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Essays — Second Series by Ralph Waldo Emerson

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Ralph Waldo Emerson

But taking timely warning, and leaving many things unsaid on this topic, let us not longer omit our homage to the Efficient Nature, natura naturans , the quick cause, before which all forms flee as the driven snows, itself secret, its works driven before it in flocks and multitudes, (as the ancient represented nature by Proteus, a shepherd,) and in undescribable variety. It publishes itself in creatures, reaching from particles and spicula, through transformation on transformation to the highest symmetries, arriving at consummate results without a shock or a leap. A little heat, that is, a little motion, is all that differences the bald, dazzling white, and deadly cold poles of the earth from the prolific tropical climates. All changes pass without violence, by reason of the two cardinal conditions of boundless space and boundless time. Geology has initiated us into the secularity of nature, and taught us to disuse our dame-school measures, and exchange our Mosaic and Ptolemaic schemes for her large style. We knew nothing rightly, for want of perspective. Now we learn what patient periods must round themselves before the rock is formed, then before the rock is broken, and the first lichen race has disintegrated the thinnest external plate into soil, and opened the door for the remote Flora, Fauna, Ceres, and Pomona, to come in. How far off yet is the trilobite! how far the quadruped! how inconceivably remote is man! All duly arrive, and then race after race of men. It is a long way from granite to the oyster; farther yet to Plato, and the preaching of the immortality of the soul. Yet all must come, as surely as the first atom has two sides.

Motion or change, and identity or rest, are the first and second secrets of nature: Motion and Rest. The whole code of her laws may be written on the thumbnail, or the signet of a ring. The whirling bubble on the surface of a brook, admits us to the secret of the mechanics of the sky. Every shell on the beach is a key to it. A little water made to rotate in a cup explains the formation of the simpler shells; the addition of matter from year to year, arrives at last at the most complex forms; and yet so poor is nature with all her craft, that, from the beginning to the end of the universe, she has but one stuff, — but one stuff with its two ends, to serve up all her dream-like variety. Compound it how she will, star, sand, fire, water, tree, man, it is still one stuff, and betrays the same properties.

Nature is always consistent, though she feigns to contravene her own laws. She keeps her laws, and seems to transcend them. She arms and equips an animal to find its place and living in the earth, and, at the same time, she arms and equips another animal to destroy it. Space exists to divide creatures; but by clothing the sides of a bird with a few feathers, she gives him a petty omnipresence. The direction is forever onward, but the artist still goes back for materials, and begins again with the first elements on the most advanced stage: otherwise, all goes to ruin. If we look at her work, we seem to catch a glance of a system in transition. Plants are the young of the world, vessels of health and vigor; but they grope ever upward towards consciousness; the trees are imperfect men, and seem to bemoan their imprisonment, rooted in the ground. The animal is the novice and probationer of a more advanced order. The men, though young, having tasted the first drop from the cup of thought, are already dissipated: the maples and ferns are still uncorrupt; yet no doubt, when they come to consciousness, they too will curse and swear. Flowers so strictly belong to youth, that we adult men soon come to feel, that their beautiful generations concern not us: we have had our day; now let the children have theirs. The flowers jilt us, and we are old bachelors with our ridiculous tenderness.

Things are so strictly related, that according to the skill of the eye, from any one object the parts and properties of any other may be predicted. If we had eyes to see it, a bit of stone from the city wall would certify us of the necessity that man must exist, as readily as the city. That identity makes us all one, and reduces to nothing great intervals on our customary scale. We talk of deviations from natural life, as if artificial life were not also natural. The smoothest curled courtier in the boudoirs of a palace has an animal nature, rude and aboriginal as a white bear, omnipotent to its own ends, and is directly related, there amid essences and billetsdoux, to Himmaleh mountain-chains, and the axis of the globe. If we consider how much we are nature's, we need not be superstitious about towns, as if that terrific or benefic force did not find us there also, and fashion cities. Nature who made the mason, made the house. We may easily hear too much of rural influences. The cool disengaged air of natural objects, makes them enviable to us, chafed and irritable creatures with red faces, and we think we shall be as grand as they, if we camp out and eat roots; but let us be men instead of woodchucks, and the oak and the elm shall gladly serve us, though we sit in chairs of ivory on carpets of silk.

This guiding identity runs through all the surprises and contrasts of the piece, and characterizes every law. Man carries the world in his head, the whole astronomy and chemistry suspended in a thought. Because the history of nature is charactered in his brain, therefore is he the prophet and discoverer of her secrets. Every known fact in natural science was divined by the presentiment of somebody, before it was actually verified. A man does not tie his shoe without recognising laws which bind the farthest regions of nature: moon, plant, gas, crystal, are concrete geometry and numbers. Common sense knows its own, and recognises the fact at first sight in chemical experiment. The common sense of Franklin, Dalton, Davy, and Black, is the same common sense which made the arrangements which now it discovers.

If the identity expresses organized rest, the counter action runs also into organization. The astronomers said, 'Give us matter, and a little motion, and we will construct the universe. It is not enough that we should have matter, we must also have a single impulse, one shove to launch the mass, and generate the harmony of the centrifugal and centripetal forces. Once heave the ball from the hand, and we can show how all this mighty order grew.' — 'A very unreasonable postulate,' said the metaphysicians, 'and a plain begging of the question. Could you not prevail to know the genesis of projection, as well as the continuation of it?' Nature, meanwhile, had not waited for the discussion, but, right or wrong, bestowed the impulse, and the balls rolled. It was no great affair, a mere push, but the astronomers were right in making much of it, for there is no end to the consequences of the act. That famous aboriginal push propagates itself through all the balls of the system, and through every atom of every ball, through all the races of creatures, and through the history and performances of every individual. Exaggeration is in the course of things. Nature sends no creature, no man into the world, without adding a small excess of his proper quality. Given the planet, it is still necessary to add the impulse; so, to every creature nature added a little violence of direction in its proper path, a shove to put it on its way; in every instance, a slight generosity, a drop too much. Without electricity the air would rot, and without this violence of direction, which men and women have, without a spice of bigot and fanatic, no excitement, no efficiency. We aim above the mark, to hit the mark. Every act hath some falsehood of exaggeration in it. And when now and then comes along some sad, sharp-eyed man, who sees how paltry a game is played, and refuses to play, but blabs the secret; — how then? is the bird flown? O no, the wary Nature sends a new troop of fairer forms, of lordlier youths, with a little more excess of direction to hold them fast to their several aim; makes them a little wrongheaded in that direction in which they are rightest, and on goes the game again with new whirl, for a generation or two more. The child with his sweet pranks, the fool of his senses, commanded by every sight and sound, without any power to compare and rank his sensations, abandoned to a whistle or a painted chip, to a lead dragoon, or a gingerbread-dog, individualizing everything, generalizing nothing, delighted with every new thing, lies down at night overpowered by the fatigue, which this day of continual pretty madness has incurred. But Nature has answered her purpose with the curly, dimpled lunatic. She has tasked every faculty, and has secured the symmetrical growth of the bodily frame, by all these attitudes and exertions, — an end of the first importance, which could not be trusted to any care less perfect than her own. This glitter, this opaline lustre plays round the top of every toy to his eye, to ensure his fidelity, and he is deceived to his good. We are made alive and kept alive by the same arts. Let the stoics say what they please, we do not eat for the good of living, but because the meat is savory and the appetite is keen. The vegetable life does not content itself with casting from the flower or the tree a single seed, but it fills the air and earth with a prodigality of seeds, that, if thousands perish, thousands may plant themselves, that hundreds may come up, that tens may live to maturity, that, at least, one may replace the parent. All things betray the same calculated profusion. The excess of fear with which the animal frame is hedged round, shrinking from cold, starting at sight of a snake, or at a sudden noise, protects us, through a multitude of groundless alarms, from some one real danger at last. The lover seeks in marriage his private felicity and perfection, with no prospective end; and nature hides in his happiness her own end, namely, progeny, or the perpetuity of the race.

But the craft with which the world is made, runs also into the mind and character of men. No man is quite sane; each has a vein of folly in his composition, a slight determination of blood to the head, to make sure of holding him hard to some one point which nature had taken to heart. Great causes are never tried on their merits; but the cause is reduced to particulars to suit the size of the partizans, and the contention is ever hottest on minor matters. Not less remarkable is the overfaith of each man in the importance of what he has to do or say. The poet, the prophet, has a higher value for what he utters than any hearer, and therefore it gets spoken. The strong, self-complacent Luther declares with an emphasis, not to be mistaken, that "God himself cannot do without wise men." Jacob Behmen and George Fox betray their egotism in the pertinacity of their controversial tracts, and James Naylor once suffered himself to be worshipped as the Christ. Each prophet comes presently to identify himself with his thought, and to esteem his hat and shoes sacred. However this may discredit such persons with the judicious, it helps them with the people, as it gives heat, pungency, and publicity to their words. A similar experience is not infrequent in private life. Each young and ardent person writes a diary, in which, when the hours of prayer and penitence arrive, he inscribes his soul. The pages thus written are, to him, burning and fragrant: he reads them on his knees by midnight and by the morning star; he wets them with his tears: they are sacred; too good for the world, and hardly yet to be shown to the dearest friend. This is the man-child that is born to the soul, and her life still circulates in the babe. The umbilical cord has not yet been cut. After some time has elapsed, he begins to wish to admit his friend to this hallowed experience, and with hesitation, yet with firmness, exposes the pages to his eye. Will they not burn his eyes? The friend coldly turns them over, and passes from the writing to conversation, with easy transition, which strikes the other party with astonishment and vexation. He cannot suspect the writing itself. Days and nights of fervid life, of communion with angels of darkness and of light, have engraved their shadowy characters on that tear-stained book. He suspects the intelligence or the heart of his friend. Is there then no friend? He cannot yet credit that one may have impressive experience, and yet may not know how to put his private fact into literature; and perhaps the discovery that wisdom has other tongues and ministers than we, that though we should hold our peace, the truth would not the less be spoken, might check injuriously the flames of our zeal. A man can only speak, so long as he does not feel his speech to be partial and inadequate. It is partial, but he does not see it to be so, whilst he utters it. As soon as he is released from the instinctive and particular, and sees its partiality, he shuts his mouth in disgust. For, no man can write anything, who does not think that what he writes is for the time the history of the world; or do anything well, who does not esteem his work to be of importance. My work may be of none, but I must not think it of none, or I shall not do it with impunity.

In like manner, there is throughout nature something mocking, something that leads us on and on, but arrives nowhere, keeps no faith with us. All promise outruns the performance. We live in a system of approximations. Every end is prospective of some other end, which is also temporary; a round and final success nowhere. We are encamped in nature, not domesticated. Hunger and thirst lead us on to eat and to drink; but bread and wine, mix and cook them how you will, leave us hungry and thirsty, after the stomach is full. It is the same with all our arts and performances. Our music, our poetry, our language itself are not satisfactions, but suggestions. The hunger for wealth, which reduces the planet to a garden, fools the eager pursuer. What is the end sought? Plainly to secure the ends of good sense and beauty, from the intrusion of deformity or vulgarity of any kind. But what an operose method! What a train of means to secure a little conversation! This palace of brick and stone, these servants, this kitchen, these stables, horses and equipage, this bank-stock, and file of mortgages; trade to all the world, country-house and cottage by the waterside, all for a little conversation, high, clear, and spiritual! Could it not be had as well by beggars on the highway? No, all these things came from successive efforts of these beggars to remove friction from the wheels of life, and give opportunity. Conversation, character, were the avowed ends; wealth was good as it appeased the animal cravings, cured the smoky chimney, silenced the creaking door, brought friends together in a warm and quiet room, and kept the children and the dinner-table in a different apartment. Thought, virtue, beauty, were the ends; but it was known that men of thought and virtue sometimes had the headache, or wet feet, or could lose good time whilst the room was getting warm in winter days. Unluckily, in the exertions necessary to remove these inconveniences, the main attention has been diverted to this object; the old aims have been lost sight of, and to remove friction has come to be the end. That is the ridicule of rich men, and Boston, London, Vienna, and now the governments generally of the world, are cities and governments of the rich, and the masses are not men, but poor men , that is, men who would be rich; this is the ridicule of the class, that they arrive with pains and sweat and fury nowhere; when all is done, it is for nothing. They are like one who has interrupted the conversation of a company to make his speech, and now has forgotten what he went to say. The appearance strikes the eye everywhere of an aimless society, of aimless nations. Were the ends of nature so great and cogent, as to exact this immense sacrifice of men?

Quite analogous to the deceits in life, there is, as might be expected, a similar effect on the eye from the face of external nature. There is in woods and waters a certain enticement and flattery, together with a failure to yield a present satisfaction. This disappointment is felt in every landscape. I have seen the softness and beauty of the summer-clouds floating feathery overhead, enjoying, as it seemed, their height and privilege of motion, whilst yet they appeared not so much the drapery of this place and hour, as forelooking to some pavilions and gardens of festivity beyond. It is an odd jealousy: but the poet finds himself not near enough to his object. The pine-tree, the river, the bank of flowers before him, does not seem to be nature. Nature is still elsewhere. This or this is but outskirt and far-off reflection and echo of the triumph that has passed by, and is now at its glancing splendor and heyday, perchance in the neighboring fields, or, if you stand in the field, then in the adjacent woods. The present object shall give you this sense of stillness that follows a pageant which has just gone by. What splendid distance, what recesses of ineffable pomp and loveliness in the sunset! But who can go where they are, or lay his hand or plant his foot thereon? Off they fall from the round world forever and ever. It is the same among the men and women, as among the silent trees; always a referred existence, an absence, never a presence and satisfaction. Is it, that beauty can never be grasped? in persons and in landscape is equally inaccessible? The accepted and betrothed lover has lost the wildest charm of his maiden in her acceptance of him. She was heaven whilst he pursued her as a star: she cannot be heaven, if she stoops to such a one as he.

What shall we say of this omnipresent appearance of that first projectile impulse, of this flattery and baulking of so many well-meaning creatures? Must we not suppose somewhere in the universe a slight treachery and derision? Are we not engaged to a serious resentment of this use that is made of us? Are we tickled trout, and fools of nature? One look at the face of heaven and earth lays all petulance at rest, and soothes us to wiser convictions. To the intelligent, nature converts itself into a vast promise, and will not be rashly explained. Her secret is untold. Many and many an Oedipus arrives: he has the whole mystery teeming in his brain. Alas! the same sorcery has spoiled his skill; no syllable can he shape on his lips. Her mighty orbit vaults like the fresh rainbow into the deep, but no archangel's wing was yet strong enough to follow it, and report of the return of the curve. But it also appears, that our actions are seconded and disposed to greater conclusions than we designed. We are escorted on every hand through life by spiritual agents, and a beneficent purpose lies in wait for us. We cannot bandy words with nature, or deal with her as we deal with persons. If we measure our individual forces against hers, we may easily feel as if we were the sport of an insuperable destiny. But if, instead of identifying ourselves with the work, we feel that the soul of the workman streams through us, we shall find the peace of the morning dwelling first in our hearts, and the fathomless powers of gravity and chemistry, and, over them, of life, preexisting within us in their highest form.

The uneasiness which the thought of our helplessness in the chain of causes occasions us, results from looking too much at one condition of nature, namely, Motion. But the drag is never taken from the wheel. Wherever the impulse exceeds, the Rest or Identity insinuates its compensation. All over the wide fields of earth grows the prunella or self-heal. After every foolish day we sleep off the fumes and furies of its hours; and though we are always engaged with particulars, and often enslaved to them, we bring with us to every experiment the innate universal laws. These, while they exist in the mind as ideas, stand around us in nature forever embodied, a present sanity to expose and cure the insanity of men. Our servitude to particulars betrays into a hundred foolish expectations. We anticipate a new era from the invention of a locomotive, or a balloon; the new engine brings with it the old checks. They say that by electro-magnetism, your sallad shall be grown from the seed, whilst your fowl is roasting for dinner: it is a symbol of our modern aims and endeavors,—-of our condensation and acceleration of objects: but nothing is gained: nature cannot be cheated: man's life is but seventy sallads long, grow they swift or grow they slow. In these checks and impossibilities, however, we find our advantage, not less than in the impulses. Let the victory fall where it will, we are on that side. And the knowledge that we traverse the whole scale of being, from the centre to the poles of nature, and have some stake in every possibility, lends that sublime lustre to death, which philosophy and religion have too outwardly and literally striven to express in the popular doctrine of the immortality of the soul. The reality is more excellent than the report. Here is no ruin, no discontinuity, no spent ball. The divine circulations never rest nor linger. Nature is the incarnation of a thought, and turns to a thought again, as ice becomes water and gas. The world is mind precipitated, and the volatile essence is forever escaping again into the state of free thought. Hence the virtue and pungency of the influence on the mind, of natural objects, whether inorganic or organized. Man imprisoned, man crystallized, man vegetative, speaks to man impersonated. That power which does not respect quantity, which makes the whole and the particle its equal channel, delegates its smile to the morning, and distils its essence into every drop of rain. Every moment instructs, and every object: for wisdom is infused into every form. It has been poured into us as blood; it convulsed us as pain; it slid into us as pleasure; it enveloped us in dull, melancholy days, or in days of cheerful labor; we did not guess its essence, until after a long time.

Ralph Waldo Emerson Self Reliance

Ralph Waldo Emerson left the ministry to pursue a career in writing and public speaking. Emerson became one of America's best known and best-loved 19th-century figures. More About Emerson

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"Every man has his own courage, and is betrayed because he seeks in himself the courage of other persons." – Ralph Waldo Emerson

“Do not go where the path may lead, go instead where there is no path and leave a trail.” – Ralph Waldo Emerson

“The purpose of life is not to be happy. It is to be useful, to be honorable, to be compassionate, to have it make some difference that you have lived and lived well.”  – Ralph Waldo Emerson

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This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.

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Ralph Waldo Emerson

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Emerson's Essays: The Complete First & Second Series Paperback – October 17, 2020

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  • Print length 200 pages
  • Language English
  • Publication date October 17, 2020
  • Dimensions 6 x 0.5 x 9 inches
  • ISBN-13 979-8699069439
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  • ASIN ‏ : ‎ B08L7RMDY8
  • Publisher ‏ : ‎ Independently published (October 17, 2020)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 200 pages
  • ISBN-13 ‏ : ‎ 979-8699069439
  • Item Weight ‏ : ‎ 1.06 pounds
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  • #21 in Transcendentalism Philosophy
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Ralph waldo emerson.

There are few people as quoted and quotable as Ralph Waldo Emerson, founder of the transcendental movement and author of classic essays as Self-Reliance, Nature, and The American Scholar. Emerson began his career as a Unitarian minister and later put those oratory skills to move us toward a better society. More remains written on him than by him.

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What Was Emerson’s Vision for the American Scholar?

One can only wonder what the great Ralph Waldo Emerson would think of average college students today.

ralph waldo emerson visions for american scholars

Ralph Waldo Emerson was a 19 th century American intellectual figure most renowned as the leading figure of the Transcendentalist movement. While his concerns about truth and the real world make most of his ideas timeless, he was just as motivated to contribute to the cultural maturation of his nation. “The American Scholar” delivers some important elements of his worldview to describe the optimal form and function of the educated man.

Surmising an Intellectual Culture

Ralph Waldo Emerson, 1857. Source: Wikimedia Commons

Before Emerson was a famous intellectual figure, he studied at Harvard and became a pastor at Second Church in Boston . In 1832, he resigned from his pastorship and set sail for Europe, travelling through Italy, France , and England. He journaled about his experience and publicly reflected on them in later essays, but the most important moments during his visit likely had an immediate impact on Emerson. In England, he was able to meet one-on-one with writers that he had grown to admire such as William Wordsworth and Samuel Coleridge. 

These visits assured him that there was nothing inherently superior about the European writers esteemed for upholding the intellectual traditions of their nation. Emerson credited the faith these writers had in themselves as most important to their success. For him, it was important that his own nation develop a unique cultural identity and intellectual tradition, and now there was no reason to believe that America could not match Europe’s prestige.

The American Scholar

North East View of the Several Halls of Harvard College. Source: Wikimedia Commons

In 1837, Emerson spoke before members of the Phi Beta Kappa Society at Harvard college. This speech, “The American Scholar,” expounds the essence of learning and its connection to the life of man. Emerson describes the complete man as an idea which society reinforces despite continually pushing it towards obsolescence; as society designates individuals to pursue one specific function in their life, conceptualizing the complete man requires looking at society to see all the different roles people fill to better imagine the ideal individual proficient in every area.

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Farmers , soldiers , lawyers, priests, and all other professions are reductions of the whole man, and the scholar is likewise reduced to only using their life to think, perhaps only contemplating unoriginal ideas. However, Emerson sees potential for the scholar to build a life closest to the ideal of the complete, ideal man, shaped by three main influences: nature, the past, and action.

Emerson on Nature

Mount Corcoran, Albert Bierstadt, ca. 1876. Source: National Gallery of Art

One year before giving this speech, Emerson published the essay “Nature,” which gave a comprehensive overview of his own worldview and the importance of nature in it, ultimately separating him from the Christian tradition. Here, he emphasizes the scholar’s dependence on nature as a source of new information. Every area of study either edifies a part of the natural world or gestures towards something real about the world and what it’s like living in it. As more time is spent observing nature and understanding the breadth and interconnectedness of it, the scholar becomes increasingly aware of how similar it is to the human mind. The beauty and order of the mind is commensurate to the beauty and order it discovers in the natural world .

Emerson and the Past

Colonial Graveyard at Lexington, Childe Hassam, 1891. Source: Smithsonian Institute

Emerson does not completely disavow the value of old books and the ideas in them, but he stresses how important it is to be careful with them as a source of inspiration. For him, books are best appreciated as representations of their author’s life which motivate the reader to strive for a similar level of genius. He is critical of approaching books only to remember all their ideas and accept them without question. Despite the abundance of intellectual giants of past times and all their writings which make it easier for the scholar to only look to the past, one must never lose sight of their own wisdom. A life spent reading and learning without ever using it to manifest new ideas would be a life wasted.

The Bookworm, Carl Spitzweg, 1850

Not all subjects are equal in this regard. Namely, history and the natural sciences require a lot more reading and memorization of old ideas before a student is equipped to write something new. When Emerson acknowledges this, he criticizes the role colleges and universities play in providing men with their educations. As good of a resource as they may be, these learning institutions serve students best when they equip and encourage young minds to become innovators and creators. Without this, he says, “…our American colleges will recede in their public importance, whilst they grow richer every year.”

Action as Complimentary to Thought

The History of Labor in America, The 20th Century: Technology, Jack Beal, 1975. Source: Smithsonian Institute

Emerson sees action as wholly complementary to thought, and it is perhaps the scholar’s most important influence since it amplifies the benefit of the other two. Any thought, original or unoriginal, cannot metamorphose into truth unless paired with relevant or proper action, which in turn encourages further thought. Furthermore, action is necessary for the scholar to immerse themselves into the real world and live their life rather than just occupy it. There is always something to learn about oneself by engaging with the real world, though nature, labor, or even interacting with other people, which sharpens the intellect to a point that cannot be replicated in isolation. Without experience, the scholar can only grow as a man of intellect, not a man of character.

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By Brian Daly BA Philosophy, BA English Brian holds BAs in Philosophy and English from Quinnipiac University and currently lives in New York. Whether through writing, teaching, or tutoring, he is always eager to spur interest in pondering and discussing complex ideas. His other interests include writing poetry, listening to music, and gardening.

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COMMENTS

  1. Ralph Waldo Emerson's 'Essays: Second Series'

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  2. Essays, Second Series, by Ralph Waldo Emerson

    The Project Gutenberg EBook of Essays, Second Series, by Ralph Waldo Emerson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Essays, Second ...

  3. Essays: Second Series

    Essays: Second Series is a series of essays written by Ralph Waldo Emerson in 1844, concerning transcendentalism.It is the second volume of Emerson's Essays, the first being Essays: First Series. This book contains: "The Poet" "Experience" "Character" "Manners" "Gifts" "Nature" "Politics" "Nominalist and Realist" "New England Reformers"

  4. Essays

    Emerson, Ralph Waldo, 1803-1882: Title: Essays — Second Series Contents: The poet -- Experience -- Character -- Manners -- Gifts -- Nature -- Politics -- Nominalist and realist -- New England reformers. Credits: Produced by Tony Adam, and David Widger Language: English: LoC Class: PS: Language and Literatures: American and Canadian literature ...

  5. Nature :: Essays: second Series

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  6. Essays: Second Series

    Essays: Second Series (1844) by Ralph Waldo Emerson. 2516 Essays: Second Series 1844 Ralph Waldo Emerson. The Poet; Experience; Character; Manners; Gifts; Nature; Politics; Nominalist and Realist; New England Reformers; This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 ...

  7. Essays: Second Series : Ralph Waldo Emerson

    Essays: Second Series by Ralph Waldo Emerson. Publication date 1844 Publisher J. Munroe and Co. Collection americana Book from the collections of New York Public Library Language English. Book digitized by Google from the library of the New York Public Library and uploaded to the Internet Archive by user tpb.

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    Essays: second series Approved texts, Modern Language Association of America Center for Editions of American Authors Volume 3 of The Collected Works of Ralph Waldo Emerson, Ralph Waldo Emerson Volume 3 of Works, Ralph Waldo Emerson: Author: Ralph Waldo Emerson: Editors: Joseph Slater, Alfred Riggs Ferguson: Contributors: Joseph Slater, Jean ...

  9. Essays: Second Series

    Appears in 95 books from 1845-2008. Page 22 - As the eyes of Lyncseus were said to see through the earth, so the poet turns the world to glass, and shows us all things in their right series and procession. Appears in 117 books from 1845-2008. Page 15 - Every spirit as it is more pure, And hath in it the more of heavenly light, So it the fairer ...

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    Essays: second series .. Bookreader Item Preview ... Essays: second series .. by Emerson, Ralph Waldo, 1803-1882. Publication date 1858 Publisher Boston, Phillips, Sampson, and Co. Collection university_of_illinois_urbana-champaign; americana Contributor University of Illinois Urbana-Champaign

  11. Essays

    Ralph Waldo Emerson (1803 - 1882), who went by his middle name Waldo, [8] was an American essayist, lecturer, philosopher, abolitionist, and poet who led the transcendentalist movement of the mid-19th century.

  12. Ralph Waldo Emerson: Essays: First and Second Series

    About Ralph Waldo Emerson: Essays: First and Second Series. A compilation of the best essays written by the father of transcendentalism, with selections from Emerson's lectures on history, art, politics, and more In the words of Harold Bloom, "Emerson's prose is his triumph, both as eloquence and as insight.

  13. Essays, First and Second Series

    Ralph Waldo Emerson. Jazzybee Verlag, 1908 - Self-Help - 218 pages. Most of Emerson's essays emerged as lectures first and were later edited for printing. There are two main collections, Essays: First Series and Essays: Second Series, that include the quintessence of his work. Both series are included in this book.

  14. EMERSON

    Ralph Waldo Emerson Essays: Second Series [1844] Character. The sun set; but set not his hope: Stars rose; his faith was earlier up: Fixed on the enormous galaxy, Deeper and older seemed his eye: And matched his sufferance sublime The taciturnity of time. He spoke, and words more soft than rain

  15. Essays, Second Series : Ralph Waldo Emerson : Free Download, Borrow

    LibriVox recording of Essays, Second Series, by Ralph Waldo Emerson. Read by Bob Neufeld. Ralph Waldo Emerson (1803 - 1882) was an American essayist, philosopher, and poet, best remembered for leading the Transcendentalist movement of the mid 19th century. His teachings directly influenced the growing New Thought movement of the mid 1800s.

  16. Collected Works of Ralph Waldo Emerson, Volume II: Essays: First Series

    Some of Ralph Waldo Emerson's finest and most famous essays, such as "Self-Reliance," "Compensation," and "The Over-Soul," appeared in his Essays of 1841, published when he was thirty-seven years old. Preceded by the slim volume Nature, it was his first full-length book.The present edition provides for the first time an authoritative text of the Essays, together with an ...

  17. Essays: First and Second Series (The Library of America): Emerson

    There are few people as quoted and quotable as Ralph Waldo Emerson, founder of the transcendental movement and author of classic essays as Self-Reliance, Nature, and The American Scholar. Emerson began his career as a Unitarian minister and later put those oratory skills to move us toward a better society. More remains written on him than by him.

  18. Essays : first and second series : Emerson, Ralph Waldo, 1803-1882

    Essays : first and second series Bookreader Item Preview ... Essays : first and second series by Emerson, Ralph Waldo, 1803-1882. Publication date 1883 Publisher Boston : Houghton, Mifflin Collection bostonpubliclibrary; americana Contributor Boston Public Library Language English.

  19. Emerson's Essays: The Complete First & Second Series

    Emerson's Essays collects in one volume both the 1841 First Series and 1844 Second Series of essays published by Ralph Waldo Emerson. This collection includes over twenty essays and addresses, including such classic works as "Self-Reliance," "The Over Soul," "Compensation," "The Poet," "Experience," "Nature," "Friendship," "Circles," and many more.

  20. Essays: First Series

    Essays: First Series is a series of essays written by Ralph Waldo Emerson, published in 1841, concerning transcendentalism. Essays The book contains: ... Essays: Second Series; References External links. Essays: First Series at Google Books. Essays First Series public domain audiobook ...

  21. What Was Emerson's Vision for the American Scholar?

    Ralph Waldo Emerson, 1857. Source: Wikimedia Commons Before Emerson was a famous intellectual figure, he studied at Harvard and became a pastor at Second Church in Boston.In 1832, he resigned from his pastorship and set sail for Europe, travelling through Italy, France, and England.He journaled about his experience and publicly reflected on them in later essays, but the most important moments ...