define reading assignments

Academic Reading Strategies

Completing reading assignments is one of the biggest challenges in academia. However, are you managing your reading efficiently? Consider this cooking analogy, noting the differences in process:

Taylor’s process was more efficient because his purpose was clear. Establishing why you are reading something will help you decide how to read it, which saves time and improves comprehension. This guide lists some purposes for reading as well as different strategies to try at different stages of the reading process.

Purposes for reading

People read different kinds of text (e.g., scholarly articles, textbooks, reviews) for different reasons. Some purposes for reading might be

• to scan for specific information
• to skim to get an overview of the text
• to relate new content to existing knowledge
• to write something (often depends on a prompt)
• to critique an argument
• to learn something
• for general comprehension

Strategies differ from reader to reader. The same reader may use different strategies for different contexts because their purpose for reading changes. Ask yourself “why am I reading?” and “what am I reading?” when deciding which strategies to try.

Before reading

• Establish your purpose for reading
• Speculate about the author’s purpose for writing
• Review what you already know and want to learn about the topic (see the guides below)
• Preview the text to get an overview of its structure, looking at headings, figures, tables, glossary, etc.
• Predict the contents of the text and pose questions about it. If the authors have provided discussion questions, read them and write them on a note-taking sheet.
• Note any discussion questions that have been provided (sometimes at the end of the text)
• Sample pre-reading guides – K-W-L guide
• Critical reading questionnaire

During reading

• Annotate and mark (sparingly) sections of the text to easily recall important or interesting ideas
• Check your predictions and find answers to posed questions
• Use headings and transition words to identify relationships in the text
• Create a vocabulary list of other unfamiliar words to define later
• Try to infer unfamiliar words’ meanings by identifying their relationship to the main idea
• Connect the text to what you already know about the topic
• Take breaks (split the text into segments if necessary)
• Sample annotated texts – Journal article · Book chapter excerpt

After reading

• Summarize the text in your own words (note what you learned, impressions, and reactions) in an outline, concept map, or matrix (for several texts)
• Talk to someone about the author’s ideas to check your comprehension
• Identify and reread difficult parts of the text
• Define words on your vocabulary list (try a learner’s dictionary ) and practice using them
• Sample graphic organizers – Concept map · Literature review matrix

Works consulted

Grabe, W., & Stoller, F. L. (2002). Teaching and researching reading. Harlow: Longman.

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Study Skills and Classroom Success

Reading strategies.

To read without reflecting is like eating without digesting. —Edmund Burke, author and philosopher

Learning Objectives

By the end of this section, you will be able to:

• Identify common types of reading tasks assigned in a college class
• Describe the purpose and instructor expectations of academic reading
• Identify effective reading strategies for academic texts: previewing, reading, summarizing, reviewing
• Explore strategies for approaching specialized texts, such as math, and specialized platforms, such as online text
• Identify vocabulary-building techniques to strengthen your reading comprehension

Types of College Reading Materials

As a college student, you will eventually choose a major or focus of study. In your first year or so, though, you’ll probably have to complete “core” or required classes in different subjects. For example, even if you plan to major in English, you may still have to take at least one science, history, and math class. These different academic disciplines (and the instructors who teach them) can vary greatly in terms of the materials that students are assigned to read. Not all college reading is the same. So, what types can you expect to encounter?

Probably the most familiar reading material in college is the  textbook . These are academic books, usually focused on one discipline, and their primary purpose is to educate readers on a particular subject—”Principles of Algebra,” for example, or “Introduction to Business.” It’s not uncommon for instructors to use one textbook as the primary text for an entire course. Instructors typically assign chapters as readings and may include any word problems or questions in the textbook, too.

Instructors may also assign  academic articles or news articles . Academic articles are written by people who specialize in a particular field or subject, while news articles may be from recent newspapers and magazines. For example, in a science class, you may be asked to read an academic article on the benefits of rainforest preservation, whereas in a government class, you may be asked to read an article summarizing a recent presidential debate. Instructors may have you read the articles online or they may distribute copies in class or electronically.

The chief difference between news and academic articles is the intended audience of the publication. News articles are mass media: They are written for a broad audience, and they are published in magazines and newspapers that are generally available for purchase at grocery stores or bookstores. They may also be available online. Academic articles, on the other hand, are usually published in scholarly journals with fairly small circulations.  While you won’t be able to purchase individual journal issues from Barnes and Noble, public and school libraries do make these journal issues and individual articles available.  It’s common to access academic articles through online databases hosted by libraries.

Literature and Nonfiction Books

Instructors use literature  and nonfiction books in their classes to teach students about different genres, events, time periods, and perspectives. For example, a history instructor might ask you to read the diary of a girl who lived during the Great Depression so you can learn what life was like back then. In an English class, your instructor might assign a series of short stories written during the 1960s by different American authors, so you can compare styles and thematic concerns.

Literature includes short stories, novels or novellas, graphic novels, drama, and poetry. Nonfiction works include creative nonfiction—narrative stories told from real life—as well as history, biography, and reference materials. Textbooks and scholarly articles are specific types of nonfiction; often their purpose is to instruct, whereas other forms of nonfiction be written to inform, to persuade, or to entertain.

Purpose of Academic Reading

Casual reading across genres, from books and magazines to newspapers and blogs, is something students should be encouraged to do in their free time because it can be both educational and fun. In college, however, instructors generally expect students to read resources that have particular value in the context of a course. Why is academic reading beneficial?

• Information comes from reputable sources : Web sites and blogs can be a source of insight and information, but not all are useful as academic resources. They may be written by people or companies whose main purpose is to share an opinion or sell you something. Academic sources such as textbooks and scholarly journal articles, on the other hand, are usually written by experts in the field and have to pass stringent peer review requirements in order to get published.
• Learn how to form arguments : In most college classes except for creating writing, when instructors ask you to write a paper, they expect it to be argumentative in style. This means that the goal of the paper is to research a topic and develop an argument about it using evidence and facts to support your position. Since many college reading assignments (especially journal articles) are written in a similar style, you’ll gain experience studying their strategies and learning to emulate them.
• Exposure to different viewpoints : One purpose of assigned academic readings is to give students exposure to different viewpoints and ideas. For example, in an ethics class, you might be asked to read a series of articles written by medical professionals and religious leaders who are pro-life or pro-choice and consider the validity of their arguments. Such experience can help you wrestle with ideas and beliefs in new ways and develop a better understanding of how others’ views differ from your own.

Activity: Describing the Purpose of Academic Reading

• Describe the purpose of academic reading and what an instructor might expect of you after reading
• Review the main types of academic reading and the purpose of academic reading.
• Imagine you are an instructor for a class. This could be a class you are currently taking or one you would like to see offered.
• Identify three academic readings that you would assign to your students.
• Explain why you would assign these works and what you would expect your students to learn or do after reading them.
• Follow your instructor’s guidelines for submitting assignments.

Reading Strategies for Academic Texts

Recall from the Active Learning section that effective reading requires more engagement than just reading the words on the page. In order to learn and retain what you read, it’s a good idea to do things like circling key words, writing notes, and reflecting. Actively reading academic texts can be challenging for students who are used to reading for entertainment alone, but practicing the following steps will get you up to speed:

• Preview : You can gain insight from an academic text before you even begin the reading assignment. For example, if you are assigned a nonfiction book, read the title, the back of the book, and table of contents. Scanning this information can give you an initial idea of what you’ll be reading and some useful context for thinking about it. You can also start to make connections between the new reading and knowledge you already have, which is another strategy for retaining information.
• Read : While you read an academic text, you should have a pen or pencil in hand. Circle or highlight key concepts. Write questions or comments in the margins or in a notebook.  This will help you remember what you are reading and also build a personal connection with the subject matter.
• Summarize : After you an read academic text, it’s worth taking the time to write a short summary—even if your instructor doesn’t require it. The exercise of jotting down a few sentences or a short paragraph capturing the main ideas of the reading is enormously beneficial: it not only helps you understand and absorb what you read but gives you ready study and review materials for exams and other writing assignments.
• Review : It always helps to revisit what you’ve read for a quick refresher. It may not be practical to thoroughly reread assignments from start to finish, but before class discussions or tests, it’s a good idea to skim through them to identify the main points, reread any notes at the ends of chapters, and review any summaries you’ve written.

The following video covers additional active reading strategies readers can use before, during, and after the reading process.

Reading Strategies for Specialized Texts and Online Resources

In college it’s not uncommon to experience frustration with reading assignments from time to time. Because you’re doing more reading on your own outside the classroom, and with less frequent contact with instructors than you had in high school, it’s possible you’ll encounter readings that contain unfamiliar vocabulary or don’t readily make sense. Different disciplines and subjects have different writing conventions and styles, and it can take some practice to get to know them. For example, scientific articles follow a very particular format and typically contain the following sections: an abstract, introduction, methods, results, and discussions. If you are used to reading literary works, such as graphic novels or poetry, it can be disorienting to encounter these new forms of writing.

Below are some strategies for making different kinds of texts more approachable.

Get to Know the Conventions

Academic texts, like scientific studies and journal articles, may have sections that are new to you. If you’re not sure what an “abstract” is, research it online or ask your instructor. Understanding the meaning and purpose of such conventions is not only helpful for reading comprehension but for writing, too.

Look up and Keep Track of Unfamiliar Terms and Phrases

Have a good college dictionary such as Merriam-Webster handy (or find it online) when you read complex academic texts, so you can look up the meaning of unfamiliar words and terms. Many textbooks also contain glossaries or “key terms” sections at the ends of chapters or the end of the book. If you can’t find the words you’re looking for in a standard dictionary, you may need one specially written for a particular discipline. For example, a medical dictionary would be a good resource for a course in anatomy and physiology.

If you circle or underline terms and phrases that appear repeatedly, you’ll have a visual reminder to review and learn them. Repetition helps to lock in these new words and their meaning get them into long-term memory, so the more you review them the more you’ll understand and feel comfortable using them.

Look for Main Ideas and Themes

As a college student, you are not expected to understand every single word or idea presented in a reading, especially if you haven’t discussed it in class yet. However, you will get more out of discussions and feel more confident about asking questions if you can identify the main idea or thesis in a reading. The thesis statement can often (but not always) be found in the introductory paragraph, and it may be introduced with a phrase like “In this essay I argue that . . .” Getting a handle on the overall reason an author wrote something (“to prove X” or “to explore Y,” for instance) gives you a framework for understanding more of the details. It’s also useful to keep track of any themes you notice in the writing. A theme may be a recurring idea, word, or image that strikes you as interesting or important: “This story is about men working in a gloomy factory, but the author keeps mentioning birds and bats and windows. Why is that??”

Get the Most of Online Reading

Reading online texts presents unique challenges for some students. For one thing, you can’t readily circle or underline key terms or passages on the screen with a pencil. For another, there can be many tempting distractions—just a quick visit to amazon.com or Facebook.

While there’s no substitute for old-fashioned self-discipline, you can take advantage of the following tips to make online reading more efficient and effective:

• Where possible, download the reading as a PDF, Word document, etc., so you can read it offline.
• Get one of the apps that allow you to disable your social media sites for specified periods of time.
• Adjust your screen to avoid glare and eye strain, and change the text font to be less distracting (for those essays written in Comic Sans).
• Install an annotation tool in your Web browser so you can highlight and make notes on online text. One to try is  hypothes.is . A low-tech option is to have a notebook handy to write in as you read.

Look for Reputable Online Sources

Professors tend to assign reading from reputable print and online sources, so you can feel comfortable referencing such sources in class and for writing assignments. If you are looking for online sources independently, however, devote some time and energy to critically evaluating the quality of the source before spending time reading any resources you find there. Find out what you can about the author (if one is listed), the Web site, and any affiliated sponsors it may have. Check that the information is current and accurate against similar information on other pages. Depending on what you are researching, sites that end in “.edu” (indicating an “education” site such as a college, university, or other academic institution) tend to be more reliable than “.com” sites.

Pay Attention to Visual Information

Images in textbooks or journals usually contain valuable information to help you more deeply grasp a topic.  Graphs and charts, for instance, help show the relationship between different kinds of information or data—how a population changes over time, how a virus spreads through a population, etc.

Data-rich graphics can take longer to “read” than the text around them because they present a lot of information in a condensed form.  Give yourself plenty of time to study these items, as they often provide new and lasting insights that are easy to recall later (like in the middle of an exam on that topic!).

Vocabulary-Building Techniques

Gaining confidence with unique terminology used in different disciplines can help you be more successful in your courses and in college generally. In addition to the suggestions described earlier, such as looking up unfamiliar words in dictionaries, the following are additional vocabulary-building techniques for you to try:

Read Everything and Read Often

Reading frequently both in and out of the classroom will help strengthen your vocabulary. Whenever you read a book, magazine, newspaper, blog, or any other resource, keep a running list of words you don’t know. Look up the words as you encounter them and try to incorporate them into your own speaking and writing.

Make Connections to Words You Already Know

You may be familiar with the “looks like . . . sounds like” saying that applies to words. It means that you can sometimes look at a new word and guess the definition based on similar words whose meaning you know. For example, if you are reading a biology book on the human body and come across the word malignant , you might guess that this word means something negative or broken if you already know the word  malfunction, which share the “mal-” prefix.

Make Index Cards

If you are studying certain words for a test, or you know that certain phrases will be used frequently in a course or field, try making flashcards for review. For each key term, write the word on one side of an index card and the definition on the other. Drill yourself, and then ask your friends to help quiz you.

Developing a strong vocabulary is similar to most hobbies and activities. Even experts in a field continue to encounter and adopt new words. The following video discusses more strategies for improving vocabulary.

Words are sneaky, charming, and intriguing. The more complex our vocabularies, the more complex our thoughts are, too.

• Reading Strategies. Authored by : Jolene Carr. Provided by : Lumen Learning. License : CC BY: Attribution
• Reading on a Rock. Authored by : Spanginator. Located at : https://www.flickr.com/photos/spanginator/3414054443/sizes/l . License : CC BY-SA: Attribution-ShareAlike
• College Reading Strategies. Authored by : The Learning Center at the University of Hawaii Maui College. Located at : https://youtu.be/faZF9x4A2Vs . License : CC BY: Attribution
• Image of man reading under tree. Authored by : Ken Slade. Located at : https://flic.kr/p/auziyg . License : CC BY-NC: Attribution-NonCommercial
• Vocabulary Reading Strategies. Authored by : Lindsey Thompson. Located at : https://youtu.be/nfbY0EK7JEY . License : CC BY: Attribution

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5.2 How Do You Read to Learn?

Learning objectives.

• Understand the four steps of active learning.
• Develop strategies to help you read effectively and quickly.

The four steps of active reading are almost identical to the four phases of the learning cycle—and that is no coincidence! Active reading is learning through reading the written word, so the learning cycle naturally applies. Active reading involves these steps:

• Capturing the key ideas

Let’s take a look at how to use each step when reading.

Preparing to Read

Start by thinking about why your instructor has chosen this text. Has the instructor said anything about the book or the author? Look at the table of contents; how does it compare with the course syllabus? What can you learn about the author from the front matter of the book (see Table 5.1 “Anatomy of a Textbook” )? Understanding this background will give you the context of the book and help define what is most important in the text. Doing this exercise once per textbook will give you a great deal of insight throughout the course.

Now it is time to develop a plan of attack for your assignment. Your first step in any reading assignment is to understand the context of what you are about to read. Think of your reading assignment in relation to the large themes or goals the instructor has spelled out for the class. Remember that you are not merely reading—you are reading for a purpose. What parts of a reading assignment should you pay special attention to, and what parts can you browse through? As we mentioned in the beginning of this chapter, you will be expected to do a considerable amount of reading in college, and you will not get through it all by reading each and every word with a high level of focus and mental intensity. This is why it is so important to learn to define where to invest your efforts.

Open your text to the assigned pages. What is the chapter title? Is the chapter divided into sections? What are the section titles? Which sections are longer? Are there any illustrations? What are they about? Illustrations in books cost money, so chances are the author and publisher thought these topics were particularly important, or they would not have been included. How about tables? What kinds of information do they show? Are there bold or italicized words? Are these terms you are familiar with, or are they new to you? Are you getting a sense for what is important in the chapter? Use the critical thinking skills discussed in Chapter 3 “Thinking about Thought” as you think about your observations. Why did the author choose to cover certain ideas and to highlight specific ideas with graphics or boldface fonts? What do they tell you about what will be most important for you in your course? What do you think your instructor wants you to get out of the assignment? Why?

Anatomy of a Textbook

Good textbooks are designed to help you learn, not just to present information. They differ from other types of academic publications intended to present research findings, advance new ideas, or deeply examine a specific subject. Textbooks have many features worth exploring because they can help you understand your reading better and learn more effectively. In your textbooks, look for the elements listed in the table below.

Table 5.1 Anatomy of a Textbook

Now, before actually starting to read, try to give your reading more direction. Are you ever bored when reading a textbook? Students sometimes feel that about some of their textbooks. In this step, you create a purpose or quest for your reading, and this will help you become more actively engaged and less bored.

Start by checking your attitude: if you are unhappy about the reading assignment and complaining that you even have to read it, you will have trouble with the reading. You need to get “psyched” for the assignment. Stoke your determination by setting yourself a reasonable time to complete the assignment and schedule some short breaks for yourself. Approach the reading with a sense of curiosity and thirst for new understanding. Think of yourself more as an investigator looking for answers than a student doing a homework assignment.

Take out your notebook for the class for which you are doing the reading. Remember the Cornell method of note taking from Chapter 4 “Listening, Taking Notes, and Remembering” ? You will use the same format here with a narrow column on the left and a wide column on the right. This time, with reading, approach taking notes slightly differently. In the Cornell method used for class notes, you took notes in the right column and wrote in questions and comments in the left column after class as you reviewed your notes. When using this system with reading, write your questions about the reading first in the left column (spacing them well apart so that you have plenty of room for your notes while you read in the right column). From your preliminary scanning of the pages, as described previously, you should already have questions at your fingertips.

Use your critical thinking skill of questioning what the author is saying. Turn the title of each major section of the reading into a question and write it down in your left column of your notes. For example, if the section title is “The End of the Industrial Revolution,” you might write, “What caused the Industrial Revolution to end?” If the section title is “The Chemistry of Photosynthesis,” you might write, “What chemical reactions take place to cause photosynthesis, and what are the outcomes?” Note that your questions are related to the kind of material you are hearing about in class, and they usually require not a short answer but a thoughtful, complete understanding. Ideally, you should not already know the answer to the questions you are writing! (What fun is a quest if you already know each turn and strategy? Expect to learn something new in your reading even if you are familiar with the topic already.) Finally, also in the left column, jot down any keywords that appear in boldface. You will want to discover their definitions and the significance of each as you read.

Activity: Try It Now!

OK. Time to take a break from reading this book. Choose a textbook in which you have a current reading assignment. Scan the assigned pages, looking for what is really important, and write down your questions using the Cornell method.

Now answer the following questions with a journal entry.

• Do you feel better prepared to read this assignment? How?
• Do you feel more confident?
• Do you feel less overwhelmed?
• Do you feel more focused?

________________________________________________________________________________

Alternative Approaches for Preparing to Read

In Chapter 4 “Listening, Taking Notes, and Remembering” you may have determined that you are more comfortable with the outline or concept map methods of note taking. You can use either of these methods also to prepare for reading. With the outline method, start with the chapter title as your primary heading, then create subheadings for each section, rephrasing each section title in terms of a question.

If you are more comfortable using the concept map method, start with the chapter title as your center and create branches for each section within the chapter. Make sure you phrase each item as a question.

Now you are ready to start reading actively. Start by taking a look at your notes; they are your road map. What is the question you would like to answer in the first section? Before you start reading, reflect about what you already know about the subject. Even if you don’t know anything, this step helps put you in the right mind-set to accept new material. Now read through the entire section with the objective of understanding it. Follow these tips while reading, but do not start taking notes or highlighting text at this point:

• Look for answers to the questions you wrote.
• Pay particular attention to the first and last lines of each paragraph.
• Think about the relationships among section titles, boldface words, and graphics.
• Skim quickly over parts of the section that are not related to the key questions.

After reading the section, can you answer the section question you earlier wrote in your notes? Did you discover additional questions that you should have asked or that were not evident from the title of the section? Write them down now on your notes page. Can you define the keywords used in the text? If you can’t do either of these things, go back and reread the section.

Capture the Key Ideas

Once you can answer your questions effectively and can define the new and keywords, it is time to commit these concepts to your notes and to your memory. Start by writing the answers to your questions in your notes in the right column. Also define the keywords you found in the reading.

Now is also the time to go back and reread the section with your highlighter or pencil to call out key ideas and words and make notes in your margins. Marking up your book may go against what you were told in high school, when the school owned the books and expected to use them year after year. In college, you bought the book. Make it truly yours. Although some students may tell you that you can get more cash by selling a used book that is not marked up, this should not be a concern at this time—that’s not nearly as important as understanding the reading and doing well in the class!

The purpose of marking your textbook is to make it your personal studying assistant with the key ideas called out in the text. Most readers tend to highlight too much, however, hiding key ideas in a sea of yellow lines. When it comes to highlighting, less is more. Think critically before you highlight. Your choices will have a big impact on what you study and learn for the course. Make it your objective to highlight no more than 10 percent of the text.

Use your pencil also to make annotations in the margin. Use a symbol like an exclamation mark ( ! ) or an asterisk ( * ) to mark an idea that is particularly important. Use a question mark ( ? ) to indicate something you don’t understand or are unclear about. Box new words, then write a short definition in the margin. Use “TQ” (for “test question”) or some other shorthand or symbol to signal key things that may appear in test or quiz questions. Write personal notes on items where you disagree with the author. Don’t feel you have to use the symbols listed here; create your own if you want, but be consistent. Your notes won’t help you if the first question you later have is “I wonder what I meant by that?”

If you are reading an essay from a magazine or an academic journal, remember that such articles are typically written in response to other articles. In Chapter 4 “Listening, Taking Notes, and Remembering” , you learned to be on the lookout for signal words when you listen. This applies to reading, too. You’ll need to be especially alert to signals like “according to” or “Jones argues,” which make it clear that the ideas don’t belong to the author of the piece you are reading. Be sure to note when an author is quoting someone else or summarizing another person’s position. Sometimes, students in a hurry to get through a complicated article don’t clearly distinguish the author’s ideas from the ideas the author argues against. Other words like “yet” or “however” indicate a turn from one idea to another. Words like “critical,” “significant,” and “important” signal ideas you should look at closely.

After annotating, you are ready to read the next section.

Reviewing What You Read

When you have completed each of the sections for your assignment, you should review what you have read. Start by answering these questions: “What did I learn?” and “What does it mean?” Next, write a summary of your assigned reading, in your own words, in the box at the base of your notepaper. Working from your notes, cover up the answers to your questions and answer each of your questions aloud. (Yes, out loud. Remember from Chapter 4 “Listening, Taking Notes, and Remembering” that memory is improved by using as many senses as possible?) Think about how each idea relates to material the instructor is covering in class. Think about how this new knowledge may be applied in your next class.

If the text has review questions at the end of the chapter, answer those, too. Talk to other students about the reading assignment. Merge your reading notes with your class notes and review both together. How does your reading increase your understanding of what you have covered in class and vice versa?

Strategies for Textbook Reading

The four steps to active reading provide a proven approach to effective learning from texts. Following are some strategies you can use to enhance your reading even further:

• Pace yourself. Figure out how much time you have to complete the assignment. Divide the assignment into smaller blocks rather than trying to read the entire assignment in one sitting. If you have a week to do the assignment, for example, divide the work into five daily blocks, not seven; that way you won’t be behind if something comes up to prevent you from doing your work on a given day. If everything works out on schedule, you’ll end up with an extra day for review.
• Schedule your reading. Set aside blocks of time, preferably at the time of the day when you are most alert, to do your reading assignments. Don’t just leave them for the end of the day after completing written and other assignments.
• Get yourself in the right space. Choose to read in a quiet, well-lit space. Your chair should be comfortable but provide good support. Libraries were designed for reading—they should be your first option! Don’t use your bed for reading textbooks; since the time you were read bedtime stories, you have probably associated reading in bed with preparation for sleeping. The combination of the cozy bed, comforting memories, and dry text is sure to invite some shut-eye!
• Avoid distractions. Active reading takes place in your short-term memory. Every time you move from task to task, you have to “reboot” your short-term memory and you lose the continuity of active reading. Multitasking—listening to music or texting on your cell while you read—will cause you to lose your place and force you to start over again. Every time you lose focus, you cut your effectiveness and increase the amount of time you need to complete the assignment.
• Avoid reading fatigue. Work for about fifty minutes, and then give yourself a break for five to ten minutes. Put down the book, walk around, get a snack, stretch, or do some deep knee bends. Short physical activity will do wonders to help you feel refreshed.
• Read your most difficult assignments early in your reading time, when you are freshest.
• Make your reading interesting. Try connecting the material you are reading with your class lectures or with other chapters. Ask yourself where you disagree with the author. Approach finding answers to your questions like an investigative reporter. Carry on a mental conversation with the author.

Key Takeaways

• Consider why the instructor has selected the particular text. Map the table of contents to the course syllabus.
• Understand how your textbook is put together and what features might help you with your reading.
• Plan your reading by scanning the reading assignment first, then create questions based on the section titles. These will help you focus and prioritize your reading.
• Use the Cornell method for planning your reading and recording key ideas.
• Don’t try to highlight your text as you read the first time through. At that point, it is hard to tell what is really important.
• End your reading time by reviewing your notes.
• Pace yourself and read in a quiet space with minimal distractions.

Checkpoint Exercises

List the four steps to active reading. Which one do you think will take most time? Why?

__________________________________________________________________

Think of your most difficult textbook. What features can you use to help you understand the material better?

What things most commonly distract you when you are reading? What can you do to control these distractions?

List three specific places on your campus or at home that are appropriate for you to do your reading assignments. Which is best suited? What can you do to improve that reading environment?

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Assignments usually ask you to demonstrate that you have immersed yourself in the course material and that you've done some thinking on your own; questions not treated at length in class often serve as assignments. Fortunately, if you've put the time into getting to know the material, then you've almost certainly begun thinking independently. In responding to assignments, keep in mind the following advice.

• Beware of straying.  Especially in the draft stage, "discussion" and "analysis" can lead you from one intrinsically interesting problem to another, then another, and then ... You may wind up following a garden of forking paths and lose your way. To prevent this, stop periodically while drafting your essay and reread the assignment. Its purposes are likely to become clearer.
• Consider the assignment in relation to previous and upcoming assignments.  Ask yourself what is new about the task you're setting out to do. Instructors often design assignments to build in complexity. Knowing where an assignment falls in this progression can help you concentrate on the specific, fresh challenges at hand.

Understanding some key words commonly used in assignments also may simplify your task. Toward this end, let's take a look at two seemingly impenetrable instructions: "discuss" and "analyze."

1. Discuss the role of gender in bringing about the French Revolution.

• "Discuss" is easy to misunderstand because the word calls to mind the oral/spoken dimension of communication. "Discuss" suggests conversation, which often is casual and undirected. In the context of an assignment, however, discussion entails fulfilling a defined and organized task: to construct an argument that considers and responds to an ample range of materials. To "discuss," in assignment language, means to make a broad argument about a set of arguments you have studied. In the case above, you can do this by
• pointing to consistencies and inconsistencies in the evidence of gendered causes of the Revolution;
• raising the implications of these consistencies and/or inconsistencies (perhaps they suggest a limited role for gender as catalyst);
• evaluating different claims about the role of gender; and
• asking what is gained and what is lost by focusing on gendered symbols, icons and events.

A weak discussion essay in response to the question above might simply list a few aspects of the Revolution—the image of Liberty, the executions of the King and Marie Antoinette, the cry "Liberte, Egalite, Fraternite!" —and make separate comments about how each, being "gendered," is therefore a powerful political force. Such an essay would offer no original thesis, but instead restate the question asked in the assignment (i.e., "The role of gender was very important in the French Revolution" or "Gender did not play a large role in the French Revolution").

In a strong discussion essay, the thesis would go beyond a basic restatement of the assignment question. You might test the similarities and differences of the revolutionary aspects being discussed. You might draw on fresh or unexpected evidence, perhaps using as a source an intriguing reading that was only briefly touched upon in lecture.

2. Analyze two of Chaucer's Canterbury Tales, including one not discussed in class, as literary works and in terms of sources/analogues.

The words "analyze" and "analysis" may seem to denote highly advanced, even arcane skills, possessed in virtual monopoly by mathematicians and scientists. Happily, the terms refer to mental activity we all perform regularly; the terms just need decoding. "Analyze" means two things in this specific assignment prompt.

• First, you need to divide the two tales into parts, elements, or features. You might start with a basic approach: looking at the beginning, middle, and end. These structural features of literary works—and of historical events and many other subjects of academic study—may seem simple or even simplistic, but they can yield surprising insights when examined closely.
• Alternatively, you might begin at a more complex level of analysis. For example, you might search for and distinguish between kinds of humor in the two tales and their sources in Boccaccio or the Roman de la Rose: banter, wordplay, bawdy jokes, pranks, burlesque, satire, etc.

Second, you need to consider the two tales critically to arrive at some reward for having observed how the tales are made and where they came from (their sources/analogues). In the course of your essay, you might work your way to investigating Chaucer's broader attitude toward his sources, which alternates between playful variation and strict adherence. Your complex analysis of kinds of humor might reveal differing conceptions of masculine and feminine between Chaucer and his literary sources, or some other important cultural distinction.

Analysis involves both a set of observations about the composition or workings of your subject and a critical approach that keeps you from noticing just anything—from excessive listing or summarizing—and instead leads you to construct an interpretation, using textual evidence to support your ideas.

Some Final Advice

If, having read the assignment carefully, you're still confused by it, don't hesitate to ask for clarification from your instructor. He or she may be able to elucidate the question or to furnish some sample responses to the assignment. Knowing the expectations of an assignment can help when you're feeling puzzled. Conversely, knowing the boundaries can head off trouble if you're contemplating an unorthodox approach. In either case, before you go to your instructor, it's a good idea to list, underline or circle the specific places in the assignment where the language makes you feel uncertain.

William C. Rice, for the Writing Center at Harvard University

Reading and Writing for Understanding

• Posted July 21, 2005
• By Sarah O'Brien Mackey

Secondary school students can benefit enormously when teachers of all subjects integrate reading and writing strategies into their instruction, according to  Harvard Graduate School of Education Lecturer Vicki Jacobs . These strategies, typical of "reading and writing to learn" and "reading and writing across the curriculum," are problem-solving activities designed to help students move from simply knowing a fact to understanding a fact's significance. Helping students make that leap — from knowing to understanding — represents the very heart of the educational enterprise.

This summary is based on Jacobs' article, " Reading, Writing, and Understanding, " which appeared in the November 2002 edition of Educational Leadership .

Reading to Learn

Jacobs explains that students learn and practice beginning reading skills through about the third grade, building their knowledge about language and letter-sound relationships and developing fluency in their reading. Around fourth grade, students must begin to use these developing reading skills to learn — to make meaning, solve problems, and understanding something new. They need to comprehend what they read through a three-stage meaning-making process.

Stage One: Prereading

It's not uncommon for a struggling secondary reader to declare, "I read last night's homework, but I don't remember anything about it (let alone understand it)!" According to Jacobs, "How successfully students remember or understand the text depends, in part, on how explicitly teachers have prepared them to read it for clearly defined purposes."

During the prereading stage, teachers prepare students for their encounter with the text. They help students organize the background knowledge and experience they will use to solve the mystery of the text. To do so, they must understand the cultural and language-based contexts students bring to their reading, their previous successes or failures with the content, and general ability to read a particular kind of text. Based on this assessment, teachers can choose strategies that will serve as effective scaffolds between the students' "given" and the "new" of the text.

Asking such questions as, "What do I already know and what do I need to know before reading?" or "What do I think this passage will be about, given the headings, graphs, or pictures?" helps students anticipate the text, make personal connections with the text, and help to promote engagement and motivation. Brainstorming and graphic organizers also serve to strengthen students' vocabulary knowledge and study skills.

Stage Two: Guided Reading

Students move on to guided reading, during which they familiarize themselves with the surface meaning of the text and then probe it for deeper meaning. Effective guided-reading activities allow students to apply their background knowledge and experience to the "new." They provide students with means to revise predictions; search for tentative answers; gather, organize, analyze, and synthesize evidence; and begin to make assertions about their new understanding. Common guided-reading activities include response journals and collaborative work on open-ended problems. During guided reading, Jacobs recommends that teachers transform the factual questions that typically appear at the end of a chapter into questions that ask how or why the facts are important.

The ability to monitor one's own reading often distinguishes effective and struggling readers. Thus, guided-reading activities should provide students with the opportunity to reflect on the reading process itself — recording in a log how their background knowledge and experience influenced their understanding of text, identifying where they may have gotten lost during reading and why, and asking any questions they have about the text. As with prereading, guided-reading activities not only enhance comprehension but also promote vocabulary knowledge and study skills.

Stage Three: Postreading

During postreading, students test their understanding of the text by comparing it with that of their classmates. In doing so, they help one another revise and strengthen their arguments while reflecting and improving on their own.

Writing to Learn

Writing is often used as a means of evaluating students' understanding of a certain topic, but it is also a powerful tool for engaging students in the act of learning itself. Writing allows students to organize their thoughts and provides a means by which students can form and extend their thinking, thus deepening understanding. Like reading-to-learn, writing can be a meaning-making process.

Research suggests that the most effective way to improve students' writing is a process called inquiry. This process allows students to define and test what they would like to write before drafting. To help students prepare their arguments, teachers guide them through the three stages of writing-based inquiry:

• Stating specific, relevant details from personal experience;
• Proposing observations or interpretations of the text; and
• Testing these assertions by predicting and countering potential opposing arguments. Through inquiry, students discover and refine something worth writing about.

Writing-to-learn activities can include freewriting (writing, without editing, what comes to mind), narrative writing (drawing on personal experience), response writing (writing thoughts on a specific issue); loop writing (writing on one idea from different perspectives) and dialogue writing (for example, with an author or a character.) "Not surprisingly," writes Jacobs, "writing-to learn activities are also known as 'writing-to-read' strategies — means by which students can engage with text in order to understand it."

Reading, writing, and understanding

The relationship among reading, writing, and understanding is clear. Students engaged in reading-to-learn will also be prepared to write well. In turn, students who are engaged in writing-to-learn will become more effective readers. Through both approaches, students will gain a better understanding of material and a greater ability to demonstrate that understanding.

Staff Development

Jacobs recommends that teachers who are considering whether to implement reading-to-learn and writing-to-learn strategies into their classroom first define their own instructional goals. If teachers decide that their goals for students' learning include "understanding," then they might ask themselves such questions as, "What strategies do I use to prepare my students to read a text?" or "How explicitly do I share with students the purpose of an assignment?" As Jacobs sees it, "Only after teachers have examined whether teaching for understanding suits their instructional goals and after they have defined their role in facilitating understanding can they consider how the principles and practices of reading-to-learn and writing-to-learn might support their instruction."

For those teachers who decide that teaching for understanding does indeed suit their instructional goals, the framework offered in Jacobs' article can help them skillfully integrate reading-to-learn and writing-to-learn strategies across their instruction.

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• Reading the Assignment

Assignment Considerations

Always read your written assignment carefully and consider what it asks you to do. Here are some questions that you may ask yourself before you begin to write your assignment:

• What kind of a written assignment is it ( an essay , a research paper , or a report )?
• Who is your primary audience for this assignment?
• What is the purpose of the assignment (to inform, to influence, or to record)?
• What mode of communication would best fit the assignment (a narrative, a description, a comparison, or an argument)?
• How long should the paper be?
• Does the assignment have any specific format requirements?
• What style of documentation is required?
• Are you required to do any research for this assignment?
• If research is required, how many sources should be used?

Rule to Remember

Always read your written assignment carefully and consider what it asks you to do.

If you cannot answer all of these questions by reading the assignment description, go back to your professor to clarify the requirements.

What kind of an assignment are you asked to write?

The most common written assignments given to students are essays, research papers, and reports.

An essay is defined as "an analytic or interpretative literary composition usually dealing with its subject from a limited or personal point of view" ( Merriam Webster OnLine ). Essays usually express the author's outlook on the subject.

A useful model that is often used in composition classes is a five-paragraph essay .

The Structure of a Classic Five-Paragraph Essay:

• Introduction (presents a topic and provides a thesis statement)
• Body paragraph 1 (presents evidence and supporting information)
• Body paragraph 2 (presents evidence and supporting information)
• Body paragraph 3 (presents evidence and supporting information)
• Conclusion (restatement of the thesis, call to action)

An essay is "an analytic or interpretive literary composition usually dealing with its subject from a limited or personal point of view."

NIU Writing Center Handout on a Classic Five-Paragraph Essay (PDF)

A Research Paper

A research paper is a term harder to define because expectations and guidelines may vary depending on your area of study. A research paper usually requires gathering research materials, interpreting, and documenting them in the paper. It is based the author's interpretation of the facts gathered from research and it, therefore, requires good critical thinking skills on the part of the author.

A research paper needs to be logically organized with a clearly stated purpose and thesis which have to be supported throughout the main body of the paper. Research information can be presented in the form of quotations, paraphrases, or summaries.

A research paper needs to be logically organized with a clearly stated purpose and thesis which are supported throughout the main body of the paper.

A research paper usually has the following structure

• Abstract (a brief summary of the paper)
• Introduction (introduces the importance of the subject)
• Materials and Methods (discusses how research was conducted)
• Results (describes outcomes of the research process)
• Discussion (discusses the relationship of the results)
• References (provides a list of resources used)
• Appendix (provides material used in research but not presented in the body of the paper)

( Publication Manual of the American Psychological Association , 10-29)

While essays and research papers are more typical in the humanities, much writing in the sciences and social sciences is in the form of a report. A report presents factual information, and its main purpose is to inform. It contains examples and provides an analysis of the subject.

The structure and organization of a report should reflect its main purpose and audience. There are several possible organization patterns. Below are two of the most common ones:

Report Structure One

• Abstract (summary of the report in one concise paragraph)
• Introduction (a brief outline of the problem)
• Literature review (summary of research in the field)
• Research methods
• Research results
• Discussion and conclusion (here the author may include an evaluation and form an argument)
• Endmatter (notes, references, appendices)

(Hult & Huckin, The New Century Handbook , 378)

A report presents factual information, and its main purpose is to inform. It contains examples and provides an analysis of the subject.

Report Structure Two

• Contents list
• Executive summary (brief outline of the subject matter)
• Introduction (presents background, scope, and authors)
• Body of the report (detailed account of the subject)
• Conclusions
• Recommendations (not all reports may have them)
• Appendices (may include research methods, names of members of the report team, case studies)
• Bibliography

(Sealy, Oxford Guide to Effective Writing and Speaking , 70)

• Punctuation
• Addressing the Audience
• Introduction
• Thesis Statement
• Supporting Paragraphs
• Transitions
• Revision Process

3.3 Effective Reading Strategies

Questions to Consider:

• What methods can you incorporate into your routine to allow adequate time for reading?
• What are the benefits and approaches to active and critical reading?
• Do your courses or major have specific reading requirements?

Allowing Adequate Time for Reading

You should determine the reading requirements and expectations for every class very early in the semester. You also need to understand why you are reading the particular text you are assigned. Do you need to read closely for minute details that determine cause and effect? Or is your instructor asking you to skim several sources so you become more familiar with the topic? Knowing this reasoning will help you decide your timing, what notes to take, and how best to undertake the reading assignment.

Depending on the makeup of your schedule, you may end up reading both primary sources—such as legal documents, historic letters, or diaries—as well as textbooks, articles, and secondary sources, such as summaries or argumentative essays that use primary sources to stake a claim. You may also need to read current journalistic texts to stay up to date in local or global affairs. A realistic approach to scheduling your time to allow you to read and review all the reading you have for the semester will help you accomplish what can sometimes seem like an overwhelming task.

When you allow adequate time in your hectic schedule for reading, you are investing in your own success. Reading isn’t a magic pill, but it may seem like it when you consider all the benefits people reap from this ordinary practice. Famous successful people throughout history have been voracious readers. In fact, former U.S. president Harry Truman once said, “Not all readers are leaders, but all leaders are readers.” Writer of the U.S. Declaration of Independence, inventor, and also former U.S. president Thomas Jefferson claimed “I cannot live without books” at a time when keeping and reading books was an expensive pastime. Knowing what it meant to be kept from the joys of reading, 19th-century abolitionist Frederick Douglass said, “Once you learn to read, you will be forever free.” And finally, George R. R. Martin, the prolific author of the wildly successful Game of Thrones empire, declared, “A reader lives a thousand lives before he dies . . . The man who never reads lives only one.”

You can make time for reading in a number of ways that include determining your usual reading pace and speed, scheduling active reading sessions, and practicing recursive reading strategies.

Determining Reading Speed and Pacing

To determine your reading speed, select a section of text—passages in a textbook or pages in a novel. Time yourself reading that material for exactly 5 minutes, and note how much reading you accomplished in those 5 minutes. Multiply the amount of reading you accomplished in 5 minutes by 12 to determine your average reading pace (5 times 12 equals the 60 minutes of an hour). Of course, your reading pace will be different and take longer if you are taking notes while you read, but this calculation of reading pace gives you a good way to estimate your reading speed that you can adapt to other forms of reading.

In the table above, you can see three students with different reading speeds. So, for instance, if Marta was able to read 4 pages of a dense novel for her English class in 5 minutes, she should be able to read about 48 pages in one hour. Knowing this, Marta can accurately determine how much time she needs to devote to finishing the novel within a set amount of time, instead of just guessing. If the novel Marta is reading is 497 pages, then Marta would take the total page count (497) and divide that by her hourly reading rate (48 pages/hour) to determine that she needs about 10 to 11 hours overall. To finish the novel spread out over two weeks, Marta needs to read a little under an hour a day to accomplish this goal.

Calculating your reading rate in this manner does not take into account days where you’re too distracted and you have to reread passages or days when you just aren’t in the mood to read. And your reading rate will likely vary depending on how dense the content you’re reading is (e.g., a complex textbook vs. a comic book). Your pace may slow down somewhat if you are not very interested in what the text is about. What this method will help you do is be realistic about your reading time as opposed to waging a guess based on nothing and then becoming worried when you have far more reading to finish than the time available.

Chapter 2 , “ Managing Your Time and Priorities ,” offers more detail on how best to determine your speed from one type of reading to the next so you are better able to schedule your reading.

Scheduling Set Times for Active Reading

Active reading takes longer than reading through passages without stopping. You may not need to read your latest sci-fi series actively while you’re lounging on the beach, but many other reading situations demand more attention from you. Active reading is particularly important for college courses. You are a scholar actively engaging with the text by posing questions, seeking answers, and clarifying any confusing elements. Plan to spend at least twice as long to read actively than to read passages without taking notes or otherwise marking select elements of the text.

To determine the time you need for active reading, use the same calculations you use to determine your traditional reading speed and double it. Remember that you need to determine your reading pace for all the classes you have in a particular semester and multiply your speed by the number of classes you have that require different types of reading. The table below shows the differences in time needed between reading quickly without taking notes and reading actively.

Practicing Recursive Reading Strategies

One fact about reading for college courses that may become frustrating is that, in a way, it never ends. For all the reading you do, you end up doing even more rereading. It may be the same content, but you may be reading the passage more than once to detect the emphasis the writer places on one aspect of the topic or how frequently the writer dismisses a significant counterargument. This rereading is called recursive reading.

For most of what you read at the college level, you are trying to make sense of the text for a specific purpose—not just because the topic interests or entertains you. You need your full attention to decipher everything that’s going on in complex reading material—and you even need to be considering what the writer of the piece may not be including and why. This is why reading for comprehension is recursive.

Specifically, this boils down to seeing reading not as a formula but as a process that is far more circular than linear. You may read a selection from beginning to end, which is an excellent starting point, but for comprehension, you’ll need to go back and reread passages to determine meaning and make connections between the reading and the bigger learning environment that led you to the selection—that may be a single course or a program in your college, or it may be the larger discipline, such as all biologists or the community of scholars studying beach erosion.

People often say writing is rewriting. For college courses, reading is rereading, but rereading with the intention of improving comprehension and taking notes.

Strong readers engage in numerous steps, sometimes combining more than one step simultaneously, but knowing the steps nonetheless. They include, not always in this order:

• bringing any prior knowledge about the topic to the reading session,
• asking yourself pertinent questions, both orally and in writing, about the content you are reading,
• inferring and/or implying information from what you read,
• learning unfamiliar discipline-specific terms,
• evaluating what you are reading, and eventually,
• applying what you’re reading to other learning and life situations you encounter.

Let’s break these steps into manageable chunks, because you are actually doing quite a lot when you read.

Accessing Prior Knowledge

When you read, you naturally think of anything else you may know about the topic, but when you read deliberately and actively, you make yourself more aware of accessing this prior knowledge. Have you ever watched a documentary about this topic? Did you study some aspect of it in another class? Do you have a hobby that is somehow connected to this material? All of this thinking will help you make sense of what you are reading.

Application

Imagine that you were given a chapter to read in your American history class about the Gettysburg Address, now write down what you already know about this historic document. How might thinking through this prior knowledge help you better understand the text?

Asking Questions

Humans are naturally curious beings. As you read actively, you should be asking questions about the topic you are reading. Don’t just say the questions in your mind; write them down. You may ask: Why is this topic important? What is the relevance of this topic currently? Was this topic important a long time ago but irrelevant now? Why did my professor assign this reading?

You need a place where you can actually write down these questions; a separate page in your notes is a good place to begin. If you are taking notes on your computer, start a new document and write down the questions. Leave some room to answer the questions when you begin and again after you read.

Inferring and Implying

When you read, you can take the information on the page and infer , or conclude responses to related challenges from evidence or from your own reasoning. A student will likely be able to infer what material the professor will include on an exam by taking good notes throughout the classes leading up to the test.

Writers may imply information without directly stating a fact for a variety of reasons. Sometimes a writer may not want to come out explicitly and state a bias, but may imply or hint at his or her preference for one political party or another. You have to read carefully to find implications because they are indirect, but watching for them will help you comprehend the whole meaning of a passage.

Learning Vocabulary

Vocabulary specific to certain disciplines helps practitioners in that field engage and communicate with each other. Few people beyond undertakers and archeologists likely use the term sarcophagus in everyday communications, but for those disciplines, it is a meaningful distinction. Looking at the example, you can use context clues to figure out the meaning of the term sarcophagus because it is something undertakers and/or archeologists would recognize. At the very least, you can guess that it has something to do with death. As a potential professional in the field you’re studying, you need to know the lingo. You may already have a system in place to learn discipline-specific vocabulary, so use what you know works for you. Two strong strategies are to look up words in a dictionary (online or hard copy) to ensure you have the exact meaning for your discipline and to keep a dedicated list of words you see often in your reading. You can list the words with a short definition so you have a quick reference guide to help you learn the vocabulary.

Intelligent people always question and evaluate. This doesn’t mean they don’t trust others; they just need verification of facts to understand a topic well. It doesn’t make sense to learn incomplete or incorrect information about a subject just because you didn’t take the time to evaluate all the sources at your disposal. When early explorers were afraid to sail the world for fear of falling off the edge, they weren’t stupid; they just didn’t have all the necessary data to evaluate the situation.

When you evaluate a text, you are seeking to understand the presented topic. Depending on how long the text is, you will perform a number of steps and repeat many of these steps to evaluate all the elements the author presents. When you evaluate a text, you need to do the following:

• Scan the title and all headings.
• Read through the entire passage fully.
• Question what main point the author is making.
• Decide who the audience is.
• Identify what evidence/support the author uses.
• Consider if the author presents a balanced perspective on the main point.
• Recognize if the author introduced any biases in the text.

When you go through a text looking for each of these elements, you need to go beyond just answering the surface question; for instance, the audience may be a specific field of scientists, but could anyone else understand the text with some explanation? Why would that be important?

Analysis Question

Think of an article you need to read for a class. Take the steps above on how to evaluate a text, and apply the steps to the article. When you accomplish the task in each step, ask yourself and take notes to answer the question: Why is this important? For example, when you read the title, does that give you any additional information that will help you comprehend the text? If the text were written for a different audience, what might the author need to change to accommodate that group? How does an author’s bias distort an argument? This deep evaluation allows you to fully understand the main ideas and place the text in context with other material on the same subject, with current events, and within the discipline.

When you learn something new, it always connects to other knowledge you already have. One challenge we have is applying new information. It may be interesting to know the distance to the moon, but how do we apply it to something we need to do? If your biology instructor asked you to list several challenges of colonizing Mars and you do not know much about that planet’s exploration, you may be able to use your knowledge of how far Earth is from the moon to apply it to the new task. You may have to read several other texts in addition to reading graphs and charts to find this information.

That was the challenge the early space explorers faced along with myriad unknowns before space travel was a more regular occurrence. They had to take what they already knew and could study and read about and apply it to an unknown situation. These explorers wrote down their challenges, failures, and successes, and now scientists read those texts as a part of the ever-growing body of text about space travel. Application is a sophisticated level of thinking that helps turn theory into practice and challenges into successes.

Preparing to Read for Specific Disciplines in College

Different disciplines in college may have specific expectations, but you can depend on all subjects asking you to read to some degree. In this college reading requirement, you can succeed by learning to read actively, researching the topic and author, and recognizing how your own preconceived notions affect your reading. Reading for college isn’t the same as reading for pleasure or even just reading to learn something on your own because you are casually interested.

In college courses, your instructor may ask you to read articles, chapters, books, or primary sources (those original documents about which we write and study, such as letters between historic figures or the Declaration of Independence). Your instructor may want you to have a general background on a topic before you dive into that subject in class, so that you know the history of a topic, can start thinking about it, and can engage in a class discussion with more than a passing knowledge of the issue.

If you are about to participate in an in-depth six-week consideration of the U.S. Constitution but have never read it or anything written about it, you will have a hard time looking at anything in detail or understanding how and why it is significant. As you can imagine, a great deal has been written about the Constitution by scholars and citizens since the late 1700s when it was first put to paper (that’s how they did it then). While the actual document isn’t that long (about 12–15 pages depending on how it is presented), learning the details on how it came about, who was involved, and why it was and still is a significant document would take a considerable amount of time to read and digest. So, how do you do it all? Especially when you may have an instructor who drops hints that you may also love to read a historic novel covering the same time period . . . in your spare time , not required, of course! It can be daunting, especially if you are taking more than one course that has time-consuming reading lists. With a few strategic techniques, you can manage it all, but know that you must have a plan and schedule your required reading so you are also able to pick up that recommended historic novel—it may give you an entirely new perspective on the issue.

Strategies for Reading in College Disciplines

No universal law exists for how much reading instructors and institutions expect college students to undertake for various disciplines. Suffice it to say, it’s a LOT.

For most students, it is the volume of reading that catches them most off guard when they begin their college careers. A full course load might require 10–15 hours of reading per week, some of that covering content that will be more difficult than the reading for other courses.

You cannot possibly read word-for-word every single document you need to read for all your classes. That doesn’t mean you give up or decide to only read for your favorite classes or concoct a scheme to read 17 percent for each class and see how that works for you. You need to learn to skim, annotate, and take notes. All of these techniques will help you comprehend more of what you read, which is why we read in the first place. We’ll talk more later about annotating and note-taking, but for now consider what you know about skimming as opposed to active reading.

Skimming is not just glancing over the words on a page (or screen) to see if any of it sticks. Effective skimming allows you to take in the major points of a passage without the need for a time-consuming reading session that involves your active use of notations and annotations. Often you will need to engage in that painstaking level of active reading, but skimming is the first step—not an alternative to deep reading. The fact remains that neither do you need to read everything nor could you possibly accomplish that given your limited time. So learn this valuable skill of skimming as an accompaniment to your overall study tool kit, and with practice and experience, you will fully understand how valuable it is.

When you skim, look for guides to your understanding: headings, definitions, pull quotes, tables, and context clues. Textbooks are often helpful for skimming—they may already have made some of these skimming guides in bold or a different color, and chapters often follow a predictable outline. Some even provide an overview and summary for sections or chapters. Use whatever you can get, but don’t stop there. In textbooks that have some reading guides, or especially in texts that do not, look for introductory words such as First or The purpose of this article  . . . or summary words such as In conclusion  . . . or Finally . These guides will help you read only those sentences or paragraphs that will give you the overall meaning or gist of a passage or book.

Now move to the meat of the passage. You want to take in the reading as a whole. For a book, look at the titles of each chapter if available. Read each chapter’s introductory paragraph and determine why the writer chose this particular order. Depending on what you’re reading, the chapters may be only informational, but often you’re looking for a specific argument. What position is the writer claiming? What support, counterarguments, and conclusions is the writer presenting?

Don’t think of skimming as a way to buzz through a boring reading assignment. It is a skill you should master so you can engage, at various levels, with all the reading you need to accomplish in college. End your skimming session with a few notes—terms to look up, questions you still have, and an overall summary. And recognize that you likely will return to that book or article for a more thorough reading if the material is useful.

Active Reading Strategies

Active reading differs significantly from skimming or reading for pleasure. You can think of active reading as a sort of conversation between you and the text (maybe between you and the author, but you don’t want to get the author’s personality too involved in this metaphor because that may skew your engagement with the text).

When you sit down to determine what your different classes expect you to read and you create a reading schedule to ensure you complete all the reading, think about when you should read the material strategically, not just how to get it all done . You should read textbook chapters and other reading assignments before you go into a lecture about that information. Don’t wait to see how the lecture goes before you read the material, or you may not understand the information in the lecture. Reading before class helps you put ideas together between your reading and the information you hear and discuss in class.

Different disciplines naturally have different types of texts, and you need to take this into account when you schedule your time for reading class material. For example, you may look at a poem for your world literature class and assume that it will not take you long to read because it is relatively short compared to the dense textbook you have for your economics class. But reading and understanding a poem can take a considerable amount of time when you realize you may need to stop numerous times to review the separate word meanings and how the words form images and connections throughout the poem.

The SQ3R Reading Strategy

You may have heard of the SQ3R method for active reading in your early education. This valuable technique is perfect for college reading. The title stands for S urvey, Q uestion, R ead, R ecite, R eview, and you can use the steps on virtually any assigned passage. Designed by Francis Pleasant Robinson in his 1961 book Effective Study, the active reading strategy gives readers a systematic way to work through any reading material.

Survey is similar to skimming. You look for clues to meaning by reading the titles, headings, introductions, summary, captions for graphics, and keywords. You can survey almost anything connected to the reading selection, including the copyright information, the date of the journal article, or the names and qualifications of the author(s). In this step, you decide what the general meaning is for the reading selection.

Question is your creation of questions to seek the main ideas, support, examples, and conclusions of the reading selection. Ask yourself these questions separately. Try to create valid questions about what you are about to read that have come into your mind as you engaged in the Survey step. Try turning the headings of the sections in the chapter into questions. Next, how does what you’re reading relate to you, your school, your community, and the world?

Read is when you actually read the passage. Try to find the answers to questions you developed in the previous step. Decide how much you are reading in chunks, either by paragraph for more complex readings or by section or even by an entire chapter. When you finish reading the selection, stop to make notes. Answer the questions by writing a note in the margin or other white space of the text.

You may also carefully underline or highlight text in addition to your notes. Use caution here that you don’t try to rush this step by haphazardly circling terms or the other extreme of underlining huge chunks of text. Don’t over-mark. You aren’t likely to remember what these cryptic marks mean later when you come back to use this active reading session to study. The text is the source of information—your marks and notes are just a way to organize and make sense of that information.

Recite means to speak out loud. By reciting, you are engaging other senses to remember the material—you read it (visual) and you said it (auditory). Stop reading momentarily in the step to answer your questions or clarify confusing sentences or paragraphs. You can recite a summary of what the text means to you. If you are not in a place where you can verbalize, such as a library or classroom, you can accomplish this step adequately by  saying  it in your head; however, to get the biggest bang for your buck, try to find a place where you can speak aloud. You may even want to try explaining the content to a friend.

Review is a recap. Go back over what you read and add more notes, ensuring you have captured the main points of the passage, identified the supporting evidence and examples, and understood the overall meaning. You may need to repeat some or all of the SQR3 steps during your review depending on the length and complexity of the material. Before you end your active reading session, write a short (no more than one page is optimal) summary of the text you read.

Reading Primary and Secondary Sources

Primary sources are original documents we study and from which we glean information; primary sources include letters, first editions of books, legal documents, and a variety of other texts. When scholars look at these documents to understand a period in history or a scientific challenge and then write about their findings, the scholar’s article is considered a secondary source. Readers have to keep several factors in mind when reading both primary and secondary sources.

Primary sources may contain dated material we now know is inaccurate. It may contain personal beliefs and biases the original writer didn’t intend to be openly published, and it may even present fanciful or creative ideas that do not support current knowledge. Readers can still gain great insight from primary sources, but readers need to understand the context from which the writer of the primary source wrote the text.

Likewise, secondary sources are inevitably another person’s perspective on the primary source, so a reader of secondary sources must also be aware of potential biases or preferences the secondary source writer inserts in the writing that may persuade an incautious reader to interpret the primary source in a particular manner.

For example, if you were to read a secondary source that is examining the U.S. Declaration of Independence (the primary source), you would have a much clearer idea of how the secondary source scholar presented the information from the primary source if you also read the Declaration for yourself instead of trusting the other writer’s interpretation. Most scholars are honest in writing secondary sources, but you as a reader of the source are trusting the writer to present a balanced perspective of the primary source. When possible, you should attempt to read a primary source in conjunction with the secondary source. The Internet helps immensely with this practice.

Researching Topic and Author

During your preview stage, sometimes called pre-reading, you can easily pick up on information from various sources that may help you understand the material you’re reading more fully or place it in context with other important works in the discipline. If your selection is a book, flip it over or turn to the back pages and look for an author’s biography or note from the author. See if the book itself contains any other information about the author or the subject matter.

The main things you need to recall from your reading in college are the topics covered and how the information fits into the discipline. You can find these parts throughout the textbook chapter in the form of headings in larger and bold font, summary lists, and important quotations pulled out of the narrative. Use these features as you read to help you determine what the most important ideas are.

Remember, many books use quotations about the book or author as testimonials in a marketing approach to sell more books, so these may not be the most reliable sources of unbiased opinions, but it’s a start. Sometimes you can find a list of other books the author has written near the front of a book. Do you recognize any of the other titles? Can you do an Internet search for the name of the book or author? Go beyond the search results that want you to buy the book and see if you can glean any other relevant information about the author or the reading selection. Beyond a standard Internet search, try the library article database. These are more relevant to academic disciplines and contain resources you typically will not find in a standard search engine. If you are unfamiliar with how to use the library database, ask a reference librarian on campus. They are often underused resources that can point you in the right direction.

Understanding Your Own Preset Ideas on a Topic

Consider this scenario: Laura really enjoys learning about environmental issues. She has read many books and watched numerous televised documentaries on this topic and actively seeks out additional information on the environment. While Laura’s interest can help her understand a new reading encounter about the environment, Laura also has to be aware that with this interest, she brings forward her preset ideas and biases about the topic. Sometimes these prejudices against other ideas relate to religion or nationality or even just tradition. Without evidence, thinking the way we always have is not a good enough reason; evidence can change, and at the very least it needs honest review and assessment to determine its validity. Ironically, we may not want to learn new ideas because that may mean we would have to give up old ideas we have already mastered, which can be a daunting prospect.

With every reading situation about the environment, Laura needs to remain open-minded about what she is about to read and pay careful attention if she begins to ignore certain parts of the text because of her preconceived notions. Learning new information can be very difficult if you balk at ideas that are different from what you’ve always thought. You may have to force yourself to listen to a different viewpoint multiple times to make sure you are not closing your mind to a viable solution your mindset does not currently allow.

Can you think of times you have struggled reading college content for a course? Which of these strategies might have helped you understand the content? Why do you think those strategies would work?

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Differentiated Instruction Strategies: Tiered Assignments

Janelle cox.

• September 23, 2014

Many teachers use differentiated instruction strategies  as a way to reach all learners and accommodate each student’s learning style. One very helpful tactic to employ differentiated instruction is called tiered assignments—a technique often used within flexible groups.

Much like flexible grouping—or differentiated instruction as a whole, really—tiered assignments do not lock students into ability boxes. Instead, particular student clusters are assigned specific tasks within each group according to their readiness and comprehension without making them feel completely compartmentalized away from peers at different achievement levels.

There are six main ways to structure tiered assignments: challenge level, complexity, outcome, process, product, or resources. It is your job, based upon the specific learning tasks you’re focused on, to determine the best approach. Here we will take a brief look at these techniques.

Ways to Structure Tiered Assignments

Challenge level.

Tiering can be based on challenge level where student groups will tackle different assignments. Teachers can use Bloom’s Taxonomy as a guide to help them develop tasks of structure or questions at various levels. For example:

• Group 1:  Students who need content reinforcement or practice will complete one activity that helps  build  understanding.
• Group 2:  Students who have a firm understanding will complete another activity that  extends  what they already know.

When you tier assignments by complexity, you are addressing the needs of students who are at different levels using the same assignment. The trick here is to vary the focus of the assignment based upon whether each group is ready for more advanced work or simply trying to wrap their head around the concept for the first time. You can direct your students to create a poster on a specific issue—recycling and environmental care, for instance—but one group will focus on a singular perspective, while the other will consider several points of view and present an argument for or against each angle.

Tiering assignments by differentiated outcome is vaguely similar to complexity—all of your students will use the same materials, but depending on their readiness levels will actually have a different outcome. It may sound strange at first, but this strategy is quite beneficial to help advanced students work on more progressive applications of their student learning.

This differentiated instruction strategy is exactly what it sounds like—student groups will use different processes to achieve similar outcomes based upon readiness.

Tiered assignments can also be differentiated based on product. Teachers can use the Howard Gardner’s multiple intelligences to form groups that will hone particular skills for particular learning styles . For example, one group would be bodily/kinesthetic, and their task is to create and act out a skit. Another group would be visual/spatial, and their task would be to illustrate.

Tiering resources means that you are matching project materials to student groups based on readiness or instructional need. One flexible group may use a magazine while another may use a traditional textbook. As a tip, you should assign resources based on knowledge and readiness, but also consider the group’s reading level and comprehension.

How to Make Tiering Invisible to Students

From time to time, students may question why they are working on different assignments, using varied materials, or coming to dissimilar outcomes altogether. This could be a blow to your classroom morale if you’re not tactful in making your tiers invisible.

Make it a point to tell students that each group is using different materials or completing different activities so they can share what they learned with the class. Be neutral when grouping students, use numbers or colors for group names, and be equally enthusiastic while explaining assignments to each cluster.

Also, it’s important to make each tiered assignment equally interesting, engaging, and fair in terms of student expectations. The more flexible groups and materials you use, the more students will accept that this is the norm.

Tiering assignments is a fair way to differentiate learning. It allows teachers to meet the needs of all students while using varying levels of tasks. It’s a concept that can be infused into homework assignments, small groups, or even learning centers. If done properly, it can be a very effective method to differentiate learning because it challenges all students.

• #DifferentiatedInstruction , #TieredAssignments

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Writing from Readings: Definitions and Examples

Carol Lynn Moder

In academic settings, writers commonly base the content of their writing on materials they have read.  For example, an instructor might ask you to describe or discuss specific information from an assigned reading (see Example 1). The first step to approach this writing task is to carefully read the assignment in order to make sure you understand what it will require.

Using information from The Cultural Feast and other assigned readings, Define ethnocentrism and cultural relativism. Provide specific examples of your reactions to the readings that might be instances of each.

This assignment indicates that the instructor expects you to use one key reading, called The Cultural Feast and other related readings to answer the question. The assignment makes clear that you need to have read these texts carefully and to refer to the text in your answer. So how do you refer to those texts correctly?

Informal In-Text Citations

As you saw in earlier chapters, there are a variety of ways to refer to another text in your writing. For many kinds of writing, you will have to use a formal documentation style, like APA, for your in-text citations and you will have to provide a reference page, as well. And other kinds of writing, particularly if you are referring to readings assigned for a class or if you are writing in a magazine or newspaper style, you may be allowed or expected to use a more informal way of referring to a text. You should check in with your instructor about which approach he or she expects you to use.

Note that the assignment in example one refers to the key text as The Cultural Feast . Here the instructor uses the title of the text and puts it in italics. The italics show this is the title of the book. Know if you are writing by hand, you would underline the title of the book, The Cultural Feast , since you can’t put it in italics. The title of an article or chapter would usually be put in quotation marks. In answer 2, we see this in the use of  “Eating as a Cultural Affair.” In this example, the writer puts the title in parentheses and gives the specific page number, a variation on a more formal in-text citation. If the instructor uses an informal citation in the question, it is probable that you can use it in your response. Remember, though, that it is always a good idea to ask the instructor what in-text citation format he or she expects.

A second in-text citation strategy is to use the name of the author of the article or book. We see this in Answer 1, where the student writes: “In Davidson’s article…”

The two most important aspects of citing texts to display knowledge are to be sure that: 1) you refer explicitly to each specific reading you mentioned and 2) you make very clear when you are paraphrasing ideas or examples from the readings.

Reading the assignment CAREFULLY

The most important part of writing to display knowledge is to read the assignment VERY CAREFULLY and make sure you understand how many parts the question has and what they are. The most common mistake that students make on such writing tasks is to read the question too quickly and, as a result, answer only part of it. The assignment in Example 1 asks the student to do two main tasks: DEFINE and PROVIDE SPECIFIC EXAMPLES .

This is a typical format for some reading-based assignments and exam questions. In the two sample answers below, we find two different ways of organizing the response. In Answer 1, the writer addresses the first part of the question, defining the first term in the first sentence into the second term in the second sentence. The writer then provides examples in the following sentences. This answer follows the order of the question – defining first and then providing examples. In short answers of this kind, it is critical for the writer to make clear how he or she is connecting each definition to the examples. One way to do this is to repeat key terms from the question to show clearly how the examples illustrate the terms.

In this kind of writing, you need to be very clear which examples show the meaning of each term. Remember that you are writing to display your own understanding of the terms. You should not leave it to the reader to guess.

Ethnocentrism is one’s belief that they are superior and they judge other cultures based on the values and standards of their own culture. Cultural Relativism is the idea that a person’s beliefs or behavior should be understood by others in terms of that person’s own culture. When reading about eating insects in Eating is a Cultural Affair, my initial reaction was that it was gross and weird but I realized that I was being ethnocentric, rejecting the idea because it is odd in our culture. After stopping to think, when I tried to be more culturally relativistic, I realize that it is a common occurrence in many cultures in the insects can actually be a good source of protein. In Davidson’s article, he describes the Europeans as having ethnocentric reactions to the new foods that were brought back from the Americas. They quickly adopted the new beans, because they were similar to some European varieties, but the stranger, unfamiliar foods, like tomatoes and potatoes, were viewed with suspicion and even assumed to be poisonous. The description of body images in The Cultural Feast takes a cultural relativism viewpoint, describing the health and beauty values that led traditional Polynesians to prefer fat bodies. We may not agree that obesity is beautiful, but we can try to understand how the Polynesians can see it that way.

• Ethnocentrism: viewing others cultures to your culture’s lens and assuming that other cultures are inferior to yours. “The uncritical acceptance of one’s own value system and lifestyle as the most appropriate.” (“Eating is a Cultural Affair,” page 100)

Example: In colonial times, British people looks down on South African people for their Reliance on cassava since it is low in nutrition but didn’t require much cultivation, so they called it the “lazy man’s crop” and discouraged its cultivation. This reduced food security a bit, etc. (“Eating is a Cultural Affair,” page 100)

• Cultural Relativism: (reverse of ethnocentrism) Viewing each culture as adequately equal to each other in value and vests understandable within its own set of beliefs and values.

Example: Acknowledging that herders benefit from having multiple wives but still finds polygamy unacceptable. (“Eating is a cultural Affair,” page 100)

In Answer 2, The writer uses a list format, giving the definition of the first term and then putting a specific example underneath it then the writer gives the second definition and puts an example underneath that. This list format requires less writing and uses that kind of outline to make clear which example goes with each term.  some instructors might welcome this abbreviated answer format, but others may prefer a fully written answer like Answer 1. Before you use an abbreviated answer format, ask your instructor whether or not it will be acceptable.

Checking the answer.

Re-read Assignment 1. Then look at Answer 2 and discuss whether or not the answer fully answers all parts of the question.

Writing from Readings: Definitions and Examples Copyright © 2020 by Carol Lynn Moder is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

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A Short Guide to Close Reading for Literary Analysis

Use the guidelines below to learn about the practice of close reading.

When your teachers or professors ask you to analyze a literary text, they often look for something frequently called close reading. Close reading is deep analysis of how a literary text works; it is both a reading process and something you include in a literary analysis paper, though in a refined form.

Fiction writers and poets build texts out of many central components, including subject, form, and specific word choices. Literary analysis involves examining these components, which allows us to find in small parts of the text clues to help us understand the whole. For example, if an author writes a novel in the form of a personal journal about a character’s daily life, but that journal reads like a series of lab reports, what do we learn about that character? What is the effect of picking a word like “tome” instead of “book”? In effect, you are putting the author’s choices under a microscope.

The process of close reading should produce a lot of questions. It is when you begin to answer these questions that you are ready to participate thoughtfully in class discussion or write a literary analysis paper that makes the most of your close reading work.

Close reading sometimes feels like over-analyzing, but don’t worry. Close reading is a process of finding as much information as you can in order to form as many questions as you can. When it is time to write your paper and formalize your close reading, you will sort through your work to figure out what is most convincing and helpful to the argument you hope to make and, conversely, what seems like a stretch. This guide imagines you are sitting down to read a text for the first time on your way to developing an argument about a text and writing a paper. To give one example of how to do this, we will read the poem “Design” by famous American poet Robert Frost and attend to four major components of literary texts: subject, form, word choice (diction), and theme.

If you want even more information about approaching poems specifically, take a look at our guide: How to Read a Poem .

As our guide to reading poetry suggests, have a pencil out when you read a text. Make notes in the margins, underline important words, place question marks where you are confused by something. Of course, if you are reading in a library book, you should keep all your notes on a separate piece of paper. If you are not making marks directly on, in, and beside the text, be sure to note line numbers or even quote portions of the text so you have enough context to remember what you found interesting.

Design I found a dimpled spider, fat and white, On a white heal-all, holding up a moth Like a white piece of rigid satin cloth— Assorted characters of death and blight Mixed ready to begin the morning right, Like the ingredients of a witches’ broth— A snow-drop spider, a flower like a froth, And dead wings carried like a paper kite. What had that flower to do with being white, The wayside blue and innocent heal-all? What brought the kindred spider to that height, Then steered the white moth thither in the night? What but design of darkness to appall?— If design govern in a thing so small.

The subject of a literary text is simply what the text is about. What is its plot? What is its most important topic? What image does it describe? It’s easy to think of novels and stories as having plots, but sometimes it helps to think of poetry as having a kind of plot as well. When you examine the subject of a text, you want to develop some preliminary ideas about the text and make sure you understand its major concerns before you dig deeper.

Observations

In “Design,” the speaker describes a scene: a white spider holding a moth on a white flower. The flower is a heal-all, the blooms of which are usually violet-blue. This heal-all is unusual. The speaker then poses a series of questions, asking why this heal-all is white instead of blue and how the spider and moth found this particular flower. How did this situation arise?

The speaker’s questions seem simple, but they are actually fairly nuanced. We can use them as a guide for our own as we go forward with our close reading.

• Furthering the speaker’s simple “how did this happen,” we might ask, is the scene in this poem a manufactured situation?
• The white moth and white spider each use the atypical white flower as camouflage in search of sanctuary and supper respectively. Did these flora and fauna come together for a purpose?
• Does the speaker have a stance about whether there is a purpose behind the scene? If so, what is it?
• How will other elements of the text relate to the unpleasantness and uncertainty in our first look at the poem’s subject?

After thinking about local questions, we have to zoom out. Ultimately, what is this text about?

Form is how a text is put together. When you look at a text, observe how the author has arranged it. If it is a novel, is it written in the first person? How is the novel divided? If it is a short story, why did the author choose to write short-form fiction instead of a novel or novella? Examining the form of a text can help you develop a starting set of questions in your reading, which then may guide further questions stemming from even closer attention to the specific words the author chooses. A little background research on form and what different forms can mean makes it easier to figure out why and how the author’s choices are important.

Most poems follow rules or principles of form; even free verse poems are marked by the author’s choices in line breaks, rhythm, and rhyme—even if none of these exists, which is a notable choice in itself. Here’s an example of thinking through these elements in “Design.”

In “Design,” Frost chooses an Italian (or Petrarchan) sonnet form: fourteen lines in iambic pentameter consisting of an octave (a stanza of eight lines) and a sestet (a stanza of six lines). We will focus on rhyme scheme and stanza structure rather than meter for the purposes of this guide. A typical Italian sonnet has a specific rhyme scheme for the octave:

a b b a a b b a

There’s more variation in the sestet rhymes, but one of the more common schemes is

c d e c d e

Conventionally, the octave introduces a problem or question which the sestet then resolves. The point at which the sonnet goes from the problem/question to the resolution is called the volta, or turn. (Note that we are speaking only in generalities here; there is a great deal of variation.)

Frost uses the usual octave scheme with “-ite”/”-ight” (a) and “oth” (b) sounds: “white,” “moth,” “cloth,” “blight,” “right,” “broth,” “froth,” “kite.” However, his sestet follows an unusual scheme with “-ite”/”-ight” and “all” sounds:

a c a a c c

Now, we have a few questions with which we can start:

• Why use an Italian sonnet?
• Why use an unusual scheme in the sestet?
• What problem/question and resolution (if any) does Frost offer?
• What is the volta in this poem?
• In other words, what is the point?

Italian sonnets have a long tradition; many careful readers recognize the form and know what to expect from his octave, volta, and sestet. Frost seems to do something fairly standard in the octave in presenting a situation; however, the turn Frost makes is not to resolution, but to questions and uncertainty. A white spider sitting on a white flower has killed a white moth.

• How did these elements come together?
• Was the moth’s death random or by design?
• Is one worse than the other?

We can guess right away that Frost’s disruption of the usual purpose of the sestet has something to do with his disruption of its rhyme scheme. Looking even more closely at the text will help us refine our observations and guesses.

Word Choice, or Diction

Looking at the word choice of a text helps us “dig in” ever more deeply. If you are reading something longer, are there certain words that come up again and again? Are there words that stand out? While you are going through this process, it is best for you to assume that every word is important—again, you can decide whether something is really important later.

Even when you read prose, our guide for reading poetry offers good advice: read with a pencil and make notes. Mark the words that stand out, and perhaps write the questions you have in the margins or on a separate piece of paper. If you have ideas that may possibly answer your questions, write those down, too.

Let’s take a look at the first line of “Design”:

I found a dimpled spider, fat and white

The poem starts with something unpleasant: a spider. Then, as we look more closely at the adjectives describing the spider, we may see connotations of something that sounds unhealthy or unnatural. When we imagine spiders, we do not generally picture them dimpled and white; it is an uncommon and decidedly creepy image. There is dissonance between the spider and its descriptors, i.e., what is wrong with this picture? Already we have a question: what is going on with this spider?

We should look for additional clues further on in the text. The next two lines develop the image of the unusual, unpleasant-sounding spider:

On a white heal-all, holding up a moth Like a white piece of rigid satin cloth—

Now we have a white flower (a heal-all, which usually has a violet-blue flower) and a white moth in addition to our white spider. Heal-alls have medicinal properties, as their name suggests, but this one seems to have a genetic mutation—perhaps like the spider? Does the mutation that changes the heal-all’s color also change its beneficial properties—could it be poisonous rather than curative? A white moth doesn’t seem remarkable, but it is “Like a white piece of rigid satin cloth,” or like manmade fabric that is artificially “rigid” rather than smooth and flowing like we imagine satin to be. We might think for a moment of a shroud or the lining of a coffin, but even that is awry, for neither should be stiff with death.

The first three lines of the poem’s octave introduce unpleasant natural images “of death and blight” (as the speaker puts it in line four). The flower and moth disrupt expectations: the heal-all is white instead of “blue and innocent,” and the moth is reduced to “rigid satin cloth” or “dead wings carried like a paper kite.” We might expect a spider to be unpleasant and deadly; the poem’s spider also has an unusual and unhealthy appearance.

• The focus on whiteness in these lines has more to do with death than purity—can we understand that whiteness as being corpse-like rather than virtuous?

Well before the volta, Frost makes a “turn” away from nature as a retreat and haven; instead, he unearths its inherent dangers, making nature menacing. From three lines alone, we have a number of questions:

• Will whiteness play a role in the rest of the poem?
• How does “design”—an arrangement of these circumstances—fit with a scene of death?
• What other juxtapositions might we encounter?

These disruptions and dissonances recollect Frost’s alteration to the standard Italian sonnet form: finding the ways and places in which form and word choice go together will help us begin to unravel some larger concepts the poem itself addresses.

Put simply, themes are major ideas in a text. Many texts, especially longer forms like novels and plays, have multiple themes. That’s good news when you are close reading because it means there are many different ways you can think through the questions you develop.

So far in our reading of “Design,” our questions revolve around disruption: disruption of form, disruption of expectations in the description of certain images. Discovering a concept or idea that links multiple questions or observations you have made is the beginning of a discovery of theme.

What is happening with disruption in “Design”? What point is Frost making? Observations about other elements in the text help you address the idea of disruption in more depth. Here is where we look back at the work we have already done: What is the text about? What is notable about the form, and how does it support or undermine what the words say? Does the specific language of the text highlight, or redirect, certain ideas?

In this example, we are looking to determine what kind(s) of disruption the poem contains or describes. Rather than “disruption,” we want to see what kind of disruption, or whether indeed Frost uses disruptions in form and language to communicate something opposite: design.

Sample Analysis

After you make notes, formulate questions, and set tentative hypotheses, you must analyze the subject of your close reading. Literary analysis is another process of reading (and writing!) that allows you to make a claim about the text. It is also the point at which you turn a critical eye to your earlier questions and observations to find the most compelling points, discarding the ones that are a “stretch.” By “stretch,” we mean that we must discard points that are fascinating but have no clear connection to the text as a whole. (We recommend a separate document for recording the brilliant ideas that don’t quite fit this time around.)

Here follows an excerpt from a brief analysis of “Design” based on the close reading above. This example focuses on some lines in great detail in order to unpack the meaning and significance of the poem’s language. By commenting on the different elements of close reading we have discussed, it takes the results of our close reading to offer one particular way into the text. (In case you were thinking about using this sample as your own, be warned: it has no thesis and it is easily discoverable on the web. Plus it doesn’t have a title.)

Frost’s speaker brews unlikely associations in the first stanza of the poem. The “Assorted characters of death and blight / Mixed ready to begin the morning right” make of the grotesque scene an equally grotesque mockery of a breakfast cereal (4–5). These lines are almost singsong in meter and it is easy to imagine them set to a radio jingle. A pun on “right”/”rite” slides the “characters of death and blight” into their expected concoction: a “witches’ broth” (6). These juxtapositions—a healthy breakfast that is also a potion for dark magic—are borne out when our “fat and white” spider becomes “a snow-drop”—an early spring flower associated with renewal—and the moth as “dead wings carried like a paper kite” (1, 7, 8). Like the mutant heal-all that hosts the moth’s death, the spider becomes a deadly flower; the harmless moth becomes a child’s toy, but as “dead wings,” more like a puppet made of a skull. The volta offers no resolution for our unsettled expectations. Having observed the scene and detailed its elements in all their unpleasantness, the speaker turns to questions rather than answers. How did “The wayside blue and innocent heal-all” end up white and bleached like a bone (10)? How did its “kindred spider” find the white flower, which was its perfect hiding place (11)? Was the moth, then, also searching for camouflage, only to meet its end? Using another question as a disguise, the speaker offers a hypothesis: “What but design of darkness to appall?” (13). This question sounds rhetorical, as though the only reason for such an unlikely combination of flora and fauna is some “design of darkness.” Some force, the speaker suggests, assembled the white spider, flower, and moth to snuff out the moth’s life. Such a design appalls, or horrifies. We might also consider the speaker asking what other force but dark design could use something as simple as appalling in its other sense (making pale or white) to effect death. However, the poem does not close with a question, but with a statement. The speaker’s “If design govern in a thing so small” establishes a condition for the octave’s questions after the fact (14). There is no point in considering the dark design that brought together “assorted characters of death and blight” if such an event is too minor, too physically small to be the work of some force unknown. Ending on an “if” clause has the effect of rendering the poem still more uncertain in its conclusions: not only are we faced with unanswered questions, we are now not even sure those questions are valid in the first place. Behind the speaker and the disturbing scene, we have Frost and his defiance of our expectations for a Petrarchan sonnet. Like whatever designer may have altered the flower and attracted the spider to kill the moth, the poet built his poem “wrong” with a purpose in mind. Design surely governs in a poem, however small; does Frost also have a dark design? Can we compare a scene in nature to a carefully constructed sonnet?

A Note on Organization

Your goal in a paper about literature is to communicate your best and most interesting ideas to your reader. Depending on the type of paper you have been assigned, your ideas may need to be organized in service of a thesis to which everything should link back. It is best to ask your instructor about the expectations for your paper.

Knowing how to organize these papers can be tricky, in part because there is no single right answer—only more and less effective answers. You may decide to organize your paper thematically, or by tackling each idea sequentially; you may choose to order your ideas by their importance to your argument or to the poem. If you are comparing and contrasting two texts, you might work thematically or by addressing first one text and then the other. One way to approach a text may be to start with the beginning of the novel, story, play, or poem, and work your way toward its end. For example, here is the rough structure of the example above: The author of the sample decided to use the poem itself as an organizational guide, at least for this part of the analysis.

• A paragraph about the octave.
• A paragraph about the volta.
• A paragraph about the penultimate line (13).
• A paragraph about the final line (14).
• A paragraph addressing form that suggests a transition to the next section of the paper.

You will have to decide for yourself the best way to communicate your ideas to your reader. Is it easier to follow your points when you write about each part of the text in detail before moving on? Or is your work clearer when you work through each big idea—the significance of whiteness, the effect of an altered sonnet form, and so on—sequentially?

We suggest you write your paper however is easiest for you then move things around during revision if you need to.

Further Reading

If you really want to master the practice of reading and writing about literature, we recommend Sylvan Barnet and William E. Cain’s wonderful book, A Short Guide to Writing about Literature . Barnet and Cain offer not only definitions and descriptions of processes, but examples of explications and analyses, as well as checklists for you, the author of the paper. The Short Guide is certainly not the only available reference for writing about literature, but it is an excellent guide and reminder for new writers and veterans alike.

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Tiered Assignments

What are tiered assignments.

According to Tomlinson (1995), tiered assignments are used by teachers within a heterogeneous classroom in order to meet the diverse needs of the students within the class. Teachers implement varied levels of activities to ensure that students explore ideas at a level that builds on their prior knowledge and prompts continued growth. Student groups use varied approaches to explore essential ideas.

Williams (2002) offers the following definition on her website: Tiered assignments are parallel tasks at varied levels of complexity, depth and abstractness with various degrees of scaffolding, support, or direction. Students work on different levels of activities, all with the same essential understanding or goal in mind. Tiered assignments accommodate mainly for differences in student readiness and performance levels and allow students to work toward a goal or objective at a level that builds on their prior knowledge and encourages continued growth. 

How can tiered assignments help your students?

Using tiered assignments allows for the following:

• Blends assessment and instruction,
• Allows students to begin learning where they are,
• Allows students to work with appropriately challenging tasks,
• Allows for reinforcement or extension of concepts and principles based on student readiness,
• Allows modification of working conditions based on learning style,
• Avoids work that is anxiety-producing (too hard) or boredom-producing (too easy), and
• Promotes success and is therefore motivating. (Tomlinson, 1995)

How can you implement tiered assignments in order to effectively meet the diverse learning needs of students?

One of the main benefits of tiered assignments is that they allow students to work on tasks that are neither too easy nor too difficult. They are highly motivating because they allow students to be successful at their level of readiness. Tiered assignments also allow students to work in their specific learning styles or preferences (Williams, 2002).

What are the guidelines for implementing tiered assignments?

Tomlinson (1995) offers the following guidelines for implementing tiered assignments:

• Be sure the task is focused on a key concept.
• Use a variety of resource materials at differing levels of complexity and associated with different learning modes.
• Adjust the task by complexity, abstractness, number of steps, concreteness, and independence to ensure appropriate challenge.
• Be certain there are clear criteria for quality and success.

Where can you find more information about tiered assignments?

Cherokee County Schools This homepage by Eulouise Williams has additional information on tiered assignments including examples of tiered assignments created by teachers in their district.

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Secret Service agent on VP Harris' detail removed from assignment after physical fight while on duty

Anthony guglielmi, chief of communications for the us secret service, called the incident a 'medical matter'.

Protecting Biden has been the second worst assignment for the Secret Service: Kessler

'The First Family Detail' author Ronald Kessler weighs in on the role of the Secret Service in protecting the first family and Commander on 'Jesse Watters Primetime.'

A U.S. Secret Service agent with Vice President Kamala Harris’ detail was removed from their assignment after engaging in a physical fight with other agents while on duty Monday, Fox News Digital has learned. 

The fight was first reported by The New York Post and confirmed to Fox News Digital by a source.

The incident happened at Joint Base Andrews in Maryland while Harris was at the Naval Observatory, but didn’t delay her departure from the base, the Secret Service told Fox News Digital.  

Anthony Guglielmi, chief of communications for the U.S. Secret Service, called the incident a "medical matter," adding that the agency wouldn’t be commenting further. 

RECORDS SHOW BIDEN DOG, COMMANDER, ATTACKED SECRET SERVICE MEMBERS AT LEAST 24 TIMES 

A Secret Service agent with Vice President Kamala Harris’ detail was removed from their assignment after engaging in a physical fight, a source confirmed to Fox News Digital. (Win McNamee/Getty Images)

"At approximately 9 a.m. April 22, a U.S. Secret Service special agent supporting the Vice President’s departure from Joint Base Andrews began displaying behavior their colleagues found distressing," Guglielmi said in a statement shared with Fox News Digital.

TEEN CHARGED IN 2023 BREAK-IN OF SECRET SERVICE SUV PARKED OUTSIDE OF NAOMI BIDEN'S DC HOME

FILE- The chief of communications for the U.S. Secret Service called the incident a "medical matter" after an agent was removed from their assignment following a fight. (SAUL LOEB/AFP via Getty Images)

He added, "The agent was removed from their assignment while medical personnel were summoned. The Vice President was at the Naval Observatory when this incident occurred and there was no impact on her departure from Joint Base Andrews.

"The U.S. Secret Service takes the safety and health of our employees very seriously. As this was a medical matter, we will not disclose any further details." 

The agent, who had been acting "erratically," began punching the special agent in charge after getting on top of him, Real Clear Politics reported. 

Harris wasn't delayed by the incident, the Secret Service said.  (AP Photo/Meg Kinnard)

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The agent, who was handcuffed after the incident and treated by medical staff, had previously been a subject of concern by staff, the outlet reported.

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FCC to reinstate net neutrality, but it’s not as easy as it once was

The agency is considering where the modern internet begins and ends, as companies push for regulatory exemptions for next-generation applications made possible by 5g.

The Federal Communications Commission will vote to put the internet back under “net neutrality” regulation on Thursday, reprising Obama-era rules that prohibit internet service providers from discriminating against certain websites by throttling or blocking them.

But the FCC has run into a hitch: how to define the “internet” in the year 2024.

The internet has changed dramatically since the early 2000s, when the idea of internet service providers having to treat all data equally first became popular. Two major changes since then include the shift from personal computers to mobile devices and the growing number of items connected to the internet, from robot vacuum cleaners to entire factories.

As the internet has proliferated, the question of precisely where it begins and ends has become murkier. Now some mobile executives are arguing that an emerging 5G technology called “network slicing” should be considered to lie in the hazy realm beyond the internet’s borders, unconstrained by net neutrality.

The proposal has sparked controversy because these 5G “slices” are not just a small side show and may well be core to what the internet becomes in its next phase. Technologists are expecting network slices will run next-generation killer apps, from autonomous vehicles to self-regulating factories to remote surgeries via robot arms to ultrarealistic video games, all of which will rely on the slices’ ability to operate as “fast lanes” with high speeds and low lag times.

“It is the technology that will help unlock the full potential of telemedicine, autonomous vehicles, automated manufacturing and virtual reality,” AT&T spokesman Alex Byers said.

But is it internet? What is internet?

The FCC came up with a list of internet-connected applications exempt from net neutrality back in 2015, considering them not really the internet, even though they were hooked to it. These included heart monitors, energy consumption sensors and automobile control systems. The FCC said last year it would review the list of exemptions, asking the public, “Are these still appropriate examples of data services that are outside the scope of broadband Internet access service?”

Since then, mobile operators have pushed the FCC hard for the network slicing exemption. T-Mobile, in particular, sent a 66-page comment to the FCC arguing that network slicing did not meet the definition of “broadband internet access service.”

This has drawn a backlash from consumer advocates, who warn that it may be a loophole large enough to exempt a significant chunk of the internet from regulation, to the detriment of the rest of the internet.

“When you make those slices, what ends up happening as a consequence is that the general internet gets slower,” said Chao Jun Liu, a legislative associate at the Electronic Frontier Foundation. “That is a clear violation of net neutrality.”

It’s a complicated question to untangle. Indeed, the structure of 5G — designed to run multiple separated networks or slices at different speeds and latencies — appears fundamentally to contradict the traditional concept of net neutrality of all data flowing at the same speed through a pipe, with nothing allowed to jump the queue or be pushed to the back. It’s unclear how the FCC will square that circle.

Not that long ago, the obscurities of how cell towers worked wouldn’t have had much to do with regulation of broadband internet, which ran through fiber-optic cables. But the two realms are now very much intertwined, with both technologies under the purview of net neutrality. 5G powers not only smartphones, but also a good chunk of home internet connections in the United States through “fixed wireless” services.

The FCC has been seeking to find a middle ground where consumers’ interests are protected, but companies still feel able to innovate. FCC spokesman Jonathan Uriarte said the agency is still pondering the details, but said “the FCC will not allow ‘network slicing’ to be used as a get-out-of-jail free card for net neutrality violations.”

The FCC plans to reinstate net neutrality Thursday at its monthly open meeting , as part of an expansion of FCC authority called Title II, which grants the agency the ability to investigate internet outages and treats internet service providers as utilities.

The FCC first adopted net neutrality in 2015 after more than a decade of debate over the issue. It was repealed in 2018 under the Trump administration, which considered the rules too restrictive on businesses, discouraging investment in network upgrades. The Biden administration has always signaled it intended to restore them, but did not have a Democratic majority on the FCC until October 2023.

FCC commissioners have focused on the consumer benefits of internet oversight in their public comments ahead of the vote, even as they try to sort out the fine print of network slicing behind closed doors.

“It’s just common sense that we should have some meaningful oversight of this essential service,” FCC Chairwoman Jessica Rosenworcel told reporters last week. “The reality right now is that the FCC can gather data about long-distance voice outages, not broadband outages. There’s nothing modern about that.”

In the 2023 American Customer Satisfaction Index , a survey of tens of thousands of consumers, internet service providers ranked second-lowest in customer satisfaction among industries, with only gas stations ranking lower.

“We often get lost in the weeds and throw around jargon like reclassify and Title II,” said Sen. Edward J. Markey (D-Mass.). “But net neutrality is much simpler than that … it’s about ensuring that monopoly or duopoly broadband providers cannot squash competition, squeeze consumers and squish the little guy.”

Consumer activists began mobilizing around the network slicing issue after noticing that companies such as AT&T and Verizon were already mentioning consumer-facing technologies like video games in their marketing materials about the next-generation technology. AT&T is arguing that its deployment of faster slices would be consistent with net neutrality, as app makers would decide if they want to be included in a slice (without having to pay a fee), and consumers could decide if they pay for premium service, which the company believes would not be AT&T picking winners and losers.

“We will implement this technology in a manner that is controlled by end users, creates more choice and is consistent with open internet principles,” said Byers, the AT&T spokesman. “App-makers, not us, will have control over whether their app uses a particular slice.”

Some net-neutrality proponents say such a solution would not suffice. Barbara van Schewick, a law professor at Stanford University, said that the creation of these fast lanes would still slow down the rest of the internet due to fixed bandwidth.

“It’s not as if you’re just getting something extra,” she said. “We’re using some capacity that would have otherwise been used for the internet.”

The FCC is receiving calls from net neutrality supporters to close the “loophole” by specifying that broadband operators are not only prohibited from slowing down certain types of network traffic, but also from speeding them up.

“Allowing ISPs [internet service providers] to speed up applications undermines the essence of net neutrality: ISPs should not be allowed to play favorites, whether by speeding up favored apps or slowing down disfavored ones,” Scott Wiener, a Democratic member of the California state Senate, wrote to Rosenworcel in a letter on Tuesday.

Industry is arguing in return that broadly banning an emerging functionality of 5G would hinder innovation. The CTIA, a lobbying group for the U.S. wireless industry, warned of a chilling effect it termed, “Mother May I?”

In addition to the advent of network slicing, telecom industry executives have also been highlighting another change since the early days of the net neutrality debate: the rise of Big Tech internet giants as a second layer of gatekeepers that can and do discriminate against certain types of content on the internet.

Social media companies such as X have been known to throttle traffic to rivals’ websites , behavior that would be a violation of net neutrality if done by internet service providers. John Strand, a telecom industry analyst, said Big Tech internet giants have consistently funded pro-net neutrality activism , in the interest of keeping internet service providers as “dumb pipes” and keeping the power to curate what consumers see on the web for themselves.

“Policymakers should be focusing on where there really are challenges to net neutrality. It’s not with broadband providers, it’s with Big Tech,” said Jonathan Spalter, president of USTelecom, a lobbying group for broadband companies.

That battle falls outside the purview of the FCC. Other agencies such as the Federal Trade Commission and Justice Department have been pursuing antitrust cases against companies such as Google and Amazon for favoritism toward their own services over third-party ones.

An earlier version of this article mischaracterized AT&T’s position on who would pay for priority 5G slices. AT&T envisions consumers paying for priority, not app makers. This version has been corrected.

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Prosecutors Want to Ask Trump About Attacks on Women

Prosecutors are seeking to cross-examine the former president, should he take the stand, about lawsuits he has lost, including a civil jury’s finding last year that he was liable for sexually abusing the writer E. Jean Carroll.

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By Jonah E. Bromwich and Matthew Haag

• Published April 19, 2024 Updated April 23, 2024

If Donald J. Trump takes the stand at his criminal trial in Manhattan, prosecutors want to cross-examine him about recent lawsuits he’s lost, attacks he’s made on women and a judge’s opinion that his sworn statements in a civil case rang “hollow and untrue.”

In a hearing on Friday afternoon, prosecutors from the Manhattan district attorney’s office who want to ask those questions sought permission from Justice Juan M. Merchan, the state judge presiding over Mr. Trump’s trial on charges that he falsified business records to cover up reimbursements for a hush-money payment made to a keep a sex scandal quiet.

The proceeding, known as a Sandoval hearing, was a high-stakes affair for all the parties: the prosecutors, the defense team, Mr. Trump and Justice Merchan himself. Whatever the judge decides will inform whether the former president decides to testify and, if he does, what prosecutors can ask him.

Though Mr. Trump has said he would testify in his own defense , there have been plenty of signs that he is not fully committed to doing so. This week, his lawyers asked prospective jurors to assure them that they wouldn’t hold a failure to testify against Mr. Trump.

The arguments, held in front of Justice Merchan in the afternoon, went quickly, with little indication of which way the judge was leaning. The judge said he would rule on Monday.

Chief among the topics prosecutors asked to discuss were the civil fraud trials that Mr. Trump lost in quick succession in recent months. In one, the New York attorney general accused him of having conspired with others to inflate his net worth. In the other, the writer E. Jean Carroll accused him of defamation for remarks he had made in 2019 after she accused him of raping her decades earlier.

The aim of a Sandoval hearing is to let a defendant decide whether it is in his or her best interest to testify. In the hearing, which typically takes place before a trial, prosecutors are required to outline a defendant’s past crimes and misdeeds that could be brought up on cross-examination.

Defense attorneys can ask a judge to prohibit prosecutors from asking the defendant about previous incidents, on the theory knowing about those events would unfairly prejudice the jury.

Prosecutors are also asking to bring up a civil jury’s finding last year that Mr. Trump was liable for sexually abusing Ms. Carroll.

Emil Bove, a lawyer for Mr. Trump, said that introducing questions about the civil fraud trial would take the criminal trial down a “rabbit hole,” and confuse jurors. And he fought tooth and nail against the admission of any evidence related to Ms. Carroll’s lawsuits.

Prosecutors fought back, maintaining that the judge’s finding that Mr. Trump had not been credible when he testified at the civil fraud trial was relevant to the current criminal case, and that his defamatory statements about Ms. Carroll, determined to be false by a civil jury, would give jurors in the criminal case crucial context.

“That is critical to assessing the defendant’s credibility if he testifies,” one of the prosecutors, Matthew Colangelo, said.

There was only one issue on which Justice Merchan seemed to be clearly indicate that he was inclined to side with the prosecution. Prosecutors asked whether they could cross-examine Mr. Trump about a lawsuit he filed against Hillary Rodham Clinton and others that a federal judge in Florida, Donald Middlebrooks, determined was “frivolous.”

Justice Merchan read aloud from Judge Middlebrook’s decision, which said that Mr. Trump was a “sophisticated litigant who is repeatedly using the courts to seek revenge on political adversaries,” and a “mastermind of strategic abuse of the judicial process.”

The Sandoval hearing is unique to the New York State criminal court system, and it takes its name from a 1974 case, the People of the State of New York v. Augustin Sandoval. Mr. Sandoval was charged with murder. His lawyer asked a judge to forbid mention of Mr. Sandoval’s past crimes, which included driving while intoxicated, saying they would create prejudice. The judge ultimately limited what prosecutors could ask.

Sandoval hearings have arisen in other prominent New York cases. Harvey Weinstein, the disgraced movie producer, declined to testify in his criminal trial in 2020 after the presiding judge said he would permit prosecutors to question Mr. Weinstein about 28 allegations of other crimes and previous “bad acts.”

But that case also points toward the danger for a judge: Mr. Weinstein’s lawyers have appealed that decision, which legal experts consider one of the most credible challenges to his conviction. His lawyers have taken their arguments all the way to New York’s highest court, which has yet to issue a decision.

Jonah E. Bromwich covers criminal justice in New York, with a focus on the Manhattan district attorney’s office and state criminal courts in Manhattan. More about Jonah E. Bromwich

Matthew Haag writes about the intersection of real estate and politics in the New York region. He has been a journalist for two decades. More about Matthew Haag

Our Coverage of the Trump Hush-Money Trial

News and Analysis

Donald Trump’s criminal trial in Manhattan is off to an ominous start for the former president, and it might not get any easier  in the days ahead. Here’s why.

The National Enquirer was more than a friendly media outlet  for Trump’s presidential campaign in 2016. It was a powerful, national political weapon that was thrust into the service of a single candidate , in violation of campaign finance law.

As prosecutors argued that Trump had repeatedly broken a gag order , they called one episode “very troubling”  — his sharing of a commentator’s quote disparaging prospective jurors as clandestine operators for the left.

More on Trump’s Legal Troubles

Key Inquiries: Trump faces several investigations  at both the state and the federal levels, into matters related to his business and political careers.

Case Tracker:  Keep track of the developments in the criminal cases  involving the former president.

What if Trump Is Convicted?: Could he go to prison ? And will any of the proceedings hinder Trump’s presidential campaign? Here is what we know , and what we don’t know .

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