biography non fiction examples

Definition of Biography

A biography is the non- fiction , written history or account of a person’s life. Biographies are intended to give an objective portrayal of a person, written in the third person. Biographers collect information from the subject (if he/she is available), acquaintances of the subject, or in researching other sources such as reference material, experts, records, diaries, interviews, etc. Most biographers intend to present the life story of a person and establish the context of their story for the reader, whether in terms of history and/or the present day. In turn, the reader can be reasonably assured that the information presented about the biographical subject is as true and authentic as possible.

Biographies can be written about a person at any time, no matter if they are living or dead. However, there are limitations to biography as a literary device. Even if the subject is involved in the biographical process, the biographer is restricted in terms of access to the subject’s thoughts or feelings.

Biographical works typically include details of significant events that shape the life of the subject as well as information about their childhood, education, career, and relationships. Occasionally, a biography is made into another form of art such as a film or dramatic production. The musical production of “Hamilton” is an excellent example of a biographical work that has been turned into one of the most popular musical productions in Broadway history.

Common Examples of Biographical Subjects

Most people assume that the subject of a biography must be a person who is famous in some way. However, that’s not always the case. In general, biographical subjects tend to be interesting people who have pioneered something in their field of expertise or done something extraordinary for humanity. In addition, biographical subjects can be people who have experienced something unusual or heartbreaking, committed terrible acts, or who are especially gifted and/or talented.

As a literary device, biography is important because it allows readers to learn about someone’s story and history. This can be enlightening, inspiring, and meaningful in creating connections. Here are some common examples of biographical subjects:

• political leaders
• entrepreneurs
• historical figures
• serial killers
• notorious people
• political activists
• adventurers/explorers
• religious leaders
• military leaders
• cultural figures

Famous Examples of Biographical Works

The readership for biography tends to be those who enjoy learning about a certain person’s life or overall field related to the person. In addition, some readers enjoy the literary form of biography independent of the subject. Some biographical works become well-known due to either the person’s story or the way the work is written, gaining a readership of people who may not otherwise choose to read biography or are unfamiliar with its form.

Here are some famous examples of biographical works that are familiar to many readers outside of biography fans:

• Alexander Hamilton (Ron Chernow)
• Prairie Fires: The American Dreams of Laura Ingalls Wilder (Caroline Fraser)
• Steve Jobs (Walter Isaacson)
• Churchill: A Life (Martin Gilbert)
• The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary (Simon Winchester)
• A Beautiful Mind (Sylvia Nasar)
• The Black Rose (Tananarive Due)
• John Adams (David McCullough)
• Into the Wild ( Jon Krakauer )
• John Brown (W.E.B. Du Bois)
• Frida: A Biography of Frida Kahlo (Hayden Herrera)
• The Immortal Life of Henrietta Lacks (Rebecca Skloot)
• Team of Rivals: The Political Genius of Abraham Lincoln (Doris Kearns Goodwin)
• Shirley Jackson : A Rather Haunted Life ( Ruth Franklin)
• the stranger in the Woods: The Extraordinary Story of the Last True Hermit (Michael Finkel)

Difference Between Biography, Autobiography, and Memoir

Biography, autobiography , and memoir are the three main forms used to tell the story of a person’s life. Though there are similarities between these forms, they have distinct differences in terms of the writing, style , and purpose.

A biography is an informational narrative and account of the life history of an individual person, written by someone who is not the subject of the biography. An autobiography is the story of an individual’s life, written by that individual. In general, an autobiography is presented chronologically with a focus on key events in the person’s life. Since the writer is the subject of an autobiography, it’s written in the first person and considered more subjective than objective, like a biography. In addition, autobiographies are often written late in the person’s life to present their life experiences, challenges, achievements, viewpoints, etc., across time.

Memoir refers to a written collection of a person’s significant memories, written by that person. Memoir doesn’t generally include biographical information or chronological events unless it’s relevant to the story being presented. The purpose of memoir is reflection and an intention to share a meaningful story as a means of creating an emotional connection with the reader. Memoirs are often presented in a narrative style that is both entertaining and thought-provoking.

Examples of Biography in Literature

An important subset of biography is literary biography. A literary biography applies biographical study and form to the lives of artists and writers. This poses some complications for writers of literary biographies in that they must balance the representation of the biographical subject, the artist or writer, as well as aspects of the subject’s literary works. This balance can be difficult to achieve in terms of judicious interpretation of biographical elements within an author’s literary work and consideration of the separate spheres of the artist and their art.

Literary biographies of artists and writers are among some of the most interesting biographical works. These biographies can also be very influential for readers, not only in terms of understanding the artist or writer’s personal story but the context of their work or literature as well. Here are some examples of well-known literary biographies:

Example 1:  Savage Beauty: The Life of Edna St. Vincent Millay  (Nancy Milford)

One of the first things Vincent explained to Norma was that there was a certain freedom of language in the Village that mustn’t shock her. It wasn’t vulgar. ‘So we sat darning socks on Waverly Place and practiced the use of profanity as we stitched. Needle in, . Needle out, piss. Needle in, . Needle out, c. Until we were easy with the words.’

This passage reflects the way in which Milford is able to characterize St. Vincent Millay as a person interacting with her sister. Even avid readers of a writer’s work are often unaware of the artist’s private and personal natures, separate from their literature and art. Milford reflects the balance required on the part of a literary biographer of telling the writer’s life story without undermining or interfering with the meaning and understanding of the literature produced by the writer. Though biographical information can provide some influence and context for a writer’s literary subjects, style, and choices , there is a distinction between the fictional world created by a writer and the writer’s “real” world. However, a literary biographer can illuminate the writer’s story so that the reader of both the biography and the biographical subject’s literature finds greater meaning and significance.

Example 2:  The Invisible Woman: The Story of Nelly Ternan and Charles Dickens  (Claire Tomalin)

The season of domestic goodwill and festivity must have posed a problem to all good Victorian family men with more than one family to take care of, particularly when there were two lots of children to receive the demonstrations of paternal love.

Tomalin’s literary biography of Charles Dickens reveals the writer’s extramarital relationship with a woman named Nelly Ternan. Tomalin presents the complications that resulted for Dickens from this relationship in terms of his personal and family life as well as his professional writing and literary work. Revealing information such as an extramarital relationship can influence the way a reader may feel about the subject as a person, and in the case of literary biography it can influence the way readers feel about the subject’s literature as well. Artists and writers who are beloved , such as Charles Dickens, are often idealized by their devoted readers and society itself. However, as Tomalin’s biography of Dickens indicates, artists and writers are complicated and as subject to human failings as anyone else.

Example 3:  Virginia Woolf  (Hermione Lee)

‘A self that goes on changing is a self that goes on living’: so too with the biography of that self. And just as lives don’t stay still, so life-writing can’t be fixed and finalised. Our ideas are shifting about what can be said, our knowledge of human character is changing. The biographer has to pioneer, going ‘ahead of the rest of us, like the miner’s canary, testing the atmosphere , detecting falsity, unreality, and the presence of obsolete conventions’. So, ‘There are some stories which have to be retold by each generation’. She is talking about the story of Shelley, but she could be talking about her own life-story.

In this passage, Lee is able to demonstrate what her biographical subject, Virginia Woolf, felt about biography and a person telling their own or another person’s story. Literary biographies of well-known writers can be especially difficult to navigate in that both the author and biographical subject are writers, but completely separate and different people. As referenced in this passage by Lee, Woolf was aware of the subtleties and fluidity present in a person’s life which can be difficult to judiciously and effectively relay to a reader on the part of a biographer. In addition, Woolf offers insight into the fact that biographers must make choices in terms of what information is presented to the reader and the context in which it is offered, making them a “miner’s canary” as to how history will view and remember the biographical subject.

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12 Nonfiction Short Author Bio Examples Plus 6 Steps to the Perfect Bio

by Bennett R. Coles

In this article you’ll find 12 short author bio examples for your nonfiction book and you’ll also learn the 6 steps that are instrumental in creating a bio that’s compelling and that enhances the marketing message on your book cover.

I’ll begin by outlining the 6 key components of the perfect nonfiction author bio and then end by showing you specific examples of great short author bios from established writers in each of the 12 bestselling nonfiction categories on Amazon.

Here are the 6 steps:

Step 1: Always use a professional headshot in your bio

When it comes to author bios , this information will be shown not only on the back cover of your book but also on the author pages of your website, online bookstores and any other website where you’ve contributed content.

It’s imperative that you invest in a professional photographer for your headshot. Most authors prefer to use a black & white headshot, but many choose a color image instead. Check the top selling books in your niche for inspiration on colors and poses.

Step 2: Write your bio in the third person, starting with your full name

The vast majority of author bios are written in the third person. A small percentage uses the first person, but this is typically done to abide by the publishing standards of websites where you’re a contributor.

Nonfiction books benefit from bios written in the third person because doing so contributes to the expert persona of the author.

Step 3: State your area of expertise and how long you’ve practiced in it

The next sentence or paragraph in your bio will state in few words your area of expertise, which should naturally be of high relevance to your target audience, and also the length of time of your training.

If the length of your experience is shorter than 5-7 years, you’ll be better off not quoting a number in your bio – you don’t want to create the perception that you’re a newbie.

Step 4: Explain what you do in relation to the needs of your target audience

(Note: this section is optional but recommended for some categories, such as self-help, health, dieting, spirituality, etc.)

This step is different than Step 3 in that your focus is less on your area of expertise (e.g. … is a certified psychologist with 20 years of experience) and more on what you specifically do that’s relevant to the needs of your target audience (e.g. … has drawn on breakthrough principles of cognitive therapy to help people overcome the fear of intimacy, irrational low self-esteem and other self-defeating behavior patterns).

Step 5: State your current/recent work-business credentials (including awards, bestselling titles, etc.)

This is the part where you sing your praises. However, this isn’t meant to brag but to add third-party validation to what you’re bringing to the table. The more recognizable the third parties, the more seriously you’ll be taken.

Step 6: Bring the bio to a close with a personal touch

(Note: this step is optional but recommended)

Since your nonfiction book will automatically paint you as an expert, perhaps making you appear distant from the common person, it’s always a good idea to bring up elements from your personal life to show the reader that you’re relatable.

Note that this section may not be as relevant in certain categories, e.g. money and finance, academic or scientific subjects.

Short Author Bio Examples

Since nonfiction topics are so vast and no one size fits all, here are specific examples from each one of the top 12 bestselling nonfiction categories on Amazon that you can use for reference:

1) Biographies & Memories

Title: Hillbilly Elegy: A Memoir of a Family and Culture in Crisis

Short Author Bio: J.D. Vance grew up in the Rust Belt city of Middletown, Ohio, and the Appalachian town of Jackson, Kentucky. He enlisted in the Marine Corps after high school and served in Iraq. A graduate of the Ohio State University and Yale Law School, he has contributed to the National Review and is a principal at a leading Silicon Valley investment firm. Vance lives in San Francisco with his wife and two dogs.

Analysis: This is a textbook implementation of the above 6-step process, with the optional Step 4 excluded from the bio.

2) Self-Help

Title: The Gifts of Imperfection: Let Go of Who You Think You’re Supposed to Be and Embrace Who You Are

Short Author Bio: Dr. Brené Brown is a research professor at the University of Houston where she holds the Huffington Foundation – Brené Brown Endowed Chair at The Graduate College of Social Work. She has spent the past two decades studying courage, vulnerability, shame, and empathy and is the author of five #1 New York Times bestsellers: The Gifts of Imperfection, Daring Greatly, Rising Strong, Braving the Wilderness, and her latest book, Dare to Lead, which is the culmination of a seven-year study on courage and leadership. Brené lives in Houston, Texas with her husband, Steve. They have two children, Ellen and Charlie.

Analysis: Another textbook implementation, this time including Step 4.

3) Religion & Spirituality

Title: Awaken: 90 Days with the God Who Speaks

Short Author Bio: Priscilla Shirer is a wife and mom first, but put a Bible in her hand and a message in her heart, and you’ll see why thousands meet God in powerful, personal ways at her conferences and through her books and Bible studies. She and her husband, Jerry, lead Going Beyond Ministries through which they provide spiritual support and resources to the body of Christ. They count it as their greatest privilege to serve every denomination and culture across the spectrum of the church. Between writing and studying, you’ll probably find Priscilla at home cleaning up after (and trying to satisfy the appetites of) her three rapidly growing boys.

Analysis: Here, the author has chosen to end her bio with a mundane anecdote from her personal life to counter the possible perception of a religious leader that may have little in common with her followers.

Title: This Naked Mind: Control Alcohol, Find Freedom, Discover Happiness & Change Your Life

Short Author Bio: Annie Grace grew up in a one-room log cabin without running water or electricity outside of Aspen, Colorado. She discovered a passion for marketing and after graduating with a Masters of Science (Marketing) she dove into corporate life. At the age of 26, Annie was the youngest vice president in a multinational company, and her drinking career began in earnest. At 35, in a global C-level marketing role, she was responsible for marketing in 28 countries and drinking almost two bottles of wine a night. Knowing she needed a change but unwilling to submit to a life of deprivation and stigma, Annie set out to find a painless way to regain control. Annie no longer drinks and has never been happier. She left her executive role to write this book and share This Naked Mind with the world. In her free time, Annie loves to ski, travel (26 countries and counting), and enjoy her beautiful family. Annie lives with her husband and two sons in the Colorado mountains.

Analysis: Given her lack of formal training, the author chose to expand Step 4 into a mini narrative of her personal journey in order to illustrate why she’s qualified to write this book.

Title: Instant Loss: Eat Real, Lose Weight: How I Lost 125 Pounds

Short Author Bio: Brittany Williams, a mother of three, blogger and self-proclaimed lover of food, decided to make a big change in her diet by removing processed snacks, takeout and high-calorie meals from her family’s menus. She replaced those foods with healthier meals she could make in her Instant Pot. She has since lost 125 lbs and has been featured in several media outlets including Good Morning America, The Today Show, US Weekly and more.

Analysis: Here the author is using personal accomplishments and the resulting mainstream media exposure as a way to prop up her credibility, in part due to her lack of formal credentials.

Title: Ready to Run: Unlocking Your Potential to Run Naturally

Short Author Bio: Dr. Kelly Starrett is a coach, physical therapist, author, speaker, and co-founder of MobilityWOD.com, which has revolutionized how athletes think about human movement and athletic performance. His first two books, Becoming A Supple Leopard and Ready To Run, are New York Times and Wall Street Journal Bestsellers. Becoming A Supple Leopard was also one of the 100 Most Notable Books of 2013 on Amazon. Kelly is also the co-author of the Wall Street Journal Bestseller, Deskbound, which he wrote with his wife Juliet.

Analysis: Here we see a strong focus on accomplishments because in this market niche the credibility of the author’s results-driven body of work is key. A personal touch or personal details are less relevant in this category and therefore omitted.

7) Politics & Social Sciences

Title: Catch and Kill: Lies, Spies, and a Conspiracy to Protect Predators

Short Author Bio: Ronan Farrow is an investigative journalist who writes for The New Yorker and makes documentaries for HBO. He has been an anchor and reporter at MSNBC and NBC News, and his writing has appeared in publications including The Wall Street Journal and The Washington Post. A series of stories he wrote in 2017 exposed the first allegations of sexual assault against the movie producer Harvey Weinstein. Prior to his work as a journalist, he served as a State Department official in Afghanistan and Pakistan and reported to the Secretary of State as a senior official focused on youth uprisings. He is a Yale Law School-educated attorney and studied at Oxford as a Rhodes Scholar. He is a winner of the Pulitzer Prize for Public Service, the George Polk Award, and the National Magazine Award, among other commendations, and has been named one of Time magazine’s 100 Most Influential People (and also one of People’s Sexiest Men Alive, which doesn’t have anything to do with his career, but he still brings it up a lot)

Analysis: In this bio the author’s “celebrity” credentials take the place of center stage. Interestingly, as a counterpoint to the seriousness of the subject matter, the author chose to close his bio with a bit of humor and levity.

8) Cookbooks, Food & Wine

Title: The Easy 5-Ingredient Ketogenic Diet Cookbook: Low-Carb, High-Fat Recipes for Busy People on the Keto Diet

Short Author Bio: Jen Fisch, creator of the blog Keto In The City, and international best-selling cookbook author, is passionate about offering simple solutions for following the ketogenic lifestyle. She is a single, working mother who has battled autoimmune disorders for 20 years and has turned to the kitchen to find simple, delicious ways to make the ketogenic diet work for her busy lifestyle. She is not a nutritionist or trained chef, just a determined mom who searched high and low for a way of eating that would reduce the inflammation caused by her autoimmune disorders and allow her to feel like the very best version of herself. She lives with her daughter in Hermosa Beach, California

Analysis: Since the author lacks formal training, she chose to share something from her personal experience in the bio by showcasing results in order to strengthen her credibility. Her goal is to attract a reader who’s currently suffering from the same ailment that she figured out a way out of.

9) Business & Money

Title: It’s Your Ship: Management Techniques from the Best Damn Ship in the Navy

Short Author Bio: Captain D. Michael Abrashoff is a graduate of the U.S. Naval Academy in Annapolis, MD, and was a military assistant to the former secretary of defense, the Honorable Dr. William J. Perry. Abrashoff left the navy in 2001 and became the founder and CEO of Grassroots Leadership, Inc. in Boston. You can visit his website at www.grassrootsleadership.com.

Analysis: In this bio the author chose not to follow Steps 4 or 6 – in fact, this is not uncommon in this category of nonfiction.

10) Parenting & Relationships

Title: Parenting from the Inside Out: How a Deeper Self-Understanding Can Help You Raise Children Who Thrive

Short Author Bio: Daniel J. Siegel, M.D., is an internationally acclaimed author, award-winning educator, and child psychiatrist. He is currently a clinical professor of psychiatry at the UCLA School of Medicine where he also serves as a co-investigator at the Center for Culture, Brain, and Development and co-director of the Mindful Awareness Research Center. He is also the Executive Director of the Mindsight Institute, an educational center devoted to promoting insight, compassion, and empathy in individuals, families, institutions and communities. He is the Founding Editor of the Norton Professional Series on Interpersonal Neurobiology. He lives in Los Angeles with his wife and two children.

Analysis: This author bio is another textbook implementation of Steps 1-6.

11) Education & Teaching

Title: Self-theories: Their Role in Motivation, Personality, and Development

Short Author Bio: Carol S. Dweck, Ph.D., is widely regarded as one of the world’s leading researchers in the fields of personality, social psychology, and developmental psychology. She has been the William B. Ransford Professor of Psychology at Columbia University and is now the Lewis and Virginia Eaton Professor of Psychology at Stanford University and a member of the American Academy of Arts and Sciences. Her scholarly book Self-Theories: Their Role in Motivation, Personality, and Development was named Book of the Year by the World Education Fellowship. Her work has been featured in such publications as The New Yorker, Time, The New York Times, The Washington Post, and The Boston Globe, and she has appeared on Today and 20/20. She lives with her husband in Palo Alto, California.

Analysis: Another textbook implementation…

12) Crafts, Hobbies & Home

Title: The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing

Short Author Bio: Marie Kondo is a tidying expert, bestselling author, star of Netflix’s hit show, “Tidying Up With Marie Kondo,” and founder of KonMari Media, Inc. Enchanted with organizing since her childhood, Marie began her tidying consultant business as a 19-year-old university student in Tokyo. Today, Marie is a renowned tidying expert helping people around the world to transform their cluttered homes into spaces of serenity and inspiration. Marie has been featured on more than fifty major Japanese television and radio programs as well as in Time Magazine, The New York Times, The Wall Street Journal, The London Times, Vogue Magazine, the Ellen Show, the Rachael Ray Show and many more. She has also been listed as one of Time Magazine’s 100 most influential people.

Analysis: In this bio the author relies on mainstream media validation to make her case for expertise given her established celebrity status in the niche.

Now I’ve shown you the way bios in titles written by a number of established authors plus you have the tools you need to write an author bio for your nonfiction book. Before you put pen to paper, however, check out author bios in the top books in your niche to see which steps are more or less relevant in your case.

To do so you’ll need to make a special trip to your local bookstore or library and take notes, because Amazon’s Look Inside feature doesn’t show back covers where the author bio is typically placed.

Once you do this research, you’ll have all the information you need to jump into action and craft a compelling author bio that’ll act as a great bookend to the marketing copy on your cover.

Best of luck!

If you enjoyed this article and are in the process of publishing a nonfiction book, make sure to check out my free nonfiction success guide, drawn from years of experience editing books for bestselling authors (including a New York Times bestseller) and ghostwriting for CEOs and politicians. Simply click here to get instant access .

Leave me a comment below if you have any questions or a specific need that I can help you address – I operate an author services firm that specializes in helping entrepreneurs, professionals and business owners who want to publish books as a calling card for prospects, to establish their status as an expert or to just to generate additional leads for their businesses.

Here are some related posts I highly recommend:

How to write a compelling book in 12 steps: a must-read guide for nonfiction authors, how to grow your business writing a nonfiction book, write your own book and become an expert: 11 reasons why you should, great blurb examples for nonfiction books, how to create a great book back cover design for nonfiction [with examples].

Bennett R. Coles is an award-winning author of six books published through Harper Collins (New York) and Titan Publishing Group (London). He is also the publisher at Promontory Press, editor for multiple bestselling authors (including a New York Times bestseller), ghostwriter for CEOs and politicians and the founder of Cascadia Author Services , a boutique full-service firm that specializes in premium author services specifically designed for busy professionals. Our end-to-end services include writers coaching, ghostwriting, editing, proofing, cover design, book layout, eBook production, book promotion, social media marketing, printing and distribution.

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11 Good Author Bio Examples

It’s funny that one of the hardest things for some writers to write is a paragraph about themselves! Many writers—especially unpublished writers and first-time authors—aren’t sure how to write a short author bio or a longer introductory one. So today, I’m sharing what I think are some great author bio examples.

Sooner or later, we all have to write one. Some agents and editors ask for biographical information as part of a query or submission. Publishers usually ask their authors for them for their website and the back of the book. Most authors want to set up profiles on platforms like Amazon, Goodreads, and BookBub, and some writers want a short author bio for Facebook, Twitter, Instagram, or other social media accounts. And when writers set up a website, an “about the author” paragraph or statement is often front and center.

(By the way, if you’re interested in setting up a website, be sure to check out my post on author website examples !)

I’m including author bio examples from several different kinds of writers here. A couple of them haven’t yet published anything yet. The right approach for you will depend on your goals, your personality, where you are on your writing journey, and where the biographical information will appear, so I’ve tried to include several approaches.

If you’ve ever been intimidated by author bios that are basically a long list of publishing credentials and awards, let me share a little secret. Readers may not connect with those bios as much as they connect with yours! Serious and academic authors often have professional reasons to have author bios that function as resumes. However…

Readers respond to honesty, simplicity, originality, and sometimes, a sense of humor.

I do think it helps to have some personal information in an author bio, but don’t share anything about your personal life that you don’t feel 100% comfortable putting out there.

But first, let’s talk about:

How Long Should an Author Bio Be?

Short author bios are very versatile. In my day job in publishing, when I ask authors for bios, I ask for 100 words or less . This ensures some consistency on our publisher website and in our “About the Author” pages, plus the shorter length also forces a person to make some smart decisions and keeps them from rambling. This means the bio will probably make a better impression. I think it’s a great length for the inside of a book.

If you’re writing an “About Me” on your blog or website, however, it may be quite a bit longer! It can become more of an introductory blog post…and it can serve other purposes as well (as you’ll see in a couple of the examples below.)

I’ll note the word count on all of the examples below so you get a feel for length!

Author Bio Examples

1. an unpublished middle grade author bio.

This first one is a Twitter bio, and I should note here that the author, Liz Hanson, has rewritten her name on Twitter to “Liz Hanson is querying her MG novel in verse.” This is so smart: if she participates in Twitter pitch events or if an agent looks her up on Twitter, she looks serious about her writing career.

Her short Twitter bio continues that same impression.

Inspired by young minds and wise words. ELD teacher, mother, MG writer. Member of SCBWI. (15 words)

SCBWI is the Society of Children’s Book Writers and Illustrators, and being part of a professional organization suggests that you’re taking the time to learn all about a writing career and the industry.

2. A Bestselling Fantasy Author Bio

Emily R. King shares her favorite snack and her interest in wildlife (I think?) in her bio.

Emily R. King is the author of the Hundredth Queen series, as well as Before the Broken Star, Into the Hourglass, and Everafter Song in the Evermore Chronicles. Born in Canada and raised in the United States, she is a shark advocate, a consumer of gummy bears, and an islander at heart, but her greatest interests are her children and their three cats. (63 words)

3. A Bio From an Author Who Writes In More Than One Genre

Multiple pen names aren’t unusual for authors, and Patricia Sargaent has three of them because she writes in different genres. I work with her as Olivia Matthews (cozy mystery), and I didn’t realize for quite a while that I had enjoyed one of her books that she published as Regina Hart!

This can be tricky to wrangle in a website presence. Patricia has one author bio to cover all of them. Notice that the bio is doing much more than just introducing her: it’s also inviting you to follow her on social media, hire her as a speaker or teacher, and sign up for her newsletter. Many authors use the “about me” section on their website to do this, and it’s smart.

Patricia Sargeant is the national best-selling, award-winning author of more than 20 novels. Her work has been featured in national publications such as Publishers Weekly, USA Today, Kirkus Reviews, Suspense Magazine, Mystery Scene Magazine, Library Journal and RT Book Reviews. She’s also been interviewed on podcasts including Destination Mystery with Laura Brennan, Conversations LIVE! with Cyrus Webb, Read You Later with Lasheera Lee and Katara’s Café with Katara Johnson.

Patricia has been a keynote speaker and presenter at various events. She’s conducted numerous writing craft workshops for writers groups and book conferences, and offers online fiction writing courses. Visit her  The Write Spot website for details. To contact Patricia about attending your event, email her at [email protected].

Patricia loves to hear from readers. You can email her at [email protected] Other ways to stay in touch with Patricia: Enewsletter Facebook Twitter YouTube channel: BooksByPatricia

Click here to watch  her author brand video. (151 words)

4. A Self-Published Romance Author Bio

Lucy Score is an exceptionally successful self-published romance author. Her bio on her website focuses on her personal background and her development as a writer.

Lucy grew up in rural Pennsylvania with a lot of time on her hands and a big imagination. She was the oldest of three in a literary household. Dinners were often spent in silence while family members had their noses buried in books. A passion for writing took hold at five when she taught her brother to write his name on the bathroom door.

She started writing (on paper) in the second grade, first about pilgrims on the Mayflower and over the years graduated to essays, articles, blogs, and finally books.

Before becoming a full-time writer, Lucy pretended to be a normal adult by holding down jobs that included event planner, bartender, newspaper lackey, and yoga instructor.

Lucy and Mr. Lucy, enjoy spending time with their ten nieces and nephews and are determined to learn to sail so they can live on a sailboat in the Caribbean someday. (148 words)

5. A Bio of an Unpublished Author Who Also Offers Other Services

Joanne Machin does other things besides write, and that’s true of a lot of writers. (Lots of them are also visual artists, for instance!) You can definitely combine the two in a bio for a website. Here’s how Joanne handled it in her sassy, fun, but informational author bio.

Joanne Machin is an author of flirty, nerdy, feminist contemporary adult #ownvoices romance. She also runs her own business as a freelance editor and virtual assistant for other business owners. In her free time, she likes to find new coffee shops and restaurants, obsess over stationery and all things planner-related, read, practice hot yoga, and play video games.  Joanne Machin resides in the Pacific Northwest with her husband, Thomas, and their Welsh terrier, Oliver. She received her Bachelor’s degree in English Language and Literature from the University of Washington . (89 words)

6. A Bestselling Young Adult Author Bio

Adam Silvera’s bio is short and focuses on his publications, but he throws in something at the end to make you smile.

Adam Silvera is the #1 New York Times bestselling author of THEY BOTH DIE AT THE END, MORE HAPPY THAN NOT, HISTORY IS ALL YOU LEFT ME, INFINITY SON and INFINITY REAPER. He has also co-written WHAT IF IT’S US and HERE’S TO US with Becky Albertalli. He was born and raised in the Bronx and now lives in Los Angeles. He is tall for no reason. (67 words)

7. A Bestselling Children’s Author Bio

Adam Wallace writes this short bio in the first person, which is unusual and feels more friendly—as if he’s personally introducing himself to you. Again, there’s a bit of humor, and the bio also explains what he hopes to do for his readers. Authors of books for adults can do this, too! I personally think that if you’ve hit the NYT and the USA Today , saying you’re also an Amazon bestselling author is a bit beside the point, but it’s no big deal!

I am a New York Times , Amazon and USA Today bestselling author who loves writing stories that make children laugh and get excited about reading and drawing and writing. I also love taking naps and listening to music. Not at the same time. (43 words)

8. A Bestselling Romance Author Bio

H elen Hoang has a really endearing “about the author.” Notice that she also uses the bio to establish that she brought personal experience to the writing of her breakout mega-bestseller, The Kiss Quotient , which features a heroine on the autism spectrum.

Helen Hoang is that shy person who never talks. Until she does. And the worst things fly out of her mouth. She read her first romance novel in eighth grade and has been addicted ever since. In 2016, she was diagnosed with Autism Spectrum Disorder in line with what was previously known as Asperger’s Syndrome. Her journey inspired THE KISS QUOTIENT. She currently lives in San Diego, California with her husband, two kids, and pet fish. (76 words)

9. Social Media Author Bio With One-Word Sentences.

Delaney Williams packs a whole lot of information into a short Twitter bio using one-word sentences. She also conveys a certain attitude by adding “a mother****ing Unicorn” after her name. I’m actually not sure what SUP stands for, but I think this is a really effective approach for a social media site.

Author. Advocate. Artist. BLM. Pan. Wife. Mom. SUP. Kiowa. Story collector. Book lover. Tattoo fiend. Feminist hippie, ME/MS, cancer survivor, she/they. (21 words)

10. A Self-Published Author Bio That Uses Bullet Points

Christopher Lentz ‘s bio on his website is very long, which is fine, because it’s his website! What’s the point of having a website or blog if you don’t get to write whatever you want there?

What I find interesting is his use of bullet points in a bio. I hadn’t seen anyone else do this, and I’m stealing the idea from him, so credit where credit is due. I also love the opening sentence!

A man who writes romances, a self-starter who self-publishes and a dreamer who thinks growing old should take longer.

Christopher Lentz is the acclaimed author of  Opening Doors  (biography, 2019),  My Friend Marilyn  (historica l fiction, 2018) and  The Blossom Trilogy  (historical romance). His books are about hope, second chances and outcasts overcoming obstacles. But most of all, they’re about how love changes everything. Lentz made his mark as a corporate-marketing executive before becoming a full-time storyteller.

When asked to offer a dozen things people should know about him, Lentz says he:

• Is an author who gave Marilyn Monroe a second chance
• Kissed the love of his life atop the Eiffel Tower
• Lives in a haunted Victorian house
• Earned a paycheck dressing up as Winnie the Pooh at Disneyland
• Stands in awe of lightening, thunder and his wife’s from-scratch chocolate cake
• Was born on the 6th of July, but he’s a firecracker just the same
• Loves a book that reads like a movie
• Climbed the Great Wall of China…yes, climbed, one does not just walk on it
• Snorkeled the Great Barrier Reef
• Firmly believes it isn’t hoarding if your stuff’s cool
• Survived acupuncture, cupping (which is nothing like spooning) and a spinal tap
• Discovered that life’s second chapter is the sweetest

He resides in Southern California with his high-school-sweetheart wife and family. To learn more, please visit www.blossomtrilogy.com. (227 words)

11. An Unpublished YA Fantasy Writer Bio

Mia K Rose has another example with bullet points! She notes her pronouns, Myers-Briggs type, and zodiac sign under “Classifications,” which I think is fun, even if you believe in neither! (Personally, I kind of get into both.)

Mia K Rose is a statistics and data analyst who lives in Gold Coast and, though the job may be analytical, loves the realms of fantasy. She is a member of SCBWI, QWC and Brisbane Writer’s Festival. Mia has a degree in Masters of Letters (Creative Writing) from CQUniversity.

Classifications:

• She/Her (54 words)

Do you struggle with writing an author bio? Do you have questions about it? Share your thoughts in the comments section!

And if you’d like to share your own author bio in the comments section and link to your author page on Amazon or your website, go for it. Thanks so much for reading, and happy writing!

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15 thoughts on “ 11 good author bio examples ”.

Thank you Bryn for putting these excellent bio samples together for us. This has been really helpful.

Thanks for the kind words, Naomi! I appreciate it!

Thanks for sharing these great bios. All were engaging. I especially like the ones with a bit of humor. Thanks for letting us share our own bio. https://www.amazon.com/Judith-Gonda/e/B084KPD5D5?ref=sr_ntt_srch_lnk_1&qid=1635362583&sr=1-1

Thanks, Judith—and thanks for sharing your own! I love the alliteration 🙂

I love reading BIOS and learn so much when I do. Here is mine:

Liz Boeger’s stint as a bikini model peaked in kindergarten. Her fallback career writing mysteries didn’t kick-in until she neared the mid-century mark. In between, she wrangled children, adults, and the occasional Florida panther as a teacher and school administrator. Don’t ask her about her work with the U.S. Secret Service, she’s sworn herself to secrecy.

She writes the Moccasin Cove Mystery series featuring a quirky amateur sleuth with too much empathy and wit for her own good. ChainLinked, Book1, misterio press. Book 2, AppleJacked was a 2021 Daphne du Maurier Mystery/Suspense finalist. Member of Florida Writers Association, Sisters in Crime, and Sisters in Crime Guppies. Read her writing-related rants and reflections on her Moccasin Cove Mysteries blog.

Liz, those two opening sentences are so good! This is such a great example of a bio. I’m jealous! Thanks for sharing.

Here’s the Bio from my web site.

My mother was a dragon slayer; my father, a dreamer of great dreams. I fall somewhere between, but Mama always thought I was more kin to Papa than to her.

Raised in the mountains of Colorado, I had the advantage of what some would call a disadvantaged childhood. We didn’t have a lot of what money could buy, but plenty of opportunity to develop our own ingenuity and creativity.

I studied human behavior in college right after high school, but didn’t really start to understand people or myself until I explored life with characters in my own fiction.

I eventually returned to college and earned a Bachelor’s degree from Marylhurst University.

I’ll never be a dragon slayer like my mother, but riding dragons is a different matter entirely and getting acquainted with them has led me on some amazing adventures. Want to come along?

Perhaps the first paragraph and the last would make a short bio.

I agree, the first + last would work for that! I love the invitation at the end. That’s original and so, well…inviting!

I did make an attempt to write a version of my bio in 3rd person for a query letter. It just didn’t work.

Jessie, this is awesome! I just love it. It’s entertaining and it suits you so well!

Thank you so much. I need to update mine.

The funny thing is, I need to update mine, too. 🙂

I always have a hard time writing my bio. After reading some of the examples, and stressing a lot, I came up with this.

Micheal is an eclectic minded writer. When he’s not writing, he can be found at a pool table calculating the next shot or the next story.

As an INFJ/INTJ, he has an insatiable curiosity about multiple topics including Mental Health and the surreal. He has written several articles on Medium as well as multiple fiction stories.

Thank you Micheal, this has given me inspiration after a long time of contemplation. Now my first book will soon be dressed with a bio!

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The best nonfiction books add up to a biography of our culture

It’s a frighteningly giant universe to survey, but picking 100 great books that fall under this baggy rubric promises real insights

• Follow the 100 best nonfiction books of all time here

O nce upon a time, the educated reader in, for example, the 17 th or even the 18 th century could load an essential library of classics on to a horse and cart. Even in Victorian times, you could easily masquerade as well-read with a wagonload of books. Today, you might fill a container truck with all the titles you considered to be representative of the western intellectual tradition – and still find yourself playing catch-up.

Today, in what I have described elsewhere on this site as a golden age of reading , there are so many books to investigate, in so many genres: popular culture, anthropology, biography, travelogue, philosophy, reportage, history, memoir and on and on. The discriminating contemporary reader, drowning in ink, both real and virtual, faces an almost impossible challenge. Where to start? How to go on? Where to stop? Thus: the raison d’etre of the popularity of book lists.

Focus on the Anglo-American novel, and the list-making project is not disreputable: it has a discernible literary critical purpose. As I discovered during the two years in which I put together the Guardian/Observer’s 100 best novels in English series , the satisfaction of such an exercise came from the weekly exploration of a teeming, baggy, and multitudinous genre.

Not only did I make many wonderful discoveries within the Anglo-American canon (translations were excluded), the dialogue with our readers – passionate, instructive, confessional and sometimes vituperative – was also enriched by the exchange and debate surrounding a shared literary experience.

As the series got under way in chronological order, dedicated readers following the sequence could easily speculate about my next week’s choice. Sometimes, indeed, they actually influenced future selections, or provided painful reminders of books I had unaccountably overlooked.

There was, moreover, an entertaining posse of maverick contributors lobbying hard for impossible choices – books and writers on the wilder fringe of the literary-critical radar. But even at its most contentious moments, the 100 best novels was held together by the loose discipline of genre – its purpose was to examine storytelling, fictional narrative and the imagination. There was, additionally, the artistic glue of the thing called style. Every single title listed had some distinctive stylistic quality that set it apart from its contemporaries; it was plainly unique.

Unlike fiction, nonfiction is not a genre. It’s a headache. Compiling 100 great books of nonfiction in English takes the reader into a universe of titles unrestricted by the limitations of a canon or the strictures of critical theory. Anything goes – so long as it’s in English (once again, to keep things manageable, we have excluded translations).

That, indeed, is the problem with the recent contention that contemporary nonfiction now challenges fiction for seriousness and importance: such a claim lacks definition. Ranging through philosophy, history, belles lettres and biography, one’s responses and choices are much more personal, even capricious, and more contingent on education, background, experience and – yes – sheer prejudice. The emerging focus of a nonfiction list must reflect less a tradition (as in fiction) than the evolving history of Anglo-American relations.

Stepping out of the comfort zone of genre, a nonfiction list quickly encounters some awkward questions. How, first of all, to define “great”? There is, for instance, what I think of as “the Darwin question”. On the Origin of Species will obviously find a place here, as will (spoiler alert) Johnson’s Dictionary, Wollstonecraft’s Vindication, Hume’s History, Woolf’s A Room of One’s Own, and Tom Paine’s Common Sense, or possibly The Rights of Man. But do such choices establish impossibly high criteria ? Are Dawkins (No 10) or Hawking (No 6) to be compared to Darwin? Can Sontag (No 16) or Didion (No 2) be spoken of in the same breath as Woolf or Wollstonecraft?

My answer – by whose uncertain light this series will continue to advance into the shadowy vastness of the literary universe that does not encompass fiction – is that the Anglo-American tradition is a galaxy with many stars. There are meteors of gold, azure and vermillion, but in the background there are also impressive constellations of black, silver and grey.

In the coming weeks, I plan to select self-help and cookery books, reportage and etiquette manuals as well as philosophy and economics. The guiding principle is that all these titles should, in some sense, have made a discernible contribution to who we are today, and to the way we live, think and write. Nonfiction (which is not a genre) also includes (according to library classification conventions) poetry and drama. I intend to choose poets and playwrights as well as polemicists and politicians.

Another, and final, word on the numbering convention employed by this list: we are going backwards from the present into the past, in a reverse chronology, hoping to discover adventitious connections between new and old, modern and ancient, while also varying the readers’ experience.

As this list unfolds, the task of selecting 100 great works of nonfiction does not get any easier. After 20 selections, I am already regretting some omissions: John Berger’s Ways of Seeing ; Alex Comfort’s The Joy of Sex ; and Janet Malcolm’s The Journalist and the Murderer to name three. Currently, I am struggling with Noam Chomsky’s Syntactic Structures (1957). Very many commentators and critics have singled it out as a book of great importance and influence, which is indisputably true when you read the literature surrounding it. And yet … I have to confess that the book itself is virtually unreadable, and almost impossible for the lay reader to understand. How can a list such as this include a book it cannot explain? Watch this space.

More than most fiction, all these titles bear – often explicit – traces of the times in which they were written and researched. As an informal biography of an evolving culture – initially Anglo, then Anglo-American, and now global – in all its many moods, this list makes its own, fallible stab at an unofficial summary, with the usual caveat that, at the end of the day, it’s just my choice.

• Biography books
• 100 best nonfiction books of all time
• History books
• Autobiography and memoir
• Science and nature books

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What Is Biography? Definition, Usage, and Literary Examples

Biography definition.

A  biography  (BYE-og-ruh-fee) is a written account of one person’s life authored by another person. A biography includes all pertinent details from the subject’s life, typically arranged in a chronological order. The word  biography  stems from the Latin  biographia , which succinctly explains the word’s definition:  bios  = “life” +  graphia  = “write.”

Since the advent of the written word, historical writings have offered information about real people, but it wasn’t until the 18th century that biographies evolved into a separate literary genre.  Autobiographies  and memoirs fall under the broader biography genre, but they are distinct literary forms due to one key factor: the subjects themselves write these works. Biographies are popular source materials for documentaries, television shows, and motion pictures.

The History of Biographies

The biography form has its roots in Ancient Rome and Greece. In 44 BCE, Roman writer Cornelius Nepos published  Excellentium Imperatorum Vitae  ( Lives of the Generals ), one of the earliest recorded biographies. In 80 CE, Greek writer Plutarch released  Parallel Lives , a sweeping work consisting of 48 biographies of famous men. In 121 CE, Roman historian Suetonius wrote  De vita Caesarum  ( On the Lives of the Caesars ), a series of 12 biographies detailing the lives of Julius Caesar and the first 11 emperors of the Roman Empire. These were among the most widely read biographies of their time, and at least portions of them have survived intact over the millennia.

During the Middle Ages, the Roman Catholic Church had a notable influence on biographies. Historical, political, and cultural biographies fell out of favor. Biographies of religious figures—including saints, popes, and church founders—replaced them. One notable exception was Italian painter/architect Giorgio Vasari’s 1550 biography,  The Lives of the Most Excellent Painters, Sculptors, and Architects , which was immensely popular. In fact, it is one of the first examples of a bestselling book.

Still, it wasn’t until the 18th century that authors began to abandon multiple subjects in a single work and instead focus their research and writing on one subject. Scholars consider James Boswell’s 1791  The Life of Samuel Johnson  to be the first modern biography. From here, biographies were established as a distinct literary genre, separate from more general historical writing.

As understanding of psychology and sociology grew in the 19th and early 20th centuries, biographies further evolved, offering up even more comprehensive pictures of their subjects. Authors who played major roles in this contemporary approach to biographing include Lytton Strachey, Gamaliel Bradford, and Robert Graves.

Types of Biographies

While all biographical works chronicle the lives of real people, writers can present the information in several different ways.

• Popular biographies are life histories written for a general readership.  The Immortal Life of Henrietta Lacks  by Rebecca Skloot and  Into the Wild  by Jon Krakauer are two popular examples.
• Critical biographies discuss the relationship between the subject’s life and the work they produced or were involved in; for example,  The Billionaire Who Wasn’t: How Chuck Feeney Secretly Made and Gave Away a Fortune  by Conor O’Clery and  Unpresidented: A Biography of Donald Trump  by Martha Brockenbrough.
• Historical biographies put greater understanding on how the subject’s life and contributions affected or were affected by the times in which they lived; see  John Adams  by David McCullough and  Catherine the Great  by Peter K. Massie.
• Literary biographies concentrate almost exclusively on writers and artists, blending a conventional  narrative  of the historical facts of the subject’s life with an exploration of how these facts impacted their creative output. Some examples include  Savage Beauty: The Life of Edna St. Vincent Millay  by Nancy Milford and  Jackson Pollock: An American Saga  by Gregory White Smith and Steven Naifeh.
• Reference biographies are more scholarly writings, usually written by multiple authors and covering multiple lives around a single topic. They verify facts, provide background details, and contribute supplemental information resources, like bibliographies, glossaries, and historical documents; for example,  Black Americans in Congress, 1870-2007  and the  Dictionary of Canadian Biography .
• Fictional biographies, or biographical novels, like  The Other Boleyn Girl  by Philippa Gregory, incorporate creative license into the retelling of a real person’s story by taking on the structure and freedoms of a novel. The term can also describe novels in which authors give an abundance of background information on their characters, to the extent that the novel reads more like a biography than fiction. An example of this is George R.R. Martin’s  Fire and Blood , a novel detailing the history of a royal family from his popular  A Song of Ice and Fire

Biographies and Filmed Entertainment

Movie makers and television creators frequently produce biographical stories, either as dramatized productions based on real people or as nonfiction accounts.

Documentary

This genre is a nonfictional movie or television show that uses historical records to tell the story of a subject. The subject might be a one person or a group of people, or it might be a certain topic or theme. To present a biography in a visually compelling way, documentaries utilize archival footage, recreations, and interviews with subjects, scholars, experts, and others associated with the subject.

Famous film documentaries include  Grey Gardens,  a biography of two of Jacqueline Kennedy’s once-wealthy cousins, who, at the time of filming, lived in squalor in a condemned mansion in the Hamptons; and  I Am Not Your Negro , a biography of the life and legacy of pioneering American author James Baldwin.

Television documentary series tell one story over the course of several episodes, like  The Jinx :  The Life and Deaths of Robert Durst , a biography of the real estate heir and alleged serial killer that focused on his suspected crimes. There are many nonfiction television shows that use a documentary format, but subjects typically change from one episode to the next, such as A&E’s  Biography  and PBS’s  POV .

These films are biographical motion pictures, written by screenwriters and performed by actors. They often employ a certain amount of creative liberty in their interpretation of a real life. This is largely done to maintain a feasible runtime; capturing all of the pivotal moments of a subject’s life in a 90- or 120-minute movie is all but impossible. So, filmmakers might choose to add, eliminate, or combine key events and characters, or they may focus primarily on one or only a few aspects of the subject’s life. Some popular examples:  Coal Miner’s Daughter , a biography of country music legend Loretta Lynn;  Malcom X , a biopic centered on the civil rights leader of the same name; and  The King’s Speech , a dramatization of Prince Albert’s efforts to overcome a stutter and ascend the English throne.

Semi-fictionalized account

This approach takes a real-life event and interprets or expands it in ways that stray beyond what actually happened. This is done for entertainment and to build the story so it fits the filmmaker’s vision or evolves into a longer form, such as a multi-season television show. These accounts sometimes come with the disclaimer that they are “inspired by true events.” Examples of semi-fictionalized accounts are the TV series  Orange Is the New Black ,  Masters of Sex , and  Mozart of the Jungle —each of which stem from at least one biographical element, but showrunners expounded upon to provide many seasons of entertainment.

The Functions of Biography

Biographies inform readers about the life of a notable person. They are a way to introduce readers to the work’s subject—the historical details, the subject’s motivations and psychological underpinnings, and their environment and the impact they had, both in the short and long term.

Because the author is somewhat removed from their subject, they can offer a more omniscient, third-person narrative account. This vantage point allows the author to put certain events into a larger context; compare and contrast events, people, and behaviors predominant in the subject’s life; and delve into psychological and sociological themes of which the subject may not have been aware.

Also, a writer structures a biography to make the life of the subject interesting and readable. Most biographers want to entertain as well as inform, so they typically use a traditional  plot  structure—an introduction,  conflict , rising of tension, a climax, a resolution, and an ending—to give the life story a narrative shape. While the ebb and flow of life is a normal day-to-day rhythm, it doesn’t necessarily make for entertaining reading. The job of the writer, then, becomes one of shaping the life to fit the elements of a good plot.

Writers Known for Biographies

Many modern writers have dedicated much of their careers to biographies, such as:

• Kitty Kelley, author of  Jackie Oh! An Intimate Biography; His Way: The Unauthorized Biography of Frank Sinatra ; and  The Family: The Real Story of the Bush Dynasty
• Antonia Fraser, author of  Mary Queen of Scots ;  Cromwell; Our Chief of Men ; and  The Gunpowder Plot: Terror and Faith in 1605
• David McCullough, author of  The Path Between the Seas; Truman ; and  John Adams
• Andrew Morton, author of  Diana: Her True Story in Her Own Words; Madonna ; and  Tom Cruise: An Unauthorized Biography
• Alison Weir, author of  The Six Wives of Henry VIII; Eleanor of Aquitaine: By the Wrath of God; Queen of England ; and  Katherine Swynford: The Story of John of Gaunt and His Scandalous Duchess

Examples of Biographies

1. James Boswell,  The Life of Samuel Johnson

The biography that ushered in the modern era of true-life writing,  The Life of Samuel Johnson  covered the entirety of its subject’s life, from his birth to his status as England’s preeminent writer to his death. Boswell was a personal acquaintance of Johnson, so he was able to draw on voluminous amounts of personal conversations the two shared.

What also sets this biography apart is, because Boswell was a contemporary of Johnson, readers see Johnson in the context of his own time. He wasn’t some fabled figure that a biographer was writing about centuries later; he was someone to whom the author had access, and Boswell could see the real-world influence his subject had on life in the here and now.

2. Sylvia Nasar,  A Beautiful Mind

Nasar’s 1998 Pulitzer Prize-nominated biography of mathematician John Nash introduced legions of readers to Nash’s remarkable life and genius. The book opens with Nash’s childhood and follows him through his education, career, personal life, and struggles with schizophrenia. It ends with his acceptance of the 1994 Nobel Prize for Economics. In addition to a Pulitzer nomination,  A Beautiful Mind  won the National Book Critics Circle Award for Biography, was a  New York Times  bestseller, and provided the basis for the Academy Award-winning 2001 film of the same name.

3. Catherine Clinton,  Harriet Tubman: The Road to Freedom

Clinton’s biography of the abolitionist icon is a large-scale epic that chronicles Tubman’s singular life. It starts at her birth in the 1820s as the slave Araminta Ross, continuing through her journey to freedom; her pivotal role in the Underground Railroad; her Moses-like persona; and her death in 1913.

Because Tubman could not read or write, she left behind no letters, diaries, or other personal papers in her own hand and voice. Clinton reconstructed Tubman’s history entirely through other source material, and historians often cite this work as the quintessential biography of Tubman’s life.

4. Megan Mayhew Bergman,  Almost Famous Women

Almost Famous Women  is not a biography in the strictest sense of the word; it is a fictional interpretation of real-life women. Each short story revolves around a woman from history with close ties to fame, such as movie star Marlene Dietrich, Standard Oil heiress Marion “Joe” Carstairs, aviatrix Beryl Markham, Oscar Wilde’s niece Dolly, and Lord Byron’s daughter Allegra. Mayhew Bergman imagines these colorful women in equally colorful episodes that put them in a new light—a light that perhaps offers them the honor and homage that history denied them.

Further Resources on Biography

Newsweek  compiled their picks for the  75 Best Biographies of All Time .

The Open Education Database has a list of  75 Biographies to Read Before You Die .

Goodreads put together a list of readers’  best biography selections .

If you’re looking to write biographies,  Infoplease  has instructions for writing shorter pieces, while  The Writer   has practical advice for writing manuscript-length bios.

Ranker  collected  a comprehensive list of famous biographers .

Related Terms

• Autobiography
• Short Story

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Nonfiction: 24 Genres and Types of Fact-Based Books

Many readers think of nonfiction as a genre in itself. But take a look through your local bookstore and you’ll see dozens of sections devoted to fact-based books, while fiction titles are sorted into just a few broadly defined genres like ‘Fantasy/Sci-Fi’ and ‘General Fiction’!

To give nonfiction books the recognition they deserve and help authors choose the right category for their work, here’s a list of the 24 most common genres of nonfiction along with their identifying features. 

Expository nonfiction

Expository nonfiction aims to inform the reader about its subject —  providing an explanation for it, be it a historical event, natural phenomenon, fashion trend, or anything else. 

1. History 

History books are not to be mistaken with textbooks. Rather than cherry-picking details to be memorized about a person, an event, or an era, these nonfiction titles are more like cross-sections in time. They provide readers with as much of the social and political contexts of events as possible with the use of rich primary and secondary sources, so as to better understand their causes and their legacies. 

Guns, Germs, and Steel by Jared Diamond Tapping into geological, agricultural, and biological evidence, Diamond challenges perception of genetic differences and contextualizes the history of human development using various external, environmental conditions.

Leningrad: The Epic Siege of World War II, 1941-1944 by Anna Reid The Eastern Front of WWII is not as well-discussed as the Western one, though it's just as important. To balance the viewpoints out a little, Anna Reid explores life in Leningrad (now St Petersburg) during one of the longest, costliest, and deadliest military blockades in history. 

2. Philosophy 

This is where the big questions get asked. While ‘philosophy’ conjures up the image of impenetrable books written by Nietzche and Confucius for the enjoyment of beard-stroking academics, that isn’t the be-all-and-end-all of this genre! Contemporary authors have taken care to make their writings more accessible without sacrificing depth of analysis.

Think: A Compelling Introduction to Philosophy by Simon Blackburn An introduction to life’s grandest topics (ethics, freedom, self — all that jazz) as told through the prism of history’s greatest philosophers. Suitable for curious readers who don’t know their Aristotles from their Kants.

How to Think Like a Roman Emperor by Donald Robertson The author smuggles in a history of the great philosopher king by presenting it as a self-help guide. By showing his readers how Marcus Aurelius’s beliefs can apply to modern life, Robertson appeals to readers who wouldn’t otherwise pick up a copy of Meditations from the library.

A Grammar of the Multitude by Paolo Virno See how philosophy has evolved in today’s international world through Paolo Virno's perspective. He advocates for the understanding of people as "multitudes" (courtesy of Dutch Enlightenment thinker, Spinoza). It's recommended that readers go into this book with some previous knowledge on classic philosophical paradigms. 

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3. Religion and Spirituality

Books about religion and spirituality can take many forms. Some are theory-based, some are written from personal experience, and some are structured like a self-help book, with the end goal of helping readers find their spiritual home. Oftentimes, each book focuses on a particular belief system — there are even Christian publishers who are solely dedicated to publishing books about their religion. 

📚 Examples 

Waking the Buddha by Clark Strand An interesting cross between a historical research and a personal spiritual exploration, this book details the rise and continued influence of the Soka Gakkai, an international Buddhist organization that works towards egalitarianism and social justice.

The Power of Now by Ekchert Tolle This self-help-style book brings readers closer to spiritual enlightenment by acknowledging how our mind focuses on the past and the future rather than the present. It's the first step on the path toward mindful connection with the joys of the moment. 

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Science books, or  “Science & Maths” books — as Amazon would categorize them — can get quite technical. Most of the time, they’re reporting on scientists’ academic research. And so, science books tend to be well-organized and follow academic conventions like referencing and indexing . But while they sound dry, the intriguing questions that they address can always be presented in ways that keep readers coming. In any case, readers can always choose to scan over the complex mathematical proofs, or authors can put all that into the appendix.  

A Brief History of Time by Stephen Hawking See the concept of time through the logical and characteristically witty eyes of this world-renowned scientist. It doesn’t make for the breeziest read, but it will give readers a very in-depth understanding of this arbitrary but ever-present concept. 

Origins: Fourteen Billion Years of Cosmic Evolution by Neil deGrasse Tyson and Donald Goldsmith Neil deGrasse Tyson takes readers on a tour of the universe's transformations through the years, introducing concepts of moons’ orbits and expanding stars along they way. All of this is a sturdy stepping stone to the complex realm of cosmology. 

5. Popular Science 

Is this type of nonfiction just academic science books but repackaged for laypeople? Why yes indeed. Popular science books take complex research and processes and get rid of most of the jargon, so that your average Joe can pick them up and learn something new about our universe. They’re almost like Vox videos, but that you read instead of watch. 

A Short History of Nearly Everything by Bill Bryson Bill Bryson isn’t a scientist or an anthropologist, but he’s brought together knowledge from various disciplines to create this digestible, comprehensive exploration of the universe and the human race. 

Astrophysics for People in a Hurry by Neil deGrasse Tyson Tyson’s expertise as a science communicator shines through with this armchair-expert version of astrophysics, which he claims can be read on noisy buses and trains without much headache. 

6. Politics and Social Sciences 

With the ongoing social and political tumult across the world, there has been a rise in both the reading and writing of this kind of book. Some political and social science books are based more on anecdotal evidence, others are on par with academic papers in terms of depth of research. Either way, they usually pick out a specific feature or structure in society to analyze with a critical eye. 

Why Nations Fail by Daron Acemoglu and James Robinson Discover why some nations are stuck in poverty traps with these economists. Using empirical data, they compellingly demonstrate the importance of inclusive institutions in fostering growth. Their writing continues to inspire development theories and strategies worldwide.  

Why I’m No Longer Talking to White People Race by Reni Eddo-Lodge It started with a blog post which the author wrote to express her frustration toward the domination of white people in discussions about racism. It became a tour-de-force work on the experiences and realities of deep-rooted racial discrimination in society. 

A book of essays is a collection of themed pieces of writing written by an author, or multiple authors, who often has some sort of authority on or personal experience with the subject matter. While they sound incredibly serious, they don’t require as much research as the types of nonfiction we’ve mentioned above. They’re often quite introspective and personal, like op-ed pieces or magazine articles. In fact, many essay books are made up of articles that were previously published in newspapers or magazines.

Notes of a Native Son by James Baldwin A collection of articles published in Harper’s Magazine , Partisan Review , and The New Leader , in which Baldwin discusses representations of Black people in the media, as well as his experiences as a Black man in Europe. 

The Good Immigrant , edited by Nikesh Shukla 21 writers of color come together to talk about their lives in the UK, and how they're sometimes made to question their sense of belonging despite being born and raised there. 

8. Self-Help 

Out of all the non-fiction genres out there, this is probably the most popular one. The name itself is explanatory: a self-help book provides you with some guidance and actions through which you can solve personal problems. Self-help books can be research-based, or they can be reflective — like an extended blog post. Note, though, that while the latter kind may read somewhat like a memoir in style, if you choose to write a self-help book , you must explicitly advise the reader. 

Outliers by Malcolm Gladwell What makes a person successful? Gladwell argues that it’s hardly just luck — even prodigies aren’t guaranteed recognition. Pulling from various examples and sociological studies, he identifies several factors, beyond genetics, that anyone can optimize to boost their chances. 

The Subtle Art of Not Giving a F*ck by Mark Manson Sometimes what you need is for someone to give it to you straight. That’s when conversational, hilarious, blog-style books like this become handy. Mark Manson’s self-help book is all about accepting what you’re given and not allowing expectations ruin your happiness. 

9. Business and Economics 

While this a broad category that may include volumes with a journalistic flavor, business books tend to be guides to entrepreneurship and management. It’s a medium for those who've had experience in the workplace or the market to share their tips and tricks (and also a good tool for authors to bag guest-speaking events). In this sense, this kind of book is like self-help, but specifically for entrepreneurs and business managers. 

Profit First by Mike Michalowicz Master the art of financial management through real-life case studies and a four-principle system with which can be applied to any business. It's straightfoward and has enough examples to demonstrate its success. 

The Big Short by Michael Lewis Lewis makes the mess of the financial crisis of 2008 that little bit easier to wrap your head around in this darkly humorous book. He follows the stories of ordinary people who fell victim to the American financial sector, revealing the precariousness of this ever-expanding industry. 

10. Health and Wellness

There's no shortage of health and wellness books out there — what do we care about if not a long and healthy life, right? These books cover many different topics, from diets to sleeping habits, from stress management to dealing with anxiety. Most are written by researchers and doctors, who have the technical knowhow to offer sound insight and advice. 

Lifespan by David Sinclair Drawing from his knowledge as a geneticist, Sinclair gives readers the scoop on the ever-popular topic of aging. He assures us that for a long, healthy, and happy life, we should enjoy our chocolate and wine (in moderation, of course).

This Is Your Brain on Food by Uma Naidoo Food provides more than just nutrients for sustenance and growth — what you eat also impacts your mood and mental health. Dr. Uma Naidoo is a psychiatrist, nutritionist, and a professional chef, so you can trust she knows what she’s talking about. 

11. Crafts and Hobbies 

Once upon a time, before Google became the omniscient engine that held the answer to all our questions, people relied on craft books to teach them how to pick up a new hobby. Origami, crochet, calligraphy, gardening — you name it, there’s a book about it. Nowadays, books like these appeal to the audience not solely because of the skills but also the author. Authors are usually someone with an online presence and authority when it comes to the craft, and their book's tone and interior design usually reflect a bit of their personality. 

By Hand by Nicole Miyuki Santo Beautifully designed with plenty of samples with which readers could practice their own calligraphy, Santo’s guide is a meditative exercise book. It’s also a great avenue for her followers on Instagram to come closer to her art by practicing it themselves.  

Alterknit Stitch by Andrea Rangel For knitters who have already nailed down the basics and want to experiment with new patterns, this is the book to get. It demonstrates ways to have fun with this cozy hobby by defying the conventions of knitting. 

12. Travel Guides

Again, the internet seems to have taken over from books when it comes to helping travelers and tourists discover new places. Still, travel guides are a lot more comprehensive, keeping everything you might need to know about budgeting, languages, places to visit (or avoid), and much more, in one place. Ebooks are the perfect format for these guides — they’re easy for travelers to refer to on the go, and they’re not as costly to update to include the latest information. 

The Lonely Planet series This collection has been growing since the 1970s, and it now holds plenty of books with various focuses. There are guides solely on helpful phrases in foreign languages, and then there are regional, country-level, and city guides, all made with contributions from locals. 

The Time Out series While also written by locals, these books focus only on cities (mainly in Europe and the US). As with the magazine of the same name, the content of the books is all about local haunts and hidden shops that tourists may not be aware of. 

13. Cookbooks

Cookbooks make up another type of nonfiction that’s evermore popular, and not just because we’re cooking more and more at home nowadays. They’re increasingly beautiful, and to write a cookbook is to have a vision in mind about what kind of mouth-watering photos (or illustrations!) it would offer alongside easy-to-follow instructions. They also tend to have cohesive themes, i.e. desserts for vegans, at-home experimental fine-dining, or worldly culinary adventures from your kitchen.

In Bibi’s Kitchen by Hawa Hassan and Julia Turshen Grandmothers from eight different Eastern African countries show readers both hearth and heart through the familial stories associated with their food. Beyond the loving taste of traditional homecooked dishes, readers will also get to learn about life in the villages of Africa. 

Ottolenghi Simple by Yotam Ottolenghi Israeli-English chef Yotam Ottolenghi is the owner of several branches of restaurants, bakeries and food shops in London, but you can get a taste of his cuisine with this collection of 130 Middle Eastern recipes that can be made within 30 minutes. Who says simple cooking couldn't be adventurous?

Midnight Chicken: & Other Recipes Worth Living For by Ella Risbridger A slightly different take on cookbooks, Midnight Chicken is a manifesto for an joyful life, built on homemade food. Her recipes are simple and homely, just like the illustrations of her book, so that anyone can make them even after a long and tiring day.

14. Parenting and Family 

Parenting is anything but easy, and since Supernanny is not always on air, a little help from experts and those who've had experience dealing with children is the next best thing. From understanding with the psychology of young minds to finding the best environments and ways to nurture them, parenting books with sound academic backing provide useful insights and advice to help readers become better guardians and caregivers. 

Peaceful Parent, Happy Kids by Laura Markham Based on the latest research on brain development and clinical tests, Markham emphasizes the importance of the emotional connection between parent and child in development. When parents understand their own emotions, they can raise their children with empathy, set healthy boundaries, and communicate with clarity. 

Unequal Childhoods by Annette Lareau Beyond the home, there's a complex world which parents don’t have control of. Annette Lareau sociologically examines the social and political contexts in which children would be exposed to (if they live in America) and how childrearing can be affected by it.

15. Children’s Nonfiction 

 Explaining the world to children, even on a limited scale, can be incredibly difficult, as it’s hard to keep their attention. Luckily, a bit of assistance from an illustrator can do wonders. As a result, many children’s nonfiction books are in the style of picture books and chapter books. Topics covered include short historical accounts and biographies, or stories that explain scientific phenomena and how they are studied. For a more detailed breakdown of children’s nonfiction, check out editor Melissa Stewart’s system of classification .

The Little Leaders series by Vashti Harrison Read about exceptional men and women of various ethnic backgrounds throughout history, and enjoy their adorable portraits in this series. There’s hardly a better way to help children embrace differences than through nonfiction books about diversity such as this.

There Are Bugs Everywhere by Britta Teckentrup Open young minds up to the natural world through this colorful elementary guide to the insect world. Answering questions about where insects live or how they find and store food with engaging drawings, it’s a great educational tool for parents and teachers. 

16. Educational Guides 

Many educational guides as the YA version of nonfiction books. These are targeted at final-year high-schoolers and young college students, with the aim providing them some guidance as they reach that strange age where independence is desperately craved but also a bit scary. Unlike popular YA fiction , this is still definitely a niche, yet, as rising study-with-me YouTubers would show you, there is potential for growth. Other than that, there are also learning guides for older audiences as well. 

The Uni-Verse by Jack Edwards Sharing his experience in preparing for and being at university, Edwards hopes to ensure readers that they, too, could emerge from univeristy happy and successful. From how to take lecture notes to how to get along with your roommates, this guide is full of helpful advice for anyone who’s feeling a bit overwhelmed. 

Beginners by Tom Vanderbilt Education doesn’t have to be limited to the classroom, as Tom Vanderbilt shows us in this call-to-action for life-long learning. As testament to the value of learning as an adult, he tells the stories behind his journey with five skills: playing chess, singing, surfing, drawing, and juggling. 

17. Textbooks 

We’ve all had our fair share of poring over these books: each comprehensively puts together information about a specific subject (and sometimes even the subject of teaching itself). The content of textbooks also include questions that stimulate learners, encouraging them to reflect on certain matters. As they are meant to accompany a curriculum, textbooks have to be written with a good overarching grasp of the subject and solid understanding of pedagogy. Given all this work, textbook writers deserve more appreciation than they get!

Oxford’s Very Short Introduction series by Oxford University Press This popular series offers a short and concise introduction to just about every topic out there. Breaking big concepts and lesson outcomes into bitesize definitions, they make great overviews or quick refreshers before an exam.

Letting Go of Literary Whiteness by Carlin Borsheim-Black and Sophia Tatiana Sarigianides This textbook is made not for students but for teachers. Based on experiences and examples from their own classrooms, the authors supply advice, and real-life scenarios in which they apply, on how to be anti-racist in schools. 

18. Language Books 

Language books can be general guides as to how to learn any language, or they can go into the nitty-gritty of a particular language. Some of them aren’t even about learning to use and communicate in a language; instead, they take a dive into the origins and inner workings of these complex systems. Regardless, because of the complexity of the subject, these nonfiction titles require expert knowledge from the part of the author. 

Through the Language Glass by Guy Deutscher Linguist Guy Deutscher (a perfect name for the profession) makes the case for the connection between language and culture in this volume, opening up a whole new perspective on language learning beyond the practicalities. 

How to Speak Any Language Fluently by Alex Rawlings This book does what it says on the tin: it gives you the tools to pick up any language you want. Rawling's advice is as fun as it is helpful, so everyone can learn their language of choice with extra enjoyment! 

Many of them are memoirs of comedians and talk show hosts, others are written by celebrated essayists and journalists. The celebrity profiles of authors in the genre explains humorous nonfiction's popularity. While form may vary, most of these titles are penned as social commentaries that candidly talk about issues that are often overlooked.

Assassination Vacation by Sarah Vowell A witty exploration of the legacies of presidential assassinations in America, which notes how they’ve been used for political and commercial purposes that ridiculously undermine their historical importance. It’s history and politics, but with a healthy dose of sharp humor. 

Hyperbole and a Half by Allie Brosh Bill Gates says it’s “funny as hell” , and that’s all the advertising it needs. Taking the unconventional form of meme-worthy comic strips accompanied by texts to provide context, Brosh’s memoir is a candid reflection on both hilarious and bleak moments she's been through. 

20. Arts Books

The arts section is a fun mix — to name a few, there are photography collections, art catalogues, books on theory and critique, and volumes that teach artistic endeavors. With nuggets of wisdom from industry experts and often great attention paid to design details these books really are like pieces of artwork themselves. 

The World of Art series by Thames & Hudson This collection offers a variety of art styles and their hallmark pieces from across time and space. You could pick any one of them and feast your eyes on not only the art itself, but the wonderful interior design — courtesy of Adam Hay .

Women Artists by Flavia Frigeri In a now seminal feminist art history text written in the 70s, Linda Nochlin raised a provocative question: “Why have there been no great women artists?” Well, this addition to the Art Essentials series answers the question by showcasing 50 women artists throughout history, proving that the problem lies not in the lack of female artists, but in the failure to give them the recognition they deserve. 

Narrative nonfiction 

While narrative nonfiction books are still factual, they're written in the style of a story. As such a book's chapters have a flow — a story structure , if you will — rather than being systematically organized by topic. 

21. Memoirs and autobiographies

Memoirs and autobiographies are books about the writer’s life. The former covers a shorter time period, focusing on a particularly noteworthy moment, such as experience in a certain industry, or an unconventional childhood. It’s thus often written by younger authors. The latter follows a longer timeline, going through a whole life, like a personal history. As such, while anyone, with or without a public presence, can write a memoir , autobiographies are always penned by well-known figures. Autobiographies are also often used by politicians and activists to share their journey and views.

Gone: A Girl, a Violin, a Life Unstrung by Min Kym Prodigal violinist Min Kym was the youngest pupil at the Purcell School of Music, though her life wasn't a bed of roses. While struggling with the theft of a 17th-century Stradivarius in her possession (which made national headlines in the UK in 2010), she came to realize with incredible clarity that she had lost much more on the journey to meet the expectations of her teachers, her parents, and the world. And all of it was beautifully recorded in this memoir. 

A River in Darkness by Masaji Ishikawa Masaji Ishikawa's life in Japan is just like any ordinary person’s life, but to have gotten there, he’d undergone the challenges of escaping the totalitarian state of North Korea. His experience with this totalitarian state and his subsequent escape makes for a memoir readers can't put down. 

Long Walk to Freedom by Nelson Mandela The man at the heart of one of the biggest, most publicised international movement against racial discrimination and for political freedom shares his journey from being an activist to his 27 years in prison in this autobiography. 

22. Biographies

Take note, biographies are different from auto biographies in a very crucial way, even though both are basically life stories. While autobiographies are written by authors about themselves , biographies are written by an author about somebody else . If the subject is alive, their consent should be acquired for ethical purposes (though this isn’t always done). A biography could also be penned long after its subject’s death, presented as a history book that’s focused solely on the life and circumstances of one person. Many of these have gone on to inspire award-winning movies and musicals.

Washington: A Life by Ron Chernow Ron Chernow is truly the master of biographies, and any of his titles would be a great example of his brilliance as a writer and researcher. This Pulitzer Prize winner on America’s founding father is recommended for its nuanced portrait of a legendary figure. Chernow took four years to research and an additional two to complete the manuscript — it was no easy project!

A Beautiful Mind by Sylvia Nasar Perhaps more famous for its movie adaptation starring Russell Crowe and Jennifer Connelly, Sylvia Nasar’s biography provides a window into the turbulent life of schizophrenic mathematician and economist John Nash. While it challenged ethical practices by not consulting with Nash even though he was alive, the book was still very well-received. 

23. Travel Literature 

Some call them travelogues, others call them travel memoirs — either way, travel literature books straddle the line between informing on the many cultures of the world and self-reflection. Books that fall into this genre are usually quite poetic and insightful (unlike practical travel guides). They’re all about personal journeys that are meditative and eye-opening, and can be about a specific place or a series of places. 

Full Tilt: Ireland to India with a Bike by Dervla Murphy In 1963, Dervla Murphy kept a daily diary of her trek “across frozen Europe and through Persia and Afghanistan, over the Himalayas to Pakistan and into India.” After the trip, she published the diary and invited readers to join her on this remarkable feat, whether from their couch or as they start their own journey.

Notes from a Small Island by Bill Bryson Focusing on the place and not the journey, Bill Bryson documents his “farewell tour” of the UK as he prepared to return to America after almost two decades of living across the pond. Mixing cultural insights with a healthy dose of humor, he wraps his travel notes in social commentary to both satirize and praise the idiosyncrasies of the British. 

24. Journalism

Follow investigative journalists as they uncover ugly truths. Other than doing justice by in-depth and sometimes even dangerous investigations, this type of nonfiction also enthralls readers with the twists and turns of real events and details of actual underground operations, conspiracies, and court dramas, to name a few. 

All the President’s Men by Bob Woodward and Carl Bernstein Journalists Woodward and Bernstein's reports in The Washington Post won them a Pulitzer Prize and led to President Nixon’s impeachment. In this book, they recollect the process behind their famous exposé on Watergate.

Catch and Kill by Ronan Farrow On his trail to investigate Harvey Weinstein’s alleged sexual assaults, Farrow discovered a systematic mechanism which favors offenders with big pockets and silences the voice of victims. His book is thus an exposé on the journalism industry itself.

Voilà! Those are 24 of the most popular types of nonfiction along with some typical exmaples. And keep in mind that as more and more titles get released, the genres will expand beyond this list. It goes to show how expansive this side of the publishing world can be. If you’re writing , publishing, or marketing a nonfiction book , hopefully this list has clarified the purpose, styles, and formats of each genre so that you can find the perfect fit for your own work.

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Types of Nonfiction Books

Nonfiction books appeal to everyone. No matter your interests, you’ll be able to find a subject that fits your taste. Just like fiction, nonfiction, too, has a lot of different genres to choose from.

Examples of popular nonfiction genres:

• Autobiography
• Cultural Criticism/Responses
• History/Law/Political
• True Crime/Investigative
• Self-help/Motivational
• Coloring Books

Out of these types of nonfiction books, people often mix up memoir, autobiography, and biography. Why do they mix them up, though? Keep reading!

What is a Memoir?

Defining a memoir can be tricky. It can take a lot of shapes, and different authors will have different approaches when writing one. derived from the French word for “memory,” memoirs find roots in memory.

Differentiating between a memoir and an autobiography can be a bit tricky. Memoirs and autobiographies are often mixed up, and it’s not surprising why: both are about the life of the author. However, the main difference between the two is that memoirs do not span the entire life of the author. Usually connected by some sort of unifying theme, idea, or incident, memoirs tell stories and lessons learned from the author’s life without covering everything that happened from the writer’s birth until old age.

Some common themes you’ll encounter when reading memoirs:

• Strength and overcoming obstacles
• The power of faith/religion in the author’s life
• Friendship and love

What is an Autobiography?

We’ve already covered that a memoir is comprised of stories or experiences from the life of the author that are tied together with an overarching theme or idea. An autobiography, however, usually tells the author’s life story, whether there’s a unifying theme or not.

Autobiographies are chronological, too. While memoirs can bounce around in time, autobiographies follow a strict timeline.

The terms autobiography and memoir are used so interchangeably that they’ve begun to lose distinction. Calling a book an autobiography when it is actually a memoir isn’t, at the end of the day, wrong . Memoirs are autobiographical. However, the next nonfiction genre we’re discussing cannot and should not be used interchangeably with these terms.

What is a Biography?

A biography is not the same thing as an autobiography, despite how often people attempt to use the terms interchangeably. They’re two entirely different genres, and the distinction is made in who is writing the story.

While an autobiography is a true story about the author’s own life, a biography is the story of an influential figure’s life written by another person. Most biographies are about well-known or famous influential figures. Popular biographies are written about presidents, movie stars, rock stars, political leaders, revolutionaries, etc.

What About Ghostwriters?

The whole autobiography/memoir vs. biography distinction gets a little hazy when a ghostwriter is involved. A ghostwriter is someone who is tasked with writing a book (or article or speech) while credit is given to another. Not just limited to nonfiction books, ghostwriters can help with any genre of writing. Many celebrities and other public figures use ghostwriters when publishing their autobiographies and memoirs, if they feel their writing isn’t strong enough but they nonetheless have a story to tell.

Ghostwriters do the actual writing, but they don’t get credit. Ghostwriters assist with the craft. Writing a book is hard, and not everyone can do it, even though many feel they have a story to tell. Despite the author not writing the book themselves (or writing it with assistance), they are the author, so the book would be considered an autobiography or memoir.

You may be asking yourself why anyone would want to ghostwrite a book if they do not receive credit for the work. The reason behind each ghostwriter’s decision to accept the job will vary.  For some, the pay rate makes ghostwriting worthwhile. For others, it may be because of their relationship with the author.

Self-Publishing Nonfiction Books

At DiggyPOD, we print all types of nonfiction books. From cookbooks to memoirs, our multiple binding options, paper types, and cover styles make your nonfiction book endlessly customizable. You can self-publish any of the above types of nonfiction books with DiggyPOD. Our Print on Demand technology transforms your book from a PDF file on your computer to a beautiful book. You’ll be proud to sell, gift, or display that book on your bookshelf for all to see.

Our spiral bound printing is perfect for all types of nonfiction books that need to lay flat when open. This includes coloring books,  cookbooks, and training manuals.

DiggyPOD’s paperback and hardcover binding styles make nonfiction books look beautiful. Perfect for any and all genres, check out our paperback and hardcover book printing.

Whatever your project, no matter the genre, DiggyPOD prints beautiful books. You’ll be so happy with the final product. Everything from paper type to margin size to cover design is entirely up to you, the author.

Literary Non-Fiction

Literary non-fiction is a type of writing that has similar characteristics to fictional texts. Like fictional texts , literary non-fiction often has a main purpose to entertain but is an entertaining piece of writing about real events rather than imaginary ones. They inform and provide factual information as well as entertaining their reader. Types of literary non-fiction include:

• Autobiographies and biographies
• Accounts of famous/historical events
• Feature articles
• Travel writing

Autobiographies and biographies are forms of writing that are based on real people. An autobiography is where the writer writes about themselves whereas a biography is where the writer writes about someone else. Often, autobiographies and biographies are whole books that focus on someone’s entire life; however, they can also focus on a specific period of someone’s life, a particular event that occurred in their life, or their family and friends. They can even sometimes be shorter than a whole book. Usually, celebrities and other famous individuals have autobiographies or biographies written about them but less well known and even completely unknown individuals can also be interesting, informative or entertaining due to a particular experience they have had.

The opening paragraph of Chapter 1 of David Rigg’s biography The World of Christopher Marlowe has been provided below.

David Rigg’s biography of Christopher Marlowe begins with introducing Marlowe’s father John Marlowe. As you can see from the extract, creative writing is included along with the factual information being provided. This makes the text not only factual but also interesting. Autobiographies and biographies are normally written both to inform and to entertain their reader. To fulfil both of these purposes, most autobiographies and biographies are normally made up of a mix of factual information and creative writing.

Accounts of famous/historical events are a type of literary non-fiction that can seem similar to an autobiography or biography, however, instead of being written about actual people, they will be written about famous/historical events. Similar to autobiographies and biographies, literary non-fiction about famous/historical events will often be to both inform and entertain a reader; this means that it will include a mix of factual information and creative writing. Sometimes, a fictional character may be included in the text to help illustrate the event taking place. This can be seen in the film Suffragette (2015). The audience follows the protagonist Maud Watt’s through her life during the early years of the 20 th century. Maud Watt’s is a fictional character that is used to help illustrate some of the common problems of the time. She is surrounded by other characters, for example, Emily Wilding Davison who was an actual woman that played a significant part in the suffragette movement.  

Blogs are a common form of literary non-fiction that are written all over the world. Blogs are regularly updated websites or web pages and they can be written by anyone who has access to the internet. Blogs can be run by small groups of people or by an individual. Blogs are similar to diary entries as they tend to contain a more informal, conversational style but, unlike diary entries, they can be written for many different purposes. Examples of different types of blogs are:

• A book/film review blog
• A travel log for people visiting different destinations

There are many different types of blogs on the internet than just the ones mentioned above. Some common features of blogs are listed below:

• The language is often informal and conversational
• They may not always have a clear audience; it may be aimed at anyone who might be interested
• They can vary in appearance to create different effects; for example, in size, font colour
• They often include a lot of images to help grab the reader’s attention
• They can sometimes include video clips if necessary
• They often use links to other web pages that include relevant information
• They are usually written in first person and are often quite personal

There are a numerous number of blogs to look up on the internet if you are interested in reading some for yourself. A lot of companies and organisations also have blogs so they can communicate informally with their audience; this is often a younger audience.

Essays are a creative form of literary non-fiction that are usually written by students or by someone who is considered an expert in their field. University lecturers commonly write essays to express their different ideas and opinions about a certain topic, to make an argument or to compare something; for example, to compare two literary texts. There are many different types of essays but some common features of most essays are:

• They have a clear structure with an introduction that introduces their idea, a number of paragraphs outlining different points that develop their idea, and a conclusion used to summarise the essay
• They are written using formal, Standard English and normally include a specialised vocabulary that is normally specific to a certain field of study
• They develop a line of argument
• They often include literary devices that are used throughout

An extract taken from Virginia Woolf’s essay How It Strikes a Contemporary (1925) has been provided for you below:

The extract above is just the first two paragraphs of Woolf’s essay. The essay as a whole deals with Woolf exploring the issues that contemporary writers and readers faced during the modernist period. Essays like the one provided can sometimes be difficult to read and it can take two, three or sometimes four readings of an essay before you can properly grasp its content and analyse it successfully. If you are presented with any essays in the exam, then they will normally be a little easier to understand than the one provided. Reading a range of essays from other writers can help to develop your ability in reading essays and also your ability in your own essay writing, which can greatly help you when writing your own essays in the exam.

Feature articles are a form of literary non-fiction that are a type of newspaper or magazine article but rather than appearing as formal and informative, they are usually written in an individual style and have a personal slant. We will discuss the features of feature articles when we go into detail about magazine and newspaper articles in a later chapter.

Travel writing can be a form of literary non-fiction about visiting different places. It can be written as a narrative that is telling a story about a journey or place or it can be written as a blog. Alternatively, travel writing can also appear as a magazine/newspaper article that informs readers about journeys and destinations. Travel writing in magazine/newspaper articles will be much more detailed and formal compared to travel blogs. Some features of travel writing are:

• It has a purpose to entertain as well as to inform
• It is usually written using first person narration
• It is often descriptive and uses a lot of descriptive writing (we will go into detail about descriptive writing in Unit 4 of this course)

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The 20 Best Works of Nonfiction of the Decade

In which we cheated..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , the best memoirs of the decade , and the best essay collections of the decade. But our sixth list was a little harder—we were looking at what we (perhaps foolishly) deemed “general” nonfiction: all the nonfiction excepting memoirs and essays (these being covered in their own lists) published in English between 2010 and 2019.

Reader, we cheated. We picked a top 20. It only made sense, with such a large field. And 20 isn’t even enough, really. But so it goes, in the world of lists.

The following books were finally chosen after much debate (and multiple meetings) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Twenty

Michelle alexander, the new jim crow (2010).

I read Michelle Alexander’s  The New Jim Crow  when it first came out, and I remember its colossal impact so clearly—not just on the academic world (it is, technically, an academic book, and Alexander is an academic) but everywhere. It was published during the Obama Administration, an interval which many (white people) thought signaled a new dawn of race relations in America—of a kind of fantastic post-racialism. Though it’s hard to look back on this particular zeitgeist now (when, and I still can’t believe I’m writing this, Donald Trump is president of the United States) without decrying the ignorance and naiveté of this mindset, Alexander’s book called out this the insistence on a phenomenon of “colorblindness” in 2012, as a veneer, as a sham, or as, simply, another form of ignorance. “We have not ended racial caste in America,” she declares, “we have merely redesigned it.” Alexander’s meticulous research concerns the mass incarceration of black men principally through the War on Drugs, Alexander explains how the United States government itself (the justice system) carries out a significant racist pattern of injustice—which not only literally subordinates black men by jailing them, but also then removes them of their rights and turns them into second class citizens after the fact. Former convicts, she learns through working with the ACLU, will face discrimination (discrimination that is supported and justified by society) which includes restrictions from voting rights, juries, food stamps, public housing, student loans—and job opportunities. “Unlike in Jim Crow days, there were no ‘Whites Only’ signs.” Alexander explains. “This system is out of sight, out of mind.” Her book, which exposes this subtler but still horrible new mode of social control, is an essential, groundbreaking achievement which does more than call out the hypocrisy of our infrastructure, but provide it with obvious steps to change.  –Olivia Rutigliano, CrimeReads Editorial Fellow

Siddhartha Mukherjee, The Emperor of All Maladies (2010)

In this riveting (despite its near 600 pages) and highly influential book, Mukherjee traces the known history of our most feared ailment, from its earliest appearances over five thousand years ago to the wars still being waged by contemporary doctors, and all the confusion, success stories, and failures in between—hence the subtitle “a biography of cancer,” though of course it is also a biography of humanity and of human ingenuity (and lack thereof).

Mukherjee began to write the book after a striking interaction with a patient who had stomach cancer, he told The New York Times . “She said, ‘I’m willing to go on fighting, but I need to know what it is that I’m battling.’ It was an embarrassing moment. I couldn’t answer her, and I couldn’t point her to a book that would. Answering her question—that was the urgency that drove me, really. The book was written because it wasn’t there.”

His work was certainly appreciated. The Emperor of All Maladies won the 2011 Pulitzer in General Nonfiction (the jury called it “An elegant inquiry, at once clinical and personal, into the long history of an insidious disease that, despite treatment breakthroughs, still bedevils medical science.”), the Guardian first book award, and the inaugural PEN/E. O. Wilson Literary Science Writing Award; it was a New York Times bestseller. But most importantly, it was the first book many laypeople (read: not scientists, doctors, or those whose lives had already been acutely affected by cancer) had read about the most dreaded of all diseases, and though the science marches on, it is still widely read and referenced today.  –Emily Temple, Senior Editor

Rebecca Skloot, The Immortal Life of Henrietta Lacks (2010)

As a strongly humanities-focused person, it’s difficult for me to connect with books about science. What can I say besides that public education and I failed each other. When I read The Immortal Life of Henrietta Lacks , I found myself thinking that if all scientific knowledge were part of this kind of incredibly compelling and human narrative, I would probably be a doctor by now. (I mean, it’s possible .) Rebecca Skloot tells the story of Henrietta Lacks, a black woman who died of cervical cancer in 1951, and her cells (dubbed HeLa cells) which were cultured without her permission, and which were the first human cells to reproduce in a lab—making them immensely valuable to scientists in research labs all over the world. HeLa cells have been used for the development of vaccines and treatments as well as in drug treatments, gene mapping, and many, many other scientific pursuits. They were even sent to space so scientists could study the effects of zero gravity on human cells.

Skloot set a wildly ambitious project for herself with this book. Not only does she write about the (immortal) life of the cells as well as the lives of Lacks and her (human, not just cellular) descendants, she also writes about the racism in the medical field and medical ethics as a whole. That the book feels cohesive as well as compelling is a great testament to Skloot’s skills as a writer. “ Immortal Life  reads like a novel,” writes Eric Roston in his Washington Post review . “The prose is unadorned, crisp and transparent.” For a book that encompasses so much, it never feels baggy. Nearly ten years later, it remains an urgent text, and one that is taught in high schools, universities, and medical schools across the country. It is both an incredible achievement and, simply, a really good read.  –Jessie Gaynor, Social Media Editor

Timothy Snyder, Bloodlands (2010)

Timothy Snyder’s brilliant Bloodlands has changed World War II scholarship more, perhaps, than any work since Hannah Arendt’s Eichmann in Jerusalem, an apt comparison given that Bloodlands includes within it a response to Arendt’s theory of the banality of evil (Snyder doesn’t buy it, and provides convincing proof that Eichmann was more of a run-of-the-mill hateful Nazi and less a colorless bureaucrat simply doing his job). Snyder reads in 10 languages, which is key to his ability to synthesize international scholarship and present new theories in an accessible way. But before I continue praising this book, I should probably let y’all know what it’s about— Bloodlands is a history of mass killings in the Double-Occupied Zone of Eastern Europe, where the Soviets showed up, killed everyone they wanted to, and then the Nazis showed up and killed everyone else. By focusing on mass killings, rather than genocide, Snyder is able to draw connections between totalitarian regimes and examine the mechanisms by which small nations can suddenly and horrifyingly become much smaller.  –Molly Odintz, CrimeReads Associate Editor

Isabel Wilkerson, The Warmth of Other Suns: The Epic Story of America’s Great Migration (2010)

Wilkerson’s history of the Great Migration is a revelation. When we talk about migration in the context of American history, we tend to focus on triumphalist stories of immigrants coming to America, but what about the vast migrations that have happened internally? Between 1920 and 1970, millions of African-Americans migrated North from the prejudice-ridden South, lured by relatively high-paying jobs and relatively less racism. It takes a whole lot to make someone leave their home, and Wilkerson does an excellent job at reminding us how awful life in the South was for Black people (and still is, in many ways). The Warmth of Other Suns is not only fascinating—it’s also thrilling, taking us into the lives of hard-scrabble folk who were equal parts refugees and adventurers, and truly epic, telling a great story on a grand scale. Don’t think that means there aren’t small moments of humanity seeded throughout the book—for every sentence about the conduct of millions, there’s a detail that reminds us that we’re reading about individuals, with their own hopes, wishes, dreams, and struggles.  –Molly Odintz, CrimeReads Associate Editor

Robert A. Caro, The Passage of Power: The Years of Lyndon Johnson (2012)

While Robert Caro first came to prominence for The Powerbroker, his 1974 biography of divisive urban planner Robert Moses, it’s Caro’s ongoing multi-volume biography of LBJ, America’s most unjustly maligned president (fight me, Kennedy-heads!), that has cemented his legacy. It’s hard to pick one in particular to recommend, but The Passage of Power, which covers the years 1958-1964, captures the most tumultuous period of LBJ’s life in politics, as he went from feared senator, to side-lined VP, to suddenly becoming the post powerful figure in the world. There’s something profoundly moving about the vastness of these works—Caro is 83 now, and has dedicated an enormous part of his life to this singular project. His wife is his only approved research assistant, and together, they’ve upended half a century of LBJ criticism to reveal the complex, problematic, but always striving core of a sensitive soul.

I had a teacher in high school who spent 20 years working on her dissertation on LBJ. She’d spend each weekend at the LBJ Library at UT Austin, while working full time as a public school teacher, and kicked ass at both. There’s something about LBJ that inspires people to dedicate their entire lives to trying to figure him out, and in the process, trying to understand the world that made him, and that he made. Thanks to Caro, we can all understand LBJ a little bit better.  –Molly Odintz, CrimeReads Associate Editor

Tom Reiss, The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo (2012)

Tom Reiss opens his biography of Thomas Alexandre-Dumas, father of author Alexandre Dumas, with a scene that seems right out of an academic heist film. At a library in rural France, Reiss convinces a town official to blow open a safe whose combination was held only by the late librarian. What Reiss discovers are the rudiments of a grand and, until then, largely unknown story of the man who inspired some of his son’s most beloved tales.  The Black Count  is also a case study of complex racial politics during the age of revolutionary France. Dumas was born in 1762 in Saint-Domingue, the French Caribbean colony that would become Haiti. As the son of a French marquis and a freed black slave, Dumas was subject both to the privileges of the former and the kind of indignities suffered by the latter. His father, for instance, sells him into slavery when he is 12 only to purchase his freedom later and bring him to France, where the young man receives an aristocratic education. A final rift from his father prompts Dumas to join the military. Reiss creates a dynamic, if somewhat speculative portrait of Dumas based on letters, reports from battlefields, Dumas’ own writings, and more. By the time he is 30, Dumas has vaulted in the ranks from corporal to general and commands a division of more than 50,000 soldiers. It’s no accident that the thrilling militaristic feats Reiss describes sound like events out of  The Count of Monte Cristo  or  The Three Musketeers . Though the general becomes a cavalry commander under Napoleon Bonaparte, Reiss suggests that it was Napoleon himself who ruined Dumas not only from a personal standpoint, but civilizational as well. Napoleon reintroduced slavery in Haiti, after all, in contradiction to the republican dreams of Dumas’ contemporary, Toussaint Louverture, another rare and successful 18th-century general of African descent. Reiss unearths the ultimately tragic story of a man who was infamous in his own time for enjoying social and professional advantages that would’ve been unheard of for a mixed-race man in the US, a nation which of course went through its own revolution one generation earlier.  –Aaron Robertson, Assistant Editor

Elizabeth Kolbert, The Sixth Extinction (2014)

The premise of Elizabeth Kolbert’s Pulitzer-prize-winning book is a simple scientific fact: there have been five mass extinctions in the history of the planet, and soon there will be six. The difference, Kolbert explains, is that this one is caused by humans, who have drastically altered the earth in a short time. She points out on the first page that humans (which is to say,  homo sapiens , humans like us) have only been around for two hundred thousand or so years—an incredibly short amount of time to do damage enough to destroy most of earthly life. Kolbert’s book is so unique, though, because she combines research from across disciplines (scientific and social-scientific) to prepare an extremely comprehensive, sweeping argument about how our oceans, air, animal populations, bacterial ecosystems, and other natural elements are dangerously adapting to (or dying from) human impact, while also tracing the history of both the approaches to these things (theories of evolution, extinction, and other principles). It’s a depressing and horrifying argument on the face of it, but it’s made so delicately, even poetically—Kolbert’s concerned, occasional first-person narration, and her many interviews with professionals capable of the pithiest, most perfect quotes (not to mention that she interviews these experts, sometimes, over pizza) make this book a conversation, more than a treatise. Kolbert talks us through the headiest, most complicated science, breaking down this mass disaster morsel by morsel. This might be  The Sixth Extinction’ s greatest achievement—it is so smart while also being so quotidian, so urgent while also being so present. And this fits the tone of her argument: our current mass extinction doesn’t feel like an asteroid hitting the planet. It’s amassed by the small ways in which we live our lives. We are crawling, she illuminates, towards the end of the world.  –Olivia Rutigliano, CrimeReads Editorial Fellow

Ta-Nehisi Coates, Between the World and Me (2015)

Ta-Nehisi Coates’ Between the World and Me 1) won the National Book Award for Nonfiction in 2015, 2) was a #1 New York Times bestseller, and 3) was deemed “required reading” by Toni Morrison. What else is there to say? To call it “timely” or “urgent” or even “a prime example of how the personal is, in fact, political” (as I am tempted to do) does not quite capture the unique, grounding, heartbreaking experience of reading this book. Framed as a letter to his teenage son, Between the World and Me is both a biting interrogation of American history and today’s society and an intimate look at the concerns and hopes a father passes down to his son. In just 152 pages, this book touches on the creation of race (“But race is the child of racism, not the father”), the countless acts of violence enacted on black bodies, gun control, and anecdotes from the writer’s own life. Ta-Nehisi Coates, a correspondent for The Atlantic , exercises a journalist’s concision and clarity and fuses it with the flourish of a novelist and the caring instinct of a father. It is a wonderful hybrid. The way the topics, the tones, bleed into one another reads so naturally: “I write you in your fifteenth year. I am writing you because this was the year you saw Eric Garner choked to death for selling cigarettes; because you know now that Renisha McBride was shot for seeking help, and that John Crawford was shot down for browsing in a department store…” The list, of course, goes on. Between the World and Me brilliantly forces us to confront these tragedies again—to remember our own experiences watching the news coverage, to see them in the context of history filtered through Ta-Nehisi Coates’ unsurprised perspective, and to see them anew through the eyes of his disillusioned young son. There is an amazing generosity to these personal glimpses, the moments when the writer turns to his son (says “you”). They catch you off guard. (There are even photographs throughout, like a scrapbook you aren’t sure if you’re allowed to look through.) There have been many books about race, about violence and institutionalized injustice and identity, and there will be more, but none quite so beautifully shattering as this. –Katie Yee, Book Marks Assistant Editor

Andrea Wulf, The Invention of Nature (2015)

Andrea Wulf’s 2015 biography of 18th-century German naturalist Alexander von Humboldt—one of the most famous men of his time, for whom literally hundreds of towns, rivers, currents, glaciers, and more are named—is so much more than the story of a single life. Aside from chronicling a remarkably fertile moment in the history of European ideas (Von Humboldt was good buddies with his neighbor in Weimar, Goethe) Wulf reveals in Humboldt a true forebear of present-day ecology, a jack-of-all-trades scientist less concerned with the reduction of the natural world into its constituent specimens than with our place in a broader ecosystem.

And while it doesn’t seem particularly radical now, Humboldt’s proto-environmentalist ideas about the wider world, much of which he mapped and explored, stood in stark contrast to prevailing notions of Christian dominion, that dubious theological position conjured up in aid of empire. Insofar as Humboldt was among the first to understand and articulate the complex systems of a living forest, he was also the first to sound the alarm about the impacts of deforestation (much of which he encountered on his epic journey across the northern reaches of South America). Part adventure yarn, part intellectual history, part ecological meditation, The Invention of Nature restores to prominence an exemplary life, and reminds us of the tectonic force of ideas paired to action.  –Jonny Diamond, Editor in Chief

Stacy Schiff, The Witches (2015)

It’s surprising that with a topic as popular and recurring in American culture as the Salem witch trials there have not been more books of this kind. Pulitzer Prize-winning author of the bestselling Cleopatra, Stacy Schiff takes to the Salem witch trials with curiosity and a historian’s magnifying glass, setting out to uncover the mystery that has baffled, awed, and terrified generations since. She pokes at the spectacle that Salem has become in mainstream and artistic depictions—how it has blended with folklore and fiction and has hitherto become a sensationalized event in American history which nonetheless has never been fully understood. Schiff writes that despite the imagination surrounding the Salem witch trials, in reality, there is still a gap in their history of—to be exact—nine months; so the impetus of the book and the intent of Schiff is to penetrate the mass hysteria and panic that ripped through Salem at the time and led to the execution of fourteen women and five men. In her opening chapter, Schiff chillingly sets up the atmosphere of the book and asks key questions that will drive its ensuing narrative: “Who was conspiring against you? Might you be a witch and not know it? Can an innocent person be guilty? Could anyone, wondered a group of men late in the summer, consider themselves safe?” At the heart of Schiff’s historical investigation is the Puritan culture of New England—but part of her masterful synthesis is that she picks apart at each thread of Salem’s culture and evaluates the witch trials from every perspective. Praised for her research as well as her prose and narrative capabilities, Schiff’s The Witches has been described by The Times (London) as “An oppressive, forensic, psychological thriller”; Schiff herself, by the New York Review of Books as having “mastered the entire history of early New England.” A phrase that still haunts me for its resonance throughout human history, is: “Even at the time, it was clear to some that Salem was a story of one thing behind which was a story about something else altogether.” –Eleni Theodoropoulos, Editorial Fellow

Svetlana Alexievich, tr. Bela Shayevich, Secondhand Time (2016)

A landmark work of oral history, Svetlana Alexievich’s Second-hand Time chronicles the decline and fall of Soviet communism and the rise of oligarchic capitalism. Through a multitude of interviews conducted between 1991 and 2012 with ordinary citizens—doctors, soldiers, waitresses, Communist party secretaries, and writers—Alexievich’s account is as important to understanding the Soviet world as Solzhenitsyn’s The Gulag Archipelago . Second-hand Time first appeared in Russia in 2013 and was translated into English in 2016 by Bella Shayevich. As David Remnick wrote in The New Yorker , “There are many worthwhile books on the post-Soviet period and Putin’s ascent…But the nonfiction volume that has done the most to deepen the emotional understanding of Russia during and after the collapse of the Soviet Union of late is Svetlana Alexievich’s oral history…” It is shockingly intimate, Alexievich’s interviewees sharing their darkest traumas and deepest regrets. In their kitchens, at gravesites, each character tells the story of a nation abandoned by the Kremlin. Like much of Alexievich’s work, it is radical in its composition, challenging with its polyphony of distinctive, human voices the “official history” of a society that presented itself as homogeneous and monolithic—an achievement the Nobel committee recognized when it cited the Belorussian journalist for developing “a new kind of literary genre…a history of the soul.” Like her more recent The Unwomanly Face of War and Last Witnesses: An Oral History of the Children of World War II , Alexievich’s project is one of the most important accounts being produced today.  –Emily Firetog, Deputy Editor

Jane Mayer, Dark Money (2016)

In addition to being an incredible work of reporting, Jane Mayer’s Dark Money is a historical document of what happened to America as a small group of plutocrats funded the rise of political candidates who espoused policies and beliefs that had been, until then, considered a part of the fringe right wing of the Republican Party. Mayer describes this group as “a small, rarefied group of hugely wealthy, archconservative families that for decades poured money, often with little public disclosure, into influencing how Americans thought and voted.” Mayer’s painstakingly reported work is a monumental achievement; she lays out, in as much detail as could possibly be available, the mechanisms that allowed this group to channel their wealth and power, with the help of federal law, to a set of institutions that aim to fight scientific advancement, justice-oriented movements, and climate change. In doing so, they have overhauled American politics. As Alan Ehrenhalt put it in a review of the book for The New York Times, she describes “a private political bank capable of bestowing unlimited amounts of money on favored candidates, and doing it with virtually no disclosure of its source.”

The stakes here extend beyond American politics; Mayer points out that Koch money upholds some of the institutions most vigorously fighting climate activism and defending the fossil fuel industry. In 2017, she told the Los Angeles Times , “There are many things you can fix and you can bring back, and there are sort of cycles in American history and the pendulum swings back and forth, but there are things you can damage irreparably, and that’s what I’m worried about right this moment … And that’s why this particular book—because it’s about the money that is stopping this country from doing something useful on climate change.”  –Corinne Segal, Senior Editor

David France, How to Survive a Plague (2016)

To call How to Survive a Plague extensive would be an understatement; France’s account of the epidemic’s earliest days is overwhelmingly generous, letting the reader experience those days, and everything that followed, from within the community that faced it first. France recounts the ways in which scientists and doctors first responded to the virus, tracing the evolution of that understanding from within a small circle to a broad cry for awareness and resources; meanwhile, he shows how a community of people fighting for their lives mobilized alternative systems of communication, education, and support while facing an almost inconceivable wall of barriers to that work. The importance of language in this fight is at the forefront here, from the scientific question of what to call the virus, to its reputation in popular culture as “gay cancer,” to the disagreements within activist groups about how to tell their stories to an unsympathetic world.

This is an enraging history, one of various institutional failures, missed opportunities, hypocrisies, and acts of malice toward a community in crisis, motivated by hatred and horror of queer people and gay men in particular. But I felt equally enraged and in awe. This is a humbling history to read, especially if, like me, you come from a generation of queer people that has been accused of forgetting it. I’m grateful for France’s testimony; it won’t let any of us forget.  –Corinne Segal, Senior Editor

Andrés Reséndez, The Other Slavery (2016)

Reséndez’s The Other Slavery is nothing short of an epic recalibration of American history, one that’s long overdue and badly needed in the present moment. The story of the assault on indigenous peoples in the Americas is perhaps well-known, but what’s less known is how many of those people were enslaved by colonizers, how that enslavement led to mass death, and how complicit the American legal system was in bringing that oppression about and sustaining it for years beyond the supposed emancipation in regions in which indigenous peoples were enslaved. This was not an isolated phenomenon. It extended from Caribbean plantations to Western mining interests. It was part and parcel of the European effort to settle the “new world” and was one of the driving motivations behind the earliest expeditions and colonies. Reséndez puts the number of indigenous enslaved between Columbus’s arrival and 1900 at somewhere between 2.5 and 5 million people. The institution took many forms, but reading through the legal obfuscation and drilling down into the archival record and first-hand accounts of the eras, Reséndez shows how slavery permeated the continents. Native tribes were not simply wiped out by disease, war, and brutal segregation. They were also worked—against their will, without pay, in mass numbers—to death. It was a sustained and organized enslavement. The Other Slavery also tells the story of uprising—communities that resisted, individuals who fought. It’s a complex and tragic story that required a skilled historian to bring into the contemporary consciousness. In addition to his skills as a historian and an investigator, Resendez is a skilled storyteller with a truly remarkable subject. This is historical nonfiction at its most important and most necessary.  –Dwyer Murphy, CrimeReads Managing Editor

Rebecca Traister, All the Single Ladies (2016)

One night, facing a brief gap between plans with different people, I took Rebecca Traister’s All the Single Ladies to a bar. A few minutes after I ordered, deep in Traister’s incredible, extensive history of single women in America, a server came over to offer me another, more isolated seat at the end of the bar, “so you don’t feel embarrassed about being alone,” she said, quietly. I assured her I was okay, trying not to laugh. She was just so worried.

I turned back to my book to find Traister describing this kind of cultural distress— a woman, alone, in public?! —at a new generation of unmarried adult women, who are more autonomous and numerous today than ever before. Far from marking a crisis in the social order, Traister writes, this shift “was in fact a new order … women’s paths were increasingly marked with options, off-ramps, variations on what had historically been a very constrained theme.” She examines the history of unmarried women as a social and political force, including the activists who devoted their lives to establishing a greater range of educational, familial, and economic choices for women, with particular attention to the ways in which that history is also one of racial and economic justice in the US. Traister also highlights the networks of social support that women have created in order to survive patriarchy and establish lifestyles that did not depend on it; intimacy and communication among unmarried women, she shows, were the backbone of activist and reform movements that successfully challenged the dominant order.

The book draws on interviews from dozens of women of varying backgrounds, and their firsthand accounts are a portrait of life amid a historic shift toward female autonomy. Their stories, and Traister’s analysis, make it clear that even as options for many women are expanding, those options are not equally available or beneficial to all women. This is a stunning reckoning with the state of women’s independence and the policies that still seek to curtail it.  –Corinne Segal, Senior Editor

Caroline Fraser, Prairie Fires (2017)

Prairie Fires , Caroline Fraser’s Pulitzer Prize- and National Book Critics Circle Award-winning biography of Laura Ingalls Wilder is not just a painstakingly researched and lyrically realized account of how the Little House on the Prairie author decanted the poverty and precarity of her homesteader family’s existence into narratives of self-reliance and perseverance—although it is that—it is also a meditation on the human need “to transform the raw materials of the past into art.” Full disclosure, I did not read the Little House on the Prairie books as a child and have no sentimental attachment to Laura, Pa or Ma. But in looking at the life behind the books, Wilder emerges as a tenacious, sometimes fragile figure, and as a literary operator of uncommon nous and self-awareness. Drawing on unpublished manuscripts, letters, diaries, and land and financial records, Prairie Fires has all the essentials of a great history book. Most importantly, Fraser’s great skill is in pulling back the veils of mythology that have enshrouded her subject and the era her works helped to define, enabling us to see both the real people and the myths themselves with fresh, critical eyes. There is no romanticizing of the Frontier, and a very real understanding of the sentimentality and bias of an overtly racist understanding of “westward expansion.” It is a remarkable book.   –Emily Firetog, Deputy Editor

David W. Blight, Frederick Douglass: Prophet of Freedom  (2018)

In 2017, monuments commemorating heroes of the Confederacy were being debated, defaced and toppled throughout the United States. That same year, months before President Trump signed a law creating a commission to plan for the bicentennial of Frederick Douglass’ birth, he infamously seemed to suggest that Douglass was still around, doing an “amazing job” and “getting recognized more and more.” The irony was hard to miss: it was easy to eulogize a past that was not comprehensively, nor even fundamentally understood. One achievement of historian David Blight’s monumental study of the former slave turned abolitionist is the thoroughness with which it examines the man’s development across three autobiographies he produced in the span of ten years. The popular image of Douglass has long been that of a bushy-haired man affixed to Abraham Lincoln’s side, delivering rousing speeches on abolition and the sins of slavery. And while there is basic truth to that, Blight sets out to fill the gaps in public understanding, guiding readers from the Maryland slave plantation where Douglass was born to the many stops along his European speech circuit, when he established himself as one of the world’s most recognizable opponents of slavery. The vague circumstances of Douglass’ birth (he was born to an enslaved woman and a white man who may also have been his owner) later compelled him to create his own life narratives, a task that he accomplished both in writing and oratory. Blight’s engagement with Douglass’ writing also marks the biography as a triumph of public-facing textual criticism. For decades before  Prophet of Freedom  astonished critics and general readers, Blight had been making his name as one of the leading Douglass scholars in the US. Blight’s work was not historical revisionism, but rather a considered analysis of a man who relied on actions as much as words. Many may be surprised to learn, for example, what a vocal supporter Douglass was of the Civil War and violence as a necessary means to dismantle the system that had nearly destroyed him. Prophet of Freedom  feels as definitive as a Robert Fagles translation of Homer—we hope it’s not the final word, though it will take quite the successor to produce a worthwhile follow-up.  –Aaron Robertson, Assistant Editor

Robert Macfarlane, Underland (2019)

One hesitates to label any book by a living writer his “magnum opus” but Macfarlane’s Underland —a deeply ambitious work that somehow exceeds the boundaries it sets for itself—reads as offertory and elegy both, finding wonder in the world even as we mourn its destruction by our own hand. If you’re unfamiliar with its project, as the name would suggest, Underland is an exploration of the world beneath our feet, from the legendary catacombs of Paris to the ancient caveways of Somerset, from the hyperborean coasts of far Norway to the mephitic karst of the Slovenian-Italian borderlands.

Macfarlane has always been a generous guide in his wanderings, the glint of his erudition softened as if through the welcoming haze of a fireside yarn down the pub. Even as he considers all we have wrought upon the earth, squeezing himself into the darker chambers of human creation—our mass graves, our toxic tombs—Macfarlane never succumbs to pessimism, finding instead in the contemplation of deep time a path to humility. This is an epochal work, as deep and resonant as its subject matter, and would represent for any writer the achievement of a lifetime.  –Jonny Diamond, Editor in Chief

Patrick Radden Keefe, Say Nothing: A True History of Memory and Murder in Northern Ireland (2019)

Attempting, in a single volume, to cover the scale and complexity of the Northern Ireland Troubles—a bloody and protracted political and ethno-nationalist conflict that came to dominate Anglo-Irish relations for over three decades—while also conveying a sense of the tortured humanity and mercurial motivations of some of its most influential and emblematic individual players  and  investigating one of the most notorious unsolved atrocities of the period, is, well, a herculean task that most writers would never consider attempting. Thankfully, investigative journalist Patrick Radden Keefe (whose 2015  New Yorker  article on Gerry Adams,  “Where the Bodies Are Buried”,  is a searing precursor to  Say Nothing ) is not most writers. His mesmerizing account, both panoramically sweeping and achingly intimate, uses the disappearance and murder of widowed mother of ten Jean McConville in Belfast in 1972 as a fulcrum, around which the labyrinthine wider narrative of the Troubles can turn. The book, while meticulously researched and reported (Radden Keefe interviewed over one hundred different sources, painstakingly sorting through conflicting and corroborating accounts), also employs a novelistic structure and flair that in less skilled hands could feel exploitative, but here serves only to deepen our understanding of both the historical events and the complex personalities of ultimately tragic figures like Dolours Price, Brendan Hughes, and McConville herself—players in an attritional drama who have all too often been reduced to the status of monster or martyr. Once you’ve caught your breath, what you’ll be left with by the close of this revelatory hybrid work is a deep and abiding feeling of sorrow, which is exactly as it should be.   –Dan Sheehan, BookMarks Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Maggie Nelson, The Art of Cruelty: A Reckoning (2011)

Maggie Nelson, if evaluated from a first glance at her authored works, may appear to be a paradox. That the author of Bluets, a moving lyric essay exploring personal suffering through the color blue, also wrote The Red Parts , an autobiographical account of the trial of her aunt’s murderer, may seem surprising. Not that any person cannot and does not contain multitudes but the two aesthetics may seem diametrically opposed until one looks at The Art of Cruelty and understands Nelson’s fascination with art on the one hand, and violence on the other. Nelson hashes out the intersection of the two across multiple essays. “One of this book’s charges,” she writes, “is to figure out how one might differentiate between works of art whose employment of cruelty seems to me worthwhile (for lack of a better word), and those that strike me as redundant, in bad faith, or simply despicable.” The Art of Cruelty is a self-proclaimed diagram of recent art and culture and does not promise to take sides, to deliver ethical or aesthetic claims masquerading as some declarative truth on the matter. So cruelty is very much approached from Nelson’s poetic sensibility, with a degree of nuance, and an attitude of reflection and curiosity but also one of a certain distance so that all the emotions—anger, disgust, discomfort, thrill etc.—can be viewed as part of a whole rather than in isolation. Cruelty, counterbalanced with compassion—especially with reference to Buddhism—is certainly not hailed by Nelson as a cause for celebration but worthy of rumination and analysis so that it is not employed tacitly and without recourse. No book could ever, I think, provide an exhaustive evaluation of this topic, nor is Nelson’s approach that of a philosopher or art-historian looking to propose a theory. Nevertheless, she dexterously, and creatively, manages to hold a mirror to our culture’s fascination with cruelty and invites us to reflect on our personal reasons for indulging it.  –Eleni Theodoropoulos, Editorial Fellow

Óscar Martinez, The Beast (2013)

For over a decade, Martinez has been a witness and a chronicler of the ground-level effects of the war on drugs, reporting from across Latin America with a special focus on Central America and his home country of El Salvador, where more recently he’s been writing about the bloody culture of MS-13 and other narco-cliques that have expanded their power. Before that, he was charting the plight of migrants running the terrible gauntlet across borders and through narco-controlled territories. Martinez rode the dreaded train known as “The Beast” and collected the stories of those traveling north on this perilous journey. While crime isn’t strictly the focus of the book, Martinez looks at the direct effects of mass crime at a regional/global level, as well as the outlaw communities springing up to prey on the vulnerable. The subject matter is dark, but Martinez writes with the terrible, piercing clarity of a Cormac McCarthy. The Beast is a dispatch from a nearly lawless land, where families struggle and suffer, narcos get richer, violence spreads, the drugs head north, the guns head south, and so it goes on. Forget the rhetoric, the politics, and the propaganda. The Beast is the real story of the drug war. “Where can you steer clear of bandits?” Martinez asks. “Where do the drugs go over? Where can you avoid getting kidnapped by the narcos? Where is there a spot left with no wall, no robbers, and no narcos? Nobody has been able to answer this last question.” To call this book prescient disregards how long our problems have persisted, and how long we’ve managed to ignore the chaos our country’s policies have created.  –Dwyer Murphy, CrimeReads Managing Editor

Matthew Desmond, Evicted (2016)

There are more evictions happening now, per capita, in the United States, than there were during the Great Depression. As it turns out, there’s a lot of money to be made from poverty—not, course, for those who need it, but for the landlords who orchestrate the kind of housing turnover that traps people in deeper and longer cycles of debt. Poverty in America has long been conflated with moral failure, but as Matthew Desmond’s Evicted illustrates in great detail, if there’s any moral failing happening, it’s with those who would take advantage of such systemic and generational iniquities.

Desmond, a Princeton-trained sociologist and MacArthur fellow, went to see for himself in 2008, at the height (depths?) of the housing crisis, undertaking a year-long study of eight Milwaukee-area families, spending six months in a mobile home and another six months in a rooming house, creating much more than a journalist’s snapshot of life as an American renter. With Evicted , Desmond has widened our perspective on cyclical hardship and its disproportionate impact on people of color, illustrating (with neither the leering nor the condescension of so much reporting on the poor) that eviction is more often a cause of poverty than a symptom.  –Jonny Diamond, Editor in Chief

Yuri Slezkine, The House of Government (2017)

I recommend this book to those who wish to demonstrate their physical strength in public and show off that they can read a giant Russian history book one-handed, but also I recommend this book to everyone, ever, in the world, because it’s so fantastic. At first glance, this is a lengthy tome inspired by a Tolstoyan approach to lyrical history, ostensibly concerned with the history of an apartment complex that was home to much of the early Soviet elite—and was subsequently depopulated by Stalinist purges. Within this apartment building, however, lay the central irony of the revolution—those who believed deeply enough in an idealistic system to embrace violent, repressive means of revolution, were soon enough subjected to those same mechanisms of repression. From this central irony, Slezkine, always concerned with how the micro fits into the macro, zooms out to look at the Soviets as just another bunch of millenarians (and to understand what an insult that is, you’ll have to pick up the book).  –Molly Odintz, CrimeReads Associate Editor

Richard Lloyd Parry, Ghosts of the Tsunami (2017)

Richard Lloyd Parry, Tokyo bureau chief for The Times of London, begins his book by describing the way his office building in Tokyo shook in March 2011 when an earthquake hit the city. He called his family and checked that they were OK and then walked through the streets to see the damage. Used to quakes, this one seemed bad, but not the worst he had lived through. Less than an hour after the earthquake, though, a tsunami killed an estimated 18,500 Japanese men, women and children. In Ghosts , Parry focuses his story on Okawa, a tiny costal village where an entire school and 74 children washed away. In somewhat fragmentary threads, Parry explores the families that survived, the ghosts that follow them, and the landscape of a place that will never be the same. In localizing the story in one community, Parry is able to clearly define the painfully individual fallout of a national tragedy. It is emotionally draining to read, which is a warning I give everyone when I recommend the book (which I do constantly). But it is one of my favorite books and I would be remiss not to include in our list for best nonfiction of the decade.  –Emily Firetog, Deputy Editor

Jenny Odell, How to Do Nothing (2019)

I grew up in a town named after a body of water—Rye Brook—and went to a high school also named after that body of water—Blind Brook—but growing up, no one seemed to actually know where the brook was, at least none of the kids. We didn’t talk about it, except to note its hiddenness— it’s behind the school, someone once told me, while another person said it was behind that hotel, behind the park, behind the airport . Recently, I decided to find it on a map and noticed, for the first time, that the brook, far from being a hidden thing, defines the majority of Rye Brook’s borders. Recognizing this foundational feature of my hometown for the first time, more than a decade after I left it, was disorienting, completely re-rendering my perception of the place I thought I knew best.

My search that day came after I read Jenny Odell’s account of her similar awakening to the ecology of her hometown, Cupertino, and all the features in or around it: Calabazas Creek, nearby mountains, and the San Francisco Bay. “How could I have not noticed the shape of the place I lived?” she writes, and, later, describing her own disorientation in a way that resonates with my own, added, “Nothing is so simultaneously familiar and alien as that which has been present all along.”

One way of describing the premise of this book is to say “that which has been present all along” is reality itself: each of us, from day to day, living our physical lives in a physical place. But in 2019, life doesn’t usually feel like that; it feels like an onslaught of forces that aim to turn our attention away from this reality and monetize it in a shapeless virtual space. In that environment, Odell writes, doing “nothing,” or finding any way to disrupt the capitalistic drive to monetize, is an act of political resistance, even as she recognizes that not everyone has the economic security or social capital to opt out. “Just because this right is denied to many people doesn’t make it any less of a right or any less important,” she writes. This book also draws on philosophy, utopian movements, and labor organizing to describe how various people have attempted to “do nothing” in their own way throughout history, with an outlook that is grounded in ecology. (And bird watching!) Ultimately, Odell writes, the act of doing nothing creates space for the kind of contemplation and reflection that is essential to activism and to sustaining life. I experienced this book as a space of sanity and as a beginning; I hope you do, too.  –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Peter Hessler, Country Driving (2010)  · Ron Chernow, Washington: A Life (2010)  ·  Barbara Demick, Nothing to Envy (2010)  · Marina Warner, Stranger Magic (2012)  · Jon Meacham, Thomas Jefferson: The Art of Power (2012)  · Oscar Martinez, The Beast (2013) · Katherine Boo, Behind the Beautiful Forevers (2013)  · Mary Ruefle, Madness, Rack, and Honey (2013)  · David Epstein, The Sports Gene (2013)  · Sheri Fink, Five Days at Memorial (2013)  · David Finkel, Thank You for Your Service  (2013) ·  George Packer, The Unwinding  (2013)  · Naomi Klein, This Changes Everything (2013) ·  Roxanne Dunbar-Ortiz, An Indigenous People’s History of the United States (2014) · Sarah Ruhl, 100 Essays I Don’t Have Time to Write (2014) ·  Olivia Laing, The Trip to Echo Spring (2014)  · Hermione Lee, Penelope Fitzgerald (2014) ·  Mary Beard, SPQR (2015) ·  Sam Quinones, Dreamland  (2015) ·  Ibram X. Kendi, Stamped From the Beginning (2016)  · Ruth Franklin, Shirley Jackson (2016) · Arlie Russell Hochschild, Strangers In Their Own Land (2016) ·  Margot Lee Shetterly, Hidden Figures (2016)  ·  Laura Dassow Walls, Henry David Thoreau: A Life (2017)  ·  David Grann, Killers of the Flower Moon (2017)  · Elizabeth McGuire, Red at Heart (2017) · Frances FitzGerald, The Evangelicals (2017) · Jeff Guinn, The Road to Jonestown  (2017) · Michael Tisserand, Krazy (2017) · Lawrence Jackson, Chester Himes (2017)   ·  Zora Neale Hurston, Barracoon (2018) · Beth Macy, Dopesick  (2018) · Shane Bauer, American Prison  (2018) · Eliza Griswold, Amity and Prosperity  (2018) · David Quammen, The Tangled Tree  (2018).

Emily Temple

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First Time Author Bio Writing Examples and Guidelines

by Gatekeeper Press | Jul 17, 2020 | Blog , Writing

You have sailed through your first manuscript, nailing each benchmark of the self-publishing formatting process while writing a truly captivating story. Suddenly, though, you hit stop when you arrive at that last step: writing your author bio.

Facing this final step in the writing process can leave a first-time author shuddering as they wonder, “How do I write an author bio with no experience in writing?”

Penning an unpublished author bio is not as difficult as it might initially appear. After all, an author has to start somewhere! Think about it—all great authors had to write their first book at some point, meaning they were faced with the same problem of how to write an author bio with no experience.

These great writers undoubtedly struggled to solve the dilemma, too, but managed to push through and establish amazing literary careers—as will you.

First Time Publishing? Here’s What to Include in Your Author Bio

Think of your author bio as an opportunity to connect with your readers, versus a staid resume outlining your professional accomplishments.

The author bio should cultivate a sense of relationship with prospective readers; to entice them just enough to buy your book. Even as a first-time author, you can craft an interesting synopsis, including who you are, what you write, and why someone should read your book.

When grappling with the challenge of writing your first author bio, it helps to know that there is a general format to follow. These guidelines can assist you in assembling the important aspects of your first author bio, providing the kinds of information about you that the reader will enjoy knowing.

Author bio guidelines include:

1. Keep it brief.

Instead of attempting to list every facet of your career or all your hobbies, it is always best to keep the bio under 300 words.

2. Use a third-person voice.

Author bios come across as more professional when using the third person point of view, versus the first person.

3. Start with a one-liner.

Write an interesting opening line that incorporates your name, your profession (generally relevant for non-fiction titles), and the title of your book.

4. Sell yourself.

An author’s bio is akin to an elevator pitch, an interesting summary of your life, and how it relates to the book you wrote. Everything mentioned should be relevant to the book’s theme. For example, if you are a pediatric psychotherapist by trade and have decided to write a non-fiction book about parenting, that connection will increase your credibility.

5. List achievements sparingly.

Noting your college alma mater and degree is fine, but resist the temptation to list every career achievement ever accomplished, as doing so may come across as somewhat boastful and unnecessary.

6. Include some personal tidbits.

Adding a few personal hobbies or interests helps the reader feel a sense of familiarity with the author. Be selective and include those interests that further complement the theme of the book or that target your reader persona.

7. Use a professional photo.

Include a high-quality photo that does not have a distracting background. An unprofessional headshot will appear amateurish.

The primary difference between a first-time author’s bio and a seasoned professional’s is that the latter will be able to include other titles he or she has written in their bio. In addition, a career writer can include in the bio their “best-seller” status and any awards they have won, if these accomplishments were achieved.    

4 First Time Author Bio Examples that Rock

Figuring out exactly how to write an author bio with no former experience may feel like a daunting task. Sure, you can locate bio templates online, but templates only provide the framework. It is up to you to pen something catchy and engaging that shines the most flattering light on your background, sans prior authorship. Here are some first-time author bio examples to hopefully inspire you:

1. Hannah Lee, author of Bloom Where You’re Planted

Hannah Lee was born and raised outside the city of Charleston, in the beautiful mountain state of West Virginia. Hannah considers her faith and family to be most important to her. If she isn’t spending time with her friends and family, you can almost always find her around her sweet yellow Labrador retriever, Tupelo. Bloom Where You’re Planted is Hannah’s first children’s book.

Note: Hannah Lee paints a picture of a person who values her loved ones in her short, succinct bio. This gives the reader a comforting sense that the writer is compassionate, which is an attractive trait in a children’s book author.

2. Dan DalMonte, author of The Realm of Possibility

Dan DalMonte was born in 1984 in San Francisco, California. Growing up, he was fascinated with baseball, and this interest led to some early exposure to reading since he was drawn to stories related to baseball. Later, Mr. DalMonte, who now teaches philosophy at the college level, developed a passion for ideas. In The Realm of Possibility, Dan explores the issue of how past events are unchangeable by introducing an ability to manipulate past events. The Realm of Possibility is Mr. DalMonte’s first book.

Note: Dan DalMonte describes the trajectory of his background that culminates in his passion for ideas. He piques the curiosity of the reader as to how exactly one can manipulate past events.

3. Victoria Lee, author of The Fever King

Victoria Lee grew up in Durham, North Carolina, where she spent twelve ascetic years as a vegetarian before discovering spicy chicken wings are, in fact, a delicacy. She’s been a state finalist competitive pianist, a hitchhiker, a pizza connoisseur, an EMT, an ex-pat in China and Sweden, and a science doctoral student. She’s also a bit of a snob about fancy whiskey. Victoria writes early in the morning, then spends the rest of the day trying to impress her Border collie puppy and make her experiments work.

Note: Victoria Lee conjures up an eclectic, even eccentric image through the diverse collection of endeavors she has experienced in her young life and delivers these with humor. Quirky is what you might expect from an author of a dystopian novel, which inspires the reader to go check out her book.

4. Bruce Clarke, author of Death by Grand Jury

Bruce Clarke practiced criminal law as a defense attorney in Washington, D.C., as a partner in the firm Clarke & Graae and as a staff attorney with the Public Defender Service (PDS) for the District of Columbia. He later worked at the Federal Judicial Center, where he served as Director of its Education Division. While on sabbatical from the law, Clarke studied script analysis in New York with Stella Adler and began writing plays. His plays Bluesman and Fifteen Rounds with Jackson Pollock have been produced in D.C. and regionally. He is the recipient of a playwrighting grant from the D. C. Commission on the Arts and Humanities, a playwrighting residency at the Edward Albee Foundation, and the Larry Neal Award for Dramatic writing.

Note: Bruce Clarke lays the foundation for his book by describing his vast experience in the field of law. Readers of his bio will quickly grasp by his background that he has the inside scoop, allowing him to create some intriguing short stories centering on Washington D.C.

Ready to Make Your Name Known?

Even the above author bio examples for first-time authors may not be enough to help you create your eloquent bio. Worry not, when you sign up for one of our editing packages, the editorial team at Gatekeeper Press will review your bio, and help you to create a captivating author bio. Contact us today!

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Historical Nonfiction: 30 of the Best Books in the Genre

Emily Martin

Emily has a PhD in English from the University of Southern Mississippi, MS, and she has an MFA in Creative Writing from GCSU in Milledgeville, GA, home of Flannery O’Connor. She spends her free time reading, watching horror movies and musicals, cuddling cats, Instagramming pictures of cats, and blogging/podcasting about books with the ladies over at #BookSquadGoals (www.booksquadgoals.com). She can be reached at [email protected].

View All posts by Emily Martin

Historical nonfiction is so much more than the history books you read in school. These stories are well researched, thought provoking, and are just as riveting as fiction. In fact, these historical nonfiction books are even harder to put down, because all of this stuff really happened.

The following books are some of the best books in the genre. But I’ve divided them into categories to make it even easier to find your next favorite historical nonfiction read. Choose your poison: general historical nonfiction, historical biographies, historical memoirs, microhistories, historical graphic novels, or even historical true crime.

Historical Nonfiction Books

Midnight in Chernobyl by Adam Higginbotham

Adam Higginbotham’s page-turner of a historical nonfiction book tells the story of the April 1986 meltdown of the Chernobyl Nuclear Power Plant in Ukraine. Higginbotham’s book draws from hundreds of hours of interviews. In addition, the author referenced letters, unpublished memoirs, and documents from recently-declassified archives. This is the story of a human-made tragedy, and the propaganda and secrecy that kept the true horrors of this story under wraps for so many years.

Black and British: A Forgotten History   by David Olusoga

This book is a comprehensive look at Britain’s long and complicated relationship with the people of Africa. British historian David Olusoga points out how Black British history has long been an integral part of the cultural and economic histories of the nation. Drawing from genetic and genealogical research, original records, expert testimony, and contemporary interviews, Olusoga retraces how Black British history has shaped the country. This book looks all the way back at Roman Britain, Shakespeare’s Othello, Trafalgar, the World Wars, and much more.

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Genghis Khan and the Making of the Modern World by Jack Weatherford

This is the true history of Genghis Khan, written by anthropologist Jack Weatherford. This book looks at Khan’s rise through Mongol tribal culture and his waging of wars. But what makes Weatherford’s book the most fascinating account of Khan is the focus on how the leader shaped our culture. Genghis Khan’s conquests lead to the rise of the Mongol Empire and modern civilization as we know it.

American Rebels by Nina Sankovitch

In American Rebels , author and historian Nina Sankovitch tells the story of American’s revolutionaries. With extensive research and thoughtful prose, Sankovitch traces the lives of John Hancock, John Adams, Josiah Quincy Jr, Abigail Smith Adams, and Dorothy Quincy Hancock, examining how each of these historical figures played their own distinct roles in the American Revolution.

Square Haunting by Francesca Wade

In the time between the two world wars, London’s Mecklenburgh Square became a home to students, struggling artists, and revolutionaries. Among those who made their home there were five women writers: modernist poet H. D.; detective novelist Dorothy L. Sayers; classicist Jane Harrison; economic historian Eileen Power; and author and publisher Virginia Woolf. This time in history was a time of great change, and these writers were revolutionaries at the center of that change. Francesca Wade’s biography tells of this specific time and specific place in five significant women writers’ lives.

Stamped from the Beginning by Ibram X. Kendi

It’s no fluke that Stamped from the Beginning has been on bestseller lists in the recent months. If you’re looking for a comprehensive and unflinching look at Black history and racism in America, Ibram X. Kendi’s book is the one to read. Kendi looks back at the history of America through the lens of five “tour guides.” Those guides are: Puritan minister Cotton Mather, Thomas Jefferson, abolitionist William Lloyd Garrison, W.E.B. Du Bois, and activist Angela Davis. Through the stories of these American intellectuals, Kendi gives readers a clear picture of racism in America, both past and present, and why we are not living in a post-racial society.

For All Humankind by Tanya Harrison

The moon landing was quite the accomplishment for the United States. But how did other countries view this accomplishment? Dr. Tanya Harrison tells the previously untold stories behind the moon landing. Speaking to people from all across the world, she wants to get to the bottom of how people outside of the United States viewed astronauts Neil Armstrong and Edwin “Buzz” Aldrin’s first steps on the Moon on July 20, 1969. What did having a “man on the moon” mean to the international community?

Wayward Lives, Beautiful Experiments by Saidiya Hartman

If you’re looking for historical nonfiction that focuses more on the lives of Black women, read this book. In Wayward Lives, Beautiful Experiments , author Saidiya Hartman writes about young Black women and the revolution of their intimate lives that happened in Philadelphia and New York at the beginning of the 20th century. This was a time period where free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood became more commonly accepted. Hartman’s book considers the way these revolutionary changes affected the Black community and Black families.

Last Boat Out of Shanghai by Helen ZIa

Some of the best historical nonfiction reflects issues that we’re still dealing with to this day. For instance, you’ll certainly see some parallels between contemporary immigration issues and what Zia writes about in Last Boat Out of Shanghai. With impeccable research and beautiful prose, Helen Zia relates the true stories of four young people caught up in the mass exodus of Shanghai in the wake of China’s 1949 Communist revolution.

Rivers of Power by Laurence C. Smith

The books on this list thus far have focused on the history of humanity and specific people, but geographer Laurence C. Smith explores looks at natural history in Rivers of Power. In this book, Smith asks how and why rivers have been able to shape civilization and our past, present, and future as a whole. Of course, rivers provide water supply, transportation, and sanitation, but they also define borders and force cooperation between nations. Rivers affect wars and politics. So really, this history of rivers is also a history of humanity. We just can’t escape people, it seems.

England’s Other Countrymen: Blackness in Tudor Society by Onyeka Nubia

The Tudor era has always been an obsession for fans of historical nonfiction and fiction. But when most people think of the Tudor period, they think about a country and culture that was predominantly white. However, in England’s Other Countrymen , historian Onyeka Nubia points out that there were many people of African descent in Tudor England. In fact, Nubia argues that ideas about race during this time period were a lot more nuanced than we realize, and a lot of the idea of racism that we project on the Tudor period are actually more recent developments. Nubia’s book not only contextualizes race in the Tudor period, it also forces readers to reexamine their contemporary understanding of race and racism.

Historical Biographies

You Never Forget Your First by Alexis Coe

This book is unlike any other biography of a president you’ll ever read. Historian Alexis Coe’s You Never Forget Your First is a book about George Washington, America’s first president. But Coe isn’t interested in simply focusing on the linear history of Washington’s life, like many other biographies have already done. Instead, she examines the mythology surrounding Washington and gets to the heart of who America’s first president truly was, beyond all of the normal information we are taught in school. This biography is both informative and entertaining. And Coe includes a healthy dose of humor too.

American Sherlock by Kate Winkler Dawson

This book is the story of Edward Oscar Heinrich, who has been called (you guessed it) “the American Sherlock Holmes.” Heinrich cracked at least 2,000 cases in his 40 year career and pioneered forensic science as we know of it today. This was essentially the birth of criminal investigation in the 20th century. Kate Winkler Dawson’s book is compelling, impeccably researched, and features thousands of never-before-published primary source materials.

Butch Cassidy by Charles Leerhsen

You’ve likely heard of the film Butch Cassidy and the Sundance Kid,  but Leerhesen’s biography goes beyond the character we know from the film and the legends. This Butch Cassidy is very real, and through his story, Leerhesen paints a vivid portrait of not only this man but the realities of the Old West and crime as it was viewed during this time period.

Lafayette in the Somewhat United States by Sarah Vowell

This is a unique and interesting look at Revolutionary War hero Marquis de Lafayette. Vowell’s book examines the life of this Frenchman and the impact he was able to have on the then very young United States of America. She also looks at Lafayette’s relationships with and influence over some of America’s most important historical figures, such as George Washington, Alexander Hamilton, and Thomas Jefferson.

Parting the Waters by Taylor Branch

If you’re looking for a biography on civil rights leader Martin Luther King Jr., Taylor Branch’s Parting the Waters is an excellent read. This Pulitzer Prize–winning book is a thorough look at the Civil Rights Movement. At over 1,000 pages, this is an epic portrait of King’s rise to greatness, the strengths and weaknesses of the man behind the movement, and a country on the verge of revolution. Yes, that’s right. I said “over 1,000 pages.” This book is long, but the story is compelling. You won’t want to put it down.

A Year in the Life of William Shakespeare : 1599 by James Shapiro

While Parting the Waters takes a look at one time period in Martin Luther King Jr.’s life, James Shapiro’s book gets even more specific with his subject, William Shakespeare. As you probably guessed from the title, this book is about one year of Shakespeare’s life: 1599. In this year alone, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It,  and Hamlet . Kind of makes you look back at 2020 and wonder where the time has gone, doesn’t it?

Historical Nonfiction Memoirs

Driving While Black by Gretchen Sorin

Historical nonfiction mixed with memoir is such a fascinating combination. It contextualizes history and makes it more personal. For instance, Driving While Black reflects on Gretchen Sorin’s own personal family history and experiences with traveling on the road. But she also focuses on traveling by car and how this mode of transportation has been liberating for Black people in America. Sorin looks at how travel guides, Black-only businesses, and informal communications networks have helped keep Black people safe on the roads in the 20th century. At the same time, despite the freedoms that cars offered, driving also created new challenges for Black people: segregated ambulance services, unwarranted traffic stops, and racist violence.

My Vanishing Country by Bakari Sellers

This is the memoir of CNN analyst, and one of the youngest state representatives in South Carolina history, Bakari Sellers. Sellers writes his own personal story while also asking readers to acknowledge the crisis affecting the other “Forgotten Men & Women” of America. Black people in the rural South lack access to healthcare, sustainable income, and even their own identities and traditions. This is Sellers’s story of growing up in the South, but it’s also the history of the many Southern Black people’s struggles.

The Other Madisons by Bettye Kearse

Bettye Kearse is a presumed descendant of an enslaved cook and President James Madison. As Kearse tries to get to the bottom of the truth behind her family’s history, she finds obstacles at every turn. The history of her ancestry has been kept a secret and has thereby essentially been erased. So while Kearse writes her family’s history here, she also examines the stories of African enslaved people whose voices have been silenced throughout American history.

The Woman Warrior by Maxine Hong Kingston

The Woman Warrior is such a unique addition to the historical nonfiction and memoir genres. And so it’s unsurprising that this book is now considered a classic. In this feminist memoir, Maxine Hong Kingston mixes mythology and personal stories to examine her life and her identity as a Chinese American woman. Kingston uses personal history and cultural history to contextualize the many facets of her identity.

Microhistory Books

The Plaza by Julie Satow

The Plaza Hotel has become synonymous with wealth, fame, and glamour, and it’s also had its share of scandals. And in The Plaza, author Julie Satow traces the history and the stories behind famous hotel. She starts from the moment it opened in 1907 and welcomed millionaire Alfred Gwynne Vanderbilt as its first guest to today’s Billionaire Row. This is an eye-opening portrait not just of a hotel but of a city.

Marriage, A History by Stephanie Coontz

I picked up this book for research purposes, not knowing what a fascinating read it would turn out to be. But author Stephanie Coontz really shines a light on the history of marriage and romantic love. Reading this book opened my eyes to a lot of the practices we take for granted as being “normal.” This book is about the history of marriage and how the institution became what it is we have today. This is an interesting look at relationships and gender roles, a lot of which were established more recently than you may realize.

Heaven and Hell by Bart D. Ehrman

We’ve looked at a lot of books that cover earthly issues. But what about the history of life after death? What happens when we die? And where did our beliefs about the afterlife come from? Historian Bart Ehrman seeks to answer those questions and more in this book. Heaven and Hell is about the long history of the afterlife, humanity’s beliefs in heaven and hell, and all of the competing views about what happens after we die.

The Black Death: A Personal History by John Hatcher

There’s a lot of medieval historical nonfiction out there in the world. But The Black Death: A Personal History might be the most unique. In this book, John Hatcher, a celebrated economic and social historian, draws on his knowledge and research on the impact of the Black Death on medieval England to imagine what it was like to live through this time. Hatcher is able to recreate everyday medieval life in a parish in Suffolk, from which most of the still-available documents about the Black Death originate.

Historical Nonfiction Graphic Novels

March by John Lewis, Andrew Aydin, and Nate Powell

With John Lewis’s recent passing, many people (myself included) have become even more interested in the important work Lewis did in his lifetime. The graphic novel series March looks at John Lewis’s lifelong struggle for civil and human rights, comparing where we are now to the Civil Rights Moment of the 1950s. The first book in the series covers Lewis’s youth in rural Alabama, the meeting with Martin Luther King Jr. that changed Lewis’s life forever, the creation of the Nashville Student Movement, and the movement’s fight against segregation.

Trinity by Jonathan Fetter-Vorm

A graphic novel that is part science book, part historical nonfiction, and has beautiful illustrations? This one is a no-brainer. You have to pick it up. In his debut graphic novel, illustrator Jonathan Fetter-Vorm gives readers a scientific and historic overview of the atomic bomb. Even though Fetter-Vorm gets into psychics (which, for me, a non-science-y person, is a pretty heavy topic), the book remains easy to follow while still being informative. And of course, Fetter-Vorm pays close attention to the detailed illustrations.

Historical True Crime

The Golden Thread by Ravi Somaiya

Speaking of books that are a fun mix of genres, enter The Golden Thread by Ravi Somaiya. Somaiya’s book is a fun mix of true crime, investigative journalism, and history. This is the story of the death of renowned diplomat and UN Secretary General Dag Hammarskjöld. Hammarskjöld boarded a plane in Leopoldville, the capital of the Congo, and hours later, his dead body was found in an African jungle with an Ace of Spades tucked in his collar. Somaiya’s investigation of this crime includes entirely new evidence, firsthand accounts, and interviews.

The Trial of Lizzie Borden by Cara Robertson

If you’ve ever wanted to know more about the Lizzie Borden case, this is the only book you need to read. The Trial of Lizzie Borden is a well-researched book about the infamous case. Robertson bases her information on 20 years of research, featuring newly discovered evidence. As you read and learn the true story of a crime that has almost become the stuff of legends, you be the judge and jury: what really happened when Andrew and Abby Borden were brutally hacked to death in Fall River, Massachusetts, in August 1892?

Truevine by Beth Macy

In 1899 at a tobacco farm in the Jim Crow South town of Truevine, Virginia, 10-year old black albino twin brothers named Willie and George Muse were kidnapped. The twins were then displayed as part of a traveling freak show for over ten years. The Muse twins became world famous, but at the root of their success was prejudice. The twins were forced to play racist caricatures throughout their careers. This is the story of these brothers’ lives as “circus freaks” and their mother’s 28-year-long struggle to get her sons back.

If you need even more historical nonfiction, we’ve got you covered. Check out this list of 50 of the Best Nonfiction Books . A lot of historical nonfiction is included. Or try this excellent list of Nonfiction/Historical Fiction Book Pairs .

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The Best Nonfiction Books of 2024, So Far

Here’s what memoirs, histories, and essay collections we’re indulging in this spring.

Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy.

Truth-swallowing can too often taste of forced medicine. Where the most successful nonfiction triumphs is in its ability to instruct, encourage, and demand without spoon-feeding. Getting to read and reward this year’s best nonfiction, then, is as much a treat as a lesson. I can’t pretend to be as intelligent, empathetic, self-knowledgeable, or even as well-read as many of the authors on this list. But appreciating the results of their labors is a more-than-sufficient consolation.

Filterworld: How Algorithms Flattened Culture by Kyle Chayka

There’s a lot to ponder in the latest project from New Yorker writer Kyle Chayka, who elegantly argues that algorithms have eroded—if not erased—the essential development of personal taste. As Chayka puts forth in Filterworld , the age of flawed-but-fulfilling human cultural curation has given way to the sanitization of Spotify’s so-called “Discover” playlists, or of Netflix’s Emily in Paris, or of subway tile and shiplap . There’s perhaps an old-school sanctimony to this criticism that some readers might chafe against. But there’s also a very real and alarming truth to Chayka’s insights, assembled alongside interviews and examples that span decades, mediums, and genres under the giant umbrella we call “culture.” Filterworld is the kind of book worth wrestling with, critiquing, and absorbing deeply—the antithesis of mindless consumption.

American Girls: One Woman's Journey Into the Islamic State and Her Sister's Fight to Bring Her Home by Jessica Roy

In 2019, former ELLE digital director Jessica Roy published a story about the Sally sisters , two American women who grew up in the same Jehovah’s Witness family and married a pair of brothers—but only one of those sisters ended up in Syria, her husband fighting on behalf of ISIS. American Girls , Roy’s nonfiction debut, expands upon that story of sibling love, sibling rivalry, abuse and extremism, adding reams of reporting to create a riveting tale that treats its subjects with true empathy while never flinching from the reality of their choices.

Leonor: The Story of a Lost Childhood by Paula Delgado-Kling

In this small but gutting work of memoir-meets-biography, Colombian journalist Paula Delgado-King chronicles two lives that intersect in violence: hers, and that of Leonor, a Colombian child solider who was beckoned into the guerilla Revolutionary Armed Forces of Colombia (FARC) only to endure years of death and abuse. Over the course of 19 years, Delgago-King followed Leonor through her recruitment into FARC; her sexual slavery to a man decades her senior; her eventual escape; and her rehabilitation. The author’s resulting account is visceral, a clear-eyed account of the utterly human impact wrought by war.

Madness: Race and Insanity in a Jim Crow Asylum by Antonia Hylton

A meticulous work of research and commitment, Antonia Hylton’s Madness takes readers deep inside the nearly century-old history of Maryland’s Crownsville State Hospital, one of the only segregated mental asylums with records—and a campus—that remain to this day. Featuring interviews with both former Crownsville staff and family members of those who lived there, Madness is a radically complex work of historical study, etching the intersections of race, mental health, criminal justice, public health, memory, and the essential quest for human dignity.

Come Together: The Science (and Art!) of Creating Lasting Sexual Connections by Emily Nagoski

Out January 30.

Emily Nagoski’s bestselling Come As You Are opened up a generations-wide conversation about women and their relationship with sex: why some love it, why some hate it, and why it can feel so impossible to find help or answers in either camp. In Come Together , Nagoski returns to the subject with a renewed focus on pleasure—and why it is ultimately so much more pivotal for long-term sexual relationships than spontaneity or frequency. This is not only an accessible, gentle-hearted guide to a still-taboo topic; it’s a fascinating exploration of how our most intimate connections can not just endure but thrive.

Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis by Jonathan Blitzer

A remarkable volume—its 500-page length itself underscoring the author’s commitment to the complexity of the problem—Jonathan Blitzer’s Everyone Who Is Gone Is Here tracks the history of the migrant crisis at the U.S.-Mexico border through the intimate accounts of those who’ve lived it. In painstaking detail, Blitzer compiles the history of the U.S.’s involvement in Central America, and illustrates how foreign and immigration policies have irrevocably altered human lives—as well as tying them to one another. “Immigrants have a way of changing two places at once: their new homes and their old ones,” Blitzer writes. “Rather than cleaving apart the worlds of the U.S., El Salvador, Guatemala, and Honduras, the Americans were irrevocably binding them together.”

How to Live Free in a Dangerous World: A Decolonial Memoir by Shayla Lawson

Out February 6.

“I used to say taking a trip was just a coping mechanism,” writes Shayla Lawson in their travel-memoir-in-essays How to Live Free in a Dangerous World . “I know better now; it’s my way of mapping the Earth, so I know there’s something to come back to.” In stream-of-consciousness prose, the This Is Major author guides the reader through an enthralling journey across Zimbabwe, Japan, the Netherlands, France, Spain, Italy, Mexico, Bermuda, and beyond, using each location as the touchstone for their essays exploring how (and why) race, gender, grief, sexuality, beauty, and autonomy impact their experience of a land and its people. There’s a real courage and generosity to Lawson’s work; readers will find much here to embolden their own self-exploration.

Get the Picture: A Mind-Bending Journey Among the Inspired Artists and Obsessive Art Fiends Who Taught Me How to See by Bianca Bosker

There’s no end to the arguments for “why art matters,” but in our era of ephemeral imagery and mass-produced decor, there is enormous wisdom to be gleaned from Get the Picture , Bianca Bosker’s insider account of art-world infatuation. In this new work of nonfiction, readers have the pleasure of following the Cork Dork author as she embeds herself amongst the gallerists, collectors, painters, critics, and performers who fill today’s contemporary scene. There, they teach her (and us) what makes art art— and why that question’s worth asking in an increasingly fractured world.

Alphabetical Diaries by Sheila Heti

A profoundly unusual, experimental, yet engrossing work of not-quite-memoir, Sheila Heti’s Alphabetical Diaries is exactly what its title promises: The book comprises a decade of the author’s personal diaries, the sentences copied and pasted into alphabetical order. Each chapter begins with a new letter, all the accumulated sentences starting with “A”, then “B,” and so forth. The resulting effect is all but certain to repel some readers who crave a more linear storyline, but for those who can understand her ambition beyond the form, settling into the rhythm of Heti’s poetic observations gives way to a rich narrative reward.

Slow Noodles: A Cambodian Memoir of Love, Loss, and Family Recipes by Chantha Nguon

Out February 20.

“Even now, I can taste my own history,” writes Chantha Nguon in her gorgeous Slow Noodles . “One occupying force tried to erase it all.” In this deeply personal memoir, Nguon guides us through her life as a Cambodian refugee from the Khmer Rouge; her escapes to Vietnam and Thailand; the loss of all those she loved and held dear; and the foods that kept her heritage—and her story—ultimately intact. Interwoven with recipes and lists of ingredients, Nguon’s heart-rending writing reinforces the joy and agony of her core thesis: “The past never goes away.”

Splinters: Another Kind of Love Story by Leslie Jamison

The first time I stumbled upon a Leslie Jamison essay on (the platform formerly known as) Twitter, I was transfixed; I stayed in bed late into the morning as I clicked through her work, swallowing paragraphs like Skittles. But, of course, Jamison’s work is so much more satisfying than candy, and her new memoir, Splinters , is Jamison operating at the height of her talents. A tale of Jamison’s early motherhood and the end of her marriage, the book is unshrinking, nuanced, radiant, and so wondrously honest—a referendum on the splintered identities that complicate and comprise the artist, the wife, the mother, the woman.

The Great Wave: The Era of Radical Disruption and the Rise of the Outsider by Michiko Kakutani

The former chief book critic of the New York Times , Michiko Kakutani is not only an invaluable literary denizen, but also a brilliant observer of how politics and culture disrupt the mechanics of power and influence. In The Great Wave , she turns our attention toward global instability as epitomized by figures such as Donald Trump and watershed moments such as the creation of AI. In the midst of these numerous case studies, she argues for how our deeply interconnected world might better weather the competing crises that threaten to submerge us, should we not choose to better understand them.

Supercommunicators: How to Unlock the Secret Language of Connection by Charles Duhigg

From the author of the now-ubiquitous The Power of Habit arrives Supercommunicators , a head-first study of the tools that make conversations actually work . Charles Duhigg makes the case that every chat is really about one of three inquiries (“What’s this about?” “How do we feel?” or “Who are we?”) and knowing one from another is the key to real connection. Executives and professional-speaker types are sure to glom on to this sort of work, but my hope is that other, less business-oriented motives might be satisfied by the logic this volume imbues.

Whiskey Tender by Deborah Jackson Taffa

Out February 27.

“Tell me your favorite childhood memory, and I’ll tell you who you are,” or so writes Deborah Jackson Taffa in Whiskey Tender , her memoir of assimilation and separation as a mixed-tribe Native woman raised in the shadow of a specific portrait of the American Dream. As a descendant of the Quechan (Yuma) Nation and Laguna Pueblo tribe, Taffa illustrates her childhood in New Mexico while threading through the histories of her parents and grandparents, themselves forever altered by Indian boarding schools, government relocation, prison systems, and the “erasure of [our] own people.” Taffa’s is a story of immense and reverent heart, told with precise and pure skill.

Grief Is for People by Sloane Crosley

With its chapters organized by their position in the infamous five stages of grief, Sloane Crosley’s Grief is For People is at times bracingly funny, then abruptly sober. The effect is less like whiplash than recognition; anyone who has lost or grieved understands the way these emotions crash into each other without warning. Crosley makes excellent use of this reality in Grief is For People , as she weaves between two wrenching losses in her own life: the death of her dear friend Russell Perreault, and the robbery of her apartment. Crosley’s resulting story—short but powerful—is as difficult and precious and singular as grief itself.

American Negra by Natasha S. Alford

In American Negra , theGrio and CNN journalist Natasha S. Alford turns toward her own story, tracing the contours of her childhood in Syracuse, New York, as she came to understand the ways her Afro-Latino background built her—and set her apart. As the memoir follows Alford’s coming-of-age from Syracuse to Harvard University, then abroad and, later, across the U.S., the author highlights how she learned to embrace the cornerstones of intersectionality, in spite of her country’s many efforts to encourage the opposite.

The House of Hidden Meanings by RuPaul

Out March 5.

A raw and assured account by one of the most famous queer icons of our era, RuPaul’s memoir, The House of Hidden Meanings , promises readers arms-wide-open access to the drag queen before Drag Race . Detailing his childhood in California, his come-up in the drag scene, his own intimate love story, and his quest for living proudly in the face of unceasing condemnation, The House of Hidden Meanings is easily one of the most intriguing celebrity projects of the year.

Here After by Amy Lin

Here After reads like poetry: Its tiny, mere-sentences-long chapters only serve to strengthen its elegiac, ferocious impact. I was sobbing within minutes of opening this book. But I implore readers not to avoid the heavy subject matter; they will find in Amy Lin’s memoir such a profound and complex gift: the truth of her devotion to her husband, Kurtis, and the reality of her pain when he died suddenly, with neither platitudes nor hyperbole. This book is a little wonder—a clear, utterly courageous act of love.

Thunder Song by Sasha taqʷšəblu LaPointe

Red Paint author and poet Sasha taqʷšəblu LaPointe returns this spring with a rhythmic memoir-in-essays called Thunder Song , following the beats of her upbringing as a queer Coast Salish woman entrenched in communities—the punk and music scenes, in particular—that did not always reflect or respect her. Blending beautiful family history with her own personal memories, LaPointe’s writing is a ballad against amnesia, and a call to action for healing, for decolonization, for hope.

Lessons for Survival: Mothering Against "The Apocalypse" by Emily Raboteau

Out March 12.

In Emily Raboteau’s Lessons For Survival , the author (and novelist, essayist, professor, and street photographer) tells us her framework for the book is modeled loosely after one of her mother’s quilts: “pieced together out of love by a parent who wants her children to inherit a world where life is sustainable.” The essays that follow are meditations and reports on motherhood in the midst of compounding crises, whether climate change or war or racism or mental health. Through stories and photographs drawn from her own life and her studies abroad, Raboteau grounds the audience in the beauty—and resilience—of nature.

What to Read in 2024

Yael van der Wouden on The Safekeep

How to Read the 'Bridgerton' Books in Order

Shelf Life: R.O. Kwon

Remembering Bendel’s Legendary Morning Lineup

My Anxiety Had Something to Teach Me

The Best Sci-Fi and Fantasy Reads of 2024

Shelf Life: Miranda July

Kaliane Bradley on The Ministry of Time

Read an Excerpt from 'The Midnight Feast'

Shelf Life: Claire Messud

Honor Levy Says ‘Goodnight Meme’

The Globe and Mail Bestsellers for the week of June 1, 2024

The Bestsellers Lists are compiled by The Globe and Mail from information provided by BookNet Canada’s national sales tracking service, BNC SalesData

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Bestsellers Lists for June 1, 2024

• 📚 Hardcover Fiction
• 📚 Hardcover Non-Fiction
• 📚 Paperback Fiction
• 📚 Canadian Fiction
• 📚 Canadian Non-Fiction
• 📚 Self-improvement
• 📚 Biography
• 📚 Previous Bestsellers Lists

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• Bestsellers for the week of May 25: Fiction, Non-Fiction and Mystery
• Bestsellers for the week of May 18: Fiction, Non-Fiction and Cooking
• Bestsellers for the week of May 11: Fiction, Non-Fiction and Historical Fiction
• Bestsellers for the week of May 4: Fiction, Non-Fiction and Romance/Erotica

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How the freshly selected regional centres will bolster the implementation of the Biodiversity Plan

At the fourth meeting of the Subsidiary Body on Implementation (SBI 4) of the Convention on Biological Diversity (CBD), the Parties selected 18 regional organizations spanning the globe in a multilateral push to bolster the implementation of the Kunming-Montreal Global Biodiversity Framework, also known as the Biodiversity Plan , through science, technology and innovation:

• Africa: The Central African Forest Commission (COMIFAC), the Ecological Monitoring Center (CSE), the Regional Centre for Mapping of Resources for Development (RCMRD), the Sahara and Sahel Observatory (OSS), and the South African National Biodiversity Institute (SANBI).
• Americas: The Alexander von Humboldt Biological Resources Research Institute, the Secretariat of the Caribbean Community (CARICOM), and the Central American Commission on Environment and Development (CCAD).
• Asia: ASEAN Centre for Biodiversity (ACB); IUCN Asia Regional Office; IUCN Regional Office for West Asia (ROWA); Nanjing Institute of Environmental Sciences (NIES); Regional Environmental Centre for Central Asia (CAREC).
• Europe: European Commission - Joint Research Centre of the European Commission (JRC); IUCN Centre for Mediterranean Cooperation; IUCN Regional Office for Eastern Europe and Central Asia (ECARO); Royal Belgian Institute for Natural Sciences (RBINS).
• Oceania: The Secretariat of the Pacific Regional Environment Programme (SPREP).

Here are five facts about the selection of these centres and the way they will bring the Parties to the CBD closer to halting and reversing biodiversity loss by 2030 :

1. Nested in existing institutions for efficiency and rapid deployment

The selected centres are hosted by existing institutions that have responded to the CBD Secretariat’s call for expression of interest. The applications received translate a global commitment to implementing the Biodiversity Plan. This global network of centres forms part of the technical and scientific cooperation mechanism under the CBD. They will contribute to filling gaps in international cooperation and catering to the needs of countries in the regions that they cover.

2. One-stop-shop for scientific, technical and technological support

The mandate of the centres is to catalyse technical and scientific cooperation among the Parties to the Convention in the geographical regions they cover. The support they offer may include the sharing of scientific knowledge, data, expertise, resources, technologies, including indigenous and traditional technologies, and technical know-how with relevance to the national implementation of the 23 targets of the Biodiversity Plan. Other forms of capacity building and development may also be provided.

3. Complementarity with existing initiatives

The expected contributions of the centres will constitute a surge of capacity, complementing small-scale initiatives for technical and scientific cooperation among its Parties through programmes such as the Bio-Bridge Initiative . The newly selected centres will expand, scale-up and accelerate efforts in support of the implementation of the Biodiversity Plan.

4. Delivering field support tailored to regional specificities

Countries around the world face well recognized challenges in aligning with universally agreed targets while considering biophysical specificities and national circumstances. The regional centres will provide regionally appropriate solutions.

5. Building on and amplifying existing cooperation

Many examples around the world demonstrate the benefits of transboundary cooperation. In South Africa, the “Black Mambas” Anti-Poaching Unit has benefited from Dutch expertise in fitting rhinoceros with subcutaneous sensors and horn transmitters to track their movements across the Greater Kruger National Park.

On the other side of the Atlantic Ocean, non-governmental organization Corales de Paz (Colombia) shared their “Caribbean Reef Check” methodology and “Reef Repair Diver “programs with Ecuador-based CONMAR. Participants in CONMAR-organized training camps could thus benefit from expertise in coral reef monitoring and coral gardening.

The newly selected centres will seek to expand this constellation of bright spots of cooperation for nature and for people.