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Developing Ideas for Writing

Prewriting definition.

Prewriting means just what it says—it’s the writing that occurs before you actually write a draft. Richard Nordquist writes that

“In composition, the term prewriting refers to any activity that helps a writer think about a topic, determine a purpose, analyze an audience, and prepare to write.  Prewriting is closely related to the art of invention in classical rhetoric.

‘The objective of prewriting,’ according to Roger Caswell and Brenda Mahler, ‘is to prepare students for writing by allowing them to discover what they know and what else they need to know. Prewriting invites exploration and promotes the motivation to write’ ( Strategies for Teaching Writing , 2004).” [1]

In order to explore and identify what might be fruitful ideas for writing, I tend to jot concepts, phrases, and notes to myself.  Sometimes I draw linkages to connect related ideas. Other writers tend to just write in order to explore and identify patterns of thought. Still other writers list out all of the concepts and information they can think of around a certain topic, and then narrow and refine their lists. Others start writing a really “drafty draft” of an essay, and then circle back into prewriting strategies to develop ideas. Any prewriting strategy is fine, depending on “how your mind thinks” and how you like to discover and explore ideas.

Prewriting Processes

(text from here to end of page © Empire State College)

How do writers develop ideas for writing? Writers use many techniques, and it’s a bet that most of the techniques involve writing itself. Think of a composer creating ideas for a song by playing notes on a piano keyboard. Think of a sculptor creating ideas for a statue by shaping and reshaping pieces of clay. Think of a quilter creating ideas for a quilt pattern by arranging and rearranging different snippets of fabric. All creative endeavors go through preliminary stages in which creators generate ideas, discard some, and play with others that capture their imaginations or that seem to “fit the bill.” Each creator develops ideas by getting immersed and “doodling” in the particular medium. And writing is no different. In writer’s terms, that preliminary stage of idea development is called “prewriting.”

Prewriting usually is messy in terms of having ideas scattered all over the place–think of the quilter with pieces of fabric all over the living room floor. For a lot of people, it’s liberating to be messy and not worry about logic, pattern, or final form. That’s the purpose of prewriting, to be as free-ranging as possible in generating ideas. If you’re aggravated by mess, then prewriting can be thought of as pre-planning, as a means of generating the ideas and data that will help you create the essay draft. Either way, prewriting is a stage of idea incubation, a way to generate ideas and capture your thoughts through writing.

Ideas for writing develop in many ways, and prewriting techniques reflect the different ways in which ideas can develop. Some forms of prewriting are intended to help you bring subconscious ideas and interests into consciousness (some forms help if you tend to draw a blank when you’re asked to “write about what interests you”):

• Freewriting
• Brainstorming
• Clustering/mapping
• Maintaining a personal journal

Other forms of prewriting are intended to help you generate your own ideas in response to others’ ideas:

• Responding to a text
• Maintaining a response journal

Still other forms of prewriting are intended to help you both generate and focus ideas about a subject that you’ve already chosen:

• Asking questions about a subject
• Making a list
• Idea Matrix for College Writing
• Working with Prewriting

The following videos explain different strategies for prewriting. Although you’ll read about these strategies and more in the upcoming pages, these videos provide a good introduction to some basic approaches to prewriting.

[1] Nordquist, Richard. “Prewriting (Composition).” Glossary of Grammatical and Rhetorical Terms , ThoughtCo., 6 Mar. 2017, www.thoughtco.com/prewriting-composition-1691676.

• Developing Ideas for Writing. Text under Prewriting Definition. Authored by : Susan Oaks. Provided by : Empire State College, SUNY OER Services. Project : College Writing. License : CC BY-NC: Attribution-NonCommercial
• image of student at computer, biting a pencil. Authored by : JESHOOTScom. Provided by : Pixabay. Located at : https://pixabay.com/en/laptop-woman-education-study-young-3087585/ . License : CC0: No Rights Reserved
• image of lightbulb inside of an idea bubble drawn on a blackboard. Authored by : TeroVesalainen. Provided by : Pixabay. Located at : https://pixabay.com/en/thought-idea-innovation-imagination-2123970/ . License : CC0: No Rights Reserved
• image of quilting fabric and tools. Authored by : adonyig. Provided by : Pixabay. Located at : https://pixabay.com/en/quilting-mood-sewing-thread-2482472/ . License : CC0: No Rights Reserved
• video Prewriting Strategies. Authored by : Leslie Cox. Located at : https://www.youtube.com/watch?v=OQJSrQT9loI . License : Other . License Terms : YouTube video
• video Prewriting Techniques. Authored by : Tamara Harvell. Located at : https://www.youtube.com/watch?v=9pSfRAB2ABU . License : Other . License Terms : YouTube video
• Text under Prewriting Processes. Authored by : Susan Oaks, Elaine Handley. Provided by : Empire State College. Located at : https://www.esc.edu/online-writing-center/resources/academic-writing/process/prewriting-developing-ideas/ . Project : Writing Resources. License : All Rights Reserved . License Terms : Copyright, Empire State College. Used with permission.

The Paragraph Body: Supporting Your Ideas

Whether the drafting of a paragraph begins with a main idea or whether that idea surfaces in the revision process, once you have that main idea, you’ll want to make sure that the idea has enough support. The job of the paragraph body is to develop and support the topic. Here’s one way that you might think about it:

• Topic sentence : what is the main claim of your paragraph; what is the most important idea that you want your readers to take away from this paragraph?
• Support in the form of evidence : how can you prove that your claim or idea is true (or important, or noteworthy, or relevant)?
• Support in the form of analysis or evaluation : what discussion can you provide that helps your readers see the connection between the evidence and your claim?
• Transition : how can you help your readers move from the idea you’re currently discussing to the next idea presented? (For more specific discussion about transitions, see the following section on “ Developing Relationships between Ideas ”).

For more on methods of development  that can help you to develop and organize your ideas within paragraphs, see “Patterns of Organization and Methods of Development” later in this section of this text.

Types of support might include

• Statistics.
• Quotations.

Now that we have a good idea what it means to develop support for the main ideas of your paragraphs, let’s talk about how to make sure that those supporting details are solid and convincing.

Good vs. Weak Support

What questions will your readers have? What will they need to know? What makes for good supporting details? Why might readers consider some evidence to be weak?

If you’re already developing paragraphs, it’s likely that you already have a plan for your essay, at least at the most basic level. You know what your topic is, you might have a working thesis, and you probably have at least a couple of supporting ideas in mind that will further develop and support your thesis.

So imagine you’re developing a paragraph on one of these supporting ideas and you need to make sure that the support that you develop for this idea is solid. Considering some of the points about understanding and appealing to your audience (from the Audience and Purpose and the Prewriting sections of this text) can also be helpful in determining what your readers will consider good support and what they’ll consider to be weak. Here are some tips on what to strive for and what to avoid when it comes to supporting details.

Breaking, Combining, or Beginning New Paragraphs

Like sentence length, paragraph length varies. There is no single ideal length for “the perfect paragraph.”  There are some general guidelines, however. Some writing handbooks or resources suggest that a paragraph should be at least three or four sentences; others suggest that 100 to 200 words is a good target to shoot for. In academic writing, paragraphs tend to be longer, while in less formal or less complex writing, such as in a newspaper, paragraphs tend to be much shorter. Two-thirds to three-fourths of a page is usually a good target length for paragraphs at your current level of college writing. If your readers can’t see a paragraph break on the page, they might wonder if the paragraph is ever going to end or they might lose interest.

The most important thing to keep in mind here is that the amount of space needed to develop one idea will likely be different than the amount of space needed to develop another. So when is a paragraph complete? The answer is, when it’s fully developed. The guidelines above for providing good support should help.

Some signals that it’s time to end a paragraph and start a new one include that

• You’re ready to begin developing a new idea.
• You want to emphasize a point by setting it apart.
• You’re getting ready to continue discussing the same idea but in a different way (e.g. shifting from comparison to contrast).
• You notice that your current paragraph is getting too long (more than three-fourths of a page or so), and you think your writers will need a visual break.

Some signals that you may want to combine paragraphs include that

• You notice that some of your paragraphs appear to be short and choppy.
• You have multiple paragraphs on the same topic.
• You have undeveloped material that needs to be united under a clear topic.

Finally, paragraph number is a lot like paragraph length. You may have been asked in the past to write a five-paragraph essay. There’s nothing inherently wrong with a five-paragraph essay, but just like sentence length and paragraph length, the number of paragraphs in an essay depends upon what’s needed to get the job done. There’s really no way to know that until you start writing. So try not to worry too much about the proper length and number of things. Just start writing and see where the essay and the paragraphs take you. There will be plenty of time to sort out the organization in the revision process. You’re not trying to fit pegs into holes here. You’re letting your ideas unfold. Give yourself—and them—the space to let that happen.

The Word on College Reading and Writing Copyright © by Carol Burnell, Jaime Wood, Monique Babin, Susan Pesznecker, and Nicole Rosevear is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

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