short essay on magazine

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Essays on Magazine

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To many students, composing Magazine papers comes easy; others require the help of various types. The WowEssays.com catalog includes expertly crafted sample essays on Magazine and related issues. Most definitely, among all those Magazine essay examples, you will find a paper that conforms with what you see as a worthy paper. You can be sure that virtually every Magazine work presented here can be used as a glowing example to follow in terms of general structure and composing different parts of a paper – introduction, main body, or conclusion.

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• Our Mission

Honoring Student Voice and Choice With the Magazine Project 

When students create a magazine about a topic of their choice, it encourages them to write and rewrite carefully.

I was talking recently with the parent of a student who was in my class nearly 15 years ago. “He still has his magazine! I know exactly where it is,” his mom said. I might be surprised that a young adult has kept an eighth-grade English assignment for over a decade, but I hear this often about my favorite activity of all time: the magazine project.

This project has evolved over the years to encompass a wide variety of skills, but originally it was designed to address one persistent frustration in the teaching of writing: How can we so thoroughly engage students in writing that they will take the time to proofread, edit, revise, and polish their work? Too often, students submit the first draft of a piece of writing and leave it at that. Close editing and revision call for a level of investment that can be difficult to inspire in young writers.

The Power of Choice

I know that letting students choose their writing topics can improve engagement , so I created a project that asks students to choose a topic of personal interest and spend most of a semester writing, designing, and publishing their own magazine on that topic. The combination of topic choice and a final published magazine greatly improves my students’ investment in their writing all semester long.

When I introduce the project, I explain to students that since they will be doing a lot of writing about that topic over the next few months, they need to choose their topic carefully. It might be a topic they already know really well, or they might choose one they want to learn more about. We brainstorm potential topics on paper, in small groups, and together as a class to help them decide on their favorite topics.

This big choice usually entices students, but many don’t believe that they really do get to choose, and they pepper me with questions:

• “Can I write about gum?” “Sure, if that’s what interests you.”
• “My whole magazine can be about gum?” “Yep. The whole thing.”
• “What about LGBTQ+ issues? Can I write about that?” “Of course. If that interests you, go for it.”
• “I love roller coasters. Can I write about that all semester?” “How fun! I can’t wait to read your magazine.”

But when a student tells me, “I would like to write about the vast enigma of space,” I am reminded that I can’t possibly anticipate what kinds of writing might engage every eighth grader, and giving them a choice is the best way to do that.

Topics range from the silly (gum) to the serious (civil rights, school safety, mental health) and everything in between (fashion, college life, travel, puppies, and, of course, the vast enigma of space). Not only does this choice mean that students will be more invested in their writing, but our classroom becomes abuzz with writers eagerly sharing ideas.

A Lesson Guide

Once they’ve been introduced to the project, I distribute a packet of directions that will guide them through the next few months. The packet has been an evolving work in progress as all the eighth-grade English teachers on our campus collaborate on the best ways to support our students through the production of their magazines.

We have found the packet to be invaluable to keep students on track whether they are at school, home with a cold, or away on a family trip. Our resource teachers also have told us they appreciate having all the directions in one place, as it helps them support our students throughout the semester. The packet includes the following:

• A list of required pieces for their magazine (essays, research notes, advertisements, letters to the editor, table of contents, front and back covers)
• Criteria for each required piece
• Brainstorm pages for topics, titles, advertisements, and captions
• A research note-taking page
• Graphic organizers for each essay
• Mentor texts for each essay
• Directions for formatting with technology
• Directions for an online magazine (optional)
• A final magazine rubric

The primary focus of the project is nonfiction writing: argumentative, informative, and biographical. But since all this writing is in the context of a magazine, students also learn a host of technology and design skills, like how to search for copyright-free images, illustrate essays with pictures and captions, use Google Drawings to design page layouts, and create an online publication.

In order to support our students as they work through the many stages of the project, we set deadlines and give feedback throughout. Essays are submitted for feedback, and students are given guidelines and class time to revise their work. We break up the writing time by assigning graphic design work in between the essays. Students enjoy creating their ads and front cover, but those assignments also need feedback and revision time. We look at how magazines have ads that relate specifically to the content of the magazine, which helps students create an ad to accompany each essay they write.

Twenty-five years ago, students glued their pages onto four pieces of folded 11 x 17 paper, and I used a long-arm stapler to secure the pages through the spine, just like a real magazine. But now we give students the option of creating an online magazine. This eliminates printing expenses, while also incorporating valuable technology skills. We have used Adobe Express , Canva , and Google Sites for student magazines, and our students have been thrilled with the professional quality of their final publications.

We schedule the final due date of the magazines for a week or so prior to open house so we can have them out on display for the community to see. These student-centered, uniquely individual magazines make a powerful statement about what matters to our students, what they are learning, and how they are able to demonstrate their learning through words, images, and design. And every time I encounter a former student, they say, “Mrs. Bradley! I still have my magazine!” That kind of pride confirms for us the power of this project.

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School Magazine Essay & Paragraph

The tradition of publishing magazines in schools is very old. When there was no printing press, students published hand-written school magazines. Some schools and madrasas are still hanging handwritten wall magazines. In fact, a school magazine is very important for students. It arouses interest, courage, and thinking in the students and inspires them to write something creative. This is why students are often asked to write essays or paragraphs about a school magazine, describing its importance, advantages, disadvantages and uses.

How to write a good essay about a school magazine? We suggest that you brainstorm for your essay before you start writing. Take a look at the article How to Brainstorm for an Essay to learn about brainstorming. Then start your writing. First, in a brief introduction, write down why a school magazine is important or useful. Then say about its management, such as a committee is formed for this purpose with advisors, editors and other responsible persons. Your next paragraph may be about the content, such as who writes about what topics in this school magazine. Then in a few lines, there will be information about the financing of the magazine. Finally, conclude by repeating some of the most significant sentences in your essay.

Here is a bunch of short essays and paragraphs on a school magazine, ranging from 100 to 300 words, as examples. These will definitely help you.

Table of Contents

A School Magazine Composition, 250 Words

By: Haque , For class 7-8/JSC, 11-01-’22

Write a composition about the school magazine by using the following hints: (i) Introduction; (ii) Magazine committee; (iii) What it contains; (iv) Provides training; (v) Uses and importance; (vi) Conclusion.

A school magazine is published at regular intervals from a school . It is mainly the concern of the students. It is managed and published by the teachers and students.

A magazine committee consists of some teachers and students. The headmaster generally becomes the president. An assistant teacher edits the magazine. Some students help him as sub-editors.

It contains articles, stories, poems, essays, and pictures mainly written and drawn by the students and by the teachers. The editor’s comment inspires the students to perform their level best. Besides, he reviews the academic and athletic achievements of the school.

It is a powerful means by which writing habits can be developed among students. It provides excellent training to the students in the art of writing, editing, and managing the magazine. It increases the teacher-student relationship. They work together to publish the school magazine. A suitable name is given to it. The cover page is designed when everything is ready. It goes to the press for printing.

The school magazine serves useful purposes. First of all, it brings the students into close touch with one another. Secondly, the writers of historical, geographical, and scientific articles have to read books outside the range of their prescribed books. All these extend their knowledge. The effort to write an article for the magazine develops the thinking and reasoning power of the students.

The school magazine is very dear to every student. Especially to those students whose writing finds a place in it.

Related Post: My School Library Essay & Paragraph

A School Magazine Essay, 300 Words

By: Haque , For class 9-10/SSC, 23-01-’22

Introduction: Every year we publish a magazine in our school. The publication of the school magazine is an affair of the students of the school. It is a magazine for the students.

Committee/Formation: The headmaster calls a meeting of the students and the teachers, and forms a magazine committee. The headmaster acts as the president of the committee. The editor may be either a teacher or a student. Members are taken from the teachers and students. Two teachers are nominated by the headmaster. One of them is the advisor of the committee.

Contents: The editor invites poems, essays, short stories, and accounts of travel from the teachers and students. These articles and poems are selected and corrected, and then send to the press for printing. School magazines mainly deal with school affairs and publish such things as are helpful to students. They publish reports of the sports, games, and other activities of the students of the year. In short, a school magazine introduces a school and its one-year activities.

Fund: The students bear the expenses of its publication for which they annually pay a magazine fee to the school. The fund is also collected by selling space in the magazine for the advertisement of goods. The magazine is given free to the students. It is not sold to the public.

Utility of the School Magazine: School magazines offer training to young writers. They are very useful to students. They increase the knowledge of the students and develop their thinking and reasoning powers. Regular writing in the magazine gives a student a command over the language. It also gives them lessons of cooperation.

Conclusion: School magazines give students scope for becoming future poets, story writers, and journalists. Every school in the country must have a magazine of its own.

A School Magazine Essay in English, 300 Words

By: Haque , For class 9-10/SSC, 22-04-’22

Introduction: A school magazine is a literary publication of a school. In general, it is published annually or periodically. Like other schools, ours has also a school magazine. The name of our magazine is “The Light of Hope”. It is an annual publication.

How We Publish Our School Magazine: A magazine committee is formed in order to conduct the works of publication. Our head sir is the chairman and chief patron of the committee. A teacher is made the advisor. A student who is good at literature is made the editor of the magazine committee. Some students who are engaged in the committee work as assistant editors, business editors, proofreaders, etc. The publication of the magazine is mostly maintained by the students and the school fund.

Writing Printed in Our School Magazine: Our school magazine has both Bengali and English sections. Both teachers and students write in it. Generally, poems, short stories, jokes, one-act plays, riddles, and other educative writings are published in the magazine. After all the works of publication when the magazine reaches our hands, our joys know no bounds. The students feel very happy to see their writings in the printed book.

The Importance and Role of a School Magazine: The school magazine is an embodiment of our thinking. We can express the green ideas of our minds through this. Our school magazine lets us know more about literature, history, science , and more and encourages us to think of new things. It also helps us to do creative work. For this, the publication of a school magazine is very important.

Conclusion: A school magazine helps young students and writers develop their latent talents. It helps them develop thinking and writing skills. In fact, a school magazine is a periodical through which a person makes his debut in the world of literature. So, I think every school should have a school magazine.

A School Magazine Paragraph, 150 Words

A school magazine is a magazine published by a school. It contains writings contributed by the students and the teachers. Every school magazine has a committee to make it a success. The head of the committee is the editor of the magazine. Generally, he is appointed from the teachers. The other posts are usually filled by the students. A school magazine usually contains all sorts of writings such as poems, short stories, rhymes, articles, essays, reports, criticisms, short plays, comics, facts, special news, etc. A school magazine is, without any doubt, very important for the students. It is the first-hand experience of the students on creative writing. Students also practically learn about publishing a real magazine. Such learning experience certainly helps them in their future academic career. A school magazine helps students express their experiences and thoughts. It makes them confident and informed.

Check out 300+ English Essays & Paragraphs

About the Author

A teacher, writer and blogger, started allparagraph noting students search online for paragraphs on various topics, short and simple essays , edifying stories and other materials of study . In composing these lessons we have tried to use as simple language as possible, keeping young students in mind. If you find any text inappropriate, please let us know so we can make it more useful through necessary corrections and modifications. Thank you!

3 thoughts on “School Magazine Essay & Paragraph”

In 1st monthly test I wasn’t gave the full number on my paragraph. But this time I got the number what I deserve. The teacher of English subject gave 4 number out of 5.I am really so greatful and happy. Tnx to this website.

Thanks for your comment, Munia. We are glad to hear that you like this site and it is helping you to get good marks. Good luck!

it’s very easy and nice paragraph.it’s too helpful .

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Three Short Essays

Those dark trees.

D riving across America the August before I stopped drinking, I found myself in Tennessee, taking note of that big look that trees get in the East at the end of summer: a line of them at the far end of a field, like blooms of dark green ink dropped into water. When you see a group of trees like that, it’s easy to think that you could drop everything and march off into them, the way Robert Frost is always talking about doing in his poems, marching and marching until you arrive at the secret heart of the world. Of course, when Frost talked longingly about disappearing into the lovely woods, he was really talking about death. But what kind? Death in the sense of simple annihilation, of darkness and the merciful extinguishing of consciousness? Or death as goal, as finish line, as the fantastic adulthood for which the life we know is merely a kind of preparatory adolescence? All trees say: Vanish into us . But they say it in different ways. Take the kind of trees — ragged, sinister, fringed with litter — that one sees near service stations, or in the background on the evening news: “It was here, in this wooded area, less than a mile from where they were last seen alive . . .” Walk into a stand of trees like that, and you risk ending up scratched and sweaty, having traveled for miles in the wrong direction, and not an inch closer to the secret heart of anything than you were when you set out.

Not to dwell on the drinking, but that’s what happened with it as well: you started with a simple, clean desire to go and go, but at some point a wrong turn was always taken, and you woke up dead and dull and about as far from the true center as it was possible to get.

Tennessee is a big state. That summer, I was still in it hours after I figured I would have left it behind.

Sometimes In The Shower

S ometimes, when you’re taking a shower in a house where the plumbing doesn’t work so well, there will be a clank behind the walls, and the water will go cold for a moment. Amid the steam and the white towels, the old truths will suddenly return: life ends badly; comfort and security are cruel illusions; this self of mine that feels so solid and eternal is doomed to sputter and sink, like a would-be nineteenth-century aviator in a grainy photograph, drifting back to earth in his flapping, failed machine.

Then, just as these thoughts are really taking hold, the hot water comes back on, and all is well again. The old truths turn out to be simple fictions created in the darkness and discomfort of other times and other places. It’s different now; it really is. The great transit can be made, the impossible operation performed, the football thrown from the far end of the field and caught and carried triumphantly into the end zone. I reach past the shower curtain, turn off the light, and sit down on the floor of the tub. Down here, the water feels like warm rain falling in a distant jungle. And I am a stone statue, brooding in darkness, waiting for the explorers to arrive.

The Penis Is A Symbol For The Soul

It’s a cliché that many objects one encounters in life — cigars, airplanes, surfboards — can be understood as symbols of the penis, but few realize that the penis itself is a symbol of the soul. We know this chiefly because of the nostalgia that it suffers. Like the soul, the penis longs to leave the body behind, to rise like a rocket breaking from a launch tower and get lost again in the blue and shoreless heaven where it swam before descending into its present life. This is the old existence, electric and free, of which the penis is so urgently and poignantly reminded whenever it finds itself inside another’s body. For a moment, penis and soul forget all their old arguments about the journey back (what to bring along, whether to get there by means of regression or forward movement) and speak as one: It’s no joke, this old dream. You must return.

• Body and Mind

Ptolemy Tompkins

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Written by S. Kalekar January 16th, 2023

30 Magazines Accepting Creative Nonfiction and Essays

These literary magazines and other outlets publish a variety of nonfiction/essays. A few are looking for themed submissions. Some of them pay writers. Most, but not all, of them are open for submissions now. They’re in no particular order.

TOLKA Journal Their website says, “Tolka is a biannual literary journal of non-fiction: publishing essays, reportage, travel writing, auto-fiction, individual stories and the writing that flows in between. We are a journal for writers to express themselves beyond the limits of fixed genres, forms or subjects. … We encourage writers to test the creative boundaries of non-fiction.” They publish work by Irish and international writers, of 2,000-4,000 words. Pay is €500. The deadline is 22 January 2023. Details here .

Vast Chasm They publish “bold work that explores the expansive human experience, including flash and short fiction, creative nonfiction, poetry, and other nonconforming work.” Pay is $50 for prose up to 5,000 words. They read submissions on an ongoing basis. Details here .

Porkbelly Press They read for their chapbook series in January – these can be creative nonfiction such as lyric essays & flash, poetry or prose poems, collections of flash or micro fiction, graphic narratives, sequential artwork, or combinations of the above (tightly linked by theme, image, voice, etc.). Please submit 12 – 26 pages for chapbooks. They are queer friendly and feminist. “Our catalog favors lit & poetry leaning heavily toward fabulism, folklore, & magic—often confessional or intimate poems or personal lyric essay. All work should be tightly linked.” For nonfiction chapbooks, “We particularly enjoy multiple short essays, but will consider a one-essay chap if the essay is just that good. We lean toward braided forms (narratives with 3 or more threads tied together), and also consider things like character sketches, travel narratives, and collections of vignettes.” See guidelines and Submittable pages for further details. Pay is author copies. The deadline for chapbook submissions is 31 January 2023. Also see their reading periods for works in other genres. Details here and here .

The Christian Science Monitor: The Home Forum This news organization accepts pitches from freelancers and writers, and submissions for The Home Forum , where they want “upbeat personal essays of from 600 to 800 words. … For time-sensitive material (seasonal, news-related, holiday- or event-themed), you must submit at least SIX WEEKS in advance.” Also, “These are first-person, nonfiction explorations of how you responded to a place, a person, a situation, an event, or happenings in everyday life. Tell a story with a point; share a funny true tale. Describe a self-discovery. The humor should be gentle. We accept essays on a wide variety of subjects and encourage timely, newsy topics. However, we don’t deal with the topics of death, aging, medicine, or disease. We do not publish work that presents people in helpless or hopeless states.” They pay $250 for these essays. Details here .

The Every Animal Project This is an anthology about courageous animals, and they also will publish work on their website. “Stories must be true (non-fiction). They must relate to non-human animals (of any species) and can be about your personal experiences/growth because of an animal, an issue threatening animals today, or other aspects of the human/non-human animal relationship. For the upcoming anthology, please weave the theme of courage/bravery into your story. We are particularly interested in spotlighting species less familiar to people, like insects, marine animals, and reptiles.” One writer will get an award of $300, another will be awarded $200, and other writers whose work is chosen for the print anthology get $50; writers whose work features online get $20. The deadline is 31 March 2023. Details here .

The Lumiere Review Their website says, “We are intrigued by the inextinguishable sparks of truth and connection, the effervescent meddling of narrative, and the luminous creations that expand on perceptions of genre, language, and form.” They have a call for BIPOC creatives on the Justice theme (deadline – 15 February 2023). For general submissions, they publish creative nonfiction (up to 3,000 words), fiction, and poetry. They publish quarterly, pay $10, and read submissions on an ongoing basis. Details here .

The Four Faced Liar This is a new print journal; they published their first issue in January 2023. They publish creative nonfiction (up to 4,000 words), fiction, poetry, and art. Pay is €200 for short creative nonfiction and fiction, €100 for a poem or piece of flash, and €100 for art. Watch for their next submission period on Twitter . Details here .

Gray’s Sporting Journal This is a magazine about hunting and fishing, and they publish articles on those topics. They also have a feature called Yarns, which is campfire tales – fact or fiction, of 750-1,500 words. They also publish some poetry. Pay is an average of $600 for Yarns, and poems pay $100. Features for the magazine pay more. Details here .

Narrative This magazine publishes work in various genres – nonfiction (including written, audio, and video), fiction, poetry, and drama. They charge a submission fee through the year but during the first two weeks of April, they offer fee-free submissions made specifically in the Open Reading category. They pay $100-500. Details here .

MudRoom Magazine Their website says, “our mission is to provide every writer, emerging and established, the opportunity to both see their work published, and engage with a larger literary community.” They publish essays, essays in translation, fiction, and poetry. Send prose of up to 6,000 words. Pay is $15, and the deadline is 25 January 2023 for their Winter issue. Details here .

The Fieldstone Review This is the literary journal of the University of Saskatchewan. They accept submissions of creative nonfiction (up to 2,500 words), literature & book reviews (of Canadian literature), fiction and poetry, for its 2023 issue. They are reading submissions on the Reversals theme. “Turning points. Twists. Changing fortunes and shifting gears. We want your clever, surprising and dizzying reversals––be it through character, plot or formal elements!” One contributor will get awarded CAD100. The deadline is 1 March 2023. Details here .

The Meadowlark Review This journal is associated with the University of Wyoming. “Based in Laramie, Wyoming, we’re inspired by the American West, but we love work that pushes against the traditional Western narrative, as well as new perspectives, unexpected twists, and pieces that have absolutely nothing to do with the West. We are especially interested in hybrid works and works that break the mold and push the boundaries of today’s literature.” They publish nonfiction, fiction, and poetry. Send work of 10-5,000 words. The deadline is 31 January 2023. Details here .

The Forge Literary Magazine They accept creative nonfiction (up to 3,000 words, but can accept up to 5,000) and fiction. They open on the 1 st of most months for fee-free submissions, and close when the cap is reached. They pay $75. Details here .

fron//tera This is a bilingual print magazine, in Spanish and English. They publish nonfiction (up to 5,000 words), fiction, poetry, art, and submissions can be in Spanish or English; they’ll also publish a couple of short dual-language English and Spanish pieces side by side (see guidelines). They pay $25-50. They’re reading work on the Phantoms theme till 1 February 2023. Details here .

The Healing Muse This is the annual journal of literary and visual art published by SUNY Upstate Medical University’s Center for Bioethics & Humanities. They publish narratives, memoirs, fiction, poetry, and art, particularly but not exclusively focusing on themes of medicine, illness, disability and healing. They accept prose up to 2,500 words. The deadline is 15 April 2023. They also have a poetry prize for medical students and physicians , of $250. Details here .

The Lascaux Review They publish creative nonfiction, fiction, and poetry of literary quality, as well as essays on the craft and business of writing. “Creative nonfiction may include memoirs, chronicles, personal essays, humorous perspectives, literary journalism—anything the author has witnessed, experienced, learned, or discovered. Creative nonfiction should be written in a nonacademic style. For the Bistro (our blog), we’re looking for posts about writing, literature, agents, publishing, hangover recipes—anything to do with the craft and business of writing. Topics must be relevant to our audience, which consists of sophisticated journeyman writers and poets.” Submissions are open year-round. Details here .

The Paris Review They will reopen for prose submissions in March 2023. Currently, they are accepting poetry submissions; the Submittable cap is reached but they will read postal submissions, postmarked till 31 January 2023. They pay. Details here .

Nashville Review This magazine is associated with Vanderbilt University. They publish creative nonfiction (across the spectrum, including memoir excerpts, essays, imaginative meditations, of up to 8,000 words), fiction (including flash and novel excerpts), poetry, translations, and art. They accept submissions of art and comics year-round, and other genres are accepted in January, May, and September. Submissions may close earlier than scheduled if the cap is reached. Pay is $25 for poetry, and $100 for prose. The deadline is 31 January 2023, or until filled. Details here .

Porridge They publish a variety of genres, and are open for online and print issues occasionally. They are always open for their Comfort Food section – “The COMFORT FOODS series publishes creative responses to the relationship between food and culture, identity and cuisine, from people in diaspora or those from various marginalised identities. From eating away exile to 2,000 word philosophical treatises on biryani, we’re here for it. … We’ll accept creative non-fiction, food writing, poetry, and artwork on this theme.” Details here .

Electric Lit They are always open for detailed essay pitches. “Electric Literature’s essays examine books and culture through a personal and critical lens. … Pitches should describe the subject matter of the essay (which must be about books, writing, or narrative media like movies, games, and TV) and give a sense of the argument you plan to make or the story you plan to tell. We welcome thoughtful considerations of new releases, overlooked classics, childhood favorites—anything that can illuminate or be illuminated by the human experience.” They will open for other genres in February ( Recommended Reading – longer fiction, pays $300, open 1-12 February; and The Commuter – poetry, flash, graphic, and experimental narratives, pays $100, open 13-19 February 2023). Details here . Sojournal This is a travel journal, and their tagline is ‘One Image One Story’. “At present we only publish non-fiction travel stories that tell us about the black and white image you have supplied. We have a bias toward clear, concise, understandable work that communicates, surprises or disturbs – writing that bears witness to the world we live in.” Send work of up to 800 words. Details here .

Chicken Soup for the Soul They publish uplifting, true stories and poems. They regularly post themes they are accepting submissions on (currently, these are: Angels ; How stepping outside my comfort zone changed me ; Miracles ; and The power of positive thinking ). They pay $250 for work up to 1,200 words, as well as 10 contributor copies. Details here (also see tabs on the page – Possible book topics, Submissions FAQ, and Submit your story).

Unfortunately, Literary Magazine For nonfiction, “We’re interested in memoir/personal essays, feature articles, and any mix thereof. Shameless navel-gazing is fine by us.” Also, “Send us your work that’s too quirky, too dark, too queer, not the right kind of queer, too female-driven, too literary, not literary enough. Too much, too little, we want to see it all. Our only requirement is that you get your piece rejected elsewhere at least once before submitting to us.” They also publish fiction, art, and poetry. They read submissions in January, April, July, and October. See this Twitter thread to see the kind of work they’d like to see more of. Details here and here .

Miracle Monocle This magazine is associated with the University of Louisville. “For creative nonfiction, please submit one piece of 500-10,000 words. We’re looking for essays with aspects of personal narrative, reporting, and the lyric; we’re also interested in flash. Please do not send excerpts of longer works unless the piece can stand alone.” They also publish fiction, hybrid, poetry, art, and have an award for young Black writers , which pays $200 – for this award, writers must be 25 years old or younger and identify as Black. The deadline is 31 January 2023, or until a submission cap is reached. Details here .

Round Table Literary Journal Their website says, this is “an award-winning, historic print literary journal now in our fifty-sixth year of existence. We publish literary fiction, nonfiction, poetry, and art once a year.” They are associated with Hopkinsville Community College. The deadline is 15 February 2023. Payment is contributor copies. Details here and here .

The Sunlight Press They publish personal essays (750-1,000 words), artists on craft series (up to 1,000 words), fiction, poetry, reviews, and photos. They pay $15-40. Details here .

Terrain.org This is a magazine that focuses on place, climate, and justice. They publish nonfiction (up to 5,000 words), fiction, poetry, and pay a minimum of $50. Submissions by marginalized creators are considered for an annual prize of $500. The deadline is 30 April 2023. Details here .

Motherwell This is a parenting magazine, and they take personal essays on parenting, as well as work on other themes and genres. For personal essays, “We are looking for evocative first-person narratives that have a unique focus, or take a novel angle, on a slice of the parenting experience. We are open to a range of styles and tones: the only requirement is that the essay works on its own terms—be it lyrical, humorous, research-oriented, etc—and conveys something fundamental about its writer. Up to 1,200 words.“ Some of the work they publish is paid, and some is unpaid (see guidelines). Details here . Masque & Spectacle They publish nonfiction essays, literary analysis pieces, and personal essay/memoirs of up to 7,500 words. They also accept fiction, poetry, drama, reviews, art, audio, and video submissions. The deadline is 31 January 2023. Details here .

The Sun This venerable magazine charges for online submissions via Submittable, but not for submissions by post, of essays, fiction, and poetry. Online submission of photos is not charged. Payment for regular essays starts at $300. And online submissions for themed short nonfiction pieces for the Readers Write section are fee-free – their upcoming themes are Idols , due 1 February, and Privacy , due 1 March 2023; payment for Readers Write is magazine subscription. Details here and here .

Bio:  S. Kalekar is the pseudonym of a regular contributor to this magazine. She can be reached  here .

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About Us: We're dedicated to helping authors build their writing careers. We send you reviews of publishers accepting submissions, and articles to help you become a successful, published, author. Everything is free and delivered via email. You can view our privacy policy here. To get started sign up for our free email newsletter .

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80 Best Magazines & Websites That Publish Personal Essays

Wouldn’t it be great to find a whole list of magazines that publish personal essays, and even pay you for the privilege?

Well, you’re in luck because you’ve just found a list of magazines that accept essay submissions around pop culture, personal finance, personal stories, and many other topics. If you’re passionate about crafting personal essays and your work typically falls within a range of 600 to 10,000 words, consider submitting your essays to the organizations listed below. They generally offer compensation of $50-$250 for each accepted essay. After this guide, you may also want to check my list of the best essays of all time .

Here are the top magazines and publications that publish thought-provoking essays:

1. the new york times – modern love.

“Modern Love” accepts essay submissions via email at [email protected] with the essay subject or potential title as the email subject line. Submissions should be original, true stories between 1,500 and 1,700 words, sent both as an attached Microsoft Word-compatible document and pasted into the body of the email. The team collaborates with writers on editing, and authors are compensated for published work. Submission info .

2. The New York Times – Opinion Essays

To submit an essay to this publication, fill out the provided submission form with the essay and a brief explanation of your professional or personal connection to its argument or idea. The essay should include sources for key assertions (either as hyperlinks or parenthetical citations). Although all submissions are reviewed, the publication may not be able to respond individually due to the high volume of entries. If there’s no response within three business days, authors are free to submit their work elsewhere. Submission info .

3. Dame Magazine

DAME is a women’s magazine that prioritizes accessible and intersectional journalism that dives into context rather than breaking news. Their stories are unexpected, emotional, straightforward, illuminating, and focused on people rather than policy. They aim to reveal new or surprising information, provoke action or empathy, simplify complex issues, introduce fresh ideas, and foreground the people most affected by discussed topics. Submission info .

4. The New Yorker

The New Yorker welcomes letters to the editor sent to [email protected] and includes your postal address and phone number. For fiction submissions, send your work as a PDF to [email protected] or mail it to their New York address. They review all submissions within ninety days and will only contact you if they decide to publish your work. Submission info .

5. The Atlantic

The Atlantic is keen on high-quality nonfiction, fiction, and poetry. Familiarity with their past publications can guide your submission. All manuscripts should be submitted as a Word document or PDF. They only respond if they’re interested in discussing your submission further. Separate submission channels exist for fiction and poetry. Submission info .

6. The Globe and Mail

The Globe and Mail welcomes your original experiences, viewpoints, and unique perspectives for your daily first-person essay. A good essay should have an original voice, an unexpected view, humor, vivid details, and anecdotes that illuminate a wider theme. While a successful essay could be funny, surprising, touching, or enlightening, it should always be personal and truthful, rather than political or fictional. Submission info .

7. The Guardian

To contribute to this publication, you should identify the most relevant section and contact the commissioning editor with a brief outline of your idea. You may be invited to submit your work speculatively, meaning payment will only be provided if your contribution is published. It’s important to note that your contribution should be sent electronically and will be published under standard copyright terms with payment at normal rates unless agreed otherwise before publication. Submission info .

8. Los Angeles Times

The Los Angeles Times is open to opinion articles on any subject, with most published pieces being about 750 words long. Submissions must be exclusive to them and not published elsewhere, including personal blogs or social media. Full drafts of articles are required for consideration and should include the author’s name, the topic, the full text, a short author biography, and contact information. Submission info .

9. The Sun Magazine

The Sun publishes personal essays, short stories, and poems from both established and emerging writers globally, particularly encouraging submissions from underrepresented perspectives. Their contributors’ work often garners recognition in prestigious anthologies and prizes. The Sun seeks personal essays that are deeply reflective, celebrating hard-won victories or exploring big mistakes, aiming to make newsworthy events feel intimate and wrestle with complex questions. Submission info .

Slate invites pitches that are fresh, and original, and propose strong arguments. They appreciate ideas that challenge conventional wisdom and encourage you to clearly articulate the insights your reporting can uncover. A concise pitch is preferred, even if a full draft is already written. You should include a short bio and any relevant published work. They advise waiting a week before pitching to other publications, and if an editor passes, refrain from sending it to another editor at Slate. Submission info .

VICE is primarily interested in mid-length original reports, reported essays, narrative features, and service journalism related to contemporary living and interpersonal relationships. They welcome stories informed by personal experiences and insight but advise writers to consider what makes their story unique, why they’re the right person to tell it, and why it should be on VICE. While all stories don’t need to be tied to current events, a timely element can distinguish a pitch. They also accept quick-turnaround blogs and longer features. Submission info .

12. Vox Culture

Vox Culture seeks to provide readers with context and analysis for understanding current entertainment trends. They are interested in pitches that answer significant questions about major movies, TV shows, music artists, internet culture, fame, and women’s issues in the entertainment business. Notably, they are not interested in personal essays or celebrity interviews. Past successful stories have ranged from exploring Disney’s move away from traditional villains to analyzing historical inaccuracies in popular shows. They accept story pitches ranging between 1,000 and 2,500 words. Submission info .

Aeon, a unique digital magazine since 2012, is known for publishing profound and provocative ideas addressing big questions. Their signature format is the Essay, a deep dive into a topic, usually between 2,500-5,000 words, approached from a unique angle and written with clarity to engage curious and intelligent general readers. Aeon’s contributors are primarily academic experts, but they also welcome those with significant professional or practical expertise in various fields. Submission info .

14. BuzzFeed Reader

This platform welcomes freelance pitches on cultural criticism, focusing on current or timeless topics in various categories like books, technology, sports, etc. Essays should offer a unique perspective on how these subjects reflect our society. The content must be relevant, advance ongoing dialogues, and add value to the existing discourse. Submission info .

15. The Boston Globe

Boston Globe Ideas welcomes a variety of content including op-eds, reported stories, book excerpts, first-person essays, and Q&A features. Submissions should be sent directly, not as pitches. Please include your submission in the body of the email, not as an attachment. Briefly explain why you’re uniquely qualified to write this piece. Ensure your submission hasn’t been published or under review elsewhere. Submissions page .

16. The Bold Italic

This platform is actively seeking submissions in the genre of personal narrative essays. These pieces can encompass a broad range of experiences from the hilariously light-hearted to deeply poignant, encapsulating the vibrant and diverse experiences of living in your community. Submission info .

Before pitching to a Medium Publication, thoroughly understand its unique style by reviewing published content and submission guidelines. This ensures your work aligns with their preferences. With numerous Medium Publications available, persist in your submissions until you find a fitting outlet. Submission info .

18. Refinery29

Refinery29 Australia is committed to empowering women and underrepresented groups, with a particular focus on Australian women and trans and gender-diverse individuals, primarily Gen-Z and millennials. We publish a diverse array of content, from timely personal essays to reports on race, reproductive rights, and pop culture, all with a distinctly local perspective. They aim to shed light on the world around us, and highly value pieces that capture the unique Australian experience, be it in subject matter or authorial voice. Submission info .

ELLE’s annual talent competition is back for, seeking out the next superstar in writing. The winner will have their 500-word piece, inspired by the hashtag #RelationshipGoals and focusing on a significant relationship in their life. Submission info .

20. Cosmopolitan

Cosmopolitan is looking for first-person features that cover all aspects of beauty. This can include writing personal essays or narratives about your struggles with adult acne, your journey to an all-natural beauty routine, or other unique beauty experiences. We are also open to opinion pieces about beauty trends or movements that resonate with you. Submission info .

Bustle encourages freelance pitches across different verticals such as Lifestyle, Books, News and politics, Fashion and beauty, and Entertainment. We value pitches that are brief yet comprehensive, including a sample headline, a 2-3 sentence description of the piece, your plan for photos, sources you have access to, your clips if you haven’t written for us before, and your standard rate. Make sure to understand what we’re looking for and convey your story idea clearly and professionally. Submission info .

22. The Walrus

The Walrus seeks short essays (up to 1,200 words) that are timely, focused, and sourced from Canada and globally. These can be reported narratives, memoirs, or mini-features on specific topics. Each essay should exhibit a distinct argument, a strong writing voice, and present an original and significant viewpoint. Writers new to The Walrus or those without long-form journalism experience are particularly encouraged to contribute to this section. Submission info .

23. Autostraddle

Autostraddle welcomes pitches, works in progress, and completed submissions. Any issues with the submission form should be emailed to Laneia Jones with the subject line “SUBMISSION ERROR”. Questions about the submission process can be directed to Kayla Kumari Upadhyaya with “SUBMISSION PROCESS” in the subject line. Please note that pitches or submissions sent via email will not be accepted. Submission info .

24. Narratively

Narratively focuses on original and untold human stories, welcoming pitches and completed submissions from diverse voices. They use Submittable for managing submissions. To better understand what they’re looking for in new writers, contributors can review their guidelines, and the best pitches they’ve received, and ask questions to their editors about how to pitch. Submission info .

25. Catapult

Catapult offers a regularly updated list of submission and freelancing opportunities. Some current options include Black Fox Literary Magazine, open for fiction submissions; Carina Press, seeking romance manuscripts; Elegant Literature, welcoming submissions for its contest; Inkspell Publishing, looking for romance manuscripts; Interlude Press, seeking original novels featuring diverse casts; and Intrepid Times, accepting stories about romance while traveling. Submission info .

26. Jezebel

At Jezebel, the high volume of daily emails (over 500), including tips and questions from readers, makes it impossible to respond to all of them, even though they are all read and appreciated. Their primary job involves posting 60+ items a day, and due to workload constraints, they may not always be able to reply to your email. Submission info .

27. Bitch Media

Bitch Media seeks pitches offering feminist analysis of culture, covering a wide array of topics including social trends, politics, science, health, life aspects, and popular culture phenomena. They publish critical essays, reported features, interviews, reviews, and analyses. First-person essays should balance personal perspectives with larger themes. Both finished work and query letters are welcome. However, due to the volume of submissions, they cannot guarantee a response or that every pitch will be read. Submission info .

28. Broadview

Broadview magazine prefers pitches from professional writers for unique, audience-focused stories. While unsolicited articles may be accepted, the initial idea pitch is recommended. Responses to each pitch are not guaranteed due to high submission volumes. Submission info .

29. Briarpatch Magazine

Briarpatch Magazine accepts pitches on a variety of political and social issues, valuing stories from diverse voices. They seek well-researched, fact-backed pieces aimed at a non-specialist, progressive audience. They recommend writers to first pitch their ideas, including contact info, estimated word count, recent publications, and a short writing sample. The magazine aims to respond within one to two weeks after the pitch deadline for each issue. Submission info .

30. Maisonneuve

Maisonneuve Magazine welcomes non-fiction writing submissions in various forms (reporting, essays, memoirs, humor, reviews) and visual art (illustration, photography, comics). They do not accept fiction, poetry, or previously published work. They prefer well-developed, well-researched pitches, but also accept polished drafts if the writer is open to edits. To understand what the magazine is looking for, it’s recommended to read some recent issues or check their website. Submission info .

31. Room Magazine

Room Magazine seeks original fiction, poetry, creative non-fiction, and art from individuals of marginalized genders, including women (cisgender and transgender), transgender men, Two-Spirit, and nonbinary people. Simultaneous submissions are welcome, and submissions can be made through Submittable. Submission info .

32. Hazlitt

Hazlitt is currently not accepting submissions but it might reopen soon. They seek original journalism, investigative features, international reporting, profiles, essays, and humor pieces, but they are not considering unsolicited fiction. Pitches with proposed word counts are preferred, and they have a section called “Hazlitt Firsts” for reviews of experiencing mundane things for the first time as adults. Submission info .

33. This Magazine

This Magazine seeks pitches for their annual Culture Issue with a DIY theme, open to various topics related to DIY spirit. They publish Canadian residents only and prefer queries over already completed essays or manuscripts. They look for unique stories with a social justice angle, and pitches should include reasons for telling the story, relevant sources, and potential takeaways for readers. Submission info .

34. Geist Magazine

Geist magazine seeks submissions with a literary focus, including short non-fiction for the Notes & Dispatches section (around 800-1200 words) with a sense of place, historical narrative, humor, and personal essays on art, music, and culture. They encourage submissions from diverse writers and will pay writers $300-500 for accepted pieces. Submission info .

35. Discover Magazine

Discover magazine seeks pitches from freelance writers for science-related stories that enlighten and excite readers, with a conversational tone and high reader interest. Pitch one idea per email, mentioning the newness of the science and specific studies and researchers to be cited. Include your science-writing credentials and best clips in the pitch and send them to [email protected]. Payment starts at $1/word for print and typically $300/story for web, with rights purchased for both. Submission info .

36. Eater Voices

Eater Voices accepts personal essays from chefs, restaurateurs, writers, and industry insiders about the food world. To pitch, email a brief explanation of the topic and why you are the right person to write about it to [email protected]. Submission info .

37. The Temper

The Temper is an online publication focused on sobriety, addiction, and recovery, challenging drinking culture. They seek diverse and intersectional stories written through the lens of addiction, covering various topics like sex, food, relationships, and more. Submissions are currently closed, but they are especially interested in amplifying voices from marginalized and underrepresented groups. Submission info .

38. Chatelaine

Chatelaine is a prominent Canadian women’s magazine covering health, current events, food, social issues, decor, fashion, and beauty. To pitch, read the magazine first, and submit a one-page query letter explaining the idea’s fit for the magazine, section, and format. They prefer email submissions with at least two previously published writing samples, and response time may take six to eight weeks. Submission info .

39. Conde Nast Traveler

Condé Nast Traveler seeks pitches for reported and personal travel stories with inclusive coverage, including BIPOC, LGBTQ+, and disabled communities. Focus on stories and angles rather than destinations, check for previous coverage, and offer a fresh perspective. If pitching a personality, indicate exclusivity and access. Consider your expertise in telling stories, especially about marginalized communities, and disclose any sponsorships. Keep pitches brief, including a suggested headline, angle, sources, and why it’s timely. Responsible travel stories are prioritized during the pandemic. Submission info .

40. Boston Globe Ideas

Globe Ideas is dedicating an entire issue to young people’s voices and stories. Teens are invited to share their aspirations, concerns, and experiences about mental health, school, social media, and more, up to 700 words or through short notes, videos, or illustrations. This is a chance for teens to set the record straight and tell the world what matters most to them. Submission info .

41. Babbel Magazine

Babel welcomes submissions from all linguists, focusing on accessible and stimulating articles about language. Writers can submit feature articles or propose ideas for regular features, and guidelines for contributions are available for download. For those with ideas but not interested in writing, they can also suggest topics for articles through email. Submission info .

42. HuffPost Personal

HuffPost seeks to amplify voices from underrepresented communities, including BIPOC, LGBTQ, and people with disabilities. They accept freelance pitches on a wide range of topics, providing clear guidelines for submissions. They also encourage visual creatives to submit their work, and all published contributors are paid for their work. Please note that due to the volume of submissions, individual responses may not be possible. Submission info .

43. Adelaide Literary Magazine

Adelaide magazine accepts submissions in various categories, including fiction, poetry, creative nonfiction, translations, book reviews, interviews, and art/photography. Fiction and nonfiction submissions have a size limit of 5,000 words, while book reviews have a limit of 2,000 words. They do not accept previously published work or simultaneous submissions. Artists retain all rights to their work, and upon publication, rights revert to the author/artist. Submission info .

44. bioStories

BioStories welcomes nonfiction prose submissions of 500 to 7500 words, with the typical piece being around 2500 words. Submit via email to [email protected], pasting the submission in the email body with the subject line “biostories submission” and your last name. Simultaneous submissions are accepted, but immediate notification is required if accepted elsewhere. Multiple submissions are allowed at a one-month interval, and the work must be previously unpublished in print and online. Noncompliant submissions will not receive a response. Submission info .

45. Quarter After Eight

Quarter After Eight welcomes innovative writing submissions in any genre from both new and established writers. To withdraw work, use the “withdraw” option on Submittable for the entire submission or the “note” function to specify which pieces to withdraw; do not email about withdrawals. Submission info .

46. The Rappahannock Review

The Rappahannock Review accepts original and innovative writing in various genres, including fiction, nonfiction, poetry, and audio pieces. They encourage experimentation and creativity, seeking enthralling voices and compelling narratives. Additionally, the magazine showcases a variety of visual artists and welcomes submissions for consideration in each new issue. Submission info .

Allure is seeking writers to contribute pieces that explore beauty, style, self-expression, and liberation. They are looking for writers with relevant credentials and experience in the field, and they offer compensation of $350 for reported stories and $300 for personal essays. Submission info .

48. MLA Style Center

The Modern Language Association is inviting students to submit research papers written in MLA style for consideration in their online collection “Writing with MLA Style.” Essays should be 2,000 to 3,000 words in length and must be written in English. Works-cited-list entries do not count toward the word limit. Submission info .

49. Marie Claire

Marie Claire magazine is dedicated to highlighting the diversity and depth of women’s experiences. They offer award-winning features, essays, and op-eds, as well as coverage of sustainable fashion, celebrity news, fashion trends, and beauty recommendations. Submission info .

SELF magazine is actively seeking new writers, particularly from marginalized communities, to contribute to their health and wellness content. They are interested in pitches that offer helpful insights on topics related to health, fitness, food, beauty, love, and lifestyle. The focus should be on improving personal or public health clearly and straightforwardly. Submission info .

51. Her Story

HerStry is a platform that focuses on the experiences of women-identifying persons, including cisgender women, transgender women, non-binary persons, and more. They accept personal essays that are true stories about the author, with a length between 500 to 3,000 words. They pay $10 for each published personal essay here, but there is a $3 submission fee (with limited free submission periods). Stories are read blind, and explicit or offensive content is not accepted. Submission info .

52. Griffith Review

Griffith Review accepts submissions based on specific themes for each edition. They welcome new and creative ideas, allowing writers to express their voices in essays, creative and narrative nonfiction-fiction, and analytical pieces. Submissions should generally range from 2,000 to 5,000 words, with up to four poems allowed on theme. Submission info .

53. Literary Review of Canada

The Literary Review of Canada welcomes prospective writers, photographers, and illustrators to submit specific review proposals, essay pitches, or general queries. They prefer to receive unsolicited review topics and essay ideas rather than completed work and do not accept simultaneous submissions. Submission info .

54. Harper’s Magazine

For Harper’s Magazine, nonfiction writers should send queries accompanied by a self-addressed, stamped envelope. Ideas for the Readings section can be sent to [email protected], but individual acknowledgment is not guaranteed due to volume. All submissions and queries must be sent by mail to their New York address. Submission info .

55. Virginia Quarterly Review

VQR only considers unpublished work, submitted online via Submittable. One prose piece and four poems are allowed per reading period, but multiple submissions in the same genre will be declined unread. Simultaneous submissions are permitted, but if accepted elsewhere, notify them immediately via Submittable. Submission info .

56. The New England Review

New England Review is open for submissions in all genres during specific periods. They accept fiction, poetry, nonfiction, dramatic writing, and translations. The magazine only considers previously unpublished work, and simultaneous submissions are allowed. They welcome submissions from writers of all backgrounds and encourage diverse perspectives. Submission info .

57. One Story

One Story seeks literary fiction between 3,000 and 8,000 words, any style, and subject. They pay $500 and provide 25 contributor copies for First Serial North American rights. Only unpublished material is accepted, except for stories published in print outside North America. Simultaneous submissions allowed; prompt withdrawals upon acceptance elsewhere. Accepts DOC, DOCX, PDF, and RTF files via Submittable. No comments on individual stories. No revisions of previously rejected work. Translations are accepted with proper attribution. No emailed or paper submissions, except for incarcerated individuals. Submission info .

58. The Threepenny Review

The Threepenny Review accepts submissions for fiction, poetry, travel essays, and Table Talk pieces. They pay $400 per story/article and $200 per poem, granting first serial rights and copyright reversion to the author. Mailed manuscripts require a self-addressed stamped envelope, while online submissions should be in Word format with a single document for prose or poetry. Submission info .

59. Zoetrope: All-Story

Zoetrope: All-Story is currently not accepting general submissions. They will announce when submissions reopen and update the guidelines accordingly. Submission info .

60. American Short Fiction

American Short Fiction accepts regular submissions of short fiction from September to December. The magazine publishes both established and new authors , and submissions must be original and previously unpublished. Manuscripts should be typed, double-spaced, and accompanied by the author’s contact information. Simultaneous submissions are allowed, but authors must withdraw their work if accepted elsewhere. Payment is competitive and upon publication, with all rights reverting to the author. American Short Fiction does not accept poetry, plays, nonfiction, or reviews. Submission info .

61. The Southern Review

The Southern Review accepts work during its submission period. They only consider unpublished pieces in English and accept simultaneous submissions. If your work is accepted elsewhere, promptly notify them via email with the subject line “withdrawal.” Do not submit work via email, as it will be discarded. They do not consider submissions from anyone currently or recently affiliated with Louisiana State University within the past four years. It is recommended to familiarize yourself with the journal’s aesthetic by subscribing before submitting your work. Submission info .

62. Boulevard Magazine

Boulevard seeks to publish exceptional fiction, poetry, and non-fiction from both experienced and emerging writers. They accept works of up to 8,000 words for prose and up to five poems of up to 200 lines. They do not consider genres like science fiction, erotica, horror, romance, or children’s stories. Payment for prose ranges from $100 to $300, while payment for poetry ranges from $50 to $250. Natural Bridge Online publication offers a flat rate of $50. Submission info .

63. The Cincinnati Review

The Cincinnati Review accepts submissions for its print journal during specific periods: September, December, and May. miCRo submissions are open almost year-round, except during the Robert and Adele Schiff Awards and backlogs. They welcome submissions from writers at any stage, except current/former University of Cincinnati affiliates. Simultaneous submissions are allowed, and response time is around six months. Payment is $25/page for prose, $30/page for poetry in print, and $25 for miCRo posts/features. Submission info .

64. The Antioch Review

The Antioch Review seeks nonfiction essays that appeal to educated citizens, covering various social science and humanities topics of current importance. They aim for interpretive essays that draw on scholarly materials and revive literary journalism. The best way to understand their preferences is to read previous issues and get a sense of their treatment, lengths, and subjects used in the publication. Submission info .

AGNI’s online Submission Manager is open from September 1st to midnight December 15th, and again from February 15th to midnight May 31st. Manuscripts can also be submitted by mail between September 1st and May 31st. AGNI considers prose in various genres, including personal essays, short stories, prose poems, and more. They do not publish academic essays or genre romance, horror, mystery, or science fiction. Simultaneous submissions are welcome, and sending through the online portal incurs a $3 fee, but regular mail submissions can be made to avoid the fee. Submission info .

66. Barrelhouse

Barrelhouse accepts unsolicited submissions for book reviews through their Submittable online submissions manager. They pay $50 to each contributor and accept simultaneous submissions. There is no maximum length, but most published pieces are shorter than 8,000 words. They only accept Word or rich-text (.rtf) files and prefer poetry to be submitted as a single document. Submissions for their print and online issues are currently closed, but book reviews are open. Response time is approximately six months. Submission info .

67. Tin House Online

Tin House is a good company that offers a two-day submission period three times a year for writers without a current agent and no previous book publication (chapbooks accepted). They accept fiction, literary nonfiction, and poetry, both in English and in translation (with formal permission). Completed drafts are required. They are particularly interested in engaging with writers from historically underrepresented communities. Submission info .

68. One Teen Story

One Teen Story publishes 3 stories annually and welcomes submissions from teen writers aged 13-19. They seek original, unpublished fiction across genres, focusing on the teen experience. Great short stories with compelling teen characters, strong writing, and a well-structured narrative are encouraged for submission to their contest. Submission info .

69. Bennington Review

Bennington Review accepts unsolicited submissions through Submittable during their reading periods in fall, winter, and spring. They seek innovative and impactful fiction, creative nonfiction, poetry, film writing, and cross-genre work. Response times vary, but they aim to respond within five to eight months. Accepted contributors will receive payment ranging from $25 per poem to $250 for prose over six typeset pages, along with two copies of the published issue and a copy of the subsequent issue. Submission info .

70. Epoch Literary

Epoch Literary accepts poetry submissions of up to five poems, short fiction or essay submissions as a single piece or a suite of smaller pieces, and visual art and comics for the cover. They do not publish literary criticism or writing for children and young adults. Electronic submissions are open in August and January, with a $3 fee, part of which supports the Cornell Prison Education Program. Submission info .

71. The Gettysburg Review

The Gettysburg Review accepts poetry, fiction, essays, and essay reviews from September 1 to May 31, with a focus on quality writing. Full-color graphics submissions are accepted year-round. It’s recommended to read previous issues before submitting, and sample copies are available for purchase. The journal stays open during the summer for mailed submissions or those using Submittable and purchasing a subscription or the current issue. Submission info .

72. Alaska Quarterly Review

The publication accepts submissions of fiction, poetry, drama, literary nonfiction, and photo essays in traditional and experimental styles. Fiction can be short stories, novellas, or novel excerpts up to 70 pages, and poetry submissions can include up to 6 poems. They aim to respond within 4 to 12 weeks, but authors can inquire about their manuscript status after 4 weeks if needed. Submission info .

73. Colorado Review

Colorado Review only accepts submissions through its Submittable portal and no longer accepts paper submissions. They encourage writers to be familiar with their publication before submitting and provide sample copies and examples of recently published work on their website. They look for engaging stories with original characters, crisp language , and a provocative central problem or issue. Submission info .

74. The Georgia Review

The Georgia Review accepts submissions both online and by post, but not via email. Submissions are free for current subscribers. They do not consider unsolicited manuscripts between May 15 and August 15 and aim to respond within eight months. Previously published work will not be considered, and simultaneous submissions are allowed if noted in the cover letter. They offer different prizes for poetry and prose and accept submissions in fiction, poetry, essays, and book reviews. Submission info .

75. New Letters

New Letters accepts submissions year-round through Submittable, with a small fee waived for current subscribers. They welcome up to six poems, one chapbook, one piece of nonfiction, one short story (graphic or traditional), or one novella per submission. Simultaneous submissions are allowed if notified, and response time is approximately six months. They publish short stories up to 5,000 words, novellas up to 30,000 words, graphic short stories up to ten pages in color or black and white, and chapbooks up to 30 pages. Submission info .

76. Shenandoah

Submissions for comics will reopen soon. The Graybeal-Gowen Prize for Virginia Poets will be open for a limited time. Poetry submissions are considered in November and spring. Prose submissions will open soon. Short stories, creative nonfiction, and flash fiction are welcome. Editor Beth Staples looks for writing that challenges and offers diverse perspectives. Submission info .

77. TriQuarterly

TriQuarterly, the literary journal of Northwestern University, welcomes submissions in poetry, fiction, creative nonfiction, video essays, short drama, and hybrid work from both established and emerging writers. They are especially interested in work that engages with global cultural and societal conversations. Submissions are accepted through Submittable, and they charge a small reading fee. Submission windows vary by genre. Submission info .

78. E-International Relations

E-International Relations invites current and former undergraduate and Master’s students to submit their highest-graded essays and dissertations for publication. They seek work that is of academic utility to other students and demonstrates engagement with the subject, using pertinent case studies/examples and engaging with complex literature and ideas. Submissions must meet specific entry criteria, including word count, language standards, and full bibliographic references. Submission info .

79. Longreads

Longreads publishes the best long-form nonfiction storytelling and accepts pitches for original work. They pay competitive rates and prefer pitches via email to [email protected]. Fiction is not accepted, and submissions using generative AI tools will be rejected. You can also nominate published stories by tweeting with the #longreads hashtag. Submission info .

80. Education Week

EdWeek welcomes submissions from various perspectives within the K-12 education community, including teachers, students, administrators, policymakers, and parents. Submissions should be concise, relevant to a national audience, and have a clear point of view backed by factual evidence. We value solution-oriented and practical pieces that offer best practices, policy recommendations, personal reflections and calls to action. Essays longer than 1,000 words or shorter than 600 words will not be considered. Please submit in Word format via email. Submission info .

If you want to get your essays published in a print magazine or an online publication, it’s time to approach the appropriate section editor or send your work via a submissions page. Even in a world where so much content is produced by AI, publications are still interested in receiving great writing written in a conversational tone. Just make sure to follow the guidelines (especially those around word count) and show off your flamboyant writing style in a prestigious online magazine. Next up, you might want to check a list of the top sites that will pay you to write,  or my extensive list of publishing companies .

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Personal Essays

The Hair Does the Talking

By Hanif Abdurraqib

How I Proposed to My Girlfriend

By Kathryn Schulz

When Williamsburg Was on the Wrong Side of the River

By Jami Attenberg

Mayfield, Before and After

By Bobbie Ann Mason

Sunday Reading: Personal Reflections

By Erin Overbey

My Failed Attempts to Hoard Anything at All

By David Sedaris

Stalking a Rustically Hip Family on Instagram

By Emily Flake

A Dark Ride

By James Marcus

Julius: The Story of a Premature Birth

By Jon Michaud

The Nick Cave Song That Changed My Life

Nearby and Familiar: A Strategy for Picking Restaurants

By Calvin Trillin

Two Sister-Poets Gone Too Soon: Ntozake Shange and My Sister

By Hilton Als

The Sordid Necessity of Living for Others

By Justin Torres

Memories of V. S. Naipaul

By Paul Theroux

I’ve Quit Writing Personal Essays About Quitting Things: A Personal Essay

By Jake Tuck

My Father and Sandy Koufax

By David Sipress

The Personal-Essay Boom Is Over

By Jia Tolentino

One Child’s Life

Craft Essays

• Teaching Resources

Flying Still Matters

Like Nothing Ever Happened

Switched On

From Scratch

“Taste Test!”

Puddle Jumper (excerpt)

Maternity as a Country

Driving Home from the Kink Club

after creating change

Issue 75 / January 2024

Teaching with Brevity

The brevity blog.

• For the Edification of My Soul—And the Enhancement of My Writing Craft
• Does It Have to Be Memoir?
• What Columbo Taught Me About Writing Essays
• Your Media IS Your Market
• Hit Play: Tapping the Power of Song

© 2024 Brevity: A Journal of Concise Literary Nonfiction. All Rights Reserved!

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SUBMISSION GUIDELINES

Harvard Review publishes short fiction, poetry, essays, and book reviews. Writers at all stages of their careers are invited to apply, however, we can only publish a very small fraction of the material we receive. If you are interested in submitting your work for consideration, please refer to the guidelines below. We recommend that you familiarize yourself with Harvard Review before you submit your work. You can find information about the current issue as well as subscription information online.

Do you waive submission fees in case of financial hardship?

If the reading fee at Submittable presents a financial hardship, please email us at info [at] harvardreview.org.

How should I format my manuscript?

Manuscripts must be paginated and clearly labeled with the author’s name on every page. Please submit no more than 5 poems or 7,000 words of prose. Do not send the only copy of your work as we do not accept responsibility for unsolicited manuscripts.

Do you accept book reviews?

We do not accept unsolicited book reviews. If you are interested in reviewing please write to [email protected] describing the kind of books you would be interested in reviewing and enclosing one or more recent clips.

Do you accept paper submissions?

We accept paper submissions by mail:

Harvard Review Lamont Library Harvard University Cambridge, MA 02138

Please include a self-addressed, stamped envelope with your submission. Manuscripts will not be mailed back.

How often can I submit my work?

We ask that writers submit no more than twice a year.

Do you accept simultaneous submissions?

Simultaneous submissions are encouraged, but we ask that you notify us if the work is accepted elsewhere. If you sent work via Submittable, do not email the editors to withdraw part or all of your submission; instead, withdraw in Submittable, or for partial withdrawals, add a note to your submission.

What is your response time?

While we try to respond to submissions within 6 months, it can occasionally take longer for a manuscript to be read. We ask for your patience as we do make every effort to read all the submissions we receive.

Can I inquire about the status of my submission?

Unfortunately, we are unable to respond to status inquiries.

ONLINE SUBMISSIONS

I Hope You All Feel Terrible Now

How the internet—and Stephen Colbert—hounded Kate Middleton into revealing her diagnosis

Updated at 4:04 p.m ET on March 22, 2024

For many years, the most-complained-about cover of the British satirical magazine Private Eye was the one it published in the week after the death of Diana, Princess of Wales, in 1997. At the time, many people in Britain were loudly revolted by the tabloid newspapers that had hounded Diana after her divorce from Charles, and by the paparazzi whose quest for profitable pictures of the princess ended in an underpass in Paris.

Under the headline “Media to Blame,” the Eye cover carried a photograph of a crowd outside Buckingham Palace, with three speech bubbles. The first was: “The papers are a disgrace.” The next two said: “Yeah, I couldn’t get one anywhere” and “Borrow mine, it’s got a picture of the car.” People were furious. Sacks of angry, defensive mail arrived for days afterward, and several outlets withdrew the magazine from sale. (I am an Eye contributor, and these events have passed into office legend.) But with the benefit of hindsight, the implication was accurate: Intruding on the private lives of the royals is close to a British tradition. We Britons might have the occasional fit of remorse, but that doesn’t stop us. And now, because of the internet, everyone else can join in too.

Read: Just asking questions about Kate Middleton

That cover instantly sprang to mind when, earlier today, the current Princess of Wales announced that she has cancer. In a video recorded on Wednesday in Windsor, the former Kate Middleton outlined her diagnosis in order to put an end to weeks of speculation, largely incubated online but amplified and echoed by mainstream media outlets, about the state of her health and marriage.

Kate has effectively been bullied into this statement, because the alternative—a wildfire of gossip and conspiracy theories—was worse. So please, let’s not immediately switch into maudlin recriminations about how this happened. It happened because people felt they had the right to know Kate’s private medical information. The culprits may include three staff members at the London hospital that treated her, who have been accused of accessing her medical records, perhaps driven by the same curiosity that has lit up my WhatsApp inbox for weeks. Everyone hates the tabloid papers, until they become them.

In her statement, Kate said that after her abdominal surgery earlier in the year, which the press was told at the time was “planned”—a word designed to minimize its seriousness—later tests revealed an unspecified cancer. She is now undergoing “preventative chemotherapy,” but has not revealed the progression of the disease, or her exact prognosis. “I am well,” she said, promising that she is getting stronger every day. “I hope you will understand that as a family, we now need some time, space and privacy while I complete my treatment.”

This news will surely make many people feel bad. The massive online guessing game about the reasons for Kate’s invisibility seems far less fun now. Stephen Colbert’s “spilling the tea” monologue , which declared open season on the princess’s marriage, should probably be quietly interred somewhere. The sad simplicity of today’s statement, filmed on a bench with Kate in casual jeans and a striped sweater, certainly gave me pause. She mentioned the difficulty of having to “process” the news, as well as explaining her condition to her three young children in terms they could understand. The reference to the importance of “having William by my side” was pointed, given how much of the speculation has gleefully dwelt on the possibility that she was leaving him or vice versa.

Read: The eternal scrutiny of Kate Middleton

However, the statement also reveals that the online commentators who suggested that the royal household was keeping something from the public weren’t entirely wrong. Kate’s condition was described as noncancerous when her break from public life was announced in late January . The updated diagnosis appears to have been delivered in February, around the time her husband, Prince William, abruptly pulled out of speaking at a memorial service for the former king of Greece. Today’s statement represents a failure of Kensington Palace to control the narrative: first, by publishing a photograph of Kate and her children that was so obviously edited that photo agencies retracted it, and second, by giving its implicit permission for the publication of a grainy video of the couple shopping in Windsor over the weekend. Neither of those decisions quenched the inferno raging online—in fact, they fed it.

Some will say that Kate has finally done what she should have done much earlier: directly address the rumors in an official video, rather than drip-feed images that raised more questions than they answered. King Charles III has taken a different approach to his own (also unspecified) cancer, allowing footage to be filmed of him working from home. But then again, Kate has cancer at 42, is having chemo, and has three young children. Do you really have it in you to grade her media strategy and find it wanting?

Ironically, Britain’s tabloid papers have shown remarkable restraint; as I wrote earlier this month , they declined to publish the first paparazzi pictures of Kate taken after her withdrawal from public life. They have weighted their decisions toward respect and dignity—more so than the Meghan stans, royal tea-spillers, and KateGate theorists, who have generated such an unstoppable wave of interest in this story that its final destination was a woman with cancer being forced to reveal her diagnosis. If you ever wanted proof that the “mainstream media” are less powerful than ever before, this video of Kate Middleton sitting on a bench is it.

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Here Are the 12 New Books You Should Read in April

These are independent reviews of the products mentioned, but TIME receives a commission when purchases are made through affiliate links at no additional cost to the purchaser.

T he best books coming in April include historian Erik Larson ’s latest nonfiction thriller, former U.S. Poet Laureate Natasha Trethewey ’s meditation on writing, and Salman Rushdie ’s agonizing account of the brutal knife attack he suffered two years ago. Other notable releases include a pair of career-spanning anthologies that celebrate the works of cultural critic Maggie Nelson and historian Nell Irvin Painter , as well as Amor Towles ’ first collection of short stories. Alyssa Cole ’s new mystery features a protagonist struggling with dissociative identity disorder, while former therapist Patric Gagne hopes to recontextualize the term “sociopath” with her debut memoir of the same name. 

Here, the 12 best books to read this month.

The Cemetery of Untold Stories , Julia Alvarez (April 2)

In Julia Alvarez ’s seventh adult novel, The Cemetery of Untold Stories, acclaimed writer Alma Cruz inherits a piece of her homeland, the Dominican Republic. After the death of her close friend and fellow author, Alma decides to retire and turn her plot of land into a graveyard for the unpublished tales she’d like to finally put to rest. But just because Alma is ready to abandon her characters, some of whom are based on real historical figures, it doesn’t mean they are ready to go peacefully. Mystical and moving, The Cemetery of Untold Stories shows why some stories must be told no matter how hard you try to bury them.

Buy Now : The Cemetery of Untold Stories on Bookshop | Amazon

Village Weavers , Myriam J. A. Chancy (April 2)

For fans of Elena Ferrante : Myriam J. A. Chancy’s Village Weavers is a wistful look at a complicated female friendship that spans decades and continents. Growing up in1940s Port-au-Prince, Haiti, Gertie and Sisi are the best of friends until a devastating secret that bonds their families tears them apart. The book follows the two women as they fall in and out of one another’s lives amid a violent dictatorship, and struggle with infertility and terminal illness. When Sisi gets an unexpected call from Gertie in 2002, decades after they last spoke, she must decide whether she is ready to forgive—or forget—all that they have shared.

Buy Now : Village Weavers on Bookshop | Amazon

Sociopath , Patric Gagne (April 2)

Writer and former therapist Patric Gagne first discovered she was a sociopath in college. But, in her provocative debut memoir, Sociopath , she admits that there were signs long before she was diagnosed. With incredible candor, she details the violent outbursts she exhibited as a child that would lead to near run-ins with the law in her teens and 20s. “Most of the time I felt nothing,” she writes, “so I did bad things to make the nothingness go away.” Despite her lifelong lack of empathy, shame, and guilt, she has become a loving wife and mother, something she knows doesn’t fit with pop culture’s portrayal of sociopaths as murderers, villains, and monsters. In her memoir, Gagne looks to destigmatize the often misunderstood mental disorder, now more commonly known as antisocial personality disorder , while offering compassion to those, like her, who are trying to change what it means to be a sociopath.

Buy Now : Sociopath on Bookshop | Amazon

We Loved It All , Lydia Millet (April 2)

Lydia Millet ’s first foray into nonfiction, We Loved It All: A Memory of Life, questions what humans lose when they ignore their connection to the animal kingdom. With great passion and indignation, the acclaimed novelist behind 2022’s Dinosaurs takes aim at corporations whose greed has endangered the world’s wildlife. She looks at how the “ Crying Indian” anti-litter campaign from the 1970s allowed big business to place the onus on consumers to clean up the environmental mess they played the largest role in causing. By sharing personal anecdotes about her own childhood, as well as the experiences of raising her son and daughter, Millet shows how caring about the smallest creatures that live among us is tied to the fight for economic justice around the globe. With her mournful yet often hopeful rumination on our current state of existence, Millet reminds us that we are not alone in this world.

Buy Now : We Loved It All on Bookshop | Amazon

Like Love , Maggie Nelson (April 2)

Like Love draws on two decades of Maggie Nelson’s career as a critic of art in all its forms. The collection of previously published work, arranged in chronological order, includes essays on, tributes to, and conversations with creatives the author deeply admires: musician Björk, poet Eileen Myles, fine artist Kara Walker , the late queer theorist Eve Kosofsky Sedgwick , novelist Ben Lerner , philosopher Judith Butler , and writer and theater critic Hilton Als, whose words inspired the book’s title. When examining the art she loves, Nelson uses incisive and analytical prose, but her scholarly style doesn’t take away from the joy she feels for the work. “Words aren’t just what’s left,” she writes of why we need criticism. “They’re what we have to offer.”

Buy Now : Like Love on Bookshop | Amazon

Table for Two , Amor Towles (April 2)

Amor Towles ’ Table For Two is an intimate collection of six short stories that take place in early 2000s New York, and a 1930s Hollywood-set novella that picks up where his 2011 debut, Rules of Civility , left off. The book, which was written while he was meant to be working on his fourth novel , focuses on brief but fateful encounters between strangers, would-be business partners, and estranged relatives. Most of these conversations take place at a table set for two, the perfect place to share a tête-à-tête about forgery or bootlegging or even the blackmailing of screen legend Olivia de Havilland . Table For Two is a smorgasbord of deliciously mischievous tales imbued with Towles’ signature wit and worldliness.

Buy Now : Table for Two on Bookshop | Amazon

The House of Being , Natasha Trethewey (April 9)

In The House of Being, which was originally delivered as a 2022 prize lecture at Yale University, Pulitzer Prize winner Natasha Trethewey takes readers back to her grandmother’s home outside of Gulfport, Miss., where the author learned to read and write. It was there that her neighbors flew Confederate flags with pride, and her late mother—whose death at the hands of her ex-husband was the focus of Trethewey’s best-selling 2020 memoir, Memorial Drive — took to singing “Lift Every Voice and Sing” any time she passed one. It was also where, Trethewey would later learn, formerly enslaved men and women were educated after the Civil War, their stories lost to time because they had not been written down. With The House of Being, Trethewey doesn’t just explore the reasons why she writes. She also offers a compassionate argument for why we must all be the authors of our own stories.

Buy Now : The House of Being on Bookshop | Amazon

One of Us Knows , Alyssa Cole (April 16)

Best-selling author Alyssa Cole ’s latest novel, One of Us Knows, is a paranoia-filled murder mystery full of twists and turns. Preservationist Kenetria “Ken” Nash has taken a job as the caretaker of a gothic castle on a remote island on the Hudson River in the hopes of getting back on her feet. For the last six years, Ken has struggled with dissociative identity disorder, which causes her to, without much warning, “switch” between multiple identities. Lately, Ken has found it harder to keep her “headmates”—precocious toddler Keke, judgy perfectionist Della, and the sophisticated Solomon, to name a few—in check. When a man from Ken’s past is found dead in the historic home, she must enlist her headmates’ help in hopes of clearing her name, all the while knowing she could be the killer she is looking for.

Buy Now : One of Us Knows on Bookshop | Amazon

Knife , Salman Rushdie (April 16)

On Aug. 12, 2022, Salman Rushdie was stabbed nearly 10 times while at a speaking engagement in western New York. With his new memoir, Knife, Rushdie writes about the violent attack that left him with PTSD , limited mobility in his left hand, and the loss of sight in his right eye, offering an intimate and often harrowing account of what happened that day and what life has been like for him since. (The trial for Rushdie’s alleged attacker , who has been charged with attempted murder, has been postponed due to the release of this book, since it can serve as potential evidence.) Rushdie has said that writing Knife was an important step in the healing process. “This was a necessary book for me to write,” he said in a statement . “A way to take charge of what happened, and to answer violence with art.”

Buy Now : Knife on Bookshop | Amazon

I Just Keep Talking , Nell Irvin Painter (April 23)

For the past five decades, acclaimed writer, artist, historian, and critic Nell Irvin Painter’s work has felt ahead of its time. I Just Keep Talking, a decades-spanning collection of more than 40 of her previously published essays, shows just how prescient her work really was. The anthology includes a 1982 essay on the effect white educators’ reluctance to teach Black resistance would have on how the history of slavery is taught in America . In other pieces, she examines how Spike Lee ’s film Malcolm X reinvented the activist and breaks down the gender and racial stereotypes that hurt Anita Hill ’s case against Clarence Thomas during his 1991 Supreme Court confirmation hearing. A more recent essay from 2022 offers a strong warning to Democrats: If you “jettison voting rights in order to court white voters without college degrees,” she writes, you’ll risk repeating the mistakes of Reconstruction . This insightful anthology shows why Painter, now 81 years old, is still one of the most important voices in America.

Buy Now : I Just Keep Talking on Bookshop | Amazon

Lucky , Jane Smiley (April 23)

As the title of Pulitzer Prize-winning author Jane Smiley ’s coming-of-age novel Lucky implies, protagonist Jodie Rattler has always been more fortunate than most. While attending college at Penn State in the 1960s, Jodie decides she’d like to become a folk singer, so she records a song that becomes a surprise hit. She soon finds herself living like a true bohemian, recording an album in New York, touring the country, and earning comparisons to musical luminaries like Joan Baez and Joni Mitchell . But as the pressure builds for her to leave school and focus on her music career full time, she finds herself questioning her future. Lucky offers a tender look at one young woman’s journey to understand who she has become and who she’d like to be when she finally grows up.

Buy Now : Lucky on Bookshop | Amazon

The Demon of Unrest , Erik Larson (April 30)

After tackling World War II by focusing on Winston Churchill’s leadership during the Blitz with The Splendid and the Vile , one of TIME’s best books of 2020 , Erik Larson returns with a historical nonfiction thriller set before the start of the U.S. Civil War . The Demon of Unrest looks at the chaotic five-month period between the November 1860 election of President Abraham Lincoln and the April 1861 surrender of Fort Sumter , which marked the official beginning of the war. Using journals, slave ledgers, plantation records, and secret correspondence, Larson offers an intriguing look at a young country on the brink of collapse. He reexamines the lead-up to the four-year conflict by putting the focus not only on the rebellion’s major players, but also on those on the periphery: Maj. Robert Anderson, the Union commander at Fort Sumter, Edmund Ruffin, an agricultural reformer and ardent secessionist, James H. Hammond, a senator and wealthy plantation owner from South Carolina, and Mary Boykin Chesnut, the wealthy wife of a lawyer and senator whose diary became an invaluable resource for the author.

Buy Now : The Demon of Unrest on Bookshop | Amazon

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