bennington college creative writing mfa

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15 Best Creative Writing MFA Programs in 2024

May 15, 2024

Whether you studied at a top creative writing university or are a high school dropout who will one day become a bestselling author , you may be considering an MFA in Creative Writing. But is a writing MFA genuinely worth the time and potential costs? How do you know which program will best nurture your writing? If you’re considering an MFA, this article walks you through the best full-time, low residency, and online Creative Writing MFA programs in the United States.

What are the best Creative Writing MFA programs?

Before we get into the meat and potatoes of this article, let’s start with the basics. What is an MFA, anyway?

A Master of Fine Arts (MFA) is a graduate degree that usually takes from two to three years to complete. Applications typically require a sample portfolio, usually 10-20 pages (and sometimes up to 30-40) of your best writing. Moreover, you can receive an MFA in a particular genre, such as Fiction or Poetry, or more broadly in Creative Writing. However, if you take the latter approach, you often have the opportunity to specialize in a single genre.

Wondering what actually goes on in a creative writing MFA beyond inspiring award-winning books and internet memes ? You enroll in workshops where you get feedback on your creative writing from your peers and a faculty member. You enroll in seminars where you get a foundation of theory and techniques. Then, you finish the degree with a thesis project. Thesis projects are typically a body of polished, publishable-quality creative work in your genre—fiction, nonfiction, or poetry.

Why should I get an MFA in Creative Writing?

You don’t need an MFA to be a writer. Just look at Nobel Prize winner Toni Morrison or bestselling novelist Emily St. John Mandel.

Nonetheless, there are plenty of reasons you might still want to get a creative writing MFA. The first is, unfortunately, prestige. An MFA from a top program can help you stand out in a notoriously competitive industry to be published.

The second reason: time. Many MFA programs give you protected writing time, deadlines, and maybe even a (dainty) salary.

Third, an MFA in Creative Writing is a terminal degree. This means that this degree allows you to teach writing at the university level, especially after you publish a book.

Fourth: resources. MFA programs are often staffed by brilliant, award-winning writers; offer lecture series, volunteer opportunities, and teaching positions; and run their own (usually prestigious) literary magazines. Such resources provide you with the knowledge and insight you’ll need to navigate the literary and publishing world on your own post-graduation.

But above all, the biggest reason to pursue an MFA is the community it brings you. You get to meet other writers—and share feedback, advice, and moral support—in relationships that can last for decades.

Types of Creative Writing MFA Programs

Here are the different types of programs to consider, depending on your needs:

Fully-Funded Full-Time Programs

These programs offer full-tuition scholarships and sweeten the deal by actually paying you to attend them.

• Pros: You’re paid to write (and teach).
• Cons: Uprooting your entire life to move somewhere possibly very cold.

Full-Time MFA Programs

These programs include attending in-person classes and paying tuition (though many offer need-based and merit scholarships).

• Pros: Lots of top-notch non-funded programs have more assets to attract world-class faculty and guests.
• Cons: It’s an investment that might not pay itself back.

Low-Residency MFA Programs

Low-residency programs usually meet biannually for short sessions. They also offer one-on-one support throughout the year. These MFAs are more independent, preparing you for what the writing life is actually like.

• Pros: No major life changes required. Cons: Less time dedicated to writing and less time to build relationships.

Online MFA Programs

Held 100% online. These programs have high acceptance rates and no residency requirement. That means zero travel or moving expenses.

• Pros: No major life changes required.
• Cons: These MFAs have less name recognition.

The Top 15 Creative Writing MFA Programs Ranked by Category

The following programs are selected for their balance of high funding, impressive return on investment, stellar faculty, major journal publications , and impressive alums.

FULLY FUNDED MFA PROGRAMS

1) johns hopkins university , mfa in fiction/poetry.

This two-year program offers an incredibly generous funding package: $39,000 teaching fellowships each year. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and the option to apply for a lecture position after graduation. Many grads publish their first book within three years (nice). No nonfiction MFA (boo).

• Location: Baltimore, MD
• Incoming class size: 8 students (4 per genre)
• Admissions rate: 4-8%
• Alumni: Chimamanda Adichie, Jeffrey Blitz, Wes Craven, Louise Erdrich, Porochista Khakpour, Phillis Levin, ZZ Packer, Tom Sleigh, Elizabeth Spires, Rosanna Warren

2) University of Texas, James Michener Center

The only MFA that offers full and equal funding for every writer. It’s three years long, offers a generous yearly stipend of $30k, and provides full tuition plus a health insurance stipend. Fiction, poetry, playwriting, and screenwriting concentrations are available. The Michener Center is also unique because you study a primary genre and a secondary genre, and also get $4,000 for the summer.

• Location : Austin, TX
• Incoming class size : 12 students
• Acceptance rate: a bone-chilling less-than-1% in fiction; 2-3% in other genres
• Alumni: Fiona McFarlane, Brian McGreevy, Karan Mahajan, Alix Ohlin, Kevin Powers, Lara Prescott, Roger Reeves, Maria Reva, Domenica Ruta, Sam Sax, Joseph Skibell, Dominic Smith

3) University of Iowa

The Iowa Writers’ Workshop is a 2-year program on a residency model for fiction and poetry. This means there are low requirements, and lots of time to write groundbreaking novels or play pool at the local bar. All students receive full funding, including tuition, a living stipend, and subsidized health insurance. The Translation MFA , co-founded by Gayatri Chakravorti Spivak, is also two years long but with more intensive coursework. The Nonfiction Writing Program is a prestigious three-year MFA program and is also intensive.

• Incoming class size: 25 each for poetry and fiction; 10-12 for nonfiction and translation.
• Acceptance rate: 2.7-3.7%
• Fantastic Alumni: Raymond Carver, Flannery O’Connor, Sandra Cisneros, Joy Harjo, Garth Greenwell, Kiley Reid, Brandon Taylor, Eula Biss, Yiyun Li, Jennifer Croft

Best MFA Creative Writing Programs (Continued) 

4) university of michigan.

Anne Carson famously lives in Ann Arbor, as do the MFA students in UMichigan’s Helen Zell Writers’ Program. This is a big university town, which is less damaging to your social life. Plus, there’s lots to do when you have a $25,000 stipend, summer funding, and health care.

This is a 2-3-year program in either fiction or poetry, with an impressive reputation. They also have a demonstrated commitment to “ push back against the darkness of intolerance and injustice ” and have outreach programs in the community.

• Location: Ann Arbor, MI
• Incoming class size: 18 (9 in each genre)
• Acceptance rate: 2%
• Alumni: Brit Bennett, Vievee Francis, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Jia Tolentino, Jesmyn Ward

5) Brown University

Brown offers an edgy, well-funded program in a place that only occasionally dips into arctic temperatures. All students are fully funded for 2 years, which includes tuition remission and a $32k yearly stipend. Students also get summer funding and—you guessed it—that sweet, sweet health insurance.

In the Brown Literary Arts MFA, students take only one workshop and one elective per semester. It’s also the only program in the country to feature a Digital/Cross Disciplinary Track.  Fiction and Poetry Tracks are offered as well.

• Location: Providence, RI
• Incoming class size: 12-13
• Acceptance rate: “highly selective”
• Alumni: Edwidge Danticat, Jaimy Gordon, Gayl Jones, Ben Lerner, Joanna Scott, Kevin Young, Ottessa Moshfegh

6) University of Arizona

This 3-year program with fiction, poetry, and nonfiction tracks has many attractive qualities. It’s in “ the lushest desert in the world, ” and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in fact, are encouraged to do so. Plus, Arizona’s dry heat is good for arthritis.

This notoriously supportive program is fully funded. Moreover, teaching assistantships that provide a salary, health insurance, and tuition waiver are offered to all students. Tucson is home to a hopping literary scene, so it’s also possible to volunteer at multiple literary organizations and even do supported research at the US-Mexico Border.

• Location: Tucson, AZ
• Incoming class size: usually 6
• Acceptance rate: 1.2% (a refreshingly specific number after Brown’s evasiveness)
• Alumni: Francisco Cantú, Jos Charles, Tony Hoagland, Nancy Mairs, Richard Russo, Richard Siken, Aisha Sabatini Sloan, David Foster Wallace

7) Arizona State University 

With concentrations in fiction and poetry, Arizona State is a three-year funded program in arthritis-friendly dry heat. It offers small class sizes, individual mentorships, and one of the most impressive faculty rosters in the game. Moreover, it encourages cross-genre study.

Funding-wise, everyone has the option to take on a teaching assistantship position, which provides a tuition waiver, health insurance, and a yearly stipend of $25k. Other opportunities for financial support exist as well.

• Location: Tempe, AZ
• Incoming class size: 8-10
• Acceptance rate: 3% (sigh)
• Alumni: Tayari Jones, Venita Blackburn, Dorothy Chan, Adrienne Celt, Dana Diehl, Matthew Gavin Frank, Caitlin Horrocks, Allegra Hyde, Hugh Martin, Bonnie Nadzam

FULL-RESIDENCY MFAS (UNFUNDED)

8) new york university.

This two-year program is in New York City, meaning it comes with close access to literary opportunities and hot dogs. NYU also has one of the most accomplished faculty lists anywhere. Students have large cohorts (more potential friends!) and have a penchant for winning top literary prizes. Concentrations in poetry, fiction, and creative nonfiction are available.

• Location: New York, NY
• Incoming class size: ~60; 20-30 students accepted for each genre
• Acceptance rate: 6-9%
• Alumni: Nick Flynn, Nell Freudenberger, Aracelis Girmay, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Ocean Vuong

9) Columbia University

Another 2-3 year private MFA program with drool-worthy permanent and visiting faculty. Columbia offers courses in fiction, poetry, translation, and nonfiction. Beyond the Ivy League education, Columbia offers close access to agents, and its students have a high record of bestsellers. Finally, teaching positions and fellowships are available to help offset the high tuition.

• Incoming class size: 110
• Acceptance rate: not publicized (boo)
• Alumni: Alexandra Kleeman, Rachel Kushner, Claudia Rankine, Rick Moody, Sigrid Nunez, Tracy K. Smith, Emma Cline, Adam Wilson, Marie Howe, Mary Jo Bang

10) Sarah Lawrence 

Sarah Lawrence offers a concentration in speculative fiction in addition to the average fiction, poetry, and nonfiction choices. Moreover, they encourage cross-genre exploration. With intimate class sizes, this program is unique because it offers biweekly one-on-one conferences with its stunning faculty. It also has a notoriously supportive atmosphere, and many teaching and funding opportunities are available.

• Location: Bronxville, NY
• Incoming class size: 30-40
• Acceptance rate: not publicized
• Alumni: Cynthia Cruz, Melissa Febos, T Kira Madden, Alex Dimitrov, Moncho Alvarado

LOW RESIDENCY

11) bennington college.

This two-year program boasts truly stellar faculty, and meets twice a year for ten days in January and June. It’s like a biannual vacation in beautiful Vermont, plus mentorship by a famous writer. The rest of the time, you’ll be spending approximately 25 hours per week on reading and writing assignments. Students have the option to concentrate in fiction, nonfiction, or poetry. Uniquely, they can also opt for a dual-genre focus.

The tuition is $23,468 per year, with scholarships available. Additionally, Bennington offers full-immersion teaching fellowships to MFA students, which are extremely rare in low-residency programs.

• Location: Bennington, VT
• Acceptance rate: 53%
• Incoming class: 25-35
• Alumni: Larissa Pham, Andrew Reiner, Lisa Johnson Mitchell, and others

12)  Institute for American Indian Arts

This two-year program emphasizes Native American and First Nations writing. With truly amazing faculty and visiting writers, they offer a wide range of genres, including screenwriting, poetry, fiction, and nonfiction. In addition, each student is matched with a faculty mentor who works with them one-on-one throughout the semester.

Students attend two eight-day residencies each year, in January and July, in Santa Fe, New Mexico. At $12,000 in tuition a year, it boasts being “ one of the most affordable MFA programs in the country .”

• Location: Santa Fe, NM
• Incoming class size : 21
• Alumni: Tommy Orange, Dara Yen Elerath, Kathryn Wilder

13) Vermont College of Fine Arts

VCFA is the only graduate school on this list that focuses exclusively on the fine arts. Their MFA in Writing offers concentrations in fiction, poetry, and nonfiction; they also offer an MFA in Literary Translation and one of the few MFAs in Writing for Children and Young Adults . Students meet twice a year for nine days, in January and July, either in-person or online. Here, they receive one-on-one mentorship that continues for the rest of the semester. You can also do many travel residencies in exciting (and warm) places like Cozumel.

VCFA boasts amazing faculty and visiting writers, with individualized study options and plenty of one-on-one time. Tuition for the full two-year program is approximately $54k.

• Location : Various; 2024/25 residencies are in Colorado and California
• Incoming class size: 18-25
• Acceptance rate: 63%
• Alumnx: Lauren Markham, Mary-Kim Arnold, Cassie Beasley, Kate Beasley, Julie Berry, Bridget Birdsall, Gwenda Bond, Pablo Cartaya

ONLINE MFAS

14) university of texas at el paso.

UTEP is considered the best online MFA program, and features award-winning faculty from across the globe. Accordingly, this program is geared toward serious writers who want to pursue teaching and/or publishing. Intensive workshops allow submissions in Spanish and/or English, and genres include poetry and fiction.

No residencies are required, but an optional opportunity to connect in person is available every year. This three-year program costs about $25-30k total, depending on whether you are an in-state or out-of-state resident.

• Location: El Paso, TX
• Acceptance rate: “highly competitive”
• Alumni: Watch alumni testimonies here

15) Bay Path University

This 2-year online, no-residency program is dedicated entirely to nonfiction. Featuring a supportive, diverse community, Bay Path offers small class sizes, close mentorship, and an optional yearly field trip to Ireland.

There are many tracks, including publishing, narrative medicine, and teaching creative writing. Moreover, core courses include memoir, narrative journalism, food/travel writing, and the personal essay. Tuition is approximately $31,000 for the entire program, with scholarships available.

• Location: Longmeadow, MA
• Incoming class size: 20
• Alumni: Read alumni testimonies here

Best MFA Creative Writing Programs — Final Thoughts

Whether you’re aiming for a fully funded, low residency, or completely online MFA program, there are plenty of incredible options available—all of which will sharpen your craft while immersing you in the vibrant literary arts community.

Hoping to prepare for your MFA in advance? You might consider checking out the following:

• Best English Programs
• Best Colleges for Creative Writing
• Writing Summer Programs
• Best Writing Competitions for High School Students

Inspired to start writing? Get your pencil ready:

• 100 Creative Writing Prompts 
• 1 00 Tone Words to Express Mood in Your Writing
• 60 Senior Project Ideas
• Common App Essay Prompts

Best MFA Creative Writing Programs – References:

• https://www.pw.org/mfa
• The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students , by Tom Kealey (A&C Black 2005)
• Graduate School Admissions

Julia Conrad

With a Bachelor of Arts in English and Italian from Wesleyan University as well as MFAs in both Nonfiction Writing and Literary Translation from the University of Iowa, Julia is an experienced writer, editor, educator, and a former Fulbright Fellow. Julia’s work has been featured in  The Millions ,  Asymptote , and  The Massachusetts Review , among other publications. To read more of her work, visit  www.juliaconrad.net

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Bennington College

Vermont, united states.

One of the top low-residency programs in the country, the Bennington Writing Seminars is a two-year, rigorous exploration of craft. You commit as much to reading as to writing and critical literary analysis. You craft bold new works of fiction, nonfiction, or poetry, and may work in a dual-genre. You finish with a polished thesis and a critical paper. All this with the expert 1:1 guidance of acclaimed authors who develop a stake in your work. Our alumni, faculty, students, and staff publish work at the highest levels.

Our faculty-student ratio of 1:1 provides true mentorship. You work closely with a faculty member who is an accomplished writer and a distinguished teacher.

You may focus on one or more genres at Bennington. While most choose to specialize in fiction, nonfiction, or poetry, others work across two genres through our Dual-Genre Degree.

You may apply to begin during either of the 10-day residency sessions in January (winter term) or June (summer term)—application deadlines are September 1 and March 1, respectively.

We are committed to increasing access to our program for students from diverse backgrounds and to building community through sustained dialogue and practice. We offer scholarships, and fund the emerging voices we want to support and read.

Bennington offers a self-directed pace that allows you to develop a sustainable, lifelong writing practice. We know how important it is for MFA students to gain teaching experience so we've developed the Residential Teaching Fellows program—a first-of-its-kind teaching opportunity among low-residency MFA programs, among others.

We offer a range of scholarships and federal financial aid loans. All applicants are considered for merit scholarships.

Contact [email protected]

Contact Information

Bennington Writing Seminars One College Drive Bennington Vermont, United States 05201-6003 Phone: 802-440-4452 Email: [email protected] www.bennington.edu/mfa-writing

Master of Fine Arts in Creative Writing +

Graduate program director.

The Bennington Writing Seminars offers a low-residency Master of Fine Arts (MFA) degree in Writing and Literature. This two-year graduate program involves five intense 10-day residency periods at Bennington College during January and June of each year. Between residencies, students spend the six-month terms corresponding directly with faculty who teach as part of the program's core staff. Additional faculty are invited to participate as associate staff during the 10-day residency periods, teaching literature from a writer's point of view. The five residencies feature workshops, readings, lectures, and discussions that are part of an ongoing investigation of what constitutes the world of letters.

In keeping with Bennington's progressive tradition, the course of study in the Seminars is structured largely by the student. Students, in concert with the core faculty, form their own reading lists, and submit interpretive and original work - fiction, nonfiction, and poetry - for critique at monthly intervals throughout the term. The development of individual work is at the heart of the program. Students are expected to devote at least 25 hours each week to their writing and reading.

Residency workshops in fiction, nonfiction, and poetry are conducted by the core faculty. Students design their course of study for the coming term - readings and writings - in consultation with the core faculty member with whom the student will be corresponding. Workshops are small, never more than 10 students and 2 teachers, and an intimate 5 to 1 student/teacher ratio is maintained throughout the program.

The first two semesters are devoted to original and interpretive work, with a minimum 10-page critical essay, based on work from the reading list, to be submitted to the core faculty member at the end of each term. The third semester requires that each student completes, in addition to original work, a minimum 20-page critical work. Finally, in addition to submitting a completed creative thesis, graduating students are required to present a literary lecture and give a reading of their own work during the fifth and final residency period.

Students are admitted to the program primarily on the strength of the original manuscript submitted with the application.

Bennington Writing Seminars

www.bennington.edu/academics/faculty/aos?aos=96

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So, You Want an MFA?

Whether you are curious about or actively planning to pursue an MFA in Creative Writing, we welcome you to attend this virtual panel! Creative Writing faculty and recent MFA graduates will share their experiences completing graduate degrees in fiction, nonfiction, poetry, and translation. You'll get to ask about application tips, hot takes, whether the MFA path is right for you, and more! 

Daniel Raeburn  is the author of  Chris Ware,  a book of art criticism, and  Vessels :  A Memoir of What Wasn’t.  His essays have also appeared in  The New Yorker, The Baffler, Tin House,  and in  The Imp , his series of booklets about underground cartoonists. He’s been awarded fellowships from the MacDowell Colony, the Vermont Studio Center, the Howard Foundation, and the National Endowment for the Arts. He teaches nonfiction writing at the University of Chicago and received his MFA in Writing & Literature from the Writing Seminars at Bennington College, a 24-month low-residency program.

Stephanie Soileau's collection of short stories  LAST ONE OUT SHUT OFF THE LIGHTS is forthcoming from Little, Brown & Co. in Summer 2020. Her work has also appeared in  Glimmer Train, Oxford American, Ecotone, Tin House, New Stories from the South , and other journals and anthologies, and has been supported by fellowships from the Wallace Stegner Fellowship Program at Stanford University, the Camargo Foundation, the National Endowment for the Arts, and the Fine Arts Work Center in Provincetown. She earned her BA in English at the University of Chicago and MFA at the Iowa Writers' Workshop. She teaches fiction at the University of Chicago.

Will Boast is the author of a story collection,  Power Ballads , a memoir,  Epilogue , and a novel,  Daphne.  His short fiction, reporting, and essays have appeared in  The New York Times Magazine, The New Republic, The Guardian, Glimmer Train,  and the  Virginia Quarterly Review,  among other publications. His first attempt at an MFA was at Indiana University. He completed the task at the University of Virginia. He then did even more workshopping through a Stegner Fellowship at Stanford and a Charles Pick Fellowship at the University of East Anglia. He's also been a Literature Fellow at the American Academy in Rome. He's taught fiction and non-fiction at Chicago since 2014. 

Lina M. Ferreira C.-V.  graduated with both a creative nonfiction writing and a literary translation MFA from the University of Iowa. She is the author of  Drown Sever Sing  from Anomalous press and  Don’t Come Back  the co-editor of the forthcoming anthology  The Great American Essay  and the editor and translator of the forthcoming  100 Refutations  from Mad Creek Books . She’s been the recipient of the Best of the Net award and the Iron Horse Review’s Discovered Voices award, has been nominated for two Pushcart Prizes and is a Rona Jaffe fellow. She moved from Colombia to China to Columbus to Chicago, where she works as an assistant professor for the University of Chicago.

Korey Williams earned his MFA in Creative Writing from Cornell University—a full-residency and fully-funded 2-year program that offers 1- to 2-year Lectureship Appointments post-graduation. Although his concentration was in poetry, he pursued a cross-genre project and, thus, his thesis committee included faculty in both poetry and fiction. In addition to Cornell, Williams has studied at Illinois Wesleyan University and the University of Oxford. He is currently a doctoral student at the University of Chicago, and his work appears or is forthcoming in The Offing, Narrative Magazine, Spoon River Poetry Review, Furious Flower: Seeding the Future of African American Poetry, and elsewhere. 

Julie Iromuanya is the author of  Mr. and Mrs. Doctor  (Coffee House Press), a finalist for the PEN/Faulkner Award, the PEN/Robert W. Bingham Prize for Debut Fiction, the Etisalat Prize for Literature (now 9 Mobile Prize for Literature), and the National Book Critics Circle John Leonard Prize for Debut Fiction. Her scholarly-critical work most recently appears in  Meridians: Feminism, Race, Transnationalism,   Callaloo: A Journal of African American Arts and Letters,  and  Afropolitan Literature as World Literature ( Bloomsbury Publishing) .  She is a 2020 George A. and Eliza Gardner Howard Foundation fellow, and she was the inaugural Herbert W. Martin Fellow in Creative Writing at the University of Dayton. Iromuanya earned her B.A. at the University of Central Florida and her M.A. and Ph.D. at the University of Nebraska-Lincoln. Up until 2019, she taught in the MFA in Creative Writing program at the University of Arizona. She is currently an assistant professor in the Program in Creative Writing at the University of Chicago. 

15 Best Low Residency MFA Programs

Author: Natalie Harris-Spencer Updated: February 18, 2023

The best low residency MFA programs offer you a more cost-effective way to complete a Master of Fine Arts in Creative Writing. The difference between a low residency and a fully remote program is that you’ll be expected to stay on campus for short periods throughout the year, giving you greater flexibility than if you’d have either been living on campus, or full-time in front of a computer screen.

What can you expect from the best low residency MFA programs?

These programs will force you to juggle your writing time around your day job , family, and cats, while still plunging you into that writers’ life you so crave. In many ways, they’re harder than the traditional brick-and-mortar school program, in that they give you a truer flavor of what it’s like to pursue a writing career with a million other things going on in your life. They’re also far more immersive than an online-only program.

You’ll be hit with a combination of remote and in-person learning. A typical school year comprises two semesters, of which there is usually a 10-day intensive residency on campus per semester (so, two residencies per year, for two years). The time in between residencies is remote i.e. spent from your writing desk at home, where you will be paired with a mentor or smaller groups of writers. In fact, the 1:1 mentorship is a huge benefit of a low residency MFA program ; you’ll get closer attention than you would if you were in a traditional college class.

The best low residency MFA programs will offer a variety of genres , including fiction, nonfiction, poetry, popular fiction, scriptwriting, literary translation, graphic novels and comics, and writing for young people, while some allow for a dual-genre path.

While MFAs are not cheap, low residency programs are certainly on the more affordable side. Read on for 15 best low residency MFA programs, listed in alphabetical order.

1. Antioch University

Offered by AU Los Angeles, Antioch University’s low-residency MFA in Creative Writing program is dedicated to the education of literary and dramatic artists, community engagement, and the pursuit of social justice. It offers two, 10-day residencies in June and December.

2. Bard College

Bard College offers MFAs for artists in a variety of disciplines, not just writing. Each summer session runs for eight intensive weeks (there is no winter residency), and does not follow the traditional semester schedule. Most students receive some amount of financial aid, making it an attractive option for candidates.

3. Bennington College

Bennington College is widely regarded as one of the best low residency MFA programs in the United States. Residencies take place in picturesque Vermont, and their prestigious faculty includes many multi-published authors and literary prizewinners. You can elect to pursue a dual-genre path. Bennington’s residencies take place in January and June.

4. Cedar Crest College

This pan-European MFA offers a single 15-day residency at the beginning of July that rotates between Dublin, Ireland, Barcelona, Spain, and Vienna, Austria, with new locations coming soon. Unlike other programs, you’ll only attend three residencies in total, and you won’t go to the university campus in Allentown, Pennsylvania. But…you get to travel to Europe.

5. Goucher College

The only program dedicated solely to nonfiction writing, this low residency MFA attracts applicants and faculty interested in pursuing narrative, memoir, personal essay, and literary journalism. Literary agents and editors attend the two 10-day residencies in Baltimore, Maryland, and there are sponsored trips to New York to meet top publishing professionals.

6. Institute of American Indian Arts

Now in its tenth year, the emphasis with this particular Creative Writing MFA is on Native writers, voices, texts, and experience, although applications are open to all. Based in Santa Fe, New Mexico, it offer two 8-day residencies in January and July.

7. Lesley University

While the nine-day residencies take place in the “literary mecca” of Cambridge, Massachusetts, there’s also the opportunity for students to study abroad at a 12-day residency in rural Wales. Lesley has relationships with literary agencies and presses , so that you get a fast-track into publishing on submitting your thesis when you graduate.

8. Lindenwood University

Located in St. Charles, Missouri, Lindenwood University is unique in that there is no formal residency requirement: you can take classes fully on campus, online, or choose the low residency model. The program is more affordable than others due to its flexibility, and offers financial aid to teachers and candidates over the age of sixty.

9. New York University

Based on NYU’s campus in Paris, France, there are five, 10-day residencies held in January and July. This is one of the more expensive programs, with limited funding available. However, its faculty line-up is always incredible, and you’re paying for the prestige of Paris.

10. Pacific University

Based in Portland, Oregon, Pacific University’s MFA program places a strong emphasis on craft . It offers multiple full and partial merit-based scholarships to qualifying candidates. Residencies are in January and June.

11. Sewanee School of Letters

The model at Sewanee School of Letters in Tennessee is slightly different: you complete a single, six-week residency over the summer , which in turn is spread over the course of three to five summers, making it more affordable than other low residency programs.

12. University of New Orleans

Despite positioning itself as online MFA, the University of New Orleans is actually low residency, in that it offers a month-long residency every summer at various international locations, including Ireland and Italy.

13. University of Southern Maine (Stonecoast)

My alma mater . Stonecoast at USM offers two 10-day residencies in January and July, alongside a concurrent writers’ conference, in the picturesque town of Freeport, Maine. Its popular fiction program is especially popular with writers of horror, fantasy, and sci-fi, and its WISE program (writing for inclusivity and social equity) is at the heart of its ethos. In my humble opinion, it will always be one of the best low residency MFA programs.

14. Vermont College of Fine Arts

Another Vermont entry: proof that this beautiful state inspires creativity. Residencies are nine days and take place in December and July, with past residencies going further afield: Slovenia, Puerto Rico, Cozumel, Mexico, Rome, and Asheville, North Carolina. Literary translation and dual-genre paths are available.

15. Warren Wilson College

Established in 1976, Warren Wilson is the original low residency MFA program, introducing the format to North America and the rest of the world. Consequently, it’s on the pricier end, but there are multiple grants and financial aid available. It offers two, 10-day residencies in January and July near the wonderful town of Asheville, North Carolina, at the foot of the Blue Ridge Mountains.

Recommended reading

Here at Aspiring Author , we love recommending bestsellers and fawning over hot new releases. On this real time recommended reading list, you will find a list of top rated books on the publishing industry, craft, and other books to help you elevate your writing career.

The Ultimate Guide to Self-Publishing Your Dream Book

The Associated Press Stylebook: 2024-2026

Poet's Market 34th Edition: The Most Trusted Guide to Publishing Poetry

How to Self Publish a Non-Fiction Book on Amazon: (From Someone Who Makes a Living Doing It) (Level up your knowledge)

Writing to Learn: How to Write - and Think - Clearly About Any Subject at All

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CCA’s blend of theory and practice inspires students at every level to make work that matters. Select your status to learn about the application process, requirements, and deadlines, as well as contact information should you need any support along the way.

MFA Writing

Define your voice and explore your creative practice—fiction, nonfiction, and poetry—alongside writers, designers, and visual artists.

Writing at CCA is dynamic

Embedded in a creative community like no other, your writing will be energized in unexpected or unconventional ways.

At CCA, you’ll join a writing community that truly sees and supports you.

We’ve grown an MFA Writing program at an arts college with 116 years of history in the San Francisco Bay Area. The workshops and seminars where we gather are places of inventiveness, self-discovery, and exuberance. Together we’ve created a close-knit community for diverse writers who are making their mark on the world.

We believe creativity is sparked when you have space to develop your ideas, and from your first to your final semester at CCA you’ll have close, sustained support from your professors through one-on-one mentorships. Our award-winning faculty includes Faith Adiele, Tom Barbash, Dodie Bellamy, Rita Bullwinkel, Jasmin Darznik, Joseph Lease, Trisha Ya-wen Low, Aimee Phan, Denise Newman, and Leslie Carol Roberts.

The Bay Area, a site of rich literary history, is our home. You’ll have access to resources and literary institutions you won’t find anywhere else, like City Lights Publishers, Litquake, and the Bay Area Book Festival. In the fall semester, we offer Tuesday Seminar, a course that brings illustrious professional writers right into the classroom with you.

MFA writing professor Faith Adiele.

An exciting blend of the emergent and established

Our MFA Writing program recently celebrated its 20-year anniversary, and we embrace the rich literary history of the Bay Area, from the Beat poetry movement and the Language poets, to the annual Litquake literary festival, to the Slam/Spoken Word scene.

Follow MFA Writing

Huge thanks to Rebecca Foust for sharing her publishing wisdom today in the studio. Some takeaways:

Aim high—it’s better than the alternative.

Be like Tom Petty—study the person a step or two ahead of you and follow their lead.

Nothing’s ever finished, so you may as well send it out.

📝 Students who couldn’t make it, you are in luck! She shared some fantastic handouts and you can find extra copies in the studio.

Our first free all-program field trip takes us to City Arts & Lectures this Thursday to hear Leila Mottley talk about her new book Nightcrawling. We meet outside the Sidney Goldstein Theater at 7. See you there, MFAW.📚🤓

By popular demand, we're devoting next week's Tuesday Coffee Hour to a practical, in-depth conversation about getting published in literary magazines. On 10/4 from 3-4 pm Rebecca Foust, poet and assistant editor of fiction at Narrative Magazine, will join us in the garden to talk about specific submission strategies and answer your questions about the publishing process. This is for writers of all genres, so come one, come all!

October Happenings! Check out the fabulous upcoming events we’ve got lined up. ✍🏻📖💫

Join a top-ranking MFA Writing program

Study.com ranks our program among the top five in California. Located in one of the world’s creative capitals, we encourage MFA candidates to explore many different forms and incorporate visual art into their work.

View the list

Studios & Shops

Practice critique, readings, and performance.

MFA students are at home in the Humanities and Sciences Graduate Center on CCA’s main San Francisco campus. Outside the studio, we write and meet alongside redwood trees in our beautiful garden. Inside, we hold our workshops, readings, and craft talks. We also host our famed Tuesday Talks series in the Humanities and Sciences Graduate Center. Today’s most dynamic writers, including Hanif Abdurraqib, Camille Dungy, Andrew Sean Greer, R.O. Kwon, sam sax, and Tracy K. Smith, read and discuss new work and lead craft talks during masterclasses. There are endless opportunities to share your writing with peers, get constructive feedback, and nurture your craft.

Support to tell your stories

We help our students locate and tell their stories; we write what we want, how we want. We embrace all forms of writing, from literary novels and poetry to science fiction and mysteries. Our MFA Writing program is designed to make sure each student finds their voice. You can explore nonfiction, fiction, and poetry during supportive workshops that celebrate voice and form. We believe in grounding our work in craft so we emphasize close reading and individualized instruction.

Expand your creative practice

In addition to our vibrant writing workshops and dynamic seminars, we encourage graduate students to immerse themselves in our diverse art and design culture. Want to learn how to design beautiful publications, paint, or make a children’s book? Access CCA’s phenomenal resources, including Risograph printers for making broadsides, audio suites for recording podcasts, and a letterpress studio for making books and zines. You’ll work with top practitioners in their fields across the college’s faculty, grow as a writer, and learn to turn your research passions and written works into literal art objects.

Frame and finish your book

You’ll get regular feedback during writing workshops and meetings with full-time faculty who believe in meeting one-on-one—not as part of any requirement, but because personalized attention is how you grow as a writer. Close reading, editorial guidance, and individualized reading lists all push our writing students toward success. We teach you craft as well as how to establish and maintain a serious writing practice.

Your creative life at CCA and beyond

From studying one-on-one with faculty mentors to participating in craft workshops with visiting writers—among the best and brightest working today—you’ll be exposed to myriad forms. You’ll learn the elements of podcasting; how to make audio stories; how to prepare a full-length manuscript; and how to collaborate with painters, filmmakers, illustrators, photographers, and more.

Your community of mentors

• Memoirist and travel writer Faith Adiele
• Novelist Tom Barbash
• Novelist Rita Bullwinkel
• Novelist and memoirist Jasmin Darznik
• Poet Joseph Lease
• Poet and performer Trisha Low
• Poet and translator Denise Newman
• Novelist Aimee Phan
• Eco-memoirist Leslie Carol Roberts

More studios, shops, and labs

Access lithography presses and a range of bookbinding equipment at the San Francisco Center for the Book

The Black-and-White Darkroom has a range of enlarging stations and two print washers

Check out DSLR cameras, lighting kits, GoPros, and more from the San Francisco campus Media Center

Study with award-winning writers

MFA Writing faculty have received major prizes, fellowships, residencies, and grants. Their books have been New York Times bestsellers and award-winning collections in fiction, hybrid essay/memoir, poetry, literary criticism, creative nonfiction, and memoir. Together they offer unique voices across multiple genres, aesthetic traditions, and vibrant writing communities.

Jasmin Darznik, Chair of MFA Writing

Chair Jasmin Darznik is a New York Times- bestselling author of three books,  The Bohemians, Song of a Captive Bird , and The Good Daughter . Born in Iran, she immigrated to America as a child and is a first-generation college graduate. After receiving a Ph.D. in English from Princeton University, she obtained an MFA in fiction from Bennington College, broadening her academic scholarship to tell stories about women who've been left out or obscured from the historical record. Her forthcoming novel, American Goddess, takes on themes of celebrity, gender, and ethnic identity in Old Hollywood. 

MFA Writing Faculty

Faith E Adiele

Tom Barbash

Rita Bullwinkel

Joseph Lease

Denise Newman

Leslie Carol Roberts

Michael Wertz

View all MFA Writing faculty

Faculty stories

Two-year intensive program

Our two-year, 48-unit MFA Writing program includes workshops, craft seminars, literature courses, and mentorships. Courses like Experiments in Life Writing, Contemporary International Fiction, and Writing As An Act of Witness will inspire you to take risks and try new styles as you hone your craft and deepen your writing practice.

One of the many perks of being at an art school is the chance to take courses outside of the writing discipline as well as to collaborate with painters, photographers, filmmakers, bookmakers, and more. This unique opportunity allows you to move in new directions as you find and express your unique voice. Preview our workshops and courses .

Year 1: Fall Semester

Year 1: spring semester, year 2: fall semester, year 2: spring semester.

Total 48.0 units

Publish your dream project

MFA in Writing program alumni have impressive success getting their work out in the world, publishing books across genres. Recent publications include:

• Tom Comitta, The Nature Book , Coffee House Press, 2023
• Dior Stephens, Cruel/Cruel , Nightboat, 2023
• Alka Joshi, The Perfumist of Paris, Harper Collins, 2023
• Sonja Swift, Echo Loba, Loba Echo , Rocky Mountain Press, 2023
• Jessamyn Violet, Secret Rules to Being a Rock Star , Three Rooms Press, 2023
• Alka Joshi, The Secret Keeper of Jaipur , Harper Collins, 2021
• Julie Lythcott-Haims, Your Turn: How to Be An Adult , Henry Holt, 2021
• Alka Joshi, The Henna Artist , Mira Publishing, a division of Harper Collins, 2019
• Rheea Mukherjee, The Body Myth , Unnamed Press, 2019
• Adam Nemett, We Can Save Us All , Unnamed Press, 2018
• Sonia Belasco, Speak of Me As I Am , Philomel Books, 2017
• Julie Lythcott-Haims, Real American , St. Martin’s Griffin, 2017
• Molly Prentiss, Tuesday Nights in 1980 , Simon & Schuster, 2017
• Catie Jarvis, The Peacock Room , Hyperborea, 2016
• Andrew Nicholson, A Lamp Brighter Than Foxfire , Colorado State, 2015
• LaTasha Nevada Diggs, TWerk , Belladonna Press, 2013

In addition to becoming published authors, our students find traction at established and emergent platforms like Medium , and also work as educators; performance artists; editors; and writers for newspapers, magazines, and marketing agencies.

Potential career paths

• Freelance writer
• Content strategist
• Arts administrator
• Social activist
• Technical writer
• Publication and production assistant
• Small press publisher

Learn about career development

News & Events

What’s happening for mfa writing students.

Reading and lecture series span disciplines

How to Apply

Make writing your top priority.

Our two-year program welcomes students of all ages, career profiles, and backgrounds, including law, advertising, tech, music, and academia. We focus on your writing sample and your letters of recommendation in making admissions decisions.

Start your application

You’ll apply to CCA and submit all required application materials via SlideRoom. Afterward, you may be contacted for an interview with a faculty member as part of the application process. Being selected for an interview doesn’t indicate applicant status or increase or decrease an applicant’s chances of being admitted into their desired graduate program. Interviews are conducted at the program’s discretion and are used to gain more insight into an application.

Create an account and start your application

MFA Writing application requirements

• Application and $70 nonrefundable application fee To be completed and submitted on SlideRoom.
• Resume/curriculum vitae Please outline your educational and professional background and relevant experiences and activities, including community work. Resumes/CVs must be in PDF document format.
• Two recommendation letters You’ll request two letters of recommendation from academic or professional sources in SlideRoom by entering the contact information for your recommenders/references. They will then receive an automated email from SlideRoom with instructions for uploading their letter of recommendation.
• Unofficial college transcripts You are required to provide your complete undergraduate academic history. Students who have already taken graduate courses are encouraged to submit those transcripts, too. For international applicants, all transcripts must be in English or accompanied by a certified English translation. Please provide an unofficial transcript from the college where you will receive or have received your bachelor’s degree, as well as unofficial transcripts for all other undergraduate coursework. Unofficial transcripts will be used for review purposes. Once you have been admitted and enrolled, all students will need to submit official, sealed transcripts showing the completion of a bachelor’s degree to our graduate admissions office by August 1 of the fall semester they begin enrollment at CCA.
• Proof of English proficiency (international applicants only) Review and plan to meet our English proficiency requirements for graduate students .
• Personal essay In a personal essay, submitted as a PDF, write 500 to 1,000 words about your writing experience, why you want to study writing at the graduate level, your educational objectives, and any critical influences on your work.
• Portfolio Your portfolio, submitted as one to two PDFs (up to 10 MB each), should consist of a selection of writing samples (totaling no more than 25 double-spaced pages) that reflect your main areas of interest. You may include poems, short stories, a section of a novel, text for performance (include video, if available), creative nonfiction, or writing for new genres. You’re welcome, but not required, to submit visual materials in support of your application, including book arts and videos. Please note: We do not accept co-written material.

For prospective student inquiries, including questions about the program or how to apply, please contact us

Graduate Admissions

+1 415-548-2271 (call, text)

Nurture your craft in a dynamic environment

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'escape artist' mini horses back with gerda's equine rescue, 'a thread of democracy': senators hope to throw lifeline to newspapers, representative kathleen james, former teacher rob hunter announce house campaign, bennington college awards the ben belitt prize for undergraduate writers; winston foundation grant funds $1,000 prizes for three students.

• May 22, 2024

BENNINGTON — Literature faculty at Bennington College are pleased to publish the winners of the first Ben Belitt Prize for Undergraduate Writers, which were announced on the evening of May 15 as a part of the Ben Belitt Colloquium on Arts and Literary Culture.

• Emmett A. Donovan (’24) for his short story “Cutting Close to the Power Lines” about an intense friendship between two adolescents
• Blu Mehari (’26) for eight poems of searching and excavation, including “Swarm” and “After Rothko’s Green Blue Green (1969)”
• Lily R. Sanders (’26) for her short story “Madonna-mania,” which is about a group of friends in the aftershock of sudden death

The contest awards prizes of $1,000 to the best work of poetry, fiction, creative nonfiction, or hybrid work written by a current undergraduate student.

“All of the finalists for the Ben Belitt Undergraduate Writing Prize were terrific, original, and memorable. Each piece was a pleasure to read,” wrote Jia Tolentino, the 2024 Ben Belitt Distinguished Visiting Writer, a staff writer at The New Yorker, and the judge of the contest. “What distinguished the three winners…was a sense of real precision in both thought and language.”

The Winston Foundation supports the Ben Bellit Undergraduate Writing Prize, the Ben Belitt Distinguished Visiting Writer, and the 2024 Ben Belitt Colloquium on Arts and Literary Culture.

In addition to judging the contest, Tolentino is teaching a full-term, 4000-level course: "Hearing Voices: A Master Class in Literary Journalism" this term and gave a reading in March. She is the bestselling author of the essay collection, Trick Mirror: Reflections on Self-Delusion, and a screenwriter. Trick Mirror, published in 2019, was a finalist for the National Book Critics Circle’s John Leonard Prize for Best First Book and the PEN America Diamondstein-Spielvogel Award for the Art of the Essay. It was named one of the best books of the year by the New York Public Library, the New York Times Book Review, the Washington Post, NPR, the Chicago Tribune, GQ, and the Paris Review. It has been translated into twelve languages.

The 2024 Ben Belitt Colloquium attracted more than 100 in-person attendees and nearly forty online. Attendees enjoyed a panel of contemporary writers as they discussed the work and life of Reginald Shepherd '85 (1963-2008), a Black Queer poet and essayist. Panelists included National Book Award winning poet Jericho Brown, MacArthur Award-winning novelist Jonathan Lethem ‘86, and celebrated poet Camille Rankine. Brown edited a new collection of Shepherd's poems, The Selected Shepherd, which was released by University of Pittsburgh Pressin April.

Bennington College’s alumni include twelve Pulitzer Prize winners, three U.S. poets laureate, four MacArthur Geniuses, and countless New York Times bestsellers and National Book Award recipients.

Recent graduates have gone on to attend PhD and MFA programs in literature and creative writing at Stanford University, the Iowa Writers’ Workshop, NYU, UVA, Columbia University, Cornell University, the University of Massachusetts, Arizona State, and Brown University.

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This is an attempt at creating an objective ranking of graduate creative writing programs.

For further and more detailed information on how the scores are generated see the methodology page.

Lists of authors without graduate creative writing degrees or whose degree status is unknown are available. Send questions, comments and corrections to [email protected] .

Disclaimer: No endorsement of these ratings should be implied by the writers and writing programs listed on this site, or by the editors and publishers of Best American Short Stories , Best American Essays , Best American Poetry , The O. Henry Prize Stories and The Pushcart Prize Anthology .

Applications for MFA in Creative Writing Programs

With over 100 MFA in Creative Writing programs available to choose from across the country (and beyond) each with its own application system and offers, this 3-hour webinar will help narrow the choices down for those looking…

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Calculate for all schools

Your chance of acceptance, your chancing factors, extracurriculars, top schools for aspiring writers.

I'm really into creative writing and I want to study it in college. Can anyone recommend some top schools that have strong writing programs? I'd love to hear about ones you might've visited or attended.

Here are some top schools known for having strong creative writing programs:

1. Columbia University (New York, NY): Columbia's School of the Arts offers an MFA in Writing program, and the university is also known for its undergraduate creative writing major, which offers courses in fiction, nonfiction, and poetry.

2. New York University (New York, NY): NYU's renowned Creative Writing Program covers poetry, fiction, and nonfiction at both undergraduate and graduate levels. The program hosts several distinguished visiting writers each semester and offers numerous networking opportunities within the NYC literary scene.

3. Brown University (Providence, RI): Brown's prestigious Literary Arts Program allows undergraduate students to study creative writing within a unique concentration-style program that incorporates workshops, critical theory, and creative exercises across multiple genres.

4. University of Iowa (Iowa City, IA): Home to the Iowa Writers' Workshop, this university has a deep history in nurturing talented writers and offers both MFA and undergraduate programs in creative writing.

5. University of Michigan (Ann Arbor, MI): UMich offers an esteemed Helen Zell Writers' Program, which is a two-year, fully-funded MFA program in creative writing. Additionally, students can opt for a strong undergraduate concentration in creative writing that supports a variety of genres.

6. Kenyon College (Gambier, OH): A small liberal arts college known for its strong emphasis on writing, Kenyon has a competitive creative writing program for undergraduates, offering multiple workshops, craft classes, and a vibrant literary community.

7. Emerson College (Boston, MA): Emerson's creative writing program focuses on fiction, poetry, and creative nonfiction and includes opportunities for publishing internships and participation in the college's literary magazine, Ploughshares.

8. Johns Hopkins University (Baltimore, MD): JHU offers an undergraduate Writing Seminars program in which students can study fiction, nonfiction, poetry, and a range of other writing disciplines.

9. Oberlin College (Oberlin, OH): Oberlin's Creative Writing Program offers an intensive workshop-based curriculum, fostering a close-knit creative community, with opportunities to work on the college's literary journal, the Oberlin Review.

10. Hamilton College (Clinton, NY): With small classes, Hamilton's program focuses on honing students' skills in writing fiction, nonfiction, and poetry through workshops and various literature courses.

While these are just a few suggestions, many other universities and colleges have strong creative writing programs as well. It's essential to research and visit schools to find the best fit for your individual interests and goals as an aspiring writer.

About CollegeVine’s Expert FAQ

CollegeVine’s Q&A seeks to offer informed perspectives on commonly asked admissions questions. Every answer is refined and validated by our team of admissions experts to ensure it resonates with trusted knowledge in the field.

Dance Faculty

Michael Giannitti has extensive professional experience as a lighting designer and educator. He has designed lighting at many of the most prestigious venues around the country and has taught abroad as a two-time Fulbright Specialist Grant recipient.

Levi Gonzalez is a dance artist whose work highlights the porous boundaries between audience and performer, and employs a queer corporeal logic to resist narrow definitions of knowledge and experience.

Pape Ibrahima Ndiaye (Kaolack) was born and raised in Senegal by his grandmother. As a dancer/choreographer, his work is entirely focused on pushing boundaries off space and time, liveness, and fully being in the spaces we inhabit and claim as our own, while making space for spirit to be present. 

Mina Nishimura is a Tokyo-born dance artist whose works focus on ever-changing relationships between internal landscapes and external forms. Buddhism-influenced philosophies and butoh-based principles are reflected across her somatic, performance and choreographic practices. Nishimura is a 2019 recipient of Foundation of Contemporary Arts Grants to Artists award.

Dana Reitz, choreographer, dancer, and visual artist, often uses silence as a means to reveal the musical nuance of movement itself. On her own and in her collaborations with lighting artists, she has pioneered the use of light as a physical partner. Her woven movement and light scores—essential, spare, and fleeting—create a continually shifting perception of time and space. She performed her recent solo work, current , meant to “happen in a mutable light stream, somewhere in a current of time” at Roulette Intermedium, Brooklyn, in October 2023.

Susan Sgorbati is a professional mediator and educator whose creative research has led to collaboration across disciplines and borders as both an artist and a driver of social change.

Visiting Faculty

Ros Warby is an Australian/US dance artist, choreographer, and Alexander Technique Teacher. She is recognized for her unique solo performances, invoking characters that often transcend archetypes by sliding between iconic figures & ideas, allowing the body to embrace the complex experience of a human being at any given moment. Warby has collaborated/danced with Deborah Hay Dance Co. since 1998.

Born in Niigata, Japan, Kota Yamazaki was first introduced to butoh under the teaching of Akira Kasai, then graduated from Bunka Fashion College (Tokyo) with BA in Fashion Design. He is a recipient of Bessie Award 2007, FCA Award 2013, NYFA Fellowship 2016, and Guggenheim Fellowship 2018.

Instructor/Technician

luciana achugar is a dance maker and teacher whose work blurs the lines between theater and healing; and between dancing and ritual. She makes dances as a way of growing an uncivilized, decolonized, utopian body with a practice of being in pleasure.

Kumi Ishizawa is a sound engineer/designer. 

Erin Ellen Kelly is a body based artist that creates performances and ephemeral collages for on-site presentation, the stage, installations, photographs and video. Her aim is for the body and its dance to explore nuanced relationships to environments and society.

Martín Lanz is an Interdisciplinary artist and cultural manager with an emphasis on performing arts. He works collaboratively with artists from different disciplines and latitudes, uses tools and information from several territories, and experiments with them to generate pieces, collaborations, artist meetings, and international exchange projects.

Richard MacPike brings his experience working on Broadway shows such as The Lion King and companies like the Santa Fe Opera and Glimmerglass to his work as costume shop manager at Bennington.

Londs Reuter is a dancer and choreographer who makes dances to examine her material—its inheritances, its possibilities, and its eventualities.

Davison Scandrett is a production manager and lighting designer specializing in experimental performance collaborations across dance, architecture, visual art, poetry, music, information science, criticism, theater, and responsive media.