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The Best Reviewed Short Story Collections of 2022

Featuring george saunders, ling ma, colin barrett, jamil jan kochai, and more.

We’ve come to the end of another bountiful literary year, and for all of us review rabbits here at Book Marks, that can mean only one thing: basic math, and lots of it.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be calculating and revealing the most critically-acclaimed books of 2022, in the categories of (deep breath): Fiction ; Nonfiction ; Memoir and Biography ; Sci-Fi, Fantasy, and Horror ; Short Story Collections; Essay Collections; Poetry; Mystery and Crime; Graphic Literature ; and Literature in Translation .

Today’s installment: Short Story Collections .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. Bliss Montage by Ling Ma (Farrar, Straus and Giroux)

21 Rave • 5 Positive • 2 Mixed Read an interview with Ling Ma here

“The eight wily tales mark the return of an author whose inventive debut, Severance, urgently announced her as a writer worth watching … an assured follow-up, a striking collection that peddles in the uncanny and the surreal, but it often lacks Severance ’s zest. Some stories are confident in their strangeness and ambiguity, a handful feel like promising sketches of sturdier narratives and the rest fall somewhere in between. The connections between them are loose, tethered by similar leads …

Wry, peculiar stories like Los Angeles and Yeti Lovemaking confirm that Ma’s imagination operates on the same chimerical frequency as those of Helen Oyeyemi, Samanta Schweblin, Meng Jin. Each of these stories leans un-self-consciously into the speculative, illuminating Ma’s phantasmagoric interests. They are funny, too … Despite their nagging loose ends, Ma’s stories stay with you—evidence of a gifted writer curious about the limits of theoretical possibility. They twist and turn in unpredictable ways and although the ride wasn’t always smooth, I never regretted getting on.”

–Lovia Gyarkye ( The New York Times Book Review )

2. Liberation Day by George Saunders (Random House)

16 Rave • 6 Positive • 5 Mixed (86) Read George Saunders on reading chaotically and the power of generous teachers, here

“Acutely relevant … Let’s bask in this new collection of short stories, which is how many of us first discovered him and where he excels like no other … Saunders’ imaginative capacity is on full display … Liberation Day carries echoes of Saunders’ previous work, but the ideas in this collection are more complex and nuanced, perhaps reflecting the new complexities of this brave new world of ours. The title story is only one of a handful of the nine stories in this collection that show us our collective and personal dilemmas, but in reading the problems so expressed—with compassion and humanity—our spirits are raised and perhaps healed. Part of the Saunders elixir is that we feel more empathetic after reading his work.”

–Scott Laughlin ( The San Francisco Chronicle )

3. Homesickness by Colin Barrett (Grove Press)

16 Rave • 1 Positive • 1 Mixed Read an essay by Colin Barrett here

“Its comedy stands in balance to the collection’s more tragic tenor … expands [Barrett’s] range, and though the first took place in the fictional Irish town of Glanbeigh, the books share a fabric shot through with dark humor, pitch-perfect dialogue and a signature freshness that makes life palpable on the page. The language counterpoints the sometimes inarticulate desperation of the working-class characters, and that dissonance lends an emotional complexity to their stories …

As a writer, Barrett doesn’t legislate from the top down. His unruly characters surge up with their vitality and their mystery intact. Their stories aren’t shaped by familiar resolutions—no realizations, morals or epiphanies. The absence of a conventional resolution does risk leaving an otherwise charming story like The Silver Coast with the rambling feel of a slice of life. But in the majority of the stories in this book, to reinvent an ending is to reinvent how a story is told, and overall, Homesickness is graced with an original, lingering beauty.”

–Stuart Dybek ( The New York Times Book Review )

4. Lesser Known Monsters of the 21st Century by Kim Fu (Tin House)

13 Rave • 4 Positive Read a story from Lesser Known Monsters of the 21st Century here

“..the horrors are more intimate, smaller, and less global in scale. This is not a collection filled with fantastic beasts, although a sea monster does make an appearance, but instead illuminates the monstrous nature of humanity … Technology, rather than magic, catalyzes these changes. That is not to say there are not some traces of unexplained fantasy, such as a girl who sprouts wings from her ankles, but mostly, Fu’s monsters manifest from modernity … The success of Kim Fu’s stories is the element of the unexpected. There are surprises lurking in these narratives, whether it is a quick final plot twist or unexpected peculiarity …

Although Fu seems more concerned with alienation stemming from individual relationships, there is criticism of conventional consumer capitalism … The characters in Fu’s collection are eccentric and unexpected in their choices, and many of their stories feature unforeseen endings that strike the right tone for the dark era we live in … Fu opens a window looking onto the sad possibilities of our own failures.”

–Ian MacAllen ( The Chicago Review of Books )

5. If I Survive You by Jonathan Escoffery (MCD)

12 Rave • 4 Positive Read an essay by Jonathan Escoffery here

“Ravishing … The book, about an immigrant family struggling to make ends meet, delights in mocking the trope of an immigrant family struggling to make ends meet … There’s peacocking humor, capers, and passages of shuddering eroticism. The book feels thrillingly free … Escoffery’s protagonists, though resourceful, can’t accomplish the impossible; nor do they sacrifice themselves for the reader’s sentimental education … The prose comes alive …

These characters are strange amalgams of limited agency and boundless originality. Their survival, perhaps, comes down to their style … Escoffery deftly renders the disorienting effects of race as they fall, veil-like and hostile, over a world of children … Throughout, the refrain runs like an incantation: What are you? Escoffery, hosing his characters in a stream of fines, bills, and pay stubs, studies the bleak math of self-determination.”

–Katy Waldman ( The New Yorker )

6. The Haunting of Hajji Hotak and Other Stories by Jamil Jan Kochai (Viking)

12 Rave • 1 Positive • 1 Mixed Read an essay by Jamil Jan Kochai here

“Kochai, an Afghan-American writer, shapes and reshapes his material through a variety of formal techniques, including a fantasy of salvation through video gaming, a darkly surrealist fable of loss, a life story told through a mock résumé, and the story of a man’s transformation into a monkey who becomes a rebel leader…Like Asturias, Kochai is a master conjurer…The collection’s cohesion lies in its thematic exploration of the complexities of contemporary Afghan experience (both in Afghanistan and the United States), and in the recurring family narrative at its core: many of the stories deal with an Afghan family settled in California… Kochai is a thrillingly gifted writer, and this collection is a pleasure to read, filled with stories at once funny and profoundly serious, formally daring, and complex in their apprehension of the contradictory yet overlapping worlds of their characters.”

–Claire Messud ( Harper’s )

7. Night of the Living Rez by Morgan Talty (Tin House Book)

12 Rave • 1 Positive • 1 Mixed Listen to an interview with Morgan Talty here

“Talty depicts the relationship between David and Paige perfectly—the siblings clearly care for each other; it’s evident beneath the bickering and the long periods when they don’t see each other … The story ends with both mother and son experiencing terrifying medical emergencies; it’s almost excruciating to read, but it’s undeniably powerful, and, in its own way, beautiful … Talty’s prose is flawless throughout; he writes with a straightforward leanness that will likely appeal to admirers of Thom Jones or Denis Johnson. But his style is all his own, as is his immense sense of compassion. Night of the Living Rez is a stunning look at a family navigating their lives through crisis—it’s a shockingly strong debut, sure, but it’s also a masterwork by a major talent.”

–Michael Schaub ( The Star Tribune )

8. How High We Go in the Dark by Sequoia Nagamatsu (William Morrow)

10 Rave • 6 Positive • 1 Mixed • 1 Pan Read an excerpt from How High We Go in the Dark here

“If you’re a short-story lover—as I am—you’ll be impressed with Nagamatsu’s meticulous craft. If you crave sustained character and plot arcs, well, you’ll have to settle for admiring the well-honed prose, poignant meditations and unique concepts. Hardly small pleasures … The reader might best approach the book like a melancholy Black Mirror season … This is a lovely though bleak book. Humanity has long turned to humor in our darkest moments, but levity feels absent even in a chapter narrated by a stand-up comedian. That said, the somber tone unifies the disparate characters and story lines … a welcome addition to a growing trend of what we might call the ‘speculative epic’: genre-bending novels that use a wide aperture to tackle large issues like climate change while jumping between characters, timelines and even narrative modes … Nagamatsu squarely hits both the ‘literary’ and ‘science fiction’ targets, offering psychological insights in lyrical prose while seriously exploring speculative conceits … a book of sorrow for the destruction we’re bringing on ourselves. Yet the novel reminds us there’s still hope in human connections, despite our sadness.”

–Lincoln Michel ( The New York Times Book Review )

9. Life Without Children by Roddy Doyle (Viking)

9 Rave • 5 Positive • 1 Mixed

“… a quietly devastating collection of short stories that brilliantly portrays the pervasive sense of hopelessness that immobilised us during the dog days of Covid … Lest he be accused of focusing too much on men and their sense of victimhood, the countervailing magnificence of his women is worth noting. Part of Doyle’s genius resides in a kind of bathetic amusement at the follies of his male characters and always it’s the stoical good sense of women that saves the day … Another of his great strengths is the ability to drop in those little epiphanies that resolve the tension and conflict of a story in a single significant moment … Doyle breaks our free fall into despair by emphasizing the redemptive power of humor, love and the kindness of strangers.”

–Bert Wright ( The Sunday Times )

10. Stories From the Tenants Downstairs by Sidik Fofana (Scribner)

12 Rave Read an interview with Sidik Fofana here

“… outstanding … The brilliance of this debut, however, is that Fofana doesn’t let anyone go unseen … masterfully paints a portrait of the people most impacted by gentrification … Fofana brings his characters to life through their idiosyncratic speech patterns. Auxiliary verbs are dropped, words are misspelled, prepositions are jostled, all to create a sense of vernacular authenticity…Grammar is an instrument that Fofana plays by ear, to much success.”

–Joseph Cassara ( The New York Times Book Review )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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The Only Book Review Templates You'll Ever Need

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Blog – Posted on Thursday, Nov 11

The only book review templates you'll ever need.

Whether you’re trying to become a book reviewer , writing a book report for school, or analyzing a book, it’s nice to follow a book review template to make sure that your thoughts are clearly presented.

A quality template provides guidance to keep your mind sharp and your thoughts organized so that you can write the best book review possible. On Reedsy Discovery , we read and share a lot of book reviews, which helps us develop quite a clear idea what makes up a good one. With that in mind, we’ve put together some trustworthy book review templates that you can download, along with a quick run-through of all the parts that make up an outstanding review — all in this post!

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

Find out the answer. Takes 30 seconds!

Book review templates for every type of review

With the rapid growth of the book community on Instagram, Youtube, and even TikTok, the world of book commentary has evolved far beyond your classic review. There are now many ways you can structure a book review. Some popular formats include:

Book reports — often done for school assignments;
Commentary articles — think in-depth reviews in magazines and newspapers;
Book blog reviews — short personal essays about the book; and
Instagram reviews — one or two-paragraph reviews captioned under a nice photo.

But while the text in all these review styles can be organized in different ways, there are certain boxes that all good book reviews tick. So, instead of giving you various templates to use for different occasions, we’ve condensed it down to just two book review templates (one for fiction and one for nonfiction) that can guide your thoughts and help you nail just about any review.

⭐ Download our free fiction book review template

⭐ Download our free nonfiction book review template

All you need to do is answer the questions in the template regarding the book you’re reading and you’ve got the content of your review covered. Once that’s done, you can easily put this content into its appropriate format.

Now, if you’re curious about what constitutes a good book review template, we’ll explain it in the following section!

Elements of a book review template

Say you want to build your own book review template, or you want to customize our templates — here are the elements you’ll want to consider.

We’ve divided our breakdown of the elements into two categories: the essentials and the fun additions that’ll add some color to your book reviews.

What are the three main parts of a book review?

We covered this in detail (with the help of some stellar examples) in our post on how to write a book review , but basically, these are the three crucial elements you should know:

The summary covers the premise of the book and its main theme, so readers are able to understand what you’re referring to in the rest of your review. This means that, if a person hasn’t read the book, they can go through the summary to get a quick idea of what it’s about. (As such, there should be no spoilers!)

The analysis is where, if it’s a fiction book, you talk more about the book, its plot, theme, and characters. If it’s nonfiction, you have to consider whether the book effectively achieves what it set out to do.

The recommendation is where your personal opinion comes in the strongest, and you give a verdict as to who you think might enjoy this book.

You can choose to be brief or detailed, depending on the kind of review you’re writing, but you should always aim to cover these three points. If you’re needing some inspiration, check out these 17 book review examples as seen in magazines, blogs, and review communities like Reedsy Discovery for a little variation.

Which review community should you join?

Find out which review community is best for your style. Takes 30 seconds!

Which additional details can you include?

Once you’ve nailed down the basics, you can jazz things up a little and add some personal flavor to your book review by considering some of these elements:

A star-rating (the default is five stars but you can create your own scales);
A bullet-point pros and cons list;
Your favorite quotation from the book;
Commentary on the format you read (i.e., ebook, print, or audiobook);
Fun facts about the book or author;
Other titles you think are similar.

This is where you can really be creative and tailor your review to suit your purpose and audience. A formal review written for a magazine, for instance, will likely benefit from contextual information about the author and the book, along with some comment on how that might have affected the reading (or even writing) process.

Meanwhile, if you’re reviewing a book on social media, you might find bullet points more effective at capturing the fleeting attention of Internet users. You can also make videos, take creative pictures, or even add your own illustrations for more personal touches. The floor is yours at this point, so go ahead and take the spotlight!

That said, we hope that our templates can provide you with a strong foundation for even your most adventurous reviews. And if you’re interested in writing editorial reviews for up-and-coming indie titles, register as a reviewer on Reedsy Discovery !

Continue reading

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Whether you're reviewing a fiction or nonfiction book, our book review templates can help you write well-rounded book commentary!

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Writing a book review?

Use our free book review template to make sure you don't leave anything out.

Home » Writing » How to Write a Good Book Review

Tips for Writing a Good Book Review

Now that you’ve prepped what you want to say, how you want to say it, and who you want to say it to, it’s time to start writing. Below we’ve gathered our favorite tips to help you write a good book review. Wait… make that a GREAT book review.

1. Include general information

Make sure to include all the relevant book information for your audience , including the title, author, genre, and publisher in your review. While not necessary, it is also helpful to include the number of pages, list price, and ISBN number.

2. Provide a brief plot summary

After the hook, you can then move on to the brief plot summary. This summary shouldn’t be too long, but it can be a paragraph that explains the basic plot so that the reader better understands if it’s a topic of interest. One pitfall to avoid is to give away spoilers in the plot summary. Don’t give away any plot twists, and err on the side of caution if you feel that the information is too much. For example, tell the reader that the plot has unexpected twists rather than explain any surprises in the summary.

3. Focus on the book, not the author

Keep in mind that your main job as a reviewer is to share your opinion on the book, not to critique the author. Keep the focus on the story. Avoid referencing pitfalls in any of the author’s past books or what you about them as a writer. You can provide a brief introduction to the story mentioning the author and past books, but don’t spend too much time focused on the author. The review should focus on the content of the book and its characters.

4. Be clear and specific

It is not enough to just say that you did or didn’t like the book. Let your readers know why. Make your thoughts clear as early as possible and explain the reasons why you liked or disliked specific storyline components and characters. Be specific about what you loved about the writing, what drew you to the characters, or what left you feeling lukewarm about the plot. You don’t need to explain every aspect of the book, but the reader should walk away with a sense that they understand the basic plot and determine from the review if they want to read the book for themselves.

5. Remain subjective

Not all book reviews have to be glowing, but they should be subjective. Rather than just saying you didn’t like something, support it by letting your readers know why. We all gravitate towards different things, so what may not appeal to you may appeal to someone else. If you remain subjective, then you can explain to the reader the basic story and let them decide for themselves. The review can include your likes and dislikes, but they should focus on what you felt the story did well and what parts of the story you didn’t like. However, the main focus of the review should be to explain the story so that readers can determine if they want to read the book further.

6. Avoid spoilers

We know it can be tempting, but do your best not to let any spoilers slip in your book review. Have you ever been excited to see the latest blockbuster hit (or watch the season cliffhanger to your favorite TV show) and then someone spoils the end before you even have time to watch? That is exactly what you don’t want to do to your reader. As you explain the book in your summary, ask yourself if what you are explaining ruins any surprises or twists. As you write the review, keep it vague. For example, explain that there is a major plot twist but don’t go into the specifics.

7. Be transparent

Always share if you received an incentive to review the book, got an advance copy, or have any connection to the author. Your readers will appreciate your honesty. Plus, it helps you avoid the negative impact on your credibility if they find out later. Getting paid for a review is a perfectly reasonable excuse to read a book, but it does allow readers to determine if you’re being unbiased. By specifying if you have any relationship with the author, the reader can better trust your opinion, even if they feel you’re being more biased.

8. Keep it short

While book reviews can be any length, it is always best to keep it short and succinct. Pull in your reader with a strong first sentence that sets the tone of the review and end with your recommendation. Remember, most people start to scan when something gets too long. A book review is a short summary, so writing a novel-length review loses reader interests. Keeping it short will ensure that your readers will dive into your likes and dislikes and use your reviews to determine if they have an interest in the books.

9. Proofread before posting

The quickest way to lose credibility is to post a review filled with typos. Make sure to give your final book review a thorough read before posting it and double check the spelling of any character names or places that you mention. Even better, ask someone else to read it over. It is always good to have a fresh pair of eyes proof to catch any typos. If you don’t have a family or friend who will help with proofreader, you can join a writing community where members offer test reads and proofreading. Make sure that you don’t post the review publicly, because search engines will index it and the review will no longer be unique content.

Also, keep in mind that you will want to write different book reviews for different sites. Don’t just copy and paste the same review. Google search engines scan for duplicate content and if flagged, your review won’t appear.

10. Add a hook

The hook is one or two sentences that grab the reader and convince them to keep going. It should be interesting, but it should also stick with the topic without misleading readers. The hook could be a simple statement that explains the main character of the book, or it could ask a question that resonates with the reader. Don’t make the hook too sensational to avoid sounding like a sales pitch. It should simply provide an introduction that grabs reader interests.

11. Explain what you liked about the book

Writing your own book review is a way to explain what you liked about it, and what you liked could be of interest to another reader. This section allows you to personalize the review. You can explain what you liked about the characters, who was your favorite character, what part of the book was your favorite, and if the book invoked any personal feelings (e.g., you laughed or cried).

12. Explain what you disliked about the book

You likely have something that you disliked about the book, and this section explains what you wish would have been different about the storyline or the characters. Just like the other sections, make sure that you do not reveal too much and give away important plot lines that could be considered spoilers for the rest of the story.

13. Include brief quotes as examples

Brief quotes provide readers with better insight into characters. Using quotes from characters will help the reader follow the plot summary and determine if the characters are people they can relate to. Avoid using excessively long quotes. Since the reader hasn’t read the book, a long quote could ruin plot twists or overpower the review.

14. Reference similar books

A great way to introduce readers to a specific book is to compare your book review with other books. For example, you can explain to the reader that they will like the current book you’re reviewing if they like another similar book. Alternatively, you can also compare characters between books to provide better insight into the story’s characters and the dynamic between individual characters.

Ready to make your own book? Get started quickly and easily with our free bookmaking software, Bookwright .

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Short on time? 10 books you can finish quickly.

The book world staff rounds up some of their favorite books that come in under 200 pages.

Sometimes, even those of us who read for a living are happy to pick up a book that we can finish in just a few days — or maybe even in a lazy afternoon at the park. We’re pretty sure that’s true for everyone else, too, so the Book World staff rounded up some of our favorite titles — new and old, fiction and nonfiction — that come and go as quickly as Washington’s brief spring. Here you’ll find memoirs and novels alike. Our only rule is that everything had to come in under 200 pages — sometimes a lot shorter.

‘Look at Me,’ by Anita Brookner

A surprising number of my favorite books hover around the 200-page mark, and some of these are indisputable classics (“Mrs. Dalloway,” “Notes From Underground,” “The Great Gatsby,” “The Good Soldier”). What’s most remarkable is how much these books can get done in a relatively small space, constraint seeming to paradoxically increase breadth and ambition. In “ Look at Me ” (1983), Anita Brookner’s third novel, a research librarian named Frances Hinton narrates the story of how she entered the social orbit of a shiny, charming married couple and their friend. Like many of Brookner’s characters, Frances lives a stringent, lonely life that seems a combination of consciously, even proudly, chosen and temperamentally inevitable. Not much happens in the book by way of plot, and not much has to. This is one of the most beautifully written and psychologically penetrating novels you’ll find. (192 pages) — John Williams

‘Waiting for the Barbarians,’ by J.M. Coetzee

In “ Waiting for the Barbarians ” (1980), Nobel Prize-winning South African writer J.M. Coetzee pulls off an eventful trick, writing about his home country’s political sins (and political sins more generally) through an allegory about an unspecified “Empire.” Narrated by a magistrate in the hinterlands, the plot revolves around the capture and treatment of “barbarians” who oppose the Empire. Often disturbing, the book is a condensed epic, vividly written and philosophically provocative on nearly all its relatively few pages. (152 pages) — John Williams

‘The Dry Heart,’ by Natalia Ginzburg

“ The Dry Heart ” (1947), a sleek and startling novella by postwar Italian writer Natalia Ginzburg, is a sort of feminist answer to Albert Camus’s “The Stranger.” His book begins, famously, “Mother died today.” Ginzburg’s even more arresting opening is at once flatly matter-of-fact and feverishly wrathful. “I shot him between the eyes,” she writes on the book’s very first page. “He” is the narrator’s decidedly underwhelming husband, a philandering loafer who marries her out of boredom and refuses to terminate a years-long affair with another woman.

Ginzburg is a crisp stylist, and her unsentimental and disciplined prose is curiously at odds with her novella’s guiding sentiment: fury that simmers until, all at once, it boils over. “The Dry Heart” is as taut and methodical a record of rage and revenge as you are apt to find. (96 pages) — Becca Rothfeld

‘Spurious,’ by Lars Iyer

People are often drawn to short novels because of some unspoken promise of elegance and perfectionism. Such books are marketed to readers as marvels of precision, darling little objects. (Yes, there’s something mildly orthorexic about what Esquire called the rise of the “slim volume.” ) Lars Iyer’s “ Spurious ” (2011), though, is foul-mouthed, high-spirited, rough around the edges. Nothing much happens in it: Two best frenemies tool around England and, in the words of the author , “take the mickey” out of each other. I’m told it’s a “philosophical novel” — Lars and his friend W, like the author, work in academia and bemoan their intellectual limitations — but don’t blanch! It’s also way more entertaining than it has any right to be. Iyer makes you believe in insult comedy as an Olympic sport, even a form of love. And if you like this one, it’s a gateway to five more in a similar vein. The perfect tonic for anyone haunted by the thought that they ought to be reading something better, more rigorous, more wholesome. (190 pages) — Sophia Nguyen

‘Where Reasons End,’ by Yiyun Li

Written after the suicide of Yiyun Li’s son, this novel from 2019 is largely composed of conversations between a bereaved mother and her dead child, Nikolai. They muse over various intellectual matters — the nature of time, the proper usage of language — and needle each other. (At one point, he tells her, “If you’re protesting by becoming a bad writer, I would say it’s highly unnecessary,” to which she retorts, “Dying is highly unnecessary too.”) It’s a tough book to widely recommend, purely because of the heaviness of its subject matter. But “ Where Reasons End ” is also unforgettable, the kind of book that feels like a miracle of physics: You’re amazed by how lightly the prose moves, despite the density of its emotional core. (192 pages) — Sophia Nguyen

‘The Minotaur at Calle Lanza,’ by Zito Madu

Throughout the first year of the covid pandemic, my girlfriend and I mainlined season after season of the genial PBS travel program “Rick Steves’ Europe,” seeking a habitable elsewhere in its images of crowded market squares and ornate palazzos. Nigerian American writer Zito Madu’s experience of the era was altogether different, thanks to an artist’s residency that brought him to Venice in the fall of 2020, a time when the city had been largely emptied out, especially of the tourists who normally drift along its canals.

In this memoir published earlier this year, that evacuated milieu becomes an occasion for Madu’s elegant meditations on alienation, especially from his own family but also from the overwhelmingly White world he moves through. His prose has the smooth and constant warmth of blood in a vein, a fluidity so steady it sometimes seems no different from stillness. Though Madu’s narrative culminates in a shockingly surreal sequence that is unlike anything I have read in a memoir, I will remember “ The Minotaur at Calle Lanza ” for its calmer moments: an African priest’s service in an otherwise Italian Catholic church or the quiet labor of a glass blower, a man content to carry on his business in silence “as if you weren’t there.” (184 pages) — Jacob Brogan

‘The Spinning Heart,’ by Donal Ryan

A portrait of a rural Irish town decimated by economic collapse, Donal Ryan’s debut novel made a splash when it was published in 2012, winning the Irish Book Award for both newcomer of the year and book of the year. Each of the 21 short chapters in “ The Spinning Heart ” is told from the perspective of a different inhabitant, their lives woven together by economic uncertainty and marred by tragedy. Bobby Mahon, a construction company foreman, blames himself after owner Pokey Burke skipped town, putting the livelihoods of his workers at risk. And Pokey’s father, Joseph Burke, is ashamed of his son, who appears to have fleeced the laborers to save himself. As the residents’ stories unfold, their public personas shield inner monologues that expose the truth about what they think of one another and of themselves. (156 pages) — Becky Meloan

‘About Alice,’ by Calvin Trillin

The author photo on the back of Calvin Trillin’s 2006 memoir about his wife, Alice, may be the happiest I’ve ever seen. It’s from their wedding day in 1965. Neither seems dressed for the occasion, but they are beaming. That joy radiates through “ About Alice ,” adapted from a New Yorker article, which should be sad because it is essentially about Alice’s death, on Sept. 11, 2001 (not in the terrorist attacks but in a New York hospital a few miles away, of heart failure stemming from lung cancer treatment).

Here the longtime New Yorker writer, who for years had turned his wife into a favorite character in his books and articles, aims to set the record straight about her. She was wise, yes, but not a stern “dietician in sensible shoes.”Rather, “she had something close to a child’s sense of wonderment. She was the only adult I ever knew who might respond to encountering a deer on a forest path by saying, ‘Wowsers!’” By the end of this brief, witty and loving portrait, you’ll wish you’d met Alice, too, if only to hear that exclamation. (78 pages) — Nora Krug

‘The Island of Dr. Moreau,’ by H.G. Wells

There are several late-19th-century novellas — among them, Stevenson’s “Dr. Jekyll and Mr. Hyde,” Wells’s “The Time Machine,” James’s “The Turn of the Screw” and Conrad’s “Heart of Darkness” — that strikingly anticipate the anxieties and obsessions of our modern world. All four are rightly celebrated, but I now find a fifth, H.G. Wells’s “ The Island of Dr. Moreau ” (1896), the most disturbing and prophetic of all.

Why? Because it probes real-life issues that haunt us more than ever: What makes us human? Are we really that different from other animals? What is the relationship between science and morality? In particular, Wells asks us to think hard about the ethics and consequences of experimentation and what we now call genetic engineering.

Not least, “The Island of Dr. Moreau” embeds all these questions in a perfectly orchestrated crescendo of mystery, terror, violence, sacrifice and spiritual desolation. You will never forget it. “Are we not men?” (160 pages) — Michael Dirda

‘Another Brooklyn,’ by Jacqueline Woodson

With the economy of a poet, Jacqueline Woodson packs so much life and pain into her National Book Award-winning novel, “ Another Brooklyn .” When it was published in 2016, it was a return of sorts; Woodson had been focusing her creative efforts on books for young readers, to critical acclaim, and this was her first novel for adults in nearly two decades. The story, though, revolves around a child: August is 8 years old when she moves from Tennessee to New York with her brother and father after her mother’s death. Her fragmented recollections of 1970s Brooklyn — related years later after she becomes an anthropologist — work on multiple frequencies, capturing a child’s partial understanding of the dangers around her and the electric thrill of new friendships while also conveying nostalgia for the relationships that couldn’t withstand time and the innocence that was lost too soon. (192 pages) — Stephanie Merry

More from Book World

Love everything about books? Make sure to subscribe to our Book Club newsletter , where Ron Charles guides you through the literary news of the week.

Best books of 2023: See our picks for the 10 best books of 2023 or dive into the staff picks that Book World writers and editors treasured in 2023. Check out the complete lists of 50 notable works for fiction and the top 50 nonfiction books of last year.

Find your favorite genre: Three new memoirs tell stories of struggle and resilience, while five recent historical novels offer a window into other times. Audiobooks more your thing? We’ve got you covered there, too . If you’re looking for what’s new, we have a list of our most anticipated books of 2024 . And here are 10 noteworthy new titles that you might want to consider picking up this April.

Still need more reading inspiration? Super readers share their tips on how to finish more books . Or let poet and essayist Hanif Abdurraqib explain why he stays in Ohio . You can also check out reviews of the latest in fiction and nonfiction .

How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide, PaperPerk will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to write a book review- a step by step guide.

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Since knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an outline that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

The characters and their development
The plot and its intricacies
Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
Is the plot interesting? Did the book hold your attention and keep you turning the pages?
Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
What could improve? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its title and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

In Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
In Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
In Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work.

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a conclusion that leaves a lasting impression . In this final step of “how to write a book review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example: The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

A star rating (e.g., 1 to 5 stars)
A numerical score (e.g., 1 to 10)
A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
Be fair:Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with an additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what you think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online college paper writing service platforms. These trusty sidekicks will help you navigate the world of book reviews with ease.

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review.

In this section of “how to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of modernist literature examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

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The Writing Center • University of North Carolina at Chapel Hill

Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

The name of the author and the book title and the main theme.
Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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The Best Reviewed Books of 2020: Short Story Collections

Featuring nicole krauss, stephen king, emma cline, zora neale hurston, and more.

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2020—the longest year that has ever been—is almost at an end, and that means it’s time for us to break out the calculators and tabulate the best reviewed books of past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2020, in the categories of (deep breath): Memoir & Biography; Sci-Fi, Fantasy & Fantasy ; Short Story Collections; Essay Collections; Graphic Literature; Poetry; Mystery & Crime; Literature in Translation; General Fiction; and General Nonfiction.

1. To Be a Man by Nicole Krauss (Harper)

18 Rave • 6 Positive • 2 Mixed

Read an interview with Nicole Krauss here

“… like talking all night with a brilliant friend … Krauss imbues her prose with authoritative intensity. In short, her work feels lived. Some of these stories appeared earlier, in the New Yorker and elsewhere. But re-encountering them in a collection lets us absorb them as siblings … Krauss’s explorations of interior struggle press on, unflinching; aperçus feel wrested from depths … With chilling casualness, Krauss conveys the murderous realities lurking behind the scrim of social surfaces, that young women routinely face … Settings range globally without fanfare, as do Krauss’s gelid portraits of modern arrangements … the hallucinatory ‘Seeing Ershadi,’ in which a dancer and her friend become obsessed with an Iranian actor, seems to distill the strange urgency of Krauss’s art … What Ershadi represents to the women slowly unfurls, and (like much of this fine collection) continues to haunt a reader’s mind and heart.”

–Joan Frank ( The Washington Post )

2. The Office of Historical Corrections by Danielle Evans (Riverhead)

14 Rave • 4 Positive

“… a new collection that is so smart and self-assured it’s certain to thrust her into the top tier of American short story writers. Evans’ stories feel particularly urgent at this moment of national reckoning over race. While they aren’t specifically about being Black any more than Alice Munro’s are about being white, many of the characters are shaped by the social, economic and cultural conditions unique to African American life … she brings an anthropologist’s eye to the material conditions of her characters’ lives … The hands-down masterpiece of the collection is the title novella … Reading these stories is like [an] amusement park ride—afterward, you feel a sense of lightness and exhilaration.”

–Ann Levin ( USA Today )

3. I Hold a Wolf By the Ears by Laura Van den Berg (FSG)

14 Rave • 2 Positive

Listen to a conversation between Laura Van den Berg and Catherine Lacey here

“The terrain of Van den Berg’s difficult, beautiful and urgent new book, I Hold a Wolf by the Ears , is an ecosystem of weird and stirring places you’ll want to revisit, reconsider, maybe even take shelter in. It’s easy to get going, because Van den Berg is such a master of setups … Possessing some of Karen Russell’s spookiness and Otessa Moshfegh’s penchant for unsettling observations about the way we live now—personally incisive but alive with a kind of ambient political intelligence—Van den Berg feels like the writer we not only want but maybe need right now … There is range here, particularly in characters and relationships: single people, mothers and daughters, loners, but also people engaged in the long dance of marriage … Van den Berg is so consistently smart and kind, bracingly honest, keen about mental illness and crushing about everything from aging to evil that you might not be deluded in hoping that the usual order of literary fame could be reversed: that an author with respectable acclaim for her novels might earn wider recognition for a sneakily brilliant collection of stories.”

–Nathan Deuel ( The Los Angeles Times )

4. Verge by Lidia Yuknavitch (Riverhead)

12 Rave • 5 Positive • 1 Mixed

Read a story from Verge here

“With the powers of her prose on full, incandescent display, 6½ pages is all Yuknavitch needs to illuminate the connections between the body and the spirit, the fists and the heart, both beating in their losing battles … In these 20 efficient and affecting stories, Yuknavitch unveils the hidden worlds, layered under the one we know, that can be accessed only via trauma, displacement and pain. There is a vein of the wisdom of the grotesque throughout … the damaged beauty of these misfits keeps the reader leaning in.”

–Nicholas Mancusi ( TIME )

5. Sorry For Your Trouble by Richard Ford (Ecco)

11 Rave • 4 Positive • 3 Mixed

“The finest and most substantial story here is ‘The Run of Yourself.’ One could say is has the richness and breadth of a novel, but that would be to slight the short-story form, of which Mr. Ford has repeatedly proved himself a master … However understated and oblique, Sorry for Your Trouble —which is what Irish people say to the bereaved at a funeral—is both a coherent work of art and a subtle and convincing portrait of contemporary American life among the moneyed middle class. None of the main characters has to worry about money, which highlights the emotional malaise that underlies their lives and their frequent and almost absent-minded couplings and uncouplings. In the background are wars, financial crises, natural vicissitudes. This is America, and Richard Ford is its chronicler. In these superbly wrought tales he catches, with exquisite precision…the irresistible melancholy that is the mark of American life.”

–John Banville ( The Wall Street Journal )

6. Daddy by Emma Cline (Random House)

9 Rave • 8 Positive

Read Emma Cline on Anaïs Nin’s erotic fiction and John Cheever’s journals here

“In an era whose ascendant short-story practitioners lean into high-concept experiments of genre and form, Emma Cline represents something of a throwback. The 10 stories that constitute her first collection, Daddy, are almost classical in structure—you won’t find a fragmentary collage, list or screenplay among them. Though she’s not one for a sudden, curious departure of voice or dissolution of the fourth wall, Cline has an unnerving narrative proprioception, and her stories have the clean, bright lines of modernist architecture … As for her style, she seems to eschew the telegraphic mode made popular by writers like Sally Rooney or Rachel Cusk for something at once direct and musical. Cline’s idiom is earnestness punctuated by millennial cool—but nothing too fussy, everything in just the right place … The aesthetic pleasure of Cline’s writing is anesthetizing. So much so that one could conceivably read these stories with the same drugged passivity with which one shuffles through a lifestyle catalog. But that would be a mistake … Cline is an astonishingly gifted stylist, but it is her piercing understanding of modern humiliation that makes these stories vibrate with life … the characters shift uncomfortably through the beautifully appointed shoe box dioramas of their lives, aware at once of their own insignificance and also of their desire for prominence. They ask if anything matters as though nothing does, and yet hope to be contradicted. But perhaps we all do. Perhaps, in these brilliant stories, that is the most daring and human thing of all.”

–Brandon Taylor ( The New York Times Book Review )

7. You Will Never Be Forgotten by Mary South (FSG Originals)

9 Rave • 6 Positive • 1 Mixed

Listen to an interview with Mary South here

“South writes as though she has always been where we find ourselves now: looking back on a world where we believed we might gain personal agency over technology’s dominion, entering one where such agency is a luxury we might never again hope to afford … stories of exceptional loss, spilling out at the point of conflict between the cool detachment of the technological world and the tender vulnerability of the users living within it … This collection’s power, though, comes from South’s dark sensibility, her comfort with brutality, and her narrative insistence that, while the nightmare of tech capitalism won’t wholly eradicate the personal and the private, it will compress beyond recognition the spaces where personal, private moments can unfold … South writes with the assurance of someone who knows she has no answers to give. But instead of resulting in a shrugging ambivalence, You Will Never Be Forgotten mounts an ever more effective critique of technology-amplified structural inequality … [the] stories are united by South’s keen examination of the thrill and risk of human connection—between lovers, siblings, parent and child, care-giver and care-receiver, and digitally connected strangers—under increasingly cruel conditions … Still, You Will Never Be Forgotten shows us there is still tenderness to be found, and protected, in the brave new world to come.”

–Jennifer Schaffer ( The Nation )

8. If It Bleeds by Stephen King (Scribner)

6 Rave • 10 Positive • 1 Mixed

“Nobody does novellas like Stephen King … a quartet of stories that are a little too long to be labelled short, all of which are packed with that uniquely King combination of fear and empathy … One of the joys of King’s novella collections is the reminder that he, perhaps more than any of his bestselling peers, has a tremendous gift for giving stories exactly the amount of space they need to be properly told. Sometimes, that results in 700-plus page epics. Other times, just 70. Whatever it takes to get the story from his head to the page—that’s what King gives you. It’s remarkable really, that an author can create stories that cause a reader to shiver, to smile and to shed a tear in the space of a few pages—but really, should anything Stephen King does surprise us anymore? … practically pulses with the humanistic empathy that marks the best of King’s work. It’s an outstanding quartet, featuring four tales that are wildly different from one another, yet undeniably bound together by the voice of our finest storyteller. There is much to fear in the worlds created by Stephen King, but even in the depth of his darkest shadows, a light of hope steadily glows. More exceptional work from the maestro … Keep ‘em coming, Mr. King.”

–Allen Adams ( The Maine Edge )

9. Show Them a Good Time by Nicole Flattery (Bloomsbury)

7 Rave • 7 Positive • 2 Mixed

“Nicole Flattery’s publisher paid big money for these debut stories (plus a novel-in-progress), and it’s not hard to see why: they’re often extremely funny—peculiar as well as ha-ha—and highly addictive … Flattery’s themes are work, womanhood and early-to-midlife indirection, all tackled slantwise … It’s easy to read but trickier to get a handle on: Flattery’s off-kilter voice blends chatty candour and hard-to-interpret allegory (think Diane Williams or 90s Lorrie Moore), with the deadpan drollery and casually disturbing revelations heightened by her fondness for cutting any obvious connective tissue between sentences … Trauma lurks in the background, with allusions to attempted suicide, abuse and a 13-year-old’s miscarriage … Yet Flattery’s stories don’t depend on bringing such things to light; they’re just there—part of a woman’s life—which ultimately proves more disconcerting … Flattery…doesn’t seem too bothered about sewn-up narratives running from A to B; it’s a mark of her art in these strange, darkly funny stories that we aren’t either.”

–Anthony Cummins ( The Guardian )

10. Hitting a Straight Lick With a Crooked Stick by Zora Neale Hurston (Amistad)

7 Rave • 4 Positive

Read a story from Hitting a Straight Lick With a Crooked Stick here

“…a revelation not just in its celebration of Hurston’s lesser-known efforts as a writer of short stories but also in the subjects and settings that it takes on … Hurston’s stories do not merely document black experience in the early 20th century; they testify to larger truths about black life … tender and wry … Fans and scholars of Hurston’s work and the uninitiated alike will find many delights in these complex, thoughtful and wickedly funny portraits of black lives and communities … this book is a significant testament to the enduring resonance of black women’s writing.”

–Naomi Jackson ( The Washington Post )

Our System: RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Discover the 10 Best Short Children’s Books (Easy Guide)

Reading is a vital skill that plays a significant role in a child’s development. In this era of digital distractions, it may seem like a challenge to get a child to sit and read a book. That’s where short children’s books come in handy. They provide a wonderful way to engage kids in reading without overwhelming them. In this article, we will explore the importance of short children’s books and introduce you to some classic and modern short children’s books that are perfect for kids.

Why Short Children’s Books are Important for Kids

Short children’s books are an excellent way to introduce young readers to the magic of storytelling. They offer numerous benefits, from fostering a love for reading to improving reading skills and comprehension. However, there are many more reasons why short children’s books are essential for kids.

Encouraging a Love for Reading

For children just starting to explore the world of literature, long books can be intimidating. Short children’s books provide a way for kids to discover the fun and excitement of reading without feeling overwhelmed. With relatable stories and colorful illustrations, short books can quickly become family favorites that kids will enjoy for years to come.

Short books also allow children to explore different genres and styles of writing. They can try out mysteries, adventures, and even science fiction without committing to a long, daunting book. This variety can help kids find their favorite type of literature and develop a deep love for reading.

Improving Reading Skills and Comprehension

Short children’s books are an excellent way for young readers to improve their reading skills and comprehension. The manageable length of the texts allows kids to practice reading and develop their vocabulary in a less daunting environment. As children become more comfortable with reading, they can gradually move on to more complex books that challenge their comprehension levels further.

Short books also provide an opportunity for children to practice their reading fluency. Reading fluency is the ability to read with speed, accuracy, and proper expression. Short books allow children to practice these skills without getting bogged down in long, complex sentences.

Perfect for Busy Schedules and Short Attention Spans

Parents and guardians often lead busy lives, and finding time to read with their children can be a challenge. Short children’s books provide the perfect solution, allowing adults and kids to bond over reading in those brief moments of downtime. Moreover, children nowadays have shorter attention spans, and short books can captivate their imagination just long enough to keep them engaged and entertained.

Short books are also great for on-the-go reading. Whether it’s in the car, on a plane, or waiting for an appointment, short books can be easily packed and read in short bursts of time.

Short children’s books are essential for kids of all ages. They provide an excellent way to introduce young readers to the world of literature and foster a love for reading. Additionally, short books improve reading skills and comprehension while being perfect for busy schedules and short attention spans. So, next time you’re looking for a book to read with your child, consider a short children’s book!

Top 5 Classic Short Children’s Books

Classic short children’s books are timeless treasures that have captivated generations of young readers. Here are five of the most beloved and influential short children’s books that continue to enchant children today.

“The Very Hungry Caterpillar” by Eric Carle

“ The Very Hungry Caterpillar ” is a beautifully illustrated tale of a caterpillar that eats its way through a variety of foods before transforming into a butterfly. This simple yet charming story teaches children about the life cycle of a butterfly and the concept of metamorphosis. The bright, colorful illustrations and repetitive, yet engaging, text make this book a perennial favorite among young readers and parents alike.

Did you know that ” The Very Hungry Caterpillar ” has been translated into over 60 languages? It has sold over 50 million copies worldwide and has become a beloved classic in children’s literature. Eric Carle, the author and illustrator, was inspired to write the book after observing a caterpillar in his garden. He used a unique collage technique to create the illustrations, which adds to the book’s charm and appeal.

“Goodnight Moon” by Margaret Wise Brown

A classic bedtime story, “ Goodnight Moon ” is a calming, rhythmic tale of a young rabbit saying goodnight to everything around it. The gentle, soothing words and warm illustrations create the perfect atmosphere for children to unwind and prepare for sleep. This iconic book is beloved by generations of children and remains a staple on many bedtime reading lists.

Did you know that “Goodnight Moon” was first published in 1947? Despite being over 70 years old, it remains a beloved classic and has sold over 48 million copies worldwide. Margaret Wise Brown, the author, was a prolific writer of children’s books and wrote over 100 books during her career. She passed away at the age of 42, but her legacy lives on through her timeless stories.

“Where the Wild Things Are” by Maurice Sendak

Winner of the Caldecott Medal, “ Where the Wild Things Are ” tells the story of a young boy named Max and his imaginative journey to a land filled with wild creatures. This captivating book explores themes such as anger , fear, and imagination. The enchanting illustrations and simple, yet powerful, storyline make “Where the Wild Things Are” a classic short children’s book that continues to remain relevant and awe-inspiring.

Did you know that Maurice Sendak was inspired to write “Where the Wild Things Are” after a childhood experience of being sent to bed without supper? The book was initially met with some controversy due to its portrayal of disobedience and anger, but it has since become a beloved classic and has sold over 20 million copies worldwide. The book has been adapted into a movie and a stage play, further cementing its place in children’s literature history.

“The Giving Tree” by Shel Silverstein

A poignant, beautifully illustrated tale about the selfless love of a tree for a boy, “ The Giving Tree ” is a heartwarming story that explores the theme of unconditional love and sacrifice. Silverstein’s simple, direct writing style, accompanied by his distinctive illustrations, creates a touching narrative that resonates with readers of all ages, teaching essential life lessons about love, generosity, and gratitude.

Did you know that “The Giving Tree” was initially rejected by several publishers before being accepted by Harper & Row in 1964? The book has since become a classic and has sold over 10 million copies worldwide. Shel Silverstein , the author and illustrator, was a prolific writer and artist who also wrote songs and plays. His unique style and humor have made him a beloved figure in children’s literature.

“Green Eggs and Ham” by Dr. Seuss

Dr. Seuss’s imaginative and playful use of language has made “ Green Eggs and Ham ” a classic in children’s literature. The book follows the persistent Sam-I-Am as he tries to convince the narrator to try green eggs and ham. This delightful story, with its lively illustrations and creative rhymes, helps children learn the importance of trying new things and discovering new experiences.

Did you know that Dr. Seuss wrote “Green Eggs and Ham” as a bet with his publisher? His publisher bet him that he couldn’t write a book using only 50 different words. Dr. Seuss took on the challenge and succeeded, creating a beloved classic that has sold over 8 million copies worldwide. Dr. Seuss, whose real name was Theodor Geisel, was a prolific writer and illustrator who created many beloved characters and stories that continue to enchant children today.

Top 5 Modern Short Children’s Books

Modern short children’s books continue to bring joy and learning to young readers. These books offer fresh and innovative storytelling techniques , captivating illustrations, and meaningful messages that will stay with children long after they’ve turned the last page. Short children’s books are an essential tool in cultivating a love for reading and developing essential reading skills in young children. Here are some additional details about the top five modern short children’s books that you should consider adding to your child’s reading list:

“Don’t Let the Pigeon Drive the Bus!” by Mo Willems

This humorous tale follows a persistent pigeon who tries to convince the reader to let it drive a bus while the driver is away. With engaging text and delightful illustrations, “ Don’t Let the Pigeon Drive the Bus !” is a playful and interactive reading experience that teaches children about the importance of listening and following the rules. The book is also an excellent tool for parents and teachers to use in teaching children about the consequences of not following rules and the importance of respecting authority figures.

“The Day the Crayons Quit” by Drew Daywalt

In “ The Day the Crayons Quit ,” a young boy named Duncan discovers a stack of letters from his crayons, each with unique complaints and reasons for quitting. This imaginative story teaches children about empathy, understanding, and the importance of appreciating the individuality of others. The creative illustrations and relatable storyline make this book a modern favorite in children’s literature. Parents and teachers can use this book to teach children about the importance of respecting others’ feelings and viewpoints, as well as the value of diversity and individuality.

“Dragons Love Tacos” by Adam Rubin

A lighthearted tale that combines humor, imagination, and the love of tacos, “ Dragons Love Tacos ” is a delightful read for children and adults alike. This charming book teaches kids about the importance of understanding others’ likes and dislikes while also fostering a love for reading through its witty prose and engaging illustrations. Parents and teachers can use this book to teach children about the importance of being open-minded and accepting of others’ differences, as well as the joy of trying new things.

“The Gruffalo” by Julia Donaldson

“ The Gruffalo ” is an enchanting story that follows a clever little mouse as it outwits a series of hungry animals using its imagination. The book’s captivating rhymes, combined with its beautiful illustrations, make “The Gruffalo” a delightful and engaging read. It teaches children about the power of imagination and the importance of believing in themselves. Parents and teachers can use this book to encourage children to use their imagination and creativity, as well as to teach them about problem-solving and critical thinking skills.

“Press Here” by Hervé Tullet

An interactive and innovative book, “ Press Here ” invites children to participate in the story by pressing, tapping, and shaking dots on the pages, creating an immersive reading experience. The engaging narration and simple illustrations help children develop a love for reading and demonstrate the power of imagination. “Press Here” is a modern favorite that encourages readers to explore the boundaries of traditional storytelling. Parents and teachers can use this book to teach children about cause and effect, as well as to encourage them to think outside the box and explore their creativity.

In conclusion, the world of short children’s books offers countless captivating stories that will leave lasting impressions on young minds. From the classic tales crafted by Eric Carle and Dr. Seuss to the imaginative modern works of Mo Willems and Hervé Tullet, there is a book for every child to enjoy. By introducing children to the joys of reading at a young age, we can help them develop a lifelong love of learning and exploration.

What books are appropriate for a 10-year-old?

Any book that is classed as middle-grade will be appropriate for a 10-year-old. Middle-grade fiction is written for children aged between 8 and 12 years old.

Who is the most popular children’s author?

J.K. Rowling is considered to be one of the best children’s authors after writing the globally renowned Harry Potter series. The works of C.S. Lewis and Rick Riordan are also very popular.

Is reading good for childhood development?

Yes, reading is excellent for childhood development. Reading is a great way to develop imagination, problem-solving, and independence.

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A Tale of Young Flames, and Their Dark Futures, After a Coup

In Lily Meyer’s first novel, “Short War,” love and family ties are tested by a nation’s upheaval.

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The book cover of “Short War,” by Lily Meyer, is black, with a drawing of a map of South America turned upside down.

By Jamie Fisher

Jamie Fisher is a writer who focuses on culture and literary criticism. She is working on a biography of the musician and songwriter Elliott Smith.

SHORT WAR, by Lily Meyer

The translator and critic Lily Meyer’s first novel opens in Santiago, Chile, with a lovely, eerie assuredness, a moment like an incantation: a girl walking toward a boy through a crowded party, illuminated. “He knew, with inexplicable, terrifying certainty, that she was coming for him,” the boy, Gabriel Lazris, thinks. He refers to this later as “the true start of his life,” the night he met Caro Ravest, in 1973.

Gabriel is 16, Jewish, American; he came to Santiago with his family as “a monolingual 8-year-old terrified to make eye contact with the school priests or anyone else” and is barely more confident now. His friend Nico gently calls him “our quiet American.” When Caro kisses Gabriel, he has a “soft, cracked-open feeling.” They clink beers in the kitchen, Gabriel reciting the Lazris family toast, an almost charmingly imperialistic relic of the Second World War. “Short war,” he says, and they drink.

But the reader knows what Gabriel doesn’t: that they are all five months away from a coup.

It’s the texture of Gabriel’s story that grabs you, much more than its portrait of American complacency and complicity. Gabriel waiting outside Caro’s school, faint with nerves, “the candied-nut cart streaming sugary smoke” in the plaza. His sullen mother and her tennis diamonds, his conservative journalist father and his bullying dinner-table arguments over black-market fish that has seen better days.

Gabriel knows his father peddles lies about President Salvador Allende to American audiences; when he goes rummaging in his father’s office, he realizes that the C.I.A. will orchestrate a takeover. In June, as Santiago is sealed off and Gabriel prepares to return to the United States, Caro tells him she’s pregnant.

“Short War” is a novel built from novellas, and we move next to Gabriel’s daughter, Nina, in 2015, when she’s a grad student researching a protest movement in Buenos Aires. She thinks of herself as a scholar of connection, someone who believes in learning “to pay real, sustained attention to others.” At the same time she’s started to worry that her career is only an excuse to waste time on social media. Gabriel looms at the edges of her story — depressed and lonely in Chicago, calling Nico on weekends, too broken by loss to return to Santiago even now. “Short war,” he says to Nina before she leaves for Argentina, clinking her glass.

Meyer’s interest is the absurdity of that phrase, a toast, we learn in her acknowledgments, borrowed from her own family. The book that changes Nina’s life — with its intertwined stories of kidnapping, torture and survival — is called “Guerra Eterna,” its title a refutation: eternal war. She reads about a Chilean survivor sheltering in Mexico City with her Jewish toddler and her nightmares, and feels a stab of foreboding when she learns the child’s father was American. She calls Gabriel and asks him, over the hiss of the line: Are you in a book? “I was afraid this would happen,” he says. And Nina begins to piece together her family’s haunted past.

It’s hard for the light liberal satire of Nina’s story to compete with the immediacy of Gabriel’s, or the life and color around him — Caro, unapologetically lovely and smart-mouthed; the vulgar funniness and kindness of Gabriel’s friends. When Nina comes in, a sensual urgency leaves the narrative and never really comes back. And that may be the point. The question at the core of Nina’s story is whether she can ever have a life separate from her father’s, something that isn’t small in comparison. She calls herself “a story leech,” wearing “her dad’s grief like hand-me-down clothes.”

As Caro walks toward a teenage Gabriel at the party in 1973, he knows the rest of his life is about to begin. Nothing for Nina will ever be so clear.

SHORT WAR | By Lily Meyer | Deep Vellum | 275 pp. | Paperback, $16.95

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Things to do | the book club: “day,” by michael cunningham, and more short reviews from readers.

The Know is The Denver Post's new entertainment site.

Editor’s note: The opinions of the smart, well-read women in my Denver book club mean a lot, and often determine what the rest of us choose to pile onto our bedside tables. So we asked them, and all Denver Post readers, to share these mini-reviews with you. Have any to offer? Email [email protected].

“The Hungry Season: A Journey of War, Love and Survival,” by Lisa M. Hamilton (Little, Brown & Company, 2023)

This is a nonfiction account of one Hmong woman’s life, from her childhood in a remote mountain village, through refugee camps in Indonesia, to her immigrant life working arid farmland outside Fresno, Calif. With extraordinary determination, persistence, inexhaustible hope, relentless striving, plus leavening doses of humor, the heroine, Ia Moua, overcomes seemingly impossible odds to support her family, both in the U.S. and in Laos. The “hungry season” in the title refers to the time of scarcity after last year’s rice crop has run out, and before the harvest of a new rice crop, when Laotian subsistence rice farmers learn to rely on optimism and hope to see them through. Such optimism and hope are the pillars of Ia’s life and character. Written with such affection and respect for Ia, this book flows like a novel, which I could hardly set down. (A New York Times Book Review Editors’ Choice; longlisted for the 2024 Plutarch Award.) — 4 stars (out of 4); Kathleen Lance, Denver

“Mavis Gallant: The Collected Stories,” by Mavis Gallant (Everyman’s Library, 2016)

A “literary” writer and New Yorker regular, the author was known for work full of rich details about setting and character, which benefit from close reading. The volume is broken into decades, from the 1930s to the ’90s. One story, “The Other Paris,” recounts the trip of a young American in search of the exciting, entrancing city she’s heard of, but never can find. Gallant played the role of observant outsider in her work and her life. If you claim you don’t have time to read thoughtful, beautiful books, try these short samples to enhance your soul. – – 4 stars (out of 4); Bonnie McCune, Denver (bonnieMcCune.com)

“Day,” by Michael Cunningham (Random House, 2023)

Michael Cunningham’s latest literary novel samples three years on a single day: April 5 in 2019, 2020 and 2021. Yes, this is a pandemic novel, sort of, but it’s more a complex story of relationships within a family group: brother, sister, brother-in-law, BIL’s brother, his partner, assorted children — and a character invented just for Instagram. In Brooklyn and later in Iceland, each character struggles through “thwartments” for change and fulfillment. After a slow start, the story becomes more and more engrossing as we learn a surprising amount about these lives in a very restricted amount of time. — 3 stars (out of 4); Neva Gronert, Parker

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Taylor Swift’s Tortured Poetry

By Amanda Petrusich

An illustrated portrait of Taylor Swift.

In the past several months, Taylor Swift has become culturally ubiquitous in a way that feels nearly terrifying. Superstardom tends to turn normal people into cartoons, projections, gods, monsters. Swift has been inching toward some sort of tipping point for a while. The most recent catalyst was, in part, love: in the midst of her record-breaking Eras Tour , Swift, who is thirty-four, began dating Travis Kelce , a tight end for the Kansas City Chiefs. Whenever Swift appeared at one of Kelce’s games, the broadcasters whipped their extra-high-definition cameras toward her, sending legions of amateur lip-readers scrambling for their phones. I’m paid to give legibility to such things, and even I couldn’t help but think that we were crossing some sort of Rubicon with regard to our collective sanity. Swift was everywhere, beheld by everyone. She is one of the most streamed artists of all time on Spotify; Billboard reported that, at one point, she accounted for seven per cent of all vinyl sales in the U.S. Swift is a capable and hugely savvy businesswoman (a billionaire, in fact), yet I began to worry about her in a nearly maternal way: How could anyone survive that sort of scrutiny and retain her humanity? Detaching from reality can be lethal for a pop star, particularly one known for her Everygirl candor. I thought of the oft-memed bit from “Arrested Development,” in which Lucille Bluth, the oblivious matriarch, asks, “I mean, it’s one banana, Michael—what could it cost? Ten dollars?”

This month, Swift released “The Tortured Poets Department,” her eleventh studio album. She has now reached a level of virtuosity within her genre that feels nearly immutable—she’s too practiced, too masterly, to swing and really miss. But “The Tortured Poets Department” suffers from being too long (two hours after it was released, Swift announced a second disk, bringing the total number of tracks to thirty-one) and too familiar. Swift co-wrote most of the record with Jack Antonoff and with Aaron Dessner. (The two producers have oppositional melodic sensibilities: Antonoff sharpens Swift; Dessner softens her.) The new songs suggest that, after a decade, her partnership with Antonoff has perhaps run its course. The tracks written with Dessner are gentler, more tender, and more surprising. The raw and stirring “Robin” seems to address a child—either a very young Swift (the album contains several references to her hijacked youth, including “The Manuscript,” a sombre song about a relationship with an older man), or maybe a future son or daughter.

“The Tortured Poets Department” was released following the end of Swift’s six-year relationship with the actor Joe Alwyn, and the album is mostly about the utter unreliability of love—how bonkers it is that we build our entire lives around a feeling that can simply dissipate. “You said I’m the love of your life / About a million times,” Swift sings on “Loml,” a wrenching piano ballad. “You shit-talked me under the table, talking rings and talking cradles.” Shortly after Swift and Alwyn split, she reportedly had a fling with Matty Healy , the front man for the British rock band the 1975. (“I took the miracle move-on drug / The effects were temporary,” she sings on “Fortnight.”) Healy is a provocateur, prone to making loutish jokes; onstage, he smokes, eats raw steak, and makes out with strangers. The rumored relationship sent Swifties into spasms of outrage, and revealed the unusual extent to which Swift is beholden to her fans. She has encouraged and nurtured a parasocial affection (at times she nearly demanded it: inviting fans to her home, baking them cookies), and she now has to contend with their sense of ownership over her life. On “But Daddy I Love Him,” she scornfully chastises the “judgmental creeps” who relentlessly hounded her about her love life: “I’d rather burn my whole life down / Than listen to one more second of all this bitching and moaning.” (She saves the nastiest barb for the final verse: “All the wine moms are still holding out.”) Regardless, things with Healy ended fast, and, a few months later, she did the most wholesome thing possible: she started dating a football player whose team would go on to win the Super Bowl.

Quite a few of the album’s lyrics seem to evoke Healy: “You’re not Dylan Thomas / I’m not Patti Smith / This ain’t the Chelsea Hotel / We’re modern idiots,” Swift sings on the title track, a shimmering song about broken people clinging to each other. I like that line—it suggests self-awareness—but it’s followed by one of the weirdest verses of Swift’s career: “You smoked then ate seven bars of chocolate / We declared Charlie Puth should be a bigger artist / I scratch your head, you fall asleep / Like a tattooed golden retriever.” Other lyrics lack Swift’s signature precision: “At dinner you take my ring off my middle finger and put it on the one people put wedding rings on,” she sings. Even the greatest poets whiff a phrase now and then, but a lot of the language on the record is either incoherent (“I was a functioning alcoholic till nobody noticed my new aesthetic”) or just generally bewildering (“Florida is one hell of a drug”). My favorite lyrics are the simplest, and are delivered with a kind of exhausted calm. On “Down Bad,” a woozy song about feeling like shit, Swift admits defeat: “Now I’m down bad, crying at the gym / Everything comes out teen-age petulance / Fuck it if I can’t have him.” Feel you, dude.

Each of Swift’s records has a distinct visual component—this is more or less the premise of the Eras Tour . “The Tortured Poets Department” is preoccupied with writerly accoutrements, but the vibe is ultimately more high-end stationery store than musty rare-books room. Initially, the title seemed as if it might be a smirking reference to Joe Alwyn (he once joked about being part of a WhatsApp group called the Tortured Man Club). But I find that the phrase works well as a summation of Swift’s entire self-conception. She has always made a big deal about her pain being generative. “This writer is of the firm belief that our tears become holy in the form of ink on the page,” she wrote on Instagram. She has talked about this album as if the songs were mere monuments to her suffering: “Once we have spoken our saddest story, we can be free of it.”

An unusual number of Swift’s songs portray love as combative, perhaps because she is so prone to working from a place of wounded longing. On “Better Than Revenge,” a song she wrote at eighteen, Swift sings about art as a useful weapon, a way to punish anyone who does her dirty: “She thinks I’m psycho / ’Cause I like to rhyme her name with things.” It’s a funny lyric, but, by Swift’s current age, most people understand that love isn’t about winning. (Art isn’t, either.) Yet, in Swift’s universe, love is often a battlefield. On “Who’s Afraid of Little Old Me?,” she catalogues the ways in which fame can pervert and destroy a person: “I was tame, I was gentle, till the circus life made me mean,” she sings. She is paranoid, wild-eyed: “Tell me everything is not about me / But what if it is ?” (After the year Swift has had, she’s not wrong to ask.) The song itself is so tightly produced that it doesn’t sound dangerous. But, midway through, her voice briefly goes feral. I found the moment thrilling, which is maybe part of the problem.

In the weeks before “The Tortured Poets Department” was released, it seemed as though a backlash was inevitable. Swift’s lyrics are often focussed on her perseverance against all odds, but, these days, she is too omnipresent and powerful to make a very convincing underdog. Still, interest in Swift has yet to diminish or fully sour. She announced the album at the Grammys, in February, as she was accepting the award for Best Pop Vocal Album, for her previous record, “Midnights.” I found her speech so profoundly mercenary it was sort of funny. “I want to say thank you to the fans by telling you a secret that I’ve been keeping from you for the last two years, which is that my brand-new album comes out April 19th,” Swift said. “I’m gonna go and post the cover.”

As I’ve grown older, I’ve mostly stopped thinking about art and commerce as being fundamentally at odds. But there are times when the rapaciousness of our current pop stars seems grasping and ugly. I’m not saying that pop music needs to be ideologically pure—it wouldn’t be much fun if it were—but maybe it’s time to cool it a little with the commercials? A couple of days before the album’s release, Swift unveiled a library-esque display at the Grove, a shopping mall in Los Angeles. It included several pages of typewritten lyrics on faux aged paper, arranged as though they had recently been tugged from the platen of a Smith Corona. (The word “talisman” was misspelled on one, to the delight of the haters.) The Spotify logo was featured prominently at the bottom of each page. Once again, I laughed. What is the point of all that money if it doesn’t buy you freedom from corporate branding? For a million reasons—her adoption of the “poet” persona; her already unprecedented streaming numbers—such an egregious display of sponsorship was worse than just incongruous. It was, as they say, cringe.

Among the other clues Swift doled out were five exclusive playlists for Apple Music (sorry, Spotify!), comprising her own songs and organized according to the five stages of grief: denial, anger, bargaining, depression, and acceptance. At first, I thought the playlists were just another bit of overwrought marketing, but the more I listened to “The Tortured Poets Department” the more germane the concept felt. Anyone who has grieved knows that these categories are not a ladder you climb toward peace: it is possible, instead, to feel all of them at once, briefly or forever. Each stage is evident on “The Tortured Poets Department.” Sometimes they oppose one another: Swift is cocky and self-loathing, tough and vulnerable, totally fine and completely destroyed. She is free, but trapped. Dominant, powerless. She wants this, but she doesn’t. Those sorts of contradictions can be dizzying, but, in the end, they’re also the last things keeping her human. ♦

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1. Bliss Montage by Ling Ma. "The eight wily tales mark the return of an author whose inventive debut, Severance, urgently announced her as a writer worth watching … an assured follow-up, a striking collection that peddles in the uncanny and the surreal, but it often lacks Severance 's zest.
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This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews. ... and short stories rarely have explicit arguments. But identifying the book's particular novelty, angle, or originality allows you to show what specific ...
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The Best Reviewed Books of 2020: Short Story Collections
In these superbly wrought tales he catches, with exquisite precision…the irresistible melancholy that is the mark of American life.". -John Banville ( The Wall Street Journal) 6. Daddy by Emma Cline. (Random House) 9 Rave • 8 Positive. Read Emma Cline on Anaïs Nin's erotic fiction and John Cheever's journals here.
Discover the 10 Best Short Children's Books (Easy Guide)
Discover the 10 Best Short Children's Books (Easy Guide) by Eddison Monroe. Reading is a vital skill that plays a significant role in a child's development. In this era of digital distractions, it may seem like a challenge to get a child to sit and read a book. That's where short children's books come in handy.
Book Review: 'Short War,' by Lily Meyer
In Lily Meyer's first novel, "Short War," love and family ties are tested by a nation's upheaval. By Jamie Fisher Jamie Fisher is a writer who focuses on culture and literary criticism ...
The Book Club: "Day," by Michael Cunningham, and more short reviews
(A New York Times Book Review Editors' Choice; longlisted for the 2024 Plutarch Award.) — 4 stars (out of 4); Kathleen Lance, Denver "Mavis Gallant: The Collected Stories," by Mavis ...
Taylor Swift: The Tortured Poets Department review
The topic is heartbreak: this is her break-up album. The real-life backdrop is the end of her six-year relationship with the British actor Joe Alwyn.
Taylor Swift's Tortured Poetry
Amanda Petrusich on the singer's new album, which seems to be about relationships with Joe Alwyn, Matty Healy, and Travis Kelce, and includes collaborations with Jack Antonoff, Post Malone, and ...