reflection for creative writing

What Is Reflective Writing? (Explained W/ 20+ Examples)

I’ll admit, reflecting on my experiences used to seem pointless—now, I can’t imagine my routine without it.

What is reflective writing?

Reflective writing is a personal exploration of experiences, analyzing thoughts, feelings, and learnings to gain insights. It involves critical thinking, deep analysis, and focuses on personal growth through structured reflection on past events.

In this guide, you’ll learn everything you need to know about reflective writing — with lots of examples.

What Is Reflective Writing (Long Description)?

Table of Contents

Reflective writing is a method used to examine and understand personal experiences more deeply.

This kind of writing goes beyond mere description of events or tasks.

Instead, it involves looking back on these experiences, analyzing them, and learning from them.

It’s a process that encourages you to think critically about your actions, decisions, emotions, and responses.

By reflecting on your experiences, you can identify areas for improvement, make connections between theory and practice, and enhance your personal and professional development. Reflective writing is introspective, but it should also be analytical and critical.

It’s not just about what happened.

It’s about why it happened, how it affected you, and what you can learn from it.

This type of writing is commonly used in education, professional development, and personal growth, offering a way for individuals to gain insights into their personal experiences and behaviors.

Types of Reflective Writing

Reflective writing can take many forms, each serving different purposes and providing various insights into the writer’s experiences.

Here are ten types of reflective writing, each with a unique focus and approach.

Journaling – The Daily Reflection

Journaling is a type of reflective writing that involves keeping a daily or regular record of experiences, thoughts, and feelings.

It’s a private space where you can freely express yourself and reflect on your day-to-day life.

Example: Today, I realized that the more I try to control outcomes, the less control I feel. Letting go isn’t about giving up; it’s about understanding that some things are beyond my grasp.

Example: Reflecting on the quiet moments of the morning, I realized how much I value stillness before the day begins. It’s a reminder to carve out space for peace in my routine.

Learning Logs – The Educational Tracker

Learning logs are used to reflect on educational experiences, track learning progress, and identify areas for improvement.

They often focus on specific learning objectives or outcomes.

Example: This week, I struggled with understanding the concept of reflective writing. However, after reviewing examples and actively engaging in the process, I’m beginning to see how it can deepen my learning.

Example: After studying the impact of historical events on modern society, I see the importance of understanding history to navigate the present. It’s a lesson in the power of context.

Critical Incident Journals – The Turning Point

Critical incident journals focus on a significant event or “critical incident” that had a profound impact on the writer’s understanding or perspective.

These incidents are analyzed in depth to extract learning and insights.

Example: Encountering a homeless person on my way home forced me to confront my biases and assumptions about homelessness. It was a moment of realization that has since altered my perspective on social issues.

Example: Missing a crucial deadline taught me about the consequences of procrastination and the value of time management. It was a wake-up call to prioritize and organize better.

Project Diaries – The Project Chronicle

Project diaries are reflective writings that document the progress, challenges, and learnings of a project over time.

They provide insights into decision-making processes and project management strategies.

Example: Launching the community garden project was more challenging than anticipated. It taught me the importance of community engagement and the value of patience and persistence.

Example: Overcoming unexpected technical issues during our project showed me the importance of adaptability and teamwork. Every obstacle became a stepping stone to innovation.

Portfolios – The Comprehensive Showcase

Portfolios are collections of work that also include reflective commentary.

They showcase the writer’s achievements and learning over time, reflecting on both successes and areas for development.

Example: Reviewing my portfolio, I’m proud of how much I’ve grown as a designer. Each project reflects a step in my journey, highlighting my evolving style and approach.

Example: As I added my latest project to my portfolio, I reflected on the journey of my skills evolving. Each piece is a chapter in my story of growth and learning.

Peer Reviews – The Collaborative Insight

Peer reviews involve writing reflectively about the work of others, offering constructive feedback while also considering one’s own learning and development.

Example: Reviewing Maria’s project, I admired her innovative approach, which inspired me to think more creatively about my own work. It’s a reminder of the value of diverse perspectives.

Example: Seeing the innovative approach my peer took on a similar project inspired me to rethink my own methods. It’s a testament to the power of sharing knowledge and perspectives.

Personal Development Plans – The Future Blueprint

Personal development plans are reflective writings that outline goals, strategies, and actions for personal or professional growth.

They include reflections on strengths, weaknesses, opportunities, and threats.

Example: My goal to become a more effective communicator will require me to step out of my comfort zone and seek opportunities to speak publicly. It’s daunting but necessary for my growth.

Example: Identifying my fear of public speaking in my plan pushed me to take a course on it. Acknowledging weaknesses is the first step to turning them into strengths.

Reflective Essays – The Structured Analysis

Reflective essays are more formal pieces of writing that analyze personal experiences in depth.

They require a structured approach to reflection, often including theories or models to frame the reflection.

Example: Reflecting on my leadership role during the group project, I applied Tuckman’s stages of group development to understand the dynamics at play. It helped me appreciate the natural progression of team development.

Example: In my essay, reflecting on a failed project helped me understand the role of resilience in success. Failure isn’t the opposite of success; it’s part of its process.

Reflective Letters – The Personal Correspondence

Reflective letters involve writing to someone (real or imagined) about personal experiences and learnings.

It’s a way to articulate thoughts and feelings in a structured yet personal format.

Example: Dear Future Self, Today, I learned the importance of resilience. Faced with failure, I found the strength to persevere a nd try again. This lesson, I hope, will stay with me as I navigate the challenges ahead.

Example: Writing a letter to my past self, I shared insights on overcoming challenges with patience and persistence. It’s a reminder of how far I’ve come and the hurdles I’ve overcome.

Blogs – The Public Journal

Blogs are a form of reflective writing that allows writers to share their experiences, insights, and learnings with a wider audience.

They often combine personal narrative with broader observations about life, work, or society.

Example: In my latest blog post, I explored the journey of embracing vulnerability. Sharing my own experiences of failure and doubt not only helped me process these feelings but also connected me with readers going through similar struggles. It’s a powerful reminder of the strength found in sharing our stories.

Example: In a blog post about starting a new career path, I shared the fears and excitement of stepping into the unknown. It’s a journey of self-discovery and embracing new challenges.

What Are the Key Features of Reflective Writing?

Reflective writing is characterized by several key features that distinguish it from other types of writing.

These features include personal insight, critical analysis, descriptive narrative, and a focus on personal growth.

• Personal Insight: Reflective writing is deeply personal, focusing on the writer’s internal thoughts, feelings, and reactions. It requires introspection and a willingness to explore one’s own experiences in depth.
• Critical Analysis: Beyond simply describing events, reflective writing involves analyzing these experiences. This means looking at the why and how, not just the what. It involves questioning, evaluating, and interpreting your experiences in relation to yourself, others, and the world.
• Descriptive Narrative: While reflective writing is analytical, it also includes descriptive elements. Vivid descriptions of experiences, thoughts, and feelings help to convey the depth of the reflection.
• Focus on Growth: A central aim of reflective writing is to foster personal or professional growth. It involves identifying lessons learned, recognizing patterns, and considering how to apply insights gained to future situations.

These features combine to make reflective writing a powerful tool for learning and development.

It’s a practice that encourages writers to engage deeply with their experiences, challenge their assumptions, and grow from their reflections.

What Is the Structure of Reflective Writing?

The structure of reflective writing can vary depending on the context and purpose, but it typically follows a general pattern that facilitates deep reflection.

A common structure includes an introduction, a body that outlines the experience and the reflection on it, and a conclusion.

• Introduction: The introduction sets the stage for the reflective piece. It briefly introduces the topic or experience being reflected upon and may include a thesis statement that outlines the main insight or theme of the reflection.
• Body: The body is where the bulk of the reflection takes place. It often follows a chronological order, detailing the experience before moving into the reflection. This section should explore the writer’s thoughts, feelings, reactions, and insights related to the experience. It’s also where critical analysis comes into play, examining causes, effects, and underlying principles.
• Conclusion: The conclusion wraps up the reflection, summarizing the key insights gained and considering how these learnings might apply to future situations. It’s an opportunity to reflect on personal growth and the broader implications of the experience.

This structure is flexible and can be adapted to suit different types of reflective writing.

However, the focus should always be on creating a coherent narrative that allows for deep personal insight and learning.

How Do You Start Reflective Writing?

Starting reflective writing can be challenging, as it requires diving into personal experiences and emotions.

Here are some tips to help initiate the reflective writing process:

• Choose a Focus: Start by selecting an experience or topic to reflect upon. It could be a specific event, a general period in your life, a project you worked on, or even a book that made a significant impact on you.
• Reflect on Your Feelings: Think about how the experience made you feel at the time and how you feel about it now. Understanding your emotional response is a crucial part of reflective writing.
• Ask Yourself Questions: Begin by asking yourself questions related to the experience. What did you learn from it? How did it challenge your assumptions? How has it influenced your thinking or behavior?
• Write a Strong Opening: Your first few sentences should grab the reader’s attention and clearly indicate what you will be reflecting on. You can start with a striking fact, a question, a quote, or a vivid description of a moment from the experience.
• Keep It Personal: Remember that reflective writing is personal. Use “I” statements to express your thoughts, feelings, and insights. This helps to maintain the focus on your personal experience and learning journey.

Here is a video about reflective writing that I think you’ll like:

Reflective Writing Toolkit

Finding the right tools and resources has been key to deepening my reflections and enhancing my self-awareness.

Here’s a curated toolkit that has empowered my own reflective practice:

• Journaling Apps: Apps like Day One or Reflectly provide structured formats for daily reflections, helping to capture thoughts and feelings on the go.
• Digital Notebooks: Tools like Evernote or Microsoft OneNote allow for organized, searchable reflections that can include text, images, and links.
• Writing Prompts: Websites like WritingPrompts.com offer endless ideas to spark reflective writing, making it easier to start when you’re feeling stuck.
• Mind Mapping Software: Platforms like MindMeister help organize thoughts visually, which can be especially helpful for reflective planning or brainstorming.
• Blogging Platforms: Sites like WordPress or Medium offer a space to share reflective writings publicly, fostering community and feedback. You’ll need a hosting platform. I recommend Bluehost or Hostarmada for beginners.
• Guided Meditation Apps: Apps such as Headspace or Calm can support reflective writing by clearing the mind and fostering a reflective state before writing.
• Audio Recording Apps: Tools like Otter.ai not only allow for verbal reflection but also transcribe conversations, which can then be reflected upon in writing.
• Time Management Apps: Resources like Forest or Pomodoro Technique apps help set dedicated time for reflection, making it a regular part of your routine.
• Creative Writing Software: Platforms like Scrivener cater to more in-depth reflective projects, providing extensive organizing and formatting options.
• Research Databases: Access to journals and articles through databases like Google Scholar can enrich reflective writing with theoretical frameworks and insights.

Final Thoughts: What Is Reflective Writing?

Reflective writing, at its core, is a deeply personal practice.

Yet, it also holds the potential to bridge cultural divides. By sharing reflective writings that explore personal experiences through the lens of different cultural backgrounds, we can foster a deeper understanding and appreciation of diverse worldviews.

Read This Next:

• What Is a Prompt in Writing? (Ultimate Guide + 200 Examples)
• What Is A Personal Account In Writing? (47 Examples)
• Why Does Academic Writing Require Strict Formatting?
• What Is A Lens In Writing? (The Ultimate Guide)

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Writing a good reflective commentary

I recently a ran an online workshop on what a good RC might include, so for those of students who were unable to attend (and for those who did attend, but would like a refresher), here’s a summary of my suggestions.

First of all, I think it’s helpful to remember the differences between notebooks, your writing diary and a Reflective Commentary:

Notebooks are where you start writing creatively, whether in the form of ideas and notes or sketches and early drafts. Notebook writing can form the basis of the projects and creative writing assignments that you will send to your tutor. You may find yourself starting numerous notebooks for different areas of interest.

No one will read your notebooks except you. Privacy is important because the thought of anyone reading your writing may inhibit you. Notebooks can be paper or electronic (many people use their phones for jotting down ideas), or a combination of both – it’s totally up to you.

Writing Diary:

Your writing diary is where you record your thoughts on your writing and your developing writing skills. You can discuss and reflect on concepts related to the writing craft here and reflect on what you feel your own strengths and weaknesses are. What are you good at? What do you need to work on? How can you improve these skills? Which writers can you learn from? What have you been reading?

When you are generating new writing material, you’ll be partly learning on an intuitive level. A writing diary will help you to be more conscious of your learning process and more aware of the different skills you’re developing. If you add to your diary regularly, it will form a record of your writing journey. 

Like your notebooks, your writing diary is for you alone and you can keep it in whatever format you prefer.

You can use your writing diary to help you write your Reflective Commentaries, but they aren’t the same thing. 

Reflective Commentaries:

A Reflective Commentary is either a short piece of reflective writing (500 words for Levels 1, 2 and 3; or 350 words at Foundation Level) considering the particular assignment it accompanies, or it’s a longer piece of reflective writing which you submit at the end of the unit in which you reflect on your learning over the unit as a whole, with reference to particular assignments (especially the final assignment).

A few dos and don’ts:

Don’t discuss how you came up with your idea.

Don’t discuss pieces you started and discarded.

Don’t summarise the story, poem, script etc. – your tutor has just read it..

Do focus on the creative work you’ve just submitted to your tutor.

Do focus on a few writing techniques you’ve used in the work. You can’t cover everything, so choose those that are particularly pertinent.

Do say what writing techniques you used and why they were effective.

So, don’t say: “I wrote my story in first person” and leave it at that. Instead say: “I wrote my story in first person because I wanted the feeling of intimacy of the narrator talking directly to the reader about the events. This was important for my story because….”

Discussing Writing Techniques:  

The term ‘writing techniques’ may seem rather abstract, but all it means is those techniques you used to write your creative piece. Here’s a selection of writing techniques you could consider:

Techniques in fiction: 

Descriptive writing, metaphors and similes, setting, character, use of dialogue, structure, narrative pacing, point of view, tense (usually past or present), use of flashback (or, occasionally, flashforward), voice, word choice, register (formal or casual), information reveal (what do you tell the reader and when), psychic distance, use of free indirect discourse, sentence structure (e.g. a short sentence at the end of a paragraph for impact). 

Techniques in poetry: 

Use of stanzas, use of punctuation, imagery, word choice, tone, structure, point of view, use of sound (e.g. rhyme, or assonance, alliteration), rhythm.

These are just a few of the techniques you could discuss – there may be others that are more relevant to your particular piece of creative work.

The tone of the RC:

The reflective commentary is not an academic essay, so you don’t need to use academic jargon. Use first person, because it’s a personal reflection on your work.

However, don’t be too colloquial and chatty either – your tone needs to be moderate and considered. Don’t say “I tried to do X but it was rubbish”. Instead, say you thought it wasn’t successful as a technique and explain why.

Similarly, when discussing your reading, don’t just say “I loved this book” or “It was fab”. Instead, explain what you thought was good about it and why. Give your opinion, but support it with careful analysis.

Reflecting on your reading: 

In the assessment criteria, a proportion of marks are allocated for Contextual Knowledge. Your final RC is your opportunity to demonstrate that you’ve read other writers and engaged with them seriously, not just as a reader, but as another writer. 

In your final RC you should refer to both primary materials (e.g. novels, poems, stories, plays, films, memoirs, poetry performances, etc – depending on what form you’re writing in) and secondary materials (e.g. books, articles, blogs, videos, etc. about the craft of writing). 

Get into good habits early on by referring to some primary and some secondary materials in your short RCs submitted with each assignment.

Think about what you’ve learnt from your reading in terms of craft – this is much more impressive than just saying you were inspired to write about the same subject. 

So don’t say, “I enjoyed Vicki Feaver’s poem ‘Ironing’ and decided to write a poem about ironing of my own.” This might be true and you can put this in your writing diary, but in your RC try to think about what you learnt about the craft of writing poetry from your reading. 

Include short quotations from your reading to demonstrate your points, but a short phrase or single sentence usually suffices (remember you’ve only 500 words for the short RCs).

The Final RC:

The Final RC is longer and in it you should consider what you’ve learnt from the unit as whole, as well as referring to particular assignments. You will now be close to preparing your work for assessment, so you should discuss your redrafting process – what you’ve changed and why – and also demonstrate your engagement with your tutor’s feedback.

Reflecting on redrafting:

Be precise. Don’t just say “I cut extraneous words” or “I rewrote Assignment 4 a lot”. Give examples of what you changed and why .

Use quotations from your own work when discussing what you’ve changed, but be brief: just a pertinent sentence or phrase.

Don’t just give a quotation from your assignment that shows it before redrafting, and then one after. Discuss the changes made and say why you think it is an improvement.

Reflecting on tutor feedback:

You don’t need to agree with every suggestion or comment from your tutor, but you do need to show you’ve thought about your tutor’s feedback. 

Similarly, don’t say you changed something just because your tutor told you to – only change it if you think it’s the right change to make, and say why you think so.

A quirk of the system is that at Level 1 you are likely to write this final reflective commentary before receiving feedback on Assignment Five. You’ll need to redraft your final RC and add comments about your tutor feedback’s on Assignment Five and your redrafting process, before you submit this final RC for assessment.

Submit both your tutor-annotated final RC and a redrafted version at assessment.

Referencing: 

Include a bibliography/reference list at end of all sources referred to in your RC (but don’t include anything you’ve not directly referred to), and use the Harvard Referencing Style.

The Bibliography does not form part of your word count.

Why write RCs:

Writing the reflective commentaries is an important part of the creative writing degree and the RCs serve several purposes. They are useful for tutors as they help us to understand students’ aims in a particular piece of writing. They should demonstrate students’ critical engagement with other writers as well as with books, articles, blogs etc. about the craft of writing, which helps us make better reading suggestions and to understand where our students are on their learning journey.

But, and arguably much more importantly, they’re a crucial part of your learning process, as they require a conscious engagement with the writing craft and a reflection on your writing skills, all of which will help you to think ‘like a writer’.

11 thoughts on “ Writing a good reflective commentary ”

Thank you Vicky. The workshop helped me have a better understanding of reflective commentaries.

This is an interesting article. I am studying photography and part of the work involves writing critiques of other people’s work. The guidelines set out above are relevant to any critique, whatever the subject matter. Thank you. I will be putting these suggestions into practice in my future work.

Thanks Vicky. I like the way you start with the Don’ts before the Dos!

Great advice Vicky! It would be lovely to see another workshop covering Reflective Commentaries. For some reason I struggle to get these right when doing my own R.Cs for the Art of Poetry.

This book called called: “Creative Writing and Critical Reflective Commentary.” was the only recent book I could find. It was really helpful to me It has an example in it and what else to include like references and how to write reflecively with underpinning critical theories.

https://www.amazon.co.uk/dp/B098MXYY54

https://celoe.telkomuniversity.ac.id/

“Your blog always provides valuable insights. Thank you for sharing!”

“I noticed you mentioned a study in this article. Do you have a link to the source for more information?”

It is critical to recognize the differences between notebooks, writing diaries, and Reflective Commentaries. Your workshop overview is important to both attendees and those who were unable to participate. Such clear thoughts greatly boost our writing experience. Thank you for sharing this enlightened viewpoint!

I’m really intrigues to know why you say so emphatically not to write about how you cam up with an idea – I would have thought his was crucial to the reflective process. Could you explain?

Your blog is appreciated for its usefulness and informative content. IFDA is the best institute for Computer Courses in Delhi and after that any courses completed IFDA is providing paid internship & 100% job placement. Best Computer Course in Delhi

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Creative Writing: Reflective Journaling

by Melissa Donovan | Aug 5, 2021 | Creative Writing | 58 comments

Reflective journaling cultivates personal awareness.

A journal is a chronological log, and you can use a journal to log anything you want. Many professionals keep journals, including scientists and ship captains. Their journals are strictly for tracking their professional progress. Fitness enthusiasts keep diet and exercise journals. Artists use journals to chronicle their artistic expressions.

A writer’s journal can hold many things: thoughts, ideas, stories, poems, and notes. It can hold dreams and doodles, visions and meditations. Anything that pertains to your creative writing ideas and aspirations can find a home inside your journal.

Today let’s explore an intimate style of journaling, one in which we explore our innermost thoughts: reflective journaling.

Creative Writing Gets Personal

A diary is an account of one’s daily activities and experiences, and it’s one of the most popular types of journals.

A reflective journal is similar to a diary in that we document our experiences. However, reflective journaling goes deeper than diary writing; we use it to gain deeper understanding of our experiences rather than simply document them.

Reflective Journaling

We all have stories to tell. With reflective journaling, you write about your own life, but you’re not locked into daily chronicles that outline your activities or what you had for dinner. You might write about something that happened when you were a small child. You might even write about something that happened to someone else — something you witnessed or have thoughts about that you’d like to explore. Instead of recounting events, you might write exclusively about your inner experiences (thoughts and feelings). Reflective journaling often reveals tests we have endured and lessons we have learned.

The Art of Recalibration is a perfect example of reflective journaling in which stories about our lives are interwoven with our ideas about life itself.

Reflective journaling has other practical applications, too. Other forms of creative writing, such as poems and stories, can evolve from reflective journaling. And by striving to better understand ourselves, we may gain greater insight to others, which is highly valuable for fiction writers who need to create complex and realistic characters. The more deeply you understand people and the human condition, the more relatable your characters will be.

Do You Keep a Journal?

I guess I’m a journal slob because my journal has a little bit of everything in it: drawings, personal stories, rants, and reflections. It’s mostly full of free-writes and poetry. I realize that a lot of writers don’t bother with journals at all; they want to focus on the work they intend to publish. But I think journaling is healthy and contributes to a writer’s overall, ongoing growth.

I once read a comment on a blog by a writer who said she didn’t keep a journal because she couldn’t be bothered with writing down the events of each day; I found it curious that she had such a limited view of what a journal could hold. A journal doesn’t have to be any one thing. It can be a diary, but it can also be a place where we write down our ideas, plans, and observations. It can hold thoughts and feelings, but it can also be a place where we doodle and sketch stories and poems.

I’m curious about your journal. Do you keep one? What do you write in it? Is your journal private or public? Is it a spiral-bound notebook or a hardcover sketchbook? Does journaling inspire or inform your other creative writing projects? Have you ever tried reflective journaling? Tell us about your experiences by leaving a comment, and keep writing!

58 Comments

Hello. I keep writing refrective journal in Japanese. Now I’m trying to it in English. My dream is publish my book of English someday.Mamo

English takes a lot of practice, even for us native speakers, but with time, patience, and commitment, you can do it! Good luck.

Except for a few short months following an interstate move in December, I’ve faithfully kept a journal for 24 years. It’s reflective, it’s prayer, it’s story starts, character sketches, research and notes, it’s sometimes a rant, and usually how I see the world and my take on life. There’s just no way I function well without the journal. It fills some deep need for reflection and observation, but also the need to physically write, which is soothing and mind-ordering for me.

Twenty-four years is a long time! I’m impressed. Wait… that’s about how long I’ve kept a journal too! However, I haven’t been that faithful about it. There are weeks and months when I’m writing so much in other forms (blogging, fiction, etc.), that my journal gets neglected. I admire anyone who can stick with it over the long haul. No wonder you’re such a good writer!

It is wonderful to know that others in this world feel this way. Journaling does seem to help me fell aggreable about the events and happenings that were wholesomel and settle the ones that were not. I never thought of writing as soothing and wondered about dragon voice recognition to do the writing for me, but it just does not have the right feel. So I have stayed with hand writing to record my experiences in this fleeting life.

I have to confess I’m not a fan of voice recognition software except in cases where it helps people who are disabled and cannot type or write. The act of writing, of putting words down on paper or typing them onto a screen, is how we learn vocabulary, sentence structure, spelling, grammar, and punctuation. Otherwise, we’re just dictating, and that’s not writing.

Yes, I definitely believe that journaling is good for working out problems and celebrating life’s blessings.

Just today I was visiting with my pastor about this very topic. He wants to journal so he could revisit his thinking from time to time but is too impatient with handwriting. He uses Dragon Writing for dictating sermons, etc. and mentioned he might try it for journaling as well. Whatever works! I’m a big fan of handwriting and I occassionally type journal entries, print them and glue them into my journal. My journals include bits of everything – handwritten entries about my life, copies of special emails, images and articles I run across, quotes, creative sign copy I see while traveling, etc. etc. I tend to keep a separate travel journals and include bits of info from local newspapers, promotional brochures, etc. Other than travel, I like to have everything in one journal.

I’m a one-journal person, too, although I have notebooks for various purposes: one for my blog, one for my client work, and another for a fiction project. I don’t consider those journals. My journal is for ideas, personal thoughts, and poetry. Keep writing!

I was just thinking of putting everything in one journal. It drives me buggy to keep track of 20 different journals.(one for this,one for that)The reflective writing sounds helpful for a course I’ve been listening to on Podcast. Thanks!

I write essay and poetry, and I also keep a journal. I write stream of conscious sessions or dive into explanations of what I’m trying to say ina poem or essay. I also write book reviews and thoughts on what I’m reading. Rant too. All kinds of stuff.

I love stream-of-consciousness writing sessions too, although I usually call it freewriting. It’s the ultimate adventure in writing for me, and it generates so much great, raw, creative material. A really good session actually feels magical.

I’ve kept a journal since the early 1970s as a record of the things going on around me in my life, events, good and not so good things. It is a record of my life. I don’t know if anyone will read it after I am gone, but it has been handy for me at times. When I wanted to know when a certain event happened, I look back in my journal. Because people know I keep a regular journal, I have often had others call and ask me when such and such happened and I am able to find it.

I think your journal will be a wonderful record of your life, something you could pass along as an heirloom or donate to an archival library. I know lots of historical writers love to dig through those archives and learn about people’s lives. I think that’s so cool!

Thanks, but I doubt that it will ever make it into an archives. I will just be happy if my children and grandchilren appreciate it. I have read that people put all kinds of things into their journals, but this one is a life journal. That is one reason I started using some of your ideas for different kinds of journals. I have started a reading journal going all the way back to when I can remember reading, recording some of my experiences and favorite books and so on. I am doing in that way as more of a legacy in the hopes that someday my grandchildren who are avid readers (and possibly a few budding writers as well) will enjoy reading about their grandma’s reading adventures. It definitely has to be what works for a person, or they wouldn’t be motivated to write in it.

What a wonderful legacy — such a treasure. Your children and grandchildren are very lucky!

I agree your grandchildren are fortunate. I recently acquired a copy of my great, great aunt’s journal. It is priceless to me and gave me so many new insights into “pioneer days” when she and her family were traveling across the prarie during the land run in Oklahoma.

I have kept a journal for years. It does reflect what is happening in my life but is more conversations with God, my hopes and dreams, my discernments and my frustrations. I know someday my kids will read them but on a whole I am very honest in them. One of the best habits I have is to ‘harvest’ them, rereading what I write and highlighting certain passage. Get double benefits from that.

I have my great Aunt’s 60 plus years of journal and want to do something with them someday. I have a friend who typed out all of his grandfathers journals, gleaned nuggets of thoughts and wisdom and published a book for his family. Isn’t that cool?

Thanks for good thought today!

I love the double benefits of journaling. In my family, there has only been one journal/diary that I know of and I believe they threw it away because it was full of so much smack-talk about other family members. I read it and didn’t think it was all that bad, but someone got offended and our little family heirloom got tossed. Ugh, what a shame. I kind of wish someone had redacted the offending passages and kept the diary. Anyway, yes, one thing about journals is that “one day someone will read them.” People need to keep that in mind. Thanks, Jean.

I’ve been keeping a journal since I’ve been able to write. It was full of angst during my teen years, but since adulthood, it’s been mostly filled with observations and just whatever’s on my mind that day. Some could be called writing exercises, but I think they’re more like Morning Pages purging my mind of whatever ails it, to free it up for fiction writing.

I was a big teen ranter and whiner too (in my journal). I did morning pages for a while and enjoyed them very much, but I’m not a morning person, so eventually I switched. Now, I guess I write night pages, except I call them moonlight pages. Ha!

Hi melissa,

Great post! I do have a journal and I write there everything you have mentioned: ideas, thought, insights, things I observe around, small stories that come out of my mind in the middle of a train ride.

Regards, Fernanda

I love the multipurpose journal best of all. There are so many different types of journals — who needs a hundred different notebooks floating around? I’m right there with you, Fernanda, although I do have special notebooks for fiction and blogging. Everything else goes into my journal though.

Nice post with some great ideas. As to your questions, I guess I’m a journal slob too. My journal has a little bit of everything and I often put in story ideas and story beginnings. So you could say I get a lot of my writing from what began in my journal. As to what type of journal, I have recently started to keep mine at an online private journaling source, makes it really easy and convenient.

Thanks for posting this.

I’m curious about private online journaling. Do you worry about a third party having control over your journal? Do you back it up locally? I can’t journal electronically anyway. For some reason, I write all poetry and journaling (plus some fiction) longhand. I would love a tablet with a stylus!

I just started using the online journaling a couple of months ago. I use penzu.com, supposedly they use the same encryption that the military uses plus you can lock your journals with two pass codes and no one is suppose to be able to access it but you, not even their staff. You can also download it or print it out at anytime. I use to journal on my computer, because I can type faster than I can write longhand. But constantly downloading to cd and having to upload it each type I wanted to use a different computer was a real pain. I’ve lost journals due to viruses or corrupted cd’s. This way it’s all backedup automatically so I don’t have to worry about losing anything, and I can access it from anywhere. It’s really nice.

Thanks, Tiffiny. I certainly see the benefits of storing a journal online. I guess everything will eventually move to the cloud. Normally, I’m all in favor of technological advances, but storing my stuff (journals, photos, music) somewhere other than my own hard drives is one advance I’m not crazy about. I like the idea, but I am fixed on having my own backup. Anyway, I’ll definitely look into penzu.com. That sounds pretty cool!

I don’t go anywhere without my spiral notebook. I don’t really call it a journal, though. I write everything in it. From grocery lists to affirmations. I tend to think of a journal as being more personal. I cannot underatand a writer who does not keep some form of journal with them at all times. I guess they figure the good ideas will rise to the top.

I kind of understand the good-ideas-rise-to-the-top concept now. A while back, I started conceptualizing a novel and I would just think about my ideas throughout the day — for several months — and didn’t write anything down. And it worked. The best ideas stuck, so then I moved on to brainstorming and note taking. But generally, I write everything down and keep little notebooks stashed in places where I might need them in a pinch (my car, purse, nightstand).

I journaled frequently during our Peace Corps experiences in Ukraine and posted them on my website so they were availableto the public. I was amazed how many people followed them. I received many e-mails from total strangers who were living vicariously through my journals. When we returned to th euSA, we decided to do a stint in AmeriCorps*VISTA and because of my journals, someone contacted me and offered us wonderful housing (a housesitting arrangement) for the duration of our tenure. My journaling is generally reflective. I also do “morning pages” (a la “The Artist’s Way”)…these tend to be rants or details of my day or dreams and schemes and plans…these are private, unedited, quickly tapped out and I do not share them since they may be too intimate or revealing. (I use 750words.com and write as fast as I can for 20 minutes every day – no editing and no thinking just hit it sister!) It is amazing to look back at my journals and relive my thoughts and obeservations. I recommend doing this kind of daily writing. It is cathartic, healing and helps one know themselves. Life is good. “Ginn” In Steamy SC http://www.pulverpages.com (look for my Ukrainian journals there and my Malawi journals and find a link to my blog on my Camino from Roncesvalles to Santiago de Compostela)

I will definitely go check out your journals and 750words.com (I’ve never heard of that site). I love a fast, intense writing session with no editing. That’s where all my best material comes from.

I used to keep diaries when I was a kid and teenager. The ones from my teens were mainly public blogs and I wrote on them nearly everyday. In my twenties I’ve kept a private hardback journal where I write about experiences I don’t want to forget, feelings, stories, lyrics, doodles, rants, etc. I write pretty much anything I want to write about. Sometimes it helps me sort things out and other times it inspires me to write about something.

It is so weird to me that kids these days are keeping public diaries on their blogs. Blogs didn’t exist when I was a teenager (and I’m grateful for that!). When I was a teen and in my twenties, I always wrote down my favorite song lyrics (and made up plenty of my own too). What I love best about journaling is that anything goes. It’s my writing space, so I can write whatever I want there, and so can you!

Hi Melissa, I’ve kept some form of journal writing for years, but in a more deliberately conscious manner for about 8 years, in which I include, as you say, ‘free writes,’ which are so great for personal growth and awareness, as well as sudden insights about family and relationships and story ideas. I love my journal and, as I say, in recent years, keep it handy with me wherever I go.

That’s so interesting because I never get personal insights from my freewrites — just a lot of raw material that I can shape into something like a poem or song. I guess when I do focused freewrites, I solve problems, but in those cases, the freewrite has an intent (as opposed to just writing anything that comes to mind). That’s what I love about freewriting — there are so many different ways to use it.

This is the first time I’ve responded to one of your posts. Yet, you can rest assured that I read them faithfully. Why? Because, um, well, uh, because they are just so darn good!

I learn from you and enjoy the process.

Before I say how I use my journals, I must disclose that I am part owner of a business which sells guided journals as well as a home study course about how to get the most out of using a journal.

My first introduction to journal keeping came while I was in college. I treated the process poorly. I was a very bad date for my poor journal. You can say that while he was always faithful to me I certainly was not that to him.

Later, peer pressure from some very wonderful friends had me reaching for another blank book.

Now, well let’s just say my journals and I have become dearest of friends.

There is one journal which is different from all my others. I began it four years ago and there are only a few pages used. Yet, this journal is used faithfully as it was intended to be used. Once a year my granddaughter and I have a Christmas Tea. After our tea I record things about the tea and ask for her input. She will be six years old when we have our tea this year. This will be the first year her own pen will touch the page.

My desire is that she continue the Christmas Tea Celebration as well as the recording of the event after my death. Perhaps her mom or a friend will join her. Some day her own daughter may be her guest.

At any rate, the treasure she and I are creating together is worth more than any gold I might think of leaving her.

Thank you for your kind words, Yvonne. Your Christmas Tea Celebration and its accompanying journal is a beautiful idea. What a wonderful thing to share with the little ones. I think it’s a lovely tradition.

Yes, I always keep a journal. My thing is to not put any rules on it or it stresses me out. So, it is chaotic, unorganized, pages ripped out, stuff written here and there, scribbles, magazine clippings stuffed inside, pictures stuffed in. Messy.

Rules are stressful, aren’t they? I find that sometimes rules promote creativity but other times (like in my own journal), they hinder it, so I’m with you Kristy — I like a messy journal.

Your post is wondeful!! I do have a journal about which i had forgotten for almost a month :/ Reading your post just reminded of the fact that it was only because of constant reflective writing in my journal that i realised that this (writing) was what i want to do for my entire life! Thank you 🙂

I think a lot of writers start out by keeping a journal. There’s something about journal writing that comes naturally to certain people, and it makes sense that they would go on to become writers.

I started to keep an everyday journal when I was going through a tough time (about 4yrs now), it was suggested to me and ever since I’ve been keeping one. It’s great to get things out,sometimes though it’s hard to put everything down because I’m afraid someone will read it (because they would if they found it).lol but I use my journal for writing thoughts, feelings about things and people,memories,dreams/nightmares, I write about events that have happened too good and bad, I do drawings,sketches,poems,favorite quotes, stick in fav pics etc. Basically a bit of everything!! I prefer leather bound journals with plain paper but at the mo I’m trying out an art blanc journal because the design caught my eye,not to fond of being restricted to lines though! 🙂 I hope I keep one on into my life,sometimes I forget how helpful it is.

Great post! 😀

Your journal sounds a lot like mine! I do have a suggestion for you. If you’re uncomfortable writing your private thoughts in your journal because you’re worried someone will invade your privacy, you might develop a code system or use images instead of text to express certain ideas. I used to use code names for people, and I would sometimes write certain words in another language or using icons. It also makes journaling a little more interesting.

I call my journals Daily Milestones, because that’s what life feels like to me. Even in the most mundane days where I don’t engage in many activities, I can still have an epiphany in some way or another. If I’ve had an activity packed day or week, then I can go off even more!

I also like titling each entry with something witty like Planting Seeds in the Sandbox because it sometimes keeps the focus and intent of a certain entry. That one in particular is about how life is like a giant sandbox and how we, like children, like to play different roles. We plant “seeds” of our imagination to sprout into our reality.

When I first started keeping a journal in 2009, my entries would just be positive messages and revelations about life, but as time went on, they became more personal. I began writing about actual events in my day rather than just abstract inspirations. It felt odd to write about what happened in my day and even more weird to write how I felt about different aspects of the day and my life. I realized if I’m not gonna be honest with myself, especially where I have all the space and time to do so; what chance would I have with being honest with other people or in my creative writing?

It’s really helpful as a fiction writer to keep a journal because I notice a lot of recurring themes to write about: Reminders of how to remain on the path of truth and virtue amongst the many others that would take too much space in my post. One thing I find is how I judge/commend other people. When I write about other people they feel like they become fictional characters because of how I pick apart their faults and qualities. It helps me see them multidimensionally and transfer that realism in the characters I create in my stories.

And of course all this leads to a massive insight to self discovery as I find myself revisitting old entries just in case I’ve strayed from the path.

Thank you, Marlon, for sharing your experience with reflective journaling and explaining how it has benefited you as a writer, storyteller, and human being. What a wonderful testimonial!

Hi Melissa, sounds like your reflective journal is much like mine, with ideas, lists, doodles and plenty of free writing and first drafts of poem. I also note down story ideas and scraps of conversation or a phrase from someone else’s poem or story – so I suppose mine is a journal cum writer;s notebook. I also have a pad specifically for things to do and also my diary and when I look through they also seem to be combination of things, sometimes including pitching ideas and client requests.

Thanks, Sue. I love learning about how other writers use their journals, notebooks, and other writing tools. I’m glad you shared yours!

Hi Melissa,

I have been filling sketchbooks for years as a way of developing my watercolor painting skills, but I am a writer too, so inevitably I worte abd write a lot too, sometimes more than I sketched. Currrently, my main journal is a sewn-binding refill from Renaissance-Art. I have about 14 of them filled. I use mostly the 5.5 x 8.5 size and put my own hardbound covers on them when done, usualy with a sketch or writing on it and imitation leather trip. I use them for sketches on the spot or from photos, like a scrapbook at times, pasting in photos and this and that. An yes, resflections, insights, acconts of evens and trips, just about anything.

Good post, as usual. Thanks.

Hi Bill! Even though I can’t see your journals, they sound beautiful! I love when words and art come together.

I honestly don’t keep a journal,but I periodicaly write in a tablet ideas for new story development. ps.I have a book out the title is THE SIR DAVID THOMAS SERIES.Perhaps it may be something you would like to read.

A tablet or notebook could be considered a journal.

Honestly, i also don’t keep a journal, but I’d write my story ideas, probable developments of them , brainy quotes by others in every-day life and any interesting observation in my phone, laptop, or on a variety of papers (which do not form a notebook in whole!). But I have a separate notebook to jot down ideas for my thesis research report. I guess I’ll keep on writing my creative notes also in future in the same manner.

Yes, now with all these electronic devices, I think a lot of writers’ notes are becoming spread out. I use Evernote, which syncs to all my devices, including my computer. It has tons of great features — for example, you can clip stuff from the web. You can also create multiple notebooks.

Hi Melissa, Personally, I love keeping journals. I have multiple journals for different things. My private journal is just a regular composition notebook where I write down basically all my thoughts and things that happen to me. Occasionally, I paste pictures and articles. Another journal I keep is a spiral-bound notebook where I write down ideas, poems, short stories, etc. I have a couple of those, and I tend to read through them from time to time. I find it helpful to keep journals, that way, I can see the progress I’ve made over the years.

I love flipping through my old idea journals. I often find little treasures that I’ve forgotten about! Sometimes I even find an old idea that I’m now ready to use.

As silly as it might sound to some, I have MANY journals I keep at once. Of course, I have many to begin with and have been journaling since 1983…I have a journal of daily quotes filled with awe inspiring quotes from famous or important to me people. I journal of family history stories for when the thoughts and memories arise, I record them. My everyday (but not always every day) journal filled with intimate and inspiring yet sometimes dark and dreary moments in life. I have two journals (one for each of my children) loaded with photos and stories of important and important to me events to record in each of their lives. I have a Christmas and Thanksgiving journal so I can record each and every holiday and gathering with family and friends and including the preparing and gift giving. A travel journal that I use to prep for journeys and attach receipts and pics and business cards. I must not forget to mention the Bibliophile Reader’s Journal to record books I am reading so that I remember the most important details from each. An honorable mention is the Homes I Have Lived In Journal where I sketch out each home’s floor plan and add pics from our old albums to depict a room that just happened to be in old photos we took. One might ask, why so many as opposed to combining all in one? My simplest answer is; each journal represents a complex chapter in the Life of Me.

That’s awesome, Marcy! What a wonderful collection you’re creating.

I have already been trying to experiment on different types of journaling method since I was a child. My family knew how attached I have always been to notebooks.However, I would always find it too tedious to keep different notebooks for different aspects of my life. Finally, at 2018, I discovered the bullet journaling method. That was when I realized that I could actually keep an all-in-one journal. Currently, my bullet journal houses my ideas, my Bible reading and book reading reflections, and my thoughts. It also serves as my diary. But probably the most treasured part of my journal is Dream Notes section where I keep my most memorable dreams. That is because I would usually have weird and vivid dreams that sometimes serve as reflections of my current mental or emotional state. Other times, those dreams could be excellent sources for stories and poems. I’m always amazed of what my mind could conceive while I’m asleep. So I keep them recorded in my journal.

I use a variation of bullet journaling too. I’ve been doing it for a couple of years now (just ordered my third one) and it’s been pretty awesome. I use mine strictly as a planner, calendar, and tracker. I’m not sure I’ll keep all those journals; they’re mostly full of work-related stuff. So I like to keep my creative journals separate. I love notebooks too. Can’t have too many!

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Reflective Writing Guide

A great deal of your time at university will be spent thinking; thinking about what people have said, what you have read, what you yourself are thinking and how your thinking has changed. It is generally believed that the thinking process involves two aspects: reflective thinking and critical thinking. They are not separate processes; rather, they are closely connected (Brookfield 1987).

Figure 1: The Thinking Process (adapted from Mezirow 1990, Schon 1987, Brookfield 1987)

Reflective thinking

Reflection is: 

• a form of personal response to experiences, situations, events or new information.
• a 'processing' phase where thinking and learning take place.

There is neither a right nor a wrong way of reflective thinking, there are just questions to explore.

Figure 1 shows that the reflective thinking process starts with you. Before you can begin to assess the words and ideas of others, you need to pause and identify and examine your own thoughts.

Doing this involves revisiting your prior experience and knowledge of the topic you are exploring. It also involves considering how and why you think the way you do. The examination of your beliefs, values, attitudes and assumptions forms the foundation of your understanding. 

Reflective thinking demands that you recognise that you bring valuable knowledge to every experience. It helps you therefore to recognise and clarify the important connections between what you already know and what you are learning. It is a way of helping you to become an active, aware and critical learner.

What is reflective writing?

Reflective writing is:.

• documenting your response to experiences, opinions, events or new information
• communicating your response to thoughts and feelings
• a way of exploring your learning
• an opportunity to gain self-knowledge
• a way to achieve clarity and better understanding of what you are learning
• a chance to develop and reinforce writing skills
• a way of making meaning out of what you study

Reflective writing is not:

• just conveying information, instruction or argument
• pure description, though there may be descriptive elements
• straightforward decision or judgement, e.g. about whether something is right or wrong, good or bad
• simple problem-solving
• a summary of course notes
• a standard university essay.

See next: How do I write reflectively?

Essay and assignment writing guide.

• Essay writing basics
• Essay and assignment planning
• Answering assignment questions
• Editing checklist
• Writing a critical review
• Annotated bibliography
• How do I write reflectively?
• Examples of reflective writing
• ^ More support

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• Writing Tips

A Simple Guide to Reflective Writing

5-minute read

• 23rd May 2023

Reflective writing is the process of describing something you’ve experienced, evaluating its meaning, figuring out if you’ve learned anything from the experience, and then working out how the process can be beneficial.

Many people don’t know how to write reflectively or what’s required in the process.

This post will explain what reflective writing is. We will then show you how to organize and structure your own reflective writing in a simple and straightforward manner.

What Is Reflective Writing?

It’s a common belief that we can break down thinking into two processes: reflective and critical . The former can be part of the latter, but it’s more personal.

Reflective thinking, or a reflection, is a learning process that involves your own personal analyses of and responses to new situations, experiences, data, or events. There is no right or wrong way to think reflectively – it’s more about exploring different ideas and questions.

Reflective writing is a way to reach a deeper level of understanding on a given topic. Writing something down can help you analyze it.

Here are some common elements of reflective writing:

●  Analytical

●  Subjective (thoughts/opinions)

●  Free-flowing

●  Written in the first person

And here are some examples:

●  A personal response to something new

●  Field notes, journals, logbooks, peer reviews , blogs, etc.

What Is Nonreflective Writing?

While the goal of reflective writing is to come to a deeper level of understanding about a given topic, the goal of other forms of writing is often to explain, argue, or describe something in detail.

These are some elements of nonreflective  writing:

●  Descriptive

●  Objective (instructions/arguments)

●  Structured formally

●  Written in the third person

Here are some examples:

●  An explanation or argument

●  Research papers, statistical reports, persuasive essays , formal reviews, news articles, etc.

How to Write Reflectively

Because reflective writing is subjective, its structure is usually less formal. While being logical is important, you can also be creative, hypothetical, and opinionated.

A few different formats can help show you how to organize your reflective writing, but we’ll focus on a popular four-step approach that we often refer to as the DIEP strategy :

1. Describe

You begin by simply describing everything that happened. This includes what you did, saw, heard, etc.

This description should be the shortest portion of your writing, but it should include all the details you think are relevant.

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2. Interpret

The next step is to consider what the experience meant to you. Here, you can explore how and why something happened.

Some useful questions to ask yourself during the interpretation stage are:

●  How do I feel?

●  Have I acquired any new insights?

●  How does this experience connect with what I already know/believe?

●  What hypotheses or conclusions can I form?

3. Evaluate

This is where you analyze how valuable the experience was and consider why it happened. You should make judgments that are connected to the observations you’ve previously described and interpreted.

Here are some important things to examine at this stage:

●  Focus on the most important things you’ve observed or learned.

●  Identify the significance of any hypotheses or conclusions you’ve formed.

●  Examine whether you’ve developed any new skills that you can apply in the future.

Finally, you need to figure out what you’ll do with what you’ve learned and how you’ll do it. Come up with a plan to make any newly discovered information useful to yourself.

A few good questions to answer are:

●  Will my future behavior change based on what I’ve learned or experienced?

●  Why will this change occur, or why won’t there be any change?

●  What will I do next?

●  Do I need to acquire or develop any new skills to enact my plan?

Although beginning a piece of reflective writing can seem daunting, if you follow the four steps we’ve outlined above, it shouldn’t be too difficult. Just remember that it’s all about your observations and what you have (or haven’t) learned from a given experience.

The format for reflective writing can often be less strict, but you still want your writing to be readable. Here are a few things you should make sure to do:

●  Write from your own perspective.

●  Clearly outline the context of what you’re reflecting on.

●  Make sure your writing is structured well, with a beginning, a middle, and an end.

●  Use an appropriate writing style and ensure correct grammar and punctuation.

What Can I Do If I Need Help?

If you’re not confident in your overall writing ability, don’t worry. A professional proofreader can check your grammar, spelling, and punctuation. They can identify and correct errors and provide you with valuable feedback to help you improve.

Great proofreaders are not hard to find. A simple way to do so is to visit Proofed’s online platform . You’ll get any document you submit to us returned within 24 hours.

We’ll even proofread your first document for free!

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Reflective Writing

“Reflection is a mode of inquiry: a deliberate way of systematically recalling writing experiences to reframe the current writing situation. It allows writers to recognize what they are doing in that particular moment (cognition), as well as to consider why they made the rhetorical choices they did (metacognition). The combination of cognition and metacognition, accessed through reflection, helps writers begin assessing themselves as writers, recognizing and building on their prior knowledge about writing.” —Kara Taczak, “Reflection is Critical for Writers’ Development” (78) Naming What We Know: Threshold Concepts of Writing Studies

Reflective writing assignments are common across the university. You may be asked to reflect on your learning, your writing, your personal experiences in relation to a theory or text, or your personal experiences in an internship or other type of experience in relation to course readings. These are assignments, as Kara Taczak notes, that offer opportunities to solidify knowledge about our experiences and how they might relate to others’ experiences and existing research. Moreso, reflection can lead to more informed understandings of our own experiences and course content in ways that may make that knowledge more useful in future classes and practice. However, often  reflective writing  is not taught as an explicit writing skill and can be problematically treated as a less rigorous form of writing. Below are some broad writing tips that can help not only your reflective writing to be stronger, but also the reflective inquiry to be more meaningful.

Collect relevant evidence before you start writing.

Yes–we recommend using  evidence  in reflective writing! When connecting personal experiences to the readings, that means selecting quotes from the readings and then coming up with specific moments in your life that relate to those quotes. When reflecting on learning or growth, that might mean locating evidence (quotes) from your previous papers that showcase growth.

Be specific.

It’s really easy to see reflective writing as more informal or casual, and thus, as requiring less attention to details; however, strong reflective writing is very precise and specific. Some examples of statements that are too vague and meaningless include, “I learned a lot about writing this semester.” Or, “I feel like my experiences are exactly as Author B says in this quote.” Neither of these statements tells us much–they are a bit devoid of content. Instead, try to name exactly what you learned about writing or exactly how your experiences are related to the quote. For example, you might reflect, “At the beginning of the semester, unsure of how to summarize a text well, I was just describing the main the idea of the text. However, after learning about Harris’ concept of capturing a writer’s “project,” I believe I have become better at really explaining a text as a whole. Specifically, in my last essay, I was able to provide a fully developed explanation of Author A’s argument and purpose for the essay as well as their materials and methods (that is, how they made the argument). For example, in this quote from my last essay,...”

Focus on a small moment from your experiences.

It’s hard to not want to recap our entire childhood or the full summer before something happened for context when sharing a personal story. However, it’s usually more effective to select a very specific moment in time and try to accurately describe what happened, who was involved, and how it made you feel and react. When writing about a moment, try to place readers there with you–help readers to understand what happened, who was involved, where it happened, why it happened, and what the results were. If this is a more creative assignment, you might even include some sensory descriptions to make the moment more of an experience for readers.

Fully explain the quote or focus of each point.

In reflective writing, you are usually asked to share your experiences in relation to something–a perspective in a text, learning about writing, the first-year experience, a summer internship, etc. When introducing this focal point, make sure you fully explain it. That is, explain what you think the quote means and provide a little summary for context. Or, if you’re reflecting on writing skills learned, before you jump to your learning and growth, stop to explain how you understand the writing skill itself–”what is analysis?,” for example. Usually, you want to fully explain the focus, explain your personal experiences with it, and then return to the significance of your experiences.

Use “I” when appropriate.

Often, in high schools, students are taught to abandon the first-person subject altogether in order to avoid over-use. However, reflective writing requires some use of “I.” You can’t talk about your experiences without using “I”! That being said, we’ve saved this advice for the bottom of the list because, as we hope the above tips suggest, there are a lot of important things that likely need explaining in addition to your personal experiences. That means you want to use “I” when appropriate, balancing your use of “I” with your explanation of the theory, quote, or situation you were in, for example.

Reflection conclusions can look forward to the future.

In the conclusion, you may want to ask and answer questions like:

• What is the significance of my experiences with X?
• What did I learn from reflecting on my experiences with Y?
• How might this reflective work inform future decisions?
• What specific tools or strategies did this activity use that might be employed in the future? When and why?

Write the reflection introduction last.

We always recommend writing introductions after you’ve drafted your entire essay–this allows you to actually introduce the specific essay you’ve already written (it’s easier to do and more likely to be strong). Reflective introductions have a little bit more flexibility. You do want to introduce the focus of your essay right away–and you might do that by naming it, by sharing a related anecdote, by naming a previously held idea/belief that has changed through learning happening during this course, or by explaining a reading or class discussion that make you curious about the focus you selected.

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Writing reflectively is essential to many academic programmes and also to completing applications for employment. This page considers what reflective writing is and how to do it. 

What is reflection?

Reflection is something that we do everyday as part of being human. We plan and undertake actions, then think about whether each was successful or not, and how we might improve next time. We can also feel reflection as emotions, such as satisfaction and regret, or as a need to talk over happenings with friends. See below for an introduction to reflection as a concept. 

Reflection in everyday life [Google Slides]

What is reflective writing?

Reflective writing should be thought of as recording reflective thinking. This can be done in an everyday diary entry, or instruction in a recipe book to change a cooking method next time. In academic courses, reflective is more complex and focussed. This section considers the main features of reflective writing. 

Reflective writing for employability

When applying for jobs, or further academic study, students are required to think through what they have done in their degrees and translate it into evaluative writing that fulfils the criteria of job descriptions and person specifications. This is a different style of writing, the resource below will enable you to think about how to begin this transition. 

There are also lots of resources available through the university's careers service and elsewhere on the Skills Guides. The links below are to pages that can offer further support and guidance. 

• Careers and Placements Service resources Lots of resources that relate to all aspects of job applications, including tailored writing styles and techniques.

The language of reflective writing

Reflective academic writing is: 

• almost always written in the first person.
• evaluative - you are judging something.
• partly personal, partly based on criteria.
• analytical - you are usually categorising actions and events.
• formal - it is for an academic audience.
• carefully constructed. 

Look at the sections below to see specific vocabulary types and sentence constructions that can be useful when writing reflectively. 

Language for exploring outcomes

A key element of writing reflectively is being able to explain to the reader what the results of your actions were. This requires careful grading of language to ensure that what you write reflects the evidence of what happened and to convey clearly what you achieved or did not achieve. 

Below are some ideas and prompts of how you can write reflectively about outcomes, using clarity and graded language. 

Expressing uncertainty when writing about outcomes:

• It is not yet clear that…
• I do not yet (fully) understand...
• It is unclear...
• It is not yet fully clear...
• It is not yet (fully?) known… 
• It appears to be the case that…
• It is too soon to tell....

Often, in academic learning, the uncertainty in the outcomes is a key part of the learning and development that you undertake. It is vital therefore that you explain this clearly to the reader using careful choices in your language. 

Writing about how the outcome relates to you:

• I gained (xxxx) skills… 
• I developed… 
• The experience/task/process taught me… 
• I achieved…
• I learned that…
• I found that… 

In each case you can add in words like, ‘significantly’, ‘greatly’, ‘less importantly’ etc. The use of evaluative adjectives enables you to express to the reader the importance and significance of your learning in terms of the outcomes achieved. 

Describing how you reached your outcomes:

• Having read....
• Having completed (xxxx)...
• I analysed…
• I applied… 
• I learned…
• I experienced… 
• Having reflected…

This gives the reader an idea of the nature of the reflection they are reading. How and why you reach the conclusions and learning that you express in your reflective writing is important so the reader can assess the validity and strength of your reflections. 

Projecting your outcomes into the future:

• If I completed a similar task in the future I would…
• Having learned through this process I would… 
• Next time I will…
• I will need to develop…. (in light of the outcomes)
• Next time my responses would be different....

When showing the reader how you will use your learning in the future, it is important to be specific and again, to use accurate graded language to show how and why what you choose to highlight matters. Check carefully against task instructions to see what you are expected to reflect into the future about. 

When reflecting in academic writing on outcomes, this can mean either the results of the task you have completed, for example, the accuracy of a titration in a Chemistry lab session, or what you have learned/developed within the task, for example, ensuring that an interview question is written clearly enough to produce a response that reflects what you wished to find out. 

Language choices are important in ensuring the reader can see what you think in relation to the reflection you have done. 

Language for interpretation

When you interpret something you are telling the reader how important it is, or what meaning is attached to it. 

You may wish to indicate the value of something:

• superfluous
• non-essential

E.g. 'the accuracy of the transcription was essential to the accuracy of the eventual coding and analysis of the interviews undertaken. The training I undertook was critical to enabling me to transcribe quickly and accurately' 

You may wish to show how ideas, actions or some other aspect developed over time:

• Initially 
• subsequently
• in sequence 

E.g. 'Before we could produce the final version of the presentation, we had to complete both the research and produce a plan. This was achieved later than expected, leading to subsequent rushing of creating slides, and this contributed to a lower grade'. 

You may wish to show your viewpoint or that of others:

• did not think
• articulated
• did/did not do something

Each of these could be preceded by 'we' or 'I'.

E.g. 'I noticed that the model of the bridge was sagging. I expressed this to the group, and as I did so I noticed that two members did not seem to grasp how serious the problem was. I proposed a break and a meeting, during which I intervened to show the results of inaction.'

There is a huge range of language that can be used for interpretation, the most important thing is to remember your reader and be clear with them about what your interpretation is, so they can see your thinking and agree or disagree with you. 

Language for analysis

When reflecting, it is important to show the reader that you have analysed the tasks, outcomes, learning and all other aspects that you are writing about. In most cases, you are using categories to provide structure to your reflection. Some suggestions of language to use when analysing in reflective writing are below:

Signposting that you are breaking down a task or learning into categories:

• An aspect of…
• An element of…
• An example of…
• A key feature of the task was... (e.g. teamwork)
• The task was multifaceted… (then go on to list or describe the facets)
• There were several experiences…
• ‘X’ is related to ‘y’

There may be specific categories that you should consider in your reflection. In teamwork, it could be individual and team performance, in lab work it could be accuracy and the reliability of results. It is important that the reader can see the categories you have used for your analysis. 

Analysis by chronology:

• Subsequently
• Consequently
• Stage 1 (or other)

In many tasks the order in which they were completed matters. This can be a key part of your reflection, as it is possible that you may learn to do things in a different order next time or that the chronology influenced the outcomes. 

Analysis by perspective:

• I considered

These language choices show that you are analysing purely by your own personal perspective. You may provide evidence to support your thinking, but it is your viewpoint that matters. 

• What I expected from the reading did not happen…
• The Theory did not appear in our results…
• The predictions made were not fulfilled…
• The outcome was surprising because… (and link to what was expected)

These language choices show that you are analysing by making reference to academic learning (from an academic perspective). This means you have read or otherwise learned something and used it to form expectations, ideas and/or predictions. You can then reflect on what you found vs what you expected. The reader needs to know what has informed our reflections. 

• Organisation X should therefore…
• A key recommendation is… 
• I now know that organisation x is… 
• Theory A can be applied to organisation X

These language choices show that analysis is being completed from a systems perspective. You are telling the reader how your learning links into the bigger picture of systems, for example, what an organisation or entity might do in response to what you have learned. 

Analysing is a key element of being reflective. You must think through the task, ideas, or learning you are reflecting on and use categories to provide structure to your thought. This then translates into structure and language choices in your writing, so your reader can see clearly how you have used analysis to provide sense and structure to your reflections. 

Language for evaluation

Reflecting is fundamentally an evaluative activity. Writing about reflection is therefore replete with evaluative language. A skillful reflective writer is able to grade their language to match the thinking it is expressing to the reader. 

Language to show how significant something is:

• Most importantly
• Significantly 
• The principal lesson was… 
• Consequential
• Fundamental
• Insignificant
• In each case the language is quantifying the significance of the element you are describing, telling the reader the product of your evaluative thought. 

For example, ‘when team working I initially thought that we would succeed by setting out a plan and then working independently, but in fact, constant communication and collaboration were crucial to success. This was the most significant thing I learned.’ 

Language to show the strength of relationships:

• X is strongly associated with Y
• A is a consequence of B
• There is a probable relationship between… 
• C does not cause D
• A may influence B
• I learn most strongly when doing A

In each case the language used can show how significant and strong the relationship between two factors are. 

For example, ‘I learned, as part of my research methods module, that the accuracy of the data gained through surveys is directly related to the quality of the questions. Quality can be improved by reading widely and looking at surveys in existing academic papers to inform making your own questions’

Language to evaluate your viewpoint:

• I was convinced...
• I have developed significantly…
• I learned that...
• The most significant thing that I learned was…
• Next time, I would definitely…
• I am unclear about… 
• I was uncertain about… 

These language choices show that you are attaching a level of significance to your reflection. This enables the reader to see what you think about the learning you achieved and the level of significance you attach to each reflection. 

For example, ‘when using systematic sampling of a mixed woodland, I was convinced that method A would be most effective, but in reality, it was clear that method B produced the most accurate results. I learned that assumptions based on reading previous research can lead to inaccurate predictions. This is very important for me as I will be planning a similar sampling activity as part of my fourth year project’ 

Evaluating is the main element of reflecting. You need to evaluate the outcomes of the activities you have done, your part in them, the learning you achieved and the process/methods you used in your learning, among many other things. It is important that you carefully use language to show the evaluative thinking you have completed to the reader.

Varieties of reflective writing in academic studies

There are a huge variety of reflective writing tasks, which differ between programmes and modules. Some are required by the nature of the subject, like in Education, where reflection is a required standard in teaching.

Some are required by the industry area graduates are training for, such as 'Human Resources Management', where the industry accreditation body require evidence of reflective capabilities in graduates.

In some cases, reflection is about the 'learning to learn' element of degree studies, to help you to become a more effective learner. Below, some of the main reflective writing tasks found in University of York degrees are explored. In each case the advice, guidance and materials do not substitute for those provided within your modules. 

Reflective essay writing

Reflective essay tasks vary greatly in what they require of you. The most important thing to do is to read the assessment brief carefully, attend any sessions and read any materials provided as guidance and to allocate time to ensure you can do the task well.

Reflective learning statements

Reflective learning statements are often attached to dissertations and projects, as well as practical activities. They are an opportunity to think about and tell the reader what you have learned, how you will use the learning, what you can do better next time and to link to other areas, such as your intended career. 

Making a judgement about academic performance

Think of this type of writing as producing your own feedback. How did you do? Why? What could you improve next time? These activities may be a part of modules, they could be attached to a bigger piece of work like a dissertation or essay, or could be just a part of your module learning. 

The four main questions to ask yourself when reflecting on your academic performance. 

• Why exactly did you achieve the grade you have been awarded? Look at your feedback, the instructions, the marking scheme and talk to your tutors to find out if you don't know. 
• How did your learning behaviours affect your academic performance? This covers aspects such as attendance, reading for lectures/seminars, asking questions, working with peers... the list goes on. 
• How did your performance compare to others? Can you identify when others did better or worse? Can you talk to your peers to find out if they are doing something you are not or being more/less effective?
• What can you do differently to improve your performance? In each case, how will you ensure you can do it? Do you need training? Do you need a guide book or resources? 

When writing about each of the above, you need to keep in mind the context of how you are being asked to judge your performance and ensure the reader gains the detail they need (and as this is usually a marker, this means they can give you a high grade!). 

Writing a learning diary/blog/record

A learning diary or blog has become a very common method of assessing and supporting learning in many degree programmes. The aim is to help you to think through your day-to-day learning and identify what you have and have not learned, why that is and what you can improve as you go along. You are also encouraged to link your learning to bigger thinking, like future careers or your overall degree. 

Other support for reflective writing

Online resources.

The general writing pages of this site offer guidance that can be applied to all types of writing, including reflective writing. Also check your department's guidance and VLE sites for tailored resources.

Other useful resources for reflective writing:

Appointments and workshops 

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• © 2021

Creative Writing Practice

Reflections on Form and Process

• Debra Adelaide 0 ,
• Sarah Attfield 1

University of Technology Sydney, Ultimo, Australia

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Presents unique insights into the writing process of well-known authors and other creative practitioners

Examines a range of key challenges common to all writers, and offers solutions to them

Discusses a range of writing forms and genres, from novel, screenplay and immersive media, to critical writing, memoir and working-class poetry

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• Table of contents

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Table of contents (16 chapters)

Front matter, theoretical challenges: working it out, introduction.

Debra Adelaide, Sarah Attfield

The Ethics of Working-Class Realism in Poetry

• Sarah Attfield

The Golden Rules

• Sunil Badami

Screenwriting Beyond the Paradigms: Creative Thinking and Script Development

• Craig Batty, Zara Waldeback

Everything You Can Imagine Is Real: Worldbuilding, the Donnée and the Magic of Writing

• Claire Corbett

Adaptation: Essence, Originality and Radical Transformation

• Margot Nash

Practical Challenges: Starting, Stopping and Failing

The writer’s notebook.

• Delia Falconer

Prompting Creativity: Revisiting Aristotle’s Advice on Plot and Character

• Mark Rossiter

Trading Hours: Time, Order, and Narration in Lucky’s

• Andrew Pippos

Writing Without Frames

• Gregory Ferris

The Corrections: Succeeding at Failure in the Creative Process

• Debra Adelaide

Consolidating the Process: Success and Resilience

Counting coco pops: on constraint and creativity.

• Dave Drayton

When Your Subjects Do Not Agree: An ‘Idiosyncratically Australian Perspective’

Critical distance: creative writing as a critic-fan.

• Liz Giuffre

Art, Design and Communicating the Story: The Cover of Coach Fitz

Behrouz boochani: writing as resilience and resistance.

• Mark Isaacs

Creative Writing Practice: reflections on form and process  explores the craft of creative writing by illuminating the practices of writers and writer-educators. Demonstrating solutions to problems in different forms and genres, the contributors draw on their professional and personal experiences to examine specific and practical challenges that writers must confront and solve in order to write. 

This book discusses a range of approaches to writing, such as the early working out of projects, the idea of experimentation, of narrative time, and of failure.  With its strong focus on process,  Creative Writing Practice  is a valuable guide for students, scholars and practitioners of creative writing.  

• Creative writing
• problem-solving
• genre writing
• screenwriting
• Worldbuilding

Book Title : Creative Writing Practice

Book Subtitle : Reflections on Form and Process

Editors : Debra Adelaide, Sarah Attfield

DOI : https://doi.org/10.1007/978-3-030-73674-3

Publisher : Palgrave Macmillan Cham

eBook Packages : Literature, Cultural and Media Studies , Literature, Cultural and Media Studies (R0)

Copyright Information : The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021

Hardcover ISBN : 978-3-030-73673-6 Published: 10 October 2021

Softcover ISBN : 978-3-030-73676-7 Published: 10 October 2022

eBook ISBN : 978-3-030-73674-3 Published: 09 October 2021

Edition Number : 1

Number of Pages : XVII, 260

Number of Illustrations : 3 b/w illustrations

Topics : Creative Writing , Literature, general

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What Is Reflective Writing?

Written by Scott Wilson

What is a reflection in writing? Reflection in writing is the act of including analysis or perspective on the text within the text itself. It’s a technique that is used to examine and interpret a passage or event described in a written work, and can be either a literary device or a tool for self-analysis.

Commonly found in academia, reflective writing is a genre of essay that prompts the writer to tell about a meaningful personal experience and reflect on the lesson learned or how it changed their perspective. 

Though you will likely be tasked with exercises in reflection in academic setting, you will still be expected to take a creative approach in order to engage your readers.

Telling an engaging story is important here because your essay will be most effective when your readers find themselves leaning into the page, a physical posture of their interest. 

Like a mirror, reflective writing allows the writer and readers to look back at the text and themselves to uncover deeper meaning. This allows perspectives or unexamined aspects of the text that might otherwise be hidden to be discovered and unpacked.

For the author, reflection is an exercise in self-analysis. While writing reflectively, the writer is expected to examine their own reactions and to document them as they are writing. In works of fiction, the reflection may be undertaken on behalf of a narrator and used to weave additional drama or meaning into a work.

Reflective writing describes the internal reactions of the writer and uses them to interpret the events described in the text.

Although reflection is a subjective exercise, it is often used to inject more objectivity into writing. When the writer engages in reflective writing, they can take a step back and deliver more context in the piece. This offers them a path not only to greater understanding of their own instincts and ideas, but also for the reader to better understand the work.

Creative Writing Degrees Use Reflection as a Tool for Study and Storytelling

Reflective writing is a popular academic tool in general. Students asked to summarize assignments, or keep journals, or describe their experiences are all engaging in reflective writing assignments. The use of reflection creates an academic focus and draws more learning from a given experience by giving students time to think about both the lessons and their connections.

You can expect to be assigned quite a few reflective writing assignments in the average creative writing degree program. Just as in other academic fields, reflection is of the tools that professors use to help students understand their own process and how to deconstruct their own work to improve it. But it’s also training for using reflection creatively, as a device to create new and deeper experiences for their readers.

Self-reflective narrators like Holden Caulfield and Mr. Stevens makes works like The Catcher in the Rye , and The Remains of the Day the classic works of literature they are. While reflection offers the individual writer a tool for investigating their process and methods, it can also become a tool for injecting life and drama into characters and plots.

Where would Samuel Beckett be without the use of reflection in writing? Likely waiting on a break that never comes.

In other cases, such as the works of Milan Kundera, feature entire reflective philosophical essays, both shaping the characters and offering more universal truths that are an essential aspect of the story.

Creative writing students explore both those uses of reflective writing in other literary works and ways to use reflection in their own work and study. Assignments may ask for self-reflective essays exploring your ideas and works, or for you to incorporate reflective writing into those pieces themselves. Either way, expert professors help shape your sense of reflection and its uses through the study of creative writing.

The Components of Reflective Writing

Formulaic writing is never encouraged in creative writing, especially at the college level, but there are some key parts to reflective writing that cannot be ignored. Think of these elements as ingredients for a recipe. Key components of a reflective essay are:

• Description: Give a detailed account of the experience you had. Remember to treat your reader as though they are beside you during the experience, relying on the five senses to make the retelling of the event as real as possible. Be mindful of inundating your reader with details, instead choosing to focus on the ones that would leave holes in your story if you kept them out. 
• Interpretation: What’s your take on the episode? What did you learn? What does it mean? Is there something bigger than yourself that chose to teach you this lesson? Why you, why then, would you have learned the same lesson if it had happened at a different time in your life? All of these questions are starting points for reflection. The interpretation of the experience should be personal, almost to the point of feeling uncomfortable to write (respect your boundaries, but push them where you are able). 
• Evaluation: This is almost an extension of interpretation. Here, you will focus on the value of the lesson learned. You’re not here to only tell a good story about a personal experience, you’re here to explain what you learned from it and to tell your reader why it was so valuable. Maybe you don’t know the answer yet and will arrive at the conclusion as you’re planning it out. Reflective writing will be entertaining and empowering for your reader, but it offers the opportunity to be cathartic for you. Don’t be afraid to dig deep. 
• Planning: This is your opportunity to share what you are currently doing with the lesson learned or what you plan to do with it. Life lessons are inevitable, the meaning of them left to our own interpretation. Their power lies in how we reflect on them, how we use the experiences to change us in one way or another. There is potential here to let this part of the essay feel like a call to action for your reader, or to turn a little too sweet. If that’s your thing, go for it. But don’t feel pressured to turn this reflective essay into an after school special if what you experienced and what you learned ended on a sad or upsetting note. Be authentic in what you say and how you say it, whether it be happy, sad, or somewhere in between. The most important thing you can do in any of your writing is remain true to yourself. 

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How To Write A Reflection Statement – A Step-By-Step Guide

Do you know how to write a reflection statement? In this post, we give you a clear process for writing reflection statements.

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Do you know how to write a reflection statement? Reflection statements are tasks that will increasingly be part of your assessments. In the past, reflection statements were only set for Extension 2. Now they will be commonplace in Advanced English for both Year 11 and Year 12.

In this post, we will demystify reflection statements and give you a step-by-step guide to producing statements that will impress your teachers!

What is a Reflection Statement?

A reflection statement is a complementary task that will accompany other assessment types. A reflection statement requires students to discuss the process of producing the associated assessment task.

In a reflection statement, students need to explain why they made the decisions they did. The reflection statement also offers the student an opportunity to say what they think they did well, or did poorly. Students can reflect on what they would change if they could do it over.

If you want to learn more about why self-reflection is such an important skill for students, you should read this excellent article by Cathy Costello at Virtual library .

Why can’t you give a specific definition of what reflection tasks involve?

The exact nature of the reflection task will depend on the assessment task you’ve been asked to reflect on. To give you an idea of this, we’ll look at some examples of the tasks that reflection statements might accompany and what the reflection statements need to address.

As you can see, there are a wide variety of tasks where you could be asked to provide an accompanying reflection task.

How long is a reflection statement?

This will vary.

English Extension 2 reflection statements need to be 1500 words. If you’re not doing English Extension 2, it is unlikely that you will be required to produce something that long.

The tasks you will be set for English Advanced will range between 300 and 800 words. Most reflection tasks will be on the shorter side of things at around the 400-word mark.

Need help perfecting your reflections for Module C?

Learn how to write insightful and constructive reflections with our structured online video lessons, quality resources, and forums to ask your Matrix teachers questions and feedback! Learn more about Matrix+ Online Courses now. 

Where will I encounter reflection statements?

You will be set reflective statements throughout Years 11 and 12. They can be attached to any assessment task for any Module.

However, due to the nature of the Common Module: Reading to Write it is likely you will be set one to accompany the main writing task for that Module.

Similarly, in Year 12, Common Module: Texts and Human Experience and Module C: The Craft of Writing are the most likely Modules where you will be asked to reflect on your process of composing.

Remember, there is no limit on how many reflections you will need to produce as they supplement a larger assessment task. You may need to write as many as two in both Year 11 and Year 12.

In the HSC English Advanced Paper 2 (from 2019) and HSC English Extension 1 Paper, you may be asked to write a composition and a reflection statement.

If you study English Extension 2, this is a mandatory accompaniment for your major work. (Please note, while the process discussed in this post is similar to the one for producing an Extension 2 reflection statement, it does not discuss the research and referencing components that you need to complete for an Extension 2 work).

Clearly, it is important to be confident writing reflection statements. Matrix students learn how to produce reflection statements and get help refining them.

The secret to producing killer reflection statements is to follow a process when writing them.

What we’ll do now is look at the process for how to produce ace your reflection statement.

How to write a Reflection Statement – a step-by-step guide

Like everything in English, there is a process you can follow to produce a reflection statement. Even though the specific task may vary. The process for writing the reflection will largely remain the same.

The process for writing reflection statements looks like this:

Step 1: Produce the main piece of work for the assessment

Reflection statements are never tasks in and of themselves, they supplement the main task. You will not be able to produce your reflection statement until you have completed and edited your main task.

If you are stuck on your main task and need help, you should read our Beginner’s Guide to Acing HSC English  for detailed advice on all aspects of Year 11 and 12 English.

This can be useful. You may well discover that your reflection statement makes you reconsider some of your choices in your main task. In the process of writing your reflection statement, you may decide you need to redraft your main work.

This is one of the key purposes of writing a reflection statement. It forces you to consider what you have produced and the process of producing it. This is a key part of editing and improving your work.

Step 2: Read the assessment notification

Once you’ve produced your main piece of work, you need to revisit your assessment notification. A task that involves a reflection statement will come in two sections:

• Section 1 will be the instructions for the main task;
• Section 2 will be the instructions for the supplementary reflection task.

Rereading the notification is important as it will help you check that you have completed the main task correctly. It will also tell you exactly what you need to do for the second part of the task.

Step 3: Read the marking criteria

For every assessment task that you are given, you MUST be given accompanying marking criteria. Marking criteria are very important. They tell you explicitly what you need to do to get full marks for a specific task.

Reading through the marking criteria at this point serves two purposes:

• You can double check that you have addressed all the criteria for a Band 6 result for your main task.
• You can see what you need to do to achieve a Band 6 result for your reflection statement.

Your reflection statement may have very different requirements for a Band 6 mark than your main task. It is important that you are aware of the differences.

Step 4: Unpack what the reflection statement needs you to discuss for a Band 6 result

Now you’re familiar with the notification and marking criteria for the assessment task, you need to get these understandings down in writing.

To do this, you need to take a few steps:

• Read through the instructions for the task and highlight or underline the keywords (these will usually be the verbs and nouns in the instructions).
• Now you want to write these words down and define them. If you are unsure of a what a word means, that’s okay. Look it up. This is how you expand your vocabulary.
• Next, do the same for the marking criteria. Underline what you feel are the keywords and terms. Again, write them down and define them.
• Now you need to write down what you need to do for a Band 6 result. To do this, write down the instructions in your own words. Include what you need to do for a Band 6 mark in this instruction. Be sure to make note of whether this is meant to be written informally or formally, in the first or third person. You must follow the instruction regarding form for these tasks.

Now you’ve unpacked the question. This means you are now equipped to answer the question you’ve been set.

Next, you need to revisit your main task so you can see what you’ve done and evaluate how you’ve put it together.

Step 5: Reread what you have produced for your main task

Your reflection statement will require you to explain the choices you’ve made in your main composition.

You may not have thought too much about these things when you produced the work. And this is fine. It just doesn’t help you with the reflections statement.

If this is you, you need to read your work with an eye on how you have conveyed information. You must unpack how you have presented your ideas. Essentially, you need to reverse engineer your writing through textual analysis.

Some useful questions to ask yourself when doing this are:

• How does my work address the assessment instructions and marking criteria?
• What am I trying to convey here?
• How does this part of my work address the marking criteria?
• What technique have I used to convey meaning?
• Why have I used that technique?
• Could I have conveyed this idea differently? Would this have been more effective? Why?

Make notes while you do this. You want to be able to refer back to your findings in detail when you write the reflection statement.

Once you’ve finished this, you’re ready to start planning. By now you should have:

• A detailed breakdown of what your task requires you to discuss in your reflection statement and how to discuss it.
• A detailed set of notes about the piece you have produced for the main task.

Step 6: Plan your reflection statement

As with any task, you want to plan things before you get stuck in. Planning your work forces you to consider what information you must include and how you will structure that information in your response. This is an important part of the critical thinking process.

Reflection statements need to have structure, too.

You need to ensure that you introduce your ideas clearly, then expand on them, and, finally, summarise and conclude your statement. Even if you only need to produce a 250-word paragraph, you still need to ensure that it follows the conventions of composition structure. You will lose marks for presenting idea soup.

To plan your response, you’ll need to get your notes on the task and your notes on your response together. Then:

• Read through your notes on the question. Remind yourself what you need to discuss in your reflection statement.
• Write down what you will discuss in your reflection statement.
• Now you need to think about what parts of your main task you will discuss. To do this, refer to your notes about your main task. Ask yourself, “which parts of my task are most relevant to what the task is asking me to discuss?”
• Note down what you think will be the order for presenting your reflection. For example, you may want to start with your structural decisions before discussing your use of techniques or you may want to discuss your influences before discussing your ideas.

Once you’ve got your plan together, you’re ready to write. Matrix students get advice on their assessment tasks from their Matrix Tutors and Teachers. It might be helpful to ask a peer or parent for their thoughts if your school teacher can’t provide advice.

Step 7: Write your introductory statement

The length of your introduction will be contingent on the specifics of your task:

• If your reflection statement is less than 400 words, you will need to produce one or two sentences.
• If you are writing a longer reflection statement of more than 400 words, you will need to write a short introduction.
• If you are producing an Extension 2 reflection statement, this will need to be a longer and more detailed introductory paragraph.

When writing your introduction, you must:

• Introduce the topic you will discuss;
• Explain how this reflects on the work that you are discussing;
• Make reference to the Module you are studying.

Once you have produced your introduction, you are now ready to develop your discussion and discuss the specifics of your main piece of work.

Step 8: Write the body of your argument

Now you’ve introduced your subject matter you need to start presenting an argument. Even though you are reflecting on your own work, you still need to use examples to demonstrate how you’ve set about responding to the main task.

You will need to present several examples to support your argument, but the number of examples will vary depending on the length of the task you’ve been set.

For a shorter reflection, try to present two or three examples and discuss them in detail. If you need to produce several paragraphs, you should be aiming at around four per paragraph.

To do this:

• Introduce the idea you were trying to convey (this might be an influence on your work, a technique you’ve tried to use, or a theme you’ve tried to explore).
• Present an example of this idea.
• Explain how you have attempted to use or explore this idea.
• Explain how this addresses the instructions and marking criteria for the task.
• Explain how this is relevant to the Module you are studying.
• Comment on other choices you could have made and why you didn’t use the other option.
• Repeat this for each example that you need to support your point.

Once you’ve done this, you need to conclude your reflection.

Step 9: Write your concluding statement

Your final statement needs to address the broad idea you have discussed in your response. It will need to be at least two sentences. A longer reflection will require a longer concluding statement; if you had a separate introduction you will require a separate conclusion.

To write your concluding statement:

• Summarise the key ideas that you have discussed.
• Make a statement about what you have taken away from your study of the Module and the process of producing this task and reflecting on it.

Now you need to revise what you’ve written.

Step 10: Proof and edit your work

It is really important that you proof and edit your work before submitting. You don’t want to throw away marks on typos and unnecessary grammatical errors. Proofing your work is something you must do after you finish any task.

To proof your reflection statement:

• Reread your summary of the notification of the task and the marking criteria.
• Read your reflection statement aloud.
• Whenever you encounter a mistake or a sentence that sounds ungrammatical, correct it.
• Pay attention to the logic of your argument. Does it make sense?
• Ask yourself, have I addressed the instructions for the task?
• Ask yourself, have I addressed the marking criteria for a Band 6 response.
• Redraft your reflection statement in its entirety. Don’t submit your first draft. Your second draft will always be better.

If you would like to know more about the editing process, you should read Part 7 of our Beginner’s Guide to Acing HSC English: How to Edit Your Work .

Now you’ve finished a second draft you can submit. If you can, you should try and get some feedback. Matrix students get regular feedback from their Matrix Tutors and Teachers. Feedback on your work allows you to take somebody else’s perspective and use it to improve your marks.

Written by Matrix English Team

© Matrix Education and www.matrix.edu.au, 2023. Unauthorised use and/or duplication of this material without express and written permission from this site’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Matrix Education and www.matrix.edu.au with appropriate and specific direction to the original content.

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Developmental editing · copyediting · proofreading · résumés · more, what is “reflection” in creative nonfiction.

For the most part, novelists and memoirists use the same set of tools to tell their stories. They both create vivid scenes, develop three-dimensional characters, and evoke a strong sense of place. They rely on dialogue, effective pacing, and themes. But there is one tool that is used almost exclusively in creative nonfiction: reflection, sometimes called “the reflective voice” or “the voice of experience.”

Defining Reflection

The purpose of reflection.

The aim of reflection is to make sense of the story, but it is not used to tell the story. (The voice of innocence does that.) Memoirists use the reflective voice to make meaning—to help readers discover the underlying message of a particular scene or moment from the character’s life. The color-coded passage below, from Lucy Grealy’s Autobiography of a Face , illustrates how the voice of innocence (green) and the voice of experience (purple) work together to tell the story in a work of creative nonfiction:

[My mother] borrowed a pair of scissors from the nurse’s desk, and while I sat in a chair she snipped off what remained of my hair, my white, white scalp shining through.  We discovered for the first time that I had a large birthmark above my left ear.

The next morning my mother came in with a hat, a small white sailor’s hat, which I put on and almost never took off for the next two and a half years, even during the periods when my hair was growing back in.  Sometimes it grew several inches and was perfectly presentable as hair, but I knew it was only going to fall out again, and I refused to be seen in public without my hat.  My hat.  It became part of me, an inseparable element of who I thought I was.

My hat was my barrier between me, and what I was vaguely becoming aware of as ugly about me, and the world.  It hid me, hid my secret, though badly, and when [other children] made fun of me or stared at me, I assumed it was only because they could guess what was beneath my hat.  It didn’t occur to me that the whole picture, even with the hat, was ugly; as long as I had it on, I felt safe.  Once, on television, I saw someone lose his hat in the wind and I immediately panicked for him, for his sudden exposure.  It was a visceral reaction.

Here, the voice of innocence communicates the child’s experience—it creates a brief scene that shows the character receiving a haircut and beginning to wear a hat that later becomes central to her identity. Then, the reflective voice takes over to say things the child can’t say because she doesn’t know them yet. The child doesn’t realize her hat acts as a mask or that she is “ugly” even while wearing it. These are the adult’s revelations—things she has learned in the years since she wore a hat to hide from the world.

How to Reflect

Beginning memoirists often fall into the trap of only using the reflective voice or only using the voice of innocence, rather than combining the two. This typically happens because they don’t feel comfortable moving between these distinct voices. However, with a little practice and the use of several effective techniques, it becomes second nature. Below are strategies adapted from memoirist Joyce Dyer’s handout “Techniques to Start Reflection in Creative Nonfiction.” These strategies can be applied in nearly all works of creative nonfiction.

• Ask a question. (Why is to so hard to…?)
• Reject possible explanations. (I don’t believe… It seems unlikely…)
• Imagine or speculate. (I wonder what would have happened if… I like to imagine… I hope my mother knew… Perhaps things would have been different if…)
• Tell an alternative version of events and then reveal the truth. (It didn’t actually happen like that… Unfortunately, that’s a lie…)
• Use timestamps to show distance between the event being described and the present day. (Now, I can see… Today, I understand… Looking back… I didn’t realize it then, but…)
• Use generalizations to explain a key takeaway from a scene. (We don’t often think of justice as…)

The color-coded example below, an excerpt from Richard Hoffman’s memoir Half the House , illustrates the author’s smooth transition from the voice of innocence (green) to the voice of experience (purple) using the “timestamp” technique (underlined).

By the end of football season, I couldn’t bear the shame anymore.  I tried to explain to Coach Tom that as a Catholic I would have to tell the priest about [the sexual abuse] in confession.  I tried to reassure him that he didn’t have to worry, that the priest was bound by “the seal of the confessional.”  Priests had been tortured to death without revealing what was told to them in confession.

“Bullshit,” he said.  “He’d go right to your mother and father.  Think about that, you little moron.  I bet that would go over big, huh?”

After that he avoided me, and only spoke to me when he had to.  It was over.  I remember a boy named Chris was always with him after that.

So when my mother asked about the purple wound on my arm, I told her a dog had bitten me on my afternoon paper route.  She wanted to know whose dog it was.  Did it have a collar on?  There was no telling what kind of germs a stray might be carrying.  As I remember this now , I’m not convinced that she believed me, and thinking of the awful silence that came between us, I sometimes feel as desolate as I did back then, when the winter sky slipped away to dark blue and I hurried to get The Evening Chronicle on a mile and a half of doorsteps before it grew too dark to see.

The word “now” is a signal to the reader, a flashing neon sign showing that the narrative has jumped forward in time from a childhood memory to the adult narrator’s reflection on that memory. This shift from the voice of innocence to the voice of experience doesn’t call attention to itself, but it does allow the memoirist to include knowledge and feelings the child wouldn’t have been able to articulate. It also helps readers to understand the long-term impact of the lie and the feelings it created—again, things the child couldn’t have known in the moment.

Reflection is a key element of most memoirs and personal essays. Therefore, it’s an essential skill for writers of creative nonfiction to develop. When writers move seamlessly between the voice of innocence and the voice of experience, they add depth to their work and help readers connect to the characters’ experiences on a deeper level.

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Tips on writing creative reflections

By Sara Díaz, CAS Coordinator, International School of Bologna, Italy

IB Diploma Programme (DP) students are busy with their studies, extended essay (EE) reflections, Theory of Knowledge (TOK) presentations, internal assessments (IA) and various meetings. So, it can be hard for them to find time for Creativity, Activity, Service (CAS) reflections. Even asking students to upload evidence of reflection once every two weeks can be a lot of extra work. A CAS reflection is a summary and evidence of activity. It provides students the opportunity to share thoughtful, honest accounts of what they’ve gained during that period.

At the International School of Bologna , in Italy, we emphasize that reflections don’t have to be written. They can take on many different forms such as oral, pictures, conversations with CAS advisors, etc. But students mainly choose to write their reflections, which takes more time for some. For others, it may not be the best way to express themselves and more creativity is needed.

Margaret Downey is a trained secondary English teacher who spent the past few years living in rural, upstate New York. She now resides in Copenhagen, where she works in a child development office at a study abroad institution for American college students. She spends her spare time reading, writing, traveling, and playing with her coworkers’ children. “The Month That I Taught English…” is her first publication.

CNF:  You seem to use this essay about your experience substitute teaching high school English to help process how that summer impacted you and how you affected your students. Did writing about the experience help you to understand it differently or on a deeper level? Do you often use writing to get a better understanding of your experiences?

Downey: Julia Alvarez wrote, “Unless I write things down I never know / what I think, no less feel, about the world…” and I couldn’t agree more. I have always had a hard time fully processing experiences, but once I begin writing about something, I suddenly understand how I think and feel about that event.

CNF:  What led you to realize you wanted to be a teacher in the first place?

Downey: Throughout most of my childhood, I wanted to be a writer. When I got old enough to realize that “only” being a writer wasn’t completely feasible, I decided to combine my love for writing with my love for school (I proudly won “Teacher’s Pet” in my high school yearbook). Becoming an English teacher seemed like a good compromise because I loved working with students, and I was really interested in helping others love writing as much as I do. The current curriculum mostly teaches students to regurgitate sentences or fill in boxes, like the graphic organizer for ACE-IT my English teacher gave me in 9th grade. Writing can be so much more than that, though, and I was eager to share my knowledge and excitement about it with students.

I’ve realized in the past few years that I also enjoy working in higher education—still working with students, but more one-on-one than teaching. And I will of course always be a writer on the side of whichever career I choose.

CNF:  How did the knowledge that there were escaped convicts in the school’s vicinity impact the atmosphere of learning? Was it harder for the kids to focus? Was the mood of the school fearful, excited, anxious?

Downey:  No one could stop talking about the prison escape. Most people expressed excitement because we were in a tiny town in rural upstate New York, where almost nothing happens. A few of my students had dreams of being the hero—of finding and shooting the convicts on their own. Although no one talked about it, I know there was a lot of anxiety surrounding the escape, especially for the few days we had to go through roadblocks and open the trunks of our cars for armed policemen, just so we could get past the stoplight outside the school.

I would say that yes, the students probably had a harder time focusing in school during the prison escape, but it was also the last three weeks before summer vacation, so many students were already feeling the weird combination of sleepiness and rowdiness that comes from not wanting to do any work but also feeling happily antsy because the sun is out. What made the learning atmosphere most bizarre, I think, was my arrival. I was a new teacher in a classroom full of students who hadn’t learned anything all year, and even though they were ready for summer and excited or stressed out about the prison escape, my arrival automatically put them into “First Day of School” mode. They had great behavior, followed all my directions, participated in discussions, and didn’t check their phones in class. It was an interesting dynamic stepping into my classroom, compared to walking through the rest of the school, where everyone seemed ready to chase prisoners and then sit on the beach.

CNF:  Your story combines several stories that aren’t necessarily connected: the escaped chinchilla, the escaped convicts, and teaching essay-writing. What is it that made you weave those components of the story together? Did you struggle with making the story lines work with each other?

Downey:  I was only a teacher at this school for a short amount of time, and yet everything about the experience seemed like it was straight out of a movie. The stories students told me about their previous teacher, the way the school came together when the chinchilla escaped, the nearby prison break…. Each new day, I had to question, “Is this really happening?” The truth about why I wove the chinchilla, the prison escape, and the essay writing together is that those are the main events that took place in my three weeks at the school. I can’t imagine how many other crazy stories I would have to choose from if I had stayed longer.

In terms of making the stories work together, at first I really wasn’t sure how they were connected—I just knew, when I finished teaching, that I needed to write something about my time there. I’m pretty sure the earliest draft of the essay was just a giant, boring narrative of my three-week adventure, something no one should have to read. I didn’t think anything would come of it, but with time, I couldn’t stop thinking about my experience, and I especially couldn’t stop thinking about the chinchilla, when it seemed like everyone else was still focused on Richard Matt and David Sweat. I spoke with some teachers from the school after I moved back home to ask if anyone found the chinchilla, and they almost didn’t remember that he ever escaped. I felt so sad thinking about this small creature’s valiant escape from the science lab going unnoticed, just as I felt sad thinking about how little time I spent with my students, compared to all the other weeks they would be in school without me. I knew I would forever remember teaching them, but would they remember me?

And then the essay was born.

CNF:  Did your summer of teaching affect your attitudes and expectations as you started graduate school that fall?

Downey:  This subbing experience boosted my confidence and improved my ability to go with the flow. Packing up my belongings on short notice, moving into a house with strangers in a town where I knew no one, and taking over an immense amount of planning, teaching, and grading is a feat that not everyone can accomplish. It’s also the type of experience that makes you think, “If I can do that, I can probably do anything.” I’m not sure if it directly impacted any of my attitudes or expectations while in graduate school, but keep in mind that this past May, I packed up my belongings and moved across the world work at a higher education institution in Copenhagen. Certainly that decision was made possible by the confidence and adventure that this subbing experience provided me.

CNF:  Many young teachers struggle in the classroom, and it requires a sort of bravery to write about those first teaching experiences. After processing the experience through writing about it, how do you think those three weeks influenced you the most?

Downey:  I think that the experience impacted my professionality and my ability to “play it by ear.” I learned that no matter how well-thought-out a lesson or unit plan might be, you simply can’t predict what will happen every day. It’s important to be able to think creatively and adapt to the situation—not just in teaching, but with all aspects of life. These are skills that, if I were to be an English teacher again, I would promote in my classroom.

CNF:  Have you written anything else inspired by teaching? What other life experiences and events fuel your writing?

Downey:  I wrote a memoir in college about my connection to education. Under the mentorship of Dr. William Bradley, this independent study explored highlights of the semester I spent student teaching at a rural school with a 22% Native American population, as well as my life-long love of teachers.

For the most part, though, my writing is inspired by the everyday. I have certainly had some noteworthy moments in my current job working with college students in Copenhagen, for example, which I’m sure will blossom into personal essays over time. So stay tuned, one day, to read about the violent intruder panic alarm one of my students accidentally set off in an extremely impoverished preschool in London, or about the professor whose life I saved by performing heart massage and mouth-to-mouth, or even about the barefoot woman begging for change outside my office.

There are stories everywhere, if you just pay attention.

* Illustration by Mary Dorfner Hay

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• v.69(686); September 2019

Creative enquiry and reflective general practice

‘Practice is a form of art and practitioners are a particular variety of artist.’ 1

As a young GP in 2006 and new to the blood, sweat, and tears of practice, I found myself at a narrative medicine conference exploring a difficult consultation. Through creative writing and dialogue about ‘the girl in black’, who entered and left my room fruitlessly, it became evident that I was catching her sense of helplessness and responding by offering solutions that made me feel better. This revelation emerged in a moment but transformed my practice forever.

DIMENSIONS OF REFLECTION

Creative enquiry has been described in the research world as:

‘... the making of artistic expressions … as a primary way of understanding and examining experience.’ 2

This may involve poetry, photography, painting, or any art form coupled with reflective writing. Creative enquiry allows for imaginative engagement with one’s own experience as well as trying out someone else’s shoes. But why invite creative reflective thinking on practice when creative exploration can feel uncomfortable, unfamiliar, and exposing? A medical student on a creative enquiry module wrote:

‘The arts and the “human side” of medicine are scoffed at by many medical students.’ 3

In this article we draw on our experience within under- and postgraduate education 3 , 4 to show that the arts can play a significant role in enlarging human understanding through, for example, inviting participants to reframe experiences, engage with multiple perspectives, embrace other languages of expression, and ‘be with’ uncertainty.

Why might these dimensions of reflection be important? Practice is complex. It is the place where we bring our learnt knowledge, skills, values, perspectives, and selves into encounter with our patients; 1 inevitably multifaceted and holistic, it is a ‘swampy lowland’. 5 Practice requires both self-knowledge and artful navigation of time, space, and the systems we find ourselves in.

In the image (right), a second-year medical student explores the practice of medicine:

‘Doctors can become so focused on what is going on inside the biomedical human body that they can’t hear what is going on inside the person. A doctor can spend all day listening to the heart of a patient, but not for a minute listen to the patient’s heart.’ 6

We are positioned to see the doctor in the foreground, with the suffering patient in the background. The doctor ‘listens to the heart’, stethoscope in his ears, but his ears are blocked to the patient suffering by that very same stethoscope — an illustration of an overly narrow and biomedical approach. The image reframes the two competing discourses of competence and caring as intertwined, where a caring doctor will seek to be competent, and the competent doctor will understand that caring enhances the potential for positive therapeutic effect.

WAYS OF SEEING

When medical students reflect on lived experience through visual art, poetry, dance, and other modes of enquiry, this encourages them to create rich descriptions of their developing practice. As students position themselves and engage with their own ‘ways of seeing’ they may become aware of the lenses they bring to a situation, as well as becoming aware of other possible ways of seeing:

‘I found it most liberating! It was interesting to see how everyone interpreted someone’s piece of art, poetry or literature. I really enjoyed listening to other people’s opinions about the play, because a few of them were completely opposite to mine.’ (Medical student). 3

Listening to a Heart by Tom Cassidy, 2012. Out of our heads. Art in medicine online. http://www.outofourheads.net/oooh/handler.php?id=632 .

Creative enquiry invites reflexivity on what students bring to their understanding of a patient story or encounter, for example, how their own situatedness and cultural frameworks affect what they see and hear. In a poem called ‘Paint my Canvas’ written by a first-year medical student after meeting one of her first patients, she describes herself as a ‘blank canvas’ as she listens to a woman who is suffering from a terminal illness:

‘I am a canvas as blank as can be Inexperienced in suffering, Ill-health still a mystery to me.‘ 7

In appraising her own location in the field, that is, not knowing, she responds to this knowledge by listening carefully and with humility. She is aware of her own ‘negative capability’, described by Keats as:

‘... capable of being in uncertainties, mysteries, doubts …’ 8

This opens her up to learning with and from her patient.

Developing into a practitioner able to listen, be present, and respond afresh can be encouraged not only through the products of creative enquiry work (such as the poem or picture above), but also by thinking about the process of working with creative materials. The famous sculptor Barbara Hepworth describes how she listens to her materials, allowing the creative work to emerge rather than predetermining what will be produced:

‘My left hand is my thinking hand … It is also a listening hand. It listens for basic weaknesses or flaws in the stone; for the possibility or imminence of fractures.’ 9

Listening to patients in this way, yielding from moment to moment to what is emerging, is core to practitioner ways of working. 1 The technician’s solution lies outside of the situation and can usually be found in a book or journal, whereas the practitioner’s solution lies in the situation itself. 10 The ‘right thing to do’ emerges through attending to the practitioner–patient encounter. 1

Such an improvisational participatory approach, that is, inductively, starting where the patient is at rather than confirming or refuting hypotheses (deductive approach), has been shown to enrich the practitioner ‘knowledge’ of the patient and satisfaction in practice, while affording the patient greater sensitivity to their unique personal and social context. 11

The arts invite languages of metaphor, colour, texture, sound, silence, and more, allowing practitioners to grapple with the ineffable dimensions of practice. If you knew what a given poem was, you could just write it down. But you’re responding to something you feel claimed by, but can’t yet articulate, or maybe even identify. 12 ‘We know more than we can tell’ , 13 yet medical knowing continues to be narrowly conflated with learning the ‘facts’, citing the ‘evidence’, algorithmic forms of reasoning, and an orientation to communication as a set of ‘skills’.

Creative enquiry, as an example of experiential, aesthetic, and practice-based knowledge construction, has not yet established mainstream recognition, despite its potential to foster different ways of thinking, seeing, and knowing that are so essential to practitioner development.

CRITICAL ENQUIRY INTO PRACTICE

In summary, we believe that the idea of exploring practice through creative enquiry is timely. It offers an alternative to reflection at a time when reflection is falling into disrepute with students and GPs alike. Reflection has to a large extent been hijacked by a tendency to reduce it to an instrumental set of questions, another competency to be documented in one’s e-appraisal, rather than as a process of critical inquiry that — with practice — can indeed unlock discovery, autobiographical development, and emotional sustenance. 14

Being able to think about and enter into our practice affectively and cognitively through the ‘otherness’ of the arts with its different languages, viewpoints, and expressive capabilities, we may come to see ourselves and our practice more clearly. This is an essential starting point for learning and change.

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Year 9 English Task 1 Creative Writing and Reflection

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The Arc of Reflection and The Arc of Action featuring Sue William Silverman Let’s Talk Memoir

Sue William Silverman joins Let’s Talk Memoir for a conversation about claiming our stories, creative nonfiction as an act of affirmation and courage, tapping into artistic masks, discovering answers along the way, the aware and the unaware voice, writing metaphorically and sensorily, the arc of reflection and the arc of action, her decades of teaching at the Vermont College of Fine Arts MFA program and her newest book Acetylene Torch Songs: Writing True Stories to Ignite the Soul.   Also mentioned in this episode:  -the revision long-haul -our many writerly voices -Sue’s complete reading list   Books mentioned in this episode: -I wore the Ocean in the Shape of a Girl by Kelle Groom -Sue's Reading List: https://www.suewilliamsilverman.com/click_here_to_see_sue_william_silverman_s_contemporary_creative_nonfiction_readin_71566.htm   Sue William Silverman is an award-winning author of eight works of nonfiction and poetry. Her most recent book is "Acetylene Torch Songs: Writing True Stories to Ignite the Soul." Her previous book, "How to Survive Death and Other Inconveniences," won the gold star in Foreword Reviews Indie Book of the Year Award and the Clara Johnson Award for Women’s Literature. Other works include "Love Sick: One Woman’s Journey through Sexual Addiction," made into a Lifetime TV movie; "Because I Remember Terror, Father, I Remember You," which won the AWP Award; and "The Pat Boone Fan Club: My Life as a White Anglo-Saxon Jew." She is faculty co-chair in the MFA in Writing Program at Vermont College of Fine Arts.    Connect with Sue: Website: www.SueWilliamSilverman.com Facebook: https://www.facebook.com/SueWilliamSilverman Instagram: https://www.instagram.com/suewilliamsilverman/ Get Sue’s Books: https://www.amazon.com/s?k=sue+william+silverman&crid=3L3XIG0XVQ21Z&sprefix=%2Caps%2C123&ref=nb_sb_ss_recent_1_0_recent — Ronit’s writing has appeared in The Atlantic, The Rumpus, The New York Times, The Iowa Review, Hippocampus, The Washington Post, Writer’s Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts’ 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and lives in Seattle with her family where she teaches memoir workshops and is working on her next book. More about Ronit: https://ronitplank.com   Sign up for monthly podcast and writing updates: https://bit.ly/33nyTKd   Follow Ronit: https://www.instagram.com/ronitplank/ https://twitter.com/RonitPlank https://www.facebook.com/RonitPlank   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll’s Fingers

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Morning Carpool

Try These Writing Techniques to Take Self Reflection to the Next Level

Posted: April 23, 2024 | Last updated: April 23, 2024

Remember the joy of writing in your diary as a child? You’ll be happy to know that journaling is still relevant in your adult life. From mood tracking to bullet journaling, rediscover how daily reflective writing can advance your personal growth. Browse our list of ideas to help you organize your thoughts and your life.

Gratitude Journaling

Begin each day by listing three things you’re grateful for. This simple practice shifts your perspective, focusing on the positive aspects of your life. Over time, you’ll notice an increase in your overall happiness and a decrease in daily stress. It’s a powerful tool to remind yourself of the good, even on bad days.

Stream of Consciousness Writing

Allocate a few minutes each day to write whatever comes to mind. Don’t worry about grammar, punctuation, or making sense. This technique allows you to unload your thoughts, helping to clear your mind and identify your true feelings and worries.

One Line a Day

Commit to writing one line every day. It could be a thought, a feeling, an event, or an observation. This minimalist approach makes journaling manageable for everyone and creates a fascinating time capsule over the years, illustrating how you’ve evolved as a person. It’s the perfect way to maintain a journaling habit without feeling overwhelmed.

Mood Tracking

Keep track of your mood each day by writing down how you feel and what influenced your mood. This can help you identify patterns and triggers in your emotional well-being. Understanding these patterns is the first step toward managing your emotions more effectively and making positive changes in your life.

Letter Writing

Write letters to your future or past self, a loved one, or even someone you have unresolved issues with. You don’t have to send these letters; the act of writing them is a way to express feelings, offer forgiveness, or articulate hopes for the future. This method can help heal emotional wounds.

Bullet Journaling

Combine to-do lists, schedules, and reflections in a bullet journal. This customizable method helps you stay organized and encourages you to reflect on your daily life, set goals, and track your progress. It’s a practical approach to journaling that can improve your productivity.

Dream Journaling

Write down your dreams as soon as you wake up. Analyzing your dreams can provide insights into your subconscious mind, revealing your deepest fears, desires, and feelings. Over time, you might start to notice patterns or symbols that can help guide your personal growth and understanding.

Art Journaling

Combine words with sketches, paintings, or any form of art. This creative outlet allows you to express your emotions and thoughts in a non-verbal way, making it especially powerful for those who find traditional writing challenging. Art journaling can unlock new ways of self-expression and emotional release.

Prompt-Based Journaling

Use prompts to inspire your writing. Prompts can be questions, quotes, or even single words that spark introspection and self-discovery. This technique can help overcome writer’s block and delve into topics you might not have explored on your own.

Reflective Journaling

At the end of each day, reflect on what happened, how you felt, and what you learned. This practice encourages you to think deeply about your experiences, helping you to understand yourself better and make more informed decisions in the future. It’s a valuable tool for personal development.

Goal Setting Journal

Write down your goals and the steps you need to take to achieve them. Regularly review and update your progress. This method keeps you accountable, motivated, and focused on what you truly want to accomplish in life.

Mind Mapping

Use mind maps to explore your thoughts and feelings visually. This can be particularly useful for problem-solving, brainstorming ideas, or exploring complex emotions. Seeing your thoughts laid out visually can provide clarity and new insights.

Photo Journaling

Include photos in your journal entries. Photos can serve as a powerful visual reminder of moments, feelings, and experiences, enhancing your written reflections and memories. This technique adds a rich, personal dimension to your journaling practice.

Travel Journaling

Document your travels, not just with photos, but with reflections on the people you meet, the cultures you experience, and how these experiences change you. Travel journaling can deepen your appreciation for the journey and the personal growth that comes with it.

Reading Journal

Keep a journal of the books you read, your thoughts about them, and how they impact your life or worldview. This helps you remember what you’ve read and encourages deeper engagement with the material, enhancing both comprehension and enjoyment.

Project Journaling

Document the progress of personal or professional projects. This can help you track challenges, successes, and lessons learned along the way. Reflecting on your journey can provide valuable insights and a sense of accomplishment.

Affirmation Journaling

Write down positive affirmations that reinforce your self-worth, goals, and aspirations. Reading and writing these affirmations can boost your confidence and keep you focused on your personal growth journey.

Habit Tracker Journaling

Keep a log of your daily habits, both good and bad. This visibility can motivate you to maintain positive habits and work on eliminating the negative ones, leading to healthier lifestyle changes. Habit tracking can inspire new ways of accomplishing goals.

Emotion Wheel Journaling

Use an emotion wheel to identify and write about your exact feelings. This technique can help you understand and articulate your emotions more precisely, leading to better emotional intelligence and self-awareness.

Nature Journaling

Spend time in nature and write about your experiences, observations, and the feelings evoked. This can help you feel more connected to the world around you and find peace and inspiration in the natural world.

Memory Journaling

Write about your memories, focusing on the details and emotions of those moments. This can be a powerful way to revisit and process past experiences, celebrate happy times, and learn from the challenging ones.

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