revising an essay checklist

Academic Revising 101: The Essential Essay Revision Checklist

by Suzanne Davis | Feb 8, 2018 | Academic Writing Skills , Writing Essays and Papers

What do you do after you write the first draft of your essay?

You should feel proud because you just finished the hard work of taking ideas and information and writing the first draft.  It’s the hardest obstacle to overcome. But you still need to revise and shape it into a great final essay.  I created an essay revision checklist to guide you through the entire revising process.

Revision is key the to great writing.  Author E.B. White stated, “The best writing is rewriting.”  So, get excited about revising because you’re taking your writing and making it your best writing.

The Essay Revision Process

When you finish a first draft take a break.  Wait a few hours or if possible a day.  You will come back to your writing with a fresh pair of eyes.   Then go back to your essay and launch into revising it.

In this post, I show you a three-phase revision process that has some overlap with editing.   But, I focus on revising because it includes deeper changes to ideas and information in your essay.

The essay revision checklist here has three sections:  content, organization, and clarity.  Go through each section separately.  Move on from one section to the next when you’ve completed everything in a section.

The Essay Revision Checklist

Revising the content of an essay.

Content is the substance of your essay.  It’s the topic, main ideas and supporting reasons that connect back to your thesis statement.   If you don’t have strong content your essay is a group of fluffy words.

Checklist for Good Essay Content

• Content reveals the purpose of your essay or paper.
• There is a complex and supportable thesis statement.
• The main ideas support the thesis statement.
• There are supporting details for each of the main ideas.
• There is evidence to support the main ideas and thesis statement.

Keep revising the essay until you can check off each of these elements.

Revising the Organization of an Essay

Essays are organized into 3 basic parts: the introduction, body, and conclusion.

The introduction has a hook, overview of the topic or description of the situation, and the thesis statement. The body contains the ideas and details that support the thesis statement.  It’s the heart of your essay content.   The conclusion summarizes the thesis statement and describes the significance of it.

Checklist for Good Essay Organization

• The introduction starts with a hook.  A hook is a sentence or a few sentences that capture your reader’s interest.  Read, “7 Sensational Types of Essays Hooks”   https://www.academicwritingsuccess.com/7-sensational-types-of-essay-hooks/ and see different hooks you can use in your writing.
• The introduction has an overview of the topic that leads to the thesis statement.
• The body of the essay is organized so that the main ideas follow the sequence of things stated in your thesis .  For example, if your thesis statement lists three causes of something: Cause A, Cause B, and Cause C.  The first part of your essay examines Cause A.  The second part examines Cause B etc.
• The conclusion reviews the thesis statement and points out something significant about it. It shows some importance to your field, to people in general, to life, history, etc. Why does your thesis matter?

Revising Your Essay for Clarity

Clarity means that your ideas, sentences, and words are easy to understand.  Clarity is the window through which the reader sees your meaning.  If your essay is unclear, the content of your essay is confusing.

When you revise your essay for clarity analyze the ideas, sentences, and words in your writing.  I’ve included in this checklist the common problems I see in essays.

Checklist for Essay Clarity

• There is subject-verb agreement throughout the essay.  A singular subject has a singular verb tense. Plural subjects have plural verb tenses.  An example of a singular subject and singular verb tense is: He drinks hot coffee .  A plural subject with a plural verb tense is: They drink ice tea.
• There is good sentence flow . Fix any run-ons, incomplete sentences, short choppy sentences or just very long sentences. Make sure you have sentence variety in your essay.  Not all your sentences are short, and not all sentences are long.  Mix it up.
• There are no unclear or confusing words or phrases .   Don’t overuse academic vocabulary or the thesaurus.  Use words and phrases you understand .
• The Point of View (POV) (1 st person, 2 nd person or 3 rd person) is consistent and appropriate for the essay.   Most academic essays are written from the 3 rd person (he, she, they, it,) POV.  Usually, narrative essays and descriptive essays use the 1 st person (I, me, we, us,) POV.   Rarely is an essay written from the 2 nd person (you, your) POV.
• The pronouns agree in number and person .   For information on pronoun agreement, see Purdue OWL, “Using Pronouns Clearly.” https://owl.english.purdue.edu/owl/resource/595/01/
• T he punctuation is correct .

After the Revision Process

When you’re done with the checklist, get another person to read your essay.  Ask that person for suggestions.  This could be a classmate, a peer tutor, or a private tutor (in-person or online).

Your professor might offer to help you during office hours. Professors are busy, so check to see if they offer that kind of assistance.  Writing professors usually do.  Professors of other subjects will tell you to go to a tutor.

Next, edit and proofread for grammar and spelling mistakes.   Don’t just use a spell checker/ grammar checker or Grammarly.  Read your essay aloud and listen for mistakes.  When you read aloud you read slower and see more punctuation problems.  You also notice missing words.

Another great tip is to read your paper from the last sentence all the way back to the first sentence.  This way you’re not focusing on the content and how things fit together.  You see each sentence individually.  It’s easier to find grammar mistakes when you focus on one sentence at a time.

I teach students this 3-part revision process because it highlights the key elements of an academic essay.  It helps you analyze content, organize content, and make your essay clear to the reader.   This essay revision checklist will help you change your first draft into a strong piece of academic writing.

Are you revising an academic paper? Then download your free copy of The Roadmap to Revising Academic Writing and Handing in a Great Final Paper! Each section has a list of questions that will help you revise the content, organization, and clarity of an academic paper.    Sign-up at the form above and get your free guide now!

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Revision Checklist

Subject, audience, purpose.

• What’s the most important thing I want to say about my subject?
• Who am I writing this paper for? What would my reader want to know about the subject? What does my reader already know about it?
• Why do I think the subject is worth writing about? Will my reader think the paper was worth reading?
• What verb explains what I’m trying to do in this paper (tell a story, compare X and Y, describe Z)?
• Does my first paragraph answer questions 1-4? If not, why not?

Organization

• How many specific points do I make about my subject? Did I overlap or repeat any points? Did I leave my points out or add some that aren’t relevant to the main idea?
• How many paragraphs did I use to talk about each point?
• Why did I talk about them in this order? Should the order be changed?
• How did I get from one point to the next? What signposts did I give the reader?

Paragraphing (ask these questions of every paragraph)

• What job is this paragraph supposed to do? How does it relate to the paragraph before and after it?
• What’s the topic idea? Will my reader have trouble finding it?
• How many sentences did it take to develop the topic idea? Can I substitute better examples, reasons, or details?
• How well does the paragraph hold together? How many levels of generality does it have? Are the sentences different lengths and types? Do I need transitions? When I read the paragraph out loud, did it flow smoothly?

Sentences (ask these questions of every sentence)

• Which sentences in my paper do I like the most? The least?
• Can my reader “see” what I’m saying? What words could I substitute for people, things, this/that, aspect, etc.?
• Is this sentence “fat”?
• Can I combine this sentence with another one?
• Can I add adjectives and adverbs or find a more lively verb?

Things to check last

• Did I check spelling and punctuation? What kinds of grammar or punctuation problems did I have in my last paper?
• How does my paper end? Did I keep the promises I made to my reader at the beginning of the paper?
• When I read the assignment again, did I miss anything?
• What do I like best about his paper? What do I need to work on in the next paper?

— from A Rhetoric for Writing Teachers by Erika Lindemann

Writing and Research: Revising an Essay

• Getting Started
• Choosing a Topic
• Creating an Outline
• Conducting Research
• Drafting an Essay
• Revising an Essay
• Creating Citations

Header Image

Proofreading and Revising

What is Proofreading?   This article defines proofreading and offers strategies for doing it successfully.

Proofreading vs Revising: What is the Difference?   This article discusses the differences between proofreading and revising and offers tips for how to do both.

Revising, Editing, and Proofreading   Eastern Washington University Library provides helpful information on the differences among revising, editing, and proofreading and when to use each method.

Grammar and Style

Grammar, Punctuation, and Sentences   Eastern Washington University Library provides a detailed overview of the major grammar and style issues that academic writers face.

Common Grammar Mistakes   This resource by the University of Southern California Libraries explores common grammar mistakes in academic writing.

Revision Checklist

Revision Checklist   UNC Chapel Hill's Writing Center features questions and prompts for revision.

Essay Revision Checklist   This downloadable revision checklist was created by Massasoit Community College's Writing Center.

• << Previous: Drafting an Essay
• Next: Creating Citations >>
• Last Updated: Dec 5, 2022 11:05 AM
• URL: https://paperpile.libguides.com/writing-research

revision (composition)

Glossary of Grammatical and Rhetorical Terms

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

In composition , revision is the process of rereading a text and making changes (in content, organization , sentence structures , and word choice ) to improve it.

During the revision stage of the writing process , writers may add, remove, move and substitute text (the ARMS treatment). "[T]hey have opportunities to think about whether their text communicates effectively to an audience , to improve the quality of their prose , and even to reconsider their content and perspective and potentially transform their own understanding" (Charles MacArthur in Best Practices in Writing Instruction , 2013).

"Leon approved of revision," says Lee Child in his novel Persuader (2003). "He approved of it big time. Mainly because revision was about thinking, and he figured thinking never hurt anybody." See the Observations and Recommendations below. Also see:

• Revision Checklist
• Writers on Rewriting
• Audience Analysis Checklist
• The Best Time to Stop Rewriting: Russell Baker on the Perils of Obsessive Revision
• Campaign to Cut the Clutter: Zinsser's Brackets
• Collaborative Writing and Peer Response
• Common Revision Symbols and Abbreviations
• The Invisible Mark of Punctuation: The Paragraph Break
• Revising an Argument Essay
• Revising a Place Description
• Revision and Editing Checklist for a Critical Essay
• Two Versions of "Kidnapped by Movies," by Susan Sontag
• Writers on Writing: Ten Tips for Finding the Right Words
• Writing Portfolio
• The Writing Process

Etymology From the Latin, "to visit again, to look at again"  

Observations and Recommendations

• "Rewriting is the essence of writing well: it's where the game is won or lost." (William Zinsser, On Writing Well . 2006)
• " [R]evision begins with the large view and proceeds from the outside in, from overall structure to paragraphs and finally sentences and words, toward ever more intricate levels of detail. In other words, there's no sense in revising a sentence to a hard shining beauty if the passage including that sentence will have to be cut." (Philip Gerard, Creative Nonfiction: Researching and Crafting Stories of Real Life . Story Press, 1996)
• "Writing is revising , and the writer's craft is largely a matter of knowing how to discover what you have to say, develop, and clarify it, each requiring the craft of revision ." (Donald M. Murray, The Craft of Revision , 5th ed. Wadsworth, 2003)
• Fixing the Mess " Revision is a grand term for the frantic process of fixing the mess. . . . I just keep reading the story, first on the tube, then in paper form, usually standing up at a file cabinet far from my desk, tinkering and tinkering, shifting paragraphs around, throwing out words, shortening sentences, worrying and fretting, checking spelling and job titles and numbers." (David Mehegan, quoted by Donald M. Murray in Writing to Deadline . Heinemann, 2000)
• Two Kinds of Rewriting "[T]here are at least two kinds of rewriting. The first is trying to fix what you've already written, but doing this can keep you from facing up to the second kind, from figuring out the essential thing you're trying to do and looking for better ways to tell your story. If [F. Scott] Fitzgerald had been advising a young writer and not himself he might have said, 'Rewrite from principle,' or 'Don't just push the same old stuff around. Throw it away and start over.'" (Tracy Kidder and Richard Todd, Good Prose: The Art of Nonfiction . Random House, 2013)
• A Form of Self-Forgiveness "I like to think of revision as a form of self-forgiveness: you can allow yourself mistakes and shortcomings in your writing because you know you're coming back later to improve it. Revision is the way you cope with bad luck that made your writing less than excellent this morning. Revision is the hope you hold out for yourself to make something beautiful tomorrow though you didn't quite manage it today. Revision is democracy's literary method, the tool that allows an ordinary person to aspire to extraordinary achievement." (David Huddle, The Writing Habit . Peregrine Smith, 1991)
• Peer Revising "Peer revising is a common feature of writing-process classrooms, and it is often recommended as a way of providing student writers with an audience of readers who can respond to their writing, identify strengths and and problems, and recommend improvements. Students may learn from serving in roles of both author and editor . The critical reading required as an editor can contribute to learning how to evaluate writing. Peer revising is most effective when it is combined with instruction based on evaluation criteria or revising strategies." (Charles A. MacArthur, "Best Practices in Teaching Evaluation and Revision." Best Practices in Writing Instruction , ed. by Steve Graham, Charles A. MacArthur, and Jill Fitzgerald. Guilford Press, 2007)
• Revising Out Loud "You will find, to your delight, that reading your own work aloud, even silently, is the most astonishingly easy and reliable method that there is for achieving economy in prose, efficiency of description, and narrative effect as well." (George V. Higgins, On Writing . Henry Holt, 1990)
• Writers on Revising - "We have discovered that writing allows even a stupid person to seem halfway intelligent, if only that person will write the same thought over and over again, improving it just a little bit each time. It is a lot like inflating a blimp with a bicycle pump. Anybody can do it. All it takes is time." (Kurt Vonnegut, Palm Sunday: An Autobiographical Collage . Random House, 1981) - "Beginning writers everywhere might take a lesson from [Lafcadio] Hearn's working method: when he thought he was finished with a piece, he put it in his desk drawer for a time, then took it out to revise it, then returned it to the drawer, a process that continued until he had exactly what he wanted." (Francine Prose, "Serene Japan." Smithsonian , September 2009) - "An excellent rule for writers is this: Condense your article to the last possible point consistent with clearness. Then cut off its head and tail, and serve up the remains with the sauce of good humor." (C.A.S. Dwight, "The Religious Press." The Editor , 1897) - " Revision is one of the exquisite pleasures of writing.” (Bernard Malamud, Talking Horse: Bernard Malamud on Life and Work , ed. by Alan Cheuse and Nichola Delbanco. Columbia University Press, 1996) - "I rewrite a great deal. I'm always fiddling, always changing something. I'll write a few words--then I'll change them. I add. I subtract. I work and fiddle and keep working and fiddling, and I only stop at the deadline." (Ellen Goodman) - "I'm not a very good writer, but I'm an excellent rewriter." (James Michener) - "Writing is like everything else: the more you do it the better you get. Don't try to perfect as you go along, just get to the end of the damn thing. Accept imperfections. Get it finished and then you can go back. If you try to polish every sentence there's a chance you'll never get past the first chapter." (Iain Banks) - " Revision is very important to me. I just can't abide some things that I write. I look at them the next day and they're terrible. They don't make sense, or they're awkward, or they're not to the point--so I have to revise, cut, shape. Sometimes I throw the whole thing away and start from scratch." (William Kennedy) - "Successful writing takes great exertion, and multiple revisions , refinement, retooling--until it looks as if it didn't take any effort at all." (Dinty W. Moore, The Mindful Writer . Wisdom Publications, 2012)
• Jacques Barzun on the Pleasures of Revision "Rewriting is called revision in the literary and publishing trade because it springs from re-viewing , that is to say, looking at your copy again--and again and again. When you have learned to look at your own words with critical detachment, you will find that rereading a piece five or six times in a row will each time bring to light fresh spots of trouble. The trouble is sometimes elementary: you wonder how you can have written it as a pronoun referring to a plural subject. The slip is easily corrected. At other times you have written yourself into a corner, the exit from which is not at once apparent. Your words down there seem to preclude the necessary repairs up here--because of repetition, syntax, logic, or some other obstacle. Nothing comes to mind as reconciling sense with sound and with clarity in both places. In such a fix you may have to start farther back and pursue a different line altogether. The sharper your judgment, the more trouble you will find. That is why exacting writers are known to have rewritten a famous paragraph or chapter six or seven times. It then looked right to them, because every demand of their art had been met, every flaw removed, down to the slightest. "You and I are far from that stage of mastery, but we are none the less obliged to do some rewriting beyond the intensive correction of bad spots. For in the act of revising on the small scale one comes upon gaps in thought and--what is as bad--real or apparent repetitions or intrusions, sometimes called backstitching . Both are occasions for surgery. In the first case you must write a new fragment and insert it so that its beginning and end fit what precedes and follows. In the second case you must lift the intruding passage and transfer or eliminate it. Simple arithmetic shows you that there are then three and not two sutures to be made before the page shows a smooth surface. If you have never performed this sort of work in writing, you must take it from me that it affords pleasure and satisfaction, both. (Jacques Barzun, Simple and Direct: A Rhetoric for Writers , 4th ed. Harper Perennial, 2001)
• John McPhee on the End of Revision "People often ask how I know when I'm done--not just when I've come to the end, but in all the drafts and revisions and substitutions of one word for another how do I know there is no more to do? When am I done? I just know. I'm lucky that way. What I know is that I can't do any better; someone else might do better, but that's all I can do; so I call it done." (John McPhee, "Structure." The New Yorker , January 14, 2013)

Pronunciation: re-VIZH-en

• How Do You Edit an Essay?
• Explore and Evaluate Your Writing Process
• An Essay Revision Checklist
• 10 Tips for Finding the Right Words
• The Difference Between Revising and Editing
• The Drafting Stage of the Writing Process
• Imitation in Rhetoric and Composition
• John McPhee: His Life and Work
• How to Write a Letter of Complaint
• Revision and Editing Checklist for a Narrative Essay
• A Writing Portfolio Can Help You Perfect Your Writing Skills
• Self-Evaluation of Essays
• Focusing in Composition
• The Basic Characteristics of Effective Writing
• Cohesion Exercise: Building and Connecting Sentences
• Characteristics of a Good Editor

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9 Revision Checklist

Use this as a guide while revising and editing your essay. Check every item.

• _____Do I have an interesting introductory paragraph?
• _____Is my thesis clearly stated? Is it arguable?
• _____Does each of my middle paragraphs develop my thesis?
• _____Do I support my argument with enough specific material?
• _____Am I telling too much, and not showing enough
• _____Do I present more detail than is necessary?
• _____Have I introduced extraneous material?
• _____Am I retelling too much of the story?
• _____Do I anticipate and address relevant counterarguments?
• _____Does my conclusion follow from my thesis and argument?
• _____Have I defended my position?
• _____Did I oversimplify for the sake of closure?
• _____Do I have logical transitions between sentences and paragraphs?
• _____Do my transitions connect my ideas explicitly enough?
• _____Do they show that I am developing an argument, not just repeating?
• _____Do all my paragraphs have either explicit topic sentences or clearly implied main ideas that are connected to my thesis?
• _____Do all my sentences clearly support their paragraph’s main idea?
• _____Should I rearrange any sentences to better effect? Paragraphs?
• _____Can I vary the makeup of any sentences to avoid monotony?
• _____Can I cut out any sentences that I don’t need for my argument?
• _____Do I use any pretentious words, clichés, or jargon?
• _____Do I use any offensive language or inappropriate diction?
• _____Have I looked specifically for spelling, punctuation, and usage problems that have been pointed out to me in previous essays?
• _____Have I merely given a “reading” or have I presented an argument grounded in texts or evidence?
• _____Have I borrowed any ideas from others without crediting my sources? That is, have I accidentally plagiarized?

A Short Handbook for writing essays in the Humanities and Social Sciences Copyright © 2019 by Salvatore F. Allosso and Dan Allosso is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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8.4 Revising and Editing

Learning objectives.

• Identify major areas of concern in the draft essay during revising and editing.
• Use peer reviews and editing checklists to assist revising and editing.
• Revise and edit the first draft of your essay and produce a final draft.

Revising and editing are the two tasks you undertake to significantly improve your essay. Both are very important elements of the writing process. You may think that a completed first draft means little improvement is needed. However, even experienced writers need to improve their drafts and rely on peers during revising and editing. You may know that athletes miss catches, fumble balls, or overshoot goals. Dancers forget steps, turn too slowly, or miss beats. For both athletes and dancers, the more they practice, the stronger their performance will become. Web designers seek better images, a more clever design, or a more appealing background for their web pages. Writing has the same capacity to profit from improvement and revision.

Understanding the Purpose of Revising and Editing

Revising and editing allow you to examine two important aspects of your writing separately, so that you can give each task your undivided attention.

• When you revise , you take a second look at your ideas. You might add, cut, move, or change information in order to make your ideas clearer, more accurate, more interesting, or more convincing.
• When you edit , you take a second look at how you expressed your ideas. You add or change words. You fix any problems in grammar, punctuation, and sentence structure. You improve your writing style. You make your essay into a polished, mature piece of writing, the end product of your best efforts.

How do you get the best out of your revisions and editing? Here are some strategies that writers have developed to look at their first drafts from a fresh perspective. Try them over the course of this semester; then keep using the ones that bring results.

• Take a break. You are proud of what you wrote, but you might be too close to it to make changes. Set aside your writing for a few hours or even a day until you can look at it objectively.
• Ask someone you trust for feedback and constructive criticism.
• Pretend you are one of your readers. Are you satisfied or dissatisfied? Why?
• Use the resources that your college provides. Find out where your school’s writing lab is located and ask about the assistance they provide online and in person.

Many people hear the words critic , critical , and criticism and pick up only negative vibes that provoke feelings that make them blush, grumble, or shout. However, as a writer and a thinker, you need to learn to be critical of yourself in a positive way and have high expectations for your work. You also need to train your eye and trust your ability to fix what needs fixing. For this, you need to teach yourself where to look.

Creating Unity and Coherence

Following your outline closely offers you a reasonable guarantee that your writing will stay on purpose and not drift away from the controlling idea. However, when writers are rushed, are tired, or cannot find the right words, their writing may become less than they want it to be. Their writing may no longer be clear and concise, and they may be adding information that is not needed to develop the main idea.

When a piece of writing has unity , all the ideas in each paragraph and in the entire essay clearly belong and are arranged in an order that makes logical sense. When the writing has coherence , the ideas flow smoothly. The wording clearly indicates how one idea leads to another within a paragraph and from paragraph to paragraph.

Reading your writing aloud will often help you find problems with unity and coherence. Listen for the clarity and flow of your ideas. Identify places where you find yourself confused, and write a note to yourself about possible fixes.

Creating Unity

Sometimes writers get caught up in the moment and cannot resist a good digression. Even though you might enjoy such detours when you chat with friends, unplanned digressions usually harm a piece of writing.

Mariah stayed close to her outline when she drafted the three body paragraphs of her essay she tentatively titled “Digital Technology: The Newest and the Best at What Price?” But a recent shopping trip for an HDTV upset her enough that she digressed from the main topic of her third paragraph and included comments about the sales staff at the electronics store she visited. When she revised her essay, she deleted the off-topic sentences that affected the unity of the paragraph.

Read the following paragraph twice, the first time without Mariah’s changes, and the second time with them.

Nothing is more confusing to me than choosing among televisions. It confuses lots of people who want a new high-definition digital television (HDTV) with a large screen to watch sports and DVDs on. You could listen to the guys in the electronics store, but word has it they know little more than you do. They want to sell what they have in stock, not what best fits your needs. You face decisions you never had to make with the old, bulky picture-tube televisions. Screen resolution means the number of horizontal scan lines the screen can show. This resolution is often 1080p, or full HD, or 768p. The trouble is that if you have a smaller screen, 32 inches or 37 inches diagonal, you won’t be able to tell the difference with the naked eye. The 1080p televisions cost more, though, so those are what the salespeople want you to buy. They get bigger commissions. The other important decision you face as you walk around the sales floor is whether to get a plasma screen or an LCD screen. Now here the salespeople may finally give you decent info. Plasma flat-panel television screens can be much larger in diameter than their LCD rivals. Plasma screens show truer blacks and can be viewed at a wider angle than current LCD screens. But be careful and tell the salesperson you have budget constraints. Large flat-panel plasma screens are much more expensive than flat-screen LCD models. Don’t let someone make you by more television than you need!

Answer the following two questions about Mariah’s paragraph:

Collaboration

Please share with a classmate and compare your answers.

• Now start to revise the first draft of the essay you wrote in Section 8 “Writing Your Own First Draft” . Reread it to find any statements that affect the unity of your writing. Decide how best to revise.

When you reread your writing to find revisions to make, look for each type of problem in a separate sweep. Read it straight through once to locate any problems with unity. Read it straight through a second time to find problems with coherence. You may follow this same practice during many stages of the writing process.

Writing at Work

Many companies hire copyeditors and proofreaders to help them produce the cleanest possible final drafts of large writing projects. Copyeditors are responsible for suggesting revisions and style changes; proofreaders check documents for any errors in capitalization, spelling, and punctuation that have crept in. Many times, these tasks are done on a freelance basis, with one freelancer working for a variety of clients.

Creating Coherence

Careful writers use transitions to clarify how the ideas in their sentences and paragraphs are related. These words and phrases help the writing flow smoothly. Adding transitions is not the only way to improve coherence, but they are often useful and give a mature feel to your essays. Table 8.3 “Common Transitional Words and Phrases” groups many common transitions according to their purpose.

Table 8.3 Common Transitional Words and Phrases

After Maria revised for unity, she next examined her paragraph about televisions to check for coherence. She looked for places where she needed to add a transition or perhaps reword the text to make the flow of ideas clear. In the version that follows, she has already deleted the sentences that were off topic.

Many writers make their revisions on a printed copy and then transfer them to the version on-screen. They conventionally use a small arrow called a caret (^) to show where to insert an addition or correction.

1. Answer the following questions about Mariah’s revised paragraph.

2. Now return to the first draft of the essay you wrote in Section 8 “Writing Your Own First Draft” and revise it for coherence. Add transition words and phrases where they are needed, and make any other changes that are needed to improve the flow and connection between ideas.

Being Clear and Concise

Some writers are very methodical and painstaking when they write a first draft. Other writers unleash a lot of words in order to get out all that they feel they need to say. Do either of these composing styles match your style? Or is your composing style somewhere in between? No matter which description best fits you, the first draft of almost every piece of writing, no matter its author, can be made clearer and more concise.

If you have a tendency to write too much, you will need to look for unnecessary words. If you have a tendency to be vague or imprecise in your wording, you will need to find specific words to replace any overly general language.

Identifying Wordiness

Sometimes writers use too many words when fewer words will appeal more to their audience and better fit their purpose. Here are some common examples of wordiness to look for in your draft. Eliminating wordiness helps all readers, because it makes your ideas clear, direct, and straightforward.

Sentences that begin with There is or There are .

Wordy: There are two major experiments that the Biology Department sponsors.

Revised: The Biology Department sponsors two major experiments.

Sentences with unnecessary modifiers.

Wordy: Two extremely famous and well-known consumer advocates spoke eloquently in favor of the proposed important legislation.

Revised: Two well-known consumer advocates spoke in favor of the proposed legislation.

Sentences with deadwood phrases that add little to the meaning. Be judicious when you use phrases such as in terms of , with a mind to , on the subject of , as to whether or not , more or less , as far as…is concerned , and similar expressions. You can usually find a more straightforward way to state your point.

Wordy: As a world leader in the field of green technology, the company plans to focus its efforts in the area of geothermal energy.

A report as to whether or not to use geysers as an energy source is in the process of preparation.

Revised: As a world leader in green technology, the company plans to focus on geothermal energy.

A report about using geysers as an energy source is in preparation.

Sentences in the passive voice or with forms of the verb to be . Sentences with passive-voice verbs often create confusion, because the subject of the sentence does not perform an action. Sentences are clearer when the subject of the sentence performs the action and is followed by a strong verb. Use strong active-voice verbs in place of forms of to be , which can lead to wordiness. Avoid passive voice when you can.

Wordy: It might perhaps be said that using a GPS device is something that is a benefit to drivers who have a poor sense of direction.

Revised: Using a GPS device benefits drivers who have a poor sense of direction.

Sentences with constructions that can be shortened.

Wordy: The e-book reader, which is a recent invention, may become as commonplace as the cell phone.

My over-sixty uncle bought an e-book reader, and his wife bought an e-book reader, too.

Revised: The e-book reader, a recent invention, may become as commonplace as the cell phone.

My over-sixty uncle and his wife both bought e-book readers.

Now return once more to the first draft of the essay you have been revising. Check it for unnecessary words. Try making your sentences as concise as they can be.

Choosing Specific, Appropriate Words

Most college essays should be written in formal English suitable for an academic situation. Follow these principles to be sure that your word choice is appropriate. For more information about word choice, see Chapter 4 “Working with Words: Which Word Is Right?” .

• Avoid slang. Find alternatives to bummer , kewl , and rad .
• Avoid language that is overly casual. Write about “men and women” rather than “girls and guys” unless you are trying to create a specific effect. A formal tone calls for formal language.
• Avoid contractions. Use do not in place of don’t , I am in place of I’m , have not in place of haven’t , and so on. Contractions are considered casual speech.
• Avoid clichés. Overused expressions such as green with envy , face the music , better late than never , and similar expressions are empty of meaning and may not appeal to your audience.
• Be careful when you use words that sound alike but have different meanings. Some examples are allusion/illusion , complement/compliment , council/counsel , concurrent/consecutive , founder/flounder , and historic/historical . When in doubt, check a dictionary.
• Choose words with the connotations you want. Choosing a word for its connotations is as important in formal essay writing as it is in all kinds of writing. Compare the positive connotations of the word proud and the negative connotations of arrogant and conceited .
• Use specific words rather than overly general words. Find synonyms for thing , people , nice , good , bad , interesting , and other vague words. Or use specific details to make your exact meaning clear.

Now read the revisions Mariah made to make her third paragraph clearer and more concise. She has already incorporated the changes she made to improve unity and coherence.

1. Answer the following questions about Mariah’s revised paragraph:

2. Now return once more to your essay in progress. Read carefully for problems with word choice. Be sure that your draft is written in formal language and that your word choice is specific and appropriate.

Completing a Peer Review

After working so closely with a piece of writing, writers often need to step back and ask for a more objective reader. What writers most need is feedback from readers who can respond only to the words on the page. When they are ready, writers show their drafts to someone they respect and who can give an honest response about its strengths and weaknesses.

You, too, can ask a peer to read your draft when it is ready. After evaluating the feedback and assessing what is most helpful, the reader’s feedback will help you when you revise your draft. This process is called peer review .

You can work with a partner in your class and identify specific ways to strengthen each other’s essays. Although you may be uncomfortable sharing your writing at first, remember that each writer is working toward the same goal: a final draft that fits the audience and the purpose. Maintaining a positive attitude when providing feedback will put you and your partner at ease. The box that follows provides a useful framework for the peer review session.

Questions for Peer Review

Title of essay: ____________________________________________

Date: ____________________________________________

Writer’s name: ____________________________________________

Peer reviewer’s name: _________________________________________

• This essay is about____________________________________________.
• Your main points in this essay are____________________________________________.
• What I most liked about this essay is____________________________________________.

These three points struck me as your strongest:

These places in your essay are not clear to me:

a. Where: ____________________________________________

Needs improvement because__________________________________________

b. Where: ____________________________________________

Needs improvement because ____________________________________________

c. Where: ____________________________________________

The one additional change you could make that would improve this essay significantly is ____________________________________________.

One of the reasons why word-processing programs build in a reviewing feature is that workgroups have become a common feature in many businesses. Writing is often collaborative, and the members of a workgroup and their supervisors often critique group members’ work and offer feedback that will lead to a better final product.

Exchange essays with a classmate and complete a peer review of each other’s draft in progress. Remember to give positive feedback and to be courteous and polite in your responses. Focus on providing one positive comment and one question for more information to the author.

Using Feedback Objectively

The purpose of peer feedback is to receive constructive criticism of your essay. Your peer reviewer is your first real audience, and you have the opportunity to learn what confuses and delights a reader so that you can improve your work before sharing the final draft with a wider audience (or your intended audience).

It may not be necessary to incorporate every recommendation your peer reviewer makes. However, if you start to observe a pattern in the responses you receive from peer reviewers, you might want to take that feedback into consideration in future assignments. For example, if you read consistent comments about a need for more research, then you may want to consider including more research in future assignments.

Using Feedback from Multiple Sources

You might get feedback from more than one reader as you share different stages of your revised draft. In this situation, you may receive feedback from readers who do not understand the assignment or who lack your involvement with and enthusiasm for it.

You need to evaluate the responses you receive according to two important criteria:

• Determine if the feedback supports the purpose of the assignment.
• Determine if the suggested revisions are appropriate to the audience.

Then, using these standards, accept or reject revision feedback.

Work with two partners. Go back to Note 8.81 “Exercise 4” in this lesson and compare your responses to Activity A, about Mariah’s paragraph, with your partners’. Recall Mariah’s purpose for writing and her audience. Then, working individually, list where you agree and where you disagree about revision needs.

Editing Your Draft

If you have been incorporating each set of revisions as Mariah has, you have produced multiple drafts of your writing. So far, all your changes have been content changes. Perhaps with the help of peer feedback, you have made sure that you sufficiently supported your ideas. You have checked for problems with unity and coherence. You have examined your essay for word choice, revising to cut unnecessary words and to replace weak wording with specific and appropriate wording.

The next step after revising the content is editing. When you edit, you examine the surface features of your text. You examine your spelling, grammar, usage, and punctuation. You also make sure you use the proper format when creating your finished assignment.

Editing often takes time. Budgeting time into the writing process allows you to complete additional edits after revising. Editing and proofreading your writing helps you create a finished work that represents your best efforts. Here are a few more tips to remember about your readers:

• Readers do not notice correct spelling, but they do notice misspellings.
• Readers look past your sentences to get to your ideas—unless the sentences are awkward, poorly constructed, and frustrating to read.
• Readers notice when every sentence has the same rhythm as every other sentence, with no variety.
• Readers do not cheer when you use there , their , and they’re correctly, but they notice when you do not.
• Readers will notice the care with which you handled your assignment and your attention to detail in the delivery of an error-free document..

The first section of this book offers a useful review of grammar, mechanics, and usage. Use it to help you eliminate major errors in your writing and refine your understanding of the conventions of language. Do not hesitate to ask for help, too, from peer tutors in your academic department or in the college’s writing lab. In the meantime, use the checklist to help you edit your writing.

Editing Your Writing

• Are some sentences actually sentence fragments?
• Are some sentences run-on sentences? How can I correct them?
• Do some sentences need conjunctions between independent clauses?
• Does every verb agree with its subject?
• Is every verb in the correct tense?
• Are tense forms, especially for irregular verbs, written correctly?
• Have I used subject, object, and possessive personal pronouns correctly?
• Have I used who and whom correctly?
• Is the antecedent of every pronoun clear?
• Do all personal pronouns agree with their antecedents?
• Have I used the correct comparative and superlative forms of adjectives and adverbs?
• Is it clear which word a participial phrase modifies, or is it a dangling modifier?

Sentence Structure

• Are all my sentences simple sentences, or do I vary my sentence structure?
• Have I chosen the best coordinating or subordinating conjunctions to join clauses?
• Have I created long, overpacked sentences that should be shortened for clarity?
• Do I see any mistakes in parallel structure?

Punctuation

• Does every sentence end with the correct end punctuation?
• Can I justify the use of every exclamation point?
• Have I used apostrophes correctly to write all singular and plural possessive forms?
• Have I used quotation marks correctly?

Mechanics and Usage

• Can I find any spelling errors? How can I correct them?
• Have I used capital letters where they are needed?
• Have I written abbreviations, where allowed, correctly?
• Can I find any errors in the use of commonly confused words, such as to / too / two ?

Be careful about relying too much on spelling checkers and grammar checkers. A spelling checker cannot recognize that you meant to write principle but wrote principal instead. A grammar checker often queries constructions that are perfectly correct. The program does not understand your meaning; it makes its check against a general set of formulas that might not apply in each instance. If you use a grammar checker, accept the suggestions that make sense, but consider why the suggestions came up.

Proofreading requires patience; it is very easy to read past a mistake. Set your paper aside for at least a few hours, if not a day or more, so your mind will rest. Some professional proofreaders read a text backward so they can concentrate on spelling and punctuation. Another helpful technique is to slowly read a paper aloud, paying attention to every word, letter, and punctuation mark.

If you need additional proofreading help, ask a reliable friend, a classmate, or a peer tutor to make a final pass on your paper to look for anything you missed.

Remember to use proper format when creating your finished assignment. Sometimes an instructor, a department, or a college will require students to follow specific instructions on titles, margins, page numbers, or the location of the writer’s name. These requirements may be more detailed and rigid for research projects and term papers, which often observe the American Psychological Association (APA) or Modern Language Association (MLA) style guides, especially when citations of sources are included.

To ensure the format is correct and follows any specific instructions, make a final check before you submit an assignment.

With the help of the checklist, edit and proofread your essay.

Key Takeaways

• Revising and editing are the stages of the writing process in which you improve your work before producing a final draft.
• During revising, you add, cut, move, or change information in order to improve content.
• During editing, you take a second look at the words and sentences you used to express your ideas and fix any problems in grammar, punctuation, and sentence structure.
• Unity in writing means that all the ideas in each paragraph and in the entire essay clearly belong together and are arranged in an order that makes logical sense.
• Coherence in writing means that the writer’s wording clearly indicates how one idea leads to another within a paragraph and between paragraphs.
• Transitional words and phrases effectively make writing more coherent.
• Writing should be clear and concise, with no unnecessary words.
• Effective formal writing uses specific, appropriate words and avoids slang, contractions, clichés, and overly general words.
• Peer reviews, done properly, can give writers objective feedback about their writing. It is the writer’s responsibility to evaluate the results of peer reviews and incorporate only useful feedback.
• Remember to budget time for careful editing and proofreading. Use all available resources, including editing checklists, peer editing, and your institution’s writing lab, to improve your editing skills.

Writing for Success Copyright © 2015 by University of Minnesota is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Writing a Paper: Revising in General

Overall revision strategies.

• Grammar Revision Journal Template

Here are some revision strategies to keep in mind:

Adjust your expectations .

• Be aware that the first draft of your writing will need to go through the revision process. Even experienced and professional writers are not able to produce their best document the first time.  

Plan for revision time.

• Give yourself time away from the document—an hour, a day, a week—so that you can look back at the document again with fresh eyes.

Think big picture.

• Remember that the revision process focuses on your overall ideas and your overall organization. Use the revision checklist to check for this.

Set a goal for your revisions.

• Think critically about your revisions and set clear writing goals to address skill development. If you have difficulty with conclusions, establish a writing goal to review the Writing Center’s resources on conclusions and apply those strategies to your next project. If you struggle with word choice, consider a goal where you use a thesaurus or other strategies to improve academic diction and then set up a paper review appointment to receive feedback on your revisions. For grammar errors, make a goal to keep a grammar revision journal of common errors, the required rule, and possible revisions. 

Become a peer reviewer.

• Start a writing group or exchange drafts with some of your peers. Becoming a careful reader and responder to other people’s work will help you to more critically read and revise your own writing. 

Read your writing out loud.

• Read your writing out loud to yourself or to someone else. Alternatively, have someone read your writing out loud to you. This will give you a chance to hear the words outside of your own head and give you the opportunity to listen for how the ideas and the words flow together and/or where they become confusing.

Save each draft as its own separate document.

• Each time you revise a draft, save it as a new file. That way, if you decide to go back to something you wrote previously, you have access to the previous version.

Take advantage of our Paper Review Service

• We also encourage you to sign up for our paper review service as a way of enhancing your revisions skills. You can make an appointment with a Writing Center instructor to receive personalized feedback on your revisions as well as suggestions on how to achieve your writing goals. In fact, students who make three or more paper review appointments per term are statistically more likely to see academic improvement as they invest in their writing skills. We invite you to take advantage of this opportunity and start the revision process today. Click here to learn more about our paper review appointments .

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Revision Checklist

Using a revision checklist may be helpful to think about the piece of writing as a whole. Use this model or create a checklist of your own.

• The introduction gives adequate and appropriate background information. It is organized from more general to more specific.
• There is a clear thesis (or a clear controlling idea) in the introduction.
• The body paragraphs of the document have a clear topic sentence /main idea. Each paragraph is focused on one main idea that is relevant to the topic of the paragraph as well as to the overall thesis. Using the MEAL plan may help with this.
• Each body paragraph is adequately developed .
• Ideas are cohesive and flow from one to the next. Transitions between paragraphs and between sentences are used effectively.
• The conclusion successfully signals the end of the document.
• Formal scholarly voice is used throughout the document.
• Sources are cited per APA guidelines for both citations and in the references .
• The appropriate template is used.
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Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Steps for Revising Your Paper

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When you have plenty of time to revise, use the time to work on your paper and to take breaks from writing. If you can forget about your draft for a day or two, you may return to it with a fresh outlook. During the revising process, put your writing aside at least twice—once during the first part of the process, when you are reorganizing your work, and once during the second part, when you are polishing and paying attention to details.

Use the following questions to evaluate your drafts. You can use your responses to revise your papers by reorganizing them to make your best points stand out, by adding needed information, by eliminating irrelevant information, and by clarifying sections or sentences.

Find your main point.

What are you trying to say in the paper? In other words, try to summarize your thesis, or main point, and the evidence you are using to support that point. Try to imagine that this paper belongs to someone else. Does the paper have a clear thesis? Do you know what the paper is going to be about?

Identify your readers and your purpose.

What are you trying to do in the paper? In other words, are you trying to argue with the reading, to analyze the reading, to evaluate the reading, to apply the reading to another situation, or to accomplish another goal?

Evaluate your evidence.

Does the body of your paper support your thesis? Do you offer enough evidence to support your claim? If you are using quotations from the text as evidence, did you cite them properly?

Save only the good pieces.

Do all of the ideas relate back to the thesis? Is there anything that doesn't seem to fit? If so, you either need to change your thesis to reflect the idea or cut the idea.

Tighten and clean up your language.

Do all of the ideas in the paper make sense? Are there unclear or confusing ideas or sentences? Read your paper out loud and listen for awkward pauses and unclear ideas. Cut out extra words, vagueness, and misused words.

Visit the Purdue OWL's vidcast on cutting during the revision phase for more help with this task.

Eliminate mistakes in grammar and usage.

Do you see any problems with grammar, punctuation, or spelling? If you think something is wrong, you should make a note of it, even if you don't know how to fix it. You can always talk to a Writing Lab tutor about how to correct errors.

Switch from writer-centered to reader-centered.

Try to detach yourself from what you've written; pretend that you are reviewing someone else's work. What would you say is the most successful part of your paper? Why? How could this part be made even better? What would you say is the least successful part of your paper? Why? How could this part be improved?

The Ultimate Essay Checklist

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Getting Started

Essay writing: it might not be your favorite thing in the world, but the essay editing experts at Scribendi are here to change that by making it a little less scary and a lot more fun! (Okay—perhaps "fun" is a bit strong. How about "bearable"?)

While there are four main types of essays—expository, persuasive, analytical, and argumentative—the basic structure of any essay is the same:

• An introductory paragraph
• At least three body paragraphs
• A concluding paragraph
• A bibliography

Generally, the higher your level of education, the more complex your essay structure will be. While high school students typically stick with the five-paragraph essay, university and graduate students are expected to discuss topics that require more than five paragraphs to flesh out. Whatever type of essay you're writing, following this basic format will help you accomplish your intended goal.

This ultimate essay checklist will provide you with everything you need to unleash your knowledge and express your creativity while following standard essay-writing conventions. This essay checklist will show you how to write a stellar essay of any style, and it will give you the confidence to explore and write about any topic.

General Tips

• Get an early start. It's much easier to come up with and organize your ideas when you're not pressed for time and are able to conduct proper research. The earlier you start, the easier it will be . . . so don't procrastinate!
• Choose a topic. Your instructor will likely give you a handful of topics to choose from or a general topic area. Depending on the instructions you're given, you will have to select and refine the topic. You can choose something you're already interested in or something you know nothing about—either way, you'll be doing your research and learning along the way.
• Use various sources of information. With the vast amount of information available today, you're far from limited when it comes to choosing your sources. Use books, websites, journal articles, research studies, interviews—the world is your oyster! Just remember to keep track of your sources so that you can cite them properly and add them to your bibliography. Also check what kinds of sources your professor wants: primary, secondary, or both?

• Do not plagiarize. Cite your work and give credit where it's due. Do not take credit for others' thoughts or ideas, and make yourself aware of the basic rules for avoiding plagiarism .
• Create an outline. Make a rough outline of the sections and points of your essay. Writing your ideas down will help you organize your thoughts and see what you need to add, change, or rearrange.
• Provide evidence. Use evidence from your research to support your ideas. Each body paragraph will contain an original idea, but you will need to back it up with evidence to make it credible.
• Don't use "I" statements or make sweeping generalizations. Stay objective, and be specific.
• Grab your audience's attention. Come up with an attention-grabbing title and introduction that will make your reader want more.
• Use logic. Within each paragraph and throughout your essay, keep your ideas coherent and linear.
• Use an essay style that complements your content (and is in accordance with your professor's guidelines). There are four main types of essays:
• Expository : The writer explains an idea or issue to the reader.
• Persuasive : The writer tries to convince the reader to take his or her position on an idea, issue, or topic.
• Analytical : The writer examines and analyzes an idea, issue, or topic.
• Argumentative : The writer tries to prove that his or her position is correct.
• Answer what , why , and how . Regardless of the type of essay you write, it should answer each of these questions.
• Don't feel obliged to write your first draft in order, from introduction to bibliography. It can be difficult to write a completely linear essay when you have lots of different ideas, so start by writing whatever you're ready to write—you can put all the pieces together later. This will make the process easier and less stressful.

Introduction

The introductory paragraph broadly introduces your topic by giving your reader an overview of what your essay will be about and the points that will be discussed. It often starts with a general statement that acts as the topic sentence for the paragraph, and it provides a general discussion that leads to a specific thesis statement at the end of the paragraph.

• Do not explicitly explain your intentions. For example, do not say, "The purpose of this essay is to . . ." Instead, allow the topic sentence to help your reader identify and determine your purpose. By the time readers get to the end, they will have a comprehensive understanding of your essay and its intent.
• Choose a thesis statement that the body of your essay will be able to support. This thesis will be the "hook" of your essay, and it is often one of the last sentences in the introductory paragraph. A hook is a line that grabs the reader's attention—it "hooks" them, just like a fishing hook grabs a fish. The goal of the hook is to keep your reader interested and to clearly indicate the purpose of the essay.

The body of the essay develops the argument that was outlined in the introduction.

• Use topic sentences. The topic sentence of each paragraph provides a brief summary of what the paragraph is about.

• Set up the transition to your next point. The concluding sentence of each paragraph should function as a hook and transition into the next paragraph.
• Discuss and support a different idea in each paragraph. Limit each paragraph to one main idea. The topic sentence of each paragraph will help you organize your own thoughts and let the reader know what that paragraph is about. If you're writing a five-paragraph essay, follow this general outline:
• The first paragraph contains the strongest argument and ties into the hook at the end of the introductory paragraph. Discuss your first point, elaborate on it, and provide evidence in support of it. Close with a transitional hook.
• The second paragraph contains a more neutral argument, and it ties into the hook at the end of the first paragraph. Discuss your second point, elaborate on it, and provide evidence to support it. Close with a transitional hook.
• The third paragraph contains another strong argument and ties into the hook at the end of the second paragraph. Discuss your third point, elaborate on it, and provide evidence to support it. Close with a transitional sentence that leads smoothly into the concluding paragraph.

In contrast to the introductory paragraph, the concluding paragraph starts out specific (by reintroducing the thesis) and becomes more general. It ties your ideas together and brings your paper to a culmination.

The concluding paragraph provides a general discussion of your findings and shows the reader that you have accomplished what you intended to at the outset.

• Restate your thesis (though not necessarily using the exact same words). In contrast to the introductory paragraph, the concluding paragraph starts out specific (by reintroducing the thesis) and becomes more general. It ties your ideas together and brings your paper to a close.
• Discuss your findings based on your research and evidence. Has your thesis been proven?
• Don't introduce any new ideas. The point here is to sum up and wrap up your essay, not to confuse readers by providing new information.
• End on a high note. You can finish the essay in a variety of ways. For example, you might provide suggestions for future research, state a call to action, share a quote, or ask a question. Depending on the topic and purpose of your essay, choose a closing line that will fit well with the rest of your essay's structure and leave readers thinking " Wow! "

Bibliography/Works Cited

The Bibliography or Works Cited page is a list of all the references you used throughout the paper. It can be alphabetized or numbered depending on the style guide you are using. While a Bibliography includes every resource you consulted when preparing your essay, a Works Cited page includes only the resources cited in your essay. Find out which is required by consulting the style guide assigned by your professor.

• To make creating your reference list easier, use citation software . There are many different options out there, and several of the software programs are free (especially if you're enrolled in a university that has a subscription to one of the services). These citation software programs essentially create your bibliography for you, making the process fast, easy, and accurate.

Review, Revise, Rework

• Give yourself a day or two before rereading and revising your essay. This way, you will have a fresh set of eyes, making it easier to catch any mistakes.
• Don't be afraid to rearrange paragraphs, delete sentences, or add information. Reading through your essay a few days after writing it makes it much easier to see where and how the structure needs to be changed.
• Correct any errors in spelling, grammar, and punctuation. Check the essay yourself, have a friend review it, or better yet, have your essay edited by a professional editing service .
• Avoid colloquialisms and contractions. ('Cause it just ain't professional in an academic setting. Lol.)
• Analyze the flow of your essay , and make sure that your ideas and paragraphs flow smoothly from one to the next.
• Cut out any extraneous information or fluff. We've all done it, but adding extra words to make a word count requirement doesn't fly with most professors, and it will definitely detract from the strength of your essay.

Now, it's Time to Write!

It may seem overwhelming, but writing an essay doesn't have to be stressful. After coming up with a topic, doing some research, and creating a basic outline, you're ready to start filling in the gaps. Using primary and/or secondary research, back up your ideas and support them with credible sources. Just don't forget to cite those sources! Once you've written your first draft, take a day or two away from your paper so you will have a clear head when you come back to revise it. As suggested, you may even want to have your paper edited by the professionals at Scribendi , who will not only correct any surface-level errors but will also check for consistency, clarity, and cohesiveness, providing comments and suggestions along the way.

Essay writing is so much easier if you're equipped with the right tools, and that's what we hope we've given you with this ultimate essay checklist. Now that you know how to write an essay (regardless of the style), we're confident in your ability to write an essay about any topic that your instructor might have in store for you. Happy writing!

Image sources: Foundry/Pixabay.com, succo/Pixabay.com, ClkerFreeVectorImages/Pixabay.com

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• Academic essay overview
• The writing process
• Structuring academic essays
• Types of academic essays
• Academic writing overview
• Sentence structure
• Academic writing process
• Improving your academic writing
• Titles and headings
• APA style overview
• APA citation & referencing
• APA structure & sections
• Citation & referencing
• Structure and sections
• APA examples overview
• Commonly used citations
• Other examples
• British English vs. American English
• Chicago style overview
• Chicago citation & referencing
• Chicago structure & sections
• Chicago style examples
• Citing sources overview
• Citation format
• Citation examples
• College essay overview
• Application
• How to write a college essay
• Types of college essays
• Commonly confused words
• Definitions
• Dissertation overview
• Dissertation structure & sections
• Dissertation writing process
• Graduate school overview
• Application & admission
• Study abroad
• Master degree
• Harvard referencing overview
• Language rules overview
• Grammatical rules & structures
• Parts of speech
• Punctuation
• Methodology overview
• Analyzing data
• Experiments
• Observations
• Inductive vs. Deductive
• Qualitative vs. Quantitative
• Types of validity
• Types of reliability
• Sampling methods
• Theories & Concepts
• Types of research studies
• Types of variables
• MLA style overview
• MLA examples
• MLA citation & referencing
• MLA structure & sections
• Plagiarism overview
• Plagiarism checker
• Types of plagiarism
• Printing production overview
• Research bias overview
• Types of research bias
• Example sections
• Types of research papers
• Research process overview
• Problem statement
• Research proposal
• Research topic
• Statistics overview
• Levels of measurment
• Frequency distribution
• Measures of central tendency
• Measures of variability
• Hypothesis testing
• Parameters & test statistics
• Types of distributions
• Correlation
• Effect size
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Revising an Essay — A Quick & Easy Guide

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The desire to provide a perfect and fascinating college essay with reliable facts and no grammatical problems is natural. Tackling an academic essay requires the same meticulous approach. However, editing and revising may be daunting if you are unprepared. To make the revision process go smoothly, you should know the steps for revising an essay, as explained below.

Inhaltsverzeichnis

• 1 Revising an Essay – In a Nutshell
• 2 Definition: Revising an essay
• 3 Revising an essay: The big picture
• 4 Revising an essay: An overview
• 5 Revising an essay: Checklist
• 6 The best time for revising an essay

Revising an Essay – In a Nutshell

• Revision is making changes and edits to a text until you fix all errors and flaws.
• Even if you believe you have done your absolute best, always approach it as a draft .
• Write your essay’s thesis statement or critical topic in the opening paragraph .
• It is crucial to elaborate on your points in each paragraph by providing relevant information and examples.

Definition: Revising an essay

To revise means to look over it again. Revising an essay entails reviewing the overall structure and how well you presented your ideas. You can rewrite some sentences to make your concepts more straightforward and add, remove or rearrange paragraphs to make your case more compelling.

Revising an essay: The big picture

During your initial reading, focus on the essay’s general theme , fluency and content quality rather than correcting grammar mistakes. Once you have read your essay, you should consider the following questions.

• How should I interpret the results of my essay?
• Was my response helpful ?
• Does it provide an understanding , or is it simply a story?
• Do I illustrate my morals using personal experiences and case studies ?
• Is there a good balance between focusing on myself and focusing on someone else or anything else?

Rewrite your essay to address the issues you raise if you answer any of the above questions negatively. For example;

Revising an essay: An overview

Revising an essay well entails moving the best ideas to the front , switching the order of the essential themes and eliminating any fluff . One way to do this is to improve the visibility of the argument’s structure by bolstering subject phrases and transitions.

The Introduction

Fundamentally, an introduction paragraph’s purpose is to ease the transition from the reader’s everyday experience into the textual and cognitive realm of the essay. Present yourself as an intelligent writer who has thoroughly researched the subject and can swiftly navigate the complexity and depths of the issue . The tone you choose for your beginning will determine how the rest of your essay reads.

Underline the confusing, tedious or superfluous portions when revising an essay. Go back and make any required changes, such as elaborating on dull areas with more exciting language or cutting out redundant phrases . Ensure that your essay highlights your unique qualities, interests and experiences that will appeal to institutions.

The Conclusion

It would be best to summarise your primary arguments , reiterate your thesis and leave the reader with a last idea in your conclusion. A preliminary draft’s topic and conclusion may likely diverge if the author drifts from the initial concept to a more detailed argument while writing. Repeat without seeming like you are trying too hard when revising an essay. Most readers do not mind a moderate level of repetition since it provides a sense of stability and familiarity they value. However, restate your thesis sparingly in the last paragraph and avoid repeatedly mentioning the same points in different wording.

Revising an essay: Checklist

Here is a checklist that will help you when revising an essay:

• While reading my work, do others understand what I mean? Have I made myself clear?
• Is the essay I turned in what the instructor expected?
• Is it possible that I am trying to do too much? Should I be more specific?
• How efficient is my method of organisation?
• How better can I explain this idea?
• Is the tone I am employing acceptable for this situation?
• Am I using any phrases that need to be defined?

The best time for revising an essay

The optimum time for revising an essay is often not immediately after you finish the first version (however, there are exceptions to this rule). Instead, give yourself space from your task by waiting a few hours or days. In this manner, you will be more open to revisions and less likely to guard your work.

When should I start revising an essay?

Wait at least an hour after finishing an essay to start revising it. Ideally, it would be better to hold off for a day or two.

When revising an essay, how many times should I do it?

There may be multiple revision phases, depending on the length and complexity of your essay. When you have finished editing your work, set it aside for a while so that you may come back to it with new perspectives.

What should I look for while revising an essay?

While reworking your college essay, look for overarching concerns such as message, flow, tone, style and clarity. Next, concentrate on removing grammatical and punctuation mistakes.

Why should I bother revising an essay?

Proofreading is just one of the revision processes. It involves reviewing the paper to ensure all ideas and content are relevant to the work.

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Revising an Argumentative Paper

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Introduction

You’ve written a full draft of an argumentative paper. You’ve figured out what you’re generally saying and have put together one way to say it. But you’re not done. The best writing is revised writing, and you want to re–view, re–see, re–consider your argument to make sure that it’s as strong as possible. You’ll come back to smaller issues later (e.g., Is your language compelling? Are your paragraphs clearly and seamlessly connected? Are any of your sentences confusing?). But before you get into the details of phrases and punctuation, you need to focus on making sure your argument is as strong and persuasive as it can be. This page provides you with eight specific strategies for how to take on the important challenge of revising an argument.

• Give yourself time.
• Outline your argumentative claims and evidence.
• Analyze your argument’s assumptions.
• Revise with your audience in mind.
• Be your own most critical reader.
• Look for dissonance.
• Try “provocative revision.”
• Ask others to look critically at your argument.

1. Give yourself time.

The best way to begin re–seeing your argument is first to stop seeing it. Set your paper aside for a weekend, a day, or even a couple of hours. Of course, this will require you to have started your writing process well before your paper is due. But giving yourself this time allows you to refresh your perspective and separate yourself from your initial ideas and organization. When you return to your paper, try to approach your argument as a tough, critical reader. Reread it carefully. Maybe even read it out loud to hear it in a fresh way. Let the distance you created inform how you now see the paper differently.

2. Outline your argumentative claims and evidence.

This strategy combines the structure of a reverse outline with elements of argument that philosopher Stephen Toulmin detailed in his influential book The Uses of Argument . As you’re rereading your work, have a blank piece of paper or a new document next to you and write out:

• Your main claim (your thesis statement).
• Your sub–claims (the smaller claims that contribute to the larger claim).
• All the evidence you use to back up each of your claims.

Detailing these core elements of your argument helps you see its basic structure and assess whether or not your argument is convincing. This will also help you consider whether the most crucial elements of the argument are supported by the evidence and if they are logically sequenced to build upon each other.

In what follows we’ve provided a full example of what this kind of outline can look like. In this example, we’ve broken down the key argumentative claims and kinds of supporting evidence that Derek Thompson develops in his July/August 2015 Atlantic feature “ A World Without Work. ” This is a provocative and fascinating article, and we highly recommend it.

Charted Argumentative Claims and Evidence “ A World Without Work ” by Derek Thompson ( The Atlantic , July/August 2015) Main claim : Machines are making workers obsolete, and while this has the potential to disrupt and seriously damage American society, if handled strategically through governmental guidance, it also has the potential of helping us to live more communal, creative, and empathetic lives. Sub–claim : The disappearance of work would radically change the United States. Evidence: personal experience and observation Sub–claim : This is because work functions as something of an unofficial religion to Americans. Sub–claim : Technology has always guided the U.S. labor force. Evidence: historical examples Sub–claim: But now technology may be taking over our jobs. Sub–claim : However, the possibility that technology will take over our jobs isn’t anything new, nor is the fear that this possibility generates. Evidence: historical examples Sub–claim : So far, that fear hasn’t been justified, but it may now be because: 1. Businesses don’t require people to work like they used to. Evidence: statistics 2. More and more men and youths are unemployed. Evidence: statistics 3. Computer technology is advancing in majorly sophisticated ways. Evidence: historical examples and expert opinions Counter–argument: But technology has been radically advancing for 300 years and people aren’t out of work yet. Refutation: The same was once said about the horse. It was a key economic player; technology was built around it until technology began to surpass it. This parallels what will happen with retail workers, cashiers, food service employees, and office clerks. Evidence:: an academic study Counter–argument: But technology creates jobs too. Refutation: Yes, but not as quickly as it takes them away. Evidence: statistics Sub–claim : There are three overlapping visions of what the world might look like without work: 1. Consumption —People will not work and instead devote their freedom to leisure. Sub–claim : People don’t like their jobs. Evidence: polling data Sub–claim : But they need them. Evidence: expert insight Sub–claim : People might be happier if they didn’t have to work. Evidence: expert insight Counter–argument: But unemployed people don’t tend to be socially productive. Evidence: survey data Sub–claim : Americans feel guilty if they aren’t working. Evidence: statistics and academic studies Sub–claim : Future leisure activities may be nourishing enough to stave off this guilt. 2. Communal creativity —People will not work and will build productive, artistic, engaging communities outside the workplace. Sub–claim: This could be a good alternative to work. Evidence: personal experience and observation 3. Contingency —People will not work one big job like they used to and so will fight to regain their sense of productivity by piecing together small jobs. Evidence: personal experience and observation. Sub–claim : The internet facilitates gig work culture. Evidence: examples of internet-facilitated gig employment Sub–claim : No matter the form the labor force decline takes, it would require government support/intervention in regards to the issues of taxes and income distribution. Sub–claim : Productive things governments could do: • Local governments should create more and more ambitious community centers to respond to unemployment’s loneliness and its diminishment of community pride. • Government should create more small business incubators. Evidence: This worked in Youngstown. • Governments should encourage job sharing. Evidence: This worked for Germany. Counter–argument: Some jobs can’t be shared, and job sharing doesn’t fix the problem in the long term. Given this counter argument: • Governments should heavily tax the owners of capital and cut checks to all adults. Counter–argument: The capital owners would push against this, and this wouldn’t provide an alternative to the social function work plays. Refutation: Government should pay people to do something instead of nothing via an online job–posting board open up to governments, NGOs, and the like. • Governments should incentivize school by paying people to study. Sub–claim : There is a difference between jobs, careers, and calling, and a fulfilled life is lived in pursuit of a calling. Evidence: personal experience and observations

Some of the possible, revision-informing questions that this kind of outline can raise are:

• Are all the claims thoroughly supported by evidence?
• What kinds of evidence are used across the whole argument? Is the nature of the evidence appropriate given your context, purpose, and audience?
• How are the sub–claims related to each other? How do they build off of each other and work together to logically further the larger claim?
• Do any of your claims need to be qualified in order to be made more precise?
• Where and how are counter–arguments raised? Are they fully and fairly addressed?

For more information about the Toulmin Method, we recommend John Ramage, John Bean, and June Johnson’s book Written Arguments: A Rhetoric with Readings.

3. Analyze your argument’s assumptions.

In building arguments we make assumptions either explicitly or implicitly that connect our evidence to our claims. For example, in “A World Without Work,” as Thompson makes claims about the way technology will change the future of work, he is assuming that computer technology will keep advancing in major and surprising ways. This assumption helps him connect the evidence he provides about technology’s historical precedents to his claims about the future of work. Many of us would agree that it is reasonable to assume that technological advancement will continue, but it’s still important to recognize this as an assumption underlying his argument.

To identify your assumptions, return to the claims and evidence that you outlined in response to recommendation #2. Ask yourself, “What assumptions am I making about this piece of evidence in order to connect this evidence to this claim?” Write down those assumptions, and then ask yourself, “Are these assumptions reasonable? Are they acknowledged in my argument? If not, do they need to be?”

Often you will not overtly acknowledge your assumptions, and that can be fine. But especially if your readers don’t share certain beliefs, values, or knowledge, you can’t guarantee that they will just go along with the assumptions you make. In these situations, it can be valuable to clearly account for some of your assumptions within your paper and maybe even rationalize them by providing additional evidence. For example, if Thompson were writing his article for an audience skeptical that technology will continue advancing, he might choose to identify openly why he is convinced that humanity’s progression towards more complex innovation won’t stop.

4. Revise with your audience in mind.

We touched on this in the previous recommendation, but it’s important enough to expand on it further. Just as you should think about what your readers know, believe, and value as you consider the kinds of assumptions you make in your argument, you should also think about your audience in relationship to the kind of evidence you use. Given who will read your paper, what kind of argumentative support will they find to be the most persuasive? Are these readers who are compelled by numbers and data? Would they be interested by a personal narrative? Would they expect you to draw from certain key scholars in their field or avoid popular press sources or only look to scholarship that has been published in the past ten years? Return to your argument and think about how your readers might respond to it and its supporting evidence.

5. Be your own most critical reader.

Sometimes writing handbooks call this being the devil’s advocate. It is about intentionally pushing against your own ideas. Reread your draft while embracing a skeptical attitude. Ask questions like, “Is that really true?” and, “Where’s the proof?” Be as hard on your argument as you can be, and then let your criticisms inform what you need to expand on, clarify, and eliminate.

This kind of reading can also help you think about how you might incorporate or strengthen a counter–argument. By focusing on possible criticisms to your argument, you might encounter some that are particularly compelling that you’ll need to include in your paper. Sometimes the best way to revise with criticism in mind is to face that criticism head on, fairly explain what it is and why it’s important to consider, and then rationalize why your argument still holds even in light of this other perspective.

6. Look for dissonance.

In her influential 1980 article about how expert and novice writers revise differently, writing studies scholar Nancy Sommers claims that “at the heart of revision is the process by which writers recognize and resolve the dissonance they sense in their writing” (385). In this case, dissonance can be understood as the tension that exists between what you want your text to be, do, or sound like and what is actually on the page. One strategy for re–seeing your argument is to seek out the places where you feel dissonance within your argument—that is, substantive differences between what, in your mind, you want to be arguing, and what is actually in your draft.

A key to strengthening a paper through considering dissonance is to look critically—really critically—at your draft. Read through your paper with an eye towards content, assertions, or logical leaps that you feel uncertain about, that make you squirm a little bit, or that just don’t line up as nicely as you’d like. Some possible sources of dissonance might include:

• logical steps that are missing
• questions a skeptical reader might raise that are left unanswered
• examples that don’t actually connect to what you’re arguing
• pieces of evidence that contradict each other
• sources you read but aren’t mentioning because they disagree with you

Once you’ve identified dissonance within your paper, you have to decide what to do with it. Sometimes it’s tempting to take the easy way out and just delete the idea, claim, or section that is generating this sense of dissonance—to remove what seems to be causing the trouble. But don’t limit yourself to what is easy. Perhaps you need to add material or qualify something to make your argumentative claim more nuanced or more contextualized.

Even if the dissonance isn’t easily resolved, it’s still important to recognize. In fact, sometimes you can factor that recognition into how you revise; maybe your revision can involve considering how certain concepts or ideas don’t easily fit but are still important in some way. Maybe your revision can involve openly acknowledging and justifying the dissonance.

Sommers claims that whether expert writers are substituting, adding, deleting, or reordering material in response to dissonance, what they are really doing is locating and creating new meaning. Let your recognition of dissonance within your argument lead you through a process of discovery.

7. Try “provocative revision.”

Composition and writing center scholar Toby Fulwiler wrote in 1992 about the benefits of what he calls “provocative revision.” He says this kind of revision can take four forms. As you think about revising your argument, consider adopting one of these four strategies.

a. Limiting

As Fulwiler writes, “Generalization is death to good writing. Limiting is the cure for generality” (191). Generalization often takes the form of sweeping introduction statements (e.g., “Since the beginning of time, development has struggled against destruction.”), but arguments can be too general as well. Look back at your paper and ask yourself, “Is my argument ever not grounded in specifics? Is my evidence connected to a particular time, place, community, and circumstance?” If your claims are too broad, you may need to limit your scope and zoom in to the particular.

Inserting new content is a particularly common revision strategy. But when your focus is on revising an argument, make sure your addition of another source, another example, a more detailed description, or a closer analysis is in direct service to strengthening the argument. Adding material may be one way to respond to dissonance. It also can be useful for offering clarifications or for making previously implicit assumptions explicit. But adding isn’t just a matter of dropping new content into a paragraph. Adding something new in one place will probably influence other parts of the paper, so be prepared to make other additions to seamlessly weave together your new ideas.

c. Switching

For Fulwiler, switching is about radically altering the voice or tone of a text—changing from the first–person perspective to a third–person perspective or switching from an earnest appeal to a sarcastic critique. When it comes to revising your argument, it might not make sense to make any of these switches, but imaging what your argument might sound like coming from a very different voice might be generative. For example, how would Thompson’s “A World Without Work,” be altered if it was written from the voice and perspective of an unemployed steel mill worker or someone running for public office in Ohio or a mechanical robotics engineer? Re–visioning how your argument might come across if the primary voice, tone, and perspective was switched might help you think about how someone disinclined to agree with your ideas might approach your text and open additional avenues for revision.

d. Transforming

According to Fulwiler, transformation is about altering the genre and/or modality of a text—revising an expository essay into a letter to the editor, turning a persuasive research paper into a ballad. If you’re writing in response to a specific assignment, you may not have the chance to transform your argument in this way. But, as with switching, even reflecting on the possibilities of a genre or modality transformation can be useful in helping you think differently about your argument. If Thompson has been writing a commencement address instead of an article, how would “A World Without Work” need to change? How would he need to alter his focus and approach if it was a policy paper or a short documentary? Imagining your argument in a completely different context can help you to rethink how you are presenting your argument and engaging with your audience.

8. Ask others to look critically at your argument.

Sometimes the best thing you can do to figure out how your argument could improve is to get a second opinion. Of course, if you are a currently enrolled student at UW–Madison, you are welcome to make an appointment to talk with a tutor at our main center or stop by one of our satellite locations. But you have other ways to access quality feedback from other readers. You may want to ask someone else in your class, a roommate, or a friend to read through your paper with an eye towards how the argument could be improved. Be sure to provide your reader with specific questions to guide his or her attention towards specific parts of your argument (e.g., “How convincing do you find the connection I make between the claims on page 3 and the evidence on page 4?” “What would clarify further the causal relationship I’m suggesting between the first and second sub-argument?”). Be ready to listen graciously and critically to any recommendations these readers provide.

Works Cited

Fulwiler, Toby. “Provocative Revision.” Writing Center Journal, vol. 12, no. 2, 1992, pp. 190-204.

Ramage, John D., John C. Bean, and June Johnson. Writing Arguments: A Rhetoric with Readings, 8th ed., Longman, 2010.

Sommers, Nancy. “Revision Strategies of Student Writers and Experienced Adult Writers.” College Composition and Communication, vol. 31, no. 4, 1980, pp. 378-88.

Thompson, Derek. “A World Without Work.” The Atlantic, July/August 2015, https://www.theatlantic.com/magazine/archive/2015/07/world-without-work/395294/. Accessed 11 July 2017.

Toulmin, Stephen. The Uses of Argument. Updated ed., Cambridge University Press, 2003.

Writing Process and Structure

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Getting Started with Your Paper

Interpreting Writing Assignments from Your Courses

Generating Ideas for Your Paper

Creating an Argument

Thesis vs. Purpose Statements

Developing a Thesis Statement

Architecture of Arguments

Working with Sources

Quoting and Paraphrasing Sources

Using Literary Quotations

Citing Sources in Your Paper

Drafting Your Paper

Introductions

Paragraphing

Developing Strategic Transitions

Conclusions

Revising Your Paper

Peer Reviews

Reverse Outlines

Revision Strategies for Longer Projects

Finishing Your Paper

Twelve Common Errors: An Editing Checklist

How to Proofread your Paper

Writing Collaboratively

Collaborative and Group Writing