LGBTQ+ Youth - HRC - Human Rights Campaign

Looking for college suggestions?

View the college collection a created for a list of colleges that are known for having trans-friendly environments:

Colleges with Trans-Friendly Environments

Carolyn allison caplan (she/her).

Carolyn Allison Caplan (aka AdmissionsMom) is an Independent Educational Consultant (IEC) focused on using mindfulness in the college admissions journey. She is also a mother of three college graduates ( Vanderbilt , Harvard , and Tufts ) and a sought-after voice on topics related to the college admissions process. She earned a College Counseling Certificate (w/Distinction) from UCLA and is a member of HECA | IECA | TACAC | NACAC.

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Gender, Pronouns, and Coming Out in Your Application

Kennedy Carlick

Senior Assistant Director, NYU Admissions

When I’m recruiting for NYU, I often answer questions from LGBTQ+ high school students who want to know if it is OK to “come out” in their college applications. Understandably, some students worry that this decision could negatively impact the outcome of their application.

Coming out is a unique experience for every LGBTQ+ person who decides to do so. It can be stressful, exciting, anxiety-inducing, and joyful—all at the same time! Your college application is an opportunity to introduce yourself, and you have every right to be your full self in the application. 

Fortunately, many universities, like NYU, affirm and celebrate LGBTQ+ applicants and students. However, make sure that you remember that the Common Application is, well, common! The information you fill out in the Common Application will be viewed by all the colleges you use it to apply to, including those that might not be as inclusive or LGBTQ+ friendly. 

If you decide that you want to disclose your identities in your application, here are some tips to keep in mind when completing your college applications.

Do Your Research!

If a college campus is not supportive of the LGBTQ+ community and you’re looking for a supportive environment for your college experience, you may want to consider if that college should remain on your list. Once you can identify that a college is supportive of LGBTQ+ students, feel free to use your preferred name and pronouns and to disclose your identities throughout the application—if you want to!

Preferred Name, Gender Identity, and Legal Sex

If you are applying to a college that utilizes the Common Application, you will be able to apply with a preferred name in addition to your legal name. Keep in mind that colleges may use your preferred name for official communications—both via email and print. At NYU, we use your preferred name. The only exception is your offer of admission, which will have your legal name as it appears on official documents. Make sure that you’re comfortable with something being emailed or mailed home with your preferred name before you fill out this question. Otherwise, leave your preferred name blank.

You will also be able to apply with your gender identity in addition to your legal sex. The Common Application gives you the options of “male” and “female” and also allows you to “share more about your gender identity.” This is an opportunity to share your gender identity and pronouns.

Supporting Documents

If you feel safe and comfortable doing so, you can ask the people writing your letters of recommendation to use your preferred name and pronouns instead of your legal name. When it comes to your privacy, you can rest assured that anything you write about in your application or essay is protected by student privacy laws. The name, pronouns, or identities you disclose in your Common Application are private, only between you and NYU.

Documents submitted through the Common App, such as transcripts or letters of recommendation, will seamlessly be matched to your application record. If something is mailed or emailed separately, have the sender include your Common App ID or NYU ID number to help with matching —regardless of what name they use.

Test scores, such as the SAT or ACT, that come directly from the testing agency are sent under your legal name. Because you provide that on the Common Application, it’s easy to match.

College Essay

When it comes to the essay portion of the application, you can disclose your identity and pronouns, as long as it fits within the scope of the prompt. Think of your college essay as your first time meeting a new person, and the chance to make a good first impression. Make sure your essay has a positive message, and helps the reader learn more about you.

Students often choose to write about challenges or forms of adversity that they’ve dealt with. Just be sure that if you choose to write an essay about facing adversity, whether it is related to your identity or not, that you frame the topic positively. It’s OK to talk about a challenge or a form of adversity that you ran up against in your life, but make sure that the majority of the essay is about how you have overcome this challenge or how you have grown and matured due to the challenging experience or circumstance. It can be easy to write most of the essay about the challenge or the adverse circumstances. Remember to ask yourself: “What does this say about me, my strengths, my personal growth, and my abilities?” Your essay should help the reader of your application get to know your best self.

The college application process is a daunting and exciting time precisely because you have the opportunity to present your own narrative, your own identity, your own story! Remember that you deserve to be authentically known in your own college application process. Whether or not you’re in a position to safely and comfortably “come out” in your college applications, know that there are admissions counselors, college professors, and future peers who are rooting for you.

If you have any questions about gender diversity and LGBTQ+ life at NYU, feel free to contact the author directly at [email protected] .

Kennedy Carlick is a Senior Assistant Director of Undergraduate Admissions at NYU. A New Jersey local, you can often find them hiking a trail or sleeping under the stars. They recruit students from Ohio, northern New Jersey, Rhode Island, and Maine and enjoy helping students find their way to their best fit college. Kennedy enjoys reading and writing about gender, birdwatching, and spending time with their beloved pet rabbit, Louise. If you see them around NYU, feel free to stop and chat about the local bird species- especially the pigeons of Washington Square Park!

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6 Diversity College Essay Examples

What’s covered:, how to write the diversity essay after the end of affirmative action, essay #1: jewish identity, essay #2: being bangladeshi-american, essay #3: marvel vs dc, essay #4: leadership as a first-gen american, essay #5: protecting the earth, essay #6: music and accents, where to get your diversity essays edited, what is the diversity essay.

While working on your college applications, you may come across essays that focus on diversity , culture, or values. The purpose of these essays is to highlight any diverse views or opinions that you may bring to campus. Colleges want a diverse student body that’s made up of different backgrounds, religions, ethnicities, sexual orientations, and interests. These essay prompts are a way for them to see what students can bring to their school.

In this post, we will share six essays written by real students that cover the topic of culture and diversity. We’ll also include what each essay did well and where there is room for improvement. Hopefully, this will be a useful resource to inspire your own diversity essay.

Please note: Looking at examples of real essays students have submitted to colleges can be very beneficial to get inspiration for your essays. That said, you should never copy or plagiarize from these examples when writing your own essays. Colleges can tell when an essay isn’t genuine and they will not have a favorable view of students who have plagiarized.

In June 2023, the Supreme Court ruled that the use of race in college admissions was unconstitutional. In other words, they struck down the use of affirmative action in college admissions . This will affect college-bound students of color in a number of ways, including lowering their chances of acceptance and reducing the amount of direct outreach they’ll receive from colleges. Another change to consider is the ways in which students should tackle their diversity essays.

Although colleges can no longer directly factor race into admissions, students aren’t prohibited from discussing their racial backgrounds in supplemental application essays. If your racial background is important to you, seriously consider writing about it in your diversity essays. If you don’t, admissions officers are extremely limited in their ability to consider your race when making an admission decision.

As in the essays listed below, discussing your race is an excellent tool for showing admissions officers the person behind the grades and test scores. Beyond that, it provides admissions officers with an opportunity to put themselves in your shoes—showing them how your background has presented challenges to overcome, helped build important life skills, and taught you valuable lessons.

Diversity Essay Examples

I was thirsty. In my wallet was a lone $10 bill, ultimately useless at my school’s vending machine. Tasked with scrounging together the $1 cost of a water bottle, I fished out and arranged the spare change that normally hid in the bottom of my backpack in neat piles of nickels and dimes on my desk. I swept them into a spare Ziploc and began to leave when a classmate snatched the bag and held it above my head.

“Want your money back, Jew?” she chanted, waving the coins around. I had forgotten the Star-of-David around my neck, but quickly realized she must have seen it and connected it to the stacks of coins. I am no stranger to experiencing and confronting antisemitism, but I had never been targeted in my school before. I grabbed my bag and sternly told her to leave. Although she sauntered away, the impact remained.

This incident serves as an example of the adversity I have and will continue to face from those who only see me as a stereotype. Ironically, however, these experiences of discrimination have only increased my pride as a member of the Jewish Community. Continuing to wear the Star-of-David connects me to my history and my family. I find meaning and direction in my community’s values, such as pride, education, and giving—and I am eager to transfer these values to my new community: the Duke community.

What the Essay Did Well

Writing about discrimination can be difficult, but if you are comfortable doing it, it can make for a powerful story. Although this essay is short and focused on one small interaction, it represents a much larger struggle for this student, and for that reason it makes the essay very impactful.

The author takes her time at the beginning of the essay to build the scene for the audience, which allows us to feel like we are there with her, making the hateful comments even more jarring later on. If she had just told us her classmate teased her with harmful stereotypes, we wouldn’t feel the same sense of anger as we do knowing that she was just trying to get a drink and ended up being harassed.

This essay does another important thing—it includes self-reflection on the experience and on the student’s identity. Without elaborating on the emotional impact of a situation, an essay about discrimination would make admission officers feel bad for the student, but they wouldn’t be compelled to admit the student. By describing how experiences like these drive her and make her more determined to embody positive values, this student reveals her character to the readers.

What Could Be Improved

While including emotional reflection in the latter half of the essay is important, the actual sentences could be tightened up a bit to leave a stronger impression. The student does a nice job of showing us her experience with antisemitism, but she just tells us about the impact it has on her. If she instead showed us what the impact looked like, the essay would be even better.

For example, rather than telling us “Continuing to wear the Star-of-David connects me to my history and my family,” she could have shown that connection: “My Star-of-David necklace thumps against my heart with every step I take, reminding me of my great-grandparents who had to hide their stars, my grandma’s spindly fingers lighting the menorah each Hanukkah, and my uncle’s homemade challah bread.” This new sentence reveals so much more than the existing sentence about the student and the deep connection she feels with her family and religion.

Life before was good: verdant forests, sumptuous curries, and a devoted family.

Then, my family abandoned our comfortable life in Bangladesh for a chance at the American dream in Los Angeles. Within our first year, my father was diagnosed with thyroid cancer. He lost his battle three weeks before my sixth birthday. Facing a new country without the steady presence of my father, we were vulnerable—prisoners of hardship in the land of the free.

We resettled in the Bronx, in my uncle’s renovated basement. It was meant to be our refuge, but I felt more displaced than ever. Gone were the high-rise condos of West L.A.; instead, government projects towered over the neighborhood. Pedestrians no longer smiled and greeted me; the atmosphere was hostile, even toxic. Schoolkids were quick to pick on those they saw as weak or foreign, hurling harsh words I’d never heard before.

Meanwhile, my family began integrating into the local Bangladeshi community. I struggled to understand those who shared my heritage. Bangladeshi mothers stayed home while fathers drove cabs and sold fruit by the roadside—painful societal positions. Riding on crosstown buses or walking home from school, I began to internalize these disparities.

During my fleeting encounters with affluent Upper East Siders, I saw kids my age with nannies, parents who wore suits to work, and luxurious apartments with spectacular views. Most took cabs to their destinations: cabs that Bangladeshis drove. I watched the mundane moments of their lives with longing, aching to plant myself in their shoes. Shame prickled down my spine. I distanced myself from my heritage, rejecting the traditional panjabis worn on Eid and refusing the torkari we ate for dinner every day.

As I grappled with my relationship with the Bangladeshi community, I turned my attention to helping my Bronx community by pursuing an internship with Assemblyman Luis Sepulveda. I handled desk work and took calls, spending the bulk of my time actively listening to the hardships constituents faced—everything from a veteran stripped of his benefits to a grandmother unable to support her bedridden grandchild.

I’d never exposed myself to stories like these, and now I was the first to hear them. As an intern, I could only assist in what felt like the small ways—pointing out local job offerings, printing information on free ESL classes, reaching out to non-profits. But to a community facing an onslaught of intense struggles, I realized that something as small as these actions could have vast impacts.

Seeing the immediate consequences of my actions inspired me. Throughout that summer, I internalized my community’s daily challenges in a new light. I began to see the prevalent underemployment and cramped living quarters less as sources of shame. Instead, I saw them as realities that had to be acknowledged, but that could ultimately be remedied.

I also realized the benefits of the Bangladeshi culture I had been so ashamed of. My Bangla language skills were an asset to the office, and my understanding of Bangladeshi etiquette allowed for smooth communication between office staff and the office’s constituents. As I helped my neighbors navigate city services, I saw my heritage with pride—a perspective I never expected to have.

I can now appreciate the value of my unique culture and background, and the value of living with less. This perspective offers room for progress, community integration, and a future worth fighting for. My time with Assemblyman Sepulveda’s office taught me that I can be an agent of change who can enable this progression. Far from being ashamed of my community, I want to someday return to local politics in the Bronx to continue helping others access the American Dream. I hope to help my community appreciate the opportunity to make progress together. By embracing reality, I learned to live it. Along the way, I discovered one thing: life is good, but we can make it better.

This student’s passion for social justice and civic duty shines through in this essay because of how honest it is. Sharing their personal experience with immigrating, moving around, being an outsider, and finding a community allows us to see the hardships this student has faced and builds empathy towards their situation.

However, what really makes it strong is that the student goes beyond describing the difficulties they faced and explains the mental impact it had on them as a child: “Shame prickled down my spine. I distanced myself from my heritage, rejecting the traditional panjabis worn on Eid and refusing the torkari we ate for dinner every day.” The rejection of their culture presented at the beginning of the essay creates a nice juxtaposition with the student’s view in the latter half of the essay, and helps demonstrate how they have matured.

They then use their experience interning as a way to delve into a change in their thought process about their culture. This experience also serves as a way to show how their passion for social justice began. Using this experience as a mechanism to explore their thoughts and feelings is an excellent example of how items that are included elsewhere on your application should be incorporated into your essay.

This essay prioritizes emotions and personal views over specific anecdotes. Although there are details and certain moments incorporated throughout to emphasize the author’s points, the main focus remains on the student and how they grapple with their culture and identity.

One area for improvement is the conclusion. Although the forward-looking approach is a nice way to end an essay focused on social justice, it would be nice to include more details and imagery in the conclusion. How does the student want to help their community? What government position do they see themselves holding one day?

A more impactful ending might describe the student walking into their office at the New York City Housing Authority in 15 years. This future student might be looking at the plans to build a new development in the Bronx just blocks away from where they grew up that would provide quality housing to people in their Bangladeshi community. They would smile while thinking about how far they have come from that young kid who used to be ashamed of their culture.

Superhero cinema is an oligopoly consisting of two prominent, towering brands: Marvel and DC. I’m a religious supporter of Marvel, but last year, I discovered that my friend, Tom, was a DC fan. After a vociferous 20-minute quarrel about which was better, we decided to allocate one day to have a professional debate, using carefully assembled and coherent arguments.

One week later, we both brought pages of notes and evidence cards (I also had my Iron-Man bobblehead for moral support). Our impartial moderator—a Disney fan—sat in the middle with a stopwatch, open-policy style. I began the debate by discussing how Marvel accentuated the humanity of the storyline—such as in Tony Stark’s transformation from an egotistical billionaire to a compassionate father—which drew in a broader audience, because more people resonated with certain aspects of the characters. Tom rebutted this by capitalizing on how Deadpool was a duplicate of Deathstroke, how Vision copied Red Tornado, and how DC sold more comics than Marvel.

40 minutes later, we reached an impasse. We were out of cards, and we both made excellent points, so our moderator was unable to declare a winner. Difficult conversations aren’t necessarily always the ones that make political headlines. Instead, a difficult discussion involves any topic with which people share an emotional connection.

Over the years, I became so emotionally invested in Marvel that my mind erected an impenetrable shield, blocking out all other possibilities. Even today, we haven’t decided which franchise was better, but I realized that I was undermining DC for no reason other than my own ignorance.

The inevitability of diversity suggests that it is our responsibility to understand the other person and what they believe in. We may not always experience a change in opinion, but we can grant ourselves the opportunity to expand our global perspective. I strive to continue this adventure to increase my awareness as a superhero aficionado, activist, and student, by engaging in conversations that require me to think beyond what I believe and to view the world from others’ perspectives.

And yes, Tom is still my friend.

Diversity doesn’t always have to be about culture or heritage; diversity exists all around us, even in our comic book preferences. The cleverness of this essay lies in the way the student flipped the traditional diversity prompt on its head and instead discussed his diverse perspective on a topic he is passionate about. If you don’t have a cultural connection you are compelled to write about, this is a nifty approach to a diversity prompt—if it’s handled appropriately.

While this student has a non-traditional topic, he still presents it in a way that pays respect to the key aspects of a diversity essay: depicting his perspective and recognizing the importance of diverse views. Just as someone who is writing about a culture that is possibly unfamiliar to the reader, the student describes what makes Marvel and DC unique and important to him and his friend, respectively. He also expands on how a lack of diversity in superhero consumption led to his feeling of ignorance, and how it now makes him appreciate the need for diversity in all aspects of his life.

This student is unapologetically himself in this essay, which is ultimately why this unorthodox topic is able to work. He committed to his passion for Marvel by sharing analytical takes on characters and demonstrating how the franchise was so important to his identity that it momentarily threatened a friendship. The inclusion of humor through his personal voice—e.g., referring to the argument as a professional debate and telling us that the friendship lived on—contributes to the essay feeling deeply personal.

Choosing an unconventional topic for a diversity essay requires extra care and attention to ensure that you are still addressing the core of the prompt. That being said, if you accomplish it successfully, it makes for an incredibly memorable essay that could easily set you apart!

While this is a great essay as is, the idea of diversity could have been addressed a little bit earlier in the piece to make it absolutely clear the student is writing about his diverse perspective. He positions Marvel and DC as two behemoths in the superhero movie industry, but in the event that his reader is unfamiliar with these two brands, there is little context about the cultural impact each has on its fans.

To this student, Marvel is more than just a movie franchise; it’s a crucial part of his identity, just as someone’s race or religion might be. In order for the reader to fully understand the weight of his perspective, there should be further elaboration—towards the beginning—on how important Marvel is to this student.

Leadership was thrust upon me at a young age. When I was six years old, my abusive father abandoned my family, leaving me to step up as the “man” of the house. From having to watch over my little sister to cooking dinner three nights a week, I never lived an ideal suburban life. I didn’t enjoy the luxuries of joining after-school activities, getting driven to school or friends’ houses, or taking weekend trips to the movies or bowling alley. Instead, I spent my childhood navigating legal hurdles, shouldering family responsibilities, and begrudgingly attending court-mandated therapy sessions.

At the same time, I tried to get decent grades and maintain my Colombian roots and Spanish fluency enough to at least partially communicate with my grandparents, both of whom speak little English. Although my childhood had its bright and joyful moments, much of it was weighty and would have been exhausting for any child to bear. In short, I grew up fast. However, the responsibilities I took on at home prepared me to be a leader and to work diligently, setting me up to use these skills later in life.

I didn’t have much time to explore my interests until high school, where I developed my knack for government and for serving others. Being cast in a lead role in my school’s fall production as a freshman was the first thing to give me the confidence I needed to pursue other activities: namely, student government. Shortly after being cast, I was elected Freshman Vice-President, a role that put me in charge of promoting events, delegating daily office tasks, collaborating with the administration on new school initiatives, and planning trips and fundraisers.

While my new position demanded a significant amount of responsibility, my childhood of helping my mom manage our household prepared me to be successful in the role. When I saw the happy faces of my classmates after a big event, I felt proud to know that I had made even a small difference to them. Seeing projects through to a successful outcome was thrilling. I enjoyed my time and responsibilities so much that I served all four years of high school, going on to become Executive Vice-President.

As I found success in high school, my mother and grandparents began speaking more about the life they faced prior to emigrating from Colombia. To better connect with them, I took a series of Spanish language classes to regain my fluency. After a practice run through my presentation on Bendíceme, Ultima ( Bless me, Ultima ) by Rudolofo Anaya, with my grandmother, she squeezed my hand and told me the story of how my family was forced from their home in order to live free of religious persecution. Though my grandparents have often expressed how much better their lives and their children’s lives have been in America, I have often struggled with my identity. I felt that much of it was erased with my loss of our native language.

In elementary school, I learned English best because in class I was surrounded by it. Spanish was more difficult to grasp without a formal education, and my family urged me to become fluent in English so I could be of better help to them in places as disparate as government agencies and grocery stores. When I was old enough to recognize the large part of my identity still rooted in being Colombian, it was challenging to connect these two sides of who I was.

Over time I have been able to reconcile the two in the context of my aspirations. I found purpose and fulfillment through student council, and I knew that I could help other families like my own if I worked in local government. By working through city offices that address housing, education, and support for survivors of childhood abuse, I could give others the same liberties and opportunities my family has enjoyed in this country. Doing so would also help me honor my roots as a first-generation American.

I have been a leader my entire life. Both at Harvard and after graduation, I want to continue that trend. I hope to volunteer with organizations that share my goals. I want to advise policy-making politicians on ways to make children and new immigrants safer and more secure. When my family was at their worst, my community gave back. I hope to give that gift to future generations. A career in local, city-based public service is not a rashly made decision; it is a reflection of where I’ve already been in life, and where I want to be in the future.

Although this essay begins on a somber note, it goes on to show this student’s determination and the joy he found. Importantly, it also ends with a positive, forward-looking perspective. This is a great example of how including your hardship can bolster an essay as long as it is not the essay’s main focus.

Explaining the challenges this student faced from a young age—becoming the man of the house, dealing with legal matters, maintaining good grades, etc.—builds sympathy for his situation. However, the first paragraph is even more impactful because he explains the emotional toll these actions had on him. We understand how he lost the innocence of his childhood and how he struggled to remain connected to his Colombian heritage with all his other responsibilities. Including these details truly allows the reader to see this student’s struggle, making us all the more joyful when he comes out stronger in the end.

Pivoting to discuss positive experiences with student government and Spanish classes for the rest of the essay demonstrates that this student has a positive approach to life and is willing to push through challenges. The tone of the essay shifts from heavy to uplifting. He explains the joy he got out of helping his classmates and connecting with his grandparents, once again providing emotional reflection to make the reader care more.

Overall, this essay does a nice job of demonstrating how this student approaches challenges and negative experiences. Admitting that the responsibilities of his childhood had a silver lining shows his maturity and how he will be able to succeed in government one day. The essay strikes a healthy balance between challenge and hope, leaving us with a positive view of a student with such emotional maturity.

Although the content of this essay is very strong, it struggles with redundancy and disorganized information. He mentions his passion for government at the beginning of the student government paragraph, then again addresses government in the paragraph focused on his Colombian heritage, and concludes by talking about how he wants to get into government once more. Similarly, in the first paragraph, he discusses the struggle of maintaining his Colombian identity and then fully delves into that topic in the third paragraph.

The repetition of ideas and lack of a streamlined organization of this student’s thoughts diminishes some of the emotional impact of the story. The reader is left trying to piece together a swirling mass of information on their own, rather than having a focused, sequential order to follow.

This could be fixed if the student rearranged details to make each paragraph focused on a singular idea. For example, the first paragraph could be about his childhood. The second could be about how student government sparked his interest in government and what he hopes to do one day. The third could be about how he reconnected with his Colombian roots through his Spanish classes, after years of struggling with his identity. And the final paragraph could tie everything together by explaining how everything led to him wanting to pursue a future serving others, particularly immigrants like his family.

Alternatively, the essay could follow a sequential order that would start with his childhood, then explain his struggle with his identity, then show how student government and Spanish classes helped him find himself, and finally, conclude with what he hopes to accomplish by pursuing government.

I never understood the power of community until I left home to join seven strangers in the Ecuadorian rainforest. Although we flew in from distant corners of the U.S., we shared a common purpose: immersing ourselves in our passion for protecting the natural world.

Back home in my predominantly conservative suburb, my neighbors had brushed off environmental concerns. My classmates debated the feasibility of Trump’s wall, not the deteriorating state of our planet. Contrastingly, these seven strangers delighted in bird-watching, brightened at the mention of medicinal tree sap, and understood why I once ran across a four-lane highway to retrieve discarded beer cans.

Their histories barely resembled mine, yet our values aligned intimately. We did not hesitate to joke about bullet ants, gush about the versatility of tree bark, or discuss the destructive consequences of materialism. Together, we let our inner tree-huggers run free.

In the short life of our little community, we did what we thought was impossible. By feeding on each other’s infectious tenacity, we cultivated an atmosphere that deepened our commitment to our values and empowered us to speak out on behalf of the environment. After a week of stimulating conversations and introspective revelations about engaging people from our hometowns in environmental advocacy, we developed a shared determination to devote our lives to this cause.

As we shared a goodbye hug, my new friend whispered, “The world needs saving. Someone’s gotta do it.” For the first time, I believed that that someone could be me.

This student is expressing their diversity through their involvement in a particular community—another nice approach if you don’t want to write about culture or ethnicity. We all have unique things that we geek out over. This student expresses the joy that they derived from finding a community where they could express their love for the environment. Passion is fundamental to university life and generally finds its way into any successful application.

The essay finds strength in the fact that readers feel for the student. We get a little bit of backstory about where they come from and how they felt silenced— “Back home in my predominantly conservative suburb, my neighbors had brushed off environmental concerns” —so it’s easy to feel joy for them when they get set free and finally find their community.

This student displays clear values: community, ecoconsciousness, dedication, and compassion. An admissions officer who reads a diversity essay is looking for students with strong values who will enrich the university community with their unique perspective—that sounds just like this student!

One area of weakness in this essay is the introduction. The opening line— “I never understood the power of community until I left home to join seven strangers in the Ecuadorian rainforest” —is a bit clichéd. Introductions should be captivating and build excitement and suspense for what is to come. Simply telling the reader about how your experience made you understand the power of community reveals the main takeaway of your essay without the reader needing to go any further.

Instead of starting this essay with a summary of what the essay is about, the student should have made their hook part of the story. Whether that looks like them being exasperated with comments their classmates made about politics, or them looking around apprehensively at the seven strangers in their program as they all boarded their flight, the student should start off in the action.

India holds a permanent place in my heart and ears. Whenever I returned on a trip or vacation, I would show my grandmother how to play Monopoly and she would let me tie her sari. I would teach my grandfather English idioms—which he would repeat to random people and fishmongers on the streets—and he would teach me Telugu phrases.

It was a curious exchange of worlds that I am reminded of every time I listen to Indian music. It was these tunes that helped me reconnect with my heritage and ground my meandering identity. Indian music, unlike the stereotype I’d long been imbued with, was not just a one-and-done Bollywood dance number! Each region and language was like an island with its own unique sonic identity. I’m grateful for my discovery of Hindi, Telugu, Kannada, and Tamil tunes, for these discoveries have opened me up to the incredible smorgasbord of diversity, depth, and complexity within the subcontinent I was born in.

Here’s an entirely-different sonic identity for you: Texan slang. “Couldya pass the Mango seltzer, please, hon?” asked my Houstonian neighbor, Rae Ann—her syllables melding together like the sticky cake batter we were making.

Rae Ann and her twang were real curiosities to me. Once, she invited my family to a traditional Texan barbecue with the rest of our neighbors. As Hindus, we didn’t eat beef, so we showed up with chicken kebabs, instead. Rather than looking at us bizarrely, she gladly accepted the dish, lining it up beside grilled loins and hamburger patties.

Her gesture was a small but very well-accepted one and I quickly became convinced she was the human manifestation of “Southern hospitality”—something reflected in each of her viscous, honey-dripping phrases. “Watch out for the skeeters!” was an excellent example. It was always funny at first, but conveyed a simple message: We’ve got each other’s backs and together, we can overcome the blood-sucking mosquitoes of the Houstonian summer! I began to see how her words built bridges, not boundaries.

I believe that sounds—whether it’s music or accents—can make a difference in the ways we perceive and accept individuals from other backgrounds. But sound is about listening too. In Rice’s residential college, I would be the type of person to strike up a conversation with an international student and ask for one of their Airpods (you’d be surprised how many different genres and languages of music I’ve picked up in this way!).

As both an international student and Houstonian at heart, I hope to bridge the gap between Rice’s domestic and international populations. Whether it’s organizing cultural events or simply taking the time to get to know a student whose first language isn’t English, I look forward to listening to the stories that only a fellow wanderer can tell.

This essay does an excellent job of addressing two aspects of this student’s identity. Looking at diversity through sound is a very creative way to descriptively depict their Indian and Texan cultures. Essays are always more successful when they stimulate the senses, so framing the entire response around sound automatically opens the door for vivid imagery.

The quotes from this student’s quirky neighbor bring a sense of realism to the essay. We can feel ourselves at the barbecue and hear her thick Texan accent coming through. The way people communicate is a huge part of their culture and identity, so the way that this student perfectly captures the essence of their Texan identity with accented phrases is skillfully done.

This essay does such a great job of making the sounds of Texas jump off the page, so it is a bit disappointing that it wasn’t able to accomplish the same for India. The student describes the different Indian languages and music styles, but doesn’t bring them to life with quotes or onomatopoeia in the manner that they did for the sounds of Texas.

They could have described the buzz of the sitar or the lyrical pattern of the Telugu phrases their grandfather taught them. Telling us about the diversity of sounds in Indian music is fine, but if the reader can’t appreciate what those sounds resemble, it makes it harder to understand the Indian half of the author’s identity. Especially since this student emulated the sounds and essence of Texas so well, it’s important that India is given the same treatment so we can fully appreciate both sides of this essay.

More Supplemental Essay Tips

How to Write a Stellar “Why This College?” Essay + Examples

How to Write a Stellar Extracurricular Activity College Essay

Do you want feedback on your diversity essays? After rereading your essays countless times, it can be difficult to evaluate your writing objectively. That’s why we created our free Peer Essay Review tool , where you can get a free review of your essay from another student. You can also improve your own writing skills by reviewing other students’ essays.

If you want a college admissions expert to review your essay, advisors on CollegeVine have helped students refine their writing and submit successful applications to top schools. Find the right advisor for you to improve your chances of getting into your dream school!

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How to Write a College Diversity Essay – Examples & Tips

What is a diversity essay for college?

If you are preparing for your college application, you have probably heard that you sometimes need to submit a “diversity essay,” and you might be wondering how this is different from the usual admission essay. A diversity essay is a college admissions essay that focuses on the applicant’s background, identity, culture, beliefs, or relationship with a specific community, on what makes an applicant unique, and on how they might bring a fresh perspective or new insights to a school’s student body. Colleges let applicants write such essays to ensure diversity in their campus communities, to improve everyone’s learning experience, or to determine who might be eligible for scholarships that are offered to students from generally underrepresented backgrounds. 

Some colleges list the essay as one of their main requirements to apply, while others give you the option to add it to your application if you wish to do so. At other schools, it is simply your “personal statement”—but the prompts you are given can make it an essay on the topic of diversity in your life and how that has shaped who you are.

To write a diversity essay, you need to think about what makes you uniquely you: What significant experiences have you made, because of your background, that might separate you from other applicants? Sometimes that is obvious, but sometimes it is easy to assume our experiences are normal just because we are part of a community that shares the same circumstances, beliefs, or experiences. But if you look at your life from the perspective of someone who is not part of that community, such as an admissions officer, they can suddenly be not-so-common and help you stand out from the crowd.

Diversity Essay Examples and Topics

Diversity essays come in all shapes and formats, but what they need to do is highlight an important aspect of your identity, background, culture, viewpoints, beliefs, goals, etc. You could, for example, write about one of the following topics:

• Your home country/hometown
• Your cultural/immigration background
• Your race/ethnicity
• Your unique family circumstances
• Your religion/belief system
• Your socioeconomic background
• Your disability
• Your sex/gender
• Your sexual orientation
• Your gender identity
• Your values/opinions
• Your experiences
• Your extracurricular activities related to diversity

In the following, we ask some general questions to make you start reflecting on what diversity might mean for you and your life, and we present you with excerpts from several successful diversity-related application essays that will give you an idea about the range of topics you can write about.

How does diversity make you who you are as a person or student?

We usually want to fit in, especially when we are young, and you might not even realize that you and your life experiences could add to the diversity of a student campus. You might think that you are just like everyone around you. Or you might think that your background is nothing to brag about and are not really comfortable showcasing it. But looking at you and your life from the point of view of someone who is not part of your community, your background, culture, or family situation might actually be unique and interesting. 

What makes admission committees see the unique and interesting in your life is an authentic story, maybe even a bit vulnerable, about your lived experiences and the lessons you learned from them that other people who lived other lifes did not have the chance to learn. Don’t try to explain how you are different from others or how you have been more privileged or less fortunate than others—let your story do that. Keep the focus on yourself, your actions, thoughts, and feelings, and allow the reader a glimpse into your culture, upbringing, or community that gives them some intriguing insights. 

Have a look at the excerpt below from a diversity essay that got an applicant into Cornell University . This is just the introduction, but there is probably no admissions officer who would not want to keep reading after such a fascinating entry. 

He’s in my arms, the newest addition to the family. I’m too overwhelmed. “That’s why I wanted you to go to Bishop Loughlin,” she says, preparing baby bottles. “But ma, I chose Tech because I wanted to be challenged.” “Well, you’re going to have to deal with it,” she replies, adding, “Your aunt watched you when she was in high school.” “But ma, there are three of them. It’s hard!” Returning home from a summer program that cemented intellectual and social independence to find a new baby was not exactly thrilling. Add him to the toddler and seven-year-old sister I have and there’s no wonder why I sing songs from Blue’s Clues and The Backyardigans instead of sane seventeen-year-old activities. It’s never been simple; as a female and the oldest, I’m to significantly rear the children and clean up the shabby apartment before an ounce of pseudo freedom reaches my hands. If I can manage to get my toddler brother onto the city bus and take him home from daycare without snot on my shoulder, and if I can manage to take off his coat and sneakers without demonic screaming for no apparent reason, then it’s a good day. Only, waking up at three in the morning to work, the only free time I have, is not my cup of Starbucks.  Excerpt from “All Worth It”, Anonymous, published in 50 Successful IVY LEAGUE Application Essays Fourth Edition, Gen & Kelly Tanabe, SuperCollege, 2017 .

How has your identity or background affected your life?

On top of sharing a relevant personal story, you also need to make sure that your essay illustrates how your lived experience has influenced your perspective, your life choices, or your goals. If you can explain how your background or experience led you to apply to the school you want to submit the essay to, and why you would be a great fit for that school, even better. 

You don’t need to fit all of that into one short essay, though. Just make sure to end your essay with some conclusions about the things your life has taught you that will give the admissions committee a better idea of who you now are—like the author of the following (winning) admissions essay submitted to MIT (Massachusetts Institute of Technology) .

[…] I always thought that I had it the worst out of all my family members because I was never allowed to get anything lower than what my brother or a cousin had gotten in a class. My parents figured if they could do it, so could I, and if not on my own then with a little of their help. It was not until recently that I realized the truth in this. In my short life I have seen my father go from speaking no English to excelling in it. I have heard countless stories about migrant farmers such as Cesar Chavez and my grandfather who had nearly nothing, yet persisted and succeeded. […] When I had trouble speaking Spanish and felt like abandoning my native tongue, I remembered my mother and how when she came to the United States she was forced to wash her mouth out with soap and endure beatings with a ruler by the nuns at her school for speaking it. When I couldn’t figure out tangents, sines, and cosines I thought about my father and how it took him nearly a year to learn long division because he was forced to teach it to himself after dropping out and starting to work in the 4th grade. […] All these people, just from my family, have been strong role models for me. I feel that being labeled “underprivileged” does not mean that I am limited in what I can do. There is no reason for me to fail or give up, and like my parents and grandparents have done, I’ve been able to pull through a great deal. My environment has made me determined, hard working, and high aiming. I would not like it any other way. From “Lessons From the Immigration Spectrum”, Anonymous, MIT, published in 50 Successful IVY LEAGUE Application Essays Fourth Edition, Gen & Kelly Tanabe, SuperCollege, 2017 .

How will your diversity contribute to the college campus and community?

The admissions committee would like to know how your identity or background will enrich the university’s existing student body. If you haven’t done so, researching the university’s organizations and groups and what specific courses the university offers might be a good idea. If you are applying to a large public school, you could mention that you are looking forward to broadening not just your horizon but also your community. Or maybe your college of choice has a specialized program or student organization that you feel you will fit right into and that you could contribute to with your unique background.

Tailoring your answer to the university you are applying to shows that you are serious and have done your research, and a university is obviously looking for such students. If you can’t find a way to make your essay “match” the university, then don’t despair—showing the admissions committee that you are someone who already made some important experiences, has reflected on them, and is eager to learn more and contribute to their community is often all that is needed. But you also don’t need to search for the most sophisticated outro or conclusion, as the following excerpt shows, from an admission essay written by an applicant named Angelica, who was accepted into the University of Chicago . Sometimes a simple conviction is convincing enough. 

[…] The knowledge that I have gained from these three schools is something I will take with me far beyond college. My roommate, across-the-hall mates, and classmates have influenced my life as much as I hope to have impacted theirs. It is evident to me that they have helped me develop into the very much visible person I am today. I have learned to step outside of my comfort zone, and I have learned that diversity is so much more than the tint of our skin. My small mustard-colored school taught me that opportunity and success only requires desire. I would be an asset to your college because as I continue on my journey to success, I will take advantage of every opportunity that is available to me and make sure to contribute as much as I can, too. Now I am visible. Now I am visible. Now I am visible, and I want to be seen. From “No Longer Invisible” by Angelica, University of Chicago, published in 50 Successful IVY LEAGUE Application Essays Fourth Edition, Gen & Kelly Tanabe, SuperCollege, 2017 .

Tell stories about your lived experience

You might wonder how exactly to go about writing stories about your “lived experience.” The first step, after getting drawing inspiration from other people’s stories, is to sit down and reflect on your own life and what might be interesting about it, from the point of view of someone outside of your direct environment or community.

Two straightforward approaches for a diversity-related essay are to either focus on your community or on your identity . The first one is more related to what you were born into (and what it taught you), and the second one focuses on how you see yourself, as an individual but also as part of society.

Take some time to sit down and reflect on which of these two approaches you relate to more and which one you think you have more to say about. And then we’d recommend you do what always helps when we sit in front of a blank page that needs to be filled: Make a list or draw a chart or create a map of keywords that can become the cornerstones of your story.

For example, if you choose the “community” approach, then start with a list of all the communities that you are a part of. These communities can be defined by different factors:

• A shared place: people live or work together
• Shared actions: People create something together or solve problems together
• Shared interests: People come together based on interests, hobbies, or goals
• Shared circumstances: people are brought together by chance or by events

Once you have that list, pick one of your communities and start asking yourself more specific questions. For example: 

• What did you do as a member of that community? 
• What kinds of problems did you solve , for your community or together?
• Did you feel like you had an impact ? What was it?
• What did you learn or realize ? 
• How are you going to apply what you learned outside of that community?

If, instead, you choose the “identity” approach, then think about different ways in which you think about yourself and make a list of those. For example:

My identity is as a… 

• boy scout leader
• hobby writer
• babysitter for my younger siblings
• speaker of different languages
• collector of insightful proverbs
• Japanese-American
• other roles in your family, community, or social sub-group

Feel free to list as many identities as you can. Then, think about what different sides of you these identities reveal and which ones you have not yet shown or addressed in your other application documents and essays. Think about whether one of these is more important to you than others if there is one that you’d rather like to hide (and why) and if there is any struggle, for example with reconciling all of these sides of yourself or with one of them not being accepted by your culture or environment.

Overall, the most important characteristic admissions committees are looking for in your diversity essay is authenticity . They want to know who you are, behind your SATs and grades, and how you got where you are now, and they want to see what makes you memorable (remember, they have to read thousands of essays to decide who to enroll). 

The admissions committee members likely also have a “sixth sense” about whose essay is authentic and whose is not. But if you go through a creative process like the one outlined here, you will automatically reflect on your background and experiences in a way that will bring out your authenticity and honesty and prevent you from just making up a “cool story.”

Diversity Essay Sample Prompts From Colleges

If you are still not sure how to write a diversity essay, let’s have a look at some of the actual diversity essay prompts that colleges include in their applications. 

Diversity Essay Sample #1: University of California

The University of California asks applicants to choose between eight prompts (they call them “ personal insight questions “) and submit four short essays of up to 350 words each that tell the admission committee what you would want them to know about you . These prompts ask about your creative side (#2), your greatest talent (#3), and other aspects of your personality, but two of them (#5 and #7) are what could be called “diversity essay prompts” that ask you to talk about the most significant challenge you have faced and what you have done to make your community a better place .

The University of California website also offers advice on how to use these prompts and how to write a compelling essay, so make sure you use all the guidance they give you if that is the school you are trying to get into!

UC Essay prompt #5. Describe the most significant challenge you have faced and the steps you have taken to overcome this challenge. How has this challenge affected your academic achievement?

Things to consider: A challenge could be personal, or something you have faced in your community or school. Why was the challenge significant to you? This is a good opportunity to talk about any obstacles you’ve faced and what you’ve learned from the experience. Did you have support from someone else or did you handle it alone?

UC Essay prompt #7. What have you done to make your school or your community a better place?  

Things to consider: Think of community as a term that can encompass a group, team, or place—like your high school, hometown, or home. You can define community as you see fit, just make sure you talk about your role in that community. Was there a problem that you wanted to fix in your community? Why were you inspired to act? What did you learn from your effort? 

Diversity Essay Sample #2: Duke University

Duke University asks for a one-page essay in response to either one of the Common Application prompts or one of the Coalition Application prompts, as well as a short essay that answers a question specific to Duke. 

In addition, you can (but do not have to) submit up to two short answers to four prompts that specifically ask about your unique experiences, your beliefs and values, and your background and identity. The maximum word count for each of these short essays on diversity topics is 250 words.

Essay prompt #1. We seek a diverse student body that embodies the wide range of human experience. In that context, we are interested in what you’d like to share about your lived experiences and how they’ve influenced how you think of yourself. Essay prompt #2. We believe there is benefit in sharing and sometimes questioning our beliefs or values; who do you agree with on the big important things, or who do you have your most interesting disagreements with? What are you agreeing or disagreeing about? Essay prompt #3. What has been your best academic experience in the last two years, and what made it so good? Essay prompt #4. Duke’s commitment to diversity and inclusion includes sexual orientation, gender identity, and gender expression. If you’d like to share with us more about your identity in this context, feel free to do so here.

Duke University is looking for students with a variety of different experiences, backgrounds, interests, and opinions to make its campus community diverse and a place where ambition and curiosity, talent and persistence can grow, and the admissions committee will “consider what you have accomplished within the context of your opportunities and challenges so far”—make sure you tell them!

Diversity Essay Sample #3: University of Washington

The University of Washington asks students for a long essay (650 words) on a general experience that shaped your character, a short essay (300 words) that describes the world you come from and how you, as a product of it, might add to the diversity of your future university and allows you to submit additional information on potential hardships or limitations you have experienced in attaining your education so far. The University of Washington freshman writing website also offers some tips on how to (and how not to) write and format your essays.

Essay prompt [required] Tell a story from your life, describing an experience that either demonstrates your character or helped to shape it.

Short response prompt [required] Our families and communities often define us and our individual worlds. “Community” might refer to your cultural group, extended family, religious group, neighborhood or school, sports team or club, co-workers, etc. Describe the world you come from and how you, as a product of it, might add to the diversity of the UW.

Additional information about yourself or your circumstances [optional] You are not required to write anything in this section, but you may include additional information if something has particular significance to you. For example, you may use this space if:

– You have experienced personal hardships in attaining your education

– Your activities have been limited because of work or family obligations

– You have experienced limitations/opportunities unique to the schools you attended

The University of Washington’s mission is to enroll undergraduates with outstanding intellectual abilities who bring different perspectives, backgrounds, and talents to the campus to create a “stimulating educational environment”. The diversity essay is your chance to let them know how you will contribute to that.

Diversity Essay Sample #4: University of Michigan

At the University of Michigan, a diversity college essay that describes one of the communities (defined by geography, religion, ethnicity, income, or other factors) you belong to is one of two required essays that need to be submitted by all applicants, on top of the Common Application essay. 

Diversity essay prompt. Everyone belongs to many different communities and/or groups defined by (among other things) shared geography, religion, ethnicity, income, cuisine, interest, race, ideology, or intellectual heritage. Choose one of the communities to which you belong, and describe that community and your place within it.

The University of Michigan prides itself in “looking at each student as a whole package” and recruiting the most dynamic students, with different backgrounds, interests, and passions, into their college, not just the ones with the highest test scores. They also give consideration to applicants from currently underrepresented groups to create diversity on campus and enrich the learning environment for all students—if that sounds like you, then here is your opportunity to tell your story!

Frequently Asked Questions about Diversity Essays

What topics should i avoid in my college diversity essay.

Since the point of a diversity essay is to show the admissions committee who you are (behind your grades and resume and general educational background), there are not many topics you need to avoid. In fact, you can address the issues, from your own perspective, that you are usually told not to mention in order not to offend anyone or create controversy. 

The only exception is any kind of criminal activity, especially child abuse and neglect. The University of Washington, for example, has a statement on its essay prompt website that “ any written materials that give admissions staff reasonable cause to believe abuse or neglect of someone under the age of 18 may have occurred must be reported to Child Protective Services or the police. ”

What is most important to focus on in my diversity essay?

In brief, to stand out while not giving the admissions committee any reason to believe that you are exaggerating or even making things up. Your story needs to be authentic, and admissions officers—who read thousands of applications—will probably see right through you if you are trying to make yourself sound cooler, more mature, or more interesting than you are. 

In addition, make sure you let someone, preferably a professional editor, read over your essays and make sure they are well-written and error-free. Even though you are telling your personal story, it needs to be presented in standard, formal, correct English.

How long should a diversity essay be?

Every school has different requirements for their version of a diversity essay, and you will find all the necessary details on their admissions or essay prompts website. Make sure you check the word limit and other guidelines before you start typing away!

Prepare your college diversity essay for admission

Now that you know what a diversity essay is and how you find the specific requirements for the essays you need to submit to your school of choice, make sure you plan in advance and give yourself enough time to put all your effort into it! Our article How to Write the Common App Essay can give you an idea about timelines and creative preparation methods. And as always, we can help you with our professional editing services , including Application Essay Editing Services and Admission Editing Services , to ensure that your entire application is error-free and showcases your potential to the admissions committee of your school of choice.

For more academic resources on writing the statement of purpose for grad school or on the college admission process in general, head over to our Admissions Resources website where we have many more articles and videos to help you improve your essay writing skills.

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Your chance of acceptance, your chancing factors, extracurriculars, how do i write a college essay about my identity.

My identity has played a big role in my life, and I want to write about it in my college essay. How can I approach this topic in a way that showcases who I am without sounding cliché or overly dramatic? Thanks for any suggestions!

Hello! I'm glad to see that you're considering writing about your identity, as it's an important part of who you are. To avoid sounding cliché or overly dramatic, there are a few tips I'd like to share with you.

First, focus on specific experiences or moments that have shaped your identity. Instead of making general statements, think about the events in your life that have had a significant impact on you and what you learned from them. This will help you tell a unique story that only you can tell.

Second, don't be afraid to be vulnerable. Sharing your personal thoughts and feelings can make your essay more engaging and relatable. For example, my child wrote about their experience as an immigrant, discussing the challenges they faced in adapting to a new culture and how it shaped their perspective on life.

Third, use vivid language and descriptive details to paint a picture for your reader. This will make your essay more memorable and allow your reader to connect with your story on a deeper level. For example, instead of just saying 'I felt out of place,' describe the physical and emotional sensations you experienced in that moment.

Finally, make sure to tie your identity back to your goals, values, or aspirations. Show how your identity has influenced your choices and what you hope to accomplish in the future. This will give your essay a sense of purpose and demonstrate your growth as an individual.

I hope these tips help you craft a compelling essay that showcases your unique identity. Best of luck with your college applications!

About CollegeVine’s Expert FAQ

CollegeVine’s Q&A seeks to offer informed perspectives on commonly asked admissions questions. Every answer is refined and validated by our team of admissions experts to ensure it resonates with trusted knowledge in the field.

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Women's Writing Special Issue: Women Writers and Translation

Guest Editors:

Deborah Uman (Weber State University)

Karen Griscom (Community College of Rhode Island)

This special issue of  Women’s Writing  seeks to explore the multifaceted realm of women’s translation, spanning from the Middle Ages through the long nineteenth century. Over the past few decades, scholars have produced important insights on the worlds of women’s translation; however, much work remains. In the introduction to the 2023 special edition on translation studies in PMLA , A.E.B. Coldiron argues, “[T]ranslations constitute points of cultural and historical contact too generative to ignore” (419). Coldiron contends the future of literary studies demands scholars acknowledge the significance of translation: “Insisting on more-than-monolingual inquiry will necessarily yield literary criticism at once more precise and more expansive. Literary-cultural specialists who ignore translation, or who treat it instrumentally, do so at their peril, missing the bigger picture” (430). Given this imperative, our special issue seeks contributions that further the discussion of women writers and translation. We invite proposals for essays that engage with translation in a broad sense, including cultural translation, intralingual translation, and transmedia translation.

Topics may include but are not limited to:

• translation and gender theory
• mediating translations
• collaborative translation
• reception of translation
• patronage and translation
• paratextual material
• the materiality of translation
• women writers’ contributions to translation theory
• religious translation and commentary
• translation and history
• coterie publication of translation
• translation and prose fiction
• commercial profit and translation
• women’s education and translation
• authorship and originality
• anonymity and women’s translation
• networks around women translators
• translation and genre experimentation
• politics and translation
• translation and travel writing
• periodical publication of women’s translation

Please submit abstracts of 250 to 300 words with a short biographical statement by 15 September 2024 using this submission link :  https://forms.gle/ms9t2gdssY1NMyXR6

If accepted, author manuscripts will be due for peer review by 15 July 2025 . Please note that acceptance of an abstract does not guarantee inclusion in the special issue. All manuscripts will undergo anonymized peer review. The special issue is expected to be published in summer 2026.

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The 25 Photos That Defined the Modern Age

A group of experts met to discuss the images that have best captured — and changed — the world since 1955.

Supported by

By M.H. Miller ,  Brendan Embser ,  Emmanuel Iduma and Lucy McKeon

• Published June 3, 2024 Updated June 4, 2024

This story contains graphic images of violence and death.

Let’s get this out of the way first: Of the dozens of photographers not represented here that a reasonable person might expect to have been included, the most conspicuous absentees include Berenice Abbott, Ansel Adams, Robert Adams, Richard Avedon, Dawoud Bey, Henri Cartier-Bresson, Imogen Cunningham, Roy DeCarava, William Eggleston, Walker Evans, Robert Mapplethorpe, Helmut Newton and Irving Penn. Putting together a list of the 25 most significant photographs since 1955 — both fine art photos and reportage — proved a difficult task for the panelists (even the chosen time frame was controversial). They were: the Canadian conceptual photographer Stan Douglas , 63; the Vietnamese American photographer An-My Lê , 64; the acting chief curator of Photography at the Museum of Modern Art, Roxana Marcoci, 66; the American documentary photographer Susan Meiselas , 75; the American photographer Shikeith , 35; and Nadia Vellam, 51, T’s photo and video director. Each participant (including myself, the moderator, 36) submitted up to seven possible nominees for the list. We gathered at The New York Times Building on a morning last February (with Shikeith joining on video from a shoot in Los Angeles) to begin our deliberations.

We chose judges from the realms of both fine art and reportage because, increasingly, the line between the two has collapsed. The modern age has been defined by photographs — images that began their lives in newspapers or magazines are repurposed as art; art has become a vehicle for information. Therefore, it was important to us and our jurors that we not draw boundaries between what was created as journalism and what was created as art. What was important was that the photographs we chose changed, in some way, how we see the world.

The conversation naturally turned into a series of questions. Like how important was it for a photograph to have expanded the possibilities of the medium? And how much did it matter who took a photo and what their intentions were? The list that emerged is less concerned with a historical chronology or an accepted canon than it is with a set of themes that have been linked indelibly to the photographic medium since its inception: labor and activism; war; the self and the family. Intriguingly, beyond an image by Wolfgang Tillmans from the ’90s, fashion photography is largely absent. So, too, are many world historical events that have been captured in landmark photographs, including the assassination of JFK, the fall of the Berlin Wall and anything from the pandemic lockdown or the presidency of Donald Trump. There were just too many other photographs to consider.

The process of producing the final list was clearly not scientific. It was more of a debate among a certain group of people on a certain day and is best considered that way. At the end of nearly four hours, jittery from caffeine, the group stood before a pile of crumpled masterworks on the floor as we assembled our chosen 25 images on a conference table. Many of our questions weren’t resolved (indeed, are unresolvable), but the results — which aren’t ranked but rather presented in the order in which we discussed them — are nothing if not surprising. — M.H. Miller

The conversation has been edited and condensed.

M.H. Miller: I thought we should start by talking about the time frame we settled on, starting in 1955.

Stan Douglas: It’s an agenda.

Miller: A little bit. It certainly shows an American bias, so I apologize to our Canadian representative — 1955 is really the beginning of the American civil rights movement, an era from which a number of us nominated photographs, and photography was so important in just making people aware of what was going on in the country. An-My, you chose Robert Frank’s picture of a streetcar in New Orleans, taken that year.

1. Robert Frank, “Trolley — New Orleans,” 1955

Robert Frank used “Trolley — New Orleans” as the original cover of his influential photo book “The Americans,” first published in the United States in 1959. Frank, a Swiss émigré, spent two years traveling the States and capturing what he saw. In this photograph, two Black passengers sit at the rear of a New Orleans streetcar while four white passengers sit at the front; all look out from a row of windows, the mullions between them emphasizing their strict separation. At the time of its publication, “The Americans” was considered by several critics to be a pessimistic, angry portrait of the country. (The magazine Popular Photography famously called it a “warped” and “wart-covered” depiction “by a joyless man.”) Many more viewers and artists, however, found inspiration in the direct, unromantic style pioneered by Frank, whose outsider status likely let him view America’s contradictions from a clarifying distance. He had “sucked a sad poem out of America onto film,” as Jack Kerouac wrote in an introduction to the book. This image, shot in the months before the Montgomery bus boycotts made segregation a national debate, showed America to itself, as if for the first time. The faces in the photographs, Kerouac wrote, don’t “editorialize or criticize, or say anything but ‘this is the way we are in real life.’” — Emmanuel Iduma

An-My Lê: I tried to look for things that spoke to me, but also spoke to a generation.

Douglas: If I had to choose a civil rights image, I wouldn’t choose this one. Great photograph. But something happening on the street would be more appropriate, I think, like the dog attacking protesters , or the photo with the firemen .

Roxana Marcoci: But this was the cover of “The Americans,” and it does happen in the street, actually. I think that what you’re saying is, it’s not a photojournalistic image.

Douglas: The most important thing to me is: does a photograph reveal a new reality, or reveal something that’s been hidden previously? I think that’s a key criterion for making it significant. What impact on the world can that image have? A European might not have recognized that this was happening in the U.S. Maybe a lot of Americans in the North didn’t realize this was happening in the U.S. And I love this photograph, so I’m very happy to keep it.

2. David Jackson, Mamie Till and Gene Mobley Standing Before the Body of Emmett Till at a Chicago Funeral Home, 1955

Mamie Till fixes her eyes on her dead son, as her fiancé, Gene Mobley, holding her, stares at the viewer. Emmett Till , 14, is laid out on a cot in a Chicago funeral home, his face disfigured and bloated. His mother allowed the photojournalist David Jackson to take this picture in September 1955, a few days after two white men had abducted and murdered Till while he was visiting relatives in Mississippi. Quickly acquitted by an all-white jury, the men would go on to sell their confession to Look magazine for $4,000. When this photo was published, first in Jet magazine and then in The Chicago Defender and other Black newspapers, it incited an unprecedented level of outrage in America over racial violence; Jet had to reprint the Sept. 15, 1955, issue in which it appeared because of high demand. For the same reason Mamie Till let this picture be taken, she chose to keep her son’s coffin open during the funeral. “The murder of my son has shown me that what happens to any of us, anywhere in the world, had better be the business of us all,” she said. An estimated 100,000 people came to view his body. Jackson’s photograph was a call to action for many, including Rosa Parks, who said she thought of Till when she refused to give up her seat on a Montgomery bus later that same year. — E.I.

Miller: I feel like you can’t have this conversation, especially with the year we designated as the starting point, without talking about Emmett Till. There’s the devastating series of photographs of Till’s funeral. But there’s also the one from the trial — when Till’s great-uncle is identifying the men who murdered his nephew. The judge didn’t allow that photographer, Ernest C. Withers, to shoot in the courtroom. So it’s a miracle that the picture exists, and that it’s composed as well as it is when it had to be taken in secret. And it’s a moment where you saw a larger shift taking place. Up to that point in the South, a Black witness identifying white defendants in court was unheard-of.

Marcoci: The picture [of his body] was also about the power of the witness, right?

Susan Meiselas: Oh, for sure. Mamie Till and her insistence on an open coffin: how brave an act that was. And it ran in Jet and moved around the world.

Douglas: The issue for me with the trial picture is that it needs a paragraph to explain why we’re looking at it.

Marcoci: The courtroom was a travesty. They went free. But this, Mamie Till with her son, created a generation of Black activists.

Shikeith: I grew up in a predominantly Black neighborhood in Philadelphia, and when we were learning about Black history in the fourth or fifth grade, that picture was brazenly shared with students. It was probably the first time I learned how powerful a photograph can be in having real material change in the world. It’s an image that I’ve lived with my [whole] life, and that’s impacted how I viewed the world and racism and its violence. It scares me. But, you know, it’s the truth. The truth can be very scary for a lot of us.

Miller: Shikeith, you also selected this Gordon Parks photograph, which is one of two color images the group nominated from the 1950s and ’60s — and the second was taken from outer space.

3. Gordon Parks, “Department Store, Mobile, Alabama,” 1956

In 1956, Life magazine sent Gordon Parks to document the effects of Jim Crow segregation laws in the American South through the experiences of one extended family in Mobile, Ala. Parks was one of the few Black photojournalists to work for an establishment magazine at the time, and was known especially for his fashion photography, as is easily apparent from this image. For Life, he photographed everyday scenes — a church choir singing or children drinking from water fountains — intentionally capturing signs reading “White Only” or “ Lots for Colored .” “Department Store, Mobile, Alabama” (1956) was shot for the Life story, which ran at 12 pages under the title “The Restraints: Open and Hidden” but, for unknown reasons, it didn’t make the final edit, and it wasn’t published until 2012, when a five-volume collection of Parks’s photographs was released. “Department Store” has since become a belated icon, one of the most memorable images in a career that also includes directing the 1971 film “Shaft.” Notable most of all for its vivid color, a startling contrast to the predominantly black-and-white imagery from the civil rights era, the portrait depicts Joanne Thornton Wilson, then age 27, dressed in an ice-blue, A-line cocktail dress, with her young niece, Shirley Anne Kirksey, standing beneath the red neon “Colored Entrance” sign in front of a department store. Wilson’s upright posture and outward gaze — peering in the opposite direction of the sign’s blue arrow — subtly signify defiance. But there’s an intimacy and vulnerability in the picture, too. In 2013, Wilson, who went on to become a high school teacher, told the art historian Maurice Berger that she regretted that the strap of her slip had visibly fallen. “Dressing well made me feel first class,” she said. “I wanted to set an example.” She had set an example, of course, which Parks had recorded with such clarity: Wilson also told Berger that she refused to take her niece through the “colored” entrance. — Brendan Embser

Shikeith: I think what’s beautiful about this image is that it’s brilliantly composed — it uses beauty to draw you into a poignant moment in history, becoming a record of the Jim Crow laws in the Southern U.S. I tried to pick photographs that had an influence on me, and that I thought my mother would recognize, to indicate their influence on people who might operate outside of art history conversations. It [can be used as] a tool for educating even the youngest of minds about what marginalized communities went through.

Marcoci: I think that’s a great point: the pedagogical nature of photographs. In this picture, there’s the elegance and grace of these two figures, and then the ugliness of that “Colored Entrance” sign. There’s such a tension between them.

Nadia Vellam: You don’t immediately realize the context because you’re so attracted to the two people in the image. It asks you to spend more time looking.

Douglas: It’s quite an exquisite picture. It’s basically an X, which draws your eye into the center, which then takes you to that woman’s gaze outside the frame. Inside the frame, there’s something quite sweet. But outside — both beyond that door and out in the world that’s made that door — there’s something quite ugly.

4. Alberto Korda, “Guerrillero Heroico (Che Guevara),” 1960

Alberto Korda, a favored photographer of Fidel Castro, captured this image of a 31-year-old Che Guevara by chance during a funeral in Havana in 1960 to honor the victims of a freighter explosion. Guevara, at the time the president of the National Bank of Cuba, happened to move into Korda’s line of sight while Castro was giving a speech. His expression is one of restrained anger; the Cuban government accused the United States of being responsible for the tragedy, which it denied. Five years later, Guevara resigned from Castro’s cabinet and joined revolutionary causes abroad, including in Congo and Bolivia, where he led guerrillas in a failed coup attempt. Korda’s photo wasn’t widely published until after Guevara’s execution by Bolivian soldiers in 1967, when posters, murals and eventually T-shirts emblazoned with Guevara’s face began to appear around the world. In the original portrait, he is flanked by another man and some palm fronds, but the reproductions are cropped to show just Guevara’s head. Korda’s image made Guevara into something more than a man, or even a famous revolutionary; he became a symbol for revolution itself. — E.I.

Miller: We have two pictures of Che Guevara to consider. Stan, you picked Che following his execution , and Susan, you picked the more famous portrait of him by Alberto Korda. It’s in every college dorm.

Marcoci: It’s in every tattoo parlor.

Douglas: They’re both propaganda images. One is the revolutionary looking to the future, which we’ve seen in everything from Soviet realist paintings to Obama posters. So, in many ways, a cliché, even though it’s had this huge impact. The image of Che dead [which was taken by the Bolivian photographer Freddy Alborta] is both iconic in that it’s like [an Andrea] Mantegna [1431-1506] painting of the dead Christ [“ Lamentation Over the Dead Christ ,” circa 1480], but also as evidence, on the part of the people who killed him, that the guy is dead. It’s just such a weird photograph: the officer on the right who’s poking at Che’s body to prove he’s just a human. Just mortal. And it somehow seemed like the end of the export of revolution from Cuba, which very much shut down after Che’s death.

Meiselas: And then he’s resurrected as a tattoo.

5. Diane Arbus, “Boy With a Straw Hat Waiting to March in a Pro-War Parade, N.Y.C., 1967”

The boy in “Boy With a Straw Hat” doesn’t look like a typical Arbus subject. Wearing a prim collared shirt, bow-tie and boater hat, with one American flag at his side and another, much smaller one twisted into a bow on his lapel, the thin-lipped paradegoer seems like the paragon of anodyne conservatism. He’s nothing like the cross-dressers, carnival entertainers, nudists and others relegated to the margins of society that fascinated Arbus, whose work prompted one of the more protracted debates on the ethics of photography, as her images were so often said to skirt the lines of voyeurism and exploitation. Yet his steady gaze prompts a similar sense of unease in the viewer, as does the small pin on his jacket that reads Bomb Hanoi. “Boy With a Straw Hat” was the cover image of Artforum’s May 1971 issue, published two months before Arbus’s death by suicide at age 48. In 1972, when her posthumous MoMA retrospective drew record crowds, the art critic Hilton Kramer refuted the idea that she was merely capturing her subjects for the sake of spectacle; he argued that she collaborated with the people she photographed, and that that act of participation provided dignity — or at least authenticity — especially for those individuals who are shunned or otherwise invisible. Arbus herself once said that the “best thing is the difference. I get to keep what nobody needs.” — B.E.

Miller: A number of us nominated Diane Arbus photos.

Douglas: [I picked] the sitting room in Levittown [“ Xmas Tree in a Living Room in Levittown, L.I., 1962 ”], which is one of those suburbs created in the postwar period that people could buy [homes in] with their G.I. Bill money, in which Black people couldn’t live. It’s a case of there [being] something outside the image, which is very powerful: The construction of this new suburban reality, while Emmett Till’s being killed.

Marcoci: I chose the “Giant” [“ A Jewish Giant at Home With His Parents in the Bronx, N.Y., 1970 .”], because this was one of the first pictures where I was really thinking, “Who is that person? What would it be like to be him?”

Meiselas: One of the things that photographs do is make us emotional. Some of Arbus’s most memorable pictures are the ones that make you feel more than think.

Vellam: I’d vote for “Giant” just because it spawned so many people’s idea of portraiture: Katy Grannan, Deana Lawson, Larry Sultan. Like this idea of going into a place — in her case, middle-class suburbia — that you may not even have spent any time in otherwise. I feel like that became its own genre: There’s so much photography that has come out of her idea of going into people’s homes.

Marcoci: If I were to choose just one Arbus, I’d probably choose “Boy With a Straw Hat”: A portrait of an individual that’s this very interesting collective portrait of America, too. There’s this tension between the innocent face and then those buttons: “God Bless America” and “Bomb Hanoi.”

Shikeith: He’s sort of the archetype for the Proud Boys. You can see that smirk on his face.

Meiselas: There were pictures from the R.N.C. [Republican National Convention] four years ago that looked so much like this.

Miller: Stan and An-My both nominated a very different kind of photograph from the Vietnam War era: Malcolm Browne’s picture of Thích Quảng Đức’s self-immolation.

6. Malcolm Browne, the Self-Immolation of the Buddhist Monk Thích Quảng Đức in Saigon, 1963

The AP reporter Malcolm Browne was among the only photojournalists on the scene when the monk Thích Quảng Đức set himself on fire in 1963 in Saigon as an act of protest against the South Vietnamese government’s persecution of the Buddhist majority. As flames engulfed Quảng Đức, hundreds of monks surrounded him, mourning while he burned. The photo, sent out as soon as possible on a commercial flight to reach the AP’s offices, was published on front pages internationally the following morning. When President John F. Kennedy saw it, he reportedly exclaimed, “Jesus Christ!” and then ordered a review of his administration’s Vietnam policy. (He would later say, “No news picture in history has generated so much emotion around the world as that one.”) Browne won the Pulitzer Prize in 1964 for the photograph, which also contributed to the collapse of support for the South Vietnamese president Ngô Đình Diệm, who was assassinated in a coup that year. President Kennedy was assassinated just a few weeks later, and his successor, Lyndon B. Johnson, would escalate the war. Browne’s photograph, which is newly resonant today, enshrined the act of self-immolation as the most extreme form of protest. — Lucy McKeon

Lê: I think it’s one of the most incredible monuments that exists as a photograph. [It documents] an extraordinary act of sacrifice for a cause. These days, you see [some] people protesting, and it’s all about their egos. And here, there’s no ego. It’s one of the few pictures I know that’s so violent and peaceful at the same time.

Douglas: He was there for five minutes, apparently, burning, and just didn’t flinch, didn’t say a word. This is what you do when you have no other recourse, when you feel the suppression is so severe that this is the only way you can get your statement heard.

Meiselas: It makes me think of the Napalm Girl, as well [ Nick Ut’s 1972 image of Kim Phuc Phan Thi , age 9, fleeing a napalm attack in the village of Trảng Bàng]. That moment impacted a generation. The question is, which one mobilized us further?

Lê: The Napalm Girl picture, for me, represents the notion that all Vietnamese are victims of war. I started watching war movies in college, and every time the word “Vietnam” comes up, that is the image that people have in their mind. I think the monk speaks to [something] beyond himself. He’s not a victim.

7. NASA/William A. Anders, “Earthrise,” 1968

On Christmas Eve 1968, aboard Apollo 8 during its pioneering orbit of the moon, William A. Anders photographed the Earth “rising” above the lunar horizon. The picture was the first of its kind — and it was also unplanned. Anders, the youngest of the three astronauts on the spacecraft, had been tasked with taking photographs of the moon’s craters, mountains and other geological features. He spontaneously decided, however, to include Earth in the frame when he noticed how beautiful it was. “Here was this orb looking like a Christmas tree ornament, very fragile,” Anders would recall in a NASA oral history. “And yet it was our home.” His first shot was in black and white. For the next, he switched to color, which emphasized the contrast between the moon’s gray surface and the planet’s blue-green vibrancy. “Earthrise” was the first image most of humanity saw of the planet we live on, a nature photo like none before it and a reminder of how small our world really is, in comparison with the rest of the universe. As Joni Mitchell would sing of the image, on 1976’s “ Refuge of the Roads ”: “And you couldn’t see a city on that marbled bowling ball/Or a forest or a highway/Or me here least of all. …” — E.I.

Lê: “Earthrise” isn’t the first image of the Earth seen from space. There were earlier low-resolution ones in the ’40s , made from unmanned missiles or whatever. There was one made on Apollo 4, in 1967 . But I think this one, taken by a crew member on Apollo 8 the next year with a Hasselblad, is important because it’s humbling: seeing the Earth in relationship to the Moon, and thinking about us not being the only people on this Earth. Perhaps this is when we started thinking about how we should take care of our home.

Miller: Stan, you nominated a later photo, “ Sunset on Mars ” (2005).

Douglas: I’ve always had this knee-jerk response to Apollo being American propaganda somehow, part of the arms race — who’s going to get [to the Moon] first, the U.S. or the Russians? And once the U.S. got there, they lost interest. It wasn’t really about exploration, but dominance. This image on Mars is something quite extraordinary, because in effect, the camera is a prosthesis. It’s both a very artificial one and a human one. We actually extend our vision through it.

8. Ernest C. Withers, “I Am a Man: Sanitation Workers Strike, Memphis, Tennessee,” 1968

In the last weeks of his life, Martin Luther King Jr. took part in a protest of Black sanitation workers striking for safer conditions and decent wages in Memphis, Tenn. In a speech, King emphasized the connection between the United States’ civil rights battle and the struggles of poor and disenfranchised people worldwide, a message that resonated with the crowd. Their protest signs bore the phrase “I Am a Man,” a stark acknowledgment of all the ways this most basic fact was disrespected. “We were going to demand to have the same dignity and the same courtesy any other citizen of Memphis has,” one of the participants, James Douglas, recalled in a 1978 documentary titled “I Am a Man.” The defining photo of the strike was taken by the Black photojournalist Ernest C. Withers, a Memphis native who previously shot the trial of Emmett Till’s killers, and also made famous images of the Montgomery bus boycott , the integration of Central High School in Little Rock, Ark. Withers’s picture became the official record of King’s last major civil rights action. Years later, however, Withers’s own story was revealed to have been more complicated. Like King, the photographer drew the attention of the F.B.I. Unlike King, he became a paid informant. Yet he continued to produce some of the most iconic images of the movement: On April 4, 1968, less than a week after taking this photo, Withers was on the balcony of the Lorraine Motel, photographing the blood stain at the scene of King’s assassination. — L.M.

Shikeith: I think I first saw this image around the time the Million Man March was happening [in 1995]. I have a greater understanding of manhood [now] and how much of it I want to align with, and how much I don’t. But I understand how vital the need to identify as a man was in that moment.

Meiselas: I love the contrast of “I am a man,” singular, and “I am a collective.” It’s just all there: perfect distance, perfect composition. Whether or not Withers was working for the F.B.I. …

Douglas: Was he?

Meiselas: Yeah.

Douglas: And his role was to just …

Meiselas: Report on his fellow men. They paid him to spy on his colleagues. It’s a dark story. But let’s not go there.

9. Blair Stapp, Huey Newton, Black Panther Minister of Defense, 1968

In the summer of 1968, outside of the Alameda County Courthouse in Oakland, Calif., where Huey P. Newton stood trial for the murder of a police officer, supporters held up posters of him that instantly became synonymous with the Black Panther Party. The year before, Newton, the party’s co-founder and Minister of Defense, had collaborated with fellow Panther Eldridge Cleaver and the photographer Blair Stapp to stage a portrait of himself in a black leather jacket and a tipped beret, holding a shotgun in one hand and a spear in the other. He’s seated on a rattan peacock chair that recalls chairs woven by inmates in the United States-colonized Philippines decades earlier. Its oval back piece frames Newton’s head like an oversize halo. Two Zulu warrior shields are propped against the wall. Stapp’s portrait and the peacock chair itself have since become an enduring symbol of Black Power. Michelle Obama sat in one for her 1982 prom portrait . Melvin Van Peebles recreated the photograph in his 1995 film “Panther.” The visual artist Sam Durant memorialized Newton in bronze in 2004 , and Henry Taylor painted it in 2007 . After two hung juries, the murder charges against Newton were dropped in 1971. For him, the struggle was about survival — or as he put it, “survival pending revolution.” — B.E.

Shikeith: I was trying to think of images that my grandmothers revered in a way. I think this is one of those images that exists in a lot of Black domestic spaces as a symbol for strength and determination. And it has this royal demeanor that’s been continuously emulated in Black photographic practice, whether amateur or professional.

Marcoci: The beret is almost [like] Che’s.

Shikeith: You can see people replicating this pose on the wicker chair throughout Black portraiture in the ’80s and early ’90s. I’m really interested in photographs that’ve had a long-lasting effect on our daily lives.

10. W. Eugene Smith, “Tomoko in Her Bath,” 1972

In the Magnum photojournalist W. Eugene Smith’s picture of Tomoko Kamimura, 15, she is being bathed by her mother at their home, in Minamata, Japan. Kamimura had been born with a kind of mercury poisoning that would later come to be known as Minamata disease, caused by a chemical factory contaminating the city’s water and food supply for more than 30 years. Smith and his wife, the photographer and activist Aileen M. Smith, lived in Minamata in the early 1970s, taking thousands of photographs to document the toll of the disaster — 1,784 people died after contracting the disease and thousands were left with severe neurological and musculoskeletal disabilities. Images from the series were printed by Life magazine in 1972, and Kamimura’s portrait became, for a time, one of the most famous images in the world. Amid the public outcry, “rumors began to circulate through the neighborhood claiming that we were making money from the publicity,” Kamimura’s father, Yoshio, would later write, “but this was untrue — it had never entered our minds to profit from the photograph of Tomoko. We never dreamed that a photograph like that could be commercial.” The Chisso Corporation, which owned the factory, has paid damages to some 10,000 victims. Kamimura died in 1977, at the age of 21. Smith died the following year. Twenty years later, after a French TV network wanted to use the photograph, Aileen M. Smith transferred control of it to Kamimura’s family. They haven’t allowed the photograph to be reproduced since. — L.M.

Meiselas: Without this documentation by Eugene Smith, I don’t think Minamata and the mercury poisoning would ever have been confronted. So when you do choose to represent a victim, I hope it’s purposeful.

Douglas: I heartily agree. And it’s a beautiful image of a loving relationship between mother and daughter.

Vellam: Smith documented people, but he was also very conscious of what he was doing while he was documenting them. I think he took a very long time after he shot everyone to figure out what he even wanted to show from them.

Meiselas: He believed that they should be better understood.

11. Photo Archive Group, “Photographs From S-21: 1975-79”

Some photographs, taken in the darkest moments of history, end up saying very different things from what their creators intended — like the images that Stalin’s secret police took during the Great Purge, or the ones white spectators took of lynchings in the United States. One of the more extensive photographic records of an authoritarian regime comes from the Khmer Rouge army, which controlled Cambodia from 1975 to 1979 and whose genocidal purges of minority groups and political opponents led to the murder of almost a quarter of the country’s population. Before killing most of its victims, the army took their portraits, in part to prove to leaders that the supposed enemies of the state were indeed being executed. Of the nearly 20,000 people sent between 1975 and 1979 to what was known as the S-21 death camp, the Khmer Rouge’s most notorious torture center, only about a dozen survived. In 1994, the American nonprofit organization Photo Archive Group cleaned and cataloged more than 5,000 photographs taken of prisoners before their executions. A selection of the images, known as “Photographs from S-21: 1975-79,” was published as a book called “The Killing Fields” in 1996 and shown at MoMA the following year. Who was the girl pictured here? What had she seen? It’s impossible to know. And yet the regime’s photographic record offers a way into humanizing and remembering the victims of one of the most ruthless atrocities of the 20th century. S-21 is now the Tuol Sleng Genocide Museum, where a number of the images from “Photographs From S-21: 1975-1979” are on permanent display. — L.M.

Lê: So these pictures were found in an archive in Cambodia [in 1993]. After the Khmer Rouge took over [in 1975], they went on a rampage, killing teachers and anyone who they felt wasn’t one of theirs. The bodies were buried in different locations. But they photographed these people before killing them. There were thousands of these pictures.

Douglas: If you want to make them disappear, why do you document them?

Lê: But that’s the thing. It’s the banality of evil. It’s unconscionable, right? Civilians being just collateral damage in war. Perhaps there are other ways to speak about violence, and I think this [set of photographs] certainly does.

12. Cindy Sherman, “Untitled Film Stills,” 1977-80

Cindy Sherman was 23 when she began making her “Untitled Film Stills,” a series of 70 black-and-white staged self-portraits that explore stereotypes of women in film and mass media. As a student at Buffalo State College, where she originally studied painting, she became fascinated by performers such as Vito Acconci and Chris Burden, artists who put their own bodies center stage. Sherman also liked to dress up as stock characters for parties, purchasing clothes from flea markets and experimenting with cosmetics. In “Untitled Film Stills,” she plays the career girl, ingénue, librarian , mistress, femme fatale and runaway , alternately heartbroken, hung over, daydreaming or determined to escape a predator as though trapped in some film noir. But which film? That feeling of vague recognition was Sherman’s point, as well as that of other artists of the era experimenting with pictures from mass media, who would eventually be called the Pictures Generation, a name based on a 1977 exhibition curated by Douglas Crimp . They wanted viewers to almost recognize the images, so as to heighten the uncanny nature of their work. Sherman initially sold eight-by-ten prints from “Untitled Film Stills” for $50 out of a binder from her desk at her day job as a receptionist at the nonprofit gallery Artists Space in New York. Douglas Eklund, who organized a Pictures Generation exhibition in 2009, noted that the series “never ceases to astonish, as if Sherman knew how to operate all of the machinery of mass-cultural representation with one hand tied behind her back.” Her intuitive grasp of the self-portrait’s theatrical appeal, especially when that self could be manipulated — decades before anyone could have imagined camera filters on an iPhone — has kept “Untitled Film Stills” relevant ever since. — B.E.

Marcoci: There’s something about the “Untitled Film Stills.” It’s this relationship between still and moving images. Cindy Sherman has the capacity to encapsulate, in a single [work], a narrative. She calls on this pantheon of women’s roles from movies that we think we’ve seen, but none of them are based on an actual film still. There’s one [“Untitled Film Still #13,” 1978] where she looks like Brigitte Bardot in a head scarf from Jean-Luc Godard’s “Contempt” (1963), but she’s a librarian. She’s reaching for a book. She makes the Bardot type into an intellectual, which is [an agency] that most male Hollywood filmmakers of the time, or even a filmmaker like Godard, would not have given the real Bardot. She was able to see something about how we engage with mass media and tweak it.

Douglas: I’m not convinced about Sherman. [There’s] an art-world canonization of the work. How important was it? How influential? I don’t think it was that important or influential outside of a very small area.

Marcoci: On the other hand, if you ask people if they know about Sherman, they probably do.

Lê: They do. Many young women find Sherman’s work empowering.

Marcoci: I never thought that we would just be considering photojournalism.

Meiselas: No.

Douglas: I mean, looking at the art world, I would include Ed Ruscha’s “Every Building on the Sunset Strip” [1966].

13. Ed Ruscha, “Every Building on the Sunset Strip,” 1966

As a teenager in Oklahoma City in the 1950s, Ed Ruscha delivered newspapers by bicycle daily along a two-mile route. He dreamed about making a model of all the buildings on his circuit, he later recalled in an interview with the Los Angeles Times, “like an architect standing over a table and plotting out a city.” After moving to Los Angeles for art school in 1956, Ruscha became obsessed with the city’s architecture, particularly on the Sunset Strip, that part of Sunset Boulevard that stretches for about two miles, like his old paper route, across West Hollywood. In 1966, Ruscha photographed both sides of the Strip by securing a motorized camera to the bed of a pickup truck. The result was “Every Building on the Sunset Strip,” a nearly 25-foot accordion-fold, self-published artist’s book. Today, Ruscha is most famous for his text-based paintings, many of which reference corporate logos and advertising slogans, for which he is widely celebrated as postwar America’s answer to the Dadaist nonsense movement. But his photography shares with the paintings a repetitive, deadpan humor. In addition to the Sunset Strip, Ruscha photographed swimming pools, gas stations, parking lots and apartments, and collected the images into small books that provoked the ire of critics — and fellow photographers — who deemed the work lacking in style and meaning. (“Only an idiot would take pictures of nothing but the filling stations,” the photographer Jeff Wall once complained.) But what he created was a kind of time travel, a meticulous, obsessive visual cartography of a long-lost Los Angeles. He and his brother, Paul, still make the trip to photograph the street every couple of years. — B.E.

Marcoci: I love [Ed] Ruscha, and I think we’ve barely touched on conceptual photography. Obviously superimportant, but is he really the photographer that did so much for photography through that series?

Meiselas: I know what you mean. Of course, because the photographs came way early, we rediscovered them after he became famous for painting.

Miller: Well, he’s certainly not as famous as a photographer as some people on this list, but I don’t know if we need to get hung up on that.

Douglas: I think “Sunset Strip” was extraordinary. Ruscha produces photographs governed by a hard-core conceptual procedure. In the case of “Every Building on the Sunset Strip,” the procedure is in the title and, in order to fulfill it, he had to make hundreds of stops along a Los Angeles street. But I also thought this was too inside the art world.

Miller: Maybe this is a good time to talk about Nan Goldin.

14. Nan Goldin, “The Ballad of Sexual Dependency,” 1979-2004

Nan Goldin originally presented “Ballad,” named after a song from Bertolt Brecht’s satirical musical “The Threepenny Opera,” as a series of 35-millimeter slides shown by a carousel projector in bars and nightclubs and backed by an eclectic soundtrack — from Dean Martin to the Velvet Underground. Goldin’s visual diary is itself a bohemian opera of New York’s downtown counterculture, a community freed from convention yet abandoned many times over by society; it documents sex, addiction, beauty, violence, powerful friendship, the AIDS crisis and the joyful struggle to live beyond the limits of the mainstream. Friends were photographed doing the twist at a party or preparing to inject heroin. In “Nan One Month After Being Battered” (1984), a portrait of domestic abuse, the artist’s bloodshot eye meets the lens head-on. Goldin’s “Ballad” has since been credited with inspiring everything from selfie culture to the raw, diaristic aesthetic and saturated color now commonplace across social media and in fine art. Over the years, Goldin would revise and update the series, presenting it with new images and a different soundtrack, and it would become an ubiquitous presence in galleries and museums. But because the work has so thoroughly permeated the culture, it’s easy to overlook just how radical it was when it debuted. In “ All the Beauty and the Bloodshed ,” Laura Poitras’s 2022 documentary about Goldin, the photographer describes a resistance to her art in the ’80s, “especially from male artists and gallerists who said ‘This isn’t photography. Nobody photographs their own life.’ It was still a kind of outlier act.” — L.M.

Marcoci: We’re talking about an artist who’s very much engaged with youth culture, with the cultures that transgress gender binaries. Also with the ravages of a generation that takes drugs, that loves, that dies young. “The Ballad of Sexual Dependency” is a ballad. It shows this group of people as images set to music.

Meiselas: It was radical, it was very impactful to the photographic medium. But here’s my question: Would we be choosing either Nan [Goldin] or Cindy Sherman if we didn’t know their names?

Marcoci: Did you watch the “Ballad”?

Meiselas: Of course. I watched it in 1985.

Marcoci: How many times?

Meiselas: How many times has she changed it?

Marcoci: But even that I like. You don’t need to choose one picture. It’s interesting for me when photography is not just a moment that’s frozen in time, when it has the capacity to change.

15. Wolfgang Tillmans, “Lutz, Alex, Suzanne & Christoph on Beach (B/W),” 1993

A slightly different, color image of the same people in “Lutz, Alex, Suzanne & Christoph on Beach (B/W)” was first published by i-D magazine in 1993 for an unconventional fashion story about camouflage. The German photographer Wolfgang Tillmans staged the scene in Bournemouth, England, where he’d attended art school the previous year, and captured a whorl of bodies in military fatigues, each person clasping another’s arm, thigh or chest, and all wearing camouflage patterns from different countries — a post-Cold War utopia. The black-and-white version was printed on color paper, which accounts for the warmth of its tone. On the beach, Lutz, Alex, Suzanne and Christoph appear as if from a scene in Charles and Ray Eames’s 1977 short film “Powers of Ten,” which zooms out from a sunny picnic into the farthest reaches of the universe. Tillmans’s photograph “seems to model something like chosen family,” says the curator Phil Taylor, who edited a collection of the artist’s interviews. The way Tillmans envisions family in this early portrait — as a tight embrace amid the implied violence of the outside world — is emblematic of the way he would go on to depict men kissing at gay nightclubs or activists at antiwar demonstrations, each a picture of solidarity against the odds. — B.E.

Lê: I think Wolfgang [Tillmans] captured youth culture — in magazines like i-D and The Face — at a time [the early ’90s] when young people were being captured in a different way: It was very clinical and idealized, and he just came out with this very real [take on] youth culture. The pictures were a little more grainy, and I think it [changed] the way young people are seen. My students always bring up his work. I think it’s a way to photograph your family and friends and turn them into real protagonists. And I see that influence as very long-lasting.

Marcoci: What’s interesting in this image is [that] it’s four friends on a beach, dressed in camouflage. Camouflage immediately makes you think of military uniforms, of obedience, of listening to orders. But in the techno culture of these clubs in the 1990s, it had become a symbol of individuality and freedom: the exact opposite of what the uniform means.

Meiselas: This image, if I didn’t know his name, I would’ve just turned the page.

Lê: I think we need a picture that speaks about youth. And I think even though this picture was made in ’93 …

Miller: … That’s still how young people are photographed today.

16. Lee Friedlander, “Boston,” 1986, From the Series “At Work,” 1975-95

Lee Friedlander is best known for photographing America’s social landscape, from mundane street scenes in the Midwest to nudes of Madonna that were taken in the late 1970s. Between 1975 and 1995, he created six series of photographs depicting employees at different types of workplaces, including Rust Belt factories, a telemarketing call center and a New York investment firm. One of these series, commissioned by the M.I.T. Museum and produced between 1985 and 1986, looks at office workers in the Boston area who used desktop computers for their jobs. At the time, this was a fairly new development, but one that Friedlander presciently recognized would come to define not just corporate life but humanity itself. His subjects are often seemingly oblivious — or indifferent — to the presence of the camera. Likewise, his camera often omits the computers themselves, the ostensible subject of his images. Instead, the workers, sitting at brightly lit desks, are pictured from the chest up, their detached expressions familiar to any of us as they sit engrossed in (or bored by) screens just out of frame. With this series Friedlander had tapped into the dark comedy of the mundane. His influence can be seen in a generation of younger photographers who seek to question everyday life — from Alec Soth to LaToya Ruby Frazier — and whose images would mostly be viewed on screens. — E.I.

Marcoci: I love this series.

Douglas: I love it, too, but I put this in out of guilt for not having more art people in here. It’s images of these people just engaged in the world around them.

Meiselas: In autonomous labor. I remember when I first saw this series of white-collar workers in front of machines.

Lê: No one had done that before.

17. LaToya Ruby Frazier, “The Last Cruze,” 2019

LaToya Ruby Frazier’s series “The Last Cruze,” named after the compact car made by General Motors, follows the 2019 closure of an auto plant in Lordstown, Ohio, that had been open since 1966. Over nine months, Frazier documented the impact one corporation can have on a community, which lost thousands of jobs. A selection of images from the series were first published in The New York Times Magazine in May 2019, and the work was later presented as a multimedia installation: More than 60 portraits and video interviews with union workers and their families were mounted to orange metal trusses at the Renaissance Society in Chicago. In the accompanying monograph, Frazier included essays by artists and critics as well as members of the local chapter of the United Auto Workers union. On its cover is this photograph, which she shot from a helicopter, showing a group of workers and their families protesting the plant’s abrupt shuttering and requesting a new product to work on. Other images show Lordstown residents in various states of mourning — wiping away tears or proudly displaying union memorabilia. Born in a Pennsylvania steel manufacturing town, Frazier embedded herself with the Ohio workers, producing one of the most detailed records of the gutting of America’s working class. “‘The Last Cruze’ is a workers’ monument,” she has said. “It is half-holy, half-assembly line.” — L.M.

Marcoci: LaToya Ruby Frazier is a true artist-activist. These workers were losing their pension plans, their health benefits, you name it. It’s a work that includes more than 60 pictures of union workers along with their testimonies, because she also did these interviews with them.

Miller: I think “The Last Cruze” might be the only complete photographic record we have of the impact that corporate decision-making has on a work force. GM skipped town, cut their costs and the people of Lordstown were left holding the bag. We have another picture, nominated by Susan, that also documents labor.

18. Sebastião Salgado, “Serra Pelada Gold Mine, State of Pará, Brazil,” 1986

One of the most striking aspects of Sebastião Salgado’s photographs of an open-air gold mine in Brazil is the scale. Several thousand men — their bodies hunched and fragile — are rendered miniature against the backdrop of a massive pit in the earth. In the photos, most of the miners are climbing into or out of that pit, holding tools or ferrying sacks up and down narrow ladders and steep slopes. In several shots, Salgado chose not to include the horizon within the frame; the viewer can’t see where the workers’ dangerous journey ends. The photographer, who was born in the state of Minas Gerais (which means “general mines”) in Brazil, spent 35 days at Serra Pelada, living alongside the miners while he took these photographs. When they were published in 1987 in The New York Times Magazine, they revealed a late-20th-century gold rush and the appalling conditions facing those at the bottom of it. In the nearly four decades since, Salgado has gone on to capture the burning oil wells in Kuwait, the genocide in Rwanda and the destruction of the Amazon rainforest. Some critics have labeled him an “aesthete of misery,” using the plight of the poor and disenfranchised to make visually striking pictures. When these images are exhibited in a fine art context, their size is so massive, the sheer aesthetics of the imagery threaten to eclipse the act of documentation. But in a profile in The Guardian this year marking his 80th birthday, Salgado responded, “I came from the third world. When I was born, Brazil was a developing country. The pictures I took, I took from my side, from my world, from where I come from. … The flaw my critics have, I don’t. It’s the feeling of guilt.” — E.I.

Meiselas: The scale of what he presented to us at the time was really quite amazing.

Douglas: It was like, “Holy moly, that’s still going on?”

Meiselas: Exactly.

19. Stuart Franklin, an Unidentified Man Blocking a Column of Tanks in Tiananmen Square, 1989

On June 5, 1989, as a column of tanks rolled into formation on Chang’an Avenue bordering Tiananmen Square, the Magnum photographer Stuart Franklin watched from the sixth-floor balcony of the nearby Beijing Hotel. He was holed up there with several other foreign correspondents, who were all covering the weekslong protests, led by hundreds of thousands of unarmed students, against the Chinese Community Party. Two nights before, the People’s Liberation Army had cleared the area with force; the next morning, they prevented parents from looking for students lost in the fray, and the soldiers fired live rounds even as medics attempted to rush the injured to safety. (Thousands are thought to have been killed in the protests, although an official death toll has never been released.) Suddenly, around noon on the 5th, a young man in a white shirt and dark pants, holding shopping bags in his hands, approached the first tank. On the video footage, it attempts to maneuver around him. Like a matador taunting a bull, he flings his arms in fury and, when the tank turns back, the man jumps out again. Yet the dramatic photograph Franklin took, with five tanks and a destroyed bus in the frame, draws its power from its stillness, its potential energy. (Four other photographers are known to have captured the same scene, including Jeff Widener, whose tightly framed version for The Associated Press ran on the front page of The Times.) Authoritarian regimes cannot tolerate symbolic images of resistance and, while the Tank Man — whose identity has never been confirmed — became an inspiration for pro-democracy movements across the world, he was snuffed out from official Chinese memory. Today, image searches in China for “Tiananmen Square” only turn up cheerful pictures of a tourist destination. — B.E.

Douglas: Multiple photographers shot this image because they were all in the same corner of a hotel overlooking Tiananmen Square. They couldn’t really shoot anywhere else on the square. The first time I saw this scene, it was a video.

Meiselas: Right, there was a television camera. The stills are very different. And I don’t care whose image it is. I’m thinking about the man in front of the tank and what happens when one man stands up. And I love how this looks alongside Ernest Withers’s “I Am a Man.”

20. Adam Broomberg & Oliver Chanarin, “The Day Nobody Died,” 2008

In 2008, the artist duo Adam Broomberg and Oliver Chanarin were embedded with the British Army in Afghanistan during a period that was, at the time, the deadliest week since the war began in 2001. They brought a lightproof box containing a roll of photographic paper, and, occasionally, exposed six-meter segments of the paper to the sun for 20 seconds at a time. They were creating photograms, which, as opposed to conventional war photographs, display the marks of their making but little else. The resulting works — 12 in total — set out “to create a kind of post-mortem of photojournalistic representation of conflict,” as the artists wrote when the work was first exhibited. They made these images on days when a BBC fixer was executed or a suicide attack killed nine Afghan soldiers. But they also made one on the day that the title refers to — a day with no fatalities. In a literal sense, there isn’t anything to see in the images except splashes of light as abstract as a blurry sonogram. When Broomberg and Chanarin arrived in Afghanistan, the war was in its seventh year and, by then, a surfeit of photographs depicting death and violence had long been circulating. There’s hardly consensus on what to leave out when depicting war, but there is some consensus on the need to bear witness. With their photograms, Broomberg and Chanarin found a new, unexpected, but no less emotional way of doing so. — E.I.

Miller: There were a lot of different kinds of images of war from the George W. Bush era. Nadia, you nominated Adam Broomberg and Oliver Chanarin’s “The Day Nobody Died,” which is very abstract.

Douglas: What is it?

Vellam: They did this project in Afghanistan where they took rolls of photo paper and put them outside, exposing them to the sun or the weather. Whatever would happen while the photo paper was exposed was the work. It’s about a new idea of photography, about it not depicting something specific but creating a mood. And this one was taken, as the title says, on a day nobody died, which is such an interesting and different way to talk about a conflict.

21. Richard Drew, “Falling Man,” 2001

When it was first published by The Associated Press, the photojournalist Richard Drew’s image of a man falling to his death from the World Trade Center on the morning of Sept. 11, 2001, was denounced by many readers as exploitative. Several media outlets published the image once, on Sept. 12 — including The Times, on page A7 — but it then disappeared from circulation, confined to shock websites like rotten.com. There was no shortage of graphic images of 9/11, including footage of the planes flying into the buildings. But Drew’s photo was uniquely unsettling because of its uncomfortable elegance: a single victim, framed by both north and south towers, caught in a fragile stasis before death. The image eventually began a strange afterlife as “one of the most famous photographs in human history,” according to the journalist Tom Junod, who wrote a 2003 essay in Esquire in which he attempts to identify the falling man. He couldn’t — not definitively. No one has. Recalling war photography that valorizes the unknown soldier, “Falling Man” would go on to be one of the inspirations for a novel by Don DeLillo and an opera by Daniel Levy. Long after the dust settled on the former site of the World Trade Center, the photograph of the unnamed man remains, like “an unmarked grave,” in Junod’s words, merely asking that we look at it. — E.I.

Miller: I think “Falling Man” is the defining image from the most violent day in America since the Civil War.

Shikeith: I was in middle school when 9/11 happened. Images from that day seem to seep into you. You carry them for life and they dictate certain fears and anxieties.

Miller: And then there are all the images from what happened in the years to come. The pictures of soldiers torturing detainees at Abu Ghraib military prison are arguably the most famous photographs from the war on terror.

22. Staff Sgt. Ivan L. Frederick II, Abu Ghraib Hooded Detainee, 2003

In early 2004, investigations into abuse of Iraqi prisoners by U.S. soldiers at the Abu Ghraib detention facility had already been reported by news outlets including The New York Times and CNN. But the government had kept all photographs of torture out of view — until leaked images reached CBS. Even then, the news anchor Dan Rather would claim, the network’s executives only granted permission to show them when faced with the threat of a scoop by The New Yorker’s investigative journalist Seymour Hersh. (CBS executives justified holding the photos on various grounds, including the desire to avoid retaliation against American hostages.) The Abu Ghraib photos finally appeared in both outlets later that year. Their subject matter is brutal: men stripped naked and made to form a human pyramid with soldiers grinning behind them; a hooded man standing atop a box, hooked to electrical wires. The fact that American soldiers had recorded these scenes on their personal cameras only made them more disturbing. The photos significantly shifted American public opinion on the war on terror, further demonstrating the power of an image to alter a story. They also speak to a broader shift in news photography, in which everyone — no matter their intentions — is now a potential journalist. — L.M.

Shikeith: Both “Falling Man” and the hooded Iraqi detainee have a hard-core bodily effect on me. I think there was a sort of naïveté to the world I grew up in, just this idea that America is the greatest place on earth. For a moment there, we believed the myth. At least I did. When I started seeing these images, I developed a distrust in a lot of things. It only got worse. I have a very pessimistic outlook, but it sort of begins here, with these images.

23. Carrie Mae Weems, “From Here I Saw What Happened and I Cried,” 1995-96

Carrie Mae Weems’s “From Here I Saw What Happened and I Cried” is a work of appropriation that brings together 34 photographs, many of them of Black Americans, dating from the mid-19th century to the late 1960s, which collectively form a lesson on the history of racism in America. At the heart of the work are four images of people who were enslaved in South Carolina — some of the earliest known images that exist of America’s original sin — taken by the photographer Joseph T. Zealy and commissioned in 1850 by the Harvard University biologist Louis Agassiz. Originally intended to illustrate Agassiz’s baseless phrenological theories of Black inferiority, the pictures were rescaled and reframed by Weems, who also tinted them blood-red, making explicit the violence that allowed for their creation. Stored in Harvard’s archives for more than a century, Zealy’s images fell into obscurity, only to be rediscovered in 1976. After Weems used them without permission, the school threatened her with a lawsuit. “I think that your suing me would be a really good thing,” she told the university, as she later recalled to the art historian Deborah Willis. “You should, and we should have this conversation in court.” Instead of proceeding with the suit, Harvard acquired the work, further complicating the idea of ownership that Weems investigates. — E.I.

Vellam: We should talk about Carrie [Mae Weems].

Meiselas: We should definitely talk about Carrie. There are two very different options [“ Kitchen Table Series ,” 1990, and “From Here I Saw What Happened and I Cried.”]

Lê: I chose the “Kitchen Table Series” [in which Weems poses as the matriarch in various domestic scenes she staged in a single room, containing little else but an overhead lamp and a table]. The kitchen table is symbolic — it’s the intimacy of the home. In a way I always felt these pictures were about people being able to be themselves, being open and visible in a way that they maybe can’t in public.

Marcoci: To me, the “Kitchen Table Series” is a true performance for the camera in a way that Cindy’s is in “Untitled Film Stills.” But “From Here I Saw What Happened and I Cried” is an amazing work because it engages with race, with slavery, with colonialism, through an archive. The subjects here were really originally presented as specimens. But what Carrie does is give a voice back to these subjects, whose voices were completely muted. She enlarges the photographs. She tints them blood-red. The whole thing becomes a poem.

Shikeith: This particular work taught me how to use photographs to tell a story. And the fact that [Harvard threatened to sue her] introduces this whole other issue about who gets to tell what stories.

24. Deana Lawson, “Nation,” 2018

The idea for “Nation” came to Deana Lawson in a dream. She was haunted by a story that George Washington’s false teeth were made from the teeth of enslaved people . For months, she kept an image of Washington’s dentures — held in Mount Vernon’s collection — on the wall of her bedroom. Lawson dreamed about a person wearing a mouth guard and wondered if she might forge a connection between the majesty of gold — the jewelry of hip-hop and the regalia of the Ashanti Kingdom — and the fact that the first president of the United States could only speak the lofty words of liberty through teeth that once belonged to the oppressed. Lawson is known for portraits she stages in homes and other intimate spaces, often decorated with a large array of objects: family pictures, children’s toys, a Michael Jackson poster. In her images, Black men and women, their skin captured in color with meticulous attention to shade and tone, appear not as documentary subjects but as vessels. “Her people seem to occupy a higher plane, a kingdom of restored glory,” the novelist Zadie Smith has written of Lawson’s photography. At the photo shoot for “Nation,” Lawson offered three hip-hop artists a selection of jewelry and a mouth guard, typically worn during dental procedures, painted gold. “Someone said that I’m ruthless when it comes to what I want,” Lawson says in an interview in her self-titled 2018 monograph. “I have an image in mind that … burns so deeply that I have to make it, and I don’t care what people are going to think.” “Nation” presents an endless series of questions about Black lineage, going back centuries before the nation’s founding. Lawson later printed the picture of Washington’s teeth on a card and slipped it into the edge of the work’s golden frame. — B.E.

Miller: Deana Lawson seems to be doing something similar to Weems in “Nation.”

Marcoci: I think that’s an amazing image. It’s actually a collage, with the picture of George Washington’s dentures tucked into the top right corner. She’s said photography has the power to make history and the present speak to each other.

25. Carlijn Jacobs, “Renaissance,” 2022

On July 29, 2022, when Beyoncé released “Renaissance,” the first of what she’s envisioned as a three-act magnum opus (act two, “Cowboy Carter,” was released this March), the public was exhausted after two and a half years of pandemic restrictions and unprecedented change to their daily routines. They were stir-crazy and impatient for the dance floor. Beyoncé embraced the sounds of house music pioneered by Black and queer D.J.s, as well as the subversive, high-gloss styling of ballroom culture. The singer appears on the album’s cover in a Giannina Azar-designed silver rope dress, sitting astride a horse covered in mirrors. The image was taken by Carlijn Jacobs, a Dutch fashion photographer interested in the art of masquerade and maximalist glamour, and alludes to both rodeo and royalty. It also conjures a range of artistic references, including Kehinde Wiley’s painting “ Equestrian Portrait of Isabella of Bourbon ” (2016); Rose Hartman’s snapshots of Bianca Jagger on a white horse at Studio 54 in 1977; and John Collier’s 1890s painting of Lady Godiva, the 11th-century Englishwoman said to have rode her horse naked through the streets as a form of protest. — B.E.

Vellam: Does anybody else feel like we’re missing a pop-culture celebrity moment? If we’re talking about images that go everywhere, and that people who live in the middle of the country all are going to look at, I don’t feel we have that.

Douglas: I think it’s important to include the idea of celebrity culture in photography. I’m not quite sure what that would be.

Lê: There’s the [2017] picture of Beyoncé pregnant with all the flowers .

Miller: Initially, Shikeith had also picked Beyoncé from the album cover of “Dangerously in Love” (2003).

Marcoci: But sorry, why don’t we then just choose a [Richard] Avedon of a celebrity?

Vellam: Marilyn Monroe [from 1957]. But don’t we feel like we have plenty of photographs from the past? Don’t we want to think about what celebrity is now?

Miller: What’s the iconic pop culture image from the last five years?

Douglas: Is there a Kardashian image?

Vellam: I can’t, because I hate them so much. But yes, you want the thing of [Kim Kardashian] when she broke the internet with her butt [an image that ran on the cover of Paper magazine in 2014].

Douglas: I’m going back to Beyoncé, because [you want] an image of a celebrity who’s not a person but an image. She’s like a simulacrum somehow.

Vellam: With her “Renaissance” cover, suddenly she was plastered everywhere. It was all over the city.

Douglas: I’d buy that.

Shikeith: I think it’s very important that she released this album and highlighted Black queer contributions to music in the culture because, very frequently, those same contributions are erased or attributed to someone else. Especially in pop culture.

Marcoci: Can you hold it up on your phone?

Vellam: Yeah. I listen to it all the time.

Top: Gordon Parks, “Department Store, Mobile, Alabama” (1956) © the Gordon Parks Foundation; NASA/William A. Anders, “Earthrise” (1968); Alberto Korda, “Guerrillero Heroico (Che Guevara)” (1960) © Alberto Korda, courtesy of the Alberto Korda Estate; Stuart Franklin, an unidentified man blocking a column of tanks in Tiananmen Square (1989) © Stuart Franklin/Magnum Photos; Deana Lawson, “Nation” (2018) © Deana Lawson, courtesy of the artist and David Kordansky Gallery; LaToya Ruby Frazier, “United Auto Workers and Their Families Holding up ‘Drive It Home’ Campaign Signs Outside UAW Local 1112 Reuther Scandy Alli Union Hall, Lordstown, OH, 2019,” from the series “The Last Cruze” (2019) © LaToya Ruby Frazier, courtesy of the artist and Gladstone Gallery

An earlier version of this article referred imprecisely to the first presentation of LaToya Ruby Frazier’s series “The Last Cruze.” A selection of images from the series ran in The New York Times Magazine in May 2019, and the larger work was later shown as a multimedia installation at the Renaissance Society in Chicago. It was not first presented at the Renaissance Society. The article also misstated the date of the Tank Man photograph by Stuart Franklin in Beijing; it was June 5, 1989, not June 4. 

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M.H. Miller is a features director for T Magazine. More about M.H. Miller

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Education | Measure requiring parental notification of California school student’s gender identity fails to qualify for ballot

Proponents of a ballot measure to create such a statewide policy announced Tuesday they failed to collect enough signatures to put the measure before voters this fall. They said it would have provided necessary transparency for parents. But opponents said it could have threatened the safety of children who don’t live in welcoming households.

So-called parental notification policies have been a flashpoint in some California school districts this year, leading to legal battles with the state.

Proponents of the measure had sued Attorney General Rob Bonta over the title and summary he issued for the proposed ballot measure, arguing it was biased and made it harder for them to collect signatures. Bonta titled the measure the “Restrict Rights of Transgender Youth” initiative, but backers wanted it changed to the “Protect Kids of California Act.” They also wanted the summary updated.

“While we are disappointed we didn’t meet the threshold to qualify for the ballot, we are encouraged by the amount of support from every sector of the state,” campaign organizer Jonathan Zachreson said in a statement.

The proposed initiative would have also banned transgender girls in grades 7 through college from participating in girls’ and women’s sports, along with barring gender-affirming surgeries for minors, with some exceptions.

The campaign gathered about 400,000 of the 546,651 signatures needed to place it on the ballot, Zachreson said. Many of those signatures came from Southern California counties including Los Angeles, Orange and Riverside, he said.

At the state Legislature, lawmakers announced a bill last week that would ban school districts from adopting policies that require parents to be notified of a child’s sexual orientation or gender identity, with some exceptions including if the student’s safety is at risk.

It is part of a nationwide debate over local school districts and the rights of parents and LGBTQ+ students. States across the country have sought to impose bans on gender-affirming care, bar trans athletes from girls and women’s sports, and require schools to “out” trans and nonbinary students to their parents. Some lawmakers in other states have introduced bills in their legislatures with broad language requiring that parents be notified of any changes to their child’s emotional health or well-being.

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