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Extracurriculars.
Most high school students don’t get a lot of experience with creative writing, so the college essay can be especially daunting. Reading examples of successful essays, however, can help you understand what admissions officers are looking for.
In this post, we’ll share 16 college essay examples of many different topics. Most of the essay prompts fall into 8 different archetypes, and you can approach each prompt under that archetype in a similar way. We’ve grouped these examples by archetype so you can better structure your approach to college essays.
If you’re looking for school-specific guides, check out our 2022-2023 essay breakdowns .
Looking at examples of real essays students have submitted to colleges can be very beneficial to get inspiration for your essays. You should never copy or plagiarize from these examples when writing your own essays. Colleges can tell when an essay isn’t genuine and will not view students favorably if they plagiarized.
Note: the essays are titled in this post for navigation purposes, but they were not originally titled. We also include the original prompt where possible.
The Common App essay goes to all of the schools on your list, unless those schools use a separate application platform. Because of this, it’s the most important essay in your portfolio, and likely the longest essay you’ll need to write (you get up to 650 words).
The goal of this essay is to share a glimpse into who you are, what matters to you, and what you hope to achieve. It’s a chance to share your story.
Learn more about how to write the Common App essay in our complete guide.
Prompt: Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story. (250-650 words)
Night had robbed the academy of its daytime colors, yet there was comfort in the dim lights that cast shadows of our advances against the bare studio walls. Silhouettes of roundhouse kicks, spin crescent kicks, uppercuts and the occasional butterfly kick danced while we sparred. She approached me, eyes narrowed with the trace of a smirk challenging me. “Ready spar!” Her arm began an upward trajectory targeting my shoulder, a common first move. I sidestepped — only to almost collide with another flying fist. Pivoting my right foot, I snapped my left leg, aiming my heel at her midsection. The center judge raised one finger.
There was no time to celebrate, not in the traditional sense at least. Master Pollard gave a brief command greeted with a unanimous “Yes, sir” and the thud of 20 hands dropping-down-and-giving-him-30, while the “winners” celebrated their victory with laps as usual.
Three years ago, seven-thirty in the evening meant I was a warrior. It meant standing up straighter, pushing a little harder, “Yes, sir” and “Yes, ma’am”, celebrating birthdays by breaking boards, never pointing your toes, and familiarity. Three years later, seven-thirty in the morning meant I was nervous.
The room is uncomfortably large. The sprung floor soaks up the checkerboard of sunlight piercing through the colonial windows. The mirrored walls further illuminate the studio and I feel the light scrutinizing my sorry attempts at a pas de bourrée, while capturing the organic fluidity of the dancers around me. “Chassé en croix, grand battement, pique, pirouette.” I follow the graceful limbs of the woman in front of me, her legs floating ribbons, as she executes what seems to be a perfect ronds de jambes. Each movement remains a negotiation. With admirable patience, Ms. Tan casts me a sympathetic glance.
There is no time to wallow in the misery that is my right foot. Taekwondo calls for dorsiflexion; pointed toes are synonymous with broken toes. My thoughts drag me into a flashback of the usual response to this painful mistake: “You might as well grab a tutu and head to the ballet studio next door.” Well, here I am Master Pollard, unfortunately still following your orders to never point my toes, but no longer feeling the satisfaction that comes with being a third degree black belt with 5 years of experience quite literally under her belt. It’s like being a white belt again — just in a leotard and ballet slippers.
But the appetite for new beginnings that brought me here doesn’t falter. It is only reinforced by the classical rendition of “Dancing Queen” that floods the room and the ghost of familiarity that reassures me that this new beginning does not and will not erase the past. After years spent at the top, it’s hard to start over. But surrendering what you are only leads you to what you may become. In Taekwondo, we started each class reciting the tenets: honor, courtesy, integrity, perseverance, self-control, courage, humility, and knowledge, and I have never felt that I embodied those traits more so than when I started ballet.
The thing about change is that it eventually stops making things so different. After nine different schools, four different countries, three different continents, fluency in Tamil, Norwegian, and English, there are more blurred lines than there are clear fragments. My life has not been a tactfully executed, gold medal-worthy Taekwondo form with each movement defined, nor has it been a series of frappés performed by a prima ballerina with each extension identical and precise, but thankfully it has been like the dynamics of a spinning back kick, fluid, and like my chances of landing a pirouette, unpredictable.
The first obvious strength of this essay is the introduction—it is interesting and snappy and uses enough technical language that we want to figure out what the student is discussing. When writing introductions, students tend to walk the line between intriguing and confusing. It is important that your essay ends up on the intentionally intriguing side of that line—like this student does! We are a little confused at first, but by then introducing the idea of “sparring,” the student grounds their essay.
People often advise young writers to “show, not tell.” This student takes that advice a step further and makes the reader do a bit of work to figure out what they are telling us. Nowhere in this essay does it say “After years of Taekwondo, I made the difficult decision to switch over to ballet.” Rather, the student says “It’s like being a white belt again — just in a leotard and ballet slippers.” How powerful!
After a lot of emotional language and imagery, this student finishes off their essay with very valuable (and necessary!) reflection. They show admissions officers that they are more than just a good writer—they are a mature and self-aware individual who would be beneficial to a college campus. Self-awareness comes through with statements like “surrendering what you are only leads you to what you may become” and maturity can be seen through the student’s discussion of values: “honor, courtesy, integrity, perseverance, self-control, courage, humility, and knowledge, and I have never felt that I embodied those traits more so than when I started ballet.”
Prompt: The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience? (250-650 words)
Was I no longer the beloved daughter of nature, whisperer of trees? Knee-high rubber boots, camouflage, bug spray—I wore the garb and perfume of a proud wild woman, yet there I was, hunched over the pathetic pile of stubborn sticks, utterly stumped, on the verge of tears. As a child, I had considered myself a kind of rustic princess, a cradler of spiders and centipedes, who was serenaded by mourning doves and chickadees, who could glide through tick-infested meadows and emerge Lyme-free. I knew the cracks of the earth like the scars on my own rough palms. Yet here I was, ten years later, incapable of performing the most fundamental outdoor task: I could not, for the life of me, start a fire.
Furiously I rubbed the twigs together—rubbed and rubbed until shreds of skin flaked from my fingers. No smoke. The twigs were too young, too sticky-green; I tossed them away with a shower of curses, and began tearing through the underbrush in search of a more flammable collection. My efforts were fruitless. Livid, I bit a rejected twig, determined to prove that the forest had spurned me, offering only young, wet bones that would never burn. But the wood cracked like carrots between my teeth—old, brittle, and bitter. Roaring and nursing my aching palms, I retreated to the tent, where I sulked and awaited the jeers of my family.
Rattling their empty worm cans and reeking of fat fish, my brother and cousins swaggered into the campsite. Immediately, they noticed the minor stick massacre by the fire pit and called to me, their deep voices already sharp with contempt.
“Where’s the fire, Princess Clara?” they taunted. “Having some trouble?” They prodded me with the ends of the chewed branches and, with a few effortless scrapes of wood on rock, sparked a red and roaring flame. My face burned long after I left the fire pit. The camp stank of salmon and shame.
In the tent, I pondered my failure. Was I so dainty? Was I that incapable? I thought of my hands, how calloused and capable they had been, how tender and smooth they had become. It had been years since I’d kneaded mud between my fingers; instead of scaling a white pine, I’d practiced scales on my piano, my hands softening into those of a musician—fleshy and sensitive. And I’d gotten glasses, having grown horrifically nearsighted; long nights of dim lighting and thick books had done this. I couldn’t remember the last time I had lain down on a hill, barefaced, and seen the stars without having to squint. Crawling along the edge of the tent, a spider confirmed my transformation—he disgusted me, and I felt an overwhelming urge to squash him.
Yet, I realized I hadn’t really changed—I had only shifted perspective. I still eagerly explored new worlds, but through poems and prose rather than pastures and puddles. I’d grown to prefer the boom of a bass over that of a bullfrog, learned to coax a different kind of fire from wood, having developed a burn for writing rhymes and scrawling hypotheses.
That night, I stayed up late with my journal and wrote about the spider I had decided not to kill. I had tolerated him just barely, only shrieking when he jumped—it helped to watch him decorate the corners of the tent with his delicate webs, knowing that he couldn’t start fires, either. When the night grew cold and the embers died, my words still smoked—my hands burned from all that scrawling—and even when I fell asleep, the ideas kept sparking—I was on fire, always on fire.
First things first, this Common App essay is well-written. This student is definitely showing the admissions officers her ability to articulate her points beautifully and creatively. It starts with vivid images like that of the “rustic princess, a cradler of spiders and centipedes, who was serenaded by mourning doves and chickadees, who could glide through tick-infested meadows and emerge Lyme-free.” And because the prose is flowery (and beautiful!), the writer can get away with metaphors like “I knew the cracks of the earth like the scars on my own rough palms” that might sound cheesy without the clear command of the English language that the writer quickly establishes.
In addition to being well-written, this essay is thematically cohesive. It begins with the simple introduction “Fire!” and ends with the following image: “When the night grew cold and the embers died, my words still smoked—my hands burned from all that scrawling—and even when I fell asleep, the ideas kept sparking—I was on fire, always on fire.” This full-circle approach leaves readers satisfied and impressed.
While dialogue often comes off as cliche or trite, this student effectively incorporates her family members saying “Where’s the fire, Princess Clara?” This is achieved through the apt use of the verb “taunted” to characterize the questioning and through the question’s thematic connection to the earlier image of the student as a rustic princess. Similarly, rhetorical questions can feel randomly placed in essays, but this student’s inclusion of the questions “Was I so dainty?” and “Was I that incapable?” feel perfectly justified after she establishes that she was pondering her failure.
Quite simply, this essay shows how quality writing can make a simple story outstandingly compelling.
“Why This College?” is one of the most common essay prompts, likely because schools want to understand whether you’d be a good fit and how you’d use their resources.
This essay is one of the more straightforward ones you’ll write for college applications, but you still can and should allow your voice to shine through.
Learn more about how to write the “Why This College?” essay in our guide.
Prompt: How will you explore your intellectual and academic interests at the University of Pennsylvania? Please answer this question given the specific undergraduate school to which you are applying (650 words).
Sister Simone Roach, a theorist of nursing ethics, said, “caring is the human mode of being.” I have long been inspired by Sister Roach’s Five C’s of Caring: commitment, conscience, competence, compassion, and confidence. Penn both embraces and fosters these values through a rigorous, interdisciplinary curriculum and unmatched access to service and volunteer opportunities.
COMMITMENT. Reading through the activities that Penn Quakers devote their time to (in addition to academics!) felt like drinking from a firehose in the best possible way. As a prospective nursing student with interests outside of my major, I value this level of flexibility. I plan to leverage Penn’s liberal arts curriculum to gain an in-depth understanding of the challenges LGBT people face, especially regarding healthcare access. Through courses like “Interactional Processes with LGBT Individuals” and volunteering at the Mazzoni Center for outreach, I hope to learn how to better support the Penn LGBT community as well as my family and friends, including my cousin, who came out as trans last year.
CONSCIENCE. As one of the first people in my family to attend a four-year university, I wanted a school that promoted a sense of moral responsibility among its students. At Penn, professors challenge their students to question and recreate their own set of morals by sparking thought- provoking, open-minded discussions. I can imagine myself advocating for universal healthcare in courses such as “Health Care Reform & Future of American Health System” and debating its merits with my peers. Studying in an environment where students confidently voice their opinions – conservative or liberal – will push me to question and strengthen my value system.
COMPETENCE. Two aspects that drew my attention to Penn’s BSN program were its high-quality research opportunities and hands-on nursing projects. Through its Office of Nursing Research, Penn connects students to faculty members who share similar research interests. As I volunteered at a nursing home in high school, I hope to work with Dr. Carthon to improve the quality of care for senior citizens. Seniors, especially minorities, face serious barriers to healthcare that I want to resolve. Additionally, Penn’s unique use of simulations to bridge the gap between classroom learning and real-world application impressed me. Using computerized manikins that mimic human responses, classes in Penn’s nursing program allow students to apply their emergency medical skills in a mass casualty simulation and monitor their actions afterward through a video system. Participating in this activity will help me identify my strengths and areas for improvement regarding crisis management and medical care in a controlled yet realistic setting. Research opportunities and simulations will develop my skills even before I interact with patients.
COMPASSION. I value giving back through community service, and I have a particular interest in Penn’s Community Champions and Nursing Students For Sexual & Reproductive Health (NSRH). As a four-year volunteer health educator, I hope to continue this work as a Community Champions member. I am excited to collaborate with medical students to teach fourth and fifth graders in the city about cardiology or lead a chair dance class for the elders at the LIFE Center. Furthermore, as a feminist who firmly believes in women’s abortion rights, I’d like to join NSRH in order to advocate for women’s health on campus. At Penn, I can work with like-minded people to make a meaningful difference.
CONFIDENCE. All of the Quakers that I have met possess one defining trait: confidence. Each student summarized their experiences at Penn as challenging but fulfilling. Although I expect my coursework to push me, from my conversations with current Quakers I know it will help me to be far more effective in my career.
The Five C’s of Caring are important heuristics for nursing, but they also provide insight into how I want to approach my time in college. I am eager to engage with these principles both as a nurse and as a Penn Quaker, and I can’t wait to start.
This prompt from Penn asks students to tailor their answer to their specific field of study. One great thing that this student does is identify their undergraduate school early, by mentioning “Sister Simone Roach, a theorist of nursing ethics.” You don’t want readers confused or searching through other parts of your application to figure out your major.
With a longer essay like this, it is important to establish structure. Some students organize their essay in a narrative form, using an anecdote from their past or predicting their future at a school. This student uses Roach’s 5 C’s of Caring as a framing device that organizes their essay around values. This works well!
While this essay occasionally loses voice, there are distinct moments where the student’s personality shines through. We see this with phrases like “felt like drinking from a fire hose in the best possible way” and “All of the Quakers that I have met possess one defining trait: confidence.” It is important to show off your personality to make your essay stand out.
Finally, this student does a great job of referencing specific resources about Penn. It’s clear that they have done their research (they’ve even talked to current Quakers). They have dreams and ambitions that can only exist at Penn.
Prompt: What is it about Yale that has led you to apply? (125 words or fewer)
Coin collector and swimmer. Hungarian and Romanian. Critical and creative thinker. I was drawn to Yale because they don’t limit one’s mind with “or” but rather embrace unison with “and.”
Wandering through the Beinecke Library, I prepare for my multidisciplinary Energy Studies capstone about the correlation between hedonism and climate change, making it my goal to find implications in environmental sociology. Under the tutelage of Assistant Professor Arielle Baskin-Sommers, I explore the emotional deficits of depression, utilizing neuroimaging to scrutinize my favorite branch of psychology: human perception. At Walden Peer Counseling, I integrate my peer support and active listening skills to foster an empathetic environment for the Yale community. Combining my interests in psychological and environmental studies is why I’m proud to be a Bulldog.
This answer to the “Why This College” question is great because 1) the student shows their excitement about attending Yale 2) we learn the ways in which attending Yale will help them achieve their goals and 3) we learn their interests and identities.
In this response, you can find a prime example of the “Image of the Future” approach, as the student flashes forward and envisions their life at Yale, using present tense (“I explore,” “I integrate,” “I’m proud”). This approach is valuable if you are trying to emphasize your dedication to a specific school. Readers get the feeling that this student is constantly imagining themselves on campus—it feels like Yale really matters to them.
Starting this image with the Beinecke Library is great because the Beinecke Library only exists at Yale. It is important to tailor “Why This College” responses to each specific school. This student references a program of study, a professor, and an extracurricular that only exist at Yale. Additionally, they connect these unique resources to their interests—psychological and environmental studies.
Finally, we learn about the student (independent of academics) through this response. By the end of their 125 words, we know their hobbies, ethnicities, and social desires, in addition to their academic interests. It can be hard to tackle a 125-word response, but this student shows that it’s possible.
The goal of this prompt is to understand how you came to be interested in your major and what you plan to do with it. For competitive programs like engineering, this essay helps admissions officers distinguish students who have a genuine passion and are most likely to succeed in the program. This is another more straightforward essay, but you do have a bit more freedom to include relevant anecdotes.
Learn more about how to write the “Why This Major?” essay in our guide.
Prompt: If you are applying to the Pratt School of Engineering as a first year applicant, please discuss why you want to study engineering and why you would like to study at Duke (250 words).
One Christmas morning, when I was nine, I opened a snap circuit set from my grandmother. Although I had always loved math and science, I didn’t realize my passion for engineering until I spent the rest of winter break creating different circuits to power various lights, alarms, and sensors. Even after I outgrew the toy, I kept the set in my bedroom at home and knew I wanted to study engineering. Later, in a high school biology class, I learned that engineering didn’t only apply to circuits, but also to medical devices that could improve people’s quality of life. Biomedical engineering allows me to pursue my academic passions and help people at the same time.
Just as biology and engineering interact in biomedical engineering, I am fascinated by interdisciplinary research in my chosen career path. Duke offers unmatched resources, such as DUhatch and The Foundry, that will enrich my engineering education and help me practice creative problem-solving skills. The emphasis on entrepreneurship within these resources will also help me to make a helpful product. Duke’s Bass Connections program also interests me; I firmly believe that the most creative and necessary problem-solving comes by bringing people together from different backgrounds. Through this program, I can use my engineering education to solve complicated societal problems such as creating sustainable surgical tools for low-income countries. Along the way, I can learn alongside experts in the field. Duke’s openness and collaborative culture span across its academic disciplines, making Duke the best place for me to grow both as an engineer and as a social advocate.
This prompt calls for a complex answer. Students must explain both why they want to study engineering and why Duke is the best place for them to study engineering.
This student begins with a nice hook—a simple anecdote about a simple present with profound consequences. They do not fluff up their anecdote with flowery images or emotionally-loaded language; it is what it is, and it is compelling and sweet. As their response continues, they express a particular interest in problem-solving. They position problem-solving as a fundamental part of their interest in engineering (and a fundamental part of their fascination with their childhood toy). This helps readers to learn about the student!
Problem-solving is also the avenue by which they introduce Duke’s resources—DUhatch, The Foundry, and Duke’s Bass Connections program. It is important to notice that the student explains how these resources can help them achieve their future goals—it is not enough to simply identify the resources!
This response is interesting and focused. It clearly answers the prompt, and it feels honest and authentic.
Prompt: Why do you want to study your chosen major specifically at Georgia Tech? (300 words max)
I held my breath and hit RUN. Yes! A plump white cat jumped out and began to catch the falling pizzas. Although my Fat Cat project seems simple now, it was the beginning of an enthusiastic passion for computer science. Four years and thousands of hours of programming later, that passion has grown into an intense desire to explore how computer science can serve society. Every day, surrounded by technology that can recognize my face and recommend scarily-specific ads, I’m reminded of Uncle Ben’s advice to a young Spiderman: “with great power comes great responsibility”. Likewise, the need to ensure digital equality has skyrocketed with AI’s far-reaching presence in society; and I believe that digital fairness starts with equality in education.
The unique use of threads at the College of Computing perfectly matches my interests in AI and its potential use in education; the path of combined threads on Intelligence and People gives me the rare opportunity to delve deep into both areas. I’m particularly intrigued by the rich sets of both knowledge-based and data-driven intelligence courses, as I believe AI should not only show correlation of events, but also provide insight for why they occur.
In my four years as an enthusiastic online English tutor, I’ve worked hard to help students overcome both financial and technological obstacles in hopes of bringing quality education to people from diverse backgrounds. For this reason, I’m extremely excited by the many courses in the People thread that focus on education and human-centered technology. I’d love to explore how to integrate AI technology into the teaching process to make education more available, affordable, and effective for people everywhere. And with the innumerable opportunities that Georgia Tech has to offer, I know that I will be able to go further here than anywhere else.
With a “Why This Major” essay, you want to avoid using all of your words to tell a story. That being said, stories are a great way to show your personality and make your essay stand out. This student’s story takes up only their first 21 words, but it positions the student as fun and funny and provides an endearing image of cats and pizzas—who doesn’t love cats and pizzas? There are other moments when the student’s personality shines through also, like the Spiderman reference.
While this pop culture reference adds color, it also is important for what the student is getting at: their passion. They want to go into computer science to address the issues of security and equity that are on the industry’s mind, and they acknowledge these concerns with their comments about “scarily-specific ads” and their statement that “the need to ensure digital equality has skyrocketed.” This student is self-aware and aware of the state of the industry. This aptitude will be appealing for admissions officers.
The conversation around “threads” is essential for this student’s response because the prompt asks specifically about the major at Georgia Tech and it is the only thing they reference that is specific to Georgia Tech. Threads are great, but this student would have benefitted from expanding on other opportunities specific to Georgia Tech later in the essay, instead of simply inserting “innumerable opportunities.”
Overall, this student shows personality, passion, and aptitude—precisely what admissions officers want to see!
You’re asked to describe your activities on the Common App, but chances are, you have at least one extracurricular that’s impacted you in a way you can’t explain in 150 characters.
This essay archetype allows you to share how your most important activity shaped you and how you might use those lessons learned in the future. You are definitely welcome to share anecdotes and use a narrative approach, but remember to include some reflection. A common mistake students make is to only describe the activity without sharing how it impacted them.
Learn more about how to write the Extracurricular Essay in our guide.
My fingers raced across the keys, rapidly striking one after another. My body swayed with the music as my hands raced across the piano. Crashing onto the final chord, it was over as quickly as it had begun. My shoulders relaxed and I couldn’t help but break into a satisfied grin. I had just played the Moonlight Sonata’s third movement, a longtime dream of mine.
Four short months ago, though, I had considered it impossible. The piece’s tempo was impossibly fast, its notes stretching between each end of the piano, forcing me to reach farther than I had ever dared. It was 17 pages of the most fragile and intricate melodies I had ever encountered.
But that summer, I found myself ready to take on the challenge. With the end of the school year, I was released from my commitment to practicing for band and solo performances. I was now free to determine my own musical path: either succeed in learning the piece, or let it defeat me for the third summer in a row.
Over those few months, I spent countless hours practicing the same notes until they burned a permanent place in my memory, creating a soundtrack for even my dreams. Some would say I’ve mastered the piece, but as a musician I know better. Now that I can play it, I am eager to take the next step and add in layers of musicality and expression to make the once-impossible piece even more beautiful.
In this response, the student uses their extracurricular, piano, as a way to emphasize their positive qualities. At the beginning, readers are invited on a journey with the student where we feel their struggle, their intensity, and ultimately their satisfaction. With this descriptive image, we form a valuable connection with the student.
Then, we get to learn about what makes this student special: their dedication and work ethic. The fact that this student describes their desire to be productive during the summer shows an intensity that is appealing to admissions officers. Additionally, the growth mindset that this student emphasizes in their conclusion is appealing to admissions officers.
The Extracurricular Essay can be seen as an opportunity to characterize yourself. This student clearly identified their positive qualities, then used the Extracurricular Essay as a way to articulate them.
My school’s newspaper and I have a typical love-hate relationship; some days I want nothing more than to pass two hours writing and formatting articles, while on others the mere thought of student journalism makes me shiver. Still, as we’re entering our fourth year together, you could consider us relatively stable. We’ve learned to accept each other’s differences; at this point I’ve become comfortable spending an entire Friday night preparing for an upcoming issue, and I hardly even notice the snail-like speed of our computers. I’ve even benefitted from the polygamous nature of our relationship—with twelve other editors, there’s a lot of cooperation involved. Perverse as it may be, from that teamwork I’ve both gained some of my closest friends and improved my organizational and time-management skills. And though leaving it in the hands of new editors next year will be difficult, I know our time together has only better prepared me for future relationships.
This response is great. It’s cute and endearing and, importantly, tells readers a lot about the student who wrote it. Framing this essay in the context of a “love-hate relationship,” then supplementing with comments like “We’ve learned to accept each other’s differences” allows this student to advertise their maturity in a unique and engaging way.
While Extracurricular Essays can be a place to show how you’ve grown within an activity, they can also be a place to show how you’ve grown through an activity. At the end of this essay, readers think that this student is mature and enjoyable, and we think that their experience with the school newspaper helped make them that way.
Prompt: Research shows that an ability to learn from experiences outside the classroom correlates with success in college. What was your greatest learning experience over the past 4 years that took place outside of the traditional classroom? (250 words)
The cool, white halls of the Rayburn House office building contrasted with the bustling energy of interns entertaining tourists, staffers rushing to cover committee meetings, and my fellow conference attendees separating to meet with our respective congresspeople. Through civics and US history classes, I had learned about our government, but simply hearing the legislative process outlined didn’t prepare me to navigate it. It was my first political conference, and, after learning about congressional mechanics during breakout sessions, I was lobbying my representative about an upcoming vote crucial to the US-Middle East relationship. As the daughter of Iranian immigrants, my whole life had led me to the moment when I could speak on behalf of the family members who had not emigrated with my parents.
As I sat down with my congresswoman’s chief of staff, I truly felt like a participant in democracy; I was exercising my right to be heard as a young American. Through this educational conference, I developed a plan of action to raise my voice. When I returned home, I signed up to volunteer with the state chapter of the Democratic Party. I sponsored letter-writing campaigns, canvassed for local elections, and even pursued an internship with a state senate campaign. I know that I don’t need to be old enough to vote to effect change. Most importantly, I also know that I want to study government—I want to make a difference for my communities in the United States and the Middle East throughout my career.
While this prompt is about extracurricular activities, it specifically references the idea that the extracurricular should support the curricular. It is focused on experiential learning for future career success. This student wants to study government, so they chose to describe an experience of hands-on learning within their field—an apt choice!
As this student discusses their extracurricular experience, they also clue readers into their future goals—they want to help Middle Eastern communities. Admissions officers love when students mention concrete plans with a solid foundation. Here, the foundation comes from this student’s ethnicity. With lines like “my whole life had led me to the moment when I could speak on behalf of the family members who had not emigrated with my parents,” the student assures admissions officers of their emotional connection to their future field.
The strength of this essay comes from its connections. It connects the student’s extracurricular activity to their studies and connects theirs studies to their personal history.
You’re going to face a lot of setbacks in college, so admissions officers want to make you’re you have the resilience and resolve to overcome them. This essay is your chance to be vulnerable and connect to admissions officers on an emotional level.
Learn more about how to write the Overcoming Challenges Essay in our guide.
”Advanced females ages 13 to 14 please proceed to staging with your coaches at this time.” Skittering around the room, eyes wide and pleading, I frantically explained my situation to nearby coaches. The seconds ticked away in my head; every polite refusal increased my desperation.
Despair weighed me down. I sank to my knees as a stream of competitors, coaches, and officials flowed around me. My dojang had no coach, and the tournament rules prohibited me from competing without one.
Although I wanted to remain strong, doubts began to cloud my mind. I could not help wondering: what was the point of perfecting my skills if I would never even compete? The other members of my team, who had found coaches minutes earlier, attempted to comfort me, but I barely heard their words. They couldn’t understand my despair at being left on the outside, and I never wanted them to understand.
Since my first lesson 12 years ago, the members of my dojang have become family. I have watched them grow up, finding my own happiness in theirs. Together, we have honed our kicks, blocks, and strikes. We have pushed one another to aim higher and become better martial artists. Although my dojang had searched for a reliable coach for years, we had not found one. When we attended competitions in the past, my teammates and I had always gotten lucky and found a sympathetic coach. Now, I knew this practice was unsustainable. It would devastate me to see the other members of my dojang in my situation, unable to compete and losing hope as a result. My dojang needed a coach, and I decided it was up to me to find one.
I first approached the adults in the dojang – both instructors and members’ parents. However, these attempts only reacquainted me with polite refusals. Everyone I asked told me they couldn’t devote multiple weekends per year to competitions. I soon realized that I would have become the coach myself.
At first, the inner workings of tournaments were a mystery to me. To prepare myself for success as a coach, I spent the next year as an official and took coaching classes on the side. I learned everything from motivational strategies to technical, behind-the-scenes components of Taekwondo competitions. Though I emerged with new knowledge and confidence in my capabilities, others did not share this faith.
Parents threw me disbelieving looks when they learned that their children’s coach was only a child herself. My self-confidence was my armor, deflecting their surly glances. Every armor is penetrable, however, and as the relentless barrage of doubts pounded my resilience, it began to wear down. I grew unsure of my own abilities.
Despite the attack, I refused to give up. When I saw the shining eyes of the youngest students preparing for their first competition, I knew I couldn’t let them down. To quit would be to set them up to be barred from competing like I was. The knowledge that I could solve my dojang’s longtime problem motivated me to overcome my apprehension.
Now that my dojang flourishes at competitions, the attacks on me have weakened, but not ended. I may never win the approval of every parent; at times, I am still tormented by doubts, but I find solace in the fact that members of my dojang now only worry about competing to the best of their abilities.
Now, as I arrive at a tournament with my students, I close my eyes and remember the past. I visualize the frantic search for a coach and the chaos amongst my teammates as we competed with one another to find coaches before the staging calls for our respective divisions. I open my eyes to the exact opposite scene. Lacking a coach hurt my ability to compete, but I am proud to know that no member of my dojang will have to face that problem again.
This essay is great because it has a strong introduction and conclusion. The introduction is notably suspenseful and draws readers into the story. Because we know it is a college essay, we can assume that the student is one of the competitors, but at the same time, this introduction feels intentionally ambiguous as if the writer could be a competitor, a coach, a sibling of a competitor, or anyone else in the situation.
As we continue reading the essay, we learn that the writer is, in fact, the competitor. Readers also learn a lot about the student’s values as we hear their thoughts: “I knew I couldn’t let them down. To quit would be to set them up to be barred from competing like I was.” Ultimately, the conflict and inner and outer turmoil is resolved through the “Same, but Different” ending technique as the student places themself in the same environment that we saw in the intro, but experiencing it differently due to their actions throughout the narrative. This is a very compelling strategy!
Prompt: The lessons we take from failure can be fundamental to later success. Recount an incident or time when you experienced failure. How did it affect you, and what did you learn from the experience? (650 words)
“You ruined my life!” After months of quiet anger, my brother finally confronted me. To my shame, I had been appallingly ignorant of his pain.
Despite being twins, Max and I are profoundly different. Having intellectual interests from a young age that, well, interested very few of my peers, I often felt out of step in comparison with my highly-social brother. Everything appeared to come effortlessly for Max and, while we share an extremely tight bond, his frequent time away with friends left me feeling more and more alone as we grew older.
When my parents learned about The Green Academy, we hoped it would be an opportunity for me to find not only an academically challenging environment, but also – perhaps more importantly – a community. This meant transferring the family from Drumfield to Kingston. And while there was concern about Max, we all believed that given his sociable nature, moving would be far less impactful on him than staying put might be on me.
As it turned out, Green Academy was everything I’d hoped for. I was ecstatic to discover a group of students with whom I shared interests and could truly engage. Preoccupied with new friends and a rigorous course load, I failed to notice that the tables had turned. Max, lost in the fray and grappling with how to make connections in his enormous new high school, had become withdrawn and lonely. It took me until Christmas time – and a massive argument – to recognize how difficult the transition had been for my brother, let alone that he blamed me for it.
Through my own journey of searching for academic peers, in addition to coming out as gay when I was 12, I had developed deep empathy for those who had trouble fitting in. It was a pain I knew well and could easily relate to. Yet after Max’s outburst, my first response was to protest that our parents – not I – had chosen to move us here. In my heart, though, I knew that regardless of who had made the decision, we ended up in Kingston for my benefit. I was ashamed that, while I saw myself as genuinely compassionate, I had been oblivious to the heartache of the person closest to me. I could no longer ignore it – and I didn’t want to.
We stayed up half the night talking, and the conversation took an unexpected turn. Max opened up and shared that it wasn’t just about the move. He told me how challenging school had always been for him, due to his dyslexia, and that the ever-present comparison to me had only deepened his pain.
We had been in parallel battles the whole time and, yet, I only saw that Max was in distress once he experienced problems with which I directly identified. I’d long thought Max had it so easy – all because he had friends. The truth was, he didn’t need to experience my personal brand of sorrow in order for me to relate – he had felt plenty of his own.
My failure to recognize Max’s suffering brought home for me the profound universality and diversity of personal struggle; everyone has insecurities, everyone has woes, and everyone – most certainly – has pain. I am acutely grateful for the conversations he and I shared around all of this, because I believe our relationship has been fundamentally strengthened by a deeper understanding of one another. Further, this experience has reinforced the value of constantly striving for deeper sensitivity to the hidden struggles of those around me. I won’t make the mistake again of assuming that the surface of someone’s life reflects their underlying story.
Here you can find a prime example that you don’t have to have fabulous imagery or flowery prose to write a successful essay. You just have to be clear and say something that matters. This essay is simple and beautiful. It almost feels like having a conversation with a friend and learning that they are an even better person than you already thought they were.
Through this narrative, readers learn a lot about the writer—where they’re from, what their family life is like, what their challenges were as a kid, and even their sexuality. We also learn a lot about their values—notably, the value they place on awareness, improvement, and consideration of others. Though they never explicitly state it (which is great because it is still crystal clear!), this student’s ending of “I won’t make the mistake again of assuming that the surface of someone’s life reflects their underlying story” shows that they are constantly striving for improvement and finding lessons anywhere they can get them in life.
Colleges want students who will positively impact the campus community and go on to make change in the world after they graduate. This essay is similar to the Extracurricular Essay, but you need to focus on a situation where you impacted others.
Learn more about how to write the Community Service Essay in our guide.
Prompt: What have you done to make your school or your community a better place?
The scent of eucalyptus caressed my nose in a gentle breeze. Spring had arrived. Senior class activities were here. As a sophomore, I noticed a difference between athletic and academic seniors at my high school; one received recognition while the other received silence. I wanted to create an event celebrating students academically-committed to four-years, community colleges, trades schools, and military programs. This event was Academic Signing Day.
The leadership label, “Events Coordinator,” felt heavy on my introverted mind. I usually was setting up for rallies and spirit weeks, being overlooked around the exuberant nature of my peers.
I knew a change of mind was needed; I designed flyers, painted posters, presented powerpoints, created student-led committees, and practiced countless hours for my introductory speech. Each committee would play a vital role on event day: one dedicated to refreshments, another to technology, and one for decorations. The fourth-month planning was a laborious joy, but I was still fearful of being in the spotlight. Being acknowledged by hundreds of people was new to me.
The day was here. Parents filled the stands of the multi-purpose room. The atmosphere was tense; I could feel the angst building in my throat, worried about the impression I would leave. Applause followed each of the 400 students as they walked to their college table, indicating my time to speak.
I walked up to the stand, hands clammy, expression tranquil, my words echoing to the audience. I thought my speech would be met by the sounds of crickets; instead, smiles lit up the stands, realizing my voice shone through my actions. I was finally coming out of my shell. The floor was met by confetti as I was met by the sincerity of staff, students, and parents, solidifying the event for years to come.
Academic students were no longer overshadowed. Their accomplishments were equally recognized to their athletic counterparts. The school culture of athletics over academics was no longer imbalanced. Now, every time I smell eucalyptus, it is a friendly reminder that on Academic Signing Day, not only were academic students in the spotlight but so was my voice.
This essay answers the prompt nicely because the student describes a contribution with a lasting legacy. Academic Signing Day will affect this high school in the future and it affected this student’s self-development—an idea summed up nicely with their last phrase “not only were academic students in the spotlight but so was my voice.”
With Community Service essays, students sometimes take small contributions and stretch them. And, oftentimes, the stretch is very obvious. Here, the student shows us that Academic Signing Day actually mattered by mentioning four months of planning and hundreds of students and parents. They also make their involvement in Academic Signing Day clear—it was their idea and they were in charge, and that’s why they gave the introductory speech.
Use this response as an example of the type of focused contribution that makes for a convincing Community Service Essay.
Prompt: What would you say is your greatest talent or skill? How have you developed and demonstrated that talent over time? (technically not community service, but the response works)
Let’s fast-forward time. Strides were made toward racial equality. Healthcare is accessible to all; however, one issue remains. Our aquatic ecosystems are parched with dead coral from ocean acidification. Climate change has prevailed.
Rewind to the present day.
My activism skills are how I express my concerns for the environment. Whether I play on sandy beaches or rest under forest treetops, nature offers me an escape from the haste of the world. When my body is met by trash in the ocean or my nose is met by harmful pollutants, Earth’s pain becomes my own.
Substituting coffee grinds as fertilizer, using bamboo straws, starting my sustainable garden, my individual actions needed to reach a larger scale. I often found performative activism to be ineffective when communicating climate concerns. My days of reposting awareness graphics on social media never filled the ambition I had left to put my activism skills to greater use. I decided to share my ecocentric worldview with a coalition of environmentalists and host a climate change rally outside my high school.
Meetings were scheduled where I informed students about the unseen impact they have on the oceans and local habitual communities. My fingers were cramped from all the constant typing and investigating of micro causes of the Pacific Waste Patch, creating reusable flyers, displaying steps people could take from home in reducing their carbon footprint. I aided my fellow environmentalists in translating these flyers into other languages, repeating this process hourly, for five days, up until rally day.
It was 7:00 AM. The faces of 100 students were shouting, “The climate is changing, why can’t we?” I proudly walked on the dewy grass, grabbing the microphone, repeating those same words. The rally not only taught me efficient methods of communication but it echoed my environmental activism to the masses. The City of Corona would be the first of many cities to see my activism, as more rallies were planned for various parts of SoCal. My once unfulfilled ambition was fueled by my tangible activism, understanding that it takes more than one person to make an environmental impact.
Like with the last example, this student describes a focused event with a lasting legacy. That’s a perfect place to start! By the end of this essay, we have an image of the cause of this student’s passion and the effect of this student’s passion. There are no unanswered questions.
This student supplements their focused topic with engaging and exciting writing to make for an easy-to-read and enjoyable essay. One of the largest strengths of this response is its pace. From the very beginning, we are invited to “fast-forward” and “rewind” with the writer. Then, after we center ourselves in real-time, this writer keeps their quick pace with sentences like “Substituting coffee grounds as fertilizer, using bamboo straws, starting my sustainable garden, my individual actions needed to reach a larger scale.” Community Service essays run the risk of turning boring, but this unique pacing keeps things interesting.
Having a diverse class provides a richness of different perspectives and encourages open-mindedness among the student body. The Diversity Essay is also somewhat similar to the Extracurricular and Community Service Essays, but it focuses more on what you might bring to the campus community because of your unique experiences or identities.
Learn more about how to write the Diversity Essay in our guide.
“Everyone follow me!” I smiled at five wide-eyed skaters before pushing off into a spiral. I glanced behind me hopefully, only to see my students standing frozen like statues, the fear in their eyes as clear as the ice they swayed on. “Come on!” I said encouragingly, but the only response I elicited was the slow shake of their heads. My first day as a Learn-to-Skate coach was not going as planned.
But amid my frustration, I was struck by how much my students reminded me of myself as a young skater. At seven, I had been fascinated by Olympic performers who executed thrilling high jumps and dizzying spins with apparent ease, and I dreamed to one day do the same. My first few months on skates, however, sent these hopes crashing down: my attempts at slaloms and toe-loops were shadowed by a stubborn fear of falling, which even the helmet, elbow pads, and two pairs of mittens I had armed myself with couldn’t mitigate. Nonetheless, my coach remained unfailingly optimistic, motivating me through my worst spills and teaching me to find opportunities in failures. With his encouragement, I learned to push aside my fears and attack each jump with calm and confidence; it’s the hope that I can help others do the same that now inspires me to coach.
I remember the day a frustrated staff member directed Oliver, a particularly hesitant young skater, toward me, hoping that my patience and steady encouragement might help him improve. Having stood in Oliver’s skates not much earlier myself, I completely empathized with his worries but also saw within him the potential to overcome his fears and succeed.
To alleviate his anxiety, I held Oliver’s hand as we inched around the rink, cheering him on at every turn. I soon found though, that this only increased his fear of gliding on his own, so I changed my approach, making lessons as exciting as possible in hopes that he would catch the skating bug and take off. In the weeks that followed, we held relay races, played “freeze-skate” and “ice-potato”, and raced through obstacle courses; gradually, with each slip and subsequent success, his fear began to abate. I watched Oliver’s eyes widen in excitement with every skill he learned, and not long after, he earned his first skating badge. Together we celebrated this milestone, his ecstasy fueling my excitement and his pride mirroring my own. At that moment, I was both teacher and student, his progress instilling in me the importance of patience and a positive attitude.
It’s been more than ten years since I bundled up and stepped onto the ice for the first time. Since then, my tolerance for the cold has remained stubbornly low, but the rest of me has certainly changed. In sharing my passion for skating, I have found a wonderful community of eager athletes, loving parents, and dedicated coaches from whom I have learned invaluable lessons and wisdom. My fellow staffers have been with me, both as friends and colleagues, and the relationships I’ve formed have given me far more poise, confidence, and appreciation for others. Likewise, my relationships with parents have given me an even greater gratitude for the role they play: no one goes to the rink without a parent behind the wheel!
Since that first lesson, I have mentored dozens of children, and over the years, witnessed tentative steps transform into powerful glides and tears give way to delighted grins. What I have shared with my students has been among the greatest joys of my life, something I will cherish forever. It’s funny: when I began skating, what pushed me through the early morning practices was the prospect of winning an Olympic medal. Now, what excites me is the chance to work with my students, to help them grow, and to give back to the sport that has brought me so much happiness.
This response is a great example of how Diversity doesn’t have to mean race, gender, sexuality, ethnicity, age, or ability. Diversity can mean whatever you want it to mean—whatever unique experience(s) you have to bring to the table!
A major strength of this essay comes in its narrative organization. When reading this first paragraph, we feel for the young skaters and understand their fear—skating sounds scary! Then, because the writer sets us up to feel this empathy, the transition to the second paragraph where the student describes their empathy for the young skaters is particularly powerful. It’s like we are all in it together! The student’s empathy for the young skaters also serves as an outstanding, seamless transition to the applicant discussing their personal journey with skating: “I was struck by how much my students reminded me of myself as a young skater.”
This essay positions the applicant as a grounded and caring individual. They are caring towards the young skaters—changing their teaching style to try to help the young skaters and feeling the young skaters’ emotions with them—but they are also appreciative to those who helped them as they reference their fellow staffers and parents. This shows great maturity—a favorable quality in the eyes of an admissions officer.
At the end of the essay, we know a lot about this student and are convinced that they would be a good addition to a college campus!
Prompt: Duke University seeks a talented, engaged student body that embodies the wide range of human experience; we believe that the diversity of our students makes our community stronger. If you’d like to share a perspective you bring or experiences you’ve had to help us understand you better—perhaps related to a community you belong to, your sexual orientation or gender identity, or your family or cultural background—we encourage you to do so. Real people are reading your application, and we want to do our best to understand and appreciate the real people applying to Duke (250 words).
I never understood the power of community until I left home to join seven strangers in the Ecuadorian rainforest. Although we flew in from distant corners of the U.S., we shared a common purpose: immersing ourselves in our passion for protecting the natural world.
Back home in my predominantly conservative suburb, my neighbors had brushed off environmental concerns. My classmates debated the feasibility of Trump’s wall, not the deteriorating state of our planet. Contrastingly, these seven strangers delighted in bird-watching, brightened at the mention of medicinal tree sap, and understood why I once ran across a four-lane highway to retrieve discarded beer cans. Their histories barely resembled mine, yet our values aligned intimately. We did not hesitate to joke about bullet ants, gush about the versatility of tree bark, or discuss the destructive consequences of materialism. Together, we let our inner tree huggers run free.
In the short life of our little community, we did what we thought was impossible. By feeding on each other’s infectious tenacity, we cultivated an atmosphere that deepened our commitment to our values and empowered us to speak out on behalf of the environment. After a week of stimulating conversations and introspective revelations about engaging people from our hometowns in environmental advocacy, we developed a shared determination to devote our lives to this cause.
As we shared a goodbye hug, my new friend whispered, “The world needs saving. Someone’s gotta do it.” For the first time, I believed that someone could be me.
This response is so wholesome and relatable. We all have things that we just need to geek out over and this student expresses the joy that came when they found a community where they could geek out about the environment. Passion is fundamental to university life and should find its way into successful applications.
Like the last response, this essay finds strength in the fact that readers feel for the student. We get a little bit of backstory about where they come from and how they felt silenced—“Back home in my predominantly conservative suburb, my neighbors had brushed off environmental concerns”—, so it’s easy to feel joy for them when they get set free.
This student displays clear values: community, ecoconsciousness, dedication, and compassion. An admissions officer who reads Diversity essays is looking for students with strong values and a desire to contribute to a university community—sounds like this student!
Colleges want to build engaged citizens, and the Political/Global Issues Essay allows them to better understand what you care about and whether your values align with theirs. In this essay, you’re most commonly asked to describe an issue, why you care about it, and what you’ve done or hope to do to address it.
Learn more about how to write the Political/Global Issues Essay in our guide.
Note: this prompt is not a typical political/global issues essay, but the essay itself would be a strong response to a political/global issues prompt.
Prompt: Using a favorite quotation from an essay or book you have read in the last three years as a starting point, tell us about an event or experience that helped you define one of your values or changed how you approach the world. Please write the quotation, title and author at the beginning of your essay. (250-650 words)
“One of the great challenges of our time is that the disparities we face today have more complex causes and point less straightforwardly to solutions.”
– Omar Wasow, assistant professor of politics, Princeton University. This quote is taken from Professor Wasow’s January 2014 speech at the Martin Luther King Day celebration at Princeton University.
The air is crisp and cool, nipping at my ears as I walk under a curtain of darkness that drapes over the sky, starless. It is a Friday night in downtown Corpus Christi, a rare moment of peace in my home city filled with the laughter of strangers and colorful lights of street vendors. But I cannot focus.
My feet stride quickly down the sidewalk, my hand grasps on to the pepper spray my parents gifted me for my sixteenth birthday. My eyes ignore the surrounding city life, focusing instead on a pair of tall figures walking in my direction. I mentally ask myself if they turned with me on the last street corner. I do not remember, so I pick up the pace again. All the while, my mind runs over stories of young women being assaulted, kidnapped, and raped on the street. I remember my mother’s voice reminding me to keep my chin up, back straight, eyes and ears alert.
At a young age, I learned that harassment is a part of daily life for women. I fell victim to period-shaming when I was thirteen, received my first catcall when I was fourteen, and was nonconsensually grabbed by a man soliciting on the street when I was fifteen. For women, assault does not just happen to us— its gory details leave an imprint in our lives, infecting the way we perceive the world. And while movements such as the Women’s March and #MeToo have given victims of sexual violence a voice, harassment still manifests itself in the lives of millions of women across the nation. Symbolic gestures are important in spreading awareness but, upon learning that a surprising number of men are oblivious to the frequent harassment that women experience, I now realize that addressing this complex issue requires a deeper level of activism within our local communities.
Frustrated with incessant cases of harassment against women, I understood at sixteen years old that change necessitates action. During my junior year, I became an intern with a judge whose campaign for office focused on a need for domestic violence reform. This experience enabled me to engage in constructive dialogue with middle and high school students on how to prevent domestic violence. As I listened to young men uneasily admit their ignorance and young women bravely share their experiences in an effort to spread awareness, I learned that breaking down systems of inequity requires changing an entire culture. I once believed that the problem of harassment would dissipate after politicians and celebrities denounce inappropriate behavior to their global audience. But today, I see that effecting large-scale change comes from the “small” lessons we teach at home and in schools. Concerning women’s empowerment, the effects of Hollywood activism do not trickle down enough. Activism must also trickle up and it depends on our willingness to fight complacency.
Finding the solution to the long-lasting problem of violence against women is a work-in-progress, but it is a process that is persistently moving. In my life, for every uncomfortable conversation that I bridge, I make the world a bit more sensitive to the unspoken struggle that it is to be a woman. I am no longer passively waiting for others to let me live in a world where I can stand alone under the expanse of darkness on a city street, utterly alone and at peace. I, too, deserve the night sky.
As this student addresses an important social issue, she makes the reasons for her passion clear—personal experiences. Because she begins with an extended anecdote, readers are able to feel connected to the student and become invested in what she has to say.
Additionally, through her powerful ending—“I, too, deserve the night sky”—which connects back to her beginning— “as I walk under a curtain of darkness that drapes over the sky”—this student illustrates a mastery of language. Her engagement with other writing techniques that further her argument, like the emphasis on time—“gifted to me for my sixteenth birthday,” “when I was thirteen,” “when I was fourteen,” etc.—also illustrates her mastery of language.
While this student proves herself a good writer, she also positions herself as motivated and ambitious. She turns her passions into action and fights for them. That is just what admissions officers want to see in a Political/Global issues essay!
Once you’ve written your college essays, you’ll want to get feedback on them. Since these essays are important to your chances of acceptance, you should prepare to go through several rounds of edits.
Not sure who to ask for feedback? That’s why we created our free Peer Essay Review resource. You can get comments from another student going through the process and also edit other students’ essays to improve your own writing.
If you want a college admissions expert to review your essay, advisors on CollegeVine have helped students refine their writing and submit successful applications to top schools. Find the right advisor for you to improve your chances of getting into your dream school!
Table of Contents
Life has been bestowed upon us by the almighty and we all must value it. We should be thankful for all that we have and try to improve ourselves each day to build a better life. Technically, life is associated with feelings, growth and evolution. Like the plants have life because they grow; humans and animals have life as they feel sadness, happiness and they too grow.
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The journey of life may not always be smooth but we must keep going and stay positive all the times. Life is the most precious asset on this planet and must be protected irrespective of its form and appearance. Every species, not only humans, have a fundamental right to live their life, I whatever way they desire. Life is a gift of God to humanity and any attempt to disrupt or damage it will have undesirable consequences.
Here we have provided Long and Short Essay on Life in English, of varying lengths to help you with the topic in your exam.
These Life Essays are written in simple and easy language so that they can be easily remembered and can be presented when required.
You can choose any life essay as per your interest and need and present it during your school’s essay writing competition, debate completion or speech giving.
Also Check: Essay on Life on Mars
There is a lot of stress all around us these days. Most people complain about problems at office, issues in relationships and the growing competition in various fields. People are so engrossed in dealing with these issues that they don’t see the real beauty of life. There is so much more to life than these things. In fact, if we look at life closely, we will realize how beautiful it is. God has given us an abundance of everything. This is evident when we look at the nature. The trees, plants, rivers and sunlight – everything is in abundance and so is the energy that resides within us. This is the beauty of life.
However, this is not to say that life is a bed of roses. It is not! The problems and concerns of people are genuine. The rich, the poor, the educated, the uneducated, the beautiful and the not so beautiful – everyone has his/ her on set of problems. Life is not easy for anyone. However, we need to understand that this is how life is. If everything came easy we would not really value it. Life is beautiful in its own way and we should look for reasons to enjoy it and embrace its beauty amid the issues we are dealing with.
Challenges are a part of life. We face different challenges at different points in life. While some people look at these challenges as an opportunity to learn something new others get disheartened and succumb to them. We learn many new things as we take on different challenges. These experiences make us a better person. We can overcome many challenges by setting goals. Goals give us the determination to achieve despite the hurdles.
Also Check: Speech on Aim of My Life
Dealing with Challenges
Challenges require us to get out of our comfort zone. These can be difficult to deal with. However, we must deal with them with courage and determination. Here are some ways to deal with the challenges in life:
No matter what the situation is we must deal with it calmly. We shall be able to think of a solution and act upon it only if we stay calm. If we stress about it continually we shall not be able to act wisely.
No matter how hard the situation gets, the key is to stay determined and keep going. We must not give up half way.
There is no harm in seeking help from family and friends whenever there is a need. However, we must not depend upon them completely.
Set Goals; Give Purpose to Life
It is important to set goals in life. We must set both long term and short term goals for our personal as well as professional life and work hard to achieve them. Goals give purpose to our life. To set goals, we must first understand what we want in life and then make a plan to achieve it. We must always set a time frame for achieving our goals.
While challenges take us through new experiences and make us stronger, goals help us stay focused. Both challenges and goals are important in life.
Life is a precious gift. It must be handled with care. We must be thankful to God for sending us on Earth and giving us such beautiful surroundings to live in. We must also be thankful to God for making us physically and mentally fit to live a wholesome life. Not just human beings, the life of animals, birds and plants is equally precious and we must value it too.
Also Check: Essay on Importance of Friends in our Life
Appreciate Life and Express Gratitude
We must appreciate the good in our life and express gratitude for the same. Many people are not happy with the way things go on in their life. They criticize almost everything and everyone around and develop a negative outlook. They need to understand that the fact that they have been given a life to live is in itself a big thing.
The fact that they are in good health is a reason to be thankful for. The fact that they are able and can work hard and make their life better is another reason to be grateful. They must appreciate what they have and be thankful for it. Everything else can be achieved with some effort.
Don’t Waste Life
Many people indulge in bad habits such as smoking, drinking and taking drugs. The havoc created post consuming these can be a threat to their life as well as the life of those around them. Many people drink and run over their car on innocent people killing them or injuring them badly. They even hurt themselves during such incidents. Besides, all these things have a negative impact on a person’s health.
They incur serious health problems over the time thus ruining their lives as well as the lives of their family members. They must understand that life is precious. We can lead a purposeful life and add value to it or waste it and end up in a mess. Many people realize this much later in life mostly after incurring a major problem. It is too late then and they cannot go back and relive their life properly. We must value this gift called life when there is still time and tread the right path to enjoy it.
God has given us a chance to live and enjoy the beauty of the nature. Life is a precious gift and we must all value it. We must express gratitude and stay positive to make the most of this gift given to us. We must also value the lives of those around us.
There is a mad rush all around us. In schools, offices, businesses and even in households – people are running around, chasing different things and trying to achieve things as fast as they can as if they are about to miss a train. This eagerness and restlessness to get somewhere is what they pass on to their kids too and it goes on and on. Where exactly do we want to reach? And how will we feel when we reach there? We need to slow down and ask ourselves these questions.
We must understand that life is a journey not a destination. This means that we need to go through it slowly and calmly enjoying every moment and making the most of it rather than rushing through it.
Also Check: Essay on Importance of Good Manners in Life
Find Happiness in Little Things
We often overlook the little things in life and keep chasing the bigger things believing they will give us happiness. While achieving our big dreams and goals does give us satisfaction however it is the little things in life that bring us true happiness. These are the things that bring a smile to our face later in life. For instance, parents keep telling their children to behave nicely, study dedicatedly and sleep on time.
They do all this to inculcate discipline in them. They want them to focus on their studies so that they can choose a good stream and build a rewarding career. They believe that all this will help them get a good life partner and build a happy personal life too. They have good intentions but are they really doing good to their children? In a way, no as they are stealing the precious moments of their lives that could be spent more joyfully.
Enjoy the Journey of Life; Don’t Rush Through it
The first twenty years of a person’s life are spent in mugging up their chapters and attempting to fetch good marks. Children are repeatedly told that they can enjoy once they get a good job. When they get a good job, they are asked to work hard to get to a good position in the company. Then they are told that they can enjoy their life after they reach a certain position.
When they reach a good position in the company, they require working hard to maintain the position. It is also time for them to plan a family and fulfill various responsibilities. They are then told that they can live peacefully and enjoy life once they retire. No one even thinks that they will not be left with the same enthusiasm, energy and zeal to enjoy life when they enter that age.
Life is happening now. We must enjoy it here and now and not wait to reach a certain position or phase of life to start living the way we want.
It is important to set goals and work hard towards achieving them. We must also set deadlines for our goals, stay focused and utilize our time wisely to achieve the desired result. What we should avoid is to rush towards them. We will come across many new things as we head towards our goals. All these will make us stronger and wiser. We should allow ourselves to see and experience these new things and learn from them rather than rushing towards the goal.
Also Check: Speech on Life
We all have just one life. We are here on Earth for a limited period of time and do not know when our time will end. We must thus make the most of the time we have. We must do good deeds, help as much as we can, appreciate the beauty around us and stay positive. We must value life and be grateful for all that we have as not many are lucky to have the kind of life we do.
True Value of Life by Philosophers
Different philosophers, scholars and literary people have defined the true value of life in different ways. As per poet Henry David, “There is no value in life except what you choose to place upon it.” “The true value of a human being can be found in the degree to which he has attained liberation from the self”, said Albert Einstein.
On the other hand, Myles Munroe states, “The value of life is not in its duration. You are not important because of how long you live, you are important because of how effective you live.
Identify the Purpose of Life
Different people indulge in different activities each day. Some people study, some do the household chores, some work on business plans, some work for an employer and some just enjoy and vile away their time.
Some people accomplish more than one or two of these tasks each day. They keep working on these tasks day in and day out and may take a break on the weekends. They may plan a holiday for a day or two or roam around locally to rejuvenate but as the next week begins, they start with their routine tasks yet again. Whether they like it or not they keep slogging every day as they feel that this is what they are meant to do.
However, this is a wrong perception. These daily tasks are just a way to survive in this world. We study, tidy our house, cook food, go to work and earn money just so that we can live comfortably. This is not our real purpose of life. It does not add value to our soul.
God has sent us on this Earth with a purpose. We need to identify this purpose and work towards achieving it. Once we know the purpose and successfully achieve it, we must then understand how it can help those around us and look for ways to assist them. Each one of us has been bestowed with a special power or gift. We must share it with others to make the world a more beautiful place to live in.
Count Your Blessings
We must value everything and everyone in our life. Nothing in our life should be taken for granted. We must value our parents, our siblings, our friends, our job, our house, our belongings and everything God has bestowed on us. And above all, we must value our life.
We must be grateful to the almighty for giving us the ability to take care of ourselves. We must always look at the positive side of life. We should count our blessings and value them. God has given us so many things to appreciate and we must thank him by helping those around us. We must help them live a better life.
We are born to serve humanity and make this world a better place. We must be thankful for all that we have and stay humble. We are all blessed with some unique power. Our purpose is to identify it and use it for uplifting ourselves as well as everyone around us. This is the true value of our life.
What is the life essay.
Life essay talks about experiences, challenges, and lessons learned throughout life's journey, shaping perspectives and values.
Life in short notes is a summary of moments, emotions, and discoveries, capturing the essence of our existence briefly.
A life essay delves into the meaning, purpose, and significance of existence, exploring individual perspectives on living.
Life is a blend of joy and sorrow, moments of growth, connections with others, learning from experiences, and striving for happiness.
The essay on student life discusses the experiences, challenges, and learnings during the academic journey, shaping character and knowledge.
Life as an essay reflects on the chapters of existence, covering diverse experiences, emotions, and lessons learned.
For a student, life is about learning, exploring interests, facing challenges, making friendships, and preparing for the future.
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College Info
Many prospective college students want to know what to expect from the college experience before they hit campus. Does college actually match up with the idealized experience you see in movies?
The truth about college is that it can be a lot of different things at once--exciting, nerve-wracking, adventuresome, stressful, and so much fun.
A lot of what college will be like is ultimately up to some of the choices you make, but there are also some basically universal truths about what college is like that it’s worth learning about before you get to campus. In this article, we’ll demystify the core components of a college education for you, including academics, extracurriculars, college social life, time management, working while in school, and living arrangements . We’ll also give you five tips for getting the most out of your college experience.
So, what is collegereally like? Keep reading to find out!
While you might identify with this furry guy right now, our article will get you prepared for your college experience.
Going to college is basically like a trial run at #adulting. You’re mostly responsible for your own life, but you’re still learning a lot about what you want your future to look like and how to get there (and it’s still okay for you to wear pajamas in public). Plus, you’ll be figuring all of this out with a lot of help from your friends, classmates, professors, and university mentors.
While you will have access to tons of support while you’re in college, your unique experience will depend a lot on how you respond to some of the things about college life that are new and exciting...like living on your own, managing your commitments, and deciding how you spend your time.
In the context of your newfound freedom, it's important to aim for balance . What “balance” looks like will be your choice, but thinking about how you want to approach the different demands on your time will help you thrive during your college years.
To help you envision your future as a college student, we’ll answer the question, “What is college like?” in regard to six major aspects of the college experience: academics, extracurriculars, social life, time management, working while in school, and living arrangements.
Depending on the size of your college, you may find that some of your classes are held in large lecture halls.
The main point of going to college is getting a degree, right? Of course!
Since academics are the major reason you're in college, it stands to reason that your schoolwork will make up a big part of your college experience. We've decided to focus on two major aspects of your academic life: your major and your courseload.
At some point during your academic career, you'll have to declare a major . When you do this will depend on your university. Some schools ask you to declare a major when you apply, while others allow you to spend your freshman and sophomore years as "undeclared" (which just means you haven't chosen a major yet).
Because students can, and often do, change their majors during their college careers, your college courses are split into categories: your general education courses, your major courses, and your electives.
One quick caveat: not all schools split their classes into the three categories above. For example, an art school may not require general education classes at all!
It’s typical for students to complete what are usually called “general education” (gen ed) courses during their freshman and sophomore years of college. These are the core classes that all students have to take in order to graduate, regardless of their major. Gen ed courses are usually a mix of math, science, and humanities classes that are designed to ensure you're getting a well-rounded education.
Some students feel that gen ed courses are a waste of time, while others enjoy the opportunity to take classes in different subject areas and increase their general knowledge before moving into more specialized courses during their last two years of college. That's pretty normal, especially since gen ed courses are designed to broaden your knowledge base across a wide range of disciplines.
The other types of courses you'll take in college are your major courses. These are the classes you need to complete in order to earn a specific major!
Major classes differ from your gen ed courses in a few ways. First, they're much more specific than your gen ed classes. While you may take introductory courses to satisfy gen ed credits, your major classes are designed to take a deep dive into the topic you're studying.
For example, if you're majoring in biology, you'll have to take advanced classes like cell biology and biochemistry. Y ou may even have to declare an emphasis, or specialty, within your major ! For instance, some biology departments offer more specialized major programs in fields like neuroscience or microbiology .
Sometimes, students will feel more pressure to do well once they get into these specialized courses, since it may feel like their performance in these courses reflects on their potential to do well in their future career. It’s also common for students to feel much more excited about and interested in attending their major’s courses since these courses fall into the subject area that you picked out yourself.
One thing that’s important to know is that it’s totally normal to change your major or second-guess your choice of major . Choosing a career path is a big decision, and many students don’t feel ready to make that choice right when they start college. When you do settle on a major, though, you may also find that you have the chance to build relationships with faculty in your department. These relationships can be valuable when you need advice or a letter of recommendation .
Your high school may have allowed you to take elective courses , and most colleges do, too. Elective courses are classes that aren't specifically required by the university, your college, or your department. Basically, elective courses are classes you get to choose to take because you're interested in them.
Electives give you the freedom to explore topics outside of your major so that you can learn more about the world, develop new skills, or even earn a minor in a different subject . Elective courses give students a chance to shape their education into a unique experience that's a perfect fit for your future plans and goals.
Many universities require that students take a certain number of elective classes before they graduate. Depending on your goals, you can use your electives to explore your interests, or you can leverage these slots in your degree plan to earn additional distinctions , like graduating with honors . If you plan ahead, you can even use electives to help you on your way to earning a double major !
You'll sign up for your courses at the beginning of each term. Universities usually have two or more terms per academic year.
Future college students are often curious how difficult college classes will be. The truth is: it's hard to know!
The difficulty of your classes will depend on your own abilities, your major, and the amount of effort and time you put into their courses. It’s generally true, though, that upper-level classes in a student’s major will be more demanding in terms of the workload and expectations than general education or prerequisite courses.
Another thing that can make a student’s academic experience more challenging is their schedule of classes for the semester. Most universities list classes in terms of hours. A typical class is three hours, whereas a class with a lab component is usually four hours. In order to graduate, you'll have to earn a certain number of hours toward your degree, with a specific percentage of those being within your major field.
The typical courseload for a full-time student is generally considered to be 15 hours. But you can take more (or less) depending on your needs! Regardless of how many hours you decide to take, working with your academic advisor to put together a schedule that is manageable for you in terms of workload and difficulty is very important.
Keep in mind that taking more hours isn't always better...or even more efficient! If your 18 hour courseload is burning you out (and lowering your GPA), it probably makes more sense to reduce your courseload so you can be more successful. Additionally, a smaller courseload doesn't always mean it's going to be easier! Taking 15 hours of gen ed courses will probably be easier than taking 11 hours of upper-level major courses. Consequently, be sure you're thinking about the difficulty of each class as you build your schedule each semester.
The great thing about college is that you also have a lot of flexibility around how you take your classes . Some students like to take all morning classes so that they can be done with class for the day around noon. Others like to take only afternoon classes so they can sleep in or study in the mornings. Some students try to put together a Tuesday/Thursday class schedule so they can have three days a week off from class, while other students schedule their courses around their work schedules! You can even take a mix of in-person and online courses if your campus offers the choice! Going to your advising appointments with an idea of what classes you need/want to take and the kind of schedule you’re hoping for in mind will help you work with your advisor to get the schedule you want.
Building your class schedule each semester is fun, but be sure to have a back-up plan just in case. Classes can fill up quickly during registration, so having a back-up plan for your semester schedule is a good idea too. Working with your advisor to create two or three potential course plans can ensure that you're able to enroll in classes that help you meet your graduation requirements.
College extracurriculars include everything from debate to sports. You'll definitely be able to find an extracurricular activity that suits you!
The great thing about college extracurriculars is that students get to choose which ones they’re involved in. Just like high school, college extracurriculars are clubs, organizations, and activities you can participate in outside of the classroom.
It’s common for college students to choose extracurriculars based on their hobbies, values, beliefs, or desire to be a part of a community. The main point of these activities, clubs, and organizations is to help students connect with others who have common interests or goals and support each other through the college experience.
Keep in mind that some collegiate extracurricular activities are more high-intensity than others. We’re talking about extracurricular activities that demand a lot of your time outside of class, host a lot of compulsory involvement activities, and strongly encourage participants to mold their college identity around their involvement in these extracurriculars. Three examples of high-intensity extracurriculars are fraternities and sororities, ROTC , and student government. If you want to be involved in organizations like these, you'll need to be extra diligent about building your course schedule and keeping up with your studies.
But “high-intensity” doesn’t mean bad! Many students find that they thrive in extracurriculars that are built on consistency, accountability, and high expectations. Most of the time, too, these extracurriculars make students feel like they’re really a part of something and provide a close knit support system of peers to rely on during college and beyond.
Some college students are more interested in being involved in extracurriculars that provide more flexibility in a relaxed, low-stress environment that still provides the opportunity to connect with others around a common interest. These lower intensity extracurriculars could include intramural sports, service-learning programs, campus festivals, concerts, lectures, or discussions to promote multicultural awareness.
Involvement in extracurriculars might seem like an afterthought to the academic side of college life, but studies have actually shown that students who are involved in extracurricular activities gain essential life skills and are more likely to view their college years as a positive experience. Many students find that involvement in extracurriculars is an irreplaceable part of their college education and invest a lot of their non-academic time in this form of involvement.
The key to a successful college experience? Balancing your social life with your academics and other responsibilities!
At most colleges, there are what will seem like endless opportunities for social engagements. Since a college is like its own little community, there are many social events that happen on-campus that are either free or very inexpensive for students to attend . These events can range from athletic competitions, to theatre productions, to fundraising or community service events, to events in the dorms, like movie nights or pancake suppers.
It’s typical for there to be on-campus social events of some kind nearly every night of the week. One of the best things about on-campus social events is that they’re often free or heavily discounted for students. They’re also an opportunity to see or meet people who you don’t see everyday during class or in the dorm.
For many students, getting to know the wider community in which their college is located is really important in addition to attending on campus social events. Many students get involved with local nonprofits or charities, churches or other religious groups, or attend events hosted by local businesses. Some on-campus organizations or clubs will even partner with groups in the community to host events.
But you don't have to take our word for it. Lilly, a junior in college, gives this advice to incoming freshmen who are worried about having a social life during college:
“If you’re bored and can’t find anything to do in college, you’re not looking hard enough. There are tons of events happening all around you. Take it upon yourself to learn where to find information about campus and community lectures, concerts and the like. Your school’s website is the best place to start.”
At the end of the day, there are constant opportunities to enjoy college social life, if you put yourself out there. Some of the most fun and memorable moments during college are impromptu, like a dance party in the dorm hallways at midnight or a Mario Kart tournament in the dorm lobby. The key to having a positive social experience during college is to be open-minded and willing to put yourself out there.
Many students work and attend school at the same time. Working can be a great way to help alleviate the cost of college!
Many college students work while they’re in school. There are two types of jobs that students often get while in college: on-campus jobs and off-campus jobs.
Most universities offer many part-time job opportunities for students. These jobs can be found in almost every department on a university’s campus, from the health and wellness clinic, to the dorms, to the groundskeeping crew. Because they don’t require leaving campus, on-campus jobs are typically pretty competitive, especially the kind that put their student workers out there as the “face” of the university, like campus tour guide jobs for prospective students and parents.
While some of these jobs will be open to all students, others will be reserved for students who qualify for work study . In order to do so, you have to meet specific financial need requirements. You can learn more about work study--and how to qualify for it--in this artice !
Whether you have work study or not, if you want to work on campus, you'll need to keep your grades up. Some work-study jobs have minimum GPA requirements, and you don't want your work to interfere with your ability to apply for internships, grants, and awards that take your GPA into consideration.
Unfortunately, on-campus jobs aren’t available to every college student, so many students get a part-time job off-campus. It’s common for businesses in college towns to hire college students, both during the school year and over the summer/holiday breaks.
If you're considering working off-campus as a full-time student, you'll need to think about how to balance your classes and extracurriculars with your work responsibilities. Many off-campus jobs, particularly in food services or customer service industry, require you to work an evening schedule and/or weekend schedule. Keeping that in mind can help you be proactive about managing your academics and your work responsibilities.
Working during college doesn't mean you won’t have any time to study or engage in college social life. It just means you have to manage your time and communicate clearly with your supervisor about your unavailability. In fact, many students enjoy working while attending school because it gives them professional experience and more financial freedom.
Many students live on-campus in dormitories for at least a portion of their college careers. But there are off-campus housing options, too.
One of the most exciting things about going to college for many students is living on your own. There are two main types of living arrangement options at most colleges: on-campus housing, and off-campus housing. We’ll break down these two types of college living arrangements next.
On-campus housing refers to dormitories (sometimes called “residence halls”) and apartment-style living that is located on a university’s campus.
Many students love this housing option because it usually gives students the option to walk to class, the library, and on-campus dining. Living on-campus also makes many students feel that they’re more involved in campus social life since the university is right outside their front door... literally.
Each university determines who can or can't live on campus, but it’s pretty common for there to be dorms dedicated to first-year students and optional on-campus housing opportunities for upperclassmen or non-traditional students. In many cases, the dorm situation is a bit like its stereotype: there are roommates, community bathrooms, study groups in the hallways, and Resident Assistants or Advisors (RAs) who will check in to make sure you’re doing well.
But there are a lot of variations to dorm-style housing that students can often choose from. Some dorms offer single rooms (without a roommate!) and private bathrooms. Others offer suite or pod-style housing, where students share a centralized common room with, say, four other individual dorm rooms. Some suites even have a private kitchenette! At some schools, dorms are separated based on gender, while others offer co-ed housing options.
Probably the most exciting thing about living on-campus is the opportunity to spend more time with your friends and classmates. In a dorm situation, there’s almost always someone studying in the hallway, having a movie night in their room, or hanging in the lobby playing games. There are usually quite a few shenanigans, too! On the other hand, though, you can always close your door and take some time to yourself. Living on campus gives you the opportunity to be as social and involved as you feel comfortable with.
There’s also the option of off-campus housing. Many juniors and seniors will choose this housing option, but some schools also allow freshmen and sophomores to opt for off-campus housing as well . The types of off-campus housing that are available and affordable usually depends on the town or city your college is located in. It’s common for off-campus college students to rent apartments, townhouses, or regular houses and live with roommates to keep the costs affordable.
Finding off-campus housing is a bit different from signing up to live on-campus in the dorms. With off-campus housing, it’s going to be your responsibility to find an apartment, put in an application, and have conversations with friends about splitting rent and bills. That means you'll have to be proactive about finding off-campus housing!
It’s also important to think about who you’re willing to live with for a year (or longer) . Unlike in the dorms, there won’t be an RA to help mediate disagreements about the living space, and it’ll be much more difficult to get out of a rental agreement in a house or apartment. Choose your roommates wisely! Just because you're BFFs with a person doesn't mean you'll be able to cohabitate well.
Besides finding roommates for off-campus housing, many students wonder if they’ll become disconnected from campus life if they move off-campus. You might have to make more of an effort to get to campus and spend time attending events there. On the flip side, if you live off-campus your junior and senior year, you might have a core group of friends established already, and enjoy the opportunity to hang out in your own spaces away from campus. So really, you'll be able to dictate how involved you are (or aren't!) once you move into off-campus housing.
No matter what your major is, you'll need to develop time management skills to stay on top of your academics. (Managing your time will also help you fit fun things into your schedule, too!)
The last aspect of college life that we’ll address is time management, because it plays a big role in shaping what a college student’s experience will be like in all of the other areas described here. Developing a time management plan will allow you to dedicate your time to several different things during college without becoming burnt out along the way.
Everyone is unique, which means you'll have to experiment to find the time management tactics that work best for you. Digital reminders are a good motivator for some students, while others like to keep a paper calendar on the wall of their dorm room. Whatever your approach to time management, it’s important that you figure out your time management techniques early in your college career. That way you stay on top of your work, keep your GPA up, and can still have a great time!
Additionally, college students will tell you that it’s important to prioritize the academic side of college life in your time management strategy. Brooke, a student in New York , says this:
“ Put your classes first . I know this sounds crazy, especially if you’re a freshman, you might be thinking, ‘Of course I’ll go to class!’. But in college, not everyone goes to class. Especially if it’s in a mass lecture hall and [the professors] aren’t taking attendance, it’s really easy to skip and be like, ‘I’m just not gonna go’. But I don’t agree with that. I think that the first step to success in school is going to class.”
Brooke’s advice on how to make sure you make it to class every time? Use your planner. You can check out our favorite digital and physical planners that will set you up for academic success in this article . Even if you didn't use a planner in high school, you'll need to get into the habit in college if you want to keep all of your assignments, due dates, and extracurricular activities straight.
In general, most college students will tell you that the only bad time management strategy is not having one at all! They’d also probably tell you that no one is perfect, and that’s okay. There will probably be at least a handful of times when you forget about a quiz or have to study at the last minute. If you’re doing your best, just cut yourself some slack when you have an off-day. It happens to every college student sometimes! You just want to avoid making it a habit.
While college can be tough, following our advice can make sure you don't feel like Grizzled Leonardo DiCaprio by the time you graduate.
Since much of what college is like will be up to you, here are four tips for getting everything you can out of these four years of your life!
We already mentioned this, but it's worth saying again: if you want to make the most of the time you have in college, get and use a planner . Planning how to spend your time on a daily and weekly basis is key to your overall success.
Budgeting your time well allows you to really enjoy your leisure time too. When you're on top of your schedule, you don't have to stress out about when you'll do your homework or if you'll have a few hours to relax. You'll already have those things mapped out! Keeping up with a planner takes consistency and commitment, but the time and stress it will save you is worth it in the grand scheme of your college experience.
One of the best things about college life is the chance to be a part of a community of peers in a place that is totally dedicated to facilitating a positive experience for you. The more you put yourself out there and get involved in that community, the more likely it is that you’ll feel like your college is a place where you belong.
Pursuing extracurricular activities and attending social events on campus is the best way to meet new people, make friends, and find people to make memories with during college. Feeling connected to the people around you can make college feel like a home away from home--and that’s never a bad thing.
There’s nothing wrong with snagging some quality pics for your Insta story or keeping in touch with family/friends back home, but one of the best ways to feel like you’re having meaningful experiences in your college social life is by just being present. When you get to know your dorm neighbors, chat with the person sitting next to you in class, or strike up a convo with the person in line behind you at a coffee shop, you open yourself up to new knowledge, new relationships, and powerful memories from your college years.
It may be tempting to go home to visit old friends every weekend or hide out in your room, especially at the beginning of college, but taking the plunge and allowing yourself to dive into the newness of college will help you feel more invested in making it a positive experience.
Since it sometimes feels like there’s endless free time in college, it can be easy to put off the difficult parts of the experience, like studying for tests, getting homework done, and writing essays. Most students want to do well in their classes and make good grades, but it can be hard to feel motivated if it seems like everyone around you is somehow always out having fun instead of hitting the books.
Though it might be a drag at the time, working hard on a consistent basis --especially early in the semester--will make the academic side of your college experience less painful in the long run. When you pay attention in class, show up consistently, and study hard, you save yourself from having to retake courses, pull all-nighters during finals week, or beg your professors for extra credit at the end of the semester.
You've probably realized that college can be pretty dang awesome. We agree! Now it's time to focus on getting in. This article will give you a general overview of the college application process. You can learn even more about specific aspects of your application, like your admissions essays and entrance interviews , on our blog ! We have tons of amazing resources for college hopefuls, so be sure to check it out.
One of the keys to having a great college experience is picking a school that's right for you . The good news is that there are tons of colleges out there! The bad news is that it can be hard to narrow the field down. Learn more about how to choose your potential schools here .
For some students, academics are the most important part of choosing their dream school . If that's the case for you, be sure to check out our guide to the top academic colleges in the United States .
Ashley Sufflé Robinson has a Ph.D. in 19th Century English Literature. As a content writer for PrepScholar, Ashley is passionate about giving college-bound students the in-depth information they need to get into the school of their dreams.
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Where did you get lost on the search for a meaningful life.
Posted August 31, 2022 | Reviewed by Vanessa Lancaster
When thrashing through a sea of suffering, meaning is the metaphorical life preserver. That’s why worrying that your life is pointless feels a lot like drowning. If your life feels devoid of purpose, I would like to invite you not to panic . This is an excellent place from which to reassess your assumptions about existence.
At some point, you went off-course from your societally prescribed Meaningful Life. Yes, you may be lost–but you don’t have to stay that way. Let’s go find where your meaning went missing.
You're Using the Wrong Measuring Stick
You want to live a meaningful life–a life that has a point. First, let’s assess your definition of “meaning.”
Meaning is not happiness , success, comfort, or health.
Meaning is simply a sense of significance. I don’t mean fame, because even the famous get swallowed by time. I don’t mean having a big impact on the world because any impact you can have is tiny in the scale of the infinite universe.
Here’s a pocket-sized definition of meaning: if you have been of service to even one other living creature at any point in your life, you have achieved a meaningful life. That time you were patient with the stressed-out grocery store clerk. When you avoided stepping on the ladybug. It doesn’t matter if it was small. We are all small.
And perhaps your meaning is to simply be here–to be a part of the natural world, just like the trees and the animals. Maybe it matters that you are here simply because you are here.
You're Aiming at the Wrong Target
Close your eyes and picture this: a good life .
If you grew up in Western culture, you might have pictured financial security, thrilling travel, and a comfortable home containing a healthy family. This isn’t a bad target–it just isn’t the best target for everyone.
Capitalist culture teaches us that achievement, productivity , and consumption are the keys to a good life. But holding up this “good life” as your purpose can leave you owning plenty and feeling empty.
In lieu of productivity, many of us strive for longevity with admirable diligence. We eat organic vegetables, get cardiovascular exercise, and worship at the altar of health. Until illness and aging catch up to us and consume our fervent project.
By investing in a narrow view of success, we reduce life to a list of tasks. Get up, go to work, come home, eat your fiber, spend 50 minutes on the treadmill, sleep eight hours, repeat.
In this way of being, people who dutifully grind through the work of life without ever reaching success are left with only despair. And those who achieve success sense, uneasily, the inherent unfairness of the world – that they live in comfort while others struggle for no compelling reason.
It is not wise to invest your life’s purpose in something that can slip through your fingers so quickly.
You’re Afraid to Radically Reassess
So here you are, throwing your assumptions about life out with the garbage–scary! Confusing! It’s like building an IKEA couch with a time limit, except you’ve burned the instructions, and it turns out the couch is actually a table.
Many of us cling to our old ways of being, ways that we know lead only to suffering, to avoid the existential vacuum. But figuring out your purpose is the work of life. Humans have been doing this since ancient times. You’re in good company.
Maybe you’re reassessing your life because you’ve achieved your goals and still feel empty. Maybe your original goal was taken from you–a lost career , a health crisis, a financial calamity. You’ve faced the painful reality that your original life’s goal can lead only to meaninglessness.
Now, dear friend, it’s time to pursue a new meaning.
You’re Trying to Do It Alone
Here’s one tip: dream small. Not because you should keep your expectations low, but because small acts can have great significance.
We love stories of individuals striking out on their own to overcome great personal struggles. It’s inspiring when that happens, but that model doesn’t work for everyone, perhaps including you.
We need other people. Excluding others from your journey of meaning can lead further to isolation and emptiness. If you find yourself unsure that your life has any point, it might be time to expand your community–to be of service to others, and to let them be of service to you. You can develop a lived sense that your life is significant to others.
Even if you don’t particularly enjoy people or don’t have a community available, you can still play a meaningful role in the world around you. Familiarize yourself and cultivate connections with living things–even plants and animals. Maybe you will be the caretaker of a lovely garden. Perhaps you will become a rescuer of stray cats. Maybe your life’s purpose is to run a garden full of well-fed stray cats, oxygen-producing plants, and native bees. You get to pick.
You Assume Meaninglessness is Bad
Let’s assume the worst-case scenario: all our lives are meaningless. Meaningless! No point. Empty void. A floating speck in an expanding, inhospitable universe. Does that have to be a bad thing? Does an insignificant life mean that it isn’t worth living?
I invite you to radically challenge your assumptions about a life worth living.
Humans are surrounded by an ecosystem teeming with life. Not just plants and animals, but minuscule fungi and microorganisms too small to see with a naked eye. They’re living in your body, on your skin. You yourself are an ecosystem, layered with millions of lives of which you have no conscious awareness.
Perhaps this is all meaningless–simply an explosion of biochemistry. But is it not also beautiful?
Maybe it’s time to unlearn your negative assumptions of meaninglessness. Put down your expectations for what you should be. Lean into our tiny, lovely slice of the universe’s chaos.
To find a therapist near you, visit the Psychology Today Therapy Directory.
Amanda Stuckey Dodson, LCSW , is a therapist in private practice, specializing in the treatment of eating disorders and meaning-making after trauma.
Understanding what emotional intelligence looks like and the steps needed to improve it could light a path to a more emotionally adept world.
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By Ceridwen Dovey
What does it feel like to be old? Not middle-aged, or late-middle-aged, but one of the members of the fastest-growing demographic: the “oldest old,” those aged eighty-five and above? This has been the question animating me for a couple of years, as I’ve tried to write a novel from the perspective of a man in his late eighties. The aging population is on our collective minds; a statistic that intrigued me is that the average life expectancy in the U.K.—and, by extension, most of the rich West—is increasing by more than five hours a day, every day. I’m in my mid-thirties, but felt confident that I could imagine my way into old age. How hard could it be, really?
Somewhere along the way, though, things went wrong. My protagonist became Generic Old Man: crabby, computer illiterate, grieving for his dementia-addled wife. Not satisfied to leave him to his misery, I forced on him a new love interest, Eccentric Old Woman: radical, full of energy, a fan of wearing magenta turbans and handing out safe-sex pamphlets outside retirement homes.
In other words, I modelled my characters on the two dominant cultural constructions of old age: the doddering, depressed pensioner and the ageless-in-spirit, quirky oddball. After reading the first draft, an editor I respect said to me, “But what else are they, other than old?” I was mortified, and began to ask myself some soul-searching questions that I should have answered long before I’d written the opening word.
The first was: Why did I so blithely assume that I had the right to imagine my way into old age—and that I could do it well—when I would approach with extreme caution the task of imagining my way into the interior world of a character of a different gender, race, or class? Had I assumed that anybody elderly who might happen to read the book would simply be grateful that someone much younger was interested in his or her experience, and forgive my stereotyping?
The conundrum of who has the authority to write about old age is that, unlike the subjective experience of most imagined Others, seniority is something that many of us will eventually experience for ourselves. By contrast, I can imagine what it might be like to be a man, for example, but won’t ever know for sure. As the literary scholar Sarah Falcus writes, building on the work of Sally Chivers, “We may all have a more mobile relationship to age than to other perspectives or subject positions … because we are all aging at any one moment.” Yet just because I may, one day, know if I got it right—perhaps, to my surprise, I will find the world of my own old age populated entirely by grumpy old men and old women who are either lost to dementia or sprightly and renegade—doesn’t mean that I should be cavalier about how I imagine my elderly characters now. Of course, like any fictional representation, old age can be done well or badly regardless of one’s own positioning as an author, but there’s less chance of being called out on hackneyed depictions of old age, in part because those in the know—the over-eighty-five-year-olds themselves—haven’t historically had any cultural power.
Stereotypes of old age, whether positive or negative, do real harm in the real world, argues Lynne Segal, the author of “Out of Time: The Pleasures and the Perils of Ageing” (2013). She says that the biggest problem for many older people is “ageism, rather than the process of aging itself.” There is no possibility of diversified, personal approaches to aging if we are all reductively “aged by culture,” to use the age critic Margaret Morganroth Gullette’s iconic phrase, from her 2004 book, “Aged by Culture.” Gullette highlights the limitations of having only two socially accepted narratives of aging: stories of progress or stories of decline. Neither does justice to the “radical ambiguities” of old age, Segal says. We’re forced either to lament or to celebrate old age, rather than simply “affirm it as a significant part of life.”
Old age is perplexing to imagine in part because the definition of it is notoriously unstable. As people age, they tend to move the goalposts that mark out major life stages: a 2009 survey of American attitudes toward old age found that young adults (those between eighteen and twenty-nine) said that old age begins at sixty; middle-aged respondents said seventy; and those above the age of sixty-five put the threshold at seventy-four. We tend to feel younger as we get older: almost half the respondents aged fifty or more reported feeling at least ten years younger than their actual age, while a third of respondents aged sixty-five or more said that they felt up to nineteen years younger.
The researchers also found “a sizable gap between the expectations that young and middle-aged adults have about old age and the actual experiences reported by older Americans themselves.” Young and middle-aged adults anticipate the “negative benchmarks” associated with aging (such as memory loss, illness, or an end to sexual activity) at much higher levels than the old report experiencing them. However, the elderly also report experiencing fewer of the benefits that younger adults expect old age to bring (such as more time for travel, hobbies, or volunteer work).
These perceptual gaps between generations are large and persistent. Simone de Beauvoir, in her exhaustive study “The Coming of Age” (published in 1970, when she was sixty-two), wrote, “Old age is particularly difficult to assume because we have always regarded it as something alien, a foreign species.” The anthropologist Barbara Myerhoff, who made the documentary film “In Her Time,” about a community of elderly Californians, when she was in her forties, believed that “we are dehumanized and impoverished without our old people, for only by contact with them can we come to know ourselves.”
Even more confusingly, we don’t experience old age identically. As Germaine Greer puts it, “Nobody ages like anybody else.” The poet Fleur Adcock, who is eighty-one, says “this great range of abilities and states of health confuses the young: they can’t figure us out.” We age as individuals and as members of particular social contexts, yet the shared experience of old age continues to be overstated. The eighty-two-year-old British novelist Penelope Lively writes that her demographic has “nothing much in common except the accretion of years, a historical context, and a generous range of ailments.” At the same time, though, she warns that aging is such a “commonplace experience” that nobody should “behave as though … uniquely afflicted.”
The actress Juliet Stevenson, who is in her late fifties, recently commented that “as you go through life it gets more and more interesting and complicated, but the parts offered get more and more simple, and less complicated.” The same could be said for the dearth of good roles for old characters in literature. Lively believes that “old age is forever stereotyped … from the smiling old dear to the grumbling curmudgeon.” In fiction, she says, the stereotypes “are rife—indeed fiction is perhaps responsible for the standard perception of the old, with just a few writers able to raise the game.”
I started to realize that, in creating my spunky elderly female character, I had romanticized the version of old age that tells a story of progress, indulging a fantasy of who I might be when I’m old. When writing her, I had been thinking of Jenny Joseph’s “Warning,” regularly voted the U.K.’s favorite postwar poem, in which the young speaker imagines with longing the freedoms of rebellious old age and the prospect of making up for the “sobriety of youth.” I’m hardly a renegade now, however, so why did I harbor the illusion that as I get older I will somehow throw off the shackles of propriety? Most of what has been written in the sociological literature about life in our seventies, eighties, and nineties suggests that who we are when we are old remains pretty close to who we were when we were young. There is comfort in the idea of some consistency of self across the decades. While sometimes distressing, the denialism of old age—think of the sixty-three-year-old Freud’s horror at realizing that the elderly gentleman he’s glimpsed on the train is in fact his own reflection, or the scientist Lewis Wolpert’s lament, “How can a seventeen-year-old like me suddenly be eighty-one?”—is also proof of our ability to remain on intimate terms with younger versions of ourself. “Live in the layers, / not on the litter,” as the Stanley Kunitz poem goes, and he knew what he was talking about: he became Poet Laureate of the United States at the age of ninety-five.
Another aspect of my fantasy was that old age is a consistently satisfying bookend to a shapely arc of a life, a time for getting things in order. But in this, I was ignoring the fact that old people are just as vulnerable to disorder, not to mention happenstance, caprice, and bad luck, as anybody else. Grasping for closure might be the goal of fiction, but it is not necessarily the lived experience of old age. As Helen Small writes in “The Long Life,” her study of the literature and philosophy of old age, “declining to describe our lives as unified stories … is the only way we can hope to live out our time other than as tragedy.” Lively describes the frustrations of autobiographical memory in old age. “The novelist in me—the reader, too—wants shape and structure, development, a theme, insights,” she writes. “Instead of which, there is this assortment of slides, some of them welcome, others not at all, defying chronology, refusing structure.” After reading the stories in “Stone Mattress,” by Margaret Atwood, who is now seventy-five, I began to question my portrayal of old age as a time for the tying up of loose ends; as one reviewer wrote , Atwood’s stories depict “the stored-up rancour that one can amass over the years.” Many of her characters express a desire for revenge over reconciliation.
I’m not alone, among my generation, in falling into this trap of positive stereotyping. A friend my age who is in medical school recently chose to specialize in geriatrics, and over drinks with some other doctors she was asked why. “Because I love old people,” she replied. “I like hearing their stories and what they have to say about the world.” One of the doctors made a dismissive sound. “Don’t be ridiculous,” he said. “Old people are just regular people who happen to be old.” My friend stuck with geriatrics, but realized that she had been fostering an idealized notion of the elderly. “At the end of the day,” she told me, “an old person can be just as trying as any other person; just as messy, just as unthankful.” She has also become wary of her instinctual empathy impulse when dealing with elderly patients. In this, she draws on the academic work of Kate Rossiter, who advocates fostering “ethical responsibility” rather than empathy in medical practitioners. “There’s something almost greedy about empathy, because it relies on the notion that we can somehow assimilate the other,” my friend explained. “A respectful and thoughtful distance is also part of what enables us to respond to the other’s needs.”
A few years before he died, at the age of eighty-nine, the literary critic Frank Kermode wrote that “the young know nothing directly about old age and their inquiries into the topic must be done blind.” Perhaps this is why younger artists seem to get waylaid by the same tropes: we are sometimes tempted to imagine old age as one big, funny, wisdom-rich adventure, with the comic caper a stalwart of the form, from the film “Grumpy Old Men” to the novel (and later film) “The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared” (one film critic has dubbed this genre Old People Behaving Hilariously). At the other extreme are the mind-disease psycho-dramas that we might call Old People Behaving Terrifyingly—recent novels like “The Farm” or “Elizabeth is Missing,” or the films “Iris” or “The Iron Lady.” As Sally Chivers argues in “The Silvering Screen: Old Age and Disability in Cinema” (2011), “in the public imagination … old age does not ever escape the stigma and restraints imposed upon disability.”
There are notable exceptions, of course, and too many to mention in full here. Lynne Segal, the author who warned against the negative impact of stereotypes of old age, admires the work of Julian Barnes. Even as a young writer, she believes, he had an uncanny ability to write old age well. Perhaps this is because he is a “thanataphobe,” as he puts it in his recent memoir, “Nothing to Be Frightened Of” (published when he was sixty-two); that is, he is more afraid of death than of old age, and so his elderly characters—in, say, “Staring at the Sun” (published when Barnes was forty)—are void, to Segal, of “any of the customary expressions of horror accompanying the portrayals of old age.” In this way, Barnes also manages to capture the unexpected indifference of many old people to death; as Lively has written, “Many of us who are on the last lap are too busy with the baggage of old age to waste much time anticipating the finish line.”
The Scottish writer Muriel Spark has also been commended by authors who are themselves elderly, including Lively and her fellow British novelist Paul Bailey, as proof that a young writer can successfully make a leap into the imagined territory of old age. Spark was only forty-one in 1959, when she published her novel “Memento Mori,” a black comedy about a group of nursing-home residents who begin receiving mysterious phone calls from an anonymous caller who announces portentously, as if it were unknown to them already, “Remember you must die.” Lively lauds the book for its “bunch of sharply drawn individuals, convincingly old, bedeviled by specific ailments, and mainly concerned with revisions of their past.” V. S. Pritchett, in an introduction to a 1964 edition of “Memento Mori,” praised Spark for taking on “the great suppressed and censored subject of contemporary society, the one we do not care to face, which we regard as indecent: old age.”
A more recent example is the thirty-seven-year-old Australian author Fiona McFarlane’s 2013 début novel, “The Night Guest.” McFarlane’s protagonist, Ruth, though succumbing to dementia and at the mercy of an unreliable caregiver, is capable of seeing beauty or taking great pleasure in her present—in a sexual encounter, for example—while also deriving equal parts enjoyment and pain from memories of her unusual past. She is neither hilarious nor terrifying. McFarlane says that, while writing Ruth, she thought of her as “an individual who, at seventy-five, is the sum of years of experience, memory, opinion, prejudice, decision-making, and desire.”
But why search for depictions of old age by the young when I should instead be seeking out narratives by natives of old age? I don’t mean the rich body of work by late-middle-aged authors, which tends to be more about the fear of aging than about the experience of old age itself (fiction by Martin Amis, for example, or, further back, T. S. Eliot’s poetry), but literature written by authors aged seventy-five and older.
I started off thinking that, beyond the well-known examples of Saul Bellow (whose final novel, “Ravelstein,” was published when he was eighty-five), Thomas Mann (who died at the age of eighty, and who supposedly claimed that old age was the best time to be a writer), May Sarton (called “America’s poet laureate of aging,” who died at the age of eighty-three), and John Updike (who died at the age of seventy-six, and who, in his final story collection, has a narrator musing, “Approaching eighty I sometimes see myself from a little distance, as a man I know, but not intimately”), the pickings would be fairly slim. Bellow’s own biographer mused, after the publication of “Ravelstein,” “Who are the other great writers who have done anything like this in their eighties?”
Frank Kermode summed up the problem: “Those who have had actual experience of old age are likely to be dead or very tired or just reluctant to discuss the matter with clever young interlocutors.” Philip Roth, for example, who is now eighty-two, decided to retire from writing at the age of seventy-eight, after the publication of his quartet of “Nemeses” novels, saying in an interview about fiction, “I don’t want to read any more, write any more of it, I don’t even want to talk about it anymore ... I’m tired of all that work. I’m in a different stage of my life.”
But if you dig deeper the vista opens up, the voices multiply. My little sample may be idiosyncratic, and biased in favor of eloquence—these are elderly writers, all over the age of seventy-five, who clearly still have their wits very much about them. Yet their take on old age can perhaps offset some of the delusions and fantasies of people like me, who have not yet lived it for themselves. Each of the following three authors is alive and still writing prolifically, and was gracious enough to answer a few questions from me by e-mail.
The first is the British novelist Paul Bailey, who is seventy-eight, and who published his first novel, “At the Jerusalem,” at the age of thirty. It’s set in an institution for the elderly, and the main character, Faith, is a woman in her seventies, who Bailey says he purposefully did not make “likeable or sympathetic,” as he didn’t want her to be an object of pity. “I can’t begin to tell you how patronized and stereotyped the elderly were at that time: put-upon plaster saints were the dramatic order of the day,” he told me. Critics wondered why a young man would choose to write about the elderly in his first novel, but Bailey says he took inspiration from two other first novels by young male writers, also focussed on institutions of old age: Updike’s “The Poorhouse Fair” (1959) and William Trevor’s “The Old Boys” (1964). Bailey felt confident that his take on old age was grounded in real observation and experience, as his parents had been advanced in age when they had him, and he was later cared for by a much older couple. “I grew up among people who were getting on in years, so old age was never a frightening surprise to me,” he says. “I didn’t regard pensioners as a race apart.”
He remembers a mime class that he took when he was training to be an actor at London’s Central School, in the mid-nineteen-fifties. “We had to pretend to be old. Most of the students elected to bend their heads down and shuffle their feet. None of the old people I knew, especially my forbidding grandmother, walked or moved in this manner. My classmates were succumbing to easy caricature.” He doesn’t think much has changed today. “More sentimental rubbish has been written about the ‘plight of the elderly’ than I can bear to contemplate,” he wrote in a preface to a Guardian article in which he selected his top ten narratives of old age. (He praises work by Isaac Bashevis Singer, Alice Munro, and Stefan Zweig; the readers’ comments to the article are a good resource for anybody looking for further recommendations). And sentimentality can be pernicious. In a Paris Review interview, the Nobel laureate Kenzaburo Oe, who is now eighty, mentioned Flannery O’Connor’s warning: “She said that sentimentality is an attitude that does not confront reality squarely in the face. To feel sorry for handicapped people … is equivalent to hiding them.”
Bailey told me that he thinks some of the best depictions of old people “can be found in books and plays that aren’t specifically concerned with people getting old,” citing the memoirs of Sergei Aksakov, Maxim Gorky, and Leo Tolstoy, and the works of Balzac, Proust, Turgenev, Dickens, and Eliot, where the “old wander in and out”—for example, the “tender portrait” of Wemmick’s Aged Parent, in “Great Expectations.”
In 2011, Bailey published the novel “Chapman’s Odyssey,” in which an elderly male protagonist, lying ill in the hospital, is visited by people real and imagined: lovers, dead parents, characters from literature. It was inspired by Bailey’s own extended hospital stays, which he says he has come to enjoy “in a perverse way” because of the interesting people he meets there, “like the man who covers his breakfast cereal with anchovy essence.” Though the novel is about old age, he says he feels “younger for having written it.” He helped me pinpoint where I had perhaps gone wrong in my own imaginative attempt when he said, “I never, never thought I was tackling the ‘problem’ of old age. It was never a fictional problem for me. It was just another aspect of being alive, and human.”
The second writer who shared her thoughts with me is Fleur Adcock. If poetry, as Auden wrote, “might be defined as the clear expression of mixed feelings,” then the medium seems particularly suited to capturing the ambivalence of the old toward old age. The New Zealand-born British poet Adcock published her first collection when she was thirty, and she is now eighty-one. Like Lively, she says that old age began for her at the age of seventy, when she fell seriously ill for a period, though she says “a more honest but less tidy answer might be that it has been a very gradual process, with old age retreating and advancing unpredictably over the years.” She does remember feeling peculiar on realizing that, in her mid-seventies, she had outlived Yeats, whom she thought of as “that iconic ‘old poet,’ ” and who died at the age of seventy-three.
In her recent collection “Glass Wings” (2013), the picture she paints of old age is utterly eye-opening. Her elderly speakers are comfortable with technology but use it in ways particular to their needs. In “Match Girl,” the speaker asks, of her little sister,
But how can someone younger than me have osteoporosis, and sit googling up a substance that might help it, or give her phossy jaw?
In “Alumnae Notes,” the speaker laments old school friends who have died or been lost to dementia, but then reasserts her connection to the present:
The class photos fade. But Marie and I, face to face on Skype in full colour and still far too animated to die, can see we’ve not yet turned to sepia.
In “Mrs Baldwin,” the speaker describes the “muffled pang” of envy that clutches her whenever she hears that someone has been given a diagnosis of cancer. In “Having Sex with the Dead,” the speaker remembers past lovers: “The looks on their dead faces, as they plunge / into you, your hand circling a column / of one-time flesh and pulsing blood that now / has long been ash and dispersed chemicals.”
Adcock has known Jenny Joseph, the author of “Warning,” for many years, and says that Joseph is “fed up” with her iconic poem, written so long ago, when she was a young woman imagining old age (“When I am an old woman I shall wear purple / With a red hat which doesn’t go, and doesn’t suit me,” the poem begins). Joseph is now in her mid-eighties, and still publishing poetry. A recent poem by her, “A Patient Old Cripple,” makes a beautiful counterpoint to the earlier, blustering tone of “Warning” with its final lines: “I curse the world that blunders into me, and hurts / But know / Its bad fit is the best that we can do.”
The third writer I spoke to is the eighty-two-year-old Penelope Lively, who published her first book when she was thirty-seven, and who also often imagined elderly characters in her fiction when she was younger (in her novel “Moon Tiger,” for example, which won the 1989 Booker Prize). Her most recent novel, “How it All Began” (2011), revolves around an elderly female protagonist whose broken hip precipitates a series of random but significant collisions in the lives of others. She’s currently working on a set of short stories, many with elderly protagonists.
Lively has also chosen to share her view from old age in a memoir, “Ammonites and Leaping Fish: A Life in Time,” from 2013. This is not a traditional memoir but a meditation on old age and memory. She takes pride in her right to speak of these things. “One of the few advantages of age,” she writes, “is that you can report on it with a certain authority; you are a native now, and know what goes on here.” She also highlights the importance of the mission: “Our experience is one unknown to most of humanity, over time. We are the pioneers.” She likes the anonymity that old age has given her; it leaves her “free to do what a novelist does anyway, listen and watch, but with the added spice of feeling a little as though I am some observant time-traveller.”
She is among the first true anthropologists of old age, both participant and observer. Many of her attitudes seem almost unimaginable to the young: for example, she’s not envious of us, she is still as curious as she always was, she doesn’t miss travel or holidays, she has become used to physical pain; she still has “needs and greeds” (muesli with sheep’s-milk yogurt, the daily fix of reading), but her more “acquisitive” lusts have faded. Most surprisingly, she insists that old age is not a “pallid sort of place,” that she is still capable of “an almost luxurious appreciation of the world.”
It sounds to me both wonderful and terrible, a permanent contradiction in terms, but perhaps this ambiguity is why, in her view, “memorable and effective writing about old age is rare … a danger zone for many novelists.” She singles out Kingsley Amis’s “Ending Up” for avoiding stereotypes of old age, by being “funny with a bleak undertone,” and the trilogy that Jane Gardam started writing in her mid-seventies and recently completed in her mid-eighties (“Old Filth,” “The Man in the Wooden Hat,” and “Last Friends”).
Lively is hopeful about any new interest in and awareness of old age, and thinks that, in part, the reason younger people find old age “more interesting than daunting” is because her demographic is “much more attuned to the times than … the old were in the past. We have mutated, and may have one toe still in 1950 but have an outlook very much of 2015.” The gap between generations is “closing up” in a way it wasn’t when she was young, she says. But when I asked her about the ethical responsibility younger authors have to depict old age realistically, she responded, “As a writer, you have to think—am I capable of this quantum leap of the imagination? If the answer is dubious—then don’t do it. Stereotyping is a kind of fictional abuse.”
As for what she thinks she got wrong when she was creating elderly characters as a younger writer, she says she wasn’t quite able, back then, to imagine the less dramatic physical aspects of being old: the constant pain from various forms of arthritis, the slow impairment of sight and hearing, and a “kind of instability,” a loss of balance “that would be unnerving if it came on suddenly, but, because it is gradual, you adapt.” With the elderly protagonist Claudia, in “Moon Tiger” (written when Lively was in her early fifties), she says, “I ducked the problem … by making her a mind rather than a body—she is dying in hospital, but not much is made of that, what you know of her are her thoughts and her memories.” What she believes she got right, however, is that Claudia’s mindset in old age is much the same as when she was young; this, she says, has been true to her own experience of getting older.
Why does literature about old age matter? A better question, perhaps, is one posed by John Halliday, the editor of the old-age-themed poetry anthology “Don’t Bring Me No Rocking Chair” (the title is taken from a Maya Angelou poem): “Who is calling the shots when it comes to aging?” For Halliday, it is the power of poetry to offer us a “fresh language” of old age that is so important. Lynne Segal agrees. Literature, she says, has the potential to give us texts in which “the experiences of the old unfold and collapse back, like concertinas, into narratives that are rarely reducible to age itself.” After all, as Sarah Falcus writes, “Literature does not … simply mirror or reflect a social world, but, instead, is part of and complicit in shaping that social world.”
For my part, I’m not sure I will return to my novel. It now strikes me as an exercise in speculative showing off: look at me, so young and hard at work imagining old age! I think I prefer to watch and learn as this “coming of old age” literature continues to explode in scope and scale, and listen closely to artists who, in their advanced years, “have the confidence to speak simply,” as Julian Barnes says. Forget the bildungsroman. We are on the cusp of the age of the reifungsroman—the literary scholar Barbara Frey Waxman’s term for the “novel of ripening.”
Everywhere I look now, I seem to stumble upon new writing about old age by those who are themselves old, personal and creative accounts of the many subcultures and subjectivities of old age, and I feel increasingly ashamed of my earlier ignorance of this blossoming body of work. My to-read list now includes stories by the ninety-six-year-old Emyr Humphreys; late work by Doris Lessing, Chinua Achebe, and Seamus Heaney; poetry by Elaine Feinstein, Dannie Abse, Maureen Duffy, and Ruth Fainlight; a new novel by the seventy-three-year-old Erica Jong, “Fear of Dying”; fiction by William Trevor, David Lodge, Kent Haruf, Toni Morrison, and Kenzaburo Oe; memoirs by Vivian Gornick, Roger Angell, and Diana Athill. It’s an exciting time, to have a brand-new feature of human experience—living longer—described by people as they live it, by people who have learned with age, as the late poet Adrienne Rich said, the year she turned eighty, to balance “dread and beauty.”
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By Roger Angell
By Atul Gawande
By John Cassidy
Your chance of acceptance, your chancing factors, extracurriculars, what’s college life really like.
As a junior hearing a lot about the 'college experience', I'm starting to wonder what university life is actually like. Is it just studying and parties or is there more to it? How do you balance social life with academic responsibilities, and what do you wish you'd known before heading to college? Honestly, any perspective on this would help me set some realistic expectations!
Understanding the college experience is actually quite multifaceted—it extends well beyond the clichés of studying and socializing. You'll likely find that time management is key to balancing academic and social commitments. You'll likely benefit from creating a structured schedule that allocates time for classes, studying, extracurriculars, and relaxation.
Also, don't underestimate the need for personal time; it’s crucial for mental health. In college, you’ll also have opportunities to explore new interests, join various clubs, and even partake in research or work-study programs.
What I wish more incoming freshmen knew about is the importance of seeking help when needed, whether it’s academic support or mental health services. Colleges often have abundant resources such as tutoring centers and counseling services. Lastly, keep in mind that every student's experience is unique, and what works for one may not work for another. Be open to adjusting as you go.
CollegeVine’s Q&A seeks to offer informed perspectives on commonly asked admissions questions. Every answer is refined and validated by our team of admissions experts to ensure it resonates with trusted knowledge in the field.
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Guest Essay
By Roger Rosenblatt
The author, most recently, of “Cataract Blues: Running the Keyboard.”
One makes so few new friends in older age — I mean, real friends, the ones you bond with and hold dear, as if you’d known one another since childhood.
Old age often prevents, or at least tempers, such discoveries. The joy of suddenly finding someone of compatible tastes, politics, intellectual interests and sense of humor can be shadowed, if tacitly, by the inevitable prospect of loss.
I became friends with Helen Vendler — the legendary poetry critic who died last week — six years ago, after she came to a talk I gave at Harvard about my 1965-66 Fulbright year in Ireland. Our friendship was close at the outset and was fortified and deepened by many letters between us, by our writing.
Some critics gain notice by something new they discover in the literature they examine. Helen became the most important critic of the age by dealing with something old and basic — the fact that great poetry was, well, lovable. Her vast knowledge of it was not like anyone else’s, and she embraced the poets she admired with informed exuberance.
The evening we met, Helen and I huddled together for an hour, maybe two, speaking of the great Celtic scholar John Kelleher, under whom we had both studied; of Irish poetry; and of our families. Helen was born to cruelly restrictive Irish Catholic parents who would not think of her going to anything but a Catholic college. When Helen rebelled against them, she was effectively tossed out and never allowed to return home.
She told me all this at our very first meeting. And I told her the sorrows of my own life — the untimely death of my daughter, Amy, and the seven-plus years my wife, Ginny, and I spent helping to rear her three children. And I told Helen unhappy things about my own upbringing. The loneliness. I think we both sensed that we had found someone we could trust with our lives.
I never asked Helen why she had come to my talk in the first place, though I had recognized her immediately. After spending a life with English and American poetry — especially the poetry of Wallace Stevens — how could I not? The alert tilt of her head, the two parenthetical lines around the mouth that always seemed on the verge of saying something meaningful and the sad-kind-wise eyes of the most significant literary figure since Edmund Wilson.
And unlike Wilson, Helen was never compelled to show off. She knew as much about American writing as Wilson, and, I believe, loved it more.
It was that, even more than the breadth and depth of her learning, that set her apart. She was a poet who didn’t write poetry, but felt it like a poet, and thus knew the art form to the core of her being. Her method of “close reading,” studying a poem intently word by word, was her way of writing it in reverse.
Weeks before Helen’s death and what would have been her 91st birthday, we exchanged letters. I had sent her an essay I’d just written on the beauty of wonder, stemming from the wonder so many people felt upon viewing the total solar eclipse earlier this month. I often sent Helen things I wrote. Some she liked less than others, and she was never shy to say so. She liked the essay on wonder, though she said she was never a wonderer herself, but a “hopeless pragmatist,” not subject to miracles, except upon two occasions. One was the birth of her son, David, whom she mentioned in letters often. She loved David deeply, and both were happy when she moved from epic Cambridge to lyrical Laguna Niguel, Calif., to be near him, as she grew infirm.
Her second miracle, coincidentally, occurred when Seamus Heaney drove her to see a solar eclipse at Tintern Abbey. There, among the Welsh ruins, Helen had an astonishing experience, one that she described to me in a way that seemed almost to evoke Wordsworth:
I had of course read descriptions of the phenomena of a total eclipse, but no words could equal the total-body/total landscape effect; the ceasing of bird song; the inexorability of the dimming to a crescent and then to a corona; the total silence; the gradual salience of the stars; the iciness of the silhouette of the towers; the looming terror of the steely eclipse of all of nature. Now that quelled utterly any purely “scientific” interest. One became pure animal, only animal, no “thought-process” being even conceivable.
One who claims not to know wonders shows herself to be one.
She was so intent on the beauty of the poets she understood so deeply, she never could see why others found her appreciations remarkable. Once, when I sent her a note complimenting her on a wonderfully original observation she’d made in a recent article, she wrote: “So kind of you to encourage me. I always feel that everything I say would be obvious to anyone who can read, so am always amazed when someone praises something.”
Only an innocent of the highest order would say such a beautiful, preposterous thing. When recently the American Academy of Arts and Letters awarded her the Gold Medal for Belle Lettres and Criticism, Helen was shocked.
“You could have floored me when I got the call,” she wrote to me, adding: “Perhaps I was chosen by the committee because of my advanced age; if so, I can’t complain. The quote that came to mind was Lowell’s ‘My head grizzled with the years’ gold garbage.’”
She was always doing that — attaching a quotation from poetry to a thought or experience of her own, as if she occupied the same room as all the great poets, living with them as closely as loved ones in a tenement.
Shelley called poets the “unacknowledged legislators of the world.” I never fully got that famous line. But if the legislators’ laws apply to feeling and conduct, I think he was onto something. If one reads poetry — ancient and modern — as deeply as Helen did, and stays with it, and lets it roll around in one’s head, the effect is transporting. You find yourself in a better realm of feeling and language. And nothing of the noisier outer world — not Donald Trump, not Taylor Swift — can get to you.
In our last exchange of letters, Helen told me about the death she was arranging for herself. I was brokenhearted to realize that I was losing someone who had given me and countless others so much thought and joy. Her last words to me were telling, though, and settled the matter as only practical, spiritual Helen could:
I feel not a whit sad at the fact of death, but massively sad at leaving friends behind, among whom you count dearly. I have always known what my true feelings are by whatever line of poetry rises unbidden to my mind on any occasion; to my genuine happiness, this time was a line from Herbert’s “Evensong,” in which God (always in Herbert, more like Jesus than Jehovah), says to the poet, “Henceforth repose; your work is done.”
She closed her letter as I closed my response. “Love and farewell.”
Roger Rosenblatt is the author, most recently, of “Cataract Blues: Running the Keyboard.”
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