creative writing beach description

Beach Description Essay

Looking for simple and beautiful descriptive writing about a beach in summer? The beach description essay below is just what you need! Get inspired for your own creative writing with us.

Introduction

Description of a beach.

Summer is the perfect time for individuals to visit and enjoy the marvelous scenes along the coast. In addition, the feelings and experiences felt on the beach during the summer are always fantastic. Several sceneries and experiences are seen and felt at the beach during summer. These include; the plantation along the beach and inside the sea, the animals, the waters, and the people found on the beach.

The beach appears to be alive and joyful with the presence of the natural vegetation. There are evergreen plantations both along and inside the beach. Images of buoyant seaweeds can be seen along the shore. Palms trees are seen to stand tall along the beach, dancing to the tune of the breeze emanating from the waters of the sea.

The sea grapes and the sea oats are also observed gathered in clusters in the sea next to the shore. Their colored flowers are splendid and brighten at the shining of the summer sun. The sweet scent of the flower grapes sends a signal to the world about the hope brought by nature.

The atmosphere is fully intensified by the aroma produced by the buoyant sea flowers. In addition, from afar, images of leafless trees are also observed. The perfect combination of the vegetation along the beach and inside the sea displays the beauty of nature to the highest peak.

It mesmerizes the eyes to gaze at the beautiful creatures that hover all over the beach and on the deep-sea waters. There are sights of beautiful birds that fly all over the dry shoreland and over the seawaters. Their colored feathers brightened the sea with a marvelous appearance at their illumination by the sun’s rays.

There are varieties of birds that are in the vicinity. For instance, there are pelicans and seagulls. Pelicans are seen hovering over the sand, singing sweet melodies that make the atmosphere at the beach vibrant. The seagulls are also observed to be flying over the seawater in small groups. Some of the birds are gathered in groups spreading the wings that cloaked a soft shadow on the gentle water ripples.

Next to the shore, there are sea turtles that seem to enjoy the summer heat from the sun. Their eggs are also seen to be exposed on the sand by the children that play on the shoreline. Bees are seen flying from one flower to another over the sea grapes. The humming of the bees as they gather nectar from the sea flowers attracts insect-eating birds.

Large crowds are observed all over the seashore. These people come to enjoy themselves on the beach at this period of the year. In the sea, people of all ages and sexes are seen swimming and playing with the cool seawater. The scorching heat from the summer sun is felt on the forehead of all individuals.

This makes the people chill themselves in the cool waters of the sea. The children are seen playing beach ball on the shoreline. Some children are also seen pelt each other with sand on the shoreline. Besides, young boys are observed climbing tall palm trees to gather fruits.

What is more, several activities take place along and inside the shoreline. Vendors are seen carrying ice creams and soft drinks all over the shoreline. Views of homes, hotels, and other buildings that run along the peak of the beach are also seen. On the sand where children play, pieces of shells are scattered.

In most cases, children collect the shells for fun. In the shades built along the shoreline, people are seen reading books, journals, and magazines. Some are seen idling on the sand, while few adults are observed playing football.

However, there is a disgusting scene of plastic bags, cigarette butts, food wrappers, and beer bottles along the beach. These items seem to pollute the entire shoreline and the seawater.

Anglers are also observed far into the sea casting large nets into the waters to have a bulk catch of their prey. Some of the anglers are also observed perching on the edge of the shore carrying sticks in their hands. Their faces displayed the anticipation that they had for their prey.

The deep waters of the sea produce a marvelous view for anyone who gazes at the sea. The water is seen to be slowly running low on the shore. Small waves are also observed crashing on the shoreline. The surface of the sea is seen to appear blue in color.

However, some portions are also seen to have the spectrum that results from the sun’s refracted rays. Deep inside the sea, there are high waves that lift boats up and down mightily. The shimmering waves of the sea that are clear and blue mirror the rays of the hot sun. The refreshing breeze that emanates from the seawater is enjoyable.

In conclusion, the beach has a perfect view and activities that are delightful to experience during the summer. It is a place that everyone would love to be at all times.

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IvyPanda. (2023, October 29). Beach Description Essay. https://ivypanda.com/essays/description-of-the-beach-scene-in-summer/

"Beach Description Essay." IvyPanda , 29 Oct. 2023, ivypanda.com/essays/description-of-the-beach-scene-in-summer/.

IvyPanda . (2023) 'Beach Description Essay'. 29 October.

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1. IvyPanda . "Beach Description Essay." October 29, 2023. https://ivypanda.com/essays/description-of-the-beach-scene-in-summer/.

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IvyPanda . "Beach Description Essay." October 29, 2023. https://ivypanda.com/essays/description-of-the-beach-scene-in-summer/.

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Beach - quotes and descriptions to inspire creative writing

beach grass
beachcombing
Caribbean Island
ice cream van
ideas to write a story
ocean shore
sea pebbles
tanned skin

Rocks of barnacle crown and seaweed garland adorn the beach as titan crowd.

A chorus of sun-warmed grains sings the melody of the beaches right into my core.

As the seabed swaps the salty brine for oceanic air, we see the beach rise from lacy waves.

Upon the sunny beach, upon the rising gold, my eyes listen to the light as it plays upon seawater.

When these boats of nature's tide, these free sailing sun-kissed branches, come to rest upon either pebbles or golden sands, they sit as kings adoring the seawater view.

There is a soft song of the marram grasses, the green lullaby that speaks so well to the soul without even a whispered word.

The softened hues of the beach at eventide are the colours of my ever-dreams.

The sand is the most gentle hue of gold, almost earthen and muted, the humble star of the scene. I love this beach. I love the driftwood that comes upon the buoyant waves as tiny rescue boats. Then there is the seaweed, that flora of those salty waves, as deeply green as any high summer foliage. My favourite though, of everything that is here upon the softly rolling dunes, is the tall, tall grass that whispers so sweetly into the gusting breeze.

The beach stretched out alongside the water, these constant friends chattering as the water comes in her reassuring way, as if her joy is to soothe the sand. And in her wake she gives the chance for life, for the rock pools to refill. Those briny waves come as rain to a dessert, a gift never repaid, as it always is with nature... the strong give, life thrives... and so it goes on.

Upon this primrose sand, the hue as gentle on the eye as a vintage photograph, there is a steady warmth from the grains. Already the stars glow as if they have kept a pocket of the daytime to shine all through the night sky. Sometimes I think the earth and the moon choose to give of their borrowed warmth and light until the return of the sun, the brilliance forever promised at dawn. Until then, here I remain, breathing deeply of ocean carried air, listening to the percussion of waves that has been my lullaby since before I was a consciousness wrapped in human form.

Jerry sat on the beach, his eyes moving from sand to stone, from rock pools to breaking waves. In the gentle spring sunshine he felt as if he were swimming in the briny aroma, as if the new rays of the day brought a frisson of energy to his finger tips. It was a day for letting his eyes stay open, as he were an old fashioned camera, remaining still while the image developed. The gulls brought their hight notes to the percussion of pebbles at the shoreline. It was a day for dreaming, for allowing time to move fast and slow.

The rain gives of herself unto the ocean, each fragment becoming apart of the body of brine, of the waves and sea-lace. I hear each watery gift, softer than the patter on a rooftop, moving in subtle waves of its own according to the wind. I wonder if this is how music began, how mankind thought to conjure song and dance, by hearing the natural rhythms of nature. Upon the sand, the rain is almost silent, enriching the hue from cream to ears of summer maize.

The sand is softly golden with just the right comforting warmth. To rest on the beach feels like a cosy hug, one only matched by the sunshine filled sky. Tom stretches out both arms and legs to look like a boy-starfish, his grin growing slowly into a broad smile. The only marker of time today is the sun above, the moments savoured by the waves that wash the sands in white lace.

With browning legs curled under, dusted with sand like flour on bread, I sit close to the lapping waves. They feel warm and cool, like tea that's been forgotten and returned to. My fingers wiggle in the water, in these lips of the ocean as she sings. In this place I will remain until the tide is lower, scooping the sand that runs like cold lava through my star-fish fingers and onto the dry beach. With each handful I twist my body as if dancing in a chair, gazing at the falling sand. Below it rises a drip-castle, a sandcastle that looks for all the world like a melted candle. By sunset there will be a long skinny line of them following the ocean as she chases the moon.

In twilight the beach was tinted sepia, the sand more orange, the water darker, our skin soft to the eye. We sat there, Tara to my left, Leon to my right, just taking in the evening and chatting in our characteristic pattern, the laughs and the serious intermingled.

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Creative Writing Inspiration and Ideas: 10 Beach Writing Prompts

Posted on January 19, 2020 by aaronmullins

Beach Writing Inspiration Creative Writing Prompts Generating Short Story Ideas Sea Seaside

Beach writing prompts and creative writing inspiration often comes to us in waves of inspirational writing ideas . Sometimes quite literally, when we head to the sands for some beach story ideas .

Short story inspiration can be found within the relaxing sound of the waves. Poetry inspiration formed along with footprints with the soft crush of sand beneath your feet.

Beach writing prompts are scattered across the sand. Creative writing inspiration discovered among the lost items washed ashore. Beach short story ideas forming from a mysterious object bobbing on the waves. Good story ideas are sometimes hard to come by, but a stroll along the beach may be all the writing inspiration you need.

Beach Creative Writing Ideas

A walk along the beach is just what a writer needs to clear their heads of daily tasks, relax them, and release their imagination and ideas. Many studies have shown that a walk on the beach lowers stress and blood pressure, boosts mood and has many positive effects on mental health. All things that can also boost creativity for writers .

The beach is also inspiring for us authors. Anything could be buried in the sand, or wash up on the shore. Everything we see is a beach writing prompt , if we only wonder where it came from, who the previous owner was.

Any kind of horror beach short story idea could be lurking in the darker depths of the sea, or a poetry idea related to the treasure waiting to be discovered on the seabed. Romance authors could even find inspiration for characters who don’t mind a bit of sand in hard to reach places…

“Meredith did drop her dress and her inhibitions, afterwards gently plucking a dainty shell from her bottom.”

I have just remembered why I don’t write beach romance stories.

Writing Stories at the Beach

I have some big news to share with you… after 21 years living in England, I have finally moved back to Scotland ! Ayrshire on the west coast is now my home. I can let the full Scots back into my accent, and my daughter can develop her own twang, so she may finally be able to understand what I’m saying in the home videos of my childhood!

I grew up in Wick, which is in Caithness (near John O’ Groats) in the far north of Scotland. A small town filled with decent, good-hearted, funny and hard-working people, my family included. Wick and the Highlands have become the setting in quite a few of my recent beach short story ideas .

In fact, enough to fill a book with a couple of beach story ideas …

The majority of my family are Scottish. My dad had also spent part of his childhood growing up in Wick and we had attended the same secondary school, Wick High School. My grandparents ran a tearoom in Strathpeffer and over the years the rest of us became spread out across the Highlands. The A9 north from Inverness is basically the trunk of my family tree, with each of us settled on the branches along the way (minus the few who smuggled themselves south of the border).

Beach Short Story Ideas

Wick has grown over the years that I have been away. What I remember as fields is now a retail park. The Caithness Glass factory that fascinated me as a child is closed down long ago. The ‘forest’ next to it that my friends and I used to play in as children is now mostly fenced off. However, all these memories and experiences are perfect for beach short story ideas and creative writing prompts .

I have been back up nearly every single year since I left as a fresh-faced 16 year old in 1999, sometimes two or three times, on 1,500 mile road trips. Sadly, in the name of progress, my primary school has been knocked down (North Primary School) and my high school is currently empty, a modern one built behind it.

Edit : You can read about the ghosts that haunted my school and terrified me as a child (and also provided writing inspiration ) in the bestseller Scottish Urban Legends: 50 Myths and True Stories .

Beach Themed Writing Ideas

The following is an excerpt from my beach short story Call of the Nuckelavee which was published in my bestselling book Mysteries and Misadventures: Tales from the Highlands .

The story is about a broken-hearted woman who trudges along the sandy dunes, following the voice of her drowned father. Her mind full of questions, she spies a dog ahead that appears to be beckoning her to follow. She suddenly realises it’s her father’s dog, missing since the day of his death. To rescue the dog, she launches herself into the sea, where she comes face to face with a creature from Scottish legends that has haunted her recent nightmares. With suspicions about her father’s drowning swirling around in her head, she must decide quickly how far she is willing to go to get answers.

She gasped as her foot slipped at the top of the dune. Arms flailing, she tumbled over the high ridge and down the steep sandy embankment. Coarse grass and broken shells scratched at her palms and face as she slid to a halt at the bottom. Need to be more careful. Drawing deep gulps of air, she spat a glob of salty grit onto the sand and pushed herself to her knees. The soft pale sand, so beautiful from a distance, betrayed those who wandered too close to its edge. She knew this, but she didn’t have a choice. The sea called to her, the promise of dark revelations on its lips. Confessing its misdeeds. Scowling from the effort, she stood and brushed the sand from her thick coat and fleece-lined leggings. Let’s do this.

The above book, Scottish Legends: 55 Mythical Monsters , is packed full of sea creatures and beach-dwelling mythical monsters. Based on Scottish folktales, myths and legends, any of these creatures could inspire fantastic beach writing ideas for your own stories.

Beach Creative Writing Prompts

The memories and friendships I have from my childhood are still strong, and now I’m living a bit closer my road trips will not take as long! Importantly, I can still visit the beaches I played on as a child. Reiss Beach in particular is one of the most beautiful beaches I have ever been to and is a great source of beach writing inspiration for me. And you can still find me having a dip in the North Sea (even the Trinkie) as late as October and November!

Wick and the surrounding area has a strong heritage, from the iron ages, to the Norse pagan period. It’s believed Wick was originally named from the Norse word vik , meaning bay. A Viking town then with an enormous sense of history, adventure, mystery and wonder in its beaches, forests and ruins. Endless beach writing inspiration for short stories and book characters.

To help you form your own creative writing ideas , here is a list of 10 beach story writing prompts :

Walking along the beach, your dog returns with a mysterious object in his mouth
Your dog stops at a particular patch of sand and starts whining and digging
You spot a mysterious object shining among the ashes of a beach campfire
You glimpse a hand rising from the sea, beckoning you to enter
As you walk along the beach, a familiar voice on the wind whispers your name
Drag marks in the sand lead inside a beach cave, but no footprints leave
You lift a small crab from a rock pool, and it speaks to you
You lose track of time exploring, and the tide has come in quicker than expected
After a flash of light on the beach, you return home to find the world has changed
As you watch the sun set behind the horizon, something rises from the sea

I hope these beach writing prompts help you generate your own beach story ideas .

Best of luck with your writing!

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Aaron Mullins ( @DrAaronMullins ) is an award winning, internationally published psychologist and bestselling author. Aaron has over 15 years experience in the publishing industry, with expertise in business strategy for authors and publishers. He started Birdtree Books Publishing where he worked as Editor-in-Chief, partnered with World Reader Charity and taught Academic Writing at Coventry University. Aaron’s book How to Write Fiction: A Creative Writing Guide for Authors has become a staple reference book for writers and those interested in a publishing career. Find out more .

One Comment on “ Creative Writing Inspiration and Ideas: 10 Beach Writing Prompts ”

This post was truly worthwhile to read. I wanted to say thank you for the key points you have pointed out as they are enlightening.

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How to Describe a Beach…Brilliantly

I thought it would be fun to do a post about how to describe a beach in a story,

especially since summer is here! I love doing these “master lists for writers” posts, and I hadn’t done one in a while. Bookmark it or pin it on Pinterest for future reference!

If you’re writing a scene or a story with a beach setting, vivid images and other sensory details can make the reader feel like they’re really there, so use these lists of beach sights, sounds, smells, sensations, and even beach foods! I’ve included a list of beautiful coastal words, too. I hope this helps as you think about how to describe a beach in a story! By the way, if you want some inspiration for a summer story, check out my 50 Summer Writing Prompts.

Beach Sights

white-capped waves

white foam on the shore

footprints in the sand

messages written in the sand

seagrass waving in the wind

other birds, such as pelicans, sandpipers, and spoonbills

sunrises or sunsets reflecting on the water

moonlight reflecting on the water

wooden boardwalks

wooden piers

wooden lifeguard stands

blackened sand from natural oil seeps

large beach umbrellas

lounge chairs

brightly patterned beach towels

flip-flop sandals

large beach hats

plastic buckets and pails

beach balls

seashells, especially in the wet sand near the shore at low tide

smooth stones—sometimes stacked by beachgoers

sea urchins, sea stars, mussels, hermit crabs, and/or small fish in tide pools

clumps of brown seaweed on the sand

large rocks at the shore, crusted with barnacles and shells

bonfires—or the charred remains of them

discarded bottles and cans

sailboats, motorboats, and yachts

oil tankers far offshore

children building sandcastles

people flying kites

dogs chasing balls and Frisbees

paddleboarders

windsurfers

water skiiers

parasailers

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Beach Sounds

I think sounds are such an important part of how to describe a beach, because you hear things there that you don’t hear anywhere else.

lapping or crashing waves

seagull cries

rock, rap, or other music blasting from portable speakers

boat motors

laughing or shouting children

beach volleyball game—the thump of the ball; players calling to one another; players clapping

crunch of a play shovel in the sand

the “thunk” of a coconut dropping to the ground

music from ice cream trucks

Beach Smells

fishy smells

suntan lotion (coconut scent)

decaying algae and seaweed

marijuana smoke, at some beaches

Beach Sensations

sand between toes

hot sand under bare feet

being knocked over (or almost) by a wave

cold water…or warm water

rough stone outcroppings

breeze in one’s hair

sun heating one’s skin

Beach Foods

These are some foods frequently sold at stands and restaurants on boardwalks and near beaches in the U.S.

frozen custard

tacos, especially fish tacos

French fries, straight and curly

soft pretzels

popcorn—butter, cheese, caramel, or “kettle corn” seasoned with sugar and salt

lobster rolls (New England)

funnel cakes

saltwater taffy

fresh lemonade

piña coladas

Beautiful Coastal Words

These are some coastal words that I think are just lovely.

archipelago

bioluminescence

estuary (where the river runs into the sea)

greenling (it’s a fish)

shoal (another word for a school of fish)

spindrift (spray blown off the tops of the waves in a strong wind)

thalassophile (beach lover)

How to Describe a Beach - open book and beach background

Did you know that “beach reads” are more popular than ever?

A “beach read” is usually a light, fun book with a summer vibe. It doesn’t have to be literally set at the beach…but it doesn’t hurt. A lot of people love being at the beach, and a book can provide a fast, cheap, easy escape to a beautiful place…a virtual vacation.

Books with beach settings aren’t just for summer any more, either. Last December, I saw prominent displays of books with beach settings in more than one Barnes and Noble store…for readers who prefer sand to snow! It’s just another reason to know how to describe a beach.

How to Describe a Beach - beach read book, sunglasses

Do you have any thoughts on how to describe a beach?

Have you ever written a scene set near the ocean—or are you working on one now? Do you have any beach plans this summer—writing-related or not? Let us know all about it in the comments!

And if you enjoyed this post, be sure to check out my book Master Lists for Writers , if you haven’t already!

Thanks so much for reading, and happy writing!

sunglasses and a pen sitting on a notebook next to a swimming pool

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Write that Scene

May your writing spirit live on forever

How to Write a Beach Scene

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At first, focus on the overall atmosphere.

» A. To start your story, describe the weather, the crowd and their activities.

I. Begin with the weather but ease your way into describing what the five senses are experiencing. Describe the feel of the sand between the character’s toes, the brightness of the sun in their eyes, the sounds of the waves, the sounds of children playing in the sand, the taste of the ocean water. Here are some words you can use:

C. Smell: Seaweed/saltwater Feel: Humid sea air Gritty sand Cool water

II. Use metaphors, similes and color to breathe life into your scene. The ocean is an aqua blue, the sand is pale yellow, and the sun is a fierce, hot yellow. The sky is a gorgeous light blue with big, fluffy white clouds. Here are some phrases you can use:

C. Long golden sands with the waves lapping on the shore.

D. First thing that hit him/her was the salty air.

Listening with both an open heart and ear, Jonah heard the waves crashing against a nearby rock. This rock had been the go-to place for him as a kid. He used to jump off of it and into the water, or sit on it and read his favorite book.

But it didn’t end there. The one thing that made Jonah always returned to the beach wasn’t only because of those reasons. It also had to do with the feel— the emotion he got whenever he looked out far into the ocean. He would forget all forms of agony, pain, regret and frustration. A strong since of peace and calm resided over him always. Only the beach made him feel such things.

With the infinite blue sky above promising sunshine, and the big, fluffy white clouds adding a touch of ecstasy.

Something interesting should happen, no doubt.

» A. A bit of mystery and action is always a good thing.

I. Maybe the character moved to another part of the beach and it’s a lot louder or quieter? Or maybe there’s music, dance and a party.

Example 2:

Then it happened. Just like that! No thinking, no pauses: Jonah jumped into the water, screaming. Carolyn looked his way immediately. Running quickly to save him, she blew her whistle for back up and used her binocular to find the fallen body. Jonah saw her every move through his squinted eyes, however he knew in order to make it look realistic, he had to go under water. So he did and in the water below, he pictured Carolyn rescuing him and kissing him…. uh, I mean… doing CPR.

» B. How does the environment affect your character and what’s happening to them? Use the background to emphasize the character’s emotions rather than describing them.

I. Be sure to give vivid imagery. Allow your reader to continue to see what is going on, in order for the scene to have a realistic feel. What I mean by that is, while you’re talking about the drama, mystery or action events that unfold, every so often add in the “normal stuff” that happens around the character. These can easily become a symbolic meaning. Here are a few “normal, symbolic meaning stuff” to give you an idea:

C. Playful seal take a ride in a wave = happiness, childlike mindset, freedom, endless joy

D. A whale surfacing to get a breath can be seen. = revelation, secrets unfold, epic adventure lying ahead

E. Fishermen’s lines hanging off the pier into the water in hopes of catching dinner. = a new start, overwhelming beginnings, hope for the future, determination to improve one’s circumstances

F. The sunlight starting to fade = dreams are lost, stuck in darkness, forbidden love

G. Surfers exit the sea, and build bonfires in the pits and you smell marshmallows burning in the fire. = treasuring the here and now, aspiration ideals about life and upcoming events, finding happiness in the simplest of things

In other words, relate it back to what is going in the story. If your character is talking to a guy she likes, insert a part in your scene about a seal talking a ride in a wave. If your character is feeling miserable and is walking on the beach feeling lonely, insert a part in your scene about them seeing the left overs of children’s sand castles. Come up with your own if you like. Example 3:

Jonah had been knocked out — he really drowned himself without realizing it. The hot and heavy daydream about Carolyn saving him made him forget to come up for air. By the time Jonah work up, he saw seaweed piled in heaps in various spots on the beach. There were no children and broken shells lined the water line which was filled with debris.

“What, where am I?” Jonah said. Carolyn hovered over him. “Did I go to hell?” Jonah stood up. “There’s no way because you’re here. Tell me, what happened, Carolyn?”

Identify the main purpose of this scene. Don’t let it linger on without meaning.

» A. Connect all that you can in this scene with your plot. Enhance the characters, bring in new revelations, and/or establish a long-lasting setting that will take place throughout the entire novel.

I. What significant thing happens during this scene? Is it someone that your character meets? Something they find? What important event unfolds and how does your character handle it? II. What is the next step? If the scene’s purpose was for your character to meet someone, then are they going to leave the beach and go somewhere else to have a more serious, maybe private conversation? If not, the beach can be their go to area where they meet in secret, far, far away from the rest of the world. III. Does the ocean or animals on the beach have any relevance? Or does this scene on pertain around human beings and their behaviors toward one another? Animals can potentially save your character if they are about to drown. Animals can be in danger and your character tries to help them, and, in the process, they meet the love of their life or a true friend that wants to help this animal too. Hint: it could be the lifeguard.

Example 4:

Carolyn spoke with such elegance. This was the first time Jonah heard her speak. “Your heart stopped beating and I had to do CPR on you. The ambulance is on its way so hang in there, okay.”

“Wait, Carolyn,” Jonah tried to speak as best as he could, “before they take me away, I want to say I love you so very much.”

» B. Exit the scene in style, and leave hints about if the character will return or not.

I. One of the best ways to finish a beach scene is to show how the scenery, setting and/or environment took effect on your character. For instance, did your character have more peace after visiting the beach or feel anger. Then, connect it back to your plot. Whatever trials and tribulations your character faced throughout the book, take from your simple beach scene and incorporate into the story.

Let’s say at the beach your character finally learned how to swim. Then maybe later on in your book have the character save someone who is about to drown, or join a swimming competition. Another example is if your character met someone. Maybe that special someone can later be of importance to your protagonist

II. What is the most important image/memory that both the character and reader should take from this scene? It could be as small as the walk on the beach to as big as learning how to swim, finally. You decide. And, with that image/memory, have your character reminisce about their time on the way back home. Give them a short dialogue or monologue, saying how their time was well spent. (Unless, of course, they had a miserable time at the beach).

Example 5:

Carolyn giggled. “I know,” she said, “before you woke up you were mumbling to yourself. I know everything. All about your crush, all about your fake drowning attempt.”

“And you’re not mad at me?”

Carolyn shrugged. “I was. But I guess I forgave you.”

Jonah closed his eyes and smiled. “See, this is why I love you. I don’t know you very well but your awesome personality shines through.”

“Don’t be corny,” Carolyn said.

“No, I’m being serious. When the ambulance comes to take me away, will I be able to see you again?”

Carolyn nodded. “Of course. You can always find me here.”

“Right, I almost forgot. Silly me. You’re a life guard.”

Carolyn turned red. “Um,” she said softly, “not just a life guard.” She pointed down. “I’m also a mermaid. The ocean is my home.”

Jonah looked down at the large, purple fin he had been resting on. Surprised to see that it was real and in no way a trick, he fainted once again. This time, he had a very vivid dream that only he will ever know about.

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Jonah hadn’t been to the beach since his first semester of college started. It had been a long couple of months but he survived nonetheless. And, instead of going to a frat party to drink himself silly, he wanted to revisit the place where he first fell in love with life. Could it have been the dazzling sand that sparked in the golden sunlight, or the hungry seagulls beating their wings against the ambush of wind. Listening with both an open heart and ear, Jonah heard the waves crashing against a nearby rock. This rock had been the go-to place for him as a kid. He used to jump off of it and into the water, or sit on it and read his favorite book.

As the memories poured in, Jonah headed over to the rock where he knew a flood of happiness would follow him. The best stress relief wasn’t popping pills or smoking a joint with his buds, nah… it was the peaceful serenity of the beach. The smell of saltwater traveling up his nostrils, releasing a spell-like hypnotic trance on him. Yes, it was the gritty sand against his bare feet, the tall, hard rock positioned appropriately against his butt as he read a book. But it didn’t end there. The one thing that made Jonah always returned to the beach wasn’t only because of those reasons. It also had to do with the feel— the emotion he got whenever he looked out far into the ocean. He would forget all forms of agony, pain, regret and frustration. A strong since of peace and calm resided over him always. Only the beach made him feel such things. With the infinite blue sky above promising sunshine, and the big, fluffy white clouds adding a touch of ecstasy.

Though, all of this fantasizing buildup went out his mind the moment he saw Carolyn, the life guard. She was ten years older than him, but ever since Jonah could remember he had a major crush on her. Watching her sexy body climb up in her high chair with the binoculars in one hand and a whistle around her neck, gave Jonah an idea. A devious idea. The other beach goers meant nothing to him; he wanted her to notice him one way or another…. even if it meant fake drowning. Then it happened. Just like that! No thinking, no pauses: Jonah jumped into the water, screaming. Carolyn looked his way immediately. Running quickly to save him, she blew her whistle for back up and used her binocular to find the fallen body. Jonah saw her every move through his squinted eyes, however he knew in order to make it look realistic, he had to go under water. So he did and in the water below, he pictured Carolyn rescuing him and kissing him…. uh, I mean… doing CPR. Jonah had been knocked out — he really drowned himself without realizing it. The hot and heavy daydream about Carolyn saving him made him forget to come up for air. By the time Jonah work up, he saw seaweed piled in heaps in various spots on the beach. There were no children and broken shells lined the water line which was filled with debris.

Carolyn spoke with such elegance. This was the first time Jonah heard her speak. “Your heart stopped beating and I had to do CPR on you.The ambulance is on its way so hang in there, okay.”

Carolyn giggled. “I know,” she said, “before you woke up you were mumbling to yourself. I know everything. All about your crush, all about your fake drowning attempt.”

7 thoughts on “ How to Write a Beach Scene ”

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10 Words to Describe Sand on a Beach

By A.W. Naves

There is nothing like a beautiful beach to create a relaxing setting in your novel. If you’re looking for ways to create some memorable visual images in the minds of your readers, the following 10 words to describe sand on a beach will help you.

Gold-like, bright : having a yellowish-brown color.

“The golden sand of the beach was a beautiful contrast to the blue water.”

“She posed next to a golden sandcastle glistening in the sun.”

How It Adds Description

The word “golden” adds a sense of warmth and richness to a scene about sand on a beach. It makes the beach look more inviting and magical, evoking feelings of joy and happiness. The golden sand of a beach can set a romantic or peaceful scene. It can also give an illusion of wealth such as in a novel where a character is seeking treasure on the dunes.

Granular, gravelly ; having rough-edged texture.

“The coarse sand scratched at my feet as I walked.”

“It was nearly impossible to build sandcastles that would stay upright with such coarse sand.”

The word “coarse” provides a sense of the texture and consistency of the sand. It means that it is rough and has a rough-edged texture. This can affect the sensory experience of the characters in the scene and give a sense of how the sand feels beneath their feet. It can show that they are in harsh conditions, a less traveled area or a poorly maintained location along the shore.

3. Shimmering

Gleaming, shining ; producing a sheen.

“The shimmering sand spanned for miles as it reflected light back from the brutal sun.”

“The sand was shimmering like diamonds scattered on the beach.”

The word “shimmering” adds description to a scene about sand on a beach by adding a sense of beauty and magic to the environment. It creates a visual image of the sand reflecting light and creating a sparkly or shining effect. This adds to the atmosphere of the scene, making it more memorable and impactful.

Chalky, dusty ; having a fine, dry texture.

“The powdery sand was so soft that it felt like I was walking on clouds.”

“I left a trail of powdery sand behind me as I walked up the walkway to the tiki bar.”

The word “powdery” conveys a sense of softness and delicacy to the sand. It creates an image in the reader’s mind of the sand being finely textured, like flour or talcum powder. This description can evoke a feeling of comfort and relaxation, making the beach feel like a peaceful, tranquil place.

Speckled, multi-colored ; having distinct colors or shades.

“The mottled sand had a mix of dark and light browns that made it look like a work of art.”

“The sand was mottled with different shades and hues blending together.”

The word “mottled” adds visual detail and depth to a scene about sand on a beach by describing the pattern of blotches or spots of different colors or shades. It can be used to represent the protagonist’s journey, where they are faced with different challenges that leave their mark, adding to their own mottled past.

Harsh, rough ; having a grainy texture.

“The gritty sand was hard on my feet as I attempted to walk barefoot along the shore.”

“The sand was gritty near the waterline but settled into a finer grain further off shore.”

The word “gritty” creates a sensory experience for the reader and helps them visualize the sand as being scratchy and uncomfortable. It can convey a sense of roughness, struggle, or difficulty in a character’s situation, adding nuance to the story. As a representation of a character, it can imply that they possess the same rough surfaces as the sand beneath their feet.

Calm, peaceful ; unbroken in appearance.

“The sand beneath me was serene , allowing me to drift off to sleep in my hammock.”

“The serene sand was a perfect contrast to the noisy waves.”

The word “serene” creates a visual and emotional image of a tranquil and relaxing environment. This can help to set the mood for a particular scene, creating a contrast between the chaos and turmoil of other parts of the story. If a character is in crisis, the serene sand on the beach may represent inner peace or a moment of respite.

Pewter, grey ; having a metallic color.

“The sand was silvery as it caught the light that escaped the clouds.”

“The silvery sand made the beach look like a mirror reflecting the sky.”

The word “silvery” creates an impression of a shimmering, lustrous, and metallic surface. The use of this adjective can evoke a feeling of elegance, glamour, and magic in the reader’s mind. You may expect a silvery beach to lead to something grand or mystical, such as a long-forgotten castle or unexpected doorway.

9. Burnished

Glossy, shiny ; having a smooth polished surface.

“The sand was burnished to a high gloss .

“The burnished sand was like a glassy lake, reflecting the sky.”

The word “burnished” adds a touch of glamour to the setting. This could be used to enhance a romantic or whimsical moment in a novel, such as a beach proposal or a dreamy beach walk. A small patch of burnished sand amid otherwise unremarkable grains can evoke a sense of wonder and enchantment.

10. Stygian

Lightless, dark ; black or shaded.

“The obsidian sand on the beach was rare and exotic, unlike any other sand I’ve seen.”

“I picked up a piece of obsidian sand and marveled at its glossy, smooth texture.”

The word “stygian” adds a sense of ominousness or foreboding to a scene. It can be used to describe something dark, gloomy, or sinister, setting the tone for a tense or dangerous situation. A character may encounter stygian sand in a place that is unknown, creating suspense as they enter another leg of a journey.

Sands of Creativity: Mastering the Art of Describing Sand in Creative Writing

My name is Debbie, and I am passionate about developing a love for the written word and planting a seed that will grow into a powerful voice that can inspire many.

Sands of Creativity: Mastering the Art of Describing Sand in Creative Writing

Unleashing Your Imagination: The Intriguing World of Describing Sand

Capturing the essence: exploring the texture and color of different sands, painting a picture with words: crafting vivid descriptions of sand, playing with metaphors: infusing emotion and depth into sand descriptions, mastering the art of sensory detail: evoking sights, sounds, and feelings of sand, choosing the right words: enhancing descriptions through precise vocabulary, going beyond the obvious: uncovering the unique qualities of various sands, inspiring your readers: techniques to bring sand descriptions to life, frequently asked questions, concluding remarks.

Have you ever stopped to truly observe the mesmerizing qualities of sand? This omnipresent substance that effortlessly slips through our fingers is more fascinating than meets the eye. Its texture alone can transport us to a multitude of landscapes, from silky smooth shores to rough and grainy dunes. But describing sand goes far beyond its mere sensation. Join us as we embark on a journey to unravel the intriguing world of sand and let your imagination run wild .

Sand, with its infinite variety, holds a treasure trove of colors. From dazzling white beaches to golden desert expanses, it embraces shades that beckon the wanderlust within us. Each grain tells a unique story, composed of minerals, rocks, and even seashells. Imagine the soft, powder-like feel of finely ground quartz sliding through your fingers, or the coarser, uneven grit of volcanic ash-shaped particles. The diversity of sand is as astounding as the landscapes they form. Palettes of ochre, beige, caramel, or ebony awaken our senses and paint vivid pictures in our minds.

Capturing the Essence: Exploring the Texture and Color of Different Sands

Welcome to a captivating journey where we delve into the mesmerizing world of sands! Join us as we uncover the diverse range of textures and colors found in sands across the globe. From sun-kissed beaches to arid deserts, each grain has its own story to tell.

The texture of sands can vary significantly, providing a truly unique tactile experience. Fine sands, with their powdery consistency, effortlessly slip through your fingers, creating a velvety sensation. In contrast, coarse sands offer a grainier touch that exudes a sense of rawness and ruggedness. Embark on an adventure of touch, allowing your fingertips to explore the vast differences that sands have to offer.

Jagged Sands: Some sands display jagged edges, formed from elements like crushed shells or volcanic rocks. These rough textures not only add intrigue but also depict the turbulent history of their origin.
Silky Sands: As smooth as silk, these ultra-fine grains are like caressing a cloud. Often found on serene beaches, their velvety texture feels luxurious beneath your toes.
Glistening Sands: Certain sands shimmer like precious gems under the sunlight. Infused with tiny crystal fragments, they create a mesmerizing spectacle that sparkles and captivates all who behold their beauty.

Colors also play a significant role in the allure of sands. Some beaches boast pristine white sands, where the pureness reflects the surrounding sunlight, creating an ethereal atmosphere. Other shores embrace warm golden tones, reminiscent of endless summer days. Certain volcanic regions unveil striking black sands, drenched in mystery and history. The kaleidoscope of colors found in sands truly invites us to observe the fascinating tapestry of our planet.

Painting a Picture with Words: Crafting Vivid Descriptions of Sand

Color: The sand sparkled like golden silk under the bright rays of the sun, spreading hues of warmth and radiance. As the coastline stretched far into the distance, the sand gradually lightened to a delicate shade of beige, reminiscent of a creamy cappuccino. In some areas, where the sea gently lapped against the shore, the sand appeared damp and darker, contrasting beautifully with the dry, powdery texture surrounding it.

Texture: Running your fingers through the sand felt like sifting through thousands of tiny, velvety granules. It was as if nature had taken the softest down feathers and transformed them into a flooring of delicate particles. The sand was cool to the touch, offering a refreshing respite from the heat of the sun. With each step, the sand gently yielded beneath your weight, leaving behind little footprints and revealing its resilient nature.

Playing with Metaphors: Infusing Emotion and Depth into Sand Descriptions

When it comes to describing sand, the use of metaphors can add a whole new dimension of emotion and depth to your writing. Metaphors allow you to create vivid imagery and engage the reader’s senses, making your descriptions more captivating and memorable.

One way to infuse emotion into sand descriptions is by comparing the texture of the sand to something familiar yet evocative. For example, you could liken the softness of the sand to a baby’s skin, instantly conjuring feelings of tenderness and delicacy. Alternatively, you might compare the roughness of the sand to a warrior’s calloused hands, evoking a sense of strength and resilience. By using metaphors, you can transform a mundane description into a powerful visual experience that resonates with your readers.

Compare the warmth of the sand to a cozy fireplace on a winter’s night.
Describe the color of the sand as golden, like an ethereal sunbeam at sunset.
Portray the sound of the sand as a gentle whisper, reminiscent of secrets shared between loved ones.

Ultimately, the key to infusing emotion and depth into sand descriptions lies in the artful use of metaphors. By carefully selecting metaphors that resonate with your intended emotions and creating a sensory experience, you can transport your readers to the sandy shores and make your descriptions come alive.

Evoke the beauty and essence of a sandy landscape by mastering the art of sensory detail. By incorporating vivid sights, sounds, and feelings, you can transport your readers to a world of sun-kissed shores and shifting dunes.

When describing the sight of sand, imagine the golden grains glistening in the sunlight like a million tiny stars. The fine texture and undulating patterns create a mesmerizing sight, painting a picture of tranquility and endless possibility. Picture the way the sand stretches out before you, seemingly infinite, inviting you to explore and lose yourself in its soft embrace. To amplify this visual imagery, consider using descriptive adjectives like “powdery,” “radiant,” or “undulating.”

Sound: Close your eyes and listen closely to the soundscape of sand. As you walk, the grains gently shift under your feet, creating a soothing, rhythmic sound – a gentle dance of nature. The sound of sand blowing in the wind is a whispered melody, harmonizing with the symphony of crashing waves in the background. To convey these auditory sensations, incorporate words like “whisper,” “rustle,” or “murmur.”
Feelings: The sensation of sand beneath your toes is an unparalleled experience. As you sink your feet into its warmth, you can almost feel its soft caress against your skin. The playful texture lends itself to building sandcastles or creating intricate patterns with your fingertips. Let your readers feel the sensation of sand slipping through their fingers, the gentle exfoliation as it meets their skin. Use words like “gritty,” “grainy,” or “velvety” to transport your audience to the tactile wonderland of sand.

Incorporating sensory detail in your writing enables you to paint a vivid and immersive picture of the sandy landscape. By harnessing the sights, sounds, and feelings of sand, you can evoke a sensory experience that resonates with your readers, enticing them to embark on their own journeys through the mesmerizing world of sand.

The art of effective communication lies not only in the ideas we express but also in the words we choose to convey those ideas. When it comes to descriptions, the use of precise vocabulary can elevate the impact and clarity of our message. By carefully selecting the right words, we can paint a vivid picture in the minds of our readers, capturing their attention and evoking specific emotions.

First and foremost, precision in vocabulary allows us to be more specific with our descriptions. By utilizing words that are exact and concrete, we provide the reader with a clear image of what we are describing. Rather than simply stating that something is “big,” we can use words like “monstrous” or “towering,” providing a much more evocative and memorable depiction. Additionally, precise vocabulary helps us to express nuanced differences. For example, instead of describing an object as “old,” we can choose words like “antique” or “vintage” to convey a sense of history and value. These subtle word choices add depth and richness to our descriptions, making them more engaging and captivating.

Precision in vocabulary provides clarity and specificity in descriptions.
Exact and concrete words create clear mental images.
Evocative vocabulary helps capture the reader’s attention.
Subtle differences can be expressed through nuanced word choices.
Precise vocabulary adds depth and engages the reader.

In conclusion, choosing the right words is key to enhancing descriptions. By incorporating a precise vocabulary, we can ensure clarity, evoke emotions, and captivate our readers. So, let us dive into the vast sea of words and select those that best convey our intended meaning, creating descriptions that truly come alive in the minds of those who read them.

Going Beyond the Obvious: Uncovering the Unique Qualities of Various Sands

When it comes to sand, we often take it for granted as simply a gritty substance beneath our feet. However, delve deeper into the world of sands, and you’ll be amazed by their diverse characteristics and rich histories. From the serene beaches of the Caribbean to the mystical deserts of Africa, sands hold unique qualities that set them apart. Let’s embark on a journey to explore the hidden wonders of these fascinating granules!

1. The Singing Sands of Lovers Beach, Mexico: Have you ever heard sand sing? Well, you can experience this enchanting phenomenon at the pristine Lovers Beach in Cabo San Lucas. As you step on the sand, the friction between the tiny grains produces a gentle melody resembling the sound of a distant flute. This extraordinary occurrence is due to the silica-rich content of the sand particles. It’s truly a magical experience cherished by locals and visitors alike.

2. The Magnetic Sands of Tenerife, Spain: Prepare to be amazed by the magnetic sands of Tenerife’s Playa de las Teresitas. Unlike ordinary sand, these unique black grains are formed from volcanic materials, giving them their magnetic properties. Locals believe that the sand possesses healing powers, and visitors flock to this stunning beach to relax and indulge in its alleged therapeutic benefits. So, next time you’re in Tenerife, don’t miss the opportunity to lounge on these captivatingly magnetic sands!

When describing sandy landscapes, it is crucial to paint a vivid picture in your reader’s mind. By incorporating sensory details and using descriptive language, you can transport your audience to the breathtaking beauty of sandy shores. Here are some techniques to infuse life into your sand descriptions:

1. Appeal to the senses: Engage your reader’s senses by describing the texture of the sand – is it powdery, fine, or gritty? Highlight the scent of the ocean breeze as it mingles with the salty sea air. Captivating your reader’s senses creates a more immersive experience.
2. Evoke emotions: Describing the sand in a way that elicits emotions can create a deeper connection with your readers. A phrase like “the golden sand shimmered under the sun, inviting you to feel its warmth beneath your toes” sparks feelings of comfort and tranquility.
3. Use vibrant comparisons: Enhance your descriptions by drawing comparisons to relatable objects. For instance, you could compare the color of the sand to “pale vanilla” or liken its texture to “sifting through a thousand crushed pearls.”

By employing these techniques, you can revitalize your descriptions of sandy landscapes and transport your readers to coastal paradises. Remember to be creative and let the sand come alive in their minds, enabling them to feel the warmth, smell the sea, and hear the gentle whisper of the waves in the distance.

Q: What is the importance of describing sand in creative writing? A: Describing sand in creative writing can add depth and realism to your storytelling. It helps create vivid imagery and transports readers to different settings, whether it’s a tropical beach or a desert landscape.

Q: How can I effectively describe sand in my writing? A: To describe sand effectively, use sensory language to engage readers’ senses. Focus on the texture, color, temperature, and even the sound of sand to make your description come alive on the page. Be specific and pay attention to small details that can enhance the overall atmosphere of your writing.

Q: What are some ways to capture the texture of sand in descriptive writing? A: To capture the texture of sand, consider its graininess, roughness, or smoothness. You can compare it to other familiar textures, such as silk, granulated sugar, or even the rough skin of a lizard. By using descriptive adjectives and similes, you can effectively convey the unique properties of sand.

Q: How does the color of sand impact descriptive writing? A: The color of sand plays a significant role in setting the scene in creative writing. Whether it is white, golden, or even black, the color of sand can evoke different emotions and moods. For example, white sand may convey a sense of purity or tranquility, while golden sand can symbolize warmth and paradise.

Q: How can I describe the temperature of sand in my writing? A: Describing the temperature of sand can help readers experience the scene more fully. You can convey warmth by mentioning the hot sand beneath one’s feet, or alternatively, describe the coolness of sand in the shade. By incorporating the temperature element, you can accentuate the overall atmosphere of your writing.

Q: Is it important to describe the sound of sand as well? A: Absolutely! Incorporating the sound of sand can make your writing even more immersive. Describe the crunching sound underfoot as someone walks on dry sand, or the gentle swishing sound of sand slipping through fingers. By including auditory details, you engage another sense and make the scene feel more realistic.

Q: How can I avoid generic descriptions when writing about sand? A: To avoid generic descriptions, focus on using unique and specific details. Instead of simply stating “the sand was white,” you could describe it as “powdery white sand, so fine that it slipped right through my fingers.” By using more descriptive language, you make the description more engaging and memorable.

Q: Are there any pitfalls to avoid when describing sand in creative writing? A: One common pitfall to avoid is overusing cliches or generic phrases. Aim to create original descriptions that paint a vivid picture in readers’ minds. Additionally, be cautious of excessive description that might slow down the pace of your writing. Strike a balance between providing enough detail to engage the reader, while keeping the story flowing smoothly.

Q: Can you provide some examples of effective descriptions of sand in creative writing? A: Certainly! Here are a few examples: 1. “The sand, warm as freshly baked bread, cushioned my every step as I strolled along the beach.” 2. “Golden grains of sand shimmered under the scorching sun, creating a radiant tapestry as far as the eye could see.” 3. “As the wind whispered through the dunes, the fine sand rose and fell like dancing tiny diamonds in a desert waltz.”

Q: Any final tips for mastering the art of describing sand in creative writing? A: Practice observing sand in real-life situations , paying attention to its various characteristics and how it interacts with the environment. This practice will help you develop a keen eye for detail, enabling you to describe sand more authentically in your writing. Remember to engage the reader’s senses and use language that is unique, specific, and evocative.

In conclusion, mastering the skill of describing sand in creative writing is a powerful tool that can take your prose to new heights.

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How To Describe Waves in Writing (100+ Examples & Words)

Waves are more than just water — they’re a canvas for storytelling. In writing, capturing the essence of waves can bring scenes to life.

Here is how to describe waves in writing:

Describe waves in writing by focusing on elements such as size, color, sound, movement, texture, temperature, shape, speed, force, impact, and rhythm. Use vivid words and phrases to convey the wave’s character and emotion.

Let’s dive into the different types of waves and explore how to describe them effectively.

Types of Waves

Majestic ocean waves rolling towards shore, showcasing dynamic beauty. - How to Describe Waves in Writing

Table of Contents

Understanding the types of waves is crucial for vivid descriptions. There are primarily three kinds:

Oceanic Waves: Generated by wind, these waves are common in seas and oceans.
Tsunami Waves: Caused by underwater disturbances like earthquakes, these are massive and destructive.
Tidal Waves: Influenced by the moon’s gravity, these are predictable and occur in cycles.

Each type of wave carries a unique character, influencing how they should be described in writing.

1. Size : Understanding Wave Size

Size matters when it comes to describing waves. It sets the stage for the scene’s mood. Is the wave towering and intimidating, or small and playful? The size of a wave can convey emotions, from tranquility to terror.

Example Sentences:

The waves were colossal, looming over the ship like angry titans.
Tiny waves danced around my ankles, tickling my feet.
A medium-sized wave playfully tossed the surfers towards the shore.
Gigantic waves crashed against the cliff, sending sprays of foam skyward.
Small, gentle waves whispered secrets to the sandy beach.
The wave was a monster, swallowing the sun as it rose.
Miniature waves lapped lazily against the boat.
A massive wave surged forward, a liquid mountain in a furious ocean.
The waves were of average height, but their power was undeniable.
Petite waves frolicked in the moonlight, creating a magical scene.

2. Color : The Palette of the Sea

The color of a wave can reflect the environment, the weather, and the time of day. It’s a visual feast, ranging from deep blues to emerald greens, often speckled with white foam.

The waves glowed a deep sapphire in the morning light.
Emerald waves crashed onto the shore, a display of nature’s vibrancy.
Dark, almost black waves foretold the approaching storm.
The sunset turned the waves into a palette of gold and orange.
Turquoise waves sparkled under the bright sun.
The waves were a dull gray, mirroring the overcast sky.
White-capped waves contrasted sharply against the deep blue sea.
At dawn, the waves took on a soft pink hue.
The waves were a clear, crystal blue, inviting and serene.
In the moonlight, the waves appeared almost silver.

3. Sound : Listening to the Ocean’s Song

The sound of waves is as varied as their size and color. It can be a soothing lullaby or a fearsome roar. Describing the sound can immerse the reader in the scene, making them hear what your characters hear.

The waves roared like an angry beast as they crashed onto the shore.
A gentle whoosh accompanied the small waves as they kissed the beach.
The sound of the waves was a rhythmic, calming hum.
Each wave crashed with a thunderous boom, echoing against the rocks.
The playful splashes of the waves created a cheerful melody.
The waves whispered secrets as they retreated from the sand.
A loud, intimidating crash announced the arrival of the big waves.
The waves’ soft murmur was a lullaby that lulled me to sleep.
With a fierce howl, the waves battered the coastline.
The waves chuckled softly as they played around my feet.

4. Movement : Choreography of the Sea

The movement of waves is a dance orchestrated by nature. It can be slow and graceful or fast and chaotic. Describing this movement helps visualize the scene’s pace and energy.

The waves rolled in lazily, a slow-motion display of power.
Rapid, choppy waves raced towards the shore in a frenzied dance.
Each wave glided smoothly towards the beach, a serene procession.
The waves surged back and forth, a never-ending battle with the shore.
Playful waves skipped and hopped over each other in their rush to the land.
The wave’s graceful arc was a ballet in the ocean.
Aggressive waves lunged at the rocks, a display of unbridled fury.
The waves swayed gently, a peaceful rhythm in the aquatic world.
Quick, eager waves darted towards the sand, leaving foamy trails.
The waves tumbled over themselves, a chaotic tumble in the tempestuous sea.

5. Texture : Feeling the Surface of the Sea

The texture of a wave is a tactile experience, often overlooked but deeply evocative. It can range from smooth and glassy to rough and tumultuous, adding a sensory dimension to the description.

The waves felt silky as they flowed over my skin.
Rough, choppy waves battered against my legs with gritty force.
The wave’s surface was smooth as glass, reflecting the sunlight.
Frothy, foamy waves tickled my feet with their bubbly touch.
The waves were uneven, a chaotic jumble of water and air.
Each wave caressed the shore with a soft, velvety touch.
The waves were harsh, a bristly brush against my arms.
A smooth, rolling wave enveloped me in a gentle embrace.
The turbulent waves felt like a sandpaper scraping against my skin.
Velvety waves slipped through my fingers, a fleeting softness.

6. Temperature : The Warmth and Chill of the Waves

Temperature adds an emotional layer to wave descriptions. It can be the refreshing coolness of a summer wave or the biting chill of a winter sea, evoking physical reactions in the reader.

The wave’s cool embrace was a relief from the scorching sun.
Icy waves nipped at my toes, a brisk reminder of the season.
The warm wave wrapped around me like a comfortable blanket.
Chilly waves sent shivers up my spine as I waded deeper.
The water was tepid, a lukewarm welcome to the ocean.
A cold wave splashed over me, a sharp contrast to the humid air.
The wave’s warmth was surprising, like a bath under the sun.
Freezing waves crashed against me, taking my breath away.
The waves were refreshingly cool, a perfect antidote to the heat.
A warm current flowed through the waves, a pleasant surprise in the chilly sea.

7. Shape : Contours of the Ocean Waves

The shape of a wave is its signature. It can be a towering wall of water or a gentle, rolling hill. This visual element can dramatically change the scene’s atmosphere.

The wave curled into a perfect tube, a surfer’s dream.
Gentle, rolling waves formed soft undulating hills on the ocean’s surface.
The wave peaked sharply, a jagged edge against the sky.
Broad, flat waves spread out lazily across the bay.
The waves formed crescent shapes, cradling the surfers.
A towering wave stood upright, a wall of water defying gravity.
The wave’s gentle slope was like a smooth ramp to the shore.
Sharp, angular waves cut through the water, a geometric dance.
The waves bunched up, forming a chaotic cluster of peaks and troughs.
Each wave was a gentle curve, a soft arch in the sea.

8. Speed : Velocity of the Sea’s Movements

Speed in wave descriptions conveys urgency and momentum. It can range from a languid crawl to a rapid rush, reflecting the energy of the scene.

The waves advanced slowly, a leisurely approach to the shore.
Fast-moving waves crashed onto the beach with urgent fervor.
The wave approached at a snail’s pace, prolonging the anticipation.
Quick waves zipped by, barely touching the sand before retreating.
A gradual wave inched its way to the land, a slow but steady force.
The wave sped towards the shore, a racer in the final lap.
The wave’s crawl was almost imperceptible, a slow-motion display.
Swift waves surged forward, eager to reach their destination.
The wave’s leisurely pace was calming, a gentle approach to the coast.
Rapid waves rushed in a flurry, a blur of water and foam.

9. Force : The Power Behind Each Wave

The force of a wave reflects its strength and impact. It can be a gentle nudge or a formidable shove, affecting everything from the narrative’s tone to the characters’ reactions.

The wave hit with a gentle force, a soft push against my body.
A powerful wave slammed into the shore, shaking the ground beneath my feet.
The wave’s mild force was a caress rather than a hit.
An immense wave exerted a fierce pressure, knocking me off my feet.
The wave’s force was subtle, barely noticeable as it brushed past.
A strong wave pushed me effortlessly towards the beach.
The wave’s force felt like a tender hug from the sea.
A colossal wave unleashed its fury, a brutal display of nature’s strength.
The wave nudged me gently, a polite invitation to play.
The wave’s force was overwhelming, a powerful surge that engulfed everything in its path.

10. Impact : The Aftermath of a Wave’s Touch

Impact describes the effect of a wave on its surroundings. It’s not just the physical interaction but also the emotional and environmental consequences.

The wave’s impact left a trail of foamy residue on the sand.
A strong wave’s impact stirred up the seabed, clouding the water.
The gentle impact of the wave left a soothing sensation on my skin.
The wave crashed with such impact that it echoed along the coastline.
The wave’s impact was minimal, leaving the beach almost untouched.
A mighty wave’s impact carved a new shape into the rocky shore.
The impact of the wave was a refreshing splash, invigorating my senses.
The wave’s powerful impact uprooted seaweed and shells, leaving them scattered.
The impact of the small wave was a whisper against the shore.
The wave hit with such impact that it felt like a physical embrace.

11. Rhythm : The Pulsating Heart of the Sea

Rhythm in wave descriptions captures the pattern and tempo of their movement. It’s the heartbeat of the sea, a pattern that can be calming, erratic, or anything in between.

The waves had a steady rhythm, like the beat of a drum.
Irregular waves created a chaotic rhythm, unpredictable and wild.
The rhythmic lapping of the waves was a soothing, consistent sound.
Each wave crashed in a frenetic rhythm, a symphony of chaos.
The waves followed a slow rhythm, a languid dance with the shore.
The rapid rhythm of the waves was exhilarating, a fast-paced melody.
The waves’ rhythm was erratic, changing tempo with each surge.
A gentle, predictable rhythm marked the waves’ approach and retreat.
The waves pounded in a fierce rhythm, relentless and powerful.
The soothing rhythm of the waves was a lullaby, lulling me into tranquility.

50 Best Words to Describe Waves in Writing

These are some of the best words for how to describe waves in writing:

Invigorating

50 Best Phrases to Describe Waves in Writing

Here are some of the best phrases to describe waves in your stories.

A symphony of water and wind.
Sea’s rhythmic dance.
Whispering aquatic secrets.
A ballet of blues and greens.
The ocean’s mighty applause.
Waves kissing the shore.
A tapestry of aquatic motion.
The sea’s relentless march.
Foamy fingers reaching for the beach.
The gentle caress of the ocean.
A tumultuous ocean orchestra.
Cascading liquid curtains.
The sea’s serene lullaby.
Roaring aquatic beasts.
Shimmering under the sun’s kiss.
The playful leap of water.
Waves weaving watery wonders.
A chorus of oceanic fury.
The tranquil murmur of the sea.
A cascade of sparkling diamonds.
The sea’s rhythmic whisper.
Waves sculpting the shoreline.
A storm’s aquatic anger.
The peaceful sigh of the sea.
Dancing waves under the moonlight.
The ocean’s furious roar.
Gentle giants of the deep.
The eternal ebb and flow.
Waves carving their path.
A frothy embrace of the shore.
The sea’s playful tickle.
A crescendo of crashing water.
The ocean’s soft caress.
A symphony of surging waves.
The hypnotic rhythm of the sea.
Waves painting the coast.
The relentless pursuit of the shore.
A ballet of surging tides.
Whispering waves in the night.
The sea’s gentle serenade.
A mosaic of moving water.
The ocean’s rhythmic heartbeat.
The wild dance of the waves.
The sea’s harmonious melody.
A tapestry of tidal tales.
The whisper of wandering waves.
The ocean’s soothing whispers.
A symphony of sea and sky.
The playful song of the sea.
Waves echoing nature’s call.

3 Full Examples of How to Describe Waves In Different Genres

Let’s look at full examples of how to describe waves in different kinds of stories.

Mystery Genre

The waves were like dark secrets, crashing against the shore under the moonless sky.

Each surge seemed to whisper a cryptic message, as if the ocean itself was hiding something sinister beneath its turbulent surface. The foamy edges of each wave glinted eerily in the faint light, painting a scene both mesmerizing and foreboding. The relentless rhythm of the sea created an ominous backdrop, perfect for the mysteries that lay waiting in the shadows of the coastal town.

Romance Genre

The waves rolled in gently, a soft symphony under the starlit sky.

They caressed the sandy beach like a lover’s tender touch, leaving behind a shimmering trail under the moon’s romantic glow. The rhythmic sound of the water was a serene lullaby, setting a backdrop for whispered confessions and stolen kisses.

In this magical moment, the waves were not just water but messengers of love, bringing hearts closer with each tender lap against the shore.

Fantasy Genre

Majestic waves soared high, crowned with ethereal light, in the enchanted sea of Eldoria.

Each wave was a living entity, glowing with an inner magic, illuminating the night with colors unseen in the mortal realm. The ocean sang an ancient melody, a song of legends and forgotten realms, beckoning adventurers to explore its mystical depths.

These were not mere waves — they were liquid sculptures of the ancient magic that flowed through the land, a dance of the sea’s ageless power.

Here is a good video that will help you learn how to describe waves in writing:

Final Thoughts: How To Describe Waves in Writing

Capturing the essence of waves in writing adds depth and vividness to your narrative.

Explore our other articles on descriptions to enhance your storytelling.

How To Describe Clouds In Writing (100+ Examples & Words)
How to Describe Snow in Writing (100+ Examples & Words)
How To Describe Music In Writing (100+ Examples & Words)
How to Describe a Beach in Writing (21 Best Tips & Examples)

Descriptive Essay about the Beach, How to Guide, Examples

Published by gudwriter on January 4, 2021 January 4, 2021

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Descriptive Essay about the Beach

A descriptive essay about the beach is one of the write ups you may be required to come up with in your English learning courses. It’s about giving a vivid depiction of your encounters at the seashore. In our previous post about how to write a descriptive essay, we explained the need for students to paint the picture of the object in the readers mind. The main objective is to make the audience feel as if they were involved in the experience. Read on essays based on different types parenting style samples.

This kind of writing will inspire you to explore your linguistic prowess as well as imagination. The success is achieved if your audience resonates with your words. To make this possible, you need to have ‘thoughts that glow’ as well as ‘words that flow’.

If you’re required to write a descriptive essay about the beach, there are things you should put to consideration. This post is all about helping you get a grade A in such an assignment.

Tips on Writing the Best Descriptive Essay

Have experience about the beach. It’s critical that you get conversant with what you are writing about. If you haven’t visited the seashore, try reading widely about the experience. Or, grab a documentary movie.
Keep your statements clear and concise. Vague information may not only be confusing but also boring.
Describe every aspect of the beach. Write about the weather, water, soil, sound, smell, sky, horizon, sun, flora and fauna. You can also talk about the people at the beach. Don’t forget your feelings.
Have a logical organization. You can choose to pick a theme for every paragraph. Or, you can keep a chronological flow. Also, be sure to have an introduction and conclusion paragraph.
Remember to review your work after writing.

Free Descriptive Essay Samples About the Beach

Last summer, I had the chance to visit my aunt at her coastal home. The octogenarian , I have to admit, lives in one of the world’s most serene places. The beach is a fantastic phenomenon and the fun that comes along with it is overwhelming. Two weeks into the visit, my cousins took me to the seashore, and I just couldn’t get enough of it. I fell in love with the splashing waters and cool breeze. I hated that evening would come and we’d have to leave the blissful sensation of the beach. I nonetheless promised myself to make the most out of the short time we would spend there.

We set out early in the morning with our cameras and light shorts. A light breeze blew and it took my soul with it. I felt like I was in a whole new world. The wind brought fresh air to my nostrils and I just couldn’t help but pump as much as I could. It not only filled my lungs with rejuvenating oxygen, but also my mind with a hope of having the best day of my life. My ears weren’t left behind either. It’s like the fresh air was singing melodious blues as we walked. I was sure experiencing something I’d never experienced before.

We arrived on our scooter right on time for the rising sun. Never in my life had I seen such a majestic view. We’d left home early on right before the sun would mark its territories. And, apparently, our cameras were getting the best work they’d had for years. Towards the east, the sky was literally burning. The first rays were already throwing their warmth across the sky. They were doing just like cheerleaders would do during an NFA match. Or, better still, like the escort guards from the Secret Service do before the Head of State arrives.

The rays did their job pretty fine. They were yellow and glittered like the flames of an enormous camping bonfire! While the sky was showing its beauty, the sea was glittering and reflecting back. It was as if they were partners colluding to welcome a big guest. The yellow glare made our photography interesting and every shot was worth it.

The sun finally hit the surface. The ground acknowledged its presence and started glittering. The tiny sand particles shed silver lights all over the beach. The sweet rays caressed my skin and I now understood why everyone at the seashore liked to expose theirs. It was a gentle warmth, I have to say!

My excitement was rejuvenated. But I couldn’t possibly beat the birds. They shouted with a wild joy. They jumped up and down. I saw several of them chase after sea creatures. It was marvelous watching the birds dive into the water and suddenly shoot up into the sky like rockets. No sooner had we joined them into the diving than people started coming out of their homes. The shore was flocked now. Some came for entertainment while others were looking for fishing grounds. It was a beehive of activities I tell you.

When evening came, it was yet another scenery in the sky as the sun dived into horizons of the sea. People started going back to their homes and the birds gradually became silent. The evening breeze blew, bringing another refreshing smell of the salty water to my nostrils. Waves of water splashed onto the coral reefs as the tides took new positions. The fishermen set out their nets as if their day was just beginning. Suddenly, my aunt was calling. She knew we were having too much fun, and that we’d possibly get late.

Explore a descriptive essay sample about a person written by our team of experts.

Sample 2: A Day at the Beach

We arrive at the seashore at day break. Bright yellow rays of the sun greet us. Their golden mien reflects on the surface of the water. The sun – the main guest – hasn’t arrived yet, but the beach is well lit already. The blue cloudless sky is overly yellow towards the east, which alerts that the sun will be ruling the day beginning soon. A breeze blows by, filled with a refreshing smell of the salty sea water. It gets me reminiscing about my childhood. I get nostalgic of molding magnificence with the sea sand. But today is another day altogether. I’m far older, with a wife, a son, and a daughter. Today is their day. I am just a companion.

The sun is now in full control of the seashore and its effects can be felt by everyone. It’s warm, and the air is filled with moisture from the sea. The ground is mildly warm, and the fine sand particles are glittering like scattered pieces of silver. I can’t help but keep getting strands of my hair off my sight as the wind blows them wildly. My wife’s case is more serious. But she looks gorgeous at the beach and seeing her playing with my kids makes me feel how quick I’ve grown and transformed. I look back at my childhood with a reassuring gaze as I watch my two bundles of joy run alongside their mother in the warm sand at the shore.

The birds stop singing now. Their entertainment about the new day is gone and they are focused on food search. It’s fun to watch them jump into the water, capture crabs and fishes, before darting into the air at electric speeds, like shooting stars.

My son is dying to swim. I know this side of the ocean isn’t crocodile- or shark-infested, but I still want to be sure. I remember that as young boys, we were so fond of swimming until when one day we saw a scary scaly rock moving on the water. It looked like a submarine that kept emerging and submerging. One boy yelled after he recognized it was a baby crocodile. I just feared reptiles and he saved us from what would be an end of an era for us. After confirming that it is safe to swim, I allow my kids to swim on one of the shallow waters around us.

I notice I am not the only one who cares about my children. A few yards away, a kingfisher is already teaching her chicks how to get food. They descend from the palm tree at the edge of the sea. The baby kingfisher can’t swim but her mum is doing all she can to offer the help. I also take a snap of a school of dolphins. They are far from the beach but with the help of my binoculars, my wife and I enjoy the glamor of seeing them jump up and take dives as they chase a boat.

It’s evening now. My family is happy that they have had as much fun as they’d hoped for. We’ve already eaten roasted fish from the lake for lunch. The beach, flocked with swimmers and sunbathers a few moments ago, is now getting less busy. Fishermen are starting their night shifts. The sun is already diving into the horizon of the water, leaving behind a huge yellow light. Birds start to sing again. It’s time for me to drive my family back home.

The beach is the place I go to whenever I need to relax and forget about all the hustles of life and just enjoy myself. As usual, my last visit to there was a memorable one. Already in my beach attire, a draught blew across the sea sweeping away with it my spirit. The sun split its way through the scattered cumulus clouds as if it was shying away from giving some light. As I took in a breath of fresh air, my nose was tingled by the smell of the salty sea. A mine field of corals made up the beach sand, with an abundance of multicolored sea shells. A bed of blankets was however formed by the sand at the same time. Like my previous visit, this visit was promising to be one filled with immense joy and relaxation.

My heart somehow pounded like a drum-set of an orchestra from the way the beach sand flowed onto my feet and tickled my toes. The feeling was delicate especially given that the sand grains were so fine it was almost impossible to see them through the human eye. The sea waves soothed me through a dulcet lullaby thus drawing me closer to them as I reminisced my childhood. It was like they were giving me an invitation with wide open arms. However, my feet would not oblige at this time because they were penetrated by the frigid waves. So, I just sat down with my head raised to the sky as I watched the sun stretch out and make its way across the sky.

The warm sun rays gradually glowed as minutes passed by, reaching down to me and giving me a shining streak of light as if to tell me, “Hey, hold my hand!” I received an immediate boost of excitement as the blazing light pierced through my cold skin. Tracing its way up the sky, the sun distributed its light to everything it could lay its sight on. Birds flying across the sky trying to claim it for themselves were singing sweet melodies with high spirits into my ears. From the sun rays, the sky turned into an illuminated shimmering blue color from a dark misty indigo one. The scattered rainless clouds that were initially blocking sun rays melted away into thin air and gave way for the water to heat up.

I slowly made my way to the edge of the beach once again and immersed my toe into the now swiftly heating up water. I hastily withdrew it as it felt like it was melting away into the sea in spite of having been numb before. The pungent smell that came from decayed algae filled the air and my acidic stomach responded by turning to its side. I could hear the sounds of fish that were possibly calling for attention from under the sea. I could at the same time tell that the fish were afraid of the sea creatures that were hungrily preying on smaller water creatures for lunch. This was a survival tactic, I could tell.

As the evening was drawing, people poured onto the beach to enjoy the serenity and perfect weather. Children ran up and down as laughter filled up every corner of the beach and people even played beach football and volleyball. The day was finally coming to an end and one by one, people started leaving slowly after what had been a day full of excitement. It was unfortunate that as much as I had wanted to continue staying on the beach and continue undergoing this memorable experience, my turn to go home finally came. I left with a heart filled with happiness and peace and a tired body and promised myself that I would go back there as many times as I would be able to.

Instructions; Write an essay of 2 double-spaced pages which achieves two goals:

Discuss what your ideal beach might look like. What would your ideal beach look like? What elements would it include? Consider things such as the physical environment, the social atmosphere, the socio-cultural composition, availability of services, population (or absence thereof), quality of the water or surf, location, climate, political composition, language, ethnicity, or any other quality you might consider important. Answered on top

Some ideas for THEME. This is a suggestive list.

Design your ideal beach. This beach might draw on elements of existing beaches or be entirely fictional.

Explore some of the interesting descriptive topics that wll give you brilliant ideas.

Essay about the Beach

Diamond beach is what most people would call “a little paradise or a piece of heaven on earth.” The spectacular, flawless white beach stretches with no limit for the eye as it goes across the ocean so amazingly. Just by gazing at the endless sands, as the sun’s rays rest on the waters freshly emerging from their resting place, anyone would be astounded by the beauty of nature. The clouds timidly exposed as the sky beams blue making it obvious that this would be a beautiful day. It is not hard to hear the ocean whisper its promises for the day due to the serenity of diamond, as the graceful sounds of songbirds light up the morning mood. The reigning feeling is that of a soothing calmness that makes life difficult for an iota of gloom. Nature seems to be passing across the message that a great day filled with happiness and devoid of mishaps should be expected.

The smell of fresh air taking you away from all the hustles and bustles of a polluted environment in an ordinary day is nothing you would want to miss. In a world where air pollution has become so rampant, I believe allowing everyone to experience the fresh breeze would be a great lesson for conserving our ecosystem. The freshness and tranquility of the atmosphere at Diamond beach defines a habitable ecosystem that every living thing deserves to experience. Being at this beach makes you appreciate that this world is truly a beautiful place. You forget all your worries as your mind sinks into the serenity making you want to live forever. It is one place that reminds us to appreciate life and conserves the beauty of nature. It directly talks to us to acknowledge that life does not have to be first-paced all the time. It makes the importance of taking time off to real and unwind become so real and necessary.

Diamond beach is a rare and precious place to be. I know millions of beaches exist globally, but none is like the diamond beach. The light kisses from the coastal breeze, the smell freshness, the purity of the sand, and the crimson beauty of water is out of this world. Regardless of whichever angle you may view the beach from, you will not miss noticing the splendor of this natural feature. Every step in the beach leaves fine-grained sand shifting as if paving the way for the next step you take. With every motion forward, you feel like you are walking on freshly fallen snow. The only difference is that the crystalline white blanket bequeathed by the winter normally is cold but on the beach, it is warm thanks to the sun rays.

During the day, you cannot fail to notice a change in the cute sand particles as they form a golden reflection from the sun. It appears as if the sun rays are trapped inside the unmelting sand crystals forming the beautiful yellow golden color. Interestingly, upon picking the sand gravels, they rest on your palm like diamond crystals illuminating a white color between your fingers. Despite the midday heat, being at the beach at this time is an opportunity to witness its brightness entirely. The fact that it is conserved as a private beach adds to its numerous advantages and lessens congestion giving everyone a chance to connect with nature undisturbed. It is almost impossible not to notice the ocean at this point of the day. It waves curl up and down, rolling in white tipped shapes, spreading like fine silky laces over the beach. The way they softly crash on the beach or violently splash their waters overboard is simply stunning. The gentle sound that emanates from their contact with the beach makes the feeling even more fulfilling.

If the ocean were a person, I would describe it in many ways. It would be at one point introverted, calm, still, graceful but at another point extroverted, throwing waves aggressively, outgoing and interactive. The behavior of the ocean cannot be described as noisy despite all the commotion that appears to be going on. Only slight wave sounds that a keen soul would hear. I think the ocean has many secrets it would share with people if it could talk. For me, its silent sounds take me back to a time of reflecting and appreciating life. They give new meaning to life. With every turn of the wave that comes and goes, I remember we are all passing by in this world, and the best thing to do is appreciate what we have, before the next wave takes over. For a moment, I am lost in thoughts when a palm leaf drops on my silky dress and brings me back to reality.

It is almost impossible to go on discussing diamond without describing the splendid physical environment that surrounds the beach. The physical environment of the beach is superb. The first thing that I notice as I focus my attention on the beach is the relaxation mood. People from all age groups can be seen on beach seats with colorful costumes and fluffy towels. I guess they are just from enjoying a swim. On that note, I should not forget to state that lovers of swimming will enjoy being in Diamond. The water temperature is never hot or cold but perfect for a swim. Small adorable children in white costumes appear like angels creating sand castles as others run across to float kites on the cool breeze. The teens are frolicking with beach balls having a time of their lives as the young adults cuddle, hold hands, and share special moments while taking a walk along the shoreline.

A few meters away a particular group of people can be seen excluded for religious reasons. As I draw my focus to that group, I realize that they are having an outdoor yoga class. What a great place to connect with your internal senses and spirituality. Diamond is definitely the place to be for yoga especially during morning or evening hours. There is little interruption and the silence is just what you need. Upon inquiring from one of the yoga instructors, I am told that the classes have been going on for a while in the same spot. According to the instructor, people have found peace in their lives since they started visiting Diamond beach for yoga. If you love yoga, you have found a recreation and a spiritual connection site.

Diamond beach stands out in the Caribbean Island of modern beach houses giving the inhabitants a panoramic ocean view. The mastermind behind the exterior was Chad while Davis studio aided with the interior and Enzo the landscaping to give an elegant piece of artwork. The prowess and architectural expertise is incredible as everyone who walks to the beach never fails to notice the splendor. Attractive colors that allow calm and light are a perfect complement to the beach which is bright during the day. The Hi-tech beach houses which have been designed in the latest architectural designs are similar, all having balconies facing the sandy beach. From the balcony, you enjoy seeing the spectacular ocean view as lounges of water cover up the entire place. Those living or visiting Diamond enjoy beautiful weather which cannot be described as sunny or humid. It is just perfect.

Serving the visitors, tourists, and locals in the beach is the Diamond hotel. It’s shaped like a diamond and is an exquisite place to be if you plan to spend a few days on the beach and do not live nearby. They offer great room services and maintain a high level of hygiene and cleanliness with excellent customer care services. The rooms are ample and spacious with perfect temperatures and an excellent view of the beach. You get to enjoy free internet connection, music system, and laptops for use while you enjoy visiting the beach. The rates are cost-friendly as the hotel packages cater for people from all age groups. If you have toddlers, you should not worry as there are special cots and nurses to attend to children. If you have special needs, the staircase and special rooms have been modified to meet them. The reception, ambiance, and hospitality of the hotel will make you stay longer. Recreational activities are available with a fully-serviced gym for fitness, spa, massage, and beauty parlor to make you gorgeous as you go out. Besides the remarkable fitness and beauty services, there are spectacular mouthwatering and finger-licking delicacies to choose from. The food is freshly served upon placing an order while alcoholic and non-alcoholic drinks are also in plenty. In general thus, visiting Diamond beach is a memorable and magnificent experience. Getting a chance to interact with the lovely, friendly Caribbean people and share in their rich dance culture could even make you want to change your nationality.

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Writing to Inform, Explain and Describe

Descriptive Writing Of A Beach

Jack Plows 10SH 2 ND Draft Descriptive Coursework

DESCRIPTIVE WRITING – FIRST DRAFT

The, enclosed, beach is silent. The bright ball blinds you as it emerges; it rises like a yellow lollipop on the distant horizon. Crashing against the shore, small waves wash the night’s debris onto the land. Untouched golden sand covers the floor as far as your eyes can see. Soothing, a gentle sea breeze rustles through your hair.

Beach shops prepare for their day of excited costumers bustling in and out of their small seafront shops. Opening their doors, they bring out all of there beach products looking out to the sea you can see the large cruise ships on the worlds edge.

Abandoned, nothing there apart from a few sea gulls pecking at the rubbish left by yesterday’s visitors. Empty crisp wrappers, chocolate wrappers, ice cream papers and half eaten cones scatter the yellow sand.

This is a preview of the whole essay

Young children stumble onto the moist sand, with small buckets and spades in their hands, they shout and talk in excitement. Damp sand is forced between their toes. Straight away, the young children put on their swimming costumes and are smothered with thick white sun screen, to protect them from the bright sun. Children running towards the shoreline; their parents struggle onto the sand, loaded like camels with everything they will need for their day. Sandwiches, cold drinks, wind breakers, towels all bagged up and slung over both shoulders.

A hot sea breeze rushes through the visitor’s hair, as you stand there you can taste the salt in the air because it is so strong. The sound of the waves crashing against the shore, seagulls swooping overhead and the strong scent of sun screen surrounds the beach. The beachgoers spring as their feet hit the blistering sand. Sitting there for hours, playing with the sand; children giggle as their sand castles are overtaken by powerful crashing waves.

The sand cushions the landing for a teenager diving to make his shot in the volleyball tournament. Excitement buzzes around the pitch as the ball is repeatedly, majestically played back over the net.

Young children remain in the sea; the taste of salt lingers in their mouth. Splashing and screaming, they all make sure that they enjoy their beach experience. Tired, they struggle to keep their young heads above the cold water, relentlessly the kids are dragged out of the water by their parents.

They lie out their towels on the damp glistening sand allowing them to rest from the continuous jumping and swimming. Lying there they take a midday sleep, allowing the sun to blaze down onto there dripping wet bodies. Parents sit there relaxing lazily on the sandy seashore reading their invigorating books. Foamy mist from the ocean lightly sprays onto their face like the touch of a feather.

Gigantic sand castles are left standing free, glistening in the sun like diamond rings.

Waves are crashing onto land as the distant sun descends like it is sinking into the water. People laugh and giggle as their day come to an end. A muddle of colours in the sky as the sun sets. A young couple sit up on the cliffs edge watching the sun set.

Once again the beach is empty with the rubbish of the visitors. The rubbish almost decorates the floor of the beach, different colours shapes and sizes. Lonely and quiet the beach is still and silent. Only the light sound of waves crashing against the soft sand.

Peer Reviews

Here's what a star student thought of this essay.

sydneyhopcroft

Quality of writing.

The Quality of Written Communication is reasonably good, although again I stress the need to ensure that comma splice does not ruin the impact of the essay, which otherwise is really very good. There is no other cause for concern with regard to spelling and grammar.

Level of analysis

The Level of Description is very good, and shows a candidate indicative of a Grade B for GCSE. The candidate uses a wide range of sentence structures, lexical choices and linguistic devices in order to create the imagery of the serenity of a beach. Throughout the answer there is a good control over adjectives - a few candidates often overload their sentences with complex descriptions that can often weigh-down the sentences and stunt the fluidity, but this candidate remains in control throughout. As mentioned, the only gripe I do have is the sometimes incorrect application of punctuation. This limits the effectivity of the discourse and the candidate, as stated above, should rectify this.

Response to question

This candidate's response to this Writing to Describe task is a very competent one that uses a number of descriptive techniques in order to convey the strong imagery of a fictional beach. There is a wide range of linguistic techniques used, including simile, metaphor and personification, though in some parts the impact is lost due to a poor understanding of the needs for commas (comma splice e.g. - using commas when there is no need). I would recommend candidates ensure this does not happen, as at GCSE Level, candidates are expected to allow their descriptions to flourish without being hindered by poor Quality of Written Communication.

Document Details

Word Count 581
Page Count 2
Subject English

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A Literary Tour of Moscow

It’s hard to count the exact number of great Russian writers who showed their love for Moscow. The city has attracted and prompted stories for a long time now, inspiring many to express their writing talent. Thus, Moscow’s literary sights are fully deserving of our attention, and this guide gladly presents you six of them, from museums to apartments.

1. nikolay gogol museum.

Library, Museum

2. The State Museum of Mayakovsky

3. Turgenev's Family House

The portrait of Ivan Turgenev by Vasiliy Perov (1872)

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5. The Apartment of Dostoevsky

Building, Memorial, Museum

56-3941803-1441302856840439ed4e7b401ebe751c0a0add0e0c

6. The Mikhail Bulgakov Museum

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Home Numéros 59 1 - Tisser les liens : voyager, e... 36 Views of Moscow Mountain: Teac...

36 Views of Moscow Mountain: Teaching Travel Writing and Mindfulness in the Tradition of Hokusai and Thoreau

L'auteur américain Henry David Thoreau est un écrivain du voyage qui a rarement quitté sa ville natale de Concorde, Massachusetts, où il a vécu de 1817 à 1862. Son approche du "voyage" consiste à accorder une profonde attention à son environnement ordinaire et à voir le monde à partir de perspectives multiples, comme il l'explique avec subtilité dans Walden (1854). Inspiré par Thoreau et par la célèbre série de gravures du peintre d'estampes japonais Katsushika Hokusai, intitulée 36 vues du Mt. Fuji (1830-32), j'ai fait un cours sur "L'écriture thoreauvienne du voyage" à l'Université de l'Idaho, que j'appelle 36 vues des montagnes de Moscow: ou, Faire un grand voyage — l'esprit et le carnet ouvert — dans un petit lieu . Cet article explore la philosophie et les stratégies pédagogiques de ce cours, qui tente de partager avec les étudiants les vertus d'un regard neuf sur le monde, avec les yeux vraiment ouverts, avec le regard d'un voyageur, en "faisant un grand voyage" à Moscow, Idaho. Les étudiants affinent aussi leurs compétences d'écriture et apprennent les traditions littéraires et artistiques associées au voyage et au sens du lieu.

Index terms

Keywords: , designing a writing class to foster engagement.

1 The signs at the edge of town say, "Entering Moscow, Idaho. Population 25,060." This is a small hamlet in the midst of a sea of rolling hills, where farmers grow varieties of wheat, lentils, peas, and garbanzo beans, irrigated by natural rainfall. Although the town of Moscow has a somewhat cosmopolitan feel because of the presence of the University of Idaho (with its 13,000 students and a few thousand faculty and staff members), elegant restaurants, several bookstores and music stores, and a patchwork of artsy coffee shops on Main Street, the entire mini-metropolis has only about a dozen traffic lights and a single high school. As a professor of creative writing and the environmental humanities at the university, I have long been interested in finding ways to give special focuses to my writing and literature classes that will help my students think about the circumstances of their own lives and find not only academic meaning but personal significance in our subjects. I have recently taught graduate writing workshops on such themes as "The Body" and "Crisis," but when I was given the opportunity recently to teach an undergraduate writing class on Personal and Exploratory Writing, I decided to choose a focus that would bring me—and my students—back to one of the writers who has long been of central interest to me: Henry David Thoreau.

2 One of the courses I have routinely taught during the past six years is Environmental Writing, an undergraduate class that I offer as part of the university's Semester in the Wild Program, a unique undergraduate opportunity that sends a small group of students to study five courses (Ecology, Environmental History, Environmental Writing, Outdoor Leadership and Wilderness Survival, and Wilderness Management and Policy) at a remote research station located in the middle of the largest wilderness area (the Frank Church River of No Return Wilderness) in the United States south of Alaska. In "Teaching with Wolves," a recent article about the Semester in the Wild Program, I explained that my goal in the Environmental Writing class is to help the students "synthesize their experience in the wilderness with the content of the various classes" and "to think ahead to their professional lives and their lives as engaged citizens, for which critical thinking and communication skills are so important" (325). A foundational text for the Environmental Writing class is a selection from Thoreau's personal journal, specifically the entries he made October 1-20, 1853, which I collected in the 1993 writing textbook Being in the World: An Environmental Reader for Writers . I ask the students in the Semester in the Wild Program to deeply immerse themselves in Thoreau's precise and colorful descriptions of the physical world that is immediately present to him and, in turn, to engage with their immediate encounters with the world in their wilderness location. Thoreau's entries read like this:

Oct. 4. The maples are reddening, and birches yellowing. The mouse-ear in the shade in the middle of the day, so hoary, looks as if the frost still lay on it. Well it wears the frost. Bumblebees are on the Aster undulates , and gnats are dancing in the air. Oct. 5. The howling of the wind about the house just before a storm to-night sounds extremely like a loon on the pond. How fit! Oct. 6 and 7. Windy. Elms bare. (372)

3 In thinking ahead to my class on Personal and Exploratory Writing, which would be offered on the main campus of the University of Idaho in the fall semester of 2018, I wanted to find a topic that would instill in my students the Thoreauvian spirit of visceral engagement with the world, engagement on the physical, emotional, and philosophical levels, while still allowing my students to remain in the city and live their regular lives as students. It occurred to me that part of what makes Thoreau's journal, which he maintained almost daily from 1837 (when he was twenty years old) to 1861 (just a year before his death), such a rich and elegant work is his sense of being a traveler, even when not traveling geographically.

Traveling a Good Deal in Moscow

I have traveled a good deal in Concord…. --Henry David Thoreau, Walden (1854; 4)

4 For Thoreau, one did not need to travel a substantial physical distance in order to be a traveler, in order to bring a traveler's frame of mind to daily experience. His most famous book, Walden , is well known as an account of the author's ideas and daily experiments in simple living during the two years, two months, and two days (July 4, 1845, to September 6, 1847) he spent inhabiting a simple wooden house that he built on the shore of Walden Pond, a small lake to the west of Boston, Massachusetts. Walden Pond is not a remote location—it is not out in the wilderness. It is on the edge of a small village, much like Moscow, Idaho. The concept of "traveling a good deal in Concord" is a kind of philosophical and psychological riddle. What does it mean to travel extensively in such a small place? The answer to this question is meaningful not only to teachers hoping to design writing classes in the spirit of Thoreau but to all who are interested in travel as an experience and in the literary genre of travel writing.

5 Much of Walden is an exercise in deftly establishing a playful and intellectually challenging system of synonyms, an array of words—"economy," "deliberateness," "simplicity," "dawn," "awakening," "higher laws," etc.—that all add up to powerful probing of what it means to live a mindful and attentive life in the world. "Travel" serves as a key, if subtle, metaphor for the mindful life—it is a metaphor and also, in a sense, a clue: if we can achieve the traveler's perspective without going far afield, then we might accomplish a kind of enlightenment. Thoreau's interest in mindfulness becomes clear in chapter two of Walden , "Where I Lived, and What I Lived For," in which he writes, "Morning is when I am awake and there is a dawn in me. To be awake is to be alive. I have never yet met a man who was quite awake. How could I have looked him in the face?" The latter question implies the author's feeling that he is himself merely evolving as an awakened individual, not yet fully awake, or mindful, in his efforts to live "a poetic or divine life" (90). Thoreau proceeds to assert that "We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn…. I know of no more encouraging fact than the unquestionable ability of man to elevate his life by a conscious endeavor" (90). Just what this endeavor might be is not immediately spelled out in the text, but the author does quickly point out the value of focusing on only a few activities or ideas at a time, so as not to let our lives be "frittered away by detail." He writes: "Simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand; … and keep your accounts on your thumb nail" (91). The strong emphasis in the crucial second chapter of Walden is on the importance of waking up and living deliberately through a conscious effort to engage in particular activities that support such awakening. It occurs to me that "travel," or simply making one's way through town with the mindset of a traveler, could be one of these activities.

6 It is in the final chapter of the book, titled "Conclusion," that Thoreau makes clear the relationship between travel and living an attentive life. He begins the chapter by cataloguing the various physical locales throughout North America or around the world to which one might travel—Canada, Ohio, Colorado, and even Tierra del Fuego. But Thoreau states: "Our voyaging is only great-circle sailing, and the doctors prescribe for diseases of the skin merely. One hastens to Southern Africa to chase the giraffe; but surely that is not the game he would be after." What comes next is brief quotation from the seventeenth-century English poet William Habbington (but presented anonymously in Thoreau's text), which might be one of the most significant passages in the entire book:

Direct your eye sight inward, and you'll find A thousand regions in your mind Yet undiscovered. Travel them, and be Expert in home-cosmography. (320)

7 This admonition to travel the mysterious territory of one's own mind and master the strange cosmos of the self is actually a challenge to the reader—and probably to the author himself—to focus on self-reflection and small-scale, local movement as if such activities were akin to exploration on a grand, planetary scale. What is really at issue here is not the physical distance of one's journey, but the mental flexibility of one's approach to the world, one's ability to look at the world with a fresh, estranged point of view. Soon after his discussion of the virtues of interior travel, Thoreau explains why he left his simple home at Walden Pond after a few years of experimental living there, writing, "It is remarkable how easily and insensibly we fall into a particular route, and make a beaten track for ourselves" (323). In other words, no matter what we're doing in life, we can fall into a "beaten track" if we're not careful, thus failing to stay "awake."

8 As I thought about my writing class at the University of Idaho, I wondered how I might design a series of readings and writing exercises for university students that would somehow emulate the Thoreauvian objective of achieving ultra-mindfulness in a local environment. One of the greatest challenges in designing such a class is the fact that it took Thoreau himself many years to develop an attentiveness to his environment and his own emotional rhythms and an efficiency of expression that would enable him to describe such travel-without-travel, and I would have only sixteen weeks to achieve this with my own students. The first task, I decided, was to invite my students into the essential philosophical stance of the class, and I did this by asking my students to read the opening chapter of Walden ("Economy") in which he talks about traveling "a good deal" in his small New England village as well as the second chapter and the conclusion, which reveal the author's enthusiasm (some might even say obsession ) for trying to achieve an awakened condition and which, in the end, suggest that waking up to the meaning of one's life in the world might be best accomplished by attempting the paradoxical feat of becoming "expert in home-cosmography." As I stated it among the objectives for my course titled 36 Views of Moscow Mountain: Or, Traveling a Good Deal—with Open Minds and Notebooks—in a Small Place , one of our goals together (along with practicing nonfiction writing skills and learning about the genre of travel writing) would be to "Cultivate a ‘Thoreauvian' way of appreciating the subtleties of the ordinary world."

Windy. Elms Bare.

9 For me, the elegance and heightened sensitivity of Thoreau's engagement with place is most movingly exemplified in his journal, especially in the 1850s after he's mastered the art of observation and nuanced, efficient description of specific natural phenomena and environmental conditions. His early entries in the journal are abstract mini-essays on such topics as truth, beauty, and "The Poet," but over time the journal notations become so immersed in the direct experience of the more-than-human world, in daily sensory experiences, that the pronoun "I" even drops out of many of these records. Lawrence Buell aptly describes this Thoreauvian mode of expression as "self-relinquishment" (156) in his 1995 book The Environmental Imagination , suggesting such writing "question[s] the authority of the superintending consciousness. As such, it opens up the prospect of a thoroughgoing perceptual breakthrough, suggesting the possibility of a more ecocentric state of being than most of us have dreamed of" (144-45). By the time Thoreau wrote "Windy. Elms bare" (372) as his single entry for October 6 and 7, 1853, he had entered what we might call an "ecocentric zone of consciousness" in his work, attaining the ability to channel his complex perceptions of season change (including meteorology and botany and even his own emotional state) into brief, evocative prose.

10 I certainly do not expect my students to be able to do such writing after only a brief introduction to the course and to Thoreau's own methods of journal writing, but after laying the foundation of the Thoreauvian philosophy of nearby travel and explaining to my students what I call the "building blocks of the personal essay" (description, narration, and exposition), I ask them to engage in a preliminary journal-writing exercise that involves preparing five journal entries, each "a paragraph or two in length," that offer detailed physical descriptions of ordinary phenomena from their lives (plants, birds, buildings, street signs, people, food, etc.), emphasizing shape, color, movement or change, shadow, and sometimes sound, smell, taste, and/or touch. The goal of the journal entries, I tell the students, is to begin to get them thinking about close observation, vivid descriptive language, and the potential to give their later essays in the class an effective texture by balancing more abstract information and ideas with evocative descriptive passages and storytelling.

11 I am currently teaching this class, and I am writing this article in early September, as we are entering the fourth week of the semester. The students have just completed the journal-writing exercise and are now preparing to write the first of five brief essays on different aspects of Moscow that will eventually be braided together, as discrete sections of the longer piece, into a full-scale literary essay about Moscow, Idaho, from the perspective of a traveler. For the journal exercise, my students wrote some rather remarkable descriptive statements, which I think bodes well for their upcoming work. One student, Elizabeth Isakson, wrote stunning journal descriptions of a cup of coffee, her own feet, a lemon, a basil leaf, and a patch of grass. For instance, she wrote:

Steaming hot liquid poured into a mug. No cream, just black. Yet it appears the same brown as excretion. The texture tells another story with meniscus that fades from clear to gold and again brown. The smell is intoxicating for those who are addicted. Sweetness fills the nostrils; bitterness rushes over the tongue. The contrast somehow complements itself. Earthy undertones flower up, yet this beverage is much more satisfying than dirt. When the mug runs dry, specks of dark grounds remain swimming in the sunken meniscus. Steam no longer rises because energy has found a new home.

12 For the grassy lawn, she wrote:

Calico with shades of green, the grass is yellowing. Once vibrant, it's now speckled with straw. Sticking out are tall, seeding dandelions. Still some dips in the ground have maintained thick, soft patches of green. The light dances along falling down from the trees above, creating a stained-glass appearance made from various green shades. The individual blades are stiff enough to stand erect, but they will yield to even slight forces of wind or pressure. Made from several long strands seemingly fused together, some blades fray at the end, appearing brittle. But they do not simply break off; they hold fast to the blade to which they belong.

13 The point of this journal writing is for the students to look closely enough at ordinary reality to feel estranged from it, as if they have never before encountered (or attempted to describe) a cup of coffee or a field of grass—or a lemon or a basil leaf or their own body. Thus, the Thoreauvian objective of practicing home-cosmography begins to take shape. The familiar becomes exotic, note-worthy, and strangely beautiful, just as it often does for the geographical travel writer, whose adventures occur far away from where she or he normally lives. Travel, in a sense, is an antidote to complacency, to over-familiarity. But the premise of my class in Thoreauvian travel writing is that a slight shift of perspective can overcome the complacency we might naturally feel in our home surroundings. To accomplish this we need a certain degree of disorientation. This is the next challenge for our class.

The Blessing of Being Lost

14 Most of us take great pains to "get oriented" and "know where we're going," whether this is while running our daily errands or when thinking about the essential trajectories of our lives. We're often instructed by anxious parents to develop a sense of purpose and a sense of direction, if only for the sake of basic safety. But the traveler operates according to a somewhat different set of priorities, perhaps, elevating adventure and insight above basic comfort and security, at least to some degree. This certainly seems to be the case for the Thoreauvian traveler, or for Thoreau himself. In Walden , he writes:

…not until we are completely lost, or turned round,--for a man needs only be turned round once with his eyes shut in this world to be lost,--do we appreciate the vastness and strangeness of Nature. Every man has to learn the points of compass again as often as he awakes, whether from sleep or any abstraction. Not till we are lost, in other words, not till we have lost the world, do we begin to find ourselves, and realize where we are and the infinite extent of our relations. (171)

15 I could explicate this passage at length, but that's not really my purpose here. I read this as a celebration of salutary disorientation, of the potential to be lost in such a way as to deepen one's ability to pay attention to oneself and one's surroundings, natural and otherwise. If travel is to a great degree an experience uniquely capable of triggering attentiveness to our own physical and psychological condition, to other cultures and the minds and needs of other people, and to a million small details of our environment that we might take for granted at home but that accrue special significance when we're away, I would argue that much of this attentiveness is owed to the sense of being lost, even the fear of being lost, that often happens when we leave our normal habitat.

16 So in my class I try to help my students "get lost" in a positive way. Here in Moscow, the major local landmark is a place called Moscow Mountain, a forested ridge of land just north of town, running approximately twenty kilometers to the east of the city. Moscow "Mountain" does not really have a single, distinctive peak like a typical mountain—it is, as I say, more of a ridge than a pinnacle. When I began contemplating this class on Thoreauvian travel writing, the central concepts I had in mind were Thoreau's notion of traveling a good deal in Concord and also the idea of looking at a specific place from many different angles. The latter idea is not only Thoreauvian, but perhaps well captured in the eighteen-century Japanese artist Katsushika Hokusai's series of woodblock prints known as 36 Views of Mt. Fuji , which offers an array of different angles on the mountain itself and on other landscape features (lakes, the sea, forests, clouds, trees, wind) and human behavior which is represented in many of the prints, often with Mt. Fuji in the distant background or off to the side. In fact, I imagine Hokusai's approach to representing Mt. Fuji as so important to the concept of this travel writing class that I call the class "36 Views of Moscow Mountain," symbolizing the multiple approaches I'll be asking my students to take in contemplating and describing not only Moscow Mountain itself, but the culture and landscape and the essential experience of Moscow the town. The idea of using Hokusai's series of prints as a focal point of this class came to me, in part, from reading American studies scholar Cathy Davidson's 36 Views of Mount Fuji: On Finding Myself in Japan , a memoir that offers sixteen short essays about different facets of her life as a visiting professor in that island nation.

17 The first of five brief essays my students will prepare for the class is what I'm calling a "Moscow Mountain descriptive essay," building upon the small descriptive journal entries they've written recently. In this case, though, I am asking the students to describe the shapes and colors of the Moscow Mountain ridge, while also telling a brief story or two about their observations of the mountain, either by visiting the mountain itself to take a walk or a bike ride or by explaining how they glimpse portions of the darkly forested ridge in the distance while walking around the University of Idaho campus or doing things in town. In preparation for the Moscow Mountain essays, we read several essays or book chapters that emphasize "organizing principles" in writing, often the use of particular landscape features, such as trees or mountains, as a literary focal point. For instance, in David Gessner's "Soaring with Castro," from his 2007 book Soaring with Fidel: An Osprey Odyssey from Cape Cod to Cuba and Beyond , he not only refers to La Gran Piedra (a small mountain in southeastern Cuba) as a narrative focal point, but to the osprey, or fish eagle, itself and its migratory journey as an organizing principle for his literary project (203). Likewise, in his essay "I Climb a Tree and Become Dissatisfied with My Lot," Chicago author Leonard Dubkin writes about his decision, as a newly fired journalist, to climb up a tree in Chicago's Lincoln Park to observe and listen to the birds that gather in the green branches in the evening, despite the fact that most adults would consider this a strange and inappropriate activity. We also looked at several of Hokusai's woodblock prints and analyzed these together in class, trying to determine how the mountain served as an organizing principle for each print or whether there were other key features of the prints—clouds, ocean waves, hats and pieces of paper floating in the wind, humans bent over in labor—that dominate the images, with Fuji looking on in the distance.

18 I asked my students to think of Hokusai's representations of Mt. Fuji as aesthetic models, or metaphors, for what they might try to do in their brief (2-3 pages) literary essays about Moscow Mountain. What I soon discovered was that many of my students, even students who have spent their entire lives in Moscow, either were not aware of Moscow Mountain at all or had never actually set foot on the mountain. So we spent half an hour during one class session, walking to a vantage point on the university campus, where I could point out where the mountain is and we could discuss how one might begin to write about such a landscape feature in a literary essay. Although I had thought of the essay describing the mountain as a way of encouraging the students to think about a familiar landscape as an orienting device, I quickly learned that this will be a rather challenging exercise for many of the students, as it will force them to think about an object or a place that is easily visible during their ordinary lives, but that they typically ignore. Paying attention to the mountain, the ridge, will compel them to reorient themselves in this city and think about a background landscape feature that they've been taking for granted until now. I think of this as an act of disorientation or being lost—a process of rethinking their own presence in this town that has a nearby mountain that most of them seldom think about. I believe Thoreau would consider this a good, healthy experience, a way of being present anew in a familiar place.

36 Views—Or, When You Invert Your Head

19 Another key aspect of Hokusai's visual project and Thoreau's literary project is the idea of changing perspective. One can view Mt. Fuji from 36 different points of views, or from thousands of different perspectives, and it is never quite the same place—every perspective is original, fresh, mind-expanding. The impulse to shift perspective in pursuit of mindfulness is also ever-present in Thoreau's work, particularly in his personal journal and in Walden . This idea is particularly evident, to me, in the chapter of Walden titled "The Ponds," where he writes:

Standing on the smooth sandy beach at the east end of the pond, in a calm September afternoon, when a slight haze makes the opposite shore line indistinct, I have seen whence came the expression, "the glassy surface of a lake." When you invert your head, it looks like a thread of finest gossamer stretched across the valley, and gleaming against the distinct pine woods, separating one stratum of the atmosphere from another. (186)

20 Elsewhere in the chapter, Thoreau describes the view of the pond from the top of nearby hills and the shapes and colors of pebbles in the water when viewed from close up. He chances physical perspective again and again throughout the chapter, but it is in the act of looking upside down, actually suggesting that one might invert one's head, that he most vividly conveys the idea of looking at the world in different ways in order to be lost and awakened, just as the traveler to a distant land might feel lost and invigorated by such exposure to an unknown place.

21 After asking students to write their first essay about Moscow Mountain, I give them four additional short essays to write, each two to four pages long. We read short examples of place-based essays, some of them explicitly related to travel, and then the students work on their own essays on similar topics. The second short essay is about food—I call this the "Moscow Meal" essay. We read the final chapter of Michael Pollan's The Omnivore's Dilemma (2006), "The Perfect Meal," and Anthony Bourdain's chapter "Where Cooks Come From" in the book A Cook's Tour (2001) are two of the works we study in preparation for the food essay. The three remaining short essays including a "Moscow People" essay (exploring local characters are important facets of the place), a more philosophical essay about "the concept of Moscow," and a final "Moscow Encounter" essay that tells the story of a dramatic moment of interaction with a person, an animal, a memorable thing to eat or drink, a sunset, or something else. Along the way, we read the work of Wendell Berry, Joan Didion, Barbara Kingsolver, Kim Stafford, Paul Theroux, and other authors. Before each small essay is due, we spend a class session holding small-group workshops, allowing the students to discuss their essays-in-progress with each other and share portions of their manuscripts. The idea is that they will learn about writing even by talking with each other about their essays. In addition to writing about Moscow from various angles, they will learn about additional points of view by considering the angles of insight developed by their fellow students. All of this is the writerly equivalent of "inverting [their] heads."

Beneath the Smooth Skin of Place

22 Aside from Thoreau's writing and Hokusai's images, perhaps the most important writer to provide inspiration for this class is Indiana-based essayist Scott Russell Sanders. Shortly after introducing the students to Thoreau's key ideas in Walden and to the richness of his descriptive writing in the journal, I ask them to read his essay "Buckeye," which first appeared in Sanders's Writing from the Center (1995). "Buckeye" demonstrates the elegant braiding together of descriptive, narrative, and expository/reflective prose, and it also offers a strong argument about the importance of creating literature and art about place—what he refers to as "shared lore" (5)—as a way of articulating the meaning of a place and potentially saving places that would otherwise be exploited for resources, flooded behind dams, or otherwise neglected or damaged. The essay uses many of the essential literary devices, ranging from dialogue to narrative scenes, that I hope my students will practice in their own essays, while also offering a vivid argument in support of the kind of place-based writing the students are working on.

23 Another vital aspect of our work together in this class is the effort to capture the wonderful idiosyncrasies of this place, akin to the idiosyncrasies of any place that we examine closely enough to reveal its unique personality. Sanders's essay "Beneath the Smooth Skin of America," which we study together in Week 9 of the course, addresses this topic poignantly. The author challenges readers to learn the "durable realities" of the places where they live, the details of "watershed, biome, habitat, food-chain, climate, topography, ecosystem and the areas defined by these natural features they call bioregions" (17). "The earth," he writes, "needs fewer tourists and more inhabitants" (16). By Week 9 of the semester, the students have written about Moscow Mountain, about local food, and about local characters, and they are ready at this point to reflect on some of the more philosophical dimensions of living in a small academic village surrounded by farmland and beyond that surrounded by the Cascade mountain range to the West and the Rockies to the East. "We need a richer vocabulary of place" (18), urges Sanders. By this point in the semester, by reading various examples of place-based writing and by practicing their own powers of observation and expression, my students will, I hope, have developed a somewhat richer vocabulary to describe their own experiences in this specific place, a place they've been trying to explore with "open minds and notebooks." Sanders argues that

if we pay attention, we begin to notice patterns in the local landscape. Perceiving those patterns, acquiring names and theories and stories for them, we cease to be tourists and become inhabitants. The bioregional consciousness I am talking about means bearing your place in mind, keeping track of its condition and needs, committing yourself to its care. (18)

24 Many of my students will spend only four or five years in Moscow, long enough to earn a degree before moving back to their hometowns or journeying out into the world in pursuit of jobs or further education. Moscow will be a waystation for some of these student writers, not a permanent home. Yet I am hoping that this semester-long experiment in Thoreauvian attentiveness and place-based writing will infect these young people with both the bioregional consciousness Sanders describes and a broader fascination with place, including the cultural (yes, the human ) dimensions of this and any other place. I feel such a mindfulness will enrich the lives of my students, whether they remain here or move to any other location on the planet or many such locations in succession.

25 Toward the end of "Beneath the Smooth Skin of America," Sanders tells the story of encountering a father with two young daughters near a city park in Bloomington, Indiana, where he lives. Sanders is "grazing" on wild mulberries from a neighborhood tree, and the girls are keen to join him in savoring the local fruit. But their father pulls them away, stating, "Thank you very much, but we never eat anything that grows wild. Never ever." To this Sanders responds: "If you hold by that rule, you will not get sick from eating poison berries, but neither will you be nourished from eating sweet ones. Why not learn to distinguish one from the other? Why feed belly and mind only from packages?" (19-20). By looking at Moscow Mountain—and at Moscow, Idaho, more broadly—from numerous points of view, my students, I hope, will nourish their own bellies and minds with the wild fruit and ideas of this place. I say this while chewing a tart, juicy, and, yes, slightly sweet plum that I pulled from a feral tree in my own Moscow neighborhood yesterday, an emblem of engagement, of being here.

Bibliography

BUELL, Lawrence, The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture , Harvard University Press, 1995.

DAVIDSON, Cathy, 36 Views of Mount Fuji: On Finding Myself in Japan , Duke University Press, 2006.

DUBKIN, Leonard, "I Climb a Tree and Become Dissatisfied with My Lot." Enchanted Streets: The Unlikely Adventures of an Urban Nature Lover , Little, Brown and Company, 1947, 34-42.

GESSNER, David, Soaring with Fidel: An Osprey Odyssey from Cape Cod to Cuba and Beyond , Beacon, 2007.

ISAKSON, Elizabeth, "Journals." Assignment for 36 Views of Moscow Mountain (English 208), University of Idaho, Fall 2018.

SANDERS, Scott Russell, "Buckeye" and "Beneath the Smooth Skin of America." Writing from the Center , Indiana University Press, 1995, pp. 1-8, 9-21.

SLOVIC, Scott, "Teaching with Wolves", Western American Literature 52.3 (Fall 2017): 323-31.

THOREAU, Henry David, "October 1-20, 1853", Being in the World: An Environmental Reader for Writers , edited by Scott H. Slovic and Terrell F. Dixon, Macmillan, 1993, 371-75.

THOREAU, Henry David, Walden . 1854. Princeton University Press, 1971.

Bibliographical reference

Scott Slovic , “ 36 Views of Moscow Mountain: Teaching Travel Writing and Mindfulness in the Tradition of Hokusai and Thoreau ” , Caliban , 59 | 2018, 41-54.

Electronic reference

Scott Slovic , “ 36 Views of Moscow Mountain: Teaching Travel Writing and Mindfulness in the Tradition of Hokusai and Thoreau ” , Caliban [Online], 59 | 2018, Online since 01 June 2018 , connection on 24 March 2024 . URL : http://journals.openedition.org/caliban/3688; DOI : https://doi.org/10.4000/caliban.3688

About the author

Scott slovic.

University of Idaho Scott Slovic is University Distinguished Professor of Environmental Humanities at the University of Idaho, USA. The author and editor of many books and articles, he edited the journal ISLE: Interdisciplinary Studies in Literature and Environment from 1995 to 2020. His latest coedited book is The Routledge Handbook of Ecocriticism and Environmental Communication (2019).

By this author

Introduction (version en français) [Full text] Introduction [Full text | translation | en] Published in Caliban , 64 | 2020
To Collapse or Not to Collapse? A Joint Interview [Full text] Published in Caliban , 63 | 2020
Furrowed Brows, Questioning Earth: Minding the Loess Soil of the Palouse [Full text] Published in Caliban , 61 | 2019
Foreword: Thinking of “Earth Island” on Earth Day 2016 [Full text] Published in Caliban , 55 | 2016

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65-66 | 2021 Peterloo 1819 and After: Perspectives from Britain and Beyond
64 | 2020 Animal Love. Considering Animal Attachments in Anglophone Literature and Culture
63 | 2020 Dynamics of Collapse in Fantasy, the Fantastic and SF
62 | 2019 Female Suffrage in British Art, Literature and History
61 | 2019 Land’s Furrows and Sorrows in Anglophone Countries
60 | 2018 The Life of Forgetting in Twentieth- and Twenty-First-Century British Literature
59 | 2018 Anglophone Travel and Exploration Writing: Meetings Between the Human and Nonhuman
58 | 2017 The Mediterranean and its Hinterlands
57 | 2017 The Animal Question in Alice Munro's Stories
56 | 2016 Disappearances - American literature and arts
55 | 2016 Sharing the Planet
54 | 2015 Forms of Diplomacy (16 th -21 st century)
53 | 2015 Representing World War One: Art’s Response to War
52 | 2014 Caliban and his transmutations

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Home — Essay Samples — Geography & Travel — Travel and Tourism Industry — The History of Moscow City

The History of Moscow City

Categories: Russia Travel and Tourism Industry

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Published: Feb 12, 2019

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How to Write a Beach Scene

» A. To start your story, describe the weather, the crowd and their activities.

» A. A bit of mystery and action is always a good thing.

» B. How does the environment affect your character and what’s happening to them? Use the background to emphasize the character’s emotions rather than describing them.

» A. Connect all that you can in this scene with your plot. Enhance the characters, bring in new revelations, and/or establish a long-lasting setting that will take place throughout the entire novel.

» B. Exit the scene in style, and leave hints about if the character will return or not.

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How To Describe Waves in Writing (100+ Examples & Words)

Types of Waves

1. Size : Understanding Wave Size

Example Sentences:

2. Color : The Palette of the Sea

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