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Adultery Gets Weird in Miranda July’s New Novel

An anxious artist’s road trip stops short for a torrid affair at a tired motel. In “All Fours,” the desire for change is familiar. How to satisfy it isn’t.

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By Alexandra Jacobs

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ALL FOURS, by Miranda July

Erica Jong’s Isadora Wing feared flying , but womanned up to attend the first psychoanalytic conference in Vienna since the Holocaust. Fifty years later , the unnamed heroine of Miranda July’s new novel, “All Fours” — let’s call her Amanda Huggenkiss — can barely begin a cross-country road trip.

Huggenkiss — aah, never mind — the anonymous narrator is five years from 50 herself: a “semi-famous” artist with a desk that’s a little wobbly and a career to match. “I worked in so many mediums that I was able to debut many times,” she recounts. “I just kept emerging, like a bud opening over and over again.”

She’s married to a music producer, Harris, who divides people up not into hedgehogs and foxes but Drivers and Parkers. The former, like himself, are functional and content. The latter, like his wife, are bored by ordinary life but, craving applause, thrive in tight spots and emergencies.

One was the birth of their baby, Sam (a nonbinary “ theyby ”), after the kind of fetal-maternal hemorrhage that often results in stillbirth. Mrs. Harris is ecstatic about her child, now a second grader — taking weekly candlelit baths with them, she weeps with love — but she feels her parenting efforts, which include massaging kale for a five-part bento box lunch, go underrecognized or criticized. And her sex life, which is dependent on fantasy, a.k.a. “mind-rooted,” has suffered. Sometimes when she delays initiating, she can hear her body-rooted husband’s penis “whistling impatiently like a teakettle.”

After a whiskey company unexpectedly licenses one of her saucy sentences for $20,000, she decides to splurge for her birthday on a room at the Carlyle, the fancy-pants hotel on New York’s Upper East Side. But, starting from Los Angeles, she only makes it as far as a motel in the nearby suburb of Monrovia. And that’s when things get weird in that Miranda July way that some critics find the ne plus ultra of twee (Harris twee?) and I happen to enjoy very much, with a few caveats.

Angst about the change of life — what Jong would call “ Fear of Fifty ” — seems a family curse. At 55, the narrator’s paternal grandmother had fatally flung herself out the window, first considerately placing herself in a garbage bag; an Aunt Ruthie followed; and her own mother is cognitively impaired and hard of hearing (while her father perpetually occupies a “deathfield” of depression and panic). But she is most immediately concerned with losing her looks and libido: of falling off, what she sees on a graph of shifting hormones over a life span, the “estrogen cliff.”

She blows her windfall to redo Room 321 in lavish and idiosyncratic style, carpeted in New Zealand wool and scented with tonka beans, then begins a torrid and all-consuming romance with the decorator’s husband, a hip-hop hobbyist named Davey who works at Hertz and resembles Gilbert Blythe from the “Anne of Green Gables” series. (Blythe and a Grand Parterre Sarouk carpet are the kinds of allusions July drops for her cultivated audience without explanation.)

A few words about the sex in “All Fours,” which is titled for what the narrator’s best friend, a sculptor, calls “the most stable position. Like a table.” (Well, not a wobbly one.) It is gaspingly graphic, sometimes verging on gross (urine, tampons and a suspected polyp — “hopefully benign”— all come into play), and supplemented with masturbation galore. Compelled to read these definitely not twee-rated passages, I briefly considered filing a complaint with human resources. Then I remembered the protracted and messy sex scenes released with such fanfare into the culture by Philip Roth, Harold Brodkey, et al., and decided I was being discriminatory and prudish.

Jong popularized the idea of “zipless” intercourse (more snappily than that); July’s term is “bottomless.” Her perimenopausal protagonist’s desire is insatiable, unfathomable, roving across genders and generations: a kind of supernova of lust preceding what she anticipates will be the black hole of senescence.

Even more than this adulterous appetite, her casual ageism, in a milieu where preferred pronouns are sacred, can shock. “Nobody except the doctor knew — or could even conceive of — what was going on between her legs,” she thinks of a woman in her 70s glimpsed in the gynecologist’s office, imagining “gray labia, long and loose.” ( Paging Arnold Kegel !) And, buying a 1920s bedspread from a “free spirit” at an antique mall: “Sometimes my hatred of older women almost knocked me over, it came so abruptly.”

Hatred is fear-based, of course — and you come to understand that the main character’s real journey will not be on Route 66, but the path to self-acceptance. In order to ride shotgun comfortably, though, you have to accept her preoccupation with the reflection in the rearview mirror; her indifference to any current affairs but her own.

When this unnamed She spray-paints “CALL ME” on a chair for the now-estranged Davey, it’s like John Cusack’s boombox serenade in “Say Anything.” When she posts a wild dance on Instagram after firming her own body at the gym, frantically seeking his Like, it’s like the boombox turned up to arena volume.

Are the mental-health professionals back from Europe yet? One pops up late on Harris’s arm, as the marriage reconfigures, but otherwise they’re strangely absent from “All Fours,” whose woman on the verge of chronological maturity has the intense focus of an artist, sure — but also a yearning adolescent.

ALL FOURS | By Miranda July | Riverhead | 336 pp. | $29

Alexandra Jacobs is a Times book critic and occasional features writer. She joined The Times in 2010. More about Alexandra Jacobs

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As book bans have surged in Florida, the novelist Lauren Groff has opened a bookstore called The Lynx, a hub for author readings, book club gatherings and workshops , where banned titles are prominently displayed.

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Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .

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Press Release

May 16, 2024

AAP StatShot Report Covering First Quarter of the 2024: Overall Industry Was Flat

The Association of American Publishers (AAP) today released its StatShot report covering the first three months of 2024 reflecting reported revenue for Trade (Consumer Books), Religious Presses, Higher Education Course Materials, and Professional Publishing.

Total revenues across all categories for the first quarter of the year were up 0.2% as compared to the first three months of 2023, coming in at $3 billion.

Trade (Consumer Books) Revenues for First Quarter of 2024

Trade (Consumer Books) sales were down 2.8% during the first three months of the year, coming in at $2.1 billion.

In terms of physical paper format revenues during the first quarter, in the Trade (Consumer Books) category, Hardback revenues were down 4.9%, coming in at $733.2 million; Paperbacks were down 3.4%, with $756.1 million in revenue; Mass Market was down 25.7% to $31.0 million; and Special Bindings were down 7.8%, with $48.5 million in revenue.

eBook revenues were down 1.5% as compared to the first three months of 2023, for a total of $255.6 million. Digital Audio was up 15.3% for the first three months, coming in at $243.6 million in revenue. Physical Audio was down 29.1% coming in at $2.1 million.

Trade (Consumer Books) Revenues by Month

Trade (Consumer Books) sales were up 0.6% in January, coming in at $745.8 million. In terms of physical paper format revenues during the month of January, in the Trade (Consumer Books) category, Hardback revenues were down 0.8%, coming in at $268.8 million; Paperbacks were down 2.1%, with $264.4 million in revenue; Mass Market was up 7.4% to $13.6 million; and Special Bindings were up 4.9%, with $17.1 million in revenue.

Trade (Consumer Books) sales were up 0.6% in February, coming in at $717.9 million. In terms of physical paper format revenues during the month of February, in the Trade (Consumer Books) category, Hardback revenues were up 0.4%, coming in at $245.2 million; Paperbacks were up 2.5%, with $249.1 million in revenue; Mass Market was down 40.7% to $9.3 million; and Special Bindings were down 1.4%, with $16.6 million in revenue.

Trade (Consumer Books) sales were down 9.5% in March, coming in at $661.2 million. In terms of physical paper format revenues during the month of March, in the Trade (Consumer Books) category, Hardback revenues were down 14.4%, coming in at $219.2 million; Paperbacks were down 10.0%, with $242.6 million in revenue; Mass Market was down 39.6% to $8.2 million; and Special Bindings were down 24.0%, with $14.9 million in revenue.

Religious Presses Up 5.2% First Quarter of 2024

Religious press revenues were up 5.2% during the first three months of 2024, coming in at $215.2 million. Hardback revenues were up 7.6% to $130.1 million in revenue, Paperback revenues were down 0.3% to $42.3 million, eBook revenues were up 6.6% coming in at $15.2 million, and Digital Audio revenues were up 9.5% at $12.7 million.

Education Revenues Climb 11.5% During First Quarter of 2024

During Quarter 1, revenues from Higher Education Course Materials were $691.8 million, up 11.5% compared with Quarter 1 2023.

Within Higher Education Course Materials, Print revenues were up 16.0% at $87.4 million for the quarter. Inclusive Access revenues were up 25.9% at $256.1 million, and Non-Inclusive Access Digital revenues were up 1.8% at $321.3 million.

Professional Books Down 2.9% for First Quarter of 2024

Professional Books, including business, medical, law, technical and scientific, were down 2.9% during the first three months of the year, coming in at $111.5 million.

AAP’s StatShot

AAP StatShot reports the monthly and yearly net revenue of publishing houses from U.S. sales to bookstores, wholesalers, direct to consumer, online retailers, and other channels. StatShot draws revenue data from approximately 1,280 publishers, although participation may fluctuate slightly from report to report. 

StatShot reports are designed to give ongoing revenue snapshots across publishing sectors using the best data currently available. The reports reflect participants’ most recent reported revenue for current and previous periods, enabling readers to compare revenue on both a month-to-month and year-to-year basis within a given StatShot report.

Monthly and yearly StatShot reports may not align completely across reporting periods, because: a) The pool of StatShot participants may fluctuate from report to report; and b) Like any business, it is common accounting practice for publishing houses to update and restate their previously reported revenue data. If, for example, a business learns that its revenues were greater in a given year than its reports first indicated, it will restate the revenues in subsequent reports to AAP, permitting AAP in turn to report information that is more accurate than previously reported.

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After Three Months of Declines, New-Vehicle Prices Reversed Course in April, According to Latest Kelley Blue Book Estimates

Tuesday May 14, 2024

Article Highlights

• New-vehicle average transaction prices (ATP) in April increased month over month for the first time in 2024, rising to $48,510, a 2.2% jump from the revised March price of $47,481.
• Incentives fell back to 6.3% of ATP. Incentives in April were 80% higher than one year ago when available inventory was substantially lower.
• Volatile Tesla prices stabilized and, at the end of April, were higher month over month by 5.7% but remained lower year over year by more than 3%.

ATLANTA, May 14, 2024  – A downward slide in new-vehicle prices through the first quarter of 2024 reversed course in April, with average transaction prices (ATPs) increasing by 2.2% to $48,510, the highest prices since December 2023. The April price estimates were released today by Kelley Blue Book, a Cox Automotive brand. Year over year, new-vehicle transaction prices were lower by 0.5%.

NEW-VEHICLE AVERAGE TRANSACTION PRICE

New-vehicle incentive levels retreated last month as well. The average incentive package in April was 6.3% of the average transaction price, according to Kelley Blue Book estimates, down from 6.6% in the prior month. The incentive decline in April was the first decrease since October 2023, when incentive levels ticked lower to 4.7% from 4.8% in September.

INDUSTRY AVERAGE TRANSACTION PRICE VERSUS INDUSTRY AVERAGE INCENTIVE SPEND AS % OF ATP

Driven partly by fewer selling days, new-vehicle sales volume in April was lower month over month. At 15.7 million in April, the seasonally adjusted annual rate (SAAR) of sales, however, was marginally higher versus March and flat year over year. New-vehicle inventory levels – a key driver of price and incentives – at the start of April were estimated by vAuto, a Cox Automotive brand, to be higher year over year by 46%. Inventory, however, was mostly unchanged month over month, suggesting the rapid increase in available supply has slowed. The increase in available inventory has kept downward pressure on prices and is one reason average transaction prices in April were lower year over year.

“The month-over-month increase in pricing in April is likely just a reflection of some pullback on incentives compared to the end of Q1, in March, when many automakers were pushing discounts to hit a strong finish to the quarter,” said Erin Keating , executive analyst at Cox Automotive. “Still, prices are down year over year. Affordability challenges continue to lurk, and as inventory slowly builds, we can expect to see incentives slowly grow through the remainder of 2024 to help keep any sales momentum alive.”

Luxury Vehicle Share and Prices Push Overall ATP Higher

The share of new-vehicle sales from luxury brands in April was 18.4%, according to the Kelley Blue Book analysis, equal to the share in March and higher than the 18.2% in April 2023. Luxury transaction prices increased 2.4% from the prior month and incentives were notably lower, at 6.0% of ATP, down from 7.4% of ATP in March.

Tesla, the luxury market leader, posted larger-than-average ATP increases month over month in April, with a gain of 5.7% compared to March. Volvo also posted higher-than-average ATP increases last month. All other luxury makes posted month-over-month gains less than the luxury vehicle average gain of 2.4%.

Still, luxury brand prices in April were lower by 2.1% year over year, indicating that price pressure remains front and center. In April 2023, the average price paid for a new luxury vehicle was a revised $65,418. Last month, luxury ATPs were $64,076. Luxury brand incentive levels were higher year over year by 86%, rising from 3.6% of ATP in April 2023 to 6.0% last month.

PRICE CHANGE PERCENTAGE BY AUTOMAKER

Non-Luxury Vehicles Prices Jump in April But Remain Lower Year Over Year

After declining month over month in January, February and March, non-luxury vehicle prices reversed course and increased in April, rising to $44,989 from a revised $44,078 in March. Prices of non-luxury vehicles were higher month over month in April by 2.1% and were mostly flat year over year, down by only 0.2%.

Higher prices for pickup trucks helped push non-luxury vehicle prices higher. The average transaction price for a full-size pickup truck in April, at $66,631, was higher year over year by 2.8%. The small and mid-size pickup segment, which includes the popular new Toyota Tacoma, posted a month-over-month price increase of 3.3%. Average transaction price: just shy of $43,000. Unlike the broader market, pickup truck prices in April were also higher year over year.

In April, incentives for non-luxury brands were flat compared to March, holding steady at 6.4% of ATP. Incentives in April were higher year over year by 85%.

Tesla Prices Increase for Second Consecutive Month

Tesla prices, which plummeted from $62,269 in January 2023 to $50,099 in December 2023, a decline of 19.5%, have been a key driver of volatile price dynamics in both the luxury market and the electric vehicle market – Tesla is the highest volume seller in both segments, No. 1 in luxury and No. 1 in EVs.

Electric vehicle transaction prices in April were essentially flat versus March – up roughly 0.1% – at $55,252, an increase of only $75 from the prior month. Year over year, the average transaction price for an EV was down 8.5%, thanks in part to price pressure on EVs driven by slowing sales, healthy inventory, and more competition. Electric vehicle incentive packages remain well above the industry average, in many cases more than 15-to-20% of ATP.

While some high-profile and popular EVs posted significant year-over-year price reductions in April – the Ford Lightning, transaction prices down 23%; the Ford Mustang Mach-e, down 15%; the Tesla Model Y, down 12%; and the Hyundai Ioniq 6, down 10% – most EVs today are transacting for prices lower than one year ago by approximately 4-to-5%.

Sign up here to receive bi-weekly updates on news and trends dominating the automotive industry.

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Starts on Sat, Jun 15 • 2:00 PM - 3:00 PM (PDT)

10 sessions

Sat, Jun 15 • 2:00 PM - 3:00 PM (PDT)

Sat, Jun 22 • 2:00 PM - 3:00 PM (PDT)

Sat, Jun 22 • 5:00 PM - 7:00 PM (PDT)

Sat, Jun 29 • 2:00 PM - 3:00 PM (PDT)

Sat, Jun 29 • 5:00 PM - 7:00 PM (PDT)

Sat, Jul 6 • 2:00 PM - 3:00 PM (PDT)

Sat, Jul 13 • 2:00 PM - 3:00 PM (PDT)

Sat, Jul 13 • 5:00 PM - 7:00 PM (PDT)

Sat, Jul 20 • 2:00 PM - 3:00 PM (PDT)

Sat, Jul 20 • 5:00 PM - 7:00 PM (PDT)

Registration closes on Saturday, June 15 • 10:30 PM

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Starts Sat, Jun 15

2:00 PM - 3:00 PM (PDT)

Quail Valley Golf Course

Dylan Crowley

PGA of America

The PGA of America is one of the world's largest sports organizations, composed of PGA of America Golf Professionals who work daily to grow interest and participation in the game of golf.

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Of Course Willie Nelson Is Writing a Cannabis Cookbook

The Texan musician and his wife Annie Nelson are teaming with noted cannabis chef Andrea Drummer for their new recipe and story book

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It makes perfect sense that Texas couple Willie Nelson and Annie Nelson are writing a cookbook about cooking with cannabis. The tome — Willie and Annie Nelson’s Cannabis Cookbook: Mouthwatering Recipes and the High-Flying Stories Behind Them — will be out in print on November 12, publishing with Gallery Books under Simon & Schuster.

The book shares dishes the couple has made or had in cities while on the road or visiting their favorite cities, made at their Texas home, It includes recipes that make use of cannabis as an ingredient, alongside food stories from Willie’s life, per the press release. Expect dishes like Buffalo chicken wings, chocolate cake, and fried chicken. There are also recipes for basic cannabis-infused ingredients, such as butter (aka cannabutter), oils, simple syrups, sugars, salts, and tinctures.

Interestingly though, cannabis is still illegal in Texas , though Nelson has been a vocal advocate for its national legalization. “Over a lifetime of study, I learned that pot is more than pleasure. Its positive properties are limitless,” he writes in the introduction to the book per the release. “It’s a blessing and a blast. It’s good fuel.”

Rounding out the writing team are co-authors chef Andrea Drummer, David Ritz, and Mia Tangredi. Ritz has co-authored a whole lot of musical biographies, including Nelson’s own autobiography, It’s a Long Story: My Life . Tangredi is a writer.

Drummer is a well-known cannabis chef. She had been part of what is considered the country’s first licensed cannabis restaurant out in Los Angeles, Lowell Farms: a Cannabis Cafe, when it opened in 2019, but has since left.

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