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15 Helpful Scoring Rubric Examples for All Grades and Subjects

In the end, they actually make grading easier.

When it comes to student assessment and evaluation, there are a lot of methods to consider. In some cases, testing is the best way to assess a student’s knowledge, and the answers are either right or wrong. But often, assessing a student’s performance is much less clear-cut. In these situations, a scoring rubric is often the way to go, especially if you’re using standards-based grading . Here’s what you need to know about this useful tool, along with lots of rubric examples to get you started.

What is a scoring rubric?

In the United States, a rubric is a guide that lays out the performance expectations for an assignment. It helps students understand what’s required of them, and guides teachers through the evaluation process. (Note that in other countries, the term “rubric” may instead refer to the set of instructions at the beginning of an exam. To avoid confusion, some people use the term “scoring rubric” instead.)

A rubric generally has three parts:

• Performance criteria: These are the various aspects on which the assignment will be evaluated. They should align with the desired learning outcomes for the assignment.
• Rating scale: This could be a number system (often 1 to 4) or words like “exceeds expectations, meets expectations, below expectations,” etc.
• Indicators: These describe the qualities needed to earn a specific rating for each of the performance criteria. The level of detail may vary depending on the assignment and the purpose of the rubric itself.

Rubrics take more time to develop up front, but they help ensure more consistent assessment, especially when the skills being assessed are more subjective. A well-developed rubric can actually save teachers a lot of time when it comes to grading. What’s more, sharing your scoring rubric with students in advance often helps improve performance . This way, students have a clear picture of what’s expected of them and what they need to do to achieve a specific grade or performance rating.

Learn more about why and how to use a rubric here.

Types of Rubric

There are three basic rubric categories, each with its own purpose.

Holistic Rubric

Source: Cambrian College

This type of rubric combines all the scoring criteria in a single scale. They’re quick to create and use, but they have drawbacks. If a student’s work spans different levels, it can be difficult to decide which score to assign. They also make it harder to provide feedback on specific aspects.

Traditional letter grades are a type of holistic rubric. So are the popular “hamburger rubric” and “ cupcake rubric ” examples. Learn more about holistic rubrics here.

Analytic Rubric

Source: University of Nebraska

Analytic rubrics are much more complex and generally take a great deal more time up front to design. They include specific details of the expected learning outcomes, and descriptions of what criteria are required to meet various performance ratings in each. Each rating is assigned a point value, and the total number of points earned determines the overall grade for the assignment.

Though they’re more time-intensive to create, analytic rubrics actually save time while grading. Teachers can simply circle or highlight any relevant phrases in each rating, and add a comment or two if needed. They also help ensure consistency in grading, and make it much easier for students to understand what’s expected of them.

Learn more about analytic rubrics here.

Developmental Rubric

Source: Deb’s Data Digest

A developmental rubric is a type of analytic rubric, but it’s used to assess progress along the way rather than determining a final score on an assignment. The details in these rubrics help students understand their achievements, as well as highlight the specific skills they still need to improve.

Developmental rubrics are essentially a subset of analytic rubrics. They leave off the point values, though, and focus instead on giving feedback using the criteria and indicators of performance.

Learn how to use developmental rubrics here.

Ready to create your own rubrics? Find general tips on designing rubrics here. Then, check out these examples across all grades and subjects to inspire you.

Elementary School Rubric Examples

These elementary school rubric examples come from real teachers who use them with their students. Adapt them to fit your needs and grade level.

Reading Fluency Rubric

You can use this one as an analytic rubric by counting up points to earn a final score, or just to provide developmental feedback. There’s a second rubric page available specifically to assess prosody (reading with expression).

Learn more: Teacher Thrive

Reading Comprehension Rubric

The nice thing about this rubric is that you can use it at any grade level, for any text. If you like this style, you can get a reading fluency rubric here too.

Learn more: Pawprints Resource Center

Written Response Rubric

Rubrics aren’t just for huge projects. They can also help kids work on very specific skills, like this one for improving written responses on assessments.

Learn more: Dianna Radcliffe: Teaching Upper Elementary and More

Interactive Notebook Rubric

If you use interactive notebooks as a learning tool , this rubric can help kids stay on track and meet your expectations.

Learn more: Classroom Nook

Project Rubric

Use this simple rubric as it is, or tweak it to include more specific indicators for the project you have in mind.

Learn more: Tales of a Title One Teacher

Behavior Rubric

Developmental rubrics are perfect for assessing behavior and helping students identify opportunities for improvement. Send these home regularly to keep parents in the loop.

Learn more: Teachers.net Gazette

Middle School Rubric Examples

In middle school, use rubrics to offer detailed feedback on projects, presentations, and more. Be sure to share them with students in advance, and encourage them to use them as they work so they’ll know if they’re meeting expectations.

Argumentative Writing Rubric

Argumentative writing is a part of language arts, social studies, science, and more. That makes this rubric especially useful.

Learn more: Dr. Caitlyn Tucker

Role-Play Rubric

Role-plays can be really useful when teaching social and critical thinking skills, but it’s hard to assess them. Try a rubric like this one to evaluate and provide useful feedback.

Learn more: A Question of Influence

Art Project Rubric

Art is one of those subjects where grading can feel very subjective. Bring some objectivity to the process with a rubric like this.

Source: Art Ed Guru

Diorama Project Rubric

You can use diorama projects in almost any subject, and they’re a great chance to encourage creativity. Simplify the grading process and help kids know how to make their projects shine with this scoring rubric.

Learn more: Historyourstory.com

Oral Presentation Rubric

Rubrics are terrific for grading presentations, since you can include a variety of skills and other criteria. Consider letting students use a rubric like this to offer peer feedback too.

Learn more: Bright Hub Education

High School Rubric Examples

In high school, it’s important to include your grading rubrics when you give assignments like presentations, research projects, or essays. Kids who go on to college will definitely encounter rubrics, so helping them become familiar with them now will help in the future.

Presentation Rubric

Analyze a student’s presentation both for content and communication skills with a rubric like this one. If needed, create a separate one for content knowledge with even more criteria and indicators.

Learn more: Michael A. Pena Jr.

Debate Rubric

Debate is a valuable learning tool that encourages critical thinking and oral communication skills. This rubric can help you assess those skills objectively.

Learn more: Education World

Project-Based Learning Rubric

Implementing project-based learning can be time-intensive, but the payoffs are worth it. Try this rubric to make student expectations clear and end-of-project assessment easier.

Learn more: Free Technology for Teachers

100-Point Essay Rubric

Need an easy way to convert a scoring rubric to a letter grade? This example for essay writing earns students a final score out of 100 points.

Learn more: Learn for Your Life

Drama Performance Rubric

If you’re unsure how to grade a student’s participation and performance in drama class, consider this example. It offers lots of objective criteria and indicators to evaluate.

Learn more: Chase March

How do you use rubrics in your classroom? Come share your thoughts and exchange ideas in the WeAreTeachers HELPLINE group on Facebook .

Plus, 25 of the best alternative assessment ideas ..

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The next step is to take each of the other criteria and define success for each of those, assigning a value to A, B, C and D papers. Those definitions then go into the rubric in the appropriate locations to complete the chart.

Each of the criteria will score points for the essay. The descriptions in the first column are each worth 4 points, the second column 3 points, the third 2 points and the fourth 1 point.

What is the grading process?

Now that your criteria are defined, grading the essay is easy. When grading a student essay with a rubric, it is best to read through the essay once before evaluating for grades . Then reading through the piece a second time, determine where on the scale the writing sample falls for each of the criteria. If the student shows excellent grammar, good organization and a good overall effect, he would score a total of ten points. Divide that by the total criteria, three in this case, and he finishes with a 3.33. which on a four-point scale is a B+. If you use five criteria to evaluate your essays, divide the total points scored by five to determine the student’s grade.

Once you have written your grading rubric, you may decide to share your criteria with your students.

If you do, they will know exactly what your expectations are and what they need to accomplish to get the grade they desire. You may even choose to make a copy of the rubric for each paper and circle where the student lands for each criterion. That way, each person knows where he needs to focus his attention to improve his grade. The clearer your expectations are and the more feedback you give your students, the more successful your students will be. If you use a rubric in your essay grading, you can communicate those standards as well as make your grading more objective with more practical suggestions for your students. In addition, once you write your rubric you can use it for all future evaluations.

P.S. If you enjoyed this article, please help spread it by clicking one of those sharing buttons below. And if you are interested in more, you should follow our Facebook page where we share more about creative, non-boring ways to teach English.

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Grading essays.

In recent posts , we’ve discussed tips on developing high-quality multiple-choice exams. Multiple-choice questions are an efficient way to assess student learning across a wide range of learning objectives. In cases you want to know if students have a deep understanding of a specific topic, multiple-choice might not be the best answer (no pun intended). Instead, you might present a problem to solve or an essay question. Whereas multiple-choice items are challenging to write, yet easy to score, the opposite holds true for grading essays.

One of the drawbacks of essays is that humans do the scoring. First, as noted above, essay grading requires substantially more time and resources to score. Second, the grading process is subjective, to some extent. A third drawback to essay grading is that content, though it may be assessed deeply, e.g., using more depth of knowledge, it is not assessed broadly.

Essay Guidelines

Of these drawbacks, the inherent subjectivity in essay grading can be lessened but not eliminated. Here are some guidelines to help improve fairness and consistency the next time you’re grading essays:

• Introduce standardized scoring criteria, such as a rubric. Standardized tests like the SAT use them to score writing samples. You can either stick with one or modify as your expectations for your students increase. And you may choose to share the rubric with your student for each paper, indicating where they are in each criterion.
• Train all graders (e.g., TAs) in using the predetermined scoring rubrics to increase inter-rater reliability. You may even want to give them a sample essay to score to ensure the outcome is the same, or at least very close to, how you would have evaluated it.
• When using a rubric, it’s best to read through the answer once before evaluating for a grade. The second time through, you can determine where it falls for each of the criteria.
• Grade a given question for all students before moving on the next essay question.
• Maintain notes while grading each question to improve consistent point deductions between students.
• After grading an essay, don’t be reluctant to go back and review assessments for consistency.

Following are examples of two rubrics.

Top picture: Rubric from St. Mary’s College School of Extended Education Bottom picture: Rubric from the University of Northern Iowa

In review, to assess the depth of knowledge, an essay question is an excellent choice. Essay grading can be difficult and extremely time-consuming. Grading essays are subjective, which reduces test reliability. And remember, if you are in a large class setting with multiple TAs grading essays, you should develop strategies to improve inter-rater reliability.

Mark Espinola CEO + Founder of GradeHub

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• Implementing Writing in Your Course

On Grading Writing

When we imagine grading our students’ written assignments, many of us visualize a single letter or number, perhaps accompanied by a few sentences of commentary, written on a student’s final draft (or typed into a box in Canvas). But grading, which is more holistically known as assessment, is much more than a final score. The most successful assessment of student writing happens throughout the writing process, from assignment (and course) design, to final grades.

Also, whether or not we choose to embrace the reality, writing (and all) assessment has important implications for equity and inclusion in our teaching. Abundant research shows that ostensibly "colorblind" or "neutral" assessment practices tend to have disparate impacts on students. Indeed, these disparities are deeply entrenched in the very discourses we are trying to get our students to learn. As writing assessment scholar Asao Inoue writes in his book  Antiracist Writing Assessment Ecologies , 

If we are beyond the old-fashion bigotry and bias, then what we are saying is that there is something wrong with the academic discourse itself, something wrong with judging everyone against an academic discourse that clearly privileges middle class white students. In fact, there’s something wrong with judgment itself in writing classrooms.

While refusing to give grades on principle is not a decision most instructors have the power to make, there are approaches you can take to grading writing that help mitigate biases inherent in all of us as individuals, and in the disciplines in which we teach. That leads to more equitable impacts on students. These approaches also, importantly, improve your teaching efficiencies and benefit student learning. 

The five strategies in this guide ask you to think about:

Formative and Summative Assessment: Key Differences

There are different kinds of feedback you can provide on student writing, and these are roughly divided into the categories of “formative” and “summative.”

Formative feedback is given on work in progress; it is provided with an eye toward project development, or revision. Formative feedback might be given on a topic proposal (e.g., “Have you considered this angle? Have you checked this source?”), or on a rough draft (e.g., “As you revise, consider making your central argument more explicit.”). Some formative feedback serves only to signal that you have read and care about your student’s ideas; it expects no revision or “correction” (e.g., “Thank you for sharing your family history in this reading response; I can see why you are invested in this topic.”). While some formative assessment may have a numerical grade tied to it, feedback is often qualitative in nature-- usually it is written or typed, shared verbally in conference, or even audio recorded*. Many writing teachers consider formative feedback to be the most important because it happens during the writing process when students can respond to it, and provides an opportunity for learning and development.

Summative assessment is given at the completion of an assignment or project. It is meant to tell a student how successfully they completed the requirements of an assignment, and whether learning objectives were met. While there is often qualitative feedback included with a summative assessment, it is typically quantitative in nature and is presented as a score that represents a certain percentage of the course grade. Often students purport to care more about summative assessments for this very reason!

It is helpful to consider the differences between formative and summative feedback because that knowledge can help you determine how to structure your response to student writing, and how much time to invest in producing it. For example, do not spend hours writing comments on final papers if students will not have the opportunity to put that feedback to work via revision (or to put it in more jaded terms, do not kill yourself writing comments that students will not bother reading!).

*Canvas enables you to give recorded verbal feedback in the SpeedGrader screen. Beneath the text box for written comments, there is a button with a speaker icon. Click that to record your comments. Some may find this a faster way to give feedback.

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Providing Regular and Helpful Feedback

What follows are some strategies for offering feedback in such a way that students are motivated (intrinsically or extrinsically) to respond to and learn from it. You do not need to use all of these strategies for them to be useful. As with any new teaching practice, starting small is advisable-- each quarter, attempt one small intervention, and expand gradually.

Formative feedback:

Asking students to complete regular low-stakes, “writing to learn” assignments such as discussion forums, reading responses, journal entries, or post-assignment debriefs is a meaningful way to build up to higher stakes assignments. However, by no means do you need to comment on (or even read!) every informal piece of student writing. Just check in often enough to let students know you’re interested, that this is not just busy work, and offer remarks and probing questions along the way. Of course, when you ask your students to share something personal about themselves, it is the compassionate thing to respond, even if briefly.

Scaffold major writing assignments . Create milestones for a major project with actual deadlines, such as a topic proposal, chunks of a draft (such as an introduction), a rough draft, peer review, and a final draft. Provide the most extensive feedback at the most important points, such as the topic proposal (so you can help point students in the right direction, offer suggestions for sources, etc.) and rough draft (so students can revise productively).

Research, and our experience, show that students benefit immensely from verbal feedback . Even better is providing verbal clarification of written feedback on writing in progress. If you or a TA is able to meet with a student, or a small group of students at a time (asking everyone to read each other’s work in advance), to discuss the students’ progress on a project, they will be much more able to internalize what you want them to prioritize for revision.

Structured peer review can be immensely profitable for students . You can even set it up so that students conduct peer review sessions outside of class, thus preserving precious class time for other matters. However it is essential that you provide very clear procedures for students, and require students to submit some kind of document (for credit), documenting their participation. Such documentation might include copies of their peer feedback or minutes from their session, which you would only need to spot check. Please see a sample peer review prompt here .

Remember that there are several writing centers on campus that can support students’ writing in progress , such as the OWRC , CLUE , and OWRC for Health Sciences students. Encourage your students to go! And remember, the clearer your prompt and assessment criteria, the better the feedback tutors can give.

Summative feedback:

Final grades should always be derived from transparent criteria that students are familiar with from the start . Assessment criteria should be explicitly tied to assignment- and even course learning goals (see the next section, “What Is a Rubric and How Should I Use It?” for more on this).

Make sure students know what form their final assessments will take . If you plan to only offer a series of numerical rubric scores with no commentary (because, say, you will be expending your energy on providing feedback on rough drafts), be sure to say so in advance.

Encourage students to ask questions . If you create a class culture wherein grades are perceived as objective and permanent measures then students are less likely to become active participants in their learning (and in the field of study they are working to enter). This is not to suggest that you encourage grade haggling; it will likely be necessary to set boundaries there. But being available, or asking TAs to be available, to walk students through their scores will help students see how they can improve next time, which also incidentally aids their learning. You might even consider permitting the revision of one assignment for a new grade, or for extra credit.

What is a Rubric, And How Should I Use It?

Rubrics can take so many forms that, often, when we talk about rubrics we are imagining different things. Partly because the genre of "grading rubric" is so huge and amorphous, the use of rubrics has generated some amount of controversy. As Alfie Kohn writes , rubrics are not great when they only serve to rank students and give extrinsic motivation (nor when they perpetuate harmful ideologies about language). Rubrics  can be valuable if they "offer feedback that will help [students] become more adept at, and excited about, what they’re doing."

To that end, we offer here some definitions of what a good rubric is, and is not.

A good rubric IS:

A heuristic for feedback and assessment that thoroughly describes higher order characteristics of a successful writing assignment. Here is one example.

A good rubric IS NOT:

A list of check-boxes with points attached that penalize students for not conforming to surface-level conventions or unexplained criteria (like "logical argument"). Here is one example.

Key Practices:

Distribute rubrics along with the assignment prompt so that students know in advance what your feedback and assessment will center on. Take time to discuss the rubric in class. If there is time, review it with an anonymized sample student paper (alternatively, share a sample paper with criteria-driven feedback written on it).

Rubrics should mirror the assignment prompt ; they should not include criteria that students do not expect or that they have not learned about.

Settle on no more than five or six criteria so your students do not get overwhelmed. What are the most essential elements of this particular assignment? Try to provide "higher order" criteria that really matter to the genre or the learning goals of the assignment. Criteria that address word count or mechanical correctness are not particularly helpful.

• As we discuss in the next section on antiracist approaches to assessment, you can even ask students to help collaborate on a rubric.  See next section for details.

Key Benefits:

Grading writing is time-intensive, and rubrics save time . Having a set of clear criteria with designated points reduces the time you need to spend belaboring various aspects of a student’s work and the letter or number grade it has earned. Only focus on student work insofar as it does or does not fulfill the assessment criteria.

Rubrics help reduce (perceived or actual) grading bias . Without explicit criteria, it is easier to be guided by bias when grading work that has fewer clear-cut signals than a multiple-choice test.

When students clearly understand how they are being graded, it is  easier for them to succeed and achieve the learning goals for an assignment.

The UW Center for Teaching & Learning also has a resource on developing and using rubrics that includes some example templates.

Antiracist Approaches to Writing Assessment

A growing body of scholarship is dedicated to antiracist writing assessment, and the richness of that work is too expansive to share comprehensively here. There are a few practices we would like to feature here, however, as starting points for antiracist praxis. 

Make visible and de-center deficit language ideologies . A deficit language ideology is a belief (explicit or tacit) that conformance to a particular language standard shows intelligence and worth, whereas lack of conformance speaks to a lack of intelligence and worth. This does not mean ignoring language use; on the contrary, having inquiry-driven discussions about language in your field can help surface language ideologies. On an even simpler level, posing a question about your student's language use in a writing assignment can have a stronger impact than correcting it.

Co-create assessment criteria.  Enlist your students in the creation of an assignment rubric, based on the prompt and on sample writing from former students or from the field. Asking students to identify what traits make a successful scientific research article (say) can help them internalize those traits, and it gives them ownership of the writing process. You can do this in class or discussion section, or you can ask students to read sample texts on their own time and propose rubric criteria as a homework assignment. Then incorporate their suggestions into your rubric as appropriate. We have done this with excellent results: often students will identify important criteria we had not thought of. 

Explore the use of grade contracts or ungrading . Grade contracts (sometimes called labor-based grade contracts) award credit for labor and process, rather than the quality of finished products. Ungrading offers qualitative instead of quantitative evaulation. These are approaches that mitigate against unintended bias in more traditional grading systems, and are designed to encourage students to take more risks in their writing and have greater ownership over their learning.

Taking on approaches like these can feel intimidating because, while we all want to teach in ways that are socially just, it is also scary if we feel we have to upend everything we know about teaching. However, we encourage you to take it one small step at a time. You can practice developing your own higher-order assessment criteria for a while before inviting students to collaborate on them. You can experiment with a grade contract for just one assignment before implementing it throughout your course. And so on. Feedback from our own students shows us that even small efforts have big impacts.

Further reading: Council of Writing Program Administrators' statement on antiracist writing assessment , with bibliography.

Targeted Commenting

Offering targeted commentary on student writing is essential for both you and your students.

Commenting on a student paper can feel like going down a rabbit hole. We may feel it is our duty to point out every little error, but if you did that you would spend way more time than you have to spare. Limiting the time you spend and the amount of feedback you give is the only way to stay sane. 

Here are some tips to regulate the amount of time you spend grading:

Set a timer for yourself if you find it difficult to pull yourself away (15-20 minutes can be a reasonable amount of time for a 4-5 page essay, though of course it depends on the nature of the paper and on how many students you have).

You may find it best not to hold a pen or to allow yourself to type marginal comments as you read, and just wait until you have read the whole draft.

When offering global commentary at the end of the draft, limit yourself to a few sentences about a small number of key issues explicitly drawn from the assessment criteria.

Offering targeted commentary is also (perhaps counterintuitively) better for students. It enables them to focus only on a couple substantive issues in revision; if you cover their drafts with the proverbial red ink, they can become overwhelmed-- remember what it is like to have your own writing critiqued! It is a vulnerable experience. Make sure that the key issues you want your students to focus on are clearly signaled, and are explicitly tied to the assessment criteria (discussed previously in the “What is a Rubric?” section). That is to say, if you ask your student to focus in their revision on summarizing source material more succinctly, then this should be something that will be covered in the rubric, and that will count toward the final grade.

Here is an example of commentary that is well-intended but not well-focused, followed by a more targeted response:

Promising start, Hannah. Your central argument is clearly stated, and is grounded in one of the anthropological frameworks we’ve covered in class. Transitions between paragraphs are tough to follow; it feels like you jump from one topic to another without clearly showing your reader where you are going. Are you planning to use the Smith book as one of your sources? It’s not required, but I think it would strengthen your argument. Please focus on run-on sentences! Also number your pages. Etc…

Promising start, Hannah. Here are some suggestions for revision that will help you better fulfill the criteria described in the rubric:

Argument: This is one of the paper’s greatest strengths. It is clearly stated, and is grounded in one of the anthropological frameworks we’ve covered in class, as the prompt requires. Are you planning to use the Smith book as one of your sources? It’s not required, but I think it would strengthen your argument.

Structure: One element of structure it’s important to consider is that of transitions. Transitions between your paragraphs are tough to follow; it feels like you jump from one topic to another without clearly showing your reader relationships between them. Please think about how to close and open your paragraphs so as to tie ideas together and improve cohesion-- a tutor at the OWRC may be able to help you with this.

The Ever-Present Question About Grammar

Here we offer some reflections on some frequently asked questions about grading grammar, mechanics, and usage.

Should I correct my students’ grammar in their writing?

Many instructors feel that if they assign writing, they are obligated to “correct” students’ “grammar.” This is understandable—most of us were graded on “grammar” and other sentence-level issues when we were in school. Yet research on how students learn has more recently pointed to the inefficacy of “correcting grammar” for a host of reasons:

"Grammar” is often used as a blanket term that obscures actual writing choices, such as language or communication conventions unique to a particular discipline/field; citation issues; typos; poor use of Spellcheck; etc. Compressing these complex and varied issues under the singular term “grammar” decreases students' ability to notice and address them in the future.

Unless you are a scholar of language, the complexities of English “grammar” are most likely outside of your area of expertise (they are outside of ours!). Instructors have often unwittingly given students false and conflicting messages about usage, and these messages hurt students who use them to guide their writing in other classes or disciplines. One common example of this is the use of active/passive voice. While you may prefer one or the other, remember there is no universal truth about which is better. Rather, authorial voice should be a consideration informed by the particular genre, audience, and context.

Teaching & learning scholar and former UW Writing Director John Webster has written extensively about effective ways to respond to student writing and why focusing on sentence-level errors actually distracts and detracts from students’ learning. In summary, if you feel you must grade students on a particular issue of mechanics, make sure that that issue is explicitly tied in with the learning goals of the prompt. Also make sure that you teach the particular issue you will be grading them on.

But what if my students turn in writing that is full of grammar errors?

A key point that Webster makes in light of grammar concerns:

Perhaps most important: as a general (and research supported) rule, the more challenging students find an assignment to be, the more surface-level error shows up in their drafts. This is normal. The human mind has only so much capacity. When students are straining their mental capacities simply to understand how to work with the concepts in your course, many will have little energy left over when the paper is due to take care for surface level error.

If you are finding your students making many sentence-level errors, this is likely because their brains are full from attempting to grasp and process the new concepts from your course. Additionally, a psychological theory called stereotype threat describes a situation where people fear they may be judged for conforming to particular stereotype (e.g., international students may fear judgment of their language use). That anxiety can become self-fulfilling; distracted by their anticipation of penalties, they may commit a greater number of "errors." De-centering language use in your prompt, in your rubric, and in your class culture gives your students the freedom to focus on ideas instead of mechanics.

But good writing is important to my field!

Yes! Effective writing and communication are key to most fields. And while you may not be an expert on the complexities of English grammar, if you have written and published a lot you are most likely an expert on what makes writing effective in your field.

Importantly, the characteristics of “good” or “effective” writing in one field differ dramatically from those in another. If you want students to learn how to write effectively in your field, discuss these characteristics with them, sharing examples from key texts in your discipline. Then, if you want to grade on students’ use of these in their papers, make sure that those criteria are explicitly built into your grading rubric.

How can I teach my students to edit or proofread their own work?

Given that students are more likely to make spelling errors, typos, and other common writing mistakes while they are working with new/complex ideas, make sure that your students carve out time and space at least a day or two after they have finished drafting the big ideas in their writing to proofread. It is often difficult to see these issues right after we are finished writing, since our brains are still focused on the ideas. You can add (optional) deadlines for this in the assignment prompt and/or ask students to bring a penultimate draft to class to share for peer review. Students can benefit from reviewing some editing or proofreading techniques as well (e.g., read the paper out loud, read the paper backward). The University of North Carolina Writing Center has a helpful page with strategies for editing and proofreading that you could share with students.

Commenting on and Grading Student Writing

To learn more about how to maximize the feedback you give your students without putting an undue burden on your time, click on items in the list below.

• Focusing your commenting energies

Handling grammar

• Using a grading sheet
• Citation Information

Focus your Commenting Energy

No matter how much you want to improve student writing, remember that students can only take in so much information about a paper at one time. Particularly because writing is such an egocentric activity, writers tend to feel overloaded quickly by excessively detailed feedback about their writing.

Moreover, because most writing can be considered work in progress (because students will continue to think about the content and presentation of their papers even if they don't actively revise), commenting exhaustively on every feature of a draft is counter-productive. Too many comments can make student writers feel as if the teacher is taking control of the paper and cutting off productive avenues for revision.

Focusing your energy when commenting achieves two main goals:

• It leaves students in control of their writing so that they can consider revising--or at least learning from the experience of having written the paper.
• It gives teachers a sense of tackling the most important elements of a paper rather than getting bogged down in detail that might just get ignored by the student.

Typically, we recommend that teachers comment discursively on the one or two most important features of a paper, determined either by your criteria for the assignment or by the seriousness of the effect on a reader of a given paper.

If you assign write-to-learn tasks, you won't want to mark any grammatical flaws because the writing is designed to be impromptu and informal. If you assign more polished pieces, especially those that adhere to disciplinary conventions, then we suggest putting the burden of proofreading squarely where it belongs--on the writer.

You don't need to be an expert in grammar to assign and respond effectively to writing assignments. Click on the list below to read some points to consider as you design your assignments and grading criteria:

Don't Edit Writing to Learn

Editing write-to-learn (WTL) responses is counterproductive. This kind of writing must be informal for students to reap the benefits of thinking through ideas and questioning what they understand and what confuses them. Moreover, most WTL activities are impromptu. By asking students to summarize a key point in the three minutes at the end of class, you get students to focus on ideas. They don't need to edit for spelling and sentence punctuation, and if you mark those errors on their WTL writing, students shift their focus from ideas to form. In other words, marking errors on WTL pieces distracts students from the main goal--learning.

Make Students Responsible for Polishing Their Drafts

Formal drafts do need to be edited, but not necessarily by the teacher. The most efficient way to make sure students edit for as many grammatical and stylistic flaws as they can find is to base a large portion of the grade on how easy the paper is to read. If you get a badly edited piece, you can just hand it back and tell the student you'll grade it when the errors are gone. Or you can take 20-30% off the content grade. Students get the message very quickly and turn in remarkably clean writing.

If a student continues to have problems editing a paper, you can suggest visiting the Writing Center to get some one-on-one help with a writing consultant.

Think of Yourself First as a Reader

Some teachers think that basing 20-30% of the grade on grammatical and stylistic matters is unfair unless they mark all the flaws. We approach this issue from the perspective of readers. If you review a textbook and find editing mistakes, you don't label each one and send the text back to the publisher. No, you just stop reading and don't adopt the textbook. Readers who are not teachers just don't keep reading is a text that is too confusing or if errors are too distracting. Readers who are teachers are perfectly justified in simply noting with an X in the margin where a sentence gets too confusing or where mistaken punctuation leads the reader astray. Students are resourceful (they can get help from an on-campus writing center office or a writing center website) and will figure out the problem once a reader points out where the text stumbles. That's really all it takes.

Use Peer Editing

Perhaps the most helpful tool in getting clean, readable papers from students is the peer editing session. Most students are better editors of someone else's paper than proofreaders of their own, so having students exchange papers and look for flaws helps them find many more glitches than they'll find on their own.

View More about Student Peer Review

Try a Time-Saving Shortcut

If you feel compelled to mark grammatical and stylistic flaws, work out a shorthand for yourself and give students a handout explaining your marks. Most teachers can get by with one symbol for a sentence that gets derailed or confused, another for faulty punctuation of all sorts, and a third for inaccurate words (spelling or meaning). Save your time and energy for commenting on substance rather than form.

Sample Policies on Grading Grammar versus Content

Outdoor Resources 1XX (excerpts)

(Although we don't recommend assigning points for errors (because then you have to mark and count them all), this teacher was clear about expectations.)

Your paper should contain from 1,500 to 2,000 words, or about five to seven pages. The paper must be typewritten, double spaced, and bound. Neatness is essential.

A Check List of Points to Consider:

I. Mechanics

Neatness. Is your report clean, neatly organized, with a look of professional pride about it?

Spelling. Two points will be deducted for each misspelled word.

Grammar and punctuation. Five points will be deducted for each sentence which uses improper grammar or punctuation.

Outline. Did you follow the course outline?

Form. Is your paper in the proper form?

Bibliography. Are the references properly cited?

Binding. Use a cover binding with a secure clasp.

II. Content . . . .

Use a grading sheet

Grading comment sheets or checksheets give teachers and students two advantages over free-form grading:

• Grading sheets of some sort assure that teachers will give students feedback about all the major criteria they set out on the assignment sheet. Even if you decide to use a simple checksheet that ranks students' performance on each criterion on a 1-10 scale, students will be able to see quickly where their strengths and weaknesses are as writers for this assignment.
• Grading sheets, particularly checksheets, typically save teachers time. Even composition teachers don't comment exhaustively about each criterion for each assignment; so, too, disciplinary teachers should be aware that they can comment at some length on just one or two points (typically the major strength and the major weakness) and then rely on the checksheet to fill in for less crucial areas of the paper. If students are concerned about getting more feedback than the checksheet provides, you can encourage them to come to your office hours or send you an e-mail query.

Resource: Sample Grading Sheets

Four sample grading sheets are provided:

• Introductory Composition
• Science Project

Sample Grading Sheet

Composition 1xx Grading Sheet

Grade for essay: ___________

Revision Instructions:

Sample Report Evaluation

Name: _________________

Subject: _________________

__ total points

DETAILED REPORT EVALUATION

Title page:

Table of contents:

Bibliography:

Information page:

Oral presentation:

Sample Evaluation of Written Report

Evaluation of Written Report

Sample Science Project Checksheet

Science Project checksheet

GENERAL 50 POINTS

1. Correct form (15)

Reference list (3)

Citation of sources(2)

Mechanics (order, table of contents, list of tables, list of figures, cover) (5)

2. Composition skills (10)

Spelling (5)

Grammar (5)

3. Log book used to record experimental data, ideas, etc. (10)

4. Abstract (10)

5. Acknowledgments (5)

TOTAL GENERAL: _________

EXHIBIT 50 EXTRA CREDIT POINTS

1. Summarized project well (30)

Problem and hypothesis easy to understand (5)

Experimental method clearly stated (10)

Results summarized in graphs/tables (10)

Conclusion presented (5)

2. Eye appeal (10)

Neat lettering (3)

Pleasing placement of parts (2)

Good use of color (3)

Sturdiness (2)

3. Creativity (10)

TOTAL EXHIBIT POINTS: _______

TOTAL PROJECT: ______

Resource: Sample grading criteria

General Grading Criteria: Composition 1xx

Kate Kiefer, Donna LeCourt, Stephen Reid, & Jean Wyrick. (2018). Commenting on Student Writing. The WAC Clearinghouse. Retrieved from https://wac.colostate.edu/repository/teaching/guides/commenting/. Originally developed for Writing@CSU (https://writing.colostate.edu).

• Teaching Tips

The Ultimate Guide to Grading Student Work

Strategies, best practices and practical examples to make your grading process more efficient, effective and meaningful

Top Hat Staff

This ultimate guide to grading student work offers strategies, tips and examples to help you make the grading process more efficient and effective for you and your students. The right approach can save time for other teaching tasks, like lecture preparation and student mentoring. 

Grading is one of the most painstaking responsibilities of postsecondary teaching. It’s also one of the most crucial elements of the educational process. Even with an efficient system, grading requires a great deal of time—and even the best-laid grading systems are not entirely immune to student complaints and appeals. This guide explores some of the common challenges in grading student work along with proven grading techniques and helpful tips to communicate expectations and set you and your students up for success, especially those who are fresh out of high school and adjusting to new expectations in college or university. 

What is grading?

Grading is only one of several indicators of a student’s comprehension and mastery, but understanding what grading entails is essential to succeeding as an educator. It allows instructors to provide standardized measures to evaluate varying levels of academic performance while providing students valuable feedback to help them gauge their own understanding of course material and skill development. Done well, effective grading techniques show learners where they performed well and in what areas they need improvement. Grading student work also gives instructors insights into how they can improve the student learning experience.

Grading challenges: Clarity, consistency and fairness

No matter how experienced the instructor is, grading student work can be tricky. No such grade exists that perfectly reflects a student’s overall comprehension or learning. In other words, some grades end up being inaccurate representations of actual comprehension and mastery. This is often the case when instructors use an inappropriate grading scale, such as a pass/fail structure for an exam, when a 100-point system gives a more accurate or nuanced picture.

Grading students’ work fairly but consistently presents other challenges. For example, grades for creative projects or essays might suffer from instructor bias, even with a consistent rubric in place. Instructors can employ every strategy they know to ensure fairness, accessibility, accuracy and consistency, and even so, some students will still complain about their grades. Handling grade point appeals can pull instructors away from other tasks that need their attention.

Many of these issues can be avoided by breaking things down into logical steps. First, get clear on the learning outcomes you seek to achieve, then ensure the coursework students will engage in is well suited to evaluating those outcomes and last, identify the criteria you will use to assess student performance. 

What are some grading strategies for educators?

There are a number of grading techniques that can alleviate many problems associated with grading, including the perception of inconsistent, unfair or arbitrary practices. Grading can use up a large portion of educators’ time. However, the results may not improve even if the time you spend on it does. Grading, particularly in large class sizes, can leave instructors feeling burnt out. Those who are new to higher education can fall into a grading trap, where far too much of their allocated teaching time is spent on grading. As well, after the graded assignments have been handed back, there may be a rush of students wanting either to contest the grade, or understand why they got a particular grade, which takes up even more of the instructor’s time. With some dedicated preparation time, careful planning and thoughtful strategies, grading student work can be smooth and efficient. It can also provide effective learning opportunities for the students and good information for the instructor about the student learning (or lack of) taking place in the course. These grading strategies can help instructors improve their accuracy in capturing student performance . 

Establishing clear grading criteria

Setting grading criteria helps reduce the time instructors spend on actual grading later on. Such standards add consistency and fairness to the grading process, making it easier for students to understand how grading works. Students also have a clearer understanding of what they need to do to reach certain grade levels.

Establishing clear grading criteria also helps instructors communicate their performance expectations to students. Furthermore, clear grading strategies give educators a clearer picture of content to focus on and how to assess subject mastery. This can help avoid so-called ‘busywork’ by ensuring each activity aligns clearly to the desired learning outcome. 

Step 1: Determine the learning outcomes and the outputs to measure performance. Does assessing comprehension require quizzes and/or exams, or will written papers better capture what the instructor wants to see from students’ performance? Perhaps lab reports or presentations are an ideal way of capturing specific learning objectives, such as behavioral mastery.

Step 2: Establish criteria to determine how you will evaluate assigned work. Is it precision in performing steps, accuracy in information recall, or thoroughness in expression? To what extent will creativity factor in the assessment?

Step 3: Determine the grade weight or value for each assignment. These weights represent the relative importance of each assignment toward the final grade and a student’s GPA. For example, how much will the final exam count relative to a research paper or essay? Once the weights are in place, it’s essential to stratify grades that distinguish performance levels. For example:

• A grade = excellent
• B grade = very good
• C grade = adequate
• D grade = poor but passing
• F grade = unacceptable

Making grading efficient

Grading efficiency depends a great deal on devoting appropriate amounts of time to certain grading tasks. For instance, some assignments deserve less attention than others. That’s why some outcomes, like attendance or participation work, can help save time by getting a simple pass/fail grade or acknowledgment of completion using a check/check-plus/check-minus scale.

However, other assignments like tests or papers need to show more in-depth comprehension of the course material. These items need more intricate scoring schemes and require more time to evaluate, especially if student responses warrant feedback.

When appropriate, multiple-choice questions can provide a quick grading technique. They also provide the added benefit of grading consistency among all students completing the questions. However, multiple-choice questions are more difficult to write than most people realize. These questions are most useful when information recall and conceptual understanding are the primary learning outcomes.

Instructors can maximize their time for more critical educational tasks by creating scheduled grading strategies and sticking to it. A spreadsheet is also essential for calculating many students’ grades quickly and exporting data to other platforms.

Making grading more meaningful in higher education

Grading student work is more than just routine, despite what some students believe. The better students understand what instructors expect them to take away from the course, the more meaningful the grading structure will be. Meaningful grading strategies reflect effective assignments, which have distinct goals and evaluation criteria. It also helps avoid letting the grading process take priority over teaching and mentoring.

Leaving thoughtful and thorough comments does more than rationalize a grade. Providing feedback is another form of teaching and helps students better understand the nuances behind the grade. Suppose a student earns a ‘C’ on a paper. If the introduction was outstanding, but the body needed improvement, comments explaining this distinction will give a clearer picture of what the ‘C’ grade represents as opposed to ‘A-level’ work.

Instructors should limit comments to elements of their work that students can actually improve or build upon. Above all, comments should pertain to the original goal of the assignment. Excessive comments that knit-pick a student’s work are often discouraging and overwhelming, leaving the student less able or willing to improve their effort on future projects. Instead, instructors should provide comments that point to patterns of strengths and areas needing improvement. It’s also helpful to leave a summary comment at the end of the assignment or paper.

Maintaining a complaint-free grading system

In many instances, an appropriate response to a grade complaint might simply be, “It’s in the syllabus.” Nevertheless, one of the best strategies to curtail grade complaints is to limit or prohibit discussions of grades during class time. Inform students that they can discuss grades outside of class or during office hours.

Instructors can do many things before the semester or term begins to reduce grade complaints. This includes detailed explanations in the grading system’s syllabus, the criteria for earning a particular letter grade, policies on late work, and other standards that inform grading. It also doesn’t hurt to remind students of each assignment’s specific grading criteria before it comes due. Instructors should avoid changing their grading policies; doing so will likely lead to grade complaints.

Assigning student grades

Since not all assignments may count equally toward a final course grade, instructors should figure out which grading scales are appropriate for each assignment. They should also consider that various assignments assess student work differently; therefore, their grading structure should reflect those differences. For example, some exams might warrant a 100-point scale rather than a pass/fail grade. Requirements like attendance or class participation might be used to reward effort; therefore, merely completing that day’s requirement is sufficient.

Grading essays and open-ended writing

Some writing projects might seem like they require more subjective grading standards than multiple-choice tests. However, instructors can implement objective standards to maintain consistency while acknowledging students’ individual approaches to the project.

Instructors should create a rubric or chart against which they evaluate each assignment. A rubric contains specific grading criteria and the point value for each. For example, out of 100 points, a rubric specifies that a maximum of 10 points are given to the introduction. Furthermore, an instructor can include even more detailed elements that an introduction should include, such as a thesis statement, attention-getter, and preview of the paper’s main points.

Grading creative work

While exams, research papers, and math problems tend to have more finite grading criteria, creative works like short films, poetry, or sculptures can seem more difficult to grade. Instructors might apply technical evaluations that adhere to disciplinary standards. However, there is the challenge of grading how students apply their subject talent and judgment to a finished product.

For creative projects that are more visual, instructors might ask students to submit a written statement along with their assignment. This statement can provide a reflection or analysis of the finished product, or describe the theory or concept the student used. This supplement can add insight that informs the grade.

Grading for multi-section courses

Professors or course coordinators who oversee several sections of a course have the added responsibility of managing other instructors or graduate student teaching assistants (TAs) in addition to their own grading. Course directors need to communicate regularly and consistently with all teaching staff about the grading standards and criteria to ensure they are applied consistently across all sections.

If possible, the course director should address students from all sections in one gathering to explain the criteria, expectations, assignments, and other policies. TAs should continue to communicate grading-related information to the students in their classes. They also should maintain contact with each other and the course director to address inconsistencies, stay on top of any changes and bring attention to problems.

To maintain consistency and objectivity across all sections, the course director might consider assigning TAs to grade other sections besides their own. Another strategy that can save time and maintain consistency is to have each TA grade only one exam portion. It’s also vital to compare average grades and test scores across sections to see if certain groups of students are falling behind or if some classes need changes in their teaching strategies.

Types of grading

• Absolute grading : A grading system where instructors explain performance standards before the assignment is completed. grades are given based on predetermined cutoff levels. Here, each point value is assigned a letter grade. Most schools adopt this system, where it’s possible for all students to receive an A.
• Relative grading : An assessment system where higher education instructors determine student grades by comparing them against those of their peers. 
• Weighted grades : A method ussed in higher education to determine how different assessments should count towards the final grade. An instructor may choose to make the results of an exam worth 50 percent of a student’s total class grade, while assignments account for 25 percent and participation marks are worth another 25 percent.
• Grading on a curve : This system adjusts student grades to ensure that a test or assignment has the proper distribution throughout the class (for example, only 20% of students receive As, 30% receive Bs, and so on), as well as a desired total average (for example, a C grade average for a given test). We’ve covered this type of grading in more detail in the blog post The Ultimate Guide to Grading on A Curve .

Ungrading is an education model that prioritizes giving feedback and encouraging learning through self-reflection rather than a letter grade. Some instructors argue that grades cannot objectively assess a student’s work. Even when calculated down to the hundredth of a percentage point, a “B+” on an English paper doesn’t paint a complete picture about what a student can do, what they understand or where they need help. Alfie Kohn, lecturer on human behavior, education, and parenting, says that the basis for grades is often subjective and uninformative. Even the final grade on a STEM assignment is more of a reflection of how the assignment was written, rather than the student’s mastery of the subject matter. So what are educators who have adopted ungrading actually doing? Here are some practices and strategies that decentralize the role of assessments in the higher ed classroom.

• Frequent feedback: Rather than a final paper or exam, encourage students to write letters to reflect on their progress and learning throughout the term. Students are encouraged to reflect on and learn from both their successes and their failures, both individually and with their peers. In this way, conversations and commentary become the primary form of feedback, rather than a letter grade. 
• Opportunities for self-reflection: Open-ended questions help students to think critically about their learning experiences. Which course concepts have you mastered? What have you learned that you are most excited about? Simple questions like these help guide students towards a more insightful understanding of themselves and their progress in the course.
• Increasing transparency: Consider informal drop-in sessions or office hours to answer student questions about navigating a new style of teaching and learning.  The ungrading process has to begin from a place of transparency and openness in order to build trust. Listening to and responding to student concerns is vital to getting students on board. But just as important is the quality of feedback provided, ensuring both instructors and students remain on the same page.

Grading on a curve

Instructors will grade on a curve to allow for a specific distribution of scores, often referred to as “normal distribution.” To ensure there is a specific percentage of students receiving As, Bs, Cs and so forth, the instructor can manually adjust grades. 

When displayed visually, the distribution of grades ideally forms the shape of a bell. A small number of students will do poorly, another small group will excel and most will fall somewhere in the middle. Students whose grades settle in the middle will receive a C-average. Students with the highest and the lowest grades fall on either side.

Some instructors will only grade assignments and tests on a curve if it is clear that the entire class struggled with the exam. Others use the bell curve to grade for the duration of the term, combining every score and putting the whole class (or all of their classes, if they have more than one) on a curve once the raw scores are tallied.

How to make your grading techniques easier

Grading is a time-consuming exercise for most educators. Here are some tips to help you become more efficient and to lighten your load.

• Schedule time for grading: Pay attention to your rhythms and create a grading schedule that works for you. Break the work down into chunks and eliminate distractions so you can stay focused.
• Don’t assign ‘busy work’: Each student assignment should map clearly to an important learning outcome. Planning up front ensures each assignment is meaningful and will avoid adding too much to your plate.
• Use rubrics to your advantage: Clear grading criteria for student assignments will help reduce the cognitive load and second guessing that can happen when these tools aren’t in place. Having clear standards for different levels of performance will also help ensure fairness.
• Prioritize feedback: It’s not always necessary to provide feedback on every assignment. Also consider bucketing feedback into what was done well, areas for improvement and ways to improve. Clear, pointed feedback is less time-consuming to provide and often more helpful to students. 
• Reward yourself: Grading is taxing work. Be realistic about how much you can do and in what time period. Stick to your plan and make sure to reward yourself with breaks, a walk outside or anything else that will help you refresh. 

How Top Hat streamlines grading

There are many tools available to college educators to make grading student work more consistent and efficient. Top Hat’s all-in-one teaching platform allows you to automate a number of grading processes, including tests and quizzes using a variety of different question types. Attendance, participation, assignments and tests are all automatically captured in the Top Hat Gradebook , a sophisticated data management tool that maintains multiple student records.

In the Top Hat Gradebook, you can access individual and aggregate grades at a glance while taking advantage of many different reporting options. You can also sync grades and other reporting directly to your learning management system (LMS). 

Grading is one of the most essential components of the teaching and learning experience. It requires a great deal of strategy and thought to be executed well. While it certainly isn’t without its fair share of challenges, clear expectations and transparent practice ensure that students feel included as part of the process and can benefit from the feedback they receive. This way, they are able to track their own progress towards learning goals and course objectives.

Click here to learn more about Gradebook, Top Hat’s all-in-one solution designed to help you monitor student progress with immediate, real-time feedback.

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• Knowledge Base

The Beginner's Guide to Writing an Essay | Steps & Examples

An academic essay is a focused piece of writing that develops an idea or argument using evidence, analysis, and interpretation.

There are many types of essays you might write as a student. The content and length of an essay depends on your level, subject of study, and course requirements. However, most essays at university level are argumentative — they aim to persuade the reader of a particular position or perspective on a topic.

The essay writing process consists of three main stages:

• Preparation: Decide on your topic, do your research, and create an essay outline.
• Writing : Set out your argument in the introduction, develop it with evidence in the main body, and wrap it up with a conclusion.
• Revision:  Check your essay on the content, organization, grammar, spelling, and formatting of your essay.

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Table of contents

Essay writing process, preparation for writing an essay, writing the introduction, writing the main body, writing the conclusion, essay checklist, lecture slides, frequently asked questions about writing an essay.

The writing process of preparation, writing, and revisions applies to every essay or paper, but the time and effort spent on each stage depends on the type of essay .

For example, if you’ve been assigned a five-paragraph expository essay for a high school class, you’ll probably spend the most time on the writing stage; for a college-level argumentative essay , on the other hand, you’ll need to spend more time researching your topic and developing an original argument before you start writing.

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Before you start writing, you should make sure you have a clear idea of what you want to say and how you’re going to say it. There are a few key steps you can follow to make sure you’re prepared:

• Understand your assignment: What is the goal of this essay? What is the length and deadline of the assignment? Is there anything you need to clarify with your teacher or professor?
• Define a topic: If you’re allowed to choose your own topic , try to pick something that you already know a bit about and that will hold your interest.
• Do your research: Read  primary and secondary sources and take notes to help you work out your position and angle on the topic. You’ll use these as evidence for your points.
• Come up with a thesis:  The thesis is the central point or argument that you want to make. A clear thesis is essential for a focused essay—you should keep referring back to it as you write.
• Create an outline: Map out the rough structure of your essay in an outline . This makes it easier to start writing and keeps you on track as you go.

Once you’ve got a clear idea of what you want to discuss, in what order, and what evidence you’ll use, you’re ready to start writing.

The introduction sets the tone for your essay. It should grab the reader’s interest and inform them of what to expect. The introduction generally comprises 10–20% of the text.

1. Hook your reader

The first sentence of the introduction should pique your reader’s interest and curiosity. This sentence is sometimes called the hook. It might be an intriguing question, a surprising fact, or a bold statement emphasizing the relevance of the topic.

Let’s say we’re writing an essay about the development of Braille (the raised-dot reading and writing system used by visually impaired people). Our hook can make a strong statement about the topic:

The invention of Braille was a major turning point in the history of disability.

2. Provide background on your topic

Next, it’s important to give context that will help your reader understand your argument. This might involve providing background information, giving an overview of important academic work or debates on the topic, and explaining difficult terms. Don’t provide too much detail in the introduction—you can elaborate in the body of your essay.

3. Present the thesis statement

Next, you should formulate your thesis statement— the central argument you’re going to make. The thesis statement provides focus and signals your position on the topic. It is usually one or two sentences long. The thesis statement for our essay on Braille could look like this:

As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness.

4. Map the structure

In longer essays, you can end the introduction by briefly describing what will be covered in each part of the essay. This guides the reader through your structure and gives a preview of how your argument will develop.

The invention of Braille marked a major turning point in the history of disability. The writing system of raised dots used by blind and visually impaired people was developed by Louis Braille in nineteenth-century France. In a society that did not value disabled people in general, blindness was particularly stigmatized, and lack of access to reading and writing was a significant barrier to social participation. The idea of tactile reading was not entirely new, but existing methods based on sighted systems were difficult to learn and use. As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness. This essay begins by discussing the situation of blind people in nineteenth-century Europe. It then describes the invention of Braille and the gradual process of its acceptance within blind education. Subsequently, it explores the wide-ranging effects of this invention on blind people’s social and cultural lives.

Write your essay introduction

The body of your essay is where you make arguments supporting your thesis, provide evidence, and develop your ideas. Its purpose is to present, interpret, and analyze the information and sources you have gathered to support your argument.

Length of the body text

The length of the body depends on the type of essay. On average, the body comprises 60–80% of your essay. For a high school essay, this could be just three paragraphs, but for a graduate school essay of 6,000 words, the body could take up 8–10 pages.

Paragraph structure

To give your essay a clear structure , it is important to organize it into paragraphs . Each paragraph should be centered around one main point or idea.

That idea is introduced in a  topic sentence . The topic sentence should generally lead on from the previous paragraph and introduce the point to be made in this paragraph. Transition words can be used to create clear connections between sentences.

After the topic sentence, present evidence such as data, examples, or quotes from relevant sources. Be sure to interpret and explain the evidence, and show how it helps develop your overall argument.

Lack of access to reading and writing put blind people at a serious disadvantage in nineteenth-century society. Text was one of the primary methods through which people engaged with culture, communicated with others, and accessed information; without a well-developed reading system that did not rely on sight, blind people were excluded from social participation (Weygand, 2009). While disabled people in general suffered from discrimination, blindness was widely viewed as the worst disability, and it was commonly believed that blind people were incapable of pursuing a profession or improving themselves through culture (Weygand, 2009). This demonstrates the importance of reading and writing to social status at the time: without access to text, it was considered impossible to fully participate in society. Blind people were excluded from the sighted world, but also entirely dependent on sighted people for information and education.

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The conclusion is the final paragraph of an essay. It should generally take up no more than 10–15% of the text . A strong essay conclusion :

• Returns to your thesis
• Ties together your main points
• Shows why your argument matters

A great conclusion should finish with a memorable or impactful sentence that leaves the reader with a strong final impression.

What not to include in a conclusion

To make your essay’s conclusion as strong as possible, there are a few things you should avoid. The most common mistakes are:

• Including new arguments or evidence
• Undermining your arguments (e.g. “This is just one approach of many”)
• Using concluding phrases like “To sum up…” or “In conclusion…”

Braille paved the way for dramatic cultural changes in the way blind people were treated and the opportunities available to them. Louis Braille’s innovation was to reimagine existing reading systems from a blind perspective, and the success of this invention required sighted teachers to adapt to their students’ reality instead of the other way around. In this sense, Braille helped drive broader social changes in the status of blindness. New accessibility tools provide practical advantages to those who need them, but they can also change the perspectives and attitudes of those who do not.

Write your essay conclusion

Checklist: Essay

My essay follows the requirements of the assignment (topic and length ).

My introduction sparks the reader’s interest and provides any necessary background information on the topic.

My introduction contains a thesis statement that states the focus and position of the essay.

I use paragraphs to structure the essay.

I use topic sentences to introduce each paragraph.

Each paragraph has a single focus and a clear connection to the thesis statement.

I make clear transitions between paragraphs and ideas.

My conclusion doesn’t just repeat my points, but draws connections between arguments.

I don’t introduce new arguments or evidence in the conclusion.

I have given an in-text citation for every quote or piece of information I got from another source.

I have included a reference page at the end of my essay, listing full details of all my sources.

My citations and references are correctly formatted according to the required citation style .

My essay has an interesting and informative title.

I have followed all formatting guidelines (e.g. font, page numbers, line spacing).

Your essay meets all the most important requirements. Our editors can give it a final check to help you submit with confidence.

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An essay is a focused piece of writing that explains, argues, describes, or narrates.

In high school, you may have to write many different types of essays to develop your writing skills.

Academic essays at college level are usually argumentative : you develop a clear thesis about your topic and make a case for your position using evidence, analysis and interpretation.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

Your essay introduction should include three main things, in this order:

• An opening hook to catch the reader’s attention.
• Relevant background information that the reader needs to know.
• A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

The thesis statement is essential in any academic essay or research paper for two main reasons:

• It gives your writing direction and focus.
• It gives the reader a concise summary of your main point.

Without a clear thesis statement, an essay can end up rambling and unfocused, leaving your reader unsure of exactly what you want to say.

A topic sentence is a sentence that expresses the main point of a paragraph . Everything else in the paragraph should relate to the topic sentence.

At college level, you must properly cite your sources in all essays , research papers , and other academic texts (except exams and in-class exercises).

Add a citation whenever you quote , paraphrase , or summarize information or ideas from a source. You should also give full source details in a bibliography or reference list at the end of your text.

The exact format of your citations depends on which citation style you are instructed to use. The most common styles are APA , MLA , and Chicago .

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Examples of Rubric Creation

Creating a rubric takes time and requires thought and experimentation. Here you can see the steps used to create two kinds of rubric: one for problems in a physics exam for a small, upper-division physics course, and another for an essay assignment in a large, lower-division sociology course.

Physics Problems

In STEM disciplines (science, technology, engineering, and mathematics), assignments tend to be analytical and problem-based. Holistic rubrics can be an efficient, consistent, and fair way to grade a problem set. An analytical rubric often gives a more clear picture of what a student should direct their future learning efforts on. Since holistic rubrics try to label overall understanding, they can lead to more regrade requests when compared to analytical rubric with more explicit criteria. When starting to grade a problem, it is important to think about the relevant conceptual ingredients in the solution. Then look at a sample of student work to get a feel for student mistakes. Decide what rubric you will use (e.g., holistic or analytic, and how many points). Apply the holistic rubric by marking comments and sorting the students’ assignments into stacks (e.g., five stacks if using a five-point scale). Finally, check the stacks for consistency and mark the scores. The following is a sample homework problem from a UC Berkeley Physics Department undergraduate course in mechanics.

Homework Problem

Learning objective.

Solve for position and speed along a projectile’s trajectory.

Desired Traits: Conceptual Elements Needed for the Solution

• Decompose motion into vertical and horizontal axes.
• Identify that the maximum height occurs when the vertical velocity is 0.
• Apply kinematics equation with g as the acceleration to solve for the time and height.
• Evaluate the numerical expression.

A note on analytic rubrics: If you decide you feel more comfortable grading with an analytic rubric, you can assign a point value to each concept. The drawback to this method is that it can sometimes unfairly penalize a student who has a good understanding of the problem but makes a lot of minor errors. Because the analytic method tends to have many more parts, the method can take quite a bit more time to apply. In the end, your analytic rubric should give results that agree with the common-sense assessment of how well the student understood the problem. This sense is well captured by the holistic method.

Holistic Rubric

A holistic rubric, closely based on a rubric by Bruce Birkett and Andrew Elby:

[a] This policy especially makes sense on exam problems, for which students are under time pressure and are more likely to make harmless algebraic mistakes. It would also be reasonable to have stricter standards for homework problems.

Analytic Rubric

The following is an analytic rubric that takes the desired traits of the solution and assigns point values to each of the components. Note that the relative point values should reflect the importance in the overall problem. For example, the steps of the problem solving should be worth more than the final numerical value of the solution. This rubric also provides clarity for where students are lacking in their current understanding of the problem.

Try to avoid penalizing multiple times for the same mistake by choosing your evaluation criteria to be related to distinct learning outcomes. In designing your rubric, you can decide how finely to evaluate each component. Having more possible point values on your rubric can give more detailed feedback on a student’s performance, though it typically takes more time for the grader to assess.

Of course, problems can, and often do, feature the use of multiple learning outcomes in tandem. When a mistake could be assigned to multiple criteria, it is advisable to check that the overall problem grade is reasonable with the student’s mastery of the problem. Not having to decide how particular mistakes should be deducted from the analytic rubric is one advantage of the holistic rubric. When designing problems, it can be very beneficial for students not to have problems with several subparts that rely on prior answers. These tend to disproportionately skew the grades of students who miss an ingredient early on. When possible, consider making independent problems for testing different learning outcomes.

Sociology Research Paper

An introductory-level, large-lecture course is a difficult setting for managing a student research assignment. With the assistance of an instructional support team that included a GSI teaching consultant and a UC Berkeley librarian [b] , sociology lecturer Mary Kelsey developed the following assignment:

This was a lengthy and complex assignment worth a substantial portion of the course grade. Since the class was very large, the instructor wanted to minimize the effort it would take her GSIs to grade the papers in a manner consistent with the assignment’s learning objectives. For these reasons Dr. Kelsey and the instructional team gave a lot of forethought to crafting a detailed grading rubric.

Desired Traits

• Use and interpretation of data
• Reflection on personal experiences
• Application of course readings and materials
• Organization, writing, and mechanics

For this assignment, the instructional team decided to grade each trait individually because there seemed to be too many independent variables to grade holistically. They could have used a five-point scale, a three-point scale, or a descriptive analytic scale. The choice depended on the complexity of the assignment and the kind of information they wanted to convey to students about their work.

Below are three of the analytic rubrics they considered for the Argument trait and a holistic rubric for all the traits together. Lastly you will find the entire analytic rubric, for all five desired traits, that was finally used for the assignment. Which would you choose, and why?

Five-Point Scale

Three-point scale, simplified three-point scale, numbers replaced with descriptive terms.

For some assignments, you may choose to use a holistic rubric, or one scale for the whole assignment. This type of rubric is particularly useful when the variables you want to assess just cannot be usefully separated. We chose not to use a holistic rubric for this assignment because we wanted to be able to grade each trait separately, but we’ve completed a holistic version here for comparative purposes.

Final Analytic Rubric

This is the rubric the instructor finally decided to use. It rates five major traits, each on a five-point scale. This allowed for fine but clear distinctions in evaluating the students’ final papers.

[b] These materials were developed during UC Berkeley’s 2005–2006 Mellon Library/Faculty Fellowship for Undergraduate Research program. M embers of the instructional team who worked with Lecturer Kelsey in developing the grading rubric included Susan H askell-Khan, a GSI Center teaching consultant and doctoral candidate in history, and Sarah McDaniel, a teaching librarian with the Doe/Moffitt Libraries.

Choose Your Test

Sat / act prep online guides and tips, the complete ib extended essay guide: examples, topics, and ideas.

International Baccalaureate (IB)

IB students around the globe fear writing the Extended Essay, but it doesn't have to be a source of stress! In this article, I'll get you excited about writing your Extended Essay and provide you with the resources you need to get an A on it.

If you're reading this article, I'm going to assume you're an IB student getting ready to write your Extended Essay. If you're looking at this as a potential future IB student, I recommend reading our introductory IB articles first, including our guide to what the IB program is and our full coverage of the IB curriculum .

IB Extended Essay: Why Should You Trust My Advice?

I myself am a recipient of an IB Diploma, and I happened to receive an A on my IB Extended Essay. Don't believe me? The proof is in the IBO pudding:

If you're confused by what this report means, EE is short for Extended Essay , and English A1 is the subject that my Extended Essay topic coordinated with. In layman's terms, my IB Diploma was graded in May 2010, I wrote my Extended Essay in the English A1 category, and I received an A grade on it.

What Is the Extended Essay in the IB Diploma Programme?

The IB Extended Essay, or EE , is a mini-thesis you write under the supervision of an IB advisor (an IB teacher at your school), which counts toward your IB Diploma (learn more about the major IB Diploma requirements in our guide) . I will explain exactly how the EE affects your Diploma later in this article.

For the Extended Essay, you will choose a research question as a topic, conduct the research independently, then write an essay on your findings . The essay itself is a long one—although there's a cap of 4,000 words, most successful essays get very close to this limit.

Keep in mind that the IB requires this essay to be a "formal piece of academic writing," meaning you'll have to do outside research and cite additional sources.

The IB Extended Essay must include the following:

• A title page
• Contents page
• Introduction
• Body of the essay
• References and bibliography

Additionally, your research topic must fall into one of the six approved DP categories , or IB subject groups, which are as follows:

• Group 1: Studies in Language and Literature
• Group 2: Language Acquisition
• Group 3: Individuals and Societies
• Group 4: Sciences
• Group 5: Mathematics
• Group 6: The Arts

Once you figure out your category and have identified a potential research topic, it's time to pick your advisor, who is normally an IB teacher at your school (though you can also find one online ). This person will help direct your research, and they'll conduct the reflection sessions you'll have to do as part of your Extended Essay.

As of 2018, the IB requires a "reflection process" as part of your EE supervision process. To fulfill this requirement, you have to meet at least three times with your supervisor in what the IB calls "reflection sessions." These meetings are not only mandatory but are also part of the formal assessment of the EE and your research methods.

According to the IB, the purpose of these meetings is to "provide an opportunity for students to reflect on their engagement with the research process." Basically, these meetings give your supervisor the opportunity to offer feedback, push you to think differently, and encourage you to evaluate your research process.

The final reflection session is called the viva voce, and it's a short 10- to 15-minute interview between you and your advisor. This happens at the very end of the EE process, and it's designed to help your advisor write their report, which factors into your EE grade.

Here are the topics covered in your viva voce :

• A check on plagiarism and malpractice
• Your reflection on your project's successes and difficulties
• Your reflection on what you've learned during the EE process

Your completed Extended Essay, along with your supervisor's report, will then be sent to the IB to be graded. We'll cover the assessment criteria in just a moment.

We'll help you learn how to have those "lightbulb" moments...even on test day!  

What Should You Write About in Your IB Extended Essay?

You can technically write about anything, so long as it falls within one of the approved categories listed above.

It's best to choose a topic that matches one of the IB courses , (such as Theatre, Film, Spanish, French, Math, Biology, etc.), which shouldn't be difficult because there are so many class subjects.

Here is a range of sample topics with the attached extended essay:

• Biology: The Effect of Age and Gender on the Photoreceptor Cells in the Human Retina
• Chemistry: How Does Reflux Time Affect the Yield and Purity of Ethyl Aminobenzoate (Benzocaine), and How Effective is Recrystallisation as a Purification Technique for This Compound?
• English: An Exploration of Jane Austen's Use of the Outdoors in Emma
• Geography: The Effect of Location on the Educational Attainment of Indigenous Secondary Students in Queensland, Australia
• Math: Alhazen's Billiard Problem
• Visual Arts: Can Luc Tuymans Be Classified as a Political Painter?

You can see from how varied the topics are that you have a lot of freedom when it comes to picking a topic . So how do you pick when the options are limitless?

How to Write a Stellar IB Extended Essay: 6 Essential Tips

Below are six key tips to keep in mind as you work on your Extended Essay for the IB DP. Follow these and you're sure to get an A!

#1: Write About Something You Enjoy

You can't expect to write a compelling essay if you're not a fan of the topic on which you're writing. For example, I just love British theatre and ended up writing my Extended Essay on a revolution in post-WWII British theatre. (Yes, I'm definitely a #TheatreNerd.)

I really encourage anyone who pursues an IB Diploma to take the Extended Essay seriously. I was fortunate enough to receive a full-tuition merit scholarship to USC's School of Dramatic Arts program. In my interview for the scholarship, I spoke passionately about my Extended Essay; thus, I genuinely think my Extended Essay helped me get my scholarship.

But how do you find a topic you're passionate about? Start by thinking about which classes you enjoy the most and why . Do you like math classes because you like to solve problems? Or do you enjoy English because you like to analyze literary texts?

Keep in mind that there's no right or wrong answer when it comes to choosing your Extended Essay topic. You're not more likely to get high marks because you're writing about science, just like you're not doomed to failure because you've chosen to tackle the social sciences. The quality of what you produce—not the field you choose to research within—will determine your grade.

Once you've figured out your category, you should brainstorm more specific topics by putting pen to paper . What was your favorite chapter you learned in that class? Was it astrophysics or mechanics? What did you like about that specific chapter? Is there something you want to learn more about? I recommend spending a few hours on this type of brainstorming.

One last note: if you're truly stumped on what to research, pick a topic that will help you in your future major or career . That way you can use your Extended Essay as a talking point in your college essays (and it will prepare you for your studies to come too!).

#2: Select a Topic That Is Neither Too Broad nor Too Narrow

There's a fine line between broad and narrow. You need to write about something specific, but not so specific that you can't write 4,000 words on it.

You can't write about WWII because that would be a book's worth of material. You also don't want to write about what type of soup prisoners of war received behind enemy lines, because you probably won’t be able to come up with 4,000 words of material about it. However, you could possibly write about how the conditions in German POW camps—and the rations provided—were directly affected by the Nazis' successes and failures on the front, including the use of captured factories and prison labor in Eastern Europe to increase production. WWII military history might be a little overdone, but you get my point.

If you're really stuck trying to pinpoint a not-too-broad-or-too-narrow topic, I suggest trying to brainstorm a topic that uses a comparison. Once you begin looking through the list of sample essays below, you'll notice that many use comparisons to formulate their main arguments.

I also used a comparison in my EE, contrasting Harold Pinter's Party Time with John Osborne's Look Back in Anger in order to show a transition in British theatre. Topics with comparisons of two to three plays, books, and so on tend to be the sweet spot. You can analyze each item and then compare them with one another after doing some in-depth analysis of each individually. The ways these items compare and contrast will end up forming the thesis of your essay!

When choosing a comparative topic, the key is that the comparison should be significant. I compared two plays to illustrate the transition in British theatre, but you could compare the ways different regional dialects affect people's job prospects or how different temperatures may or may not affect the mating patterns of lightning bugs. The point here is that comparisons not only help you limit your topic, but they also help you build your argument.

Comparisons are not the only way to get a grade-A EE, though. If after brainstorming, you pick a non-comparison-based topic and are still unsure whether your topic is too broad or narrow, spend about 30 minutes doing some basic research and see how much material is out there.

If there are more than 1,000 books, articles, or documentaries out there on that exact topic, it may be too broad. But if there are only two books that have any connection to your topic, it may be too narrow. If you're still unsure, ask your advisor—it's what they're there for! Speaking of advisors...

Don't get stuck with a narrow topic!

#3: Choose an Advisor Who Is Familiar With Your Topic

If you're not certain of who you would like to be your advisor, create a list of your top three choices. Next, write down the pros and cons of each possibility (I know this sounds tedious, but it really helps!).

For example, Mr. Green is my favorite teacher and we get along really well, but he teaches English. For my EE, I want to conduct an experiment that compares the efficiency of American electric cars with foreign electric cars.

I had Ms. White a year ago. She teaches physics and enjoyed having me in her class. Unlike Mr. Green, Ms. White could help me design my experiment.

Based on my topic and what I need from my advisor, Ms. White would be a better fit for me than would Mr. Green (even though I like him a lot).

The moral of my story is this: do not just ask your favorite teacher to be your advisor . They might be a hindrance to you if they teach another subject. For example, I would not recommend asking your biology teacher to guide you in writing an English literature-based EE.

There can, of course, be exceptions to this rule. If you have a teacher who's passionate and knowledgeable about your topic (as my English teacher was about my theatre topic), you could ask that instructor. Consider all your options before you do this. There was no theatre teacher at my high school, so I couldn't find a theatre-specific advisor, but I chose the next best thing.

Before you approach a teacher to serve as your advisor, check with your high school to see what requirements they have for this process. Some IB high schools require your IB Extended Essay advisor to sign an Agreement Form , for instance.

Make sure that you ask your IB coordinator whether there is any required paperwork to fill out. If your school needs a specific form signed, bring it with you when you ask your teacher to be your EE advisor.

#4: Pick an Advisor Who Will Push You to Be Your Best

Some teachers might just take on students because they have to and aren't very passionate about reading drafts, only giving you minimal feedback. Choose a teacher who will take the time to read several drafts of your essay and give you extensive notes. I would not have gotten my A without being pushed to make my Extended Essay draft better.

Ask a teacher that you have experience with through class or an extracurricular activity. Do not ask a teacher that you have absolutely no connection to. If a teacher already knows you, that means they already know your strengths and weaknesses, so they know what to look for, where you need to improve, and how to encourage your best work.

Also, don't forget that your supervisor's assessment is part of your overall EE score . If you're meeting with someone who pushes you to do better—and you actually take their advice—they'll have more impressive things to say about you than a supervisor who doesn't know you well and isn't heavily involved in your research process.

Be aware that the IB only allows advisors to make suggestions and give constructive criticism. Your teacher cannot actually help you write your EE. The IB recommends that the supervisor spends approximately two to three hours in total with the candidate discussing the EE.

#5: Make Sure Your Essay Has a Clear Structure and Flow

The IB likes structure. Your EE needs a clear introduction (which should be one to two double-spaced pages), research question/focus (i.e., what you're investigating), a body, and a conclusion (about one double-spaced page). An essay with unclear organization will be graded poorly.

The body of your EE should make up the bulk of the essay. It should be about eight to 18 pages long (again, depending on your topic). Your body can be split into multiple parts. For example, if you were doing a comparison, you might have one third of your body as Novel A Analysis, another third as Novel B Analysis, and the final third as your comparison of Novels A and B.

If you're conducting an experiment or analyzing data, such as in this EE , your EE body should have a clear structure that aligns with the scientific method ; you should state the research question, discuss your method, present the data, analyze the data, explain any uncertainties, and draw a conclusion and/or evaluate the success of the experiment.

#6: Start Writing Sooner Rather Than Later!

You will not be able to crank out a 4,000-word essay in just a week and get an A on it. You'll be reading many, many articles (and, depending on your topic, possibly books and plays as well!). As such, it's imperative that you start your research as soon as possible.

Each school has a slightly different deadline for the Extended Essay. Some schools want them as soon as November of your senior year; others will take them as late as February. Your school will tell you what your deadline is. If they haven't mentioned it by February of your junior year, ask your IB coordinator about it.

Some high schools will provide you with a timeline of when you need to come up with a topic, when you need to meet with your advisor, and when certain drafts are due. Not all schools do this. Ask your IB coordinator if you are unsure whether you are on a specific timeline.

Below is my recommended EE timeline. While it's earlier than most schools, it'll save you a ton of heartache (trust me, I remember how hard this process was!):

• January/February of Junior Year: Come up with your final research topic (or at least your top three options).
• February of Junior Year: Approach a teacher about being your EE advisor. If they decline, keep asking others until you find one. See my notes above on how to pick an EE advisor.
• April/May of Junior Year: Submit an outline of your EE and a bibliography of potential research sources (I recommend at least seven to 10) to your EE advisor. Meet with your EE advisor to discuss your outline.
• Summer Between Junior and Senior Year: Complete your first full draft over the summer between your junior and senior year. I know, I know—no one wants to work during the summer, but trust me—this will save you so much stress come fall when you are busy with college applications and other internal assessments for your IB classes. You will want to have this first full draft done because you will want to complete a couple of draft cycles as you likely won't be able to get everything you want to say into 4,000 articulate words on the first attempt. Try to get this first draft into the best possible shape so you don't have to work on too many revisions during the school year on top of your homework, college applications, and extracurriculars.
• August/September of Senior Year: Turn in your first draft of your EE to your advisor and receive feedback. Work on incorporating their feedback into your essay. If they have a lot of suggestions for improvement, ask if they will read one more draft before the final draft.
• September/October of Senior Year: Submit the second draft of your EE to your advisor (if necessary) and look at their feedback. Work on creating the best possible final draft.
• November-February of Senior Year: Schedule your viva voce. Submit two copies of your final draft to your school to be sent off to the IB. You likely will not get your grade until after you graduate.

Remember that in the middle of these milestones, you'll need to schedule two other reflection sessions with your advisor . (Your teachers will actually take notes on these sessions on a form like this one , which then gets submitted to the IB.)

I recommend doing them when you get feedback on your drafts, but these meetings will ultimately be up to your supervisor. Just don't forget to do them!

The early bird DOES get the worm!

How Is the IB Extended Essay Graded?

Extended Essays are graded by examiners appointed by the IB on a scale of 0 to 34 . You'll be graded on five criteria, each with its own set of points. You can learn more about how EE scoring works by reading the IB guide to extended essays .

• Criterion A: Focus and Method (6 points maximum)
• Criterion B: Knowledge and Understanding (6 points maximum)
• Criterion C: Critical Thinking (12 points maximum)
• Criterion D: Presentation (4 points maximum)
• Criterion E: Engagement (6 points maximum)

How well you do on each of these criteria will determine the final letter grade you get for your EE. You must earn at least a D to be eligible to receive your IB Diploma.

Although each criterion has a point value, the IB explicitly states that graders are not converting point totals into grades; instead, they're using qualitative grade descriptors to determine the final grade of your Extended Essay . Grade descriptors are on pages 102-103 of this document .

Here's a rough estimate of how these different point values translate to letter grades based on previous scoring methods for the EE. This is just an estimate —you should read and understand the grade descriptors so you know exactly what the scorers are looking for.

Here is the breakdown of EE scores (from the May 2021 bulletin):

How Does the Extended Essay Grade Affect Your IB Diploma?

The Extended Essay grade is combined with your TOK (Theory of Knowledge) grade to determine how many points you get toward your IB Diploma.

To learn about Theory of Knowledge or how many points you need to receive an IB Diploma, read our complete guide to the IB program and our guide to the IB Diploma requirements .

This diagram shows how the two scores are combined to determine how many points you receive for your IB diploma (3 being the most, 0 being the least). In order to get your IB Diploma, you have to earn 24 points across both categories (the TOK and EE). The highest score anyone can earn is 45 points.

Let's say you get an A on your EE and a B on TOK. You will get 3 points toward your Diploma. As of 2014, a student who scores an E on either the extended essay or TOK essay will not be eligible to receive an IB Diploma .

Prior to the class of 2010, a Diploma candidate could receive a failing grade in either the Extended Essay or Theory of Knowledge and still be awarded a Diploma, but this is no longer true.

Figuring out how you're assessed can be a little tricky. Luckily, the IB breaks everything down here in this document . (The assessment information begins on page 219.)

40+ Sample Extended Essays for the IB Diploma Programme

In case you want a little more guidance on how to get an A on your EE, here are over 40 excellent (grade A) sample extended essays for your reading pleasure. Essays are grouped by IB subject.

• Business Management 1
• Chemistry 1
• Chemistry 2
• Chemistry 3
• Chemistry 4
• Chemistry 5
• Chemistry 6
• Chemistry 7
• Computer Science 1
• Economics 1
• Design Technology 1
• Design Technology 2
• Environmental Systems and Societies 1
• Geography 1
• Geography 2
• Geography 3
• Geography 4
• Geography 5
• Geography 6
• Literature and Performance 1
• Mathematics 1
• Mathematics 2
• Mathematics 3
• Mathematics 4
• Mathematics 5
• Philosophy 1
• Philosophy 2
• Philosophy 3
• Philosophy 4
• Philosophy 5
• Psychology 1
• Psychology 2
• Psychology 3
• Psychology 4
• Psychology 5
• Social and Cultural Anthropology 1
• Social and Cultural Anthropology 2
• Social and Cultural Anthropology 3
• Sports, Exercise and Health Science 1
• Sports, Exercise and Health Science 2
• Visual Arts 1
• Visual Arts 2
• Visual Arts 3
• Visual Arts 4
• Visual Arts 5
• World Religion 1
• World Religion 2
• World Religion 3

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Grading criteria

The documents below (all from Northwestern) provide examples for instructors seeking methods to systematize their grading of papers and to explain their grading criteria to students. The documents illustrate three principles about grading criteria: (1) The criteria depend on the nature of the assignment (e.g., reflective essay, technical report).  (2) The criteria are grouped in categories (e.g., clear purpose, logical organization, grammar/style).  (3) The criteria can be presented to students in different forms (e.g., table, list, etc.). 

Analytical and research paper grading guide Details the criteria--including compelling argument, logical organization, awareness of audience, sophisticated style, and evidence of revision--used to determine grades

Grading criteria for a reflective essay A list of grading criteria distributed to students before they revise their first assignment, a reflective essay.  The handout is intended both to inform students of what I will be looking for in assessing their revisions and to reinforce the general suggestions I gave them in our conferences about their first drafts.

Grading criteria freshman engineering essays (doc) A two-column chart, with evaluation criteria listed in one column and space for specific comments in the other.  Each student receives this chart back with his or her graded essay.

ESL grading symbols What is most useful about this handout on symbols for ESL (English as a Second Language) writers is that it divides the errors into those that interfere with a reader comprehending the writer’s intended meaning and the more superficial errors.  

Criteria for letter grades Grading standards that can be distributed to students and then referred to in giving  students feedback on working drafts so they can understand what they need to do to improve their writing.

Freshman seminar grading chart A chart that explains the criteria (purpose, content, organization, mechanics, and style) used to determine grades.

Freshman seminar grading sheet final essay A detailed checklist of strengths and areas for improvement returned to each student with his or her graded paper.

Freshman seminar assessment rubric A rubric developed by Northwestern's WCAS freshman assessment group to assess how well the freshman seminar program meets its goal of improving student writing.  Instructors may find it a useful way to evaluate each student's writing on individual papers and throughout the course.

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Rubric Best Practices, Examples, and Templates

A rubric is a scoring tool that identifies the different criteria relevant to an assignment, assessment, or learning outcome and states the possible levels of achievement in a specific, clear, and objective way. Use rubrics to assess project-based student work including essays, group projects, creative endeavors, and oral presentations.

Rubrics can help instructors communicate expectations to students and assess student work fairly, consistently and efficiently. Rubrics can provide students with informative feedback on their strengths and weaknesses so that they can reflect on their performance and work on areas that need improvement.

How to Get Started

Best practices, moodle how-to guides.

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Step 1: Analyze the assignment

The first step in the rubric creation process is to analyze the assignment or assessment for which you are creating a rubric. To do this, consider the following questions:

• What is the purpose of the assignment and your feedback? What do you want students to demonstrate through the completion of this assignment (i.e. what are the learning objectives measured by it)? Is it a summative assessment, or will students use the feedback to create an improved product?
• Does the assignment break down into different or smaller tasks? Are these tasks equally important as the main assignment?
• What would an “excellent” assignment look like? An “acceptable” assignment? One that still needs major work?
• How detailed do you want the feedback you give students to be? Do you want/need to give them a grade?

Step 2: Decide what kind of rubric you will use

Types of rubrics: holistic, analytic/descriptive, single-point

Holistic Rubric. A holistic rubric includes all the criteria (such as clarity, organization, mechanics, etc.) to be considered together and included in a single evaluation. With a holistic rubric, the rater or grader assigns a single score based on an overall judgment of the student’s work, using descriptions of each performance level to assign the score.

Advantages of holistic rubrics:

• Can p lace an emphasis on what learners can demonstrate rather than what they cannot
• Save grader time by minimizing the number of evaluations to be made for each student
• Can be used consistently across raters, provided they have all been trained

Disadvantages of holistic rubrics:

• Provide less specific feedback than analytic/descriptive rubrics
• Can be difficult to choose a score when a student’s work is at varying levels across the criteria
• Any weighting of c riteria cannot be indicated in the rubric

Analytic/Descriptive Rubric . An analytic or descriptive rubric often takes the form of a table with the criteria listed in the left column and with levels of performance listed across the top row. Each cell contains a description of what the specified criterion looks like at a given level of performance. Each of the criteria is scored individually.

Advantages of analytic rubrics:

• Provide detailed feedback on areas of strength or weakness
• Each criterion can be weighted to reflect its relative importance

Disadvantages of analytic rubrics:

• More time-consuming to create and use than a holistic rubric
• May not be used consistently across raters unless the cells are well defined
• May result in giving less personalized feedback

Single-Point Rubric . A single-point rubric is breaks down the components of an assignment into different criteria, but instead of describing different levels of performance, only the “proficient” level is described. Feedback space is provided for instructors to give individualized comments to help students improve and/or show where they excelled beyond the proficiency descriptors.

Advantages of single-point rubrics:

• Easier to create than an analytic/descriptive rubric
• Perhaps more likely that students will read the descriptors
• Areas of concern and excellence are open-ended
• May removes a focus on the grade/points
• May increase student creativity in project-based assignments

Disadvantage of analytic rubrics: Requires more work for instructors writing feedback

Step 3 (Optional): Look for templates and examples.

You might Google, “Rubric for persuasive essay at the college level” and see if there are any publicly available examples to start from. Ask your colleagues if they have used a rubric for a similar assignment. Some examples are also available at the end of this article. These rubrics can be a great starting point for you, but consider steps 3, 4, and 5 below to ensure that the rubric matches your assignment description, learning objectives and expectations.

Step 4: Define the assignment criteria

Make a list of the knowledge and skills are you measuring with the assignment/assessment Refer to your stated learning objectives, the assignment instructions, past examples of student work, etc. for help.

  Helpful strategies for defining grading criteria:

• Collaborate with co-instructors, teaching assistants, and other colleagues
• Brainstorm and discuss with students
• Can they be observed and measured?
• Are they important and essential?
• Are they distinct from other criteria?
• Are they phrased in precise, unambiguous language?
• Revise the criteria as needed
• Consider whether some are more important than others, and how you will weight them.

Step 5: Design the rating scale

Most ratings scales include between 3 and 5 levels. Consider the following questions when designing your rating scale:

• Given what students are able to demonstrate in this assignment/assessment, what are the possible levels of achievement?
• How many levels would you like to include (more levels means more detailed descriptions)
• Will you use numbers and/or descriptive labels for each level of performance? (for example 5, 4, 3, 2, 1 and/or Exceeds expectations, Accomplished, Proficient, Developing, Beginning, etc.)
• Don’t use too many columns, and recognize that some criteria can have more columns that others . The rubric needs to be comprehensible and organized. Pick the right amount of columns so that the criteria flow logically and naturally across levels.

Step 6: Write descriptions for each level of the rating scale

Artificial Intelligence tools like Chat GPT have proven to be useful tools for creating a rubric. You will want to engineer your prompt that you provide the AI assistant to ensure you get what you want. For example, you might provide the assignment description, the criteria you feel are important, and the number of levels of performance you want in your prompt. Use the results as a starting point, and adjust the descriptions as needed.

Building a rubric from scratch

For a single-point rubric , describe what would be considered “proficient,” i.e. B-level work, and provide that description. You might also include suggestions for students outside of the actual rubric about how they might surpass proficient-level work.

For analytic and holistic rubrics , c reate statements of expected performance at each level of the rubric.

• Consider what descriptor is appropriate for each criteria, e.g., presence vs absence, complete vs incomplete, many vs none, major vs minor, consistent vs inconsistent, always vs never. If you have an indicator described in one level, it will need to be described in each level.
• You might start with the top/exemplary level. What does it look like when a student has achieved excellence for each/every criterion? Then, look at the “bottom” level. What does it look like when a student has not achieved the learning goals in any way? Then, complete the in-between levels.
• For an analytic rubric , do this for each particular criterion of the rubric so that every cell in the table is filled. These descriptions help students understand your expectations and their performance in regard to those expectations.

Well-written descriptions:

• Describe observable and measurable behavior
• Use parallel language across the scale
• Indicate the degree to which the standards are met

Step 7: Create your rubric

Create your rubric in a table or spreadsheet in Word, Google Docs, Sheets, etc., and then transfer it by typing it into Moodle. You can also use online tools to create the rubric, but you will still have to type the criteria, indicators, levels, etc., into Moodle. Rubric creators: Rubistar , iRubric

Step 8: Pilot-test your rubric

Prior to implementing your rubric on a live course, obtain feedback from:

• Teacher assistants

Try out your new rubric on a sample of student work. After you pilot-test your rubric, analyze the results to consider its effectiveness and revise accordingly.

• Limit the rubric to a single page for reading and grading ease
• Use parallel language . Use similar language and syntax/wording from column to column. Make sure that the rubric can be easily read from left to right or vice versa.
• Use student-friendly language . Make sure the language is learning-level appropriate. If you use academic language or concepts, you will need to teach those concepts.
• Share and discuss the rubric with your students . Students should understand that the rubric is there to help them learn, reflect, and self-assess. If students use a rubric, they will understand the expectations and their relevance to learning.
• Consider scalability and reusability of rubrics. Create rubric templates that you can alter as needed for multiple assignments.
• Maximize the descriptiveness of your language. Avoid words like “good” and “excellent.” For example, instead of saying, “uses excellent sources,” you might describe what makes a resource excellent so that students will know. You might also consider reducing the reliance on quantity, such as a number of allowable misspelled words. Focus instead, for example, on how distracting any spelling errors are.

Example of an analytic rubric for a final paper

Example of a holistic rubric for a final paper, single-point rubric, more examples:.

• Single Point Rubric Template ( variation )
• Analytic Rubric Template make a copy to edit
• A Rubric for Rubrics
• Bank of Online Discussion Rubrics in different formats
• Mathematical Presentations Descriptive Rubric
• Math Proof Assessment Rubric
• Kansas State Sample Rubrics
• Design Single Point Rubric

Technology Tools: Rubrics in Moodle

• Moodle Docs: Rubrics
• Moodle Docs: Grading Guide (use for single-point rubrics)

Tools with rubrics (other than Moodle)

• Google Assignments
• Turnitin Assignments: Rubric or Grading Form

Other resources

• DePaul University (n.d.). Rubrics .
• Gonzalez, J. (2014). Know your terms: Holistic, Analytic, and Single-Point Rubrics . Cult of Pedagogy.
• Goodrich, H. (1996). Understanding rubrics . Teaching for Authentic Student Performance, 54 (4), 14-17. Retrieved from   
• Miller, A. (2012). Tame the beast: tips for designing and using rubrics.
• Ragupathi, K., Lee, A. (2020). Beyond Fairness and Consistency in Grading: The Role of Rubrics in Higher Education. In: Sanger, C., Gleason, N. (eds) Diversity and Inclusion in Global Higher Education. Palgrave Macmillan, Singapore.

• Teaching Statement
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• Colleague Observation
• Unsolicited Student Letters
• Quantitative Evaluations
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• In Class Assignments
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• Paper Assignments
• Sample Student Reflection Paper

Examples of Feedback on Student Writing

• Uses of Technology
• Faculty Development

As an undergraduate, my first writing assignment in Jim Faulconer’s philosophy of religion course changed me. More specifically, it was the feedback on my first paper. The combination of what I thought an abysmally low grade and margins drenched in the red of electronic comments felt as though academic open season had been declared on me personally. I was devastated. Following a period of self-indulgent mourning I forced myself to read through Faulconer’s comments and realized that he had undermined the possibility of consoling myself by blaming him. Overall, I experienced a genuine aporia and ultimately took advantage of the opportunity to re-write my paper.

This has remained with me, and to the degree possible within the specific constraints of each class, I make revision, feedback, personal interaction, and the opportunity to rewrite central to class assignments. The attempt is to allow the student, wherever they are in their progression as a writer, to improve, and especially to improve in their ability to narrow in on and articulate a well-supported argument.

One of the real challenges then, is to offer feedback for students at very different levels. In order to see my efforts at work, I’ve copied below actual feedback that I’ve given—two on papers I considered “A” quality, one on a paper that I considered well below average, and additional, general feedback given to an entire class after grading their papers. When grading student papers I make in-margin comments throughout and then articulate my overall feedback at the bottom. Additionally, I compose a document with general feedback for the entire class based on positive and negative trends in the papers submitted. You’ll notice in the examples below that my attempt is always to state concretely what’s working well and specific ways in which both this particular draft and also their writing more generally might be improved. In doing so, I try to impart to my students that their work, whatever its quality, is always a work in progress.

Feedback on superior papers Feedback on an inadequate paper General feedback for a class

From superior papers:

Dear Student,

You have a clever argument. Importantly, you build in very plausible objections to your claims and then seek to respond to those objections. Your three points of criticism build very well on each other, and you end with a satisfying resolution. As noted throughout, the biggest weakness of the paper is the occasional lack of clarity. I suspect that a lot of this has to do with the difficulties of writing in a second language. I encourage you to avail yourself of the writing center. Also, as noted, your opening needs to be more clear. Don’t worry about giving away your main point upfront – in philosophy that’s a good thing. Finally, it’s significant that you overlook Sen’s comments on comparing in the absence of an ideal standard.

I’m impressed with your ability to write concisely. Not only did you fulfill the assignment, you also wrote a long-ish intro and answered questions that went beyond the prompt. Doing so within the word limit and doing it well deserves recognition. One result is that outside of the opening paragraph the entire essay is focused exclusively on the arguments –there’s no excess fat in this essay. Given the nature of the assignment, that’s great. As noted throughout, however, some of your specific arguments need developed –your paper would’ve been better served had you eliminated one of the arguments in order to better develop the others along the lines mentioned in my comments above. Overall, it’s clear that you understand each of the philosophers you address and you present interesting ideas.

From an inadequate paper:

The following was written in response to a student in a first year writing class. Both the nature of the class and its small size facilitated more substantive feedback than is always possible. My comments below, however, are indicative of the tone and approach I take toward papers I consider to be significantly inadequate.

Dear Student

As noted above, you do well “synthesizing”several insights from multiple studies as you make different points, rather than flatly summarizing one study at a time. I’ve tried to make clear in my comments the things that I think you can do to strengthen this paper and your writing in general. Specifically, I want to emphasize the following:

• Argument. This is critical. Your paper is almost exclusively a report of various points of consensus among the authors you cite. This does not meet the specifications of the assignment. What’s needed is to utilize this ability –the ability to extract important and overlapping ideas from the literature –in the service of your own independent argument. A clear and specific thesis sentence stated up top will help you to organize and tie together the various parts of your paper. The conclusion section should also help to do the same thing. Your conclusion here is a bookend, bringing up the same (or at least a similar) point as the one you began with concerning the different kinds of attraction that exist. More than just a bookend, however, you want your conclusion to be in the service of your argument. It should both summarize and highlight the most important points you’ve tried to establish in the body of your paper and state how these points support your thesis. At each stage, however, ask yourself –how does this support my argument? Is this fact clear to my reader?
• Structure. Some of the different sections and points you’re making in the paper are clearly flagged for the reader with transition words. Remember, however, that the paper is not just a list of points. This is closely related to my comment on argument. At any given point in the paper it should not only be clear to the reader what you’re saying but also why you’re saying it. Transition language needs to be accompanied by explicitly tying together or explaining the relationship between the different sections of the paper. Doing so is an important way to highlight your overall argument and make the paper cohere.
• Counterargument. As discussed in the assignment, a critical part of your argument is exploring a counterargument. Either in making specific claims to support your thesis or after articulating your argument, consider countervailing evidence or interpretive frameworks or objections to your reasons and conclusions. Doing so will strengthen your case. This is not just true when attempting to make your own argument, but is also an important element of explicating the academic dialogue for your reader. If all of the authors you cite were locked in a room would they all agree on the question you’re exploring? Help your reader to understand the tensions, contradictions and questions that are left in the wake of their studies. Then argue for why –given these tensions, contradictions and questions –your reader ought to side with your own claims.
• Proofreading. The host of punctuation and grammar errors, along with the frequently awkward phrasing of the paper makes it read like a first draft. This is very distracting and inhibits your ability to keep the attention of the reader or convince the reader of your point.

Again, the paper shows a good grasp of some of the basic points made in the literature, weaving together a number of overlapping ideas. I’m confident in your ability to improve.

General feedback:

The following is an example of the general feedback given in the wake of a recent “ ordinary ” paper assignment. Although given in response to a specific set of papers, it models the type of general feedback I give:

• First, make sure it’s free of errors—typographical, stylistic, or substantive. Poor grammar, misspelled words, and inaccurate statements are impression killers.
• Likewise, avoid trite opening lines — generic or obvious statements that usually say little more than “ I don ’ t know how to begin my paper, but I have to say something. ” For example, “Throughout history, people have argued about ethics,”or “Different people have different ideas about the value of the environment”are trite openers and should be avoided.
• In your opening, above everything else, you want to make it clear to your reader what your paper is going to be about. A clear, easy to pick out thesis sentence is crucial . Since the thesis sentence is the most important part of your opening, make sure it’s as polished and articulate a sentence as you can make it. The thesis ought to tell your reader exactly what you will be arguing in your paper. In addition, it ought to give the reader some hint about why you ’ re going to argue that way . Note the difference in the following thesis sentences from your peers: “In this paper, I will argue that religion provides a better basis for Leopold’s land ethic than the philosophers we studied;”and “Despite a sophisticated argument that successfully disarms many of the attacks typically used to support human superiority, Taylor’s biocentric theory of equality is simply too radical to adequately serve as a land ethic.”The first example states clearly what will be argued in the paper. The second example does so as well but also clues the reader in and sets the tone of and expectations for the paper. It gives the reader more specifics and serves as a better standard against which one can judge the success of the paper.
• First, remember that (as noted in the assignment) you’re not simply giving me an argument in support of your thesis; you’re also dealing with the argument of a philosopher. A very common mistake made was to merely state a philosopher ’ s conclusion and then either argue against or in support of it. Remember, you must actually present the philosopher ’ s argument in favor of the thesis and then address THAT . And remember that there is an important difference between listing premises and explaining the argument.
• A common logical problem is to assume that if two positions or theories have a number of important, identifiable similarities, then they must be compatible or largely the same. Most theories we look at in this class will have plenty of readily identifiable, important similarities. This doesn ’ t mean either that they argue for the same thing or that they are compatible . For instance, if I focus only on things like belief in representative government, commitment to liberty, honoring the principles of America’s founding fathers, belief in transparency, fundamental desire to benefit the American people, and the like, I can give my audience the impression that U.S. President Barak Obama and his opponent Governor Mitt Romney have views that are perfectly compatible. This is a common strategy taken in polemical debates, and you see it used in popular media all the time (another, more entertaining/offensive example, is when people use this strategy to convince you that certain political figures are “just like”Hitler). But it certainly doesn’t prove anything. Once again, by giving the philosopher ’ s overall argument , you’re (more honestly) enabling your reader to judge and evaluate your own argument.
• Many of your papers would be improved by narrowing in on one specific part of the philosopher’s argument—for example, you might highlight and attack or defend a key premise. Many of you made very high-altitude and general criticisms but struggled (especially given the space constraints) to grapple with specific aspects of an argument.
• A number of papers were tempted to take something of a broadside approach: that is, they gave a list of every specific claim that they could pick out that the philosopher makes and then attacked it. This is a sort of hail-Mary approach, a desperate hope that something on your laundry-list of criticisms will stick and give merit to your paper. Sometimes this is the best you can do in the circumstances, but it is almost always less effective. A broadside is good in the brainstorming stage; but then pick out the one or two points that you think are most relevant or promising, and then develop them as best you can. Narrow in on something specific and do your best to develop your evaluation or critique (i.e., your answering of the assigned question).
• Another common (and related) approach was to give a paragraph by paragraph regurgitation of the text. This strategy, besides being stylistically awkward, hints to the reader that you’re really not sure what the argument is, or which parts are more important, and so you’re just going to try and say everything exactly how the philosopher did. You don’t have time in a short paper for much summary. Rather than a point by point regurgitation, be judicious in what you include. You ’ re attempting to explicate not summarize the argument . As already mentioned, you do want to give an overview, you want to articulate the argument. But this doesn’t mean you’ll make all of the same points or use all of the same examples in the very same way. The point of articulating the philosopher’s argument is to help you in writing your paper and arguing your ideas. Highlight or emphasize the parts that are more important or relevant to your own thesis. Cut out the fluff, unimportant illustrations, or side tangents. Reorder things for your benefit. Say what needs to be said to inform your reader and set him up for your own argument.
• You don’t have to completely destroy or defend an argument. Perhaps you think that a philosopher is largely correct in her views, but that she’s a little off on an important issue. You can argue that she needs a slight modification to her position. Or perhaps you’re comparing two philosophers –you don’t have to argue that one of them is completely right and the other entirely wrong. You can argue that they both have some things right and some things wrong, and then argue for a hybrid position.
• Finally, on argumentation, I want to make a suggestion that has more to do with how you word your claims than anything else. It is highly unlikely that any of you will “prove”anything one way or the other. Philosophers use the word ‘prove’in a technical way, and are rather reserved about it. More often than not when they use it they at least qualify it in some way (e.g.. “I will attempt to prove…”). I suggest avoiding the word all together when writing philosophy—at least for now.
• Structure: Again, I’m not against creativity, and not married to rigid and explicit structures, but your reader ought to be able to tell exactly where he is in your argument. Whether or not you use meta-language, you need to give your reader signals and have a clear structure that is easy to follow. Avoid rambling or tangents, and clearly mark transitions.
• Superfluous stuff: Part of maintaining a good structure and writing a strong, clear paper is cutting out all of the superfluous material. Especially on short papers like this, just get rid of anything extra or anything that doesn ’ t directly contribute to the point of the paper (of course, you can keep your creative stuff if you’re writing in that kind of style). Also, make sure you’ve got the right sort of balance or proportion. If the point of your paper is to defend Katz theocentric approach to environmental ethics, but you feel the need to give context (often a good idea), don’t spend a full page of pre- and post-argument context, with only a quarter page of actual argument. Instead, write a sentence or two of pre- and a sentence or two of post-argument context, and take a page to carefully, explicitly set out the argument.
• Sexist Language: This is almost always a problem with undergraduate papers. Don’t let the sexist language of the older philosophers we’re reading (like Leopold) or that of your own culture lull you into thinking you can write this way. The point is not primarily about equality or the like. Using sexist language is simply unprofessional and stylistically immature. It’s at least as much of an eyesore as bad grammar or misspelled words. Specifically, don’t simply use “man”to represent humanity or “he”every time you need a neutral pronoun. You can almost always avoid a gendered pronoun (e.g., use “human”or “one”). Sometimes this is very difficult or would sound very awkward. In such cases, it’s fine to use either “she”or “he,”but you should rotate between the one and the other (e.g., in one paragraph or section of the paper use “she”and in the next paragraph or section use “he;”but again, avoid either whenever you can do so naturally). Sometimes you can write “she or he,”though this too can be awkward. Finally, don’t use “s/he”as a neutral pronoun. I recommend consulting a style guide for more details.
• Never let quotes stand on their own — explain them. There is one skill for picking out relevant quotes from a text, and another skill involved in understanding what it says. Again, see a style guide for details.

I hope this is helpful to you as you begin work on your next papers.

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National Honor Society Organization Examples

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Published: Mar 25, 2024

Words: 495 | Page: 1 | 3 min read

Table of contents

Introduction, example 1: academic excellence, example 2: leadership, example 3: service, example 4: character.

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