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How to Write an Open Letter: A Guide to Our Opinion Contest

Six steps to help you understand the format and write a powerful open letter of your own — with help from Times texts along the way.

By Katherine Schulten

When introducing a new contest, we Learning Network editors try hard to put ourselves in the shoes of teachers and students. As former educators ourselves, we know that the more we can spell out exactly what we’re looking for, the easier it will be for everyone.

But because this new 2024 challenge replaces what had become an institution on our site — the Student Editorial Contest that ran for a decade and garnered nearly 100,000 submissions — we tried to be especially careful.

Below, a set of steps that we hope can help teenagers see that they, too, can write powerful open letters that can change hearts and minds. After all, we often heard from the teenage winners of our Editorial Contest that their work had gone on to have real-world results, such as changing school policies and earning their authors large public platforms.

As we planned this guide, we received invaluable advice from a team of teachers and librarians at Brooklyn Technical High School who have collaborated this year to help their students write open letters. Thank you to the librarians Joanna Drusin, Joy Ferguson and Katrina Kaplan, and the English teachers Annalise Armenta, JoAnna Bueckert-Chan, Ella DeCosta, Elliott Johnston and Adam Virzi for sharing ideas, experiences and materials.

Whether you’re submitting to our challenge or not, enjoy this guide, and please ask any questions you might have, either by posting a comment here or on the contest announcement , or by writing to [email protected].

Teachers: Please preview the open letters you assign from our list below to make sure they are appropriate for your students.

How to write an open letter:

Step 1: understand the format., step 2: read selected examples., step 3: decide whom you’d like to write to and what you want to say., step 4: write your first draft as a letter, not an essay., step 5: make sure the tone is appropriate to your audience and purpose., step 6: remember that an open letter is a type of opinion essay, so you’ll still need to make a strong argument., step 7: edit your letter and submit..

Letters are personal. That’s what makes them special. Think about how you feel when you receive one, whether from an old friend, your grandma or someone you’re romantically involved with. You expect to read something written just for you.

Opinion essays, on the other hand, are for everyone. They try to convince all kinds of people, very few of whom the author has probably ever met, that some kind of change is needed.

Open letters bring the two formats together. Crafted to read as a personal entreaty to an individual or group, they can have an intimate, even casual, tone and voice. And because they seem to be addressed to someone else, you can feel as if you are listening in on private thoughts.

Of course, their real purpose is to be read by the public. Like any opinion piece, they seek to persuade by making a strong case via facts, examples and appeals to logic and emotions.

The official definition of an open letter is “a published letter of protest or appeal usually addressed to an individual but intended for the general public.” As we wrote in our contest announcement, you’re likely familiar with the many “Dear Taylor Swift” open letters you can find online. Though they’re addressed to Ms. Swift, they’re really a way for the writer to share opinions and feelings on feminism, ticket sales, the music industry or other topics.

As we take you through the steps below, please remember this: An open letter simultaneously addresses an explicit , or stated, audience — the person whose name follows “Dear” — as well as an implicit or general audience — those of us out in the world who are reading the piece.

Let’s see how it works by starting with a 2016 piece by Michael Luo headlined “ An Open Letter to the Woman Who Told My Family to Go Back to China ” (student version; here is the original ). Here is how it begins:

Dear Madam: Maybe I should have let it go. Turned the other cheek. We had just gotten out of church, and I was with my family and some friends on the Upper East Side of Manhattan. We were going to lunch, trying to see if there was room in the Korean restaurant down the street. You were in a rush. It was raining. Our stroller and a gaggle of Asians were in your way. But I was, honestly, stunned when you yelled at us from down the block, “Go back to China!

What do you notice in just the first two paragraphs? In what ways does it read as a letter rather than an essay?

As you continue through the piece, note all the places in which it follows the conventions of a letter. For instance, the writer addresses a real person:

You had on a nice rain coat. Your iPhone was a 6 Plus. You could have been a fellow parent in one of my daughters’ schools. You seemed, well, normal.

When you finish, consider why Mr. Luo may have chosen to craft this as an open letter, not an essay. How might it read differently if it were an essay?

Now read it a second time. This time — perhaps using a different symbol or color — note all the places in which it reads like a traditional opinion piece. Where and how is it clearly addressing a general audience?

For example, he writes, “Ask any Asian-American, and they’ll readily summon memories of schoolyard taunts, or disturbing encounters on the street or at the grocery store.” Then he embeds responses from social media that echo this claim. How does that help you understand that this is a societal issue that should concern us all?

Finally, ask yourself, how is this open letter — or any open letter — a hybrid, both a letter to an individual, and a plea to a general audience?

Open letters that have been published in The New York Times:

An Open Letter to Governor Lee on the Slaughter of Our Children (2023)

Letters Helped Brittney Griner Survive. Here’s One for Her Future. (2022)

Open Letter to President Biden From a Dispirited Black Voter (2022)

A Letter to My Conservative Friends (2021)

A Letter to My Liberal Friends (2021)

An Open Letter to John Lewis (2020)

Dear Harry and Meghan, Some Friendly Canadian Advice (2020)

A Letter to My Father, Gabriel García Márquez (2020)

An Open Letter to President Trump (2020)

An Open Letter to Mark Zuckerberg (2019)

Dear Walmart C.E.O.: You Have the Power to Curb Gun Violence. Do It. (2019)

T.I. Writes Open Letter to Barack Obama: ‘Your Legacy Will Live On’ (2017)

An Open Letter to the Woman Who Told My Family to Go Back to China (2016)

Dear White America (2015)

Dear Graduate (2009)

An Open Letter to the Founder of Starbucks (2008)

An Open Letter to Coach Mangini: Use the P-Word (2006)

An Open Letter to My Two Mothers (1989)

Open Letter to Madison Square Garden (1982)

Open letters from outside The Times:

Letter From Birmingham Jail (1963)

Pause Giant A.I. Experiments: An Open Letter (2023)

An Open Letter to Taylor Swift (2023)

An Open Letter to Autistic High Schoolers (2022)

An Open Letter From a Teenager to High School Teachers Everywhere (2016)

A Letter From Young Asian Americans To Their Families About Black Lives Matter (2016)

Letters to the Next President: Letters from America’s Youth During the 2016 Presidential Election (2016)

Dear Mr. Manning … (2014)

An Open Letter to America From a Public School Teacher (2014)

Time magazine: 6 Open Letters That Changed the World

First, just scan the headlines of the pieces above:

What do you notice about the variety of subjects to whom these open letters are addressed? How many are written to groups and how many to individuals? Which are written to someone famous and which to ordinary people?

Judging the headlines, do you think an open letter can be written to any group or individual? Why or why not?

Do the headlines of any of these pieces give you ideas for your letter? How so?

Now choose one or more to read in full.

Who is the explicit, or stated, audience? Who is the implicit, or unstated, audience? How do you know?

Who is the writer of the letter? What authority does the writer seem to have on this topic? Why should we listen?

What is the purpose of this letter, in your opinion? What does the writer want to have happen?

What lines stand out for you? Why?

What makes this a letter? That is, how does it read differently than if it were a persuasive essay? What lines or words show that?

Even though it is written as a letter, in what ways is it like other opinion essays you have read or written? Where in the piece do you see that?

Why do you think the author chose to write an open letter instead of a traditional essay? Was that effective, in your opinion?

Some of you will come to this contest already motivated to write to a particular person or group.

Others will be inspired by an issue or cause, and will need to choose the right person or group to address about making change.

Either approach can work, and our Student Opinion forum “ To Whom Would You Write an Open Letter? ” can show you how.

Read through the forum and answer the questions that are relevant to you, then post your answers in the comments section and join the public conversation, or discuss them with your classmates.

As you’ll see in the steps to come, the idea is to come up with a focus for a letter you’re genuinely motivated to write. And, as you may have discovered if you did the exercises above, almost any topic and audience can work as long as you have something meaningful to say.

Need more help? Here is a list of 310 prompts we have published that ask you to take a stand. They may help you find a topic, and each links back to a free Times piece you can use for your research.

If you’ve followed our steps so far, you’ve begun to tease out the differences between an open letter and other kinds of opinion writing, but you might still be confused.

In fact, you might be wondering why you can’t just take a persuasive essay you’ve already written for school, slap a “Dear [recipient]” on top of it and a “Sincerely, [your name]” on the bottom and call it an open letter.

To help explain, we’re going to ask you to do an experiment. Try this:

Once you have a focus for your letter — both the person you’d like to address and the issue you’ll explore — find a place to write comfortably.

Now, set a timer for seven minutes, and put “Dear [recipient]” at the top of a fresh page.

Next, write. For seven minutes, pour your heart out. Keep the person or group you’re addressing in mind, and say anything and everything you’d like to say, exactly the way you want to say it. If you get stuck, remind yourself that this is just an experiment and that no one but you will read the results. Be as honest as possible.

Now stop and look over what you wrote. What parts of your letter jump out? Underline or circle those lines or sections. If you’d like, try reading some of your favorite lines aloud to others in your class who have done the same exercise — assuming, of course, that those lines are appropriate for a classroom!

Next, discuss.

How was writing this letter different from writing a persuasive essay? What was easier? What was harder?

Now that you’ve reviewed your piece, how would you say your voice and tone sound different than they would if you had written this as an essay instead of a letter? In what lines does that come through especially well?

We asked you to try this to help demonstrate just how different it can be to write a letter, even an “open letter,” than to write a formal essay. If you’re like most students, you’ve been composing school essays for years, and you’ve absorbed a lot of rules around them. Not so with letters, and we hope you’ll use that relative freedom to your advantage.

Of course, you have to keep in mind that this was just a draft, and you have several steps to go before this piece is suitable for a public audience. But we hope some of your real voice and personality made it onto the page, and that you can keep that authenticity in your final draft.

Choose any of the winning opinion essays from our Student Editorial Contest.

How would that editorial have to change in order to become an effective open letter?

If it were an open letter instead of an editorial, to whom might it be written? Come up with at least three different recipients.

How would choosing different explicit, or stated, audiences for this letter change the writer’s tone and argument? For example, how would this essay on fast fashion sound and read if it were written as an open letter to H&M or Zara? How might it sound and read if it were written to the author’s fellow students as they considered what to wear to the school dance? Why?

In 2019, John Lewis, the civil rights leader and member of Congress, announced that he had advanced cancer. Soon thereafter, the Times Opinion columnist Margaret Renkl wrote an open letter to Mr. Lewis, whom she called “a moral compass for our nation.” Here is how it began:

Dear Mr. Lewis, I write with a heavy heart. Stage 4 pancreatic cancer is a brutal diagnosis, so it’s no surprise that last Sunday night the internet erupted with anguish as news of your illness became public. Treatment may give you a “fighting chance” to continue working “for the Beloved Community,” as you wrote in a statement, but it’s painful to think of what you will be called on to bear in the coming months. You have already borne so much for us.

Without reading further, how would you describe the tone of this letter? What words get that across?

Why do you think Ms. Renkl chose to frame her thoughts as a letter to John Lewis rather than an essay about him? In other words, what was her purpose, and how did making it an open letter achieve that? How does her tone follow her purpose?

Mr. Lewis died at age 80 in July 2020, a few months after his announcement. Study the full piece to see how Ms. Renkl detailed for her audience of general Times readers what was notable about his life, all while seeming to address Mr. Lewis instead of us. For example, how does she quote him, yet work those quotes in seamlessly, even though they are part of a letter, not a traditional essay?

Ms. Renkl’s tone is serious, as befits her subject. By contrast, take a look at this open letter, written in 2006 by a Times sports columnist to the New York Jets’ head coach. Headlined “ An Open Letter To Coach Mangini: Use the P-Word ,” it begins:

Dear Coach, It’s time to stop being coy about refusing to use the “p-word,” as in playoffs. It’s time for you, the Jets’ rookie coach, to use the word itself — “playoffs” — in every team meeting, in every news conference, in every television and radio spot. Because the Jets, at 5-5 and with each of their final six games against a team with a losing record, are still very much in the playoff picture in the American Football Conference despite yesterday’s 10-0 loss to the Bears. Don’t perish the thought of the playoffs. Preach the playoffs. After upsetting the Patriots a week ago, your Jets were soaring at 5-4, tied with two other teams for sixth place (and the last wild card) in the A.F.C. playoffs, but the only “p-word” you used all week was progress. Feel free to say the word “playoffs” out loud. If you think your players aren’t quite sure what it means, spell it out for them: p-l-a-y-o-f-f-s. After they watch game tapes, make them write it 100 times in their playbooks.

How would you describe the tone of this letter? What lines show that especially well? What do you think was the writer’s purpose for writing the piece? Do you think his tone helped?

But what if the motivation for writing an open letter is anger?

Maybe the draft of the letter you began in Step 3 was motivated by your rage at an injustice, and maybe, since we asked you to write as honestly as possible, you expressed that rage in colorful language.

How do you channel that strong emotion into a letter that is civil, suitable for a newspaper like The Times and respectful of both its stated recipient and a general audience — but is still strongly worded enough to make your point?

Perhaps more important, how do you make your case in a tone that your audience will be moved by? For example, though an angry rant about your parents’ curfew policy might have felt good to write, would that rant be the most effective way to get your mom and dad to change their minds? Or might you need to moderate your tone to reach them?

To explore this more, let’s read two political letters to U.S. presidents. As you do, keep in mind that, because they were published in The Times, it is quite possible that the letters were actually read by those leaders, or by staff members who could have conveyed their messages.

Here is the beginning of “ An Open Letter to President Trump .” It was written by the Times Opinion columnist Thomas L. Friedman in March 2020, just as the Covid-19 pandemic began.

Dear President Trump, I have not been one of your supporters, but when it comes to combating the coronavirus, saving lives and getting as many Americans back to work as quickly as possible, I am praying for your success, because so much is riding on the decisions that you, and only you, can make. So what I am about to say is truly in the spirit of being constructive: You need a plan.

Just from this first paragraph, how do you think Mr. Friedman felt about how Mr. Trump was handling the pandemic? How can you tell? What was his purpose for writing? How urgent was this purpose? How would you describe the tone? How well does that tone work to get his message across?

Now read the rest of the piece, noting lines in which Mr. Friedman’s frustration comes through. For example: “In all honesty, though, sir, you immediately and crudely jumped into that discussion.” How does this line convey real emotion, but do so in a civil way? Do you think an angrier, less respectful tone would have been more effective? Why or why not?

Now read another political open letter, “ Open Letter to President Biden From a Dispirited Black Voter ,” by the Times Opinion columnist Charles M. Blow in 2022.

Here are some lines from the middle of the piece. What do you notice about the tone?

As far as I can tell, Tuesday’s brief comments were the first public statements you have made about passing voting rights legislation since January, and that’s from my search of the White House’s own collection of your comments published on the White House site. Is that what “never stop fighting” looks like to you? Where did you learn to fight, in a pillow factory?

Here is the end of the letter:

The truly frustrating thing is that in a two-party system, Black people are stuck. You, Mr. President, are the best and only option when the Republicans have declared war on truth, Black history and Black voters and sworn allegiance to Donald Trump. But Black people are weary of this political dance, of being drawn near and then pushed away, of having individuals elevated but the collective damaged, of having sweet nothings whispered in our ears only to be denied in public. Mr. President, do better. Signed, A Dispirited Black Voter

Read the full piece. How does Mr. Blow express his anger and frustration? Do his feelings come across differently than Mr. Friedman’s did? What lines show it? Is the writer still civil and respectful? Is it OK that he made a comment like “Where did you learn to fight, in a pillow factory?” to a president? Is his letter effective in your view?

Ask yourself …

What is my purpose for writing a letter? What do I hope will happen as a result?

Who is my explicit, or stated, audience? Who is my implicit, or unstated, audience? (Note: If you are writing for our contest, your implicit audience will be New York Times readers.) What is my relationship to those audiences?

What is my tone? Is it appropriate for my subject, purpose and audience — both explicit and implicit? Why or why not?

How can I appeal to my explicit audience in a way that will move people to action or reflection? Does that kind of appeal also work for my implicit audience?

How have I expressed my emotions and opinions? Am I clear and forceful? Am I civil and respectful? What lines stand out to show that?

As you now understand, the writer of an open letter has to keep two audiences in mind — both the explicit, or stated, recipient, and the implicit, or unstated, reading public.

In the previous step, you developed the parts of your essay that will more closely resemble a personal letter. In this section, you’ll develop the aspects that share qualities with other essays you might have read in the Times Opinion section or in past Student Editorial Contests .

Here are some important things to consider.

Authority: Who are you, and why should we care about what you have to say?

Those questions might sound harsh, but they are key to finding a meaningful subject and writing a compelling letter.

What could your letter about climate change, college admissions or gun violence, for example, say that the work of others couldn’t? What special background, experience or knowledge do you bring that makes you an authority on the subject? (If you have studied rhetorical strategies, you might be familiar with the concepts of ethos, pathos and logos, and will recognize that here we are describing ethos. More on that later.)

These are questions that we often asked the participants of our Student Editorial Contest, so you only have to scan the work of the teen winners to see how personal authority plays a role.

For example:

Lucas Cohen-d’Arbeloff wrote about what the Florida bill labeled “Don’t Say Gay” by its detractors means for same-sex parents and their children , like him.

Ketong Li explored what it means to participate in “voluntourism ” after a trip to Myanmar left her feeling guilty.

Asaka Park wrote about being disabled and how social media is a lifeline for teens like her.

Aria Capelli extolled the joys of multigenerational living thanks to her time in a pandemic bubble with her grandparents.

But how does this work in open letters? Read just the salutation and first line of this next piece. Who is writing to whom? How do you know?

Mark, In 2010, I wrote “The Social Network” and I know you wish I hadn’t.

If you guessed that this is an open letter to Mark Zuckerberg from Aaron Sorkin , you’d be right. The piece, from 2019, is about what Mr. Sorkin sees as Facebook’s dangerous policies around political speech. In the letter, he weaves in his experience making “The Social Network,” a film about Facebook’s origins — and battling Sony and Facebook for permissions to say what he wanted to say — to show his authority on this topic.

The comedian Monica Heisey takes a different approach in “ Dear Harry and Meghan, Some Friendly Canadian Advice .” Written in 2020, when the couple was considering moving to Toronto or Vancouver, the letter includes a humorous description of her expertise on the topic:

As my own family’s problematically ginger second-born and someone who fled Canada for England, I’ve recently completed something of a reverse-Harry and am therefore in a perfect position to dispense some classic, North American-style unsolicited advice.

But do you have to be famous or powerful to write an open letter? Of course not. In a 1982 “ Open Letter to Madison Square Garden ,” a 22-year-old fan is incensed that the Madison Square Garden Corporation was considering moving the New York Rangers to New Jersey. As you read this opening, ask yourself, what is his authority on this topic? Is it enough?

Gentlemen: I am driven to write this letter, after 15 years of patronage, by the “potential” transfer of the New York Rangers to the Meadowlands. Protesting will obviously serve no useful purpose, so in lieu of an “outraged condemnation,” I thought I might share with you some of my thoughts about our relationship. I am 22 years old, and a resident of Brooklyn. My family recently submitted payment for our 24th consecutive season subscription to the Rangers. We saw them in the old Garden; we saw them in the new. What stands out most about my 15 seasons of Ranger games are the good times. The Ratelle-Gilbert-Hadfield goal-a-game line. Walter Tkaczuk and Billy Fairbairn killing penalties. Bobby Rousseau on the point during the power play. Harry Howell steady as a rock on the blue line. Jim Neilson and Rod Seiling on defense. Beating the Islanders. Eddie Giacomin making save after save after save.

Now ask yourself:

What special knowledge, experience or background with my issue do I have that will give me credibility? Do I have an insider perspective of some kind?

How can I express or explain that?

Call to action: Make the purpose for writing your letter clear.

Go back to the rough draft you wrote at the beginning of Step 3. Did you make your purpose clear? What did you say and how did you say it?

In our rules, we state that you must have some kind of call to action, whether the change you seek is something tangible, like asking Congress to enact a law or demanding a company stop a harmful practice, or something more abstract, like inviting your audience to reflect on an issue that they may have never considered.

Let’s look at how some Times writers have done it. Sometimes, the call to action is clear, as in Margaret Renkl’s “ An Open Letter to Governor Lee on the Slaughter of Our Children ,” from 2023. Read the letter, and identify what she wants Bill Lee, the governor of Tennessee, to do, both in the immediate aftermath of the shooting at the Covenant School in Nashville and in the longer term.

Now look at how the young Rangers fan ends his letter to Madison Square Garden. What is he asking? Is it a serious request that he expects to be honored, or is it just another way of making his point?

I would like to thank you for bringing me so many memories, and berate you for denying me more. Finally, I would like to ask, respectfully of course, that when the Rangers — the NEW YORK Rangers — play in New Jersey, they not be identified as New Yorkers. After all, they will not be. Perhaps, if you are reluctant to alienate your once-devotees by calling them the New Jersey Rangers, you could call them the Tri-State Rangers. Maybe then you’ll even make some money in Connecticut.

Finally, what if your letter’s purpose is to honor someone and explain their role in your life? What is your call to action then? Take a look at the rapper T.I.’s open letter to former President Barack Obama , written in 2017 in his final month in office. Here is the ending of the piece. Who is he trying to move to action? Is it Mr. Obama — or can the call to action be to us, the implicit, unstated, audience? Is that just as effective?

For every one of US who has been touched by you and tasked with a choice between finding a way or walking away, I say we can and must do more. We cannot afford to live in a prolonged state of grief, but must remember that we have no choice but to dust ourselves off, wipe off our wounds and move beyond this barren state of shock. We will forever be grateful to you and your family, the graceful intelligent compassionate first lady, Mrs. Obama, as well as your beautiful daughters Sasha and Malia for their collective sacrifices for US. WE will continue to stand with you and alongside those who make a personal investment in US. We will continue to remain committed to causes that are bigger than ourselves. We will continue to remind ourselves that, Yes, We still can!

Is my call to action something tangible that the recipient of my letter has the power to change?

Or, is it more abstract, like asking my audience to understand or reflect on something important?

Who am I really addressing in my call to action? As you saw in the examples above, sometimes it is a direct request of a person with power, but other times it is more of a plea to the general reader. Sometimes, it can be both. No matter to whom the call to action is directed, however, it should be meaningful and compelling to both your stated and unstated audience.

Context: What background information do we need to understand your issue?

Let’s say you’re writing a letter to a good friend you haven’t talked to in awhile. You’ve been at summer camp for a few weeks, and you’re excited to explain to your friend that, even though she knows you’ve always been afraid of the water, now you’re so comfortable you can swim across a lake. But since the two of you took a disastrous swim class together back in third grade, you can also refer to your inside jokes on the topic to help her appreciate how far you’ve come.

Now think about how this might work in an open letter. Some employ that same kind of insider knowledge. For instance, many of the open letters to Taylor Swift on the internet riff off the titles of her songs, allude to moments from her past or scatter the kinds of “ Easter eggs ” — or secret messages — that Ms. Swift is known for herself. If the writer’s stated audience is Ms. Swift, and his or her unstated audience is fans of hers, that works well; the readers understand the references.

But what if your audience isn’t that specialized, and you can’t predict what they will know? That is the case with most Times pieces, which are written for a general reader. They assume some background knowledge, but tend to detail anything crucial the reader needs to know. In fact, the way the writer explains those details can be a big part of making their case.

The opening lines of Kurt Streeter’s open letter to Brittney Griner in a 2022 Sports of The Times column are a good example. How do they show that the writer is addressing an audience well beyond Griner, the basketball star?

Welcome home, Brittney. At long last, welcome home. Like so many others, I wondered if this day would ever come. Now you are home and safe after nearly 10 months of brutal uncertainty and fear. Home and safe after isolating imprisonment in a Russia that has cast aside international norms. Home and safe after getting trapped in a web of geopolitics that grew thicker each day as the war in Ukraine dragged on. What you endured over the last 10 months is nearly unfathomable. As a Black, openly gay woman, you were in particular danger as a prisoner in a country with dangerous, retrograde views on race and sexuality.

What background information do these opening lines supply for those who may not remember all the details of Ms. Griner’s imprisonment? How does Mr. Streeter’s description of this history and context encourage the reader’s sympathy and respect for Ms. Griner?

Continue reading. How does Mr. Streeter weave in details, facts and quotes to build context and background, and to further his case? Mark all the places where he does that effectively.

To focus on just one example, note how elegantly he includes a quote from an important and relevant person, and how he makes sure, we, his Times audience, know who this person is. Yet he doesn’t do it by citing his source, as you would in an academic essay. Instead, he weaves it in as one would if they were writing a personal letter — as if he’s just letting Ms. Griner know what someone had to say about her:

When I spoke to Vince Kozar, the Mercury’s president, this week, he mentioned the letters you exchanged over the last several months. “At all times, she was asking about other people,” said Kozar, your boss and friend. “Her concern was about other people. First and foremost, she asked how her teammates were doing, asking us to ensure we were taking care of her wife.”

Choose any of the essays from the list at the top of this article that you have already read. This time, focus on how they impart background information. What does the writer let you, the general reader, know that the stated recipient would probably already know? How do they do this well, with strategies you might use in your own writing?

Then ask yourself:

What does my general audience need to know and understand to appreciate my letter and be persuaded by it?

What facts, quotes and details might it help to include? How can I work those in seamlessly, so they are not jarring to the reader?

How can I impart background and context that helps me build my argument? What should I include and what should I leave out?

Evidence: Why is this topic important? What facts can compel us to care?

In the example above, we showed how background information can help build readers’ understanding. But where does this information come from?

If you’re participating in our contest, you’ll need to cite evidence from at least two sources, including one from The Times and one from outside The Times. Of course, make sure those sources are trustworthy .

In the letter to Ms. Griner, you saw one example of how facts can be woven in to bolster a persuasive piece. Here is another: “ An open letter to the founder of Starbucks ,” written by a Times Business columnist in 2008.

It’s been almost a year since you wrote that now-famous memo to your executive staff: the one in which you bemoaned what you called “the watering down of the Starbucks experience.” The one where you defended each individual decision that had led to that diminished experience — like the switch to automated espresso machines — yet still urged your staff to find a way to recapture the “romance and theater.” Starbucks stores, you wrote, “no longer have the soul of the past and reflect a chain of stores vs. the warm feeling of a neighborhood store.” As a hard-core Starbucks customer, I couldn’t have agreed more. What has happened since then?

What facts and details does he use to answer is own question? Why is that appropriate for readers of the business section?

Remember “ An Open Letter to the Woman Who Told My Family to Go Back to China ,” Michael Luo’s piece? Not every open letter bombards you with facts and statistics, yet the writer is still able to make his or her case by showing the larger importance of the issue. Here is one way Mr. Luo does it, by both explaining the context and using a contemporary example that shows it:

Maybe you don’t know this, but the insults you hurled at my family get to the heart of the Asian-American experience. It’s this persistent sense of otherness that a lot of us struggle with every day. That no matter what we do, how successful we are, what friends we make, we don’t belong. We’re foreign. We’re not American. It’s one of the reasons that Fox News segment the other day on Chinatown by Jesse Watters , with the karate and nunchucks and broken English, generated so much outrage.

Rhetorical Strategies: How will you make us care?

If you have done argumentative writing in school, chances are you’ve heard of ethos, pathos and logos. If you haven’t, the video above, “ What Aristotle and Joshua Bell Can Teach Us About Persuasion ,” explains them beautifully. If you need more work with these concepts, our related lesson plan suggests that students choose viral content from their social networks and identify ethos, pathos and logos at work. The good news, however? Without naming them, you have already noticed all three concepts in the letters we’ve looked at so far.

But to review, here are how the concepts are defined:

Ethos (ethical appeal): Appeal to the credibility and authority of a speaker. Using ethos, a writer can convey trustworthiness through tone and style as well as by establishing her credentials in a field. An author’s reputation can also influence pathos. Pathos (emotional appeal): Appeal to an audience’s heart and emotions. An author or speaker using pathos seeks to persuade someone emotionally using personal connections, stories or testimonials, and maybe spirituality. Pathos can aim to evoke hopes and fears and often employs figurative language. Logos (rational appeal): Appeal to the audience’s logical reasoning ability. Examples of logos include facts, statistics and anecdotes.

Now try this:

Go back and choose one of the open letters from the list at the top of this post. Then ask yourself:

What lines do I find most affecting? Why? Do any of them work because they make an appeal to ethos, pathos or logos? How?

What do I notice about the balance of ethos, pathos and logos in this letter?

Does the author emphasize one technique more than the others? Does that choice seem appropriate for the topic and audience? Is it effective?

Now look back at your own draft, whether it is the one you began way back in Step 3, or whether you’re further along. Answer the questions above about your own work. Or, if it is ready to be seen by others, switch with a classmate and analyze each other’s for these appeals.

When we invent a contest, like this one, we can’t wait to see how teachers and students will respond. We know there is a lot of information here, and we hope it doesn’t feel overwhelming. It might help to return to that very first rough draft again and notice how far you have come.

Once you have a polished piece that you are happy with, we hope you’ll enter it into our Open Letter Contest , which runs from March 13 to May 1. Be sure to read all the rules and guidelines before submitting your entry.

Another way to go? Borrow an idea from the team at Brooklyn Tech who helped advise us. They plan to celebrate their students’ work by publishing the strongest pieces in their school newspaper, The Survey . (Remember, however, that if you are also submitting to our contest, you must wait until after all your students have submitted to publish their work elsewhere.)

Katherine Schulten has been a Learning Network editor since 2006. Before that, she spent 19 years in New York City public schools as an English teacher, school-newspaper adviser and literacy coach. More about Katherine Schulten

How to Write an Open Letter: A Comprehensive Guide

Did you know that the first ever open letter in history was created in 1640? A group of English nobles wrote to King Charles I to voice their opinion against the absolutist rule of the king and his dislike of the critics. Of course, at that time, this act was seen as something amazing. The letter was quickly distributed across England and ultimately led to the English Civil War.

Some would say that not much has changed since then, and the methods of raising public awareness are still the same. You can write an open letter on any topic that worries you as long as you find your target audience.

What Is an Open Letter?

First, let’s start with the theoretical foundation so we are on the same page. Open letter can be a powerful instrument in spreading awareness about something that worries you. They can mobilize people to take action or to call for social justice, peace, and human rights. Basically, an open letter is intended for either a wide audience or for one person.  

Apart from personal use, open letters can be published in periodicals, journals, or even online on official websites. There are many famous open letter examples in history that you might have already known about, but we will explore them later. 

In this guide, we will present all the features and nuances of open letters. This type of correspondence might be difficult to write, so it’s always better to hire a writer on EssayHub college essay writing service ! We will also take a closer look at open letter examples, such as the case of Elisabeth Deluca.

Reasons and Goals for Writing an Open Letter

No matter what the reason, the main goal of open letters is to make a difference in the world. Usually, they are addressed to government officials, corporate executives, the general public, or even celebrities. Let’s take a look at what are the purposes of creating an open letter:

• To raise awareness about an important issue that is often ignored;
• To call for action on a specific issue, like climate change.
• To demonstrate a strong opinion or point of view, like criticism.
• To expose or call out a powerful person, to they can take accountability for their actions.
• To inspire others to take action on an important issue, for example, to vote or to donate.

It’s pretty obvious all of these purposes are of paramount importance to the general public. You can use open letters to amplify the voices of those who often remain unheard.

Writing an Open Letter: Pros and Cons

Before we explore how to write an open letter, it’s crucial to know what its features and strong and weak points are. Writing an open letter is not an easy task, so you have a lot to consider. You need to consider the pros and cons before deciding whether to write one.

• they can reach a wide audience;
• they can start an active discussion on a certain topic;
• they can be a way to share your story;
• they can be a way to connect with other individuals with the same shared values.

At the same time, there are some nuances to crafting an open letter, as for any other type of paper. You can ask for help from a write my college essay for me services online in case you are overwhelmed!

• they are time-consuming to write;
• they put you in the spotlight;
• they might not get the reaction that you hoped for.

How to Write an Open Letter: a Guide

In most cases, open letter format is pretty straightforward. You need to explain the reason for writing your paper, the main issue at hand, and the solution to this issue. But first, let’s discuss the target audience for your letter.

How to Choose a Target Audience for Open Letters

You need to thoroughly think about who will be reading your letter. Here are some questions that you can ask:

• Who will be interested in the issue you are writing about?
• Who has the power to make a difference on this issue?
• Who is most likely to be convinced by your message?

Also, it’s critical to use the full titles of officials and government representatives in your letter.

Correct Open Letter Format

Right now, there is no one-size-fits-all format for this type of correspondence. Every issue and reason for writing an open letter is unique. This is why you probably have to adjust your writing process a lot. On the other hand, there are some general guidelines on how to format an open letter.

Start with a strong introduction. You need to capture the attention of the readers immediately, so the first letter should be captivating and intriguing. You want your readers to feel your pain and fight for your cause.

Explain your purpose. After grabbing the attention of your readers, explain why you wrote this letter at this time. What is the main issue that you are thinking about, and what do you propose to do about it?

Give evidence to support your claims. Of course, using strong words and phrases is important. But it’s always better to go with structured evidence instead of emotional claims. Your evidence can include statistics, research studies, or even personal stories.  

End with a call to action. This is the place where you tell your readers what you want them to do once again. Maybe it’s signing a petition, donating to a charity, or contacting elected officials.

Step 1. Defining and Presenting the Issue

Here, you need to convince the audience that your problem is significant and it has a negative impact on people around you. When presenting the issue, it is important to be specific and to provide evidence to support your claims. You can use statistics, research studies, or personal stories to add to the overall impact of the issue. Here is what you can explore:

• What is the purpose of an open letter?
• What is the problem?
• Who is affected by it?
• Why is it important to the general public?

Also, remember to be respectful to all people who are connected to your cause. Try to avoid personal attacks, even when you disagree with something. This will show that you can remain professional in spite of the circumstances. 

Step 2. Explaining your Motivation and Connection to the Cause

The second step in this process is to create a connection between you, your cause, and your readers. It’s always a good idea to present your personal connection to the issue and why you are passionate about it. For example, sharing your personal story is a powerful way to establish a relationship with the audience. They always like to know the face behind a letter!

When thinking about how to write an open letter, consider your own feelings in this case. What would you like to read if you were a government official? What would make you care about the presented issue? What would make you build trust and credibility with the writer? For this, try to get back to your target audience and adjust your letter to them.

Step 3. Presenting the Solution to the Problem

Now that you already hooked the reader with your issue, it’s time to present your solution. It’s your choice whether to write about specific actions or just to raise awareness about your cause. Still, you need to include a call to action and say what you want your reader to do after reading an open letter. For this part, you shouldn’t be too authoritative but rather encouraging.

Here are some examples of sentences that encourage people to take action:

• I urge you to take the following actions…
• I ask you to support policies…
• I encourage you to start an active discussion about…
• Together, we can change our future…

As you can see, it’s not about telling people what to do.

Famous Open Letter Examples in History

Open letter to Elisabeth DeLuca, Subway owner

In 2022, a group of workers at DeLuca's Coffee Roasters wrote an open letter to the company's founder and CEO, Elisabeth DeLuca. Elisabeth DeLuca is an entrepreneur and the owner of several companies, including Subway and DeLuca’s Coffee Roasters. 

She has been featured in many magazines and newspapers, where she has been praised for her success in the coffee industry. However, in 2022, something changed when more than 100 people accused her of abusive behavior and toxic working conditions. The letter said that DeLuca regularly screamed at her workers. 

People also said that she created a climate of fear and abuse in the workplace. The purpose of the open letter was to raise awareness of the alleged abuse at DeLuca's Coffee Roasters and to pressure DeLuca to change her behavior. As a result of a reaction from the community, DeLuca resigned as CEO.

‍ Open letter to President Biden on the climate crisis

‍ This is an excellent example of scientists taking a stand. In 2023, more than 1,000 researchers and climate experts urged President Biden to take more action on climate change. They expressed their opinion about a climate catastrophe and proposed their plan of action for the future.

‍ Correspondence between Einstein and Freud

In 1932, Albert Einstein wrote a letter ‘Why War?’ to Sigmund Freud. This was not a typical modern format of an open letter but rather a dialogue about the psychological roots of armed conflict.

So there you have it, everything you need to know about open letters. As you can see, this task can be challenging. You need to put your thoughts on paper in such a way that your readers feel inspired to take action. It’s always a good idea to hire a writer on our essay writing services to get help with the writing part. Expert writers will make your text more persuasive without losing meaning!

Using an open letter as a tool for change might not be as glamorous as you think. On the other hand, this is a powerful platform for raising awareness, voicing your concerns, and educating the general public.

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How to Write an Open Letter: Format with an Example

• January 25, 2023

Writing an open letter can be a powerful way to express your thoughts, opinions, or feelings. Whether you’re addressing a public figure, a company, or an individual, an open letter can be a great way to make your voice heard. In this article, we’ll take a detailed look at how to write an open letter that will be read and taken seriously.

Table of Contents

What is an Open Letter?

Who should you address an open letter to, what should you include in an open letter, how to format an open letter: an example, how to submit an open letter.

An open letter is a written message that is addressed to a public figure, a company, or an individual. Unlike a private letter, which is intended for the eyes of the recipient only, an open letter is meant to be shared with the public. Open letters are often used as a way to express opinions, make a complaint, or offer suggestions. They can also be used to praise or congratulate someone.

When writing an open letter, it’s important to consider who your intended audience is. If you’re writing to a public figure, such as a politician or celebrity, it’s important to address them by their proper title. If you’re writing to a company, you should address the letter to the CEO or another high-ranking official. If you’re writing to an individual, you should address the letter to them by name.

An open letter should include the following elements:

A well-structured open letter is crucial for capturing the attention of readers and conveying your message effectively. Here is a suggested structure for your open letter:

Start with a captivating introduction : Begin your open letter with a compelling opening paragraph that grabs the reader’s attention. You can start with a thought-provoking statement, a personal anecdote, or a relevant quote.

Clearly state the purpose and objective : Clearly articulate the purpose of your open letter. State the issue you are addressing and your objective—whether it is to raise awareness, demand action, or advocate for change.

Present arguments and supporting evidence : Present your arguments in a logical and organized manner. Support your claims with reliable evidence, such as research findings, expert opinions, or real-life examples. Use persuasive language to engage and convince your readers.

Address counterarguments : Anticipate counterarguments or opposing viewpoints and address them respectfully. Acknowledge differing opinions and provide strong rebuttals to strengthen your position.

Conclude with a call to action : In the conclusion of your open letter, summarize your main points and end with a clear call to action. Encourage your readers to take specific steps, such as signing a petition, contacting their representatives, or spreading the word.

It’s also important to keep the tone of the letter professional and polite. Avoid using offensive or confrontational language, and try to find common ground with the recipient.

Here is an example open letter including tips on proper formatting and sample content.

An open letter should be formatted in a professional and easy-to-read manner. Here are some tips for formatting an open letter:

• Use a standard business letter format, with your contact information at the top of the page, followed by the date.
• Use a clear and easy-to-read font, such as Times New Roman or Arial.
• Use a font size of 12 points or larger.
• Use single spacing and leave a space between paragraphs.
• Use a professional and polite tone throughout the letter.

Whether or not you should send an open letter to the receiver depends on the situation. If you are writing to express your opinion on a public issue, then an open letter may be the best way to reach a wide audience. However, if you are writing to address a personal grievance, then it may be more effective to send a private letter.

Here are some factors to consider when deciding whether or not to send an open letter:

• The purpose of your letter: Are you writing to express your opinion on a public issue, or are you writing to address a personal grievance?
• The audience for your letter: Who do you want to read your letter? If you are writing to a specific person, then a private letter may be the best way to reach them. However, if you are writing to a general audience, then an open letter may be the best way to get your message out.
• The tone of your letter: The tone of your letter should be appropriate for the purpose and audience. If you are writing to express your opinion on a public issue, then you may want to use a more formal tone. However, if you are writing to address a personal grievance, then you may want to use a more personal tone.

Once you have written and formatted your open letter, it’s time to distribute it. Here are some tips for submitting an open letter:

• Select appropriate platforms for sharing: Choose platforms that align with your target audience and the nature of your open letter. This could include social media platforms, blogs, websites, or even traditional media outlets.
• Leverage social media and online communities: Utilize social media platforms to share your open letter and engage with your audience. Join relevant online communities or forums to spark conversations and expand the reach of your message.
• Monitor and respond to feedback: Keep a close eye on the responses and feedback generated by your open letter. Engage in meaningful conversations, respond to questions or criticisms, and address any misconceptions or misunderstandings.
• Measure the impact and effectiveness: Track the impact of your open letter by monitoring metrics such as website traffic, social media engagement, or changes in public opinion. Assess whether your letter has achieved its intended objectives and adjust your approach accordingly.

Writing an open letter can be a powerful way to express your thoughts, opinions, or feelings. By following the tips outlined in this article, you can ensure that your open letter will be read and taken seriously. Remember to keep the tone professional and polite, and to include a clear and concise summary of the issue at hand, specific examples or evidence to support your point of view, and a call to action.

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How to Write an Open Letter & Format Effectively

Open letters are written communications addressed to a specific person or organization and made publicly available. They can be used to bring attention to an issue, request change, or express an opinion. Open letters have a long history, with famous examples written by activists, thinkers, and leaders.

In this post, we’ll explore what open letters are, when you should write one, look at examples, and provide tips for crafting an effective open letter.

Table of Contents

What is an Open Letter?

It’s pretty much what it sounds like – a letter that’s open to the public. Unlike sending a private note to your pen pal, open letters are meant for everyone’s eyes.

These letters are addressed to a specific person or organization, but instead of sealing them in an envelope, the writer publishes them where the whole world can see. You’ll find open letters posted online, printed in newspapers, passed around at protests.

The goal is to get the message beyond just the recipient. Open letters allow you to speak out publicly and rally people around a cause.

When to Write an Open Letter

There are many situations when writing an open letter can be impactful:

• To advocate for a cause or position
• To request action or change from an individual or organization
• To express concern about a policy, event or situation
• To offer an opinion or perspective on an issue
• To criticize an action or statement
• To offer advice or suggestions
• To appeal to someone’s conscience or ethics

Famous Examples of Open Letters

Some of history’s most memorable open letters include:

• Martin Luther King Jr.’s Letter from Birmingham Jail – This 1963 letter was written while King was jailed for civil disobedience. It defended nonviolent protest and called out white moderates.
• Emile Zola’s J’Accuse – Zola wrote this fiery letter in 1898 accusing the French government of anti-Semitism during the Dreyfus Affair.
• Einstein and Freud’s Why War ? – This correspondence between the two men, published in 1933, discussed conflict and human nature.
• Simone de Beauvoir’s Manifesto of 343 – De Beauvoir penned this 1960 letter advocating for legal abortion and admitting she had one, signed by 343 women.

How to Write an Effective Open Letter

If you want your open letter to make an impact, keep these tips in mind:

• Have a clear purpose – what do you want to accomplish?
• Know your audience – tailor your message accordingly.
• Use a professional but approachable tone. Don’t attack or flame.
• Provide context and reasoning for your position.
• Make specific requests or suggestions for action.
• Close with a summary and call to action.
• Publish the letter where your intended audience will see it.

Open Letter Format

The format of an open letter follows that of a standard letter, with a few modifications:

• Addressed to the individual or organization
• Opening paragraph stating purpose
• Background and context
• Body paragraphs making key points
• Evidence to support claims
• Respectful but clear tone
• Specific call to action or request
• Closing statement
• Signed by the author(s)

Sample open letter Structure :

Open letters are a powerful advocacy tool to spark dialogues on issues of public importance . With a compelling purpose, strategic audience targeting, reasoned arguments, and skillful writing, your open letter can help shape opinions and policies. Use this medium thoughtfully to advocate for causes with integrity.

The pen is mightier than the sword!

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An Open Letter ... About Open Letters

Linton Weeks

Dear Open Letter Writers,

Are you open to the idea that the open letter has become the victim of its own success?

Open your browser and you can read that all kinds of people are sending open letters — letters meant to be read by everyone. In the recent past, celebrity attorney Gloria Allred posted an open letter to Rush Limbaugh . Presidential aspirant Mitt Romney sent one to voters in Alaska , and the Iraq and Afghanistan Veterans of America released one addressed to President Obama, asking him to set aside a National Day of Action to recognize military veterans.

Just this week, Sudan Change Now posted an open letter praising actor George Clooney for drawing attention to turmoil in Sudan. Dozens of independent filmmakers are protesting a PBS scheduling decision in an open letter. And billionaire investor Carl Icahn has issued an open letter to shareholders of an energy company.

Nowadays, calling something an open letter seems like redundant, repetitious repetition. After all, what isn't open anymore? We tweet the most private thought or deed on Twitter, pin it onto Pinterest, plaster it on a Facebook wall, upload it to YouTube.

In this era of total openness — open criticism, open primaries, open relationships and open source everything — the questions arise: Is the idea of calling something an open letter arguably, well, rather quaint? And is it perhaps time to close the book on open letters?

Famous Open Letters

Way back in the 20th century, when people led private lives and wrote personal letters and messages meant only for the eyes of the recipients — and most communication stayed that way — an open letter carried some weight. A few even changed history.

And such has been the case through history. The Oxford English Dictionary defines an open letter as one intended for a more public readership, as by deliberate publication in a newspaper or journal. The phrase harks back to at least 1798 in England.

Over time, the open letter became more popular. Just last year, the BBC noted that more and more people are writing open letters. The story cited a couple of famous ones:

* In 1898, writer Emile Zola sent an open letter, titled "J'accuse," to the president of France, charging the government with practicing anti-Semitism by unlawfully keeping alleged spy Alfred Dreyfus in prison.

* In 1963, Martin Luther King Jr. wrote an open letter — in support of nonviolence in the civil rights movement — from a jail in Birmingham, Ala. The letter included the classic observation that "Injustice anywhere is a threat to justice everywhere."

But the increase in open letters has not necessarily translated into an increase in their influence.

At The Washington Post, Vince Rinehart, an editor on the multiplatform desk, has taken turns over the years as an editor for the Letters to the Editor section. Among the correspondence of complaints and praisings, he says, the Post received lots of open letters. And "the editorial staff routinely rejects them, in part because such letters are typically sent to a ton of publications and other places at once, and the Post insists on exclusivity in letters."

The Post editorial page's philosophy, he explains, "has always been that letters are a conversation between the Post and its readers and that the conversation starts with things the Post writes."

Cautionary Tale

People may be writing more open letters, but do they still pack a punch? With the proliferation of online petitions, message boards and other relentless blogospheric activity, is there still a place for open letters?

Samara O'Shea, author of For the Love of Letters and proprietor of a letter writing service, says, "I believe that a formal, open letter continues to hold power."

For example, she cites Warren Buffett's open letter to Congress , "Stop Coddling the Super Rich," published in The New York Times in August 2011. The letter "ignited a great response," O'Shea says. President Obama referred to Buffett's ideas for taxing the rich in his 2012 State of the Union address.

O'Shea believes that people should continue to write open letters "if they feel moved by an issue or think they can influence an outcome."

But, she says, remember that many forms of communication are now considered tantamount to open letters. "A blog is basically an open letter," says O'Shea, whose own blog is titled LetterLover . "As is an offhanded comment caught on camera."

People should exercise caution with messages that aren't meant to be open letters, she advises. As illustration, she points to the case of June Talvitie-Siple, a teacher who ranted on Facebook about her frustration with students. "The school board considered it an open letter, rather than a private comment," O'Shea says, "and she was fired. Reread everything before posting online and make sure you'd stand by it if the boss or the general public were to see it."

And, O'Shea says, "I advise against writing an open letter — or any letter — when you are angry or in immediate, defensive response to another open letter. Write the letter when you are calm and be ready to stand by your words if there's a backlash or condescending comments."

In other words, an open letter is also an open invitation — to criticism.

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Resources for Teachers: Creating Writing Assignments

This page contains four specific areas:

Creating Effective Assignments

Checking the assignment, sequencing writing assignments, selecting an effective writing assignment format.

Research has shown that the more detailed a writing assignment is, the better the student papers are in response to that assignment. Instructors can often help students write more effective papers by giving students written instructions about that assignment. Explicit descriptions of assignments on the syllabus or on an “assignment sheet” tend to produce the best results. These instructions might make explicit the process or steps necessary to complete the assignment. Assignment sheets should detail:

• the kind of writing expected
• the scope of acceptable subject matter
• the length requirements
• formatting requirements
• documentation format
• the amount and type of research expected (if any)
• the writer’s role
• deadlines for the first draft and its revision

Providing questions or needed data in the assignment helps students get started. For instance, some questions can suggest a mode of organization to the students. Other questions might suggest a procedure to follow. The questions posed should require that students assert a thesis.

The following areas should help you create effective writing assignments.

Examining your goals for the assignment

• How exactly does this assignment fit with the objectives of your course?
• Should this assignment relate only to the class and the texts for the class, or should it also relate to the world beyond the classroom?
• What do you want the students to learn or experience from this writing assignment?
• Should this assignment be an individual or a collaborative effort?
• What do you want students to show you in this assignment? To demonstrate mastery of concepts or texts? To demonstrate logical and critical thinking? To develop an original idea? To learn and demonstrate the procedures, practices, and tools of your field of study?

Defining the writing task

• Is the assignment sequenced so that students: (1) write a draft, (2) receive feedback (from you, fellow students, or staff members at the Writing and Communication Center), and (3) then revise it? Such a procedure has been proven to accomplish at least two goals: it improves the student’s writing and it discourages plagiarism.
• Does the assignment include so many sub-questions that students will be confused about the major issue they should examine? Can you give more guidance about what the paper’s main focus should be? Can you reduce the number of sub-questions?
• What is the purpose of the assignment (e.g., review knowledge already learned, find additional information, synthesize research, examine a new hypothesis)? Making the purpose(s) of the assignment explicit helps students write the kind of paper you want.
• What is the required form (e.g., expository essay, lab report, memo, business report)?
• What mode is required for the assignment (e.g., description, narration, analysis, persuasion, a combination of two or more of these)?

Defining the audience for the paper

• Can you define a hypothetical audience to help students determine which concepts to define and explain? When students write only to the instructor, they may assume that little, if anything, requires explanation. Defining the whole class as the intended audience will clarify this issue for students.
• What is the probable attitude of the intended readers toward the topic itself? Toward the student writer’s thesis? Toward the student writer?
• What is the probable educational and economic background of the intended readers?

Defining the writer’s role

• Can you make explicit what persona you wish the students to assume? For example, a very effective role for student writers is that of a “professional in training” who uses the assumptions, the perspective, and the conceptual tools of the discipline.

Defining your evaluative criteria

1. If possible, explain the relative weight in grading assigned to the quality of writing and the assignment’s content:

• depth of coverage
• organization
• critical thinking
• original thinking
• use of research
• logical demonstration
• appropriate mode of structure and analysis (e.g., comparison, argument)
• correct use of sources
• grammar and mechanics
• professional tone
• correct use of course-specific concepts and terms.

Here’s a checklist for writing assignments:

• Have you used explicit command words in your instructions (e.g., “compare and contrast” and “explain” are more explicit than “explore” or “consider”)? The more explicit the command words, the better chance the students will write the type of paper you wish.
• Does the assignment suggest a topic, thesis, and format? Should it?
• Have you told students the kind of audience they are addressing — the level of knowledge they can assume the readers have and your particular preferences (e.g., “avoid slang, use the first-person sparingly”)?
• If the assignment has several stages of completion, have you made the various deadlines clear? Is your policy on due dates clear?
• Have you presented the assignment in a manageable form? For instance, a 5-page assignment sheet for a 1-page paper may overwhelm students. Similarly, a 1-sentence assignment for a 25-page paper may offer insufficient guidance.

There are several benefits of sequencing writing assignments:

• Sequencing provides a sense of coherence for the course.
• This approach helps students see progress and purpose in their work rather than seeing the writing assignments as separate exercises.
• It encourages complexity through sustained attention, revision, and consideration of multiple perspectives.
• If you have only one large paper due near the end of the course, you might create a sequence of smaller assignments leading up to and providing a foundation for that larger paper (e.g., proposal of the topic, an annotated bibliography, a progress report, a summary of the paper’s key argument, a first draft of the paper itself). This approach allows you to give students guidance and also discourages plagiarism.
• It mirrors the approach to written work in many professions.

The concept of sequencing writing assignments also allows for a wide range of options in creating the assignment. It is often beneficial to have students submit the components suggested below to your course’s STELLAR web site.

Use the writing process itself. In its simplest form, “sequencing an assignment” can mean establishing some sort of “official” check of the prewriting and drafting steps in the writing process. This step guarantees that students will not write the whole paper in one sitting and also gives students more time to let their ideas develop. This check might be something as informal as having students work on their prewriting or draft for a few minutes at the end of class. Or it might be something more formal such as collecting the prewriting and giving a few suggestions and comments.

Have students submit drafts. You might ask students to submit a first draft in order to receive your quick responses to its content, or have them submit written questions about the content and scope of their projects after they have completed their first draft.

Establish small groups. Set up small writing groups of three-five students from the class. Allow them to meet for a few minutes in class or have them arrange a meeting outside of class to comment constructively on each other’s drafts. The students do not need to be writing on the same topic.

Require consultations. Have students consult with someone in the Writing and Communication Center about their prewriting and/or drafts. The Center has yellow forms that we can give to students to inform you that such a visit was made.

Explore a subject in increasingly complex ways. A series of reading and writing assignments may be linked by the same subject matter or topic. Students encounter new perspectives and competing ideas with each new reading, and thus must evaluate and balance various views and adopt a position that considers the various points of view.

Change modes of discourse. In this approach, students’ assignments move from less complex to more complex modes of discourse (e.g., from expressive to analytic to argumentative; or from lab report to position paper to research article).

Change audiences. In this approach, students create drafts for different audiences, moving from personal to public (e.g., from self-reflection to an audience of peers to an audience of specialists). Each change would require different tasks and more extensive knowledge.

Change perspective through time. In this approach, students might write a statement of their understanding of a subject or issue at the beginning of a course and then return at the end of the semester to write an analysis of that original stance in the light of the experiences and knowledge gained in the course.

Use a natural sequence. A different approach to sequencing is to create a series of assignments culminating in a final writing project. In scientific and technical writing, for example, students could write a proposal requesting approval of a particular topic. The next assignment might be a progress report (or a series of progress reports), and the final assignment could be the report or document itself. For humanities and social science courses, students might write a proposal requesting approval of a particular topic, then hand in an annotated bibliography, and then a draft, and then the final version of the paper.

Have students submit sections. A variation of the previous approach is to have students submit various sections of their final document throughout the semester (e.g., their bibliography, review of the literature, methods section).

In addition to the standard essay and report formats, several other formats exist that might give students a different slant on the course material or allow them to use slightly different writing skills. Here are some suggestions:

Journals. Journals have become a popular format in recent years for courses that require some writing. In-class journal entries can spark discussions and reveal gaps in students’ understanding of the material. Having students write an in-class entry summarizing the material covered that day can aid the learning process and also reveal concepts that require more elaboration. Out-of-class entries involve short summaries or analyses of texts, or are a testing ground for ideas for student papers and reports. Although journals may seem to add a huge burden for instructors to correct, in fact many instructors either spot-check journals (looking at a few particular key entries) or grade them based on the number of entries completed. Journals are usually not graded for their prose style. STELLAR forums work well for out-of-class entries.

Letters. Students can define and defend a position on an issue in a letter written to someone in authority. They can also explain a concept or a process to someone in need of that particular information. They can write a letter to a friend explaining their concerns about an upcoming paper assignment or explaining their ideas for an upcoming paper assignment. If you wish to add a creative element to the writing assignment, you might have students adopt the persona of an important person discussed in your course (e.g., an historical figure) and write a letter explaining his/her actions, process, or theory to an interested person (e.g., “pretend that you are John Wilkes Booth and write a letter to the Congress justifying your assassination of Abraham Lincoln,” or “pretend you are Henry VIII writing to Thomas More explaining your break from the Catholic Church”).

Editorials . Students can define and defend a position on a controversial issue in the format of an editorial for the campus or local newspaper or for a national journal.

Cases . Students might create a case study particular to the course’s subject matter.

Position Papers . Students can define and defend a position, perhaps as a preliminary step in the creation of a formal research paper or essay.

Imitation of a Text . Students can create a new document “in the style of” a particular writer (e.g., “Create a government document the way Woody Allen might write it” or “Write your own ‘Modest Proposal’ about a modern issue”).

Instruction Manuals . Students write a step-by-step explanation of a process.

Dialogues . Students create a dialogue between two major figures studied in which they not only reveal those people’s theories or thoughts but also explore areas of possible disagreement (e.g., “Write a dialogue between Claude Monet and Jackson Pollock about the nature and uses of art”).

Collaborative projects . Students work together to create such works as reports, questions, and critiques.

How to write a letter

HOW TO WRITE A LETTER:  A GUIDE FOR TEACHERS AND STUDENTS

In this age of digital communication, writing letters is becoming something of a lost art. Emails and text messages can be sent instantly and for a fraction of the cost good old-fashioned snail mail can offer.

So, why bother teaching letter-writing at all? Well, though electronic ‘letters’ are often freer in formatting and language than physical letters, we can also apply letter-writing rules to electronic media. However, physical letters do offer some distinct benefits of their own too.

A WELL-WRITTEN LETTER CAN CHANGE THE WORLD.

Whilst we pride ourselves here on how to write a great essay, information report, or another text type that is primarily used in an educational setting, the ability to craft a powerful letter or email has literally changed people’s lives, altered the course of history and been the difference between life and death in some cases.

It can be the one opportunity to remove all the noise and confusion on any subject area and honestly tell someone how you feel straight from the heart.  Pen to paper.  

For whatever reason, a thousand emails, tweets, and likes will never have the same impact as a well-crafted handwritten letter.  Its very creation and existence show your reader how passionate and genuine about what it contains.

Letters fall under the transactional writing category; if you want to know more about transactional texts, be sure to check out our in-depth guide here.

COMPLETE LETTER WRITING UNIT FOR STUDENTS

Over 100 PAGES of engaging RESOURCES , various letter SAMPLES , LESSON PLANS and INTERACTIVE DIGITAL RESOURCES to teach your students how to write amazing LETTERS and EMAILS .

Teach this life skill with confidence through this excellent ALL-IN-ONE RESOURCE . No preparation is required.

3 REASONS TO TEACH LETTER WRITING

1. the personal touch: .

Those of us who grew up in an age before the internet got going will remember the excitement of waiting for and receiving a letter. Many of us will have had childhood pen pals we never met or received love letters from our teenage sweethearts. Maybe some treasured letters are still securely stored in a bedside drawer.

There is something extremely personal and intimate about the letter that email cannot capture. Letters are physical, and their increasing rarity makes them seem even more intimate today.

In this day and age, receiving a personally written letter is something a unicorn in communication terms. Students who know how to produce a well-crafted letter can use it to their advantage. For example, any business hiring manager will undoubtedly be numbed by the constant torrent of emails flooding their inbox.

That mailed resume accompanied by a handwritten letter that waits for them on their desk in the morning will surely stand out and secure an attentive read. The letter, in its various forms, is guaranteed to stand out and make an impact in an age where the vast majority of communication is digital.

3. Handwriting

Just as letter writing has declined in popularity, so too has the emphasis on well-developed handwriting skills. You can, if you wish, take the opportunity here to have the students work on their handwriting skills.

While students may protest that they can accomplish the task much quicker by word-processing, another benefit of handwriting a letter is that the speed becomes almost meditative. This allows students to focus carefully on their grammar and punctuation without always resorting to the crutch of spell-checkers and grammar correction software.

FORMAL AND INFORMAL LETTER WRITING:  WHAT’S THE DIFFERENCE?

The table below outlines whether your letter should be written formally or informally, with some suggested prompts .  Whilst there are many similarities, a formal letter should always be considered as a document with a real purpose and ramifications.

FORMAL LETTER FEATURES

USED FOR PROFESSIONAL COMMUNICATION THESE DOCUMENTS FOLLOW A PRESCRIBED FORMAT. THEY ARE WRITTEN IN A PASSIVE VOICE FOR A SPECIFIC PURPOSE AND IN MANY CASES ARE LEGALLY BINDING. SOME EXAMPLES ARE.

INVITATION Make someone feel special about an upcoming event.

APPLICATION Write a professional letter of application for a job or group you wish to join.

REFEREE / REFERENCE Vouch for another’s skills, personality or credibility.

ACCEPTANCE & REJECTION Approve or deny an applicant in a professional manner.

MAKE AN OFFER Make a formal and binding offer in writing.

EXIT / RESIGNATION Formally leave or step down in a professional and dignified manner.

INFORMAL LETTER FEATURES

USED FOR PERSONAL COMMUNICATION THESE LETTERS HAVE NO PRESCRIBED FORMAT AND ARE WRITTEN IN AN ACTIVE VOICE.

THANK YOU Let someone know you appreciate their efforts.

CONGRATULATIONS Acknowledge someone’s achievements in life.

GRIEVANCE / LOSS Acknowledge someones personal loss or suffering and let them know you care.

FRIENDSHIP & LOVE Tell someone how special they are to you and why?

LETTER TO THE EDITOR / MAYOR ETC. Let someone know how their actions and adversely affect you and others.

LETTER TO SELF Give your older or younger self some words of advice and wisdom.

INFORMATIONAL UPDATE Write a letter back home telling them what you have been up to.

HOW TO WRITE FORMAL LETTERS

The writing process begins with planning.

As with all genres of writing, the process of formal letter writing should start with planning. This should involve sketching a brief outline from which to work rather than a comprehensive detailing of minutiae. The plan should include:

• Note addresses, names etc. – who are you writing to?
• Record the purpose of the letter – what do you want to say?
• List points to be made (each will form a paragraph) – how will you say it?
• State action point – what do you want the reader to do?

Formal letters can be written for a wide range of purposes and may come in various shapes, including a letter of complaint, a cover letter accompanying a job application, a letter of invitation, a reference letter, or a proposal letter – to name a few. Though each will adhere to its own rules of formatting and tone when writing formal letters, students should avoid using slang or contractions.

Language should be straightforward and polite. Encourage students to avoid bursts of purple prose in favor of direct, functional language. Usually, a formal letter will be written to achieve a particular end and should be written with that end foremost in mind. Students should avoid meanderings and stay firmly focused on the task at hand.

TIPS FOR WRITING GREAT FORMAL LETTERS

• The writer’s address should be in the top right-hand corner.
• The date should be written below the writer’s address
• The recipient’s name and address are below that on the left-hand side
• Use the correct opening (Dear Sir / Madam, Dear Mrs Ferguson, etc.)
• Use Standard English
• The opening sentence should explain the purpose of the letter
• Each paragraph should make a single specific point
• Use an appropriate formal tone and register in the wording of the letter
• Avoid contractions, slang, and abbreviations
• The concluding ‘action point’ paragraph states what you want the recipient to do
• The formal ending, such as Yours Sincerely or Yours Faithfully

A Note on Salutations

If the student knows the intended recipient’s name, start with Dear Mr. / Mrs Surname and end with Yours Sincerely. If they don’t know the recipient’s name, start with Dear Sir / Madam and end with Yours Faithfully.

Use of Rhetorical Devices

As mentioned, formal letter writing focuses on attempting to convince someone to take some course of action or other. To do this, it is helpful to employ some rhetorical devices to make the writing more persuasive . Some useful techniques to encourage your students to employ include:

Direct Address: Using the pronoun ‘you’ in a formal letter makes the reader feel that you are speaking directly to them. This helps to engage the reader and encourage them to continue reading the letter.

Emotive Language: Where students are trying to convince the reader to take a course of action, the use of emotive language can often be a powerful tool. Students can use either positive or negative colored words to create the desired response in the reader.

Facts and Figures: Another way to persuade and convince is to employ facts and figures to support the points made in the letter.

FORMAL LETTER STUDENT EXAMPLES

How to write an informal letter

Common features of informal letters:.

There are far fewer rules to follow when writing an informal letter, but there are still some practical guidelines to follow that will prove helpful for students engaged in writing informally.

As with any piece of writing, it is important to consider who the audience is and the reason for writing in the first place. In particular, this will help decide the tone and the language register. The more intimate the relationship, the more informal the language can be.

Though the letter will be informal, it will still have a purpose. Information should still be organized into paragraphs, as would be done with a formal, more ‘official’ letter. Students sometimes struggle with this aspect, as they often conflate ‘informal’ with ‘disorganized.’ Making them plan their informal letter before writing can help ensure it is sufficiently organized.

HOW TO START AN INFORMAL LETTER

Informal letters will start with a greeting appropriate to how close the relationship is. For acquaintances, this may be ‘Dear Tom,’ (using the first name instead of the surname) to a very informal ‘Hi Jane,’. Don’t forget the comma after the name!

After the greeting, a general opening sentence should follow. Usually, this will be something like a ‘How are you?’ or a ‘How have you been?’. If the recipient is married or has kids, you may wish to ask how their spouse or children are.

Next, students should state the reason for writing. The language should be open and friendly in tone and, in contrast to the formal letter, colloquial language, idiomatic expressions, and contractions are perfectly okay and even desirable.

Just as the opening salutation to an informal letter is much more relaxed, so too will the closing salutation. There are many possibilities for the students to choose here, and their decision will depend on who they are writing to and their personal preferences. Some examples of possible closings include ‘Love’, ‘Best regards’, ‘All the best’, and ‘Thanks’.

INFORMAL LETTER STUDENT EXAMPLES

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

PRACTICE LETTER WRITING WITH THESE ACTIVITIES FOR STUDENTS

The most effective way for students to internalize all the features of letter writing, formal or informal, is to gain experience by writing various letters for differing purposes. The following activities offer some suggestions for students to get practising today:

1. FICTION AS A SPRINGBOARD

Have students write as if they were a character from a piece of fiction you have been reading in class. Choosing a dramatic point in the plot , ask students to imagine they are one of the characters writing a letter to another character in the story. This writer may be either formal or informal, depending on the scenario presented. This will give students realistic letter-writing practice while also getting them to engage closely with the text and respond imaginatively to its themes.

2. THE AGONY AUNT

Either offer a range of possible life predicaments or cut out the questions from the ‘agony aunt’ page of a local newspaper. Students must write back offering advice in response to the predicaments expressed in the question or predicament. The response should be written in full letter format. This activity also lends itself to several variations. The response may be written to a close friend, for example, or written from the perspective of a professional agony aunt employing a more formal tone and presentation.

3. A LETTER OF COMPLAINT

Have students think of their favorite candy bar or clothing item. Encourage them to imagine they have bought this product lately and found it to be substandard. Students must write a formal letter of complaint to the manufacturer outlining their complaint and recommending a course of action to satisfactorily resolve that complaint. They must use all the features of a formal letter as outlined above.

HOW TO MAKE YOUR HANDWRITTEN LETTERS LOOK OLD AND AUTHENTIC.

• Write in pencil or a calligraphy pen,
• screw them up tightly and carefully unfold and flatten.
• Lightly dab coffee stains over the paper to make it look aged.
• Carefully singe or burn the edges of your paper.
• Add some sepia-filtered photos for effect.

SIGNING-OFF

As students become more confident in their understanding of letter-writing formats, encourage them to exchange letters with each other for peer assessment. You may wish to provide them with a checklist of features to look for while reading over their partner’s work.

Letter-writing can also be a great way to partner up with schools overseas; often, children studying English as a second language will be delighted to receive letters from (and write to) students in English-speaking countries. And though email increasingly encroaches on the traditional territory of the letter, many of the skills garnered in the practice of letter writing are transferable to the modern manifestation. There is ample opportunity here to link letter-writing learning with approaches to writing emails too.

Letter-writing can provide a focus for a wide range of learning objectives while also teaching students valuable practical skills that will serve them well beyond their school years, both in their personal and work lives. And who knows, perhaps in years to come, one of the letters your student writes in your class may become a treasured keepsake in someone’s bedside drawer.

LETTER WRITING GRAPHIC ORGANIZERS (TEMPLATES)

WRITING CHECKLIST & RUBRIC BUNDLE FOR ALL TEXT TYPES

⭐⭐⭐⭐⭐ (92 Reviews)

HOW TO WRITE A FORMAL LETTER TUTORIAL VIDEO

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Transactional Writing

Personal Narrative Writing Guide

How to Write a Recount Text (And Improve your Writing Skills)

Content for this page has been written by Shane Mac Donnchaidh.  A former principal of an international school and university English lecturer with 15 years of teaching and administration experience.  Editing and support content has been provided by the literacyideas  team.

The Correspondence Project: A Lesson of Letters

• Resources & Preparation
• Instructional Plan
• Related Resources

Students practice writing effective letters for a variety of real-life situations, such as responding to a prompt on a standardized test, corresponding with distant family members, or communicating with a business. They begin by reviewing the differences between business and friendly letter formats, using examples and a Venn diagram. Next, students write two letters, choosing from a list of prompts that include letters for varying audiences and purposes. After completing drafts and revisions, students complete their final versions using an online tool.

Featured Resources

Letter Generator : This online tool allows students to read about the parts of a letter. They can then write and print their own friendly or business letter. Interactive Venn Diagram : Use this online tool to organize ideas for a compare and contrast essay, or while reading to compare and contrast two works of literature.

From Theory to Practice

In Both Art and Craft: Teaching Ideas That Spark Learning , Diana Mitchell explains that teaching is "about gently uncovering ways for students to find their way into the learning by making connections within themselves" (23). Students are more likely to "find their way into learning" when assignments have clear application to real-world tasks. As Mitchell explains it, these types of assignments, "have a ‘nowness' about them; there is a reason for an importance to doing them at this point in time" (24). In addition, personal connections are made more easily when students have a degree of choice within a writing assignment. Mitchell triumphs assignments that "are fun and interesting," as well as those that "provide lots of possibilities and tap into . . . imagination" (24). In that spirit, this lesson in letter writing provides a functional application for writing and, at the same time, encourages students to make personal connections through a variety of letter topics. Further Reading

Common Core Standards

This resource has been aligned to the Common Core State Standards for states in which they have been adopted. If a state does not appear in the drop-down, CCSS alignments are forthcoming.

State Standards

This lesson has been aligned to standards in the following states. If a state does not appear in the drop-down, standard alignments are not currently available for that state.

NCTE/IRA National Standards for the English Language Arts

• 3. Students apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts. They draw on their prior experience, their interactions with other readers and writers, their knowledge of word meaning and of other texts, their word identification strategies, and their understanding of textual features (e.g., sound-letter correspondence, sentence structure, context, graphics).
• 4. Students adjust their use of spoken, written, and visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for different purposes.
• 5. Students employ a wide range of strategies as they write and use different writing process elements appropriately to communicate with different audiences for a variety of purposes.
• 6. Students apply knowledge of language structure, language conventions (e.g., spelling and punctuation), media techniques, figurative language, and genre to create, critique, and discuss print and nonprint texts.
• 8. Students use a variety of technological and information resources (e.g., libraries, databases, computer networks, video) to gather and synthesize information and to create and communicate knowledge.
• 11. Students participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.
• 12. Students use spoken, written, and visual language to accomplish their own purposes (e.g., for learning, enjoyment, persuasion, and the exchange of information).

Materials and Technology

Computers with Internet access for student use

• Contemplating Correspondence
• Contemplating Correspondence Key
• Correspondence Project Prompts
• Business and Friendly Letter Samples
• Rubric for Correspondence Project
• Venn Diagram

Preparation

• Review the Correspondence Project Prompts and determine the requirements for the class. Decide on the number of letters students will write as well as any letters that you will require. You may wish to choose specific prompts to ensure that students write at least one letter using business format and one using friendly format. You can also require 2 letters and allow students to choose additional letters freely.
• Venn Diagram handout (if computer access is not available)
• Make one copy of the Contemplating Correspondence Key for yourself.
• Make overhead transparencies of the Business and Friendly Letter Samples and the Venn Diagram handout (needed only if computer access is not available).
• Test the interactive  Venn Diagram and Letter Generator on your computers to familiarize yourself with the tools and ensure that you have the Flash plug-in installed. You can download the plug-in from the technical support page .

Student Objectives

Students will

• review examples of business and friendly letters.
• compare business and friendly letter formats.
• write letters in response to specific writing prompts.
• apply knowledge of language structure and conventions.
• adjust their use of writing conventions, style, and vocabulary for a variety of audiences and purposes.

Session One

• Distribute copies of the Contemplating Correspondence sheet.
• Explain that most questions have more than one “correct” answers. Suggest that students leave any questions that they are unsure about blank and return to them after the class discussion of the sheets.
• Allow students a few minutes to respond.
• Review the students' responses to the Contemplating Correspondence sheet, using the questions as a springboard for a brief class discussion about writing letters. Refer to the Contemplating Correspondence Key to ensure students recognize the most basic details.
• Tell students that they will be completing a letter writing project. Before writing the letters, however, they will review standard business and friendly letter formats.
• Discuss the difference between the friendly letter format and a friendly tone. Explain that people can use the friendly letter format for letters that have a more formal tone (e.g., a condolence letter to someone the author does not know well).
• Share the Friendly Letter Sample by distributing copies to students, and displaying the sample using an overhead transparency.
• Have students take turns reading the body of the letter aloud.
• Identify the main parts of a friendly letter (heading, greeting, body, closing, and signature) by allowing student volunteers to take turns using a non-permanent transparency marker to label each of the five main parts. Ask students to label their handouts in the same manner.
• Use Writing the Basic Business Letter from the Purdue OWL to supplement the discussion of the parts of letters.

Session Two

• Review the information covered in Session One by asking students what they remember about friendly letter format.
• Tell students that during this session, they will be reviewing business letter format.
• Ask students if business letter format is for use only by businesses. Use student responses as a springboard for discussion on the various uses for business letters (e.g., applying for employment, expressing a consumer complaint to company).
• Share the Business Letter Sample by distributing copies to students and displaying the sample by using an overhead transparency.
• Identify the main parts of a business letter (heading, inside address, greeting, body, closing, and signature) by allowing student volunteers to take turns using a non-permanent transparency marker to label each of the six main parts. Instruct students to label their handouts in the same manner.
• Again, you can use Writing the Basic Business Letter from the Purdue OWL to supplement the discussion of the parts of letters.
• Discuss the differences between the full-block and modified-block formats. Point to the additional sample letters from the Purdue OWL or Sample Complaint Letter to discuss the formats.
• Have students compare friendly and business letter formats using the interactive Venn Diagram . Teachers also may wish to have students complete a separate Venn Diagram to compare and contrast full-block and modified-block formats. If computer access is not available, distribute copies of the Venn Diagram handout to students and display the diagram using an overhead transparency. Allow students to complete the diagram together by allowing student volunteers to take turns using a non-permanent transparency maker to identify common and dissimilar traits between the two letter formats. Students should follow along by filling in their own diagrams on their handouts.
• Distribute the Correspondence Project Prompts and the Rubric for Correspondence Project to students. Explain the requirements you have chosen for the project, giving students details on the number of letters they should write and any required prompts they must respond to.
• Review the Rubric for Correspondence Project and ensure that students understand the expectations for the project.
• In the remaining time, have students begin the process of choosing letters to write and drafting their correspondence. Explain that students will continue this work during the next class session.

Session Three

• Review the Correspondence Project Prompts and the Rubric for Correspondence Project . Answer any questions regarding the project.
• Tell students that the goal for this session is to complete drafts of at least two letters.
• Make newspapers, scissors, and tape available to students for use with the first prompt (a job application letter).
• Circulate among students as they work, and assist as needed.
• Students who require extra time to complete their drafts should do so as homework.

Session Four

• Check for completion of at least two letters.
• Review the Correspondence Project Prompts and the Rubric for Correspondence Project .
• Tell students that the goal for this session is to complete drafts for the remaining letters.
• Students who require extra time to complete their letters should do so as homework.
• Ask students to bring all completed drafts with them to the next class session.

Session Five

• Review the Rubric for Correspondence Project .
• Introduce students to the interactive Letter Generator , and explain that they will be revising their drafts and using this tool to create final versions of their work.
• Allow students time to revise their drafts. Revision options are endless and open to teacher preference. Students may proofread and revise independently, through “pair and share” edit sessions with classmates, or by basing revisions on teacher remarks and comments if the teacher wishes to collect the drafts prior to Session Five and return them with comments at the beginning of the session.
• Students should complete their draft revisions and create final versions using the interactive Letter Generator .
• If needed, add a sixth session to the lesson to allow students time to complete their letters using the interactive Letter Generator .
• Communicating on Local Issues: Exploring Audience in Persuasive Letter Writing
• Draft Letters: Improving Student Writing through Critical Thinking
• E-pals Around the World
• Exploring Literature through Letter-Writing Groups
• Persuading an Audience: Writing Effective Letters to the Editor
• Worth Its Weight: Letter Writing with “The Things They Carried”
• Consider introducing pen pals or “key pals” into your classroom community. Many programs are available online and can easily be located through most of the popular search engines using the keyword search “school pen pals.”
• Depending on the grade and skill level of students, a mini-lesson on properly addressing an envelope and folding a letter might be a worthwhile addition to this project.
• Use the online interactive Postcard Creator as a lesson extension or letter alternative. Many of the friendly letter prompts would adapt easily to a postcard format.
• The EDSITEment lesson I'm Gonna Sit Right Down and Write Someone a Letter offers a collection of historically significant letters and can provide a useful extension to this lesson.

Student Assessment / Reflections

• Assess students’ understanding of the purposes and formats of business and friendly letters through observation and anecdotal notes of student participation during classroom discussions.
• Assess students’ use of interactive tools through observation and anecdotal notes of student work while using the interactive tools.
• Check for proper completion of the interactive Venn Diagram contrasting letter formats.
• Use the Rubric for Correspondence Project to assess the letters students have written.
• Student Interactives
• Calendar Activities

The Letter Generator is a useful tool for students to learn the parts of a business or friendly letter and then compose and print letters for both styles of correspondence.

The Postcard Creator helps students learn to identify all the typical parts of a postcard, and then generate their own postcard messages by typing information into letter templates. After printing their texts, students can illustrate the front of their postcards in a variety of ways, including drawing, collage, and stickers.

This interactive tool allows students to create Venn diagrams that contain two or three overlapping circles, enabling them to organize their information logically.

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Explore Resources by Grade

• Kindergarten K

H 1 . Introduction

This handbook is a brief yet comprehensive reference for you to consult as you write papers and other assignments for a college course. You can refer to it as you draft paragraphs and polish sentences for clarity, conciseness, and point of view. You can read it to learn how to identify and revise common sentence errors and confused words. You can use it to help you edit your writing and fine-tune your use of verbs, pronouns, punctuation, and mechanics. And you can have it open as you integrate and cite quotations as well as other source material in your papers in MLA or APA style.

Designed as a reference tool, the handbook is organized to help you get answers to your questions. You do not need to read the entire handbook to get helpful information from it. For example, if your instructor has noted that you need to work on comma splices, you can refer to Sentence Errors , before you turn in a final draft of your writing. If you know you frequently misuse commas, refer to Punctuation , and check your sentences against the advice there. And if you, like many writers, can’t remember which punctuation marks go inside and outside quotation marks, refer to Quotations . Becoming familiar with the handbook and the various topics will allow you to use it efficiently.

H 2 . Paragraphs and Transitions

Paragraphs help readers make their way through prose writing by presenting it in manageable chunks. Transitions link sentences and paragraphs so that readers can clearly understand how the points you are making relate to one another. (See Editing Focus: Paragraph and Transitions for a related discussion of paragraphs and transitions. See Evaluation: Transitions for a related discussion of transitions in multimodal compositions.)

Effective Paragraphs

Paragraphs are guides for readers. Each new paragraph signals either a new idea, further development of an existing idea, or a new direction. An effective paragraph has a main point supported by evidence, is organized in a sensible way, and is neither too short nor too long. When a paragraph is too short, it often lacks enough evidence and examples to back up your claims. When a paragraph is too long, readers can lose the point you are making.

Developing a Main Point

A paragraph is easier to write and easier to read when it centers on a main point. The main point of the paragraph is usually expressed in a topic sentence . The topic sentence frequently comes at the start of the paragraph, but not always. No matter the position, however, the other sentences in the paragraph support the main point.

Supporting Evidence and Analysis

All the sentences that develop the paragraph should support or expand on the main point given in the topic sentence. Depending on the type of writing you are doing, support may include evidence from sources—such as facts, statistics, and expert opinions—as well as examples from your own experience. Paragraphs also may include an analysis of your evidence written in your own words. The analysis explains the significance of the evidence to the reader and reinforces the main point of the paragraph.

In the following example, the topic sentence is underlined. The supporting evidence discussed through cause-and-effect reasoning comes in the next three sentences. The paragraph concludes with two sentences of analysis in the writer’s own words.

underline Millions of retired Americans rely on Social Security benefits to make ends meet after they turn 65. end underline According to the Social Security Administration, about 46 million retired workers receive benefits, a number that reflects about 90 percent of retired people. Although experts disagree on the exact numbers, somewhere between 12 percent and 40 percent of retirees count on social security for all of their income, making these benefits especially important (Konish). These benefits become more important as people age. According to Eisenberg, people who reach the age of 85 become more financially vulnerable because their health care and long-term care costs increase at the same time their savings have been drawn down. It should therefore come as no surprise that people worry about changes to the program. Social Security keeps millions of retired Americans out of poverty.

Opening Paragraphs

Readers pay attention to the opening of a piece of writing, so make it work for you. After starting with a descriptive title, write an opening paragraph that grabs readers’ attention and alerts them to what’s coming. A strong opening paragraph provides the first clues about your subject and your stance. In academic writing, whether argumentative, interpretative, or informative, the introduction often ends with a clear thesis statement , a declarative sentence that states the topic, the angle you are taking, and the aspects of the topic the rest of the paper will support.

Depending on the type of writing you’re doing, you can open in a variety of ways.

• Open with a conflict or an action. If you’re writing about conflict, a good opening may be to spell out what the conflict is. This way of opening captures attention by creating a kind of suspense: Will the conflict be resolved? How will it be resolved?
• Open with a specific detail, statistic, or quotation. Specific information shows that you know a lot about your subject and piques readers’ curiosity. The more dramatic your information, the more it will draw in readers, as long as what you provide is credible.
• Open with an anecdote. Readers enjoy stories. Particularly for reflective or personal narrative writing, beginning with a story sets the scene and draws in readers. You may also begin the anecdote with dialogue or reflection.

The following introduction opens with an anecdote and ends with the thesis statement, which is underlined.

Betty stood outside the salon, wondering how to get in. It was June of 2020, and the door was locked. A sign posted on the door provided a phone number for her to call to be let in, but at 81, Betty had lived her life without a cell phone. Betty’s day-to-day life had been hard during the pandemic, but she had planned for this haircut and was looking forward to it: she had a mask on and hand sanitizer in her car. Now she couldn’t get in the door, and she was discouraged. In that moment, Betty realized how much Americans’ dependence on cell phones had grown in the months she and millions of others had been forced to stay at home. underline Betty and thousands of other senior citizens who could not afford cell phones or did not have the technological skills and support they needed were being left behind in a society that was increasingly reliant on technology end underline .

Closing Paragraphs

The conclusion is your final chance to make the point of your writing stick in readers’ minds by reinforcing what they have read. Depending on the purpose for your writing and your audience, you can summarize your main points and restate your thesis, draw a logical conclusion, speculate about the issues you have raised, or recommend a course of action, as shown in the following conclusion:

Although many senior citizens purchased and learned new technologies during the COVID-19 pandemic, a significant number of older people like Betty were unable to buy and/or learn the technology they needed to keep them connected to the people and services they needed. As society becomes increasingly dependent on technology, social service agencies, religious institutions, medical providers, senior centers, and other organizations that serve the elderly need to be equipped to help them access and become proficient in the technologies essential to their daily lives.

Transitions

Transitional words and phrases show the connections or relationships between sentences and paragraphs and help your writing flow smoothly from one idea to the next.

A paragraph flows when ideas are organized logically and sentences move smoothly from one to the next. Transitional words and phrases help your writing flow by signaling to readers what’s coming in the next sentence. In the paragraph below, the topic sentence and transitional words and phrases are underlined.

underline Some companies court the public by mentioning environmental problems and pointing out that they do not contribute to these problems. end underline underline For example end underline , the natural gas industry often presents natural gas as a good alternative to coal. underline However end underline , according to the Union of Concerned Scientists, the drilling and extraction of natural gas from wells and transporting it through pipelines leaks methane, a major cause of global warming (“Environmental Impacts”). underline Yet end underline leaks are rarely mentioned by the industry. By taking credit for problems they don’t cause and being silent on the ones they do, companies present a favorable environmental image that often obscures the truth.

Transitional Words and Phrases

Following are some transitional words and phrases and their functions in paragraphs. Use this list when drafting or revising to help guide readers through your writing. (See Editing Focus: Paragraphs and Transitions for another discussion on transitions.)

H 3 . Clear and Effective Sentences

This section will help you write strong sentences that convey your meaning clearly and concisely. See Editing Focus: Sentence Structure for a related discussion and practice on effective sentences.

The most emphatic place in a sentence is the end. To achieve the strongest emphasis, end with the idea you want readers to remember. Place introductory, less important, or contextual information earlier in the sentence. Consider the differences in these two sentences.

Less Emphatic Angel underline needs to start now end underline if he wants to have an impact on his sister’s life. More Emphatic If Angel wants to have an impact on his sister’s life, he underline needs to start now end underline .

Concrete Nouns

General nouns name broad classes or categories of things ( man, dog, city ); concrete nouns refer to particular things ( Michael, collie, Chicago ). Concrete nouns provide a more vivid and lively reading experience because they create stronger images that activate readers’ senses. The examples below show how concrete nouns, combined with specific details, can make writing more engaging.

All General Nouns Approaching the library, I see underline people end underline and underline dogs end underline milling about underline outside end underline , but no subjects to write about. I’m tired from my underline walk end underline and go inside. Revised with Concrete Nouns Approaching underline Brandon Library end underline , I see underline skateboarders end underline and underline bikers end underline weaving through underline students end underline who talk in underline clusters end underline on the underline library steps end underline . A friendly underline collie end underline waits for its owner to return. Subjects to write about? Nothing strikes me as especially interesting. Besides, my heart is still pounding from the walk up the hill. I wipe my sweaty underline forehead end underline and go inside.

Active Voice

Active voice refers to the way a writer uses verbs in a sentence. Verbs have two “voices”: active and passive. In the active voice , the subject of the sentence acts—the subject performs the action of the verb. In the passive voice , the subject receives the action, and the object actually becomes the subject. Although some passive sentences are necessary and clear, a paper full of passive-voice constructions lacks vitality and becomes wordy.

Active-voice verbs make something happen. By using active verbs wherever possible, you will create stronger, clearer, and more concise sentences.

Passive Voice On the post-training survey, the anti-harassment tutorial underline was rated end underline highly informative underline by end underline employees. Revised in Active Voice On the post-training survey, underline employees end underline underline rated end underline the anti-harassment tutorial highly informative.

Conciseness

Concise writing considers the importance of every word. Editing sentences for emphasis, concrete nouns, and active voice will help you write clearly and precisely, as will the following strategies. To be concise, eliminate wasted words and filler— not ideas, information, description, or details that will interest readers or help them follow your thoughts. (For more on conciseness, see Editing Focus: Sentence Structure .)

Use Action Verbs

Using action verbs is one of the most direct ways to cut unneeded words. Whenever you find a phrase like the ones below, consider substituting an action verb.

Cut Unnecessary Words and Phrases

Eliminate words and phrases that do not add meaning. Consider the following sentences, which say essentially the same thing.

Wordy In almost every situation that I can think of, with few exceptions, it will make good sense for you to look for as many places as possible to cut out needless, redundant, and repetitive words and phrases from the papers, reports, paragraphs, and sentences you write for college assignments. (49 words) Concise Whenever possible, cut needless words and phrases from your college writing. (11 words)

The wordy sentence is full of early-draft language in three chunks. The first chunk comes at the beginning of the sentence. Notice how In almost every situation that I can think of, with few exceptions, it will make good sense for you to look for as many places as possible is reduced to Whenever possible in the concise sentence.

The second chunk of the wordy sentence is needless, redundant, and repetitive. The concise version reduces those four words to needless because the words have the same meaning. The third chunk of the wordy sentence comes at the end. Notice how papers, reports, paragraphs, and sentences you write for college assignments is reduced to your college writing. The meaning, although expanded to all writing, remains the same.

The following phrases are common fillers that add nothing to meaning. They should be avoided.

• a person by the name of
• for all intents and purposes
• in a manner of speaking
• more or less

Some common filler phrases have single-word alternatives, which are preferable.

Avoid there is/there are and it is

Starting a sentence with there is, there are, or it is can be useful to draw attention to a change in direction. However, starting a sentence with one of these phrases often forces you into a wordy construction. Wordiness means the presence of verbal filler; it does not mean the number of words, the amount of description, or the length of a composition. (For more on these constructions, see Editing Focus: Sentence Structure .)

Wordy underline There is often uncertainty about whether or not employees end underline are required to turn on their cameras during online meetings, and underline there are end underline some employees underline who end underline don’t. However, underline it is the expectation of employers end underline that cameras underline be end underline turned on. Concise underline Employees are often uncertain whether they end underline must turn on their cameras during online meetings, and underline some don’t end underline . However, underline employers expect end underline cameras to be turned on.

Parallelism

Within a sentence, parallelism —the repetition of a word or grammatical construction— creates symmetry and balance, makes an idea easier to remember, and sounds pleasing to the ear. In the first example below, the parallelism is established by the repetition of the phrase beginning with who . In the second example, the parallelism is created by the underlined nouns.

Unparallel After 25 years, the battle over the reintroduction of wolves continues between environmental activists, underline who support it end underline , and underline hunters and people who own cattle ranches and are opposed end underline . Parallel After 25 years, the battle over the reintroduction of wolves continues between environmental activists, underline who support it end underline , and cattle ranchers and hunters, underline who oppose it end underline . Unparallel Exercises that improve core strength include underline crunches end underline , underline leg lifts end underline , and underline when you do push-ups and planks end underline . Parallel Exercises that improve core strength include underline crunches end underline , underline leg lifts end underline , underline push-ups end underline , and underline planks end underline .

Varying the length and structure of sentences makes your writing more interesting to read.

Simple Sentences

A simple sentence has one idea expressed in a single main clause (also known as an independent clause). A main clause contains a subject and a predicate and can stand alone as a sentence. A simple sentence can be short or long, as shown in the examples below. The phrases in the long sentence add information, but the sentence remains a simple sentence nonetheless because it has only one clause.

The underline coronavirus end underline double underline spread end double underline around in the world in 2020. School-age underline children end underline and college underline students end underline double underline were pushed end double underline into virtual learning environments in March 2020, with schools closing for unspecified lengths of time.

Compound Sentences

A compound sentence contains two or more main clauses that are equally important to the meaning of the sentence. (A main clause contains a subject and a predicate and can stand alone as a sentence.) You can create compound sentences in the following ways:

Compound Sentence Using a Coordinating Conjunction

Create a compound sentence by using a coordinating conjunction — for, and, nor, but, or, yet, or so (fanboys)— to join main clauses . To remember the coordinating conjunctions, use the mnemonic device fanboys.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic, and underline many end underline double underline were forced end double underline to close. underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic, yet underline many end underline double underline survived end double underline the downturn.

Compound Sentence Using a Semicolon

A semicolon can join two main clauses that are closely related in meaning. When using a semicolon, you must have a complete sentence before and after it.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic ; underline many end underline double underline were forced end double underline to close.

Compound Sentence Using a Semicolon and Transitional Word or Phrase

A transitional words or phrases such as however, in fact, meanwhile, therefore, consequently, as a result, instead, or furthermore indicates the relation of two or more equally important ideas in the main clauses.

underline Restaurants end underline and small underline retailers end underline double underline experienced end double underline steep drops in revenue during the pandemic ; however , underline many end underline double underline survived end double underline the downturn.

Complex Sentences

A complex sentence contains one main clause (a clause that contains a subject and a predicate and can stand alone as a sentence) and one or more subordinate clauses (also known as dependent clauses). Subordinate clauses begin with a subordinating word or phrase such as although, because, even if, when, whenever, since, as though, whether, as long as, until, or while. The main clause expresses the main idea of the sentence, and the subordinate clause expresses the less important idea. Like a main clause, a subordinate clause has a subject and verb; however, unlike a main clause, it cannot stand alone as a sentence. A subordinate clause punctuated as a sentence is a type of sentence fragment. The subordinate clauses in the following sentences are underlined.

underline Although the federal government provided financial assistance end underline , the money came too late for many businesses. underline When schools and universities shut down in March of 2020 end underline , students had to learn at home, underline a situation that proved challenging for many households end underline .

Compound-Complex Sentences

A compound-complex sentence contains two or more main clauses (clauses that contain subjects and predicates and can stand alone as sentences) and one or more subordinate clauses (clauses that begin with a subordinating word such as although, because, even if, when, whenever, since, as though, whether, as long as, until, and while ). A compound-complex sentence is an effective structure to use when you want to express three or more ideas in a single sentence. The example sentence has two main clauses (double underline) and three subordinate clauses (single underline).

underline When school districts reopened end underline , double underline parents had to decide end double underline underline whether they wanted their children to attend classes in person end underline , double underline and they had to be ready for classes to move online end double underline underline if there were outbreaks of the coronavirus in their community. end underline

H 4 . Sentence Errors

These four common sentence errors can make your writing hard to read: fragments, comma splices, run-on sentences, and mixed constructions.

Sentence Fragments

A sentence fragment is a group of words that lacks a subject, a verb, or both, or it is a subordinate clause (a clause that begins with a subordinating word such as although, because, since, and so on) punctuated as though it were a sentence by itself. Although most are grammatical errors, sentence fragments can be used judiciously in conventional writing so long as the purpose is clear to readers and the fragment is clearly intended.

Unintentional Sentence Fragments

Often a sentence fragment follows a complete sentence and expands on it, as illustrated in the examples below (fragments are underlined). You can correct most fragment errors by attaching the fragment to the sentence to which it belongs or by rewriting the fragment as a complete sentence.

Sentence Fragment People think that they will be happy if they are well off. underline That money will make everything better. end underline Revised by Attaching the Fragment to a Complete Sentence People think that they will be happy if they are well off underline and end underline that money will make everything better. Sentence Fragment Psychologist David Myers explains how students have increasingly chosen to attend college to make more money. Thus underline further explaining his point of people’s desire to use money to gain happiness. end underline Revised by Attaching the Fragment to a Complete Sentence Psychologist David Myers explains how students have increasingly chosen to attend college to make more money, underline thus further explaining his point of people’s desire to use money to gain happiness. end underline Sentence Fragment Although income grew, people’s happiness did not. underline With rich people reporting that even though they had plenty of money, their happiness had not changed much. end underline Revised by Adding a Verb Although income grew, people’s happiness did not. underline Rich people reported end underline that even though they had plenty of money, their happiness had not changed much. Sentence Fragment For many people, increased income is being spent on the things that people are unable to pay less for. underline Things like taxes, childcare, transportation, and housing. end underline Revised by Adding a Subject and a Verb For many people, increased income is being spent on things that people are unable to pay less for. underline These include end underline taxes, childcare, transportation, and housing.

Intentional Sentence Fragments

Intentional sentence fragments force quick reading, inviting readers to stitch meaning to together. Intentional fragments are most common in creative writing and advertising.

The rabbit darted out of the shadows. underline A flash of movement. end underline The dog lunged and strained at the leash.

Comma Splices

A comma splice is a common error that occurs when two complete sentences are joined by a comma. You can correct a comma splice by adding a coordinating conjunction ( for, and, nor, but, or, yet, or so), adding a period and creating two sentences, adding a coordinating conjunction and creating a compound sentence, or subordinating one clause and creating a complex sentence.

Comma Splice The author sheds light on the financial sacrifice many mothers make , they take care of their children without compensation and often lose professional status. Revised with a Coordinating Conjunction The author sheds light on the financial sacrifice many mothers make, underline for end underline they take care of their children without compensation and often lose professional status.

Comma Splice Many college students see their education as the way to become wealthy , some are sacrificing happiness to pursue high-paying careers. Revised with a Period Many college students see their education as the way to become wealthy . S ome are sacrificing happiness to pursue high-paying careers.

Comma Splice Psychologist David Myers conducted multiple surveys asking people about their attitudes about money , the results revealed that people felt they needed more regardless of how much they had. Revised with a Semicolon Psychologist David Myers conducted multiple surveys asking people about their attitudes about money ; the results revealed that people felt they needed more regardless of how much they had.

Comma Splice Love cannot be paid for , it is a gift that parents give because they love their children. Revised with a Semicolon and Transitional Word or Phrase Love cannot be paid for ; underline indeed end underline , it is a gift that parents give because they love their children.

Comma Splice Students are choosing majors to enable them to earn more money , they are under the misconception that earning money guarantees happiness. Revised with a Subordinate Clause Students are choosing majors to enable them to earn more money underline because end underline they are under the misconception that earning money guarantees happiness.

Run-on Sentences

In a run-on sentence , two or more complete sentences are not separated by any punctuation. Like comma splices, most run-on sentences can be revised in one or more of the following ways: adding a coordinating conjunction ( for, and, nor, but, or, yet, or so ), adding a period and creating two sentences, separating the sentences with a semicolon, separating the sentences with a semicolon and transitional word or phrase (such as on the other hand, however, consequently, and so on), or turning the less important sentence into a subordinate clause starting with a subordinating word such as although, because, if, when, since , and so on.

Run-on Sentence The DNR eventually designated the area as crucial habitat the protection came too late to save the nesting birds. Revised with a Comma and a Coordinating Conjunction The DNR eventually designated the area as crucial habitat , underline but end underline the protection came too late to save the nesting birds. Run-on Sentence Most people realize that being wealthy won’t just happen many college students choose a major that will ensure they make money. Revised with a Period Most people realize that being wealthy won’t just happen . Many college students choose a major that will ensure they make money. Run-on Sentence Parents do not expect any financial reward they care for their children out of love and responsibility. Revised with a Semicolon Parents do not expect any financial reward ; they care for their children out of love and responsibility. Run-on Sentence The average American family’s expenses have risen faster than incomes they have saved less than prior generations. Revised with a Semicolon and Transitional Word or Phrase The average American family’s expenses have risen faster than incomes ; underline as a result end underline , they have saved less than prior generations. Run-on Sentence College students have the opportunity to choose any major they tend to choose those that offer immediate opportunities to earn money when they graduate. Revised with a Subordinate Clause underline Although end underline college students have the opportunity to choose any major underline , end underline they tend to choose those that offer immediate opportunities to earn money when they graduate.

Mixed Sentence Constructions

A mixed sentence contains parts that do not fit together because of grammar or meaning. In the following example, the writer needs to revise either the second part to fit with the first part or the first part to fit with the second. (See Editing Focus: Mixed Sentence Constructions for more on mixed sentence constructions.)

Mixed Sentence underline By starting my general studies classes last semester end underline underline gave me the opportunity to take classes in my major this fall end underline . Second Part Revised By starting my general studies classes last spring, underline I had end underline the opportunity to take classes in my major this fall. First Part Revised underline Starting end underline my general studies classes last spring gave me the opportunity to take classes in my major this fall.

Just because . . . doesn’t mean Constructions. Just because . . . doesn’t mean constructions are common in speech but should be avoided in writing.

Just because underline Just because end underline I want to be a doctor underline doesn’t mean end underline I will get into medical school. Revised Simply wanting to be a doctor doesn’t guarantee admission to medical school. Revised Although I want to be a doctor, I will need to work hard to get into medical school.

H 5 . Words and Language

The English language is rich and always evolving, offering you many ways and words to express yourself in writing and speech.

Language Varieties

English is not one language but many, made up of regional and social dialects. In addition, groups speak using specialized language among themselves that can be difficult for outsiders to understand. As a writer, be aware of the audience for your writing. Use language that your readers will understand directly or from context.

English dialects are distinctive versions of the language used in geographical regions and/or by particular social or ethnic groups. Standard American English, the English spoken by newscasters, is one such dialect, as are African American Vernacular English, Creole, Appalachian English, and others. English dialects have many features in common, but each has particulars of grammar, vocabulary, and pronunciation. (For an in-depth discussion of dialects and academic writing, see Spotlight on … Variations of English .)

Groups of people with similar skills and interests often develop slang that allows them to express ideas quickly and vividly. Slang also signals knowledge about a particular topic, such as meme culture, music, sports, and more. Slang is generally considered too casual for most academic writing, but it may be appropriate for personal essays. In your papers, be aware of your purpose and audience when choosing to use slang. Avoid using slang that your readers are unlikely to understand.

Technical Expressions

Experts in many professional fields use specialized and technical expressions that allow them to communicate efficiently and clearly with each other. Such language is often incomprehensible for nonexperts and should be avoided in writing for general readers. (For tips on writing about a technical topic for an audience of nonspecialists, see Spotlight on … Discipline-Specific and Technical Language .)

Biased Language

Biased words and expressions exclude or demean people on the basis of gender, sex, sexual orientation, age, ethnicity, social class, or physical or mental traits.

Biased Language Based on Sex and Gender

English includes words and expressions that are considered biased based on sex and gender, such as mankind, businessman, chairman, fireman, and so on. These are commonly replaced by gender-neutral words such as humanity, businessperson, chair or chairperson, and firefighter. (See Spotlight on … Bias in Language and Research for more on language bias.)

In addition, the English pronoun he has traditionally been used as the gender-neutral pronoun. For example, the construction A underline doctor end underline should have a caring attitude toward underline his end underline patients was once common but is now widely viewed as gender biased because many doctors are not men. For a discussion of the pronoun he used as the gender-neutral pronoun, see Pronouns .

Labels and Stereotypes

Be sensitive to labels and stereotypes that may insult a group of people you are writing about. Avoid labels that don’t put people first, such as cancer victim and wheelchair-bound. Don’t make assumptions about entire groups of people that promote stereotypes, such as teenagers are rebellious, elderly people don’t hear well, conservatives are rich, or women are more emotional than men . (See Spotlight on … Bias in Language and Research for more on language bias.)

Exact Words

As a general rule, use plain, direct words in your writing. Avoid reaching for a word that sounds fancy or impressive, especially if you are unsure about the meaning. If you use a word that is only vaguely familiar to you, look it up in a dictionary to ensure you are using it correctly. (You can type the word and “def” to get a definition.) Doing so has the added benefit of building your vocabulary.

Words Commonly Confused

The words in the following list are commonly confused or misused by writers. As you write, consult this list or use a reliable online tool, such as Merriam-Webster , to check the meanings and usage of words you’re unsure of. Keep a list of words that cause you trouble as you become aware of them. Then, after you draft a document, do a search for the words on your list. (For a discussion of homonyms, homographs, and homophones, see Editing Focus: Words Often Confused .)

H 6 . Point of View

Point of view refers to the vantage point from which a story, event, report, or other written work is told. The point of view in which you write depends on the genre in which you are writing. For example, you will likely use first person in personal narrative writing. For most academic writing, you’ll use third person. (See Editing Focus: Characterization and Point of View for a related discussion of point of view in narrative writing.)

First Person

In the first-person point of view, the writer or narrator ( I, we ) is present in the writing. First person is commonly used in personal writing genres, such as literacy narratives, memoirs, and profiles, as well as in fiction.

After midnight—my paper started, my exam studied for—I leave the library and head back to my apartment. In the dark, I listen closely when I hear footsteps behind me, and I step to the edge of the sidewalk to let a man pass. At my door, I fumble for my key, open the door, turn on the light, and step inside. I am safe, ready to eat, read a bit, and return to my paper.

Second Person

Second-person point of view is used occasionally when an outsider ( you ) becomes part of a story. It should not be confused with a writer or speaker using “you” when directly addressing an audience ( you ). Nor should it be confused with giving instructions ( drive forward, add one cup of brown sugar, close the door ) or with its similar use in textbooks such as this one. However, second person is not considered appropriate in most academic writing.

Writers often slip into second person when they intend to write in third person. In the example below, the writer starts in third person and shifts by accident to second person. To check your sentences for second person, search your documents for you , and revise as needed.

Shift from Third Person to Second Person The federal government should raise the minimum wage because it has the responsibility to ensure underline people end underline earn a wage underline you end underline can live on. The current minimum wage, $7.25 per hour, is not enough to pay underline rent end underline , let alone support a family. Many people cannot lift themselves out of poverty. A higher minimum wage can help you. Revised The federal government should raise the minimum wage because it has the responsibility to ensure underline workers end underline earn a wage underline they end underline can live on. The current minimum wage, $7.25 per hour, is not enough to pay underline a single person’s end underline rent, let alone support a family. Many people cannot lift themselves out of poverty. A higher minimum wage can help them.

Third Person

The third-person point of view ( he, she, it, they ) is customary for fiction and for academic writing, such as research papers, reports, visual and textual analysis papers, argumentative essays, and the like. Third-person point of view emphasizes the information instead of the writer.

The hikers and other passive trail users argue that mountain bikes should not be allowed on narrow trails traditionally traveled by foot and horse. underline They end underline point out that the bikes’ wide, treaded tires cause erosion, that the bikers’ high speeds startle hikers and horses, and that underline their end underline presence on trails disrupts the tranquility that hikers and bird watchers seek.

H 7 . Verbs

In a sentence, a verb expresses an action, an occurrence, or a state of being.

Subject-Verb Agreement

In many sentences, making the verb agree with the subject is straightforward: underline I end underline underline run end underline every day. My underline sister end underline underline runs end underline every other day. Sometimes our underline brother end underline underline joins end underline us, and underline all end underline of us underline run end underline together. However, subject-verb agreement gets tricky in the following circumstances. (See Editing Focus: Subject-Verb Agreement for more on subject-verb agreement.)

Agreement with Compound Subjects

Two or more subjects joined by and take a plural verb in most sentences:

underline Yoga and meditation end underline double underline are end double underline effective activities for relieving stress.

However, when the parts of the subject form a single idea or unit, the verb is singular:

underline Macaroni and cheese end underline double underline is end double underline my favorite meal.

When compound subjects are joined by or or nor, the verb agrees with the word closest to it:

Either your aunts or your underline mother end underline double underline remembers end double underline where your great-grandmother’s grave is located. Neither the image nor the underline words end underline double underline convey end double underline the message of the advertisement clearly.

Agreement When Words Come between Subject and Verb

The verb must agree with the subject even when words and phrases come between them:

The underline cost end underline of the flights double underline is end double underline prohibitive. A underline box end underline of invitations with stamps and return addresses double underline was end double underline on the desk.

Agreement When the Verb Comes Before the Subject

The verb must agree with the subject, even when it comes before the subject:

double underline Are end double underline underline James and Tamara end underline at the front of the line? There double underline were end double underline three underline people end underline ahead of us in line. Under the table double underline are end double underline a underline newspaper end underline and a underline magazine end underline .

Agreement with Everyone and Other Indefinite Pronouns

An indefinite pronoun is general; it does not refer to a specific person, place, or thing. Most indefinite pronouns take a singular verb, but not all. Those that take a singular verb include anybody, anyone, anything, each, everybody, everyone, everything, nobody, no one, nothing, one, somebody, someone, and something .

underline Everyone end underline in the class double underline has prepared end double underline a research proposal. underline Nobody end underline among the accused suspects double underline admits end double underline to the crime.

The following indefinite pronouns take a plural verb: both, few many, others, and several.

underline Several end underline of the students in the class double underline have proposed end double underline researching hurricanes. underline Both end underline of the suspects double underline deny end double underline committing the crime.

Several indefinite pronouns take a singular or plural verb depending on whether the word they refer to is singular or plural. These include all, any, enough, more, most, neither, none, and some.

underline Most end underline of the class double underline has proposed end double underline researching a topic related to climate change. ( Most refers to class. ) underline Most end underline of the students in the class double underline have proposed end double underline researching a topic related to climate change. ( Most refers to students. ) underline Neither end underline the students underline nor end underline the teachers double underline have proposed end double underline a field trip. ( Neither/nor refers to students and teachers .)

Agreement with Collective Nouns

Collective nouns such as audience, band, class, crowd, family, group, or team can take a singular or a plural verb depending on the context. When the group acts as a single unit, which is the most common construction, use a singular verb:

The underline band end underline double underline rehearses end double underline every day.

When the group acts individually, use a plural verb, or to avoid confusion, add the word members and use a plural verb.

The underline jury end underline double underline do not agree end double underline on a verdict. The underline jury end underline members double underline do not agree end double underline on a verdict.

Agreement with Words Such as News and Statistics

Some nouns that end in -s , such as athletics, economics, measles, news, physics, politics, and statistics seem plural but are usually regarded as singular in meaning. In most situations, these words take a singular verb:

Day after day, the underline news end underline double underline was end double underline bad. underline Statistics end underline double underline fulfills end double underline a math requirement for many college majors.

When a word like economics, politics, or statistics refers to a specific situation, use a plural verb:

The underline economics end underline of the situation double underline are end double underline hard to comprehend.

Agreement with Titles and Words Used as Words

Whether singular or plural in form, titles and words used as words take singular verbs:

Directed by Spike Lee, underline Da 5 Bloods end underline double underline centers end double underline around four veterans returning to Vietnam to find the remains of their squad leader and the fortune they hid together. underline Children end underline double underline is end double underline the plural form of child .

Tense expresses the time of a verb’s action—the past, present, or future. Tense comes naturally in speech, but it can be tricky to control in writing. The following guidelines will help you choose the appropriate tense for your writing and use it consistently. (See Editing Focus: Verb Tense Consistency for a related discussion of consistent verb tense.)

Verb Tense in Narrative Writing

Personal experience stories, such as literacy narratives, memoirs, personal essays, or profiles, can be written in either the past or the present tense. Although the most natural way to tell a story about a past experience is to write in the past tense, the present tense can draw readers into the story and give the illusion that the experience is happening as they are reading it. In the following examples, the writer describes driving with her Native American grandfather to a tribal conference. Notice the difference between the past and present tense.

Narrative Writing Using Past Tense I double underline sat end double underline silently next to Grandfather and double underline watched end double underline him slowly tear the thin white paper from the tip of the cigarette. He double underline gathered end double underline the tobacco in one hand and double underline drove end double underline the van with the other. I double underline memorized end double underline his every move as he double underline went end double underline through the motions of the prayer, which double underline ended end double underline when he double underline blew end double underline the tobacco out the window and into the wind. Narrative Writing Using Present Tense I double underline sit end double underline silently next to Grandfather and double underline watch end double underline him slowly tear the thin white paper from the tip of the cigarette. He double underline gathers end double underline the tobacco in one hand and double underline drives end double underline the van with the other. I double underline memorize end double underline his every move as he double underline goes end double underline through the motions of the prayer, which double underline ends end double underline when he double underline blows end double underline the tobacco out the window and into the wind.

Verb Tense in Academic Writing

Academic disciplines differ in their tense preferences for signal phrases used in formal essays and reports to introduce and discuss evidence. A signal phrase is a verb that tells readers the words or ideas that follow come from another source. Signal phrases include words such as argues, asserts, claims, comments, denies, discusses, implies, proposes, says, shows, states, and suggests. (For more discussion and a more extensive list of signal phrases, see Editing Focus: Integrating Sources and Quotations .)

If you are writing for a course in English, a foreign language, or a related discipline and using MLA documentation style, you generally will use the present tense or the present perfect tense in signal phrases.

Present Tense The film critic Manohla Dargis double underline claims end double underline that . . . Present Perfect Tense The film critic Manohla Dargis double underline has claimed end double underline that . . .

When you are analyzing a work of literature, common practice is to use the literary present tense in discussing both the work of the author and the action that occurs in the work:

Being cool double underline is end double underline key to the lives of the speakers in “We Real Cool,” a poem by Gwendolyn Brooks. Brooks double underline uses end double underline short lines and stanzas in which speakers double underline list end double underline what it means to be cool: dropping out of school, staying out late, playing pool, drinking, carousing, and so on. Being cool double underline unites end double underline the speakers, and they double underline celebrate end double underline their lifestyle, even as they double underline acknowledge end double underline in the final line of the poem that their coolness double underline may cause end double underline them to die young.

(For more on literary present tense, see Editing Focus: Literary Works Live in the Present .)

If you are writing for a course in history, art history, philosophy, religion, or a related discipline in the humanities, you generally will use the present tense or the present perfect tense in signal phrases.

Present Tense The historian Eduardo Galeano double underline argues end double underline that . . . Present Perfect Tense The historian Eduardo Galeano double underline has argued end double underline that . . .

On the other hand, if you are writing for a course in the social sciences, such as psychology, political science, or economics; a course in the natural sciences, such as biology, chemistry, or physics; or a technical field such as engineering, you will generally use past tense or present perfect tense for most signal phrases.

Past Tense The study double underline found end double underline that individuals who identify as transgender . . . (past tense) Present Perfect Tense: Several recent studies double underline have found end double underline that individuals who identify as transgender . . .

Verb Tense Consistency

Whichever tense you choose, be consistent throughout a piece of writing. You may need to shift tenses to indicate actual changes in time, but the governing tense should remain constant. (See Editing Focus: Verb Tense Consistency for a related discussion of consistent verb tense.)

Inconsistent Blinking back tears, I double underline clutched end double underline my two-year-old son to my chest, double underline kiss end double underline his forehead, and double underline will gather end double underline my things. It double underline is end double underline 2003, and I double underline was end double underline headed to active duty in Iraq with the National Guard. I double underline hug end double underline my spouse, my mom, my dad, my brothers, and my grandma. Then I double underline turn end double underline and double underline climbed end double underline on the bus that double underline takes end double underline me to a future that, in all honesty, double underline was end double underline terrifying to me. Consistent Blinking back tears, I double underline clutched end double underline my two-year-old son to my chest, double underline kissed end double underline his forehead, and double underline gathered end double underline my things. It double underline was end double underline 2003, and I double underline was end double underline headed to active duty in Iraq with the National Guard. I double underline hugged end double underline my spouse, my mom, my dad, my brothers, and my grandma. Then I double underline turned end double underline and double underline climbed end double underline on the bus that double underline would take end double underline me to a future that, in all honesty, double underline was end double underline terrifying to me.

Irregular Verbs

Most verbs are regular and form the past tense and past participle forms by adding -d or -ed.

• I bake/I baked/I have baked
• She discovers/she discovered/she has discovered
• They shovel/they shoveled/they have shoveled

Some verbs, however, are irregular and form the past tense and participle in another way. Below are a few of the approximately 200 irregular verbs in English. For a comprehensive list of irregular verbs, see this list .

• begin/began/begun
• bring/brought/brought
• buy/bought/bought
• do/did/done
• drive/drove/driven
• fall/fell/fallen
• go/went/gone
• have/had/had
• is/was/been
• lead/led/led
• hide/hid/hidden
• ring/rang/rung
• run/ran/run
• see/saw/seen
• sing/sang/sung
• sit/sat/sat
• shake/shook/shaken
• speak/spoke/spoken
• take/took/taken
• wear/wore/worn
• write/wrote/written

Verbs have three moods: indicative, imperative, and subjunctive. Mood can be said to indicate a speaker’s attitude or intention.

Indicative Mood

Use the indicative mood to state a fact or an opinion or to ask a question:

Thousands of women currently double underline serve end double underline in the military. I double underline think end double underline college tuition double underline is end double underline expensive. The weather double underline was end double underline awful for much of the winter but double underline will improve end double underline soon. double underline Have end double underline you double underline submitted end double underline your request for time off?

Imperative Mood

Use the imperative mood to give instructions and commands. The subject, you , is often implied but not stated:

double underline (You) Use end double underline the online form to request time off. double underline (You) Submit end double underline your request for time off by Friday. double underline You must submit end double underline your request on time.

Subjunctive Mood

Use the subjunctive mood to express wishes, suggestions, or requirements or to state hypothetical or unlikely conditions:

The rules state that every member double underline be end double underline present for the vote. I wish you double underline were end double underline here to see the exhibition. The governing board could be more effective if all members double underline were end double underline active. Students who failed the class would have passed double underline had end double underline they double underline completed end double underline all assignments.

H 8 . Pronouns

A Pronouns is a word used in place of a noun. Some pronouns are I, you, he, she, we, they, who, and everyone . The noun a pronoun replaces or refers to is its antecedent . (See Editing Focus: Pronouns for a related discussion of pronouns.)

Pronoun Reference

A pronoun should refer to a clear and specific antecedent.

Clear Antecedent All nine underline members end underline of the school board voted in favor of changing the district’s mascot. underline They end underline explained their reasoning during the meeting. ( They refers clearly to members. ) Unclear Antecedent In Smith’s essay, underline she end underline explains why many American families have less money saved and more debt than families in the 1970s. Revised In underline her end underline essay, underline Smith end underline explains why many American families have less money saved and more debt than families in the 1970s.

Problems with pronoun reference occur in the following situations:

Vague this, that, which, or it . The pronouns this, that, which, and it should not refer to words expressing an idea, an event, or a situation.

Vague Reference The school board voted to change the district’s mascot without holding special meetings with the public. underline This end underline made some community members angry. ( Are community members angry about the vote or about the lack of special meetings? ) Revised The school board voted to change the district’s mascot without holding special meetings with the public. underline Their decision to avoid public discussion before the vote end underline made some community members angry.

Indefinite it, they, or you . The pronouns it, they, and you should have a definite antecedent in a sentence.

Indefinite it Crittenden explains that mothers are taken for granted and disrespected, even though our society calls underline it end underline the most important job in the world. Revised Crittenden explains that mothers are taken for granted and disrespected, even though our society calls underline motherhood end underline the most important job in the world. Indefinite they Japan has considerable wealth compared to Ireland, but underline they end underline have a low subjective well-being index. Revised Japan has considerable wealth compared to Ireland, but underline Japanese citizens end underline have a low subjective well-being index. Indefinite you The federal government should raise the minimum wage to ensure underline you end underline earn a wage underline you end underline can live on. Revised The federal government should raise the minimum wage to ensure underline workers end underline earn a wage underline they end underline can live on.

Pronoun-Antecedent Agreement

In many sentences, making a pronoun agree with its antecedent is straightforward: My underline neighbors end underline gave me the keys to underline their end underline apartment. However, pronoun-antecedent agreement gets tricky in the following circumstances.

Agreement with Generic Nouns and Indefinite Pronouns

Generic nouns refer to a type of person or job someone performs, such as athlete, child, scientist, doctor, or hairdresser. Indefinite pronouns include words such as anyone, each, everyone, everything, many, most, and none.

All generic nouns and most indefinite pronouns are singular in meaning. Traditionally, these words took the singular pronouns he/him/his because English does not have a gender-neutral third-person pronoun that refers to people: Everyone has his own opinion or A doctor needs to show that he cares about his patients.

More recently, writers have been replacing he/him/his or his/her with they/them/their when the person’s gender is unknown or unimportant or when the person has indicated a preference for non-gendered pronouns:

Everyone has underline their end underline own opinion. A doctor needs to show that underline they end underline care about underline their end underline patients.

These plural pronouns are increasingly accepted and intentionally used by writers, teachers, and editors. Many prominent publications and style guides indicate that the plural pronoun should replace binary or singular ones in most cases. If using a plural pronoun does not fit the situation (such as in a paragraph where the pronoun they is also used several times to indicate a group), try rewriting the sentence in either of these ways:

Remove the pronoun. Everyone has underline an end underline opinion. Make the antecedent plural. underline People end underline have their own opinions. underline Doctors end underline need to show that they care about their patients.

Collective nouns such as audience, band, class, crowd, family, group, or team can take a singular or plural pronoun depending on the context. When the group acts as a single unit, which is the most common construction, use a singular pronoun. When the group members act individually, use a plural pronoun. If using the plural sounds awkward, add the word members so that the plural is clear.

The band went through underline its end underline complete playlist. The band loaded underline their end underline instruments on the bus. The band underline members end underline loaded underline their end underline instruments on the bus.

Pronoun Case

Pronouns have three cases: subjective, objective, and possessive. Pronouns change case according to their function in a sentence.

Subjective case pronouns function as subjects: I, we, you, he/she/it, they, who/whoever :

Antonio and underline I end underline share an apartment downtown in a neighborhood underline we end underline like.

Objective case pronouns function as objects: me, us, you, him/her/it, them, whom/whomever :

The manager gave underline us end underline a tour of the building.

Possessive case pronouns show ownership: my/mine, our/ours, your/yours, his/her/hers/its, their/theirs, whose :

underline Our end underline friends live in the building too.

Pronoun case gets tricky in the circumstances explained below.

Case in Compound Structures

Compound subjects use subjective case pronouns. Compound objects use objective case pronouns.

Subjective Case underline Antonio end underline and underline I end underline have occasional disagreements about the dishes. Objective Case Occasional disagreements about the dishes come up between underline Antonio end underline and underline me end underline .

Case After than or as

In a comparison, the case of the pronoun indicates which words have been left out:

Antonio cares more about having a clean kitchen than underline I end underline [do]. Sometimes I think Antonio cares more about a clean kitchen than [he cares about] underline me end underline .

Who or Whom

Use the subjective case who in place of a subject—whether it is the subject of the sentence or the subject of a clause:

underline Who end underline is going to the concert? (subject of sentence) Give the tickets to underline whoever end underline can use them. (subject of clause) She is the person underline who end underline is best qualified for the job. (subject of clause) She is the person underline who end underline I think is best qualified for the job. (subject of clause; the intervening words “I think” don’t change the subject or verb of the clause)

Use the objective case whom in place of an object, whether it is the object of a verb, preposition, or clause:

I don’t know underline whom end underline to ask. (object of verb) To underline whom end underline should I give the extra concert tickets? (object of preposition) Give the tickets to underline whomever end underline you choose. (object of clause)

We or us with a Noun

Use we with a subject. Use us with an object.

underline We end underline citizens must vote in order to make our voices heard. (subject) Legislators need to hear from underline us end underline citizens. (object)

Case Before or After an Infinitive

Use the objective case before and after an infinitive (the to form of a verb: to run, to walk, to eat ):

The agent asked Antonio and underline me end underline to write a review. We agreed to give underline him end underline a positive review.

Case Before a Gerund

Generally, use the possessive case of a pronoun before a gerund (the -ing form of a verb used as a noun: gentle underline snoring end underline , elegant underline dining end underline ):

He grew tired of underline their end underline partying late into the night. The rental agreement depends on underline your end underline approving the lease terms.

H 9 . Punctuation

This section covers the major marks of punctuation: commas, apostrophes, semicolons, colons, periods, question marks, exclamation points, dashes, and parentheses. (For using brackets and ellipses, see Quotations .)

Commas alert readers to brief pauses within sentences.

Commas with Main Clauses

Use a comma before a coordinating conjunction ( for, and, nor, but, or, yet, or so) joining main clauses:

Businesses in the metropolitan area are growing underline , and end underline unemployment is down. Many job seekers use online sites like Indeed.com underline , but end underline a few still send traditional cover letters and résumés through the mail. A solution must be determined soon underline , or end underline the problem will continue.

Commas with Introductory Information

Use a comma after an introductory element at the start of a sentence:

underline After class is over , end underline we should get lunch and review our notes. underline Shuffling his feet nervously , end underline he waited for the train. underline However end underline , the circumstances have not changed.

Commas with Nonessential and Essential Information

(See Editing Focus: Commas with Nonessential and Essential Information for a related discussion of commas.)

Nonessential information refers to information that is usually not necessary to the basic meaning of a sentence. Nonessential information is set off by commas. In the following sentence, the word original tells readers which labs no longer meet the needs of the teachers and students. The underlined information adds information but does not change the meaning of the sentence and thus is nonessential to the basic meaning:

The original technical education labs underline , which were installed 50 years ago , end underline no longer meet the needs of the teachers and students.

Essential information , on the other hand, is necessary to the meaning of the sentence. In following example, the word original is no longer part of the sentence; the underlined words convey necessary information about the labs:

The technical education labs underline that were installed 50 years end underline ago no longer meet the needs of the teachers and students.

You can test whether information is nonessential by removing the information. If the meaning of the sentence is unchanged, the information is nonessential. If the meaning becomes too general or changes, the information is essential. In the sentence above, only the labs installed 50 years ago, as opposed to other labs, no longer meet the needs of teachers and students. Note, also, the use of which with nonessential information and that with essential information.

Commas Around Nonessential Information

Place commas around information that is not essential to the meaning of a sentence:

The entire technology department underline , which consists of nine teachers and five staff members , end underline has contributed to a report on the needed updates to the technical education labs. The technology department chair underline , who teaches welding , end underline wrote the final report. Updates to the labs will begin in June underline , when school is not in session end underline .

No Commas Around Essential Information

Do not place commas around essential information:

According to the technical education teachers, the labs need equipment underline that students are likely to encounter in the workplace end underline . Faculty underline who teach auto mechanics end underline have requested updates to their lab. The teachers are concerned about the labs underline because students are not learning the skills they need end underline . The amount of lab space underline that needs to be updated end underline is substantial. The department has consulted the industry expert underline Stacy James end underline .

Serial (Oxford or Harvard) Commas

For clarity, use a comma between items in a series:

He studied all the notes , emails , memos , and reports related to the data breach.

Be aware, however, that certain style manuals, such as the AP Stylebook, do not use the serial comma, also called the Oxford or Harvard comma.

Commas with Numbers, Dates, Titles with Names, and Addresses

The sign gave the city’s population as 122 , 887. Nobel Prize winner Toni Morrison died on August 5 , 2019. Diana Wong , M.D. , is a practicing obstetrician. The mailing address for the Smithsonian Institution is 600 Maryland Avenue SW , Washington , D.C. , 20002.

Common Comma Errors

Misplaced commas can make sentences choppy and obscure the intended meaning.

No Comma after a Subject or a Verb

Anyone who was still at the party underline , end underline left when the band stopped playing. The party ended underline , end underline after the band stopped playing.

No Comma after a Conjunction Connecting Parts of a Compound Subject, Verb, or Object

Some musicians in the band underline , end underline and many of the guests danced until midnight. (compound subject) The band stopped after two hours underline , end underline and took a well-deserved break. (compound verb) Guests enjoyed the music underline , end underline and the dancing. (compound object)

No Comma after a Series

The band played 80s rock underline , end underline punk , and new wave , all night long.

No Comma before an Indirect Quotation

Online reviews say underline , end underline that the band is the best in the area.

Apostrophes

An apostrophe has two functions. It indicates possession, and it forms contractions.

Apostrophes to Show Possession

Use an apostrophe and -s to indicate possession with a singular noun or an indefinite pronoun:

underline Jack ’ s end underline brother is my underline sister ’ s end underline coworker. In their family, underline everyone ’ s end underline favorite dessert is ice cream.

If the ’s in a singular noun is pronounced, add apostrophe -s :

The underline business ’ s end underline inconsistent hours caused customers to go elsewhere. Los underline Angeles ’ s end underline airport, LAX, is one of the busiest in the United States.

If the ’s is not pronounced in a singular noun, some writers choose to add an apostrophe alone; however, MLA, APA, and Chicago use the apostrophe and s in these cases:

David underline Myers ’ end underline book, The Pursuit of Happiness , was published in 1992. David underline Myers ’s end underline book, The Pursuit of Happiness , was published in 1992.

When the noun is plural and ends in -s , place the apostrophe after the final -s :

American underline households ’ end underline incomes have grown since the 1970s because more women have entered the workforce. These underline families ’ end underline expenses have risen too.

When the noun is plural and does not end in -s, add an apostrophe and -s:

Social underline media ’ s end underline effect on contemporary life cannot be underestimated. During the pandemic, parents’ stress grew as they helped with their underline children ’ s end underline schooling.

Apostrophes to Form Contractions

Contractions are common in speech and in informal writing. Use an apostrophe in contractions:

When I say I underline can ’ t end underline , I mean I underline won ’ t end underline . underline It ’ s end underline the best option under the circumstances. “ underline You ’ re end underline the best friend anyone can have,” Mikayla said. underline They ’ re end underline driving to their favorite hangout spot.

Common Apostrophe Errors

Apostrophes are not used to form plural nouns, singular verbs, or personal or relative pronouns.

Not in Plural Nouns

How many hotel underline rooms end underline [not room’s ] should be reserved for the wedding? The Lewises and the Riveras [not Lewis’s and Rivera’s or Lewis’ and Riveras’ ] have confirmed their reservations.

Not with Verbs Ending in -s

Nikki underline runs end underline [not run’s ] every day. Jamal underline walks end underline [not walk’s ] to work.

Not with Possessive Personal Pronouns or Relative Pronouns

The book is underline yours end underline [not your’s ]. The dog was barking and wagging underline its end underline [not it’s ] tail. underline Whose end underline [not who’s ] apartment is this?

Other Punctuation

The semicolon joins main clauses (a clause that contains a subject and a predicate and can stand alone as a sentence). A semicolon is also used to separate items in a series that contain commas.

Use a semicolon to join main clauses that are closely related in meaning and that are not joined by a coordinating conjunction ( for, and, nor, but, or, yet, or so ).

Originally built in 1928, the school had been remodeled multiple times underline ; end underline the result was an architectural mashup.

Use a semicolon to join main clauses that are connected by a transitional word or phrase such as for example, however, therefore, indeed, or after all :

The governor has proposed increased funding to K-12 public schools underline ; however, end underline the legislature must approve the budget.

Use a semicolon between items in a series that contain internal commas:

The candidates for the award are Michael, who won the essay competition ; Sasha, the top debater; and Giselle, who directed several student productions.

A colon introduces lists, summaries, and quotations. A colon also separates titles from subtitles.

A colon can introduce a list:

Successful athletes have the following qualities underline : physical ability, mental toughness, commitment, and optimism end underline .

A colon can also introduce a summary or an explanation, which may or may not be a main clause (a clause that contains a subject and a predicate and can stand alone as a sentence):

The team had one goal left before the end of the season underline : to win the state championship end underline .

Book titles often include a subtitle. A colon separates the subtitle from the title:

Forcing the Spring : Inside the Fight for Marriage Equality

End Punctuation

A sentence ends with a period, a question mark, or an exclamation point.

A period ends declarative (statement) and imperative (command) sentences:

The administration canceled classes . Do not attempt to drive to school this morning .

A question mark ends a direct question and indicates uncertainty in dates:

Where is Times Square ? She asked, “What time is it ? ”

An exclamation point ends an emphatic or emotional sentence:

“What a mess ! ” she blurted out. “Stop ! That hurts ! ” he shouted.

Dashes and Parentheses

Dashes and parentheses enclose nonessential information in a sentence.

Use a dash or dashes to set off nonessential information, to indicate a contrast or a pause, or to mark a change of direction.

We did not notice the rain at first — it began so softly — but soon we were soaked. Nothing is as exciting as seeing a snowy owl in a winter farm field — except maybe seeing two snowy owls.

Use parentheses to enclose nonessential information such as explanations, asides, examples, and dates.

He graduated with high honors ( magna cum laude ) and found a job immediately. The city of Madison ( home of the University of Wisconsin ) is the state capital of Wisconsin.

H 10 . Mechanics

Capital letters.

Use capital letters in the following situations.

• Capitalize the first word of a sentence: The weather is rainy today.
• Capitalize proper nouns and proper adjectives: Monday, New Orleans, Mexico, Florida, Halloween, United States Constitution, Department of Education, University of Texas, Native American, Islam, Italian, Freudian.
• Capitalize titles that precede a person’s name: Dr. Atul Gawande, Senator Tammy Baldwin. [But: Atul Gawande, a doctor; Tammy Baldwin, a senator]

Many online resources, such as this one , list words that should be capitalized. You can also consult a dictionary, such as Merriam-Webster , to determine whether to capitalize a word.

Titles of Works

Titles of books, articles, stories, plays, poems, films, and other works are handled differently depending on the documentation style you are using. The guidelines here follow MLA style.

Capitalization in Titles and Subtitles

Capitalize the first and last words in a title and subtitle and other important words. Do not capitalize articles ( a, an, the ), coordinating conjunctions ( for, and, nor, but, or, yet, or so ), or prepositions ( above, with, of, in, through, beyond, under ) unless they are the first or last words in the title or subtitle.

• Forcing the Spring: Inside the Fight for Marriage Equality (book)
• Judas and the Black Messiah (film)
• “American Military Performance in Vietnam: Background and Analysis” (article)

Italics for Titles of Long Works

Use italics for long works that are published, produced, or released separately from other works. These include books, long poems, plays, movies, videos, published speeches, periodicals (newspapers, magazines, and academic and professional journals), websites, long musical works, works of visual art, computer software, TV or radio programs and series, and pamphlets.

• Four Fish: The Future of the Last Wild Food (book)
• The New Yorker (periodical)
• The Los Angeles Times (newspaper)
• American Idiot (album)
• Parasite (film)
• Saturday Night Live (TV program)

Quotation Marks for Titles of Shorter Works

Put quotation marks around the titles and subtitles of individual shorter works or those that are published or released within larger works. These include articles in periodicals (newspapers, magazines, and academic and professional journals), pages or works on a website, short stories, short poems, essays, songs, episodes of TV or radio programs and series, book chapters, and unpublished speeches.

• “Living with a Visionary” (article in a magazine)
• “A World of Fields and Fences” (work on a website)
• “New York Day Women” (short story)
• “Corson’s Inlet” (short poem)
• “Return from ISIS” (TV episode)

H 11 . Quotations

A quotation reproduces the exact written or spoken words of a person or an author, which may include a group. (See Editing Focus: Quotations for a related discussion of direct quotations and Editing Focus: Integrating Sources and Quotations for help with integrating quotations from sources.)

Quotations from Written or Spoken Sources

Put quotation marks around quotations from a written or spoken source.

Quoting a Source

When quoting the words of a source, introduce quoted material with a signal phrase so that readers know the source and purpose of the quotation. Place the quotation inside double quotation marks. When using parenthetical citations, note that the sentence period comes after the parentheses. If you include the author’s name in your signal phrase, give only the page number in parentheses (first example). If you do not give the author’s name in your signal phrase, give the name in parentheses (second example):

In Walden , Thoreau sets forth one individual’s antidote against the “ lives of quiet desperation ” led by the working class in mid-nineteenth-century America (5).

Walden sets forth one individual’s antidote against the “ lives of quiet desperation ” led by the working class in mid-nineteenth-century America (Thoreau 5).

Abraham Lincoln wrote “ that government of the people, by the people, for the people, shall not perish from the earth ” in his Gettysburg Address.

Quoting or Writing Dialogue

When quoting or writing dialogue between speakers, including characters in a fictional work, place their words in double quotation marks, and start a new paragraph for each speaker:

“ It’s good to see you—I guess, ” Brayden said, as Christopher walked up to the door. “ I thought you were gone for good. ” “ I missed you too much, ” Christopher said, looking down at his feet.

Single and Double Quotation Marks

Put single quotation marks around a quotation within a quotation, using double quotation marks around the full quotation:

Kennedy writes that after a year of teambuilding work, including improvements in communication, evaluation, and small-group quarterly meetings, morale among staff members “ improved from ‘ average ’ to ‘ excellent ’ ” (17).

Long Quotations

Introduce a long quotation (four typed lines in MLA style; 40 or more words in APA style) with a signal phrase that names the author and ends with a colon. Indent this entire block quotation one-half inch. If you quote more than one paragraph, indent the first line of each subsequent paragraph one-half inch. Do not use quotation marks. Note that the sentence period comes before the parenthetical citation:

In her memoir, Twenty Years at Hull-House , reformer Jane Addams recounts vivid stories of child labor:

public domain text The visits we made in the neighborhood constantly discovered women sewing upon sweatshop work, and often they were assisted by incredibly small children. I remember a little girl of four who pulled out basting threads hour after hour, sitting on a stool at the feet of her Bohemian mother, a little bunch of human misery. For even for that there was no legal redress, for the only child labor law in Illinois, with any provision for enforcement, had been secured by the coal miners’ unions, and was confined to the children employed in the mines. (199) end public domain text

Poetry Quotations

When you quote one, two, or three lines from a poem, use the following format, putting quotation marks around the line or group of lines and separating the lines with a slash:

The 17th-century writer Aphra Behn (1640–1689) wrote humorous poems about love and heartbreak, including “Love’s Power,” which opens with “ Love when he Shoots abroad his Darts / Regards not where they light ” (1-2).

When you quote more than three lines from a poem, set them off from your text. Indent the quotation one-half inch, and do not use quotation marks. Note that the sentence period comes before the parenthetical citation.

In the poem “The Character,” Aphra Behn (1640–1689) uses the familiar alternate rhyme scheme, also known as ABAB: Such Charms of Youth, such Ravishment Through all her Form appear’d, As if in her Creation Nature meant, She shou’d a-lone be ador’d and fear’d. (1-4)

Altering Quotations

When you alter a quotation to fit into your sentence, you must indicate the change you made.

An ellipsis [. . .] indicates that you have omitted words from a quotation. In the example below, the writer omitted words from the middle of the sentence.

In her memoir, Twenty Years at Hull-House , reformer Jane Addams explains that there were no enforceable laws against small children helping their mothers with sweatshop sewing work, and that “the only child labor law in Illinois . . . had been secured by the coal miners’ unions, and was confined to the children employed in the mines” (199).

If you omit the end of a sentence or a complete sentence, include the sentence period:

The author explains as follows: “Damage to the Broca’s area of the brain can affect a person’s ability to comprehend spoken language . . . . A person may understand speech relatively well when the sentence grammar is simple and the content familiar but may struggle when the grammar and content are more complex” (Hollar-Zwick 45).

Use brackets [ ] to indicate a change you have made to a quotation:

Abruzzi cited the study, noting that “ [ t ] he results provide hope to patients [ with muscular dystrophy ] .”

Punctuating Quotations

Place the period inside quotation marks if no source is cited:

The meteorologist said, “ Today’s weather will be sunny and mild .”

If you are citing a source in parentheses, place the quotation marks at the end of the quotation, followed by the citation and the sentence period:

In Twenty Years at Hull-House , Jane Addams recalls vivid images of child labor: “ I remember a little girl of four who pulled out basting threads hour after hour, sitting on a stool at the feet of her Bohemian mother, a little bunch of human misery ” (199) .

(See Long Quotations and Poetry Quotations above for exceptions to this rule.)

Commas go inside quotation marks:

“ Tomorrow’s weather will be cool and rainy ,” the meteorologist said.

Colons and Semicolons

Colons and semicolons go outside quotation marks:

The sign read “ Closed ”: No more films would be shown at the theater. (Note: Use a capital letter if a complete sentence follows the colon.)

Question Marks and Exclamation Points

Question marks and exclamation points go inside quotation marks if they are part of the quotation:

“ Would you like a sandwich ?” asked Adelaide.

Question marks and exclamation points go outside quotation marks if they are not part of the quotation:

“I can’t believe you haven’t read “ The Lottery ”!

H 12 . Index and Guide to Documentation

Although formal differences exist among the conventions for documenting sources, the underlying principle of all documentation systems is the same: When borrowing words, facts, or ideas from someone else, writers must indicate that the material is borrowed. They do this by providing a citation in the text of their paper that points readers to detailed publication information about the source of the material, usually at the end of the paper but sometimes in footnotes. The following examples are in MLA style:

Citation in the Text Describing Martin Luther King, Jr.’s visit to India, underline Isabel Wilkerson end underline notes that King was taken aback by the suggestion that Black Americans were the equivalent of the Dalits in the Indian caste system underline (22) end underline . Works-Cited Entry Wilkerson, Isabel. Caste: The Origins of Our Discontents. Penguin, 2020.

Documentation Styles by Discipline

Each discipline has its own authority or authorities that provide rules about issues such as spelling of technical terms, preferred punctuation, and editing mechanics, as well as documentation style. In addition, if you write for publication in a magazine, professional journal, book, or website, the publisher will have a “house” style, which may vary in some details from the conventions listed in the authoritative guidelines for the discipline in which you are writing. Below are the sources of style manuals for various disciplines. Always check with your instructor about which style to use in a class.

Index to MLA Documentation Models

The models, listed numerically, provide examples of in-text citations and works-cited entries (MLA). The models themselves are located in Handbook Section 13 (H13).

In-Text Citation Models

• Two or more works by the same author
• Two authors
• Three or more authors
• Authors with the same last name
• Organization, government, corporation, or association as author
• Unknown author
• Work in more than one volume
• Work with no page or other reference numbers
• One-page or entire work
• Source quoted in another source (indirect quotation)

Poetry and verse plays

Fiction and prose plays

• Two or more works in the same citation
• Sacred text

Endnotes and Footnotes (MLA)

Format of the list of works cited (mla), authors and contributors (mla).

• Book: one author
• Book: two authors
• Book: three or more authors
• Book: two or more works by the same author
• Author and editor
• Author and translator
• Author and illustrator
• Work by an organization, a government, a corporation, or an association

Articles in Journals, Magazines, and Newspapers (MLA)

• Basic format for a journal article in a database
• Editorial or letter to the editor

Books and Parts of Books (MLA)

• Basic entry for a book
• Book, anthology, or collection with an editor
• Work in an anthology or chapter in an edited collection
• Two or more works in an anthology or edited collection
• Revised or later edition
• Multivolume work
• One volume of a multivolume work
• Book in a series
• Republished work
• Introduction, preface, foreword, or afterword
• Published letter
• Conference paper

Websites and Parts of Websites (MLA)

• Basic format for a short work or page on a website
• Short work or page on a website
• Entire website

Social Media (MLA)

• Basic format for a social media post
• Social media post
• Online forum post
• Online comment

Personal Communication (MLA)

• Text message
• Personal letter

Video, Audio, and Other Media Sources (MLA)

• Online video

Original work

Reproduction

Personal interview

• Video game, software, or app

Other Sources (MLA)

• Live lecture, speech, address, or reading
• Live performance
• Letter in an archive
• Dissertation

Index to APA Documentation Models

The models, listed numerically, provide examples of in-text citations and reference entries (APA). The models themselves are located in Handbook Section 14 (H14).

In-Text Citation Models (APA)

• Work with no page numbers
• Entire work
• Personal communication

Format of the References List (APA)

Authors (apa).

• Three to twenty authors

Articles in Journals, Magazines, and Newspapers (APA)

• Basic format for an article in an academic journal

Without DOI or URL

Database or print

• Published interview

Books and Parts of Books (APA)

• Print book or e-book
• Article in an edited book, anthology, or collection
• Translated or reprinted book
• Revised edition
• Report or publication by a government agency or other organization

Web Sources (APA)

• Basic format for a page or work on a website
• Page or work on a website

Social Media (APA)

Video, audio, and other media sources (apa).

• Music recording
• Painting or other visual artwork
• Map, photograph, or other visual

H 13 . MLA Documentation and Format

MLA style is the preferred form for documenting research sources in English and other humanities disciplines. The following are general features of MLA style:

• All material borrowed from sources is cited in the text of a paper by the author’s name and page number (if available).
• A works-cited list at the end of a paper provides full publication data for each source cited in the text of the paper.
• Additional explanatory information provided by the writer (but not from external sources) goes in either footnotes or endnotes. These notes are optional.

The instruction in this section follows the MLA Handbook , 8th edition (2016). For more information on MLA style, see this site . For examples of student papers in the textbook using MLA documentation style, see Section 4 in Chapters 5, 7, 9, 12, and 16.

MLA In-Text Citations

In-text citations feature author names, page numbers, and sometimes titles, depending on what information is available. The Index located in H12 provides a listing of the models that are included below.

1. One author

When you quote, paraphrase, or summarize a source, include the last name of the source’s author, if known, in a signal phrase or in parentheses at the end of your sentence. Provide the page or pages on which the original material appeared. Do not include the word page or the abbreviations p. or pp. Use a hyphen [-] to indicate a number range (See Spotlight on … Citation for more on quoting, paraphrasing, and summarizing sources):

Becker points out that Joe Biden’s views on same-sex marriage changed during a personal visit to a family while he was vice president (285-86). While he was vice president, Joe Biden’s views on same-sex marriage changed during a personal visit with a family (Becker 285-86).

2. Two or more works by the same author

If you cite two or more works by the same author in your paper, give the title of the specific work in your sentence or a short version of the title in parentheses:

According to Lewis Thomas in Lives of a Cell , many bacteria become dangerous only if they manufacture exotoxins (76). According to Lewis Thomas, many bacteria become dangerous only if they manufacture exotoxins ( Lives 76). Many bacteria become dangerous only if they manufacture exotoxins (Thomas, Lives 76).

See Model 18 for how to cite two works by the same author in the works-cited list.

3. Two authors

If you cite a work with two authors, include both authors’ names in a signal phrase or in parentheses:

In the preface to Half the Sky , Kristof and WuDunn explain their focus on the issues of sex trafficking and sex work, violence against women, and maternal mortality (xxi). In the preface to Half the Sky , the authors explain their focus on the issues of sex trafficking and sex work, violence against women, and maternal mortality (Kristof and WuDunn xxi).

4. Three or more authors

For works with more than two authors, give the last name of the first author followed by “et al.”:

Of the survey respondents, twenty-two percent described themselves as concerned about future job prospects (Pronkowski et al. 9).

5. Authors with the same last name

When authors of different sources have the same last name, include their initials:

Since the legalization of marijuana for recreational use, frequent use among adults has risen (J. T. Greene 21; M. Greene 30).

6. Organization, government, corporation, or association as author

When no author is given for a work published by a corporation, a government, an organization, or an association, indicate the group’s name in a signal phrase or in parentheses:

The United States Forest Service describes its mission as “sustain[ing] the health, diversity, and productivity of the nation’s forests and grasslands to meet the needs of present and future generations” (8).

7. Unknown author

When the author of a work is unknown, use the work’s title in a signal phrase or a shortened version of the title in parentheses and a page number if available. Put quotation marks around article titles, and put book or journal titles in italics:

In a pointed 2020 editorial, “Don’t Let the Games Begin,” The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated. In a pointed 2020 editorial, The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated (“Don’t Let”).

8. Work in more than one volume

If you cite only one volume of a multivolume work, give the page number in parentheses. If you cite more than one volume of a multivolume work, give the volume number for each citation before the page number, and follow it with a colon and one space:

Hill notes that Sir Arthur Conan Doyle’s The Adventure of the Dancing Men was first published in the Strand Magazine and later in Collier’s Weekly (1: 332).

9. Work with no page or other reference numbers

When the work has no page numbers, give the author’s name in a signal phrase or in parentheses. If the source has paragraph, chapter, or section numbers, use them with the abbreviations par., ch., or sec. :

Chen reports that the number of Americans seeking help with mental health rose during the pandemic that began in 2020. (ch. 2) The number of Americans seeking help with mental health rose during the pandemic that began in 2020 (Chen, ch. 2).

For an audio or a video recording, give the start and stop times for the segment you are citing shown on the player in hours (if available), minutes, and seconds:

It is well known that maternity leave is available in countries around the world, including Norway, which popularized its policy in a comic YouTube video showing a pregnant woman on skis announcing the start of her one-year paid leave (01:48-02:07).

10. One-page work or entire work

When you cite a work that is one page long or an entire work, such as a book, website, single-page article, tweet, video, or film, you do not need to cite a page or give a reference number:

In Da 5 Bloods, director Spike Lee connects the Civil Rights movement to the war in Vietnam through the music, montages of the era, and characters’ stories.

11. Source quoted in another source (indirect quotation)

When a quotation or any information in your source is originally from another source, try to track down the original source. If you cannot find it, use the abbreviation “qtd. in”:

The group, which has researched global health including access to food, sounded the alarm about a potential “worldwide food crisis” in the early 2000s (qtd. in Sing 32).

12. Literary works

For poems, provide line numbers for reference, and include line or lines in the first reference:

In “The Character,” Aphra Behn describes a lovely young woman, starting with her eyes: “Her Eyes all sweet, and languishingly move” (line 4).

Cite verse plays using act, scene, and line numbers, separated by periods: ( Hamlet 4.4.31-39)

When citing a prose literary work available in various editions, provide additional information after the page number, such as the chapter, act, or scene number, for readers who may be consulting a different edition. Use a semicolon to separate the page number from this additional information: (331; ch. 5) or (78; act 2).

13. Two or more works in the same citation

When you cite more than one work in parentheses, use a semicolon between them:

Americans who resisted or ignored civil defense are often portrayed as heroic people who chose not to build fallout shelters or as marginalized people who could not afford them (Garrison 57; Mechling and Mechling 109).

14. Sacred text

When you cite passages from the Bible or another sacred text such as the Qur’an, give the title of the edition you are consulting the first time you refer to it. Then give the book (abbreviate the title if it is longer than four letters), chapter, and verse, separated by periods:

Several times in the New Testament of the Bible, Jesus comments on wealth, telling his disciples, “And again I say unto you, It is easier for a camel to go through the eye of a needle, than for a rich man to enter into the kingdom of God” ( King James Version, Matt. 19.24).

Endnotes and Footnotes

Writers use notes to offer comments, explanations, or additional information that cannot easily be integrated into the rest of a paper. Use notes to cite several sources within a single context if a series of in-text citations will detract from the readability of the text.

Text with Superscript

The standard ingredients for guacamole include avocados, lemon juice, onion, tomatoes, coriander, salt, and pepper. 1 Hurtado’s poem, however, gives this traditional dish a whole new twist.

1. For variations see Beard 314, Egerton 197, Eckhardt 92, and Kafka 26. Beard’s version, which includes olives and green peppers, is the most unusual.

A note may be placed as a footnote at the bottom of the page on which the in-text citation appears or on a separate page of endnotes at the end of the paper. This should be titled “Notes” or “Endnotes” and appear between the last page of the paper and the works-cited list. Include all sources given in notes in the works-cited list.

MLA Works Cited

Each source cited in the text of your paper refers readers to the list of works cited, a complete list of all the sources you quoted, paraphrased, or summarized. Every source cited in the text of your paper must be included in the works-cited list, and every source in the works-cited list must be cited in the text of your paper.

After the last page of the paper, start a new page with the centered title “Works Cited” at the top. Create an entry for each source using the following guidelines and examples:

• Begin each entry at the left margin, and indent subsequent lines one-half inch. (In Microsoft Word, you can also highlight the entire page when you are finished and select “Hanging” from the Special options on the Indentation section of the Paragraph menu.)
• Alphabetize the entries according to authors’ last names. If two or more authors have the same last name, alphabetize by first name or initial. Alphabetize sources with unknown authors by the first word of the title, excluding a, an, or the.
• Double-space the entire page.

Core Elements (MLA)

Each entry in the list of works cited consists of core elements:

• Author. Who is responsible for the work?
• Title. What is the work called?

Publication information. Where can the work be found so that others can consult it? Publication information includes the date of publication and any larger work, which MLA calls a “container,” in which a shorter work is published, such as a journal, magazine, newspaper, database, streaming service, and so on.

A note on access dates. Although access dates for online sources are not required, MLA acknowledges that an access date can indicate the version of a source you consulted. If you add an access date, place it at the end of the works-cited entry in this format: “Accessed 4 Apr. 2020.” Ask your instructors whether they require access dates.

Authors and Contributors for Books and Articles (MLA)

• Authors. Give the author’s last name, a comma, the author’s first name and any middle name or middle initial, and then a period. For works with more than one author, an organization as an author, or an unknown author, see the models below.
• Contributors. People who contributed to the work in addition to the author are called contributors. Refer to them by their role in a phrase such as “adapted by,” “directed by,” “edited by,” “illustrated by,” “introduction by,” “narrated by,” “performance by,” and “translated by.” (See Models 19, 20, 21, 30, and 58 for examples.)

15. Book: one author

Sotomayor, Sonia. My Beloved World. Vintage Books, 2013.

16. Book: two authors

Kristoff, Nicholas D., and Sheryl WuDunn. Half the Sky: Turning Oppression into Opportunity for Women Worldwide. Alfred A. Knopf, 2009.

17. Book: three or more authors

Barlow, David H., et al. Abnormal Psychology: An Integrative Approach. 8th ed., Cengage Learning, 2017.

18. Book: two or more works by the same author

When you cite two works by the same author, use three hyphens in place of the author’s name, and alphabetize the works by title:

Trethewey, Natasha. Memorial Drive: A Daughter’s Memoir. Ecco, 2020.

---. Native Guard: Poems. Mariner Books, 2007.

19. Book author and editor

Add the editor’s name after the title:

Hemingway, Ernest. Conversations with Ernest Hemingway , edited by Matthew J. Bruccoli, UP of Mississippi, 1986.

20. Book author and translator

Add the translator’s name after the title:

Ferrante, Elena. My Brilliant Friend. Translated by Ann Goldstein, Europa Editions, 2012.

If you are citing the work of the translator, place the translator’s name in the author position:

Goldstein, Ann, translator. My Brilliant Friend. By Elena Ferrante, Europa Editions, 2012.

21. Book author and illustrator

Add the illustrator’s name after the title. If you are citing the work of the illustrator, place the illustrator’s name in the author position, as shown in the preceding example:

Fasler, Joe. Light in the Dark: Writers on Creativity, Inspiration, and the Artistic Process. Illustrated by Doug McLean, Penguin Books, 2017.

22. Work by an organization, a government, a corporation, or an association

If the author and publisher are not the same, start with the author:

United States Department of Veterans Affairs, Veterans Health Administration. Healthy Living Resource Guide. Government Printing Office, 2020.

If the author and the publisher are the same, give the title of the work in place of the author, and list the organization as the publisher:

MLA Handbook. 8th ed., Modern Language Association of America, 2016.

“This Is Who We Are.” U.S. Forest Service, United States Department of Agriculture, Mar. 2019, www.fs.usda.gov/sites/default/files/This-is-Who-We-Are.pdf.

23. Unknown author

If no author is given, start with the title.

“The Most Beautiful Battalion in the Army.” Grunt Magazine , 1968, pp. 12-15.

Articles, reviews, editorials, and other short works are published in journals, newspapers, and magazines. They appear in print, on databases, and on websites (though often through a paywall). As a student, you are likely to access many articles and other short research sources primarily through databases available through your library.

24. Basic format for a journal article in a database

Author’s Last Name, First Name. “Title of Article.” Title of Journal , volume number, issue number, Date of Publication, page numbers. Title of Database , DOI or URL.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr . or PhD . End with a period.
• Title of the article. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title. Put the title of the article in quotation marks. End with a period inside the closing quotation mark.
• Title of the journal. Put the title of the journal in italics. Capitalize all significant words in the title. End the title with a comma.
• Volume and issue numbers. Use the abbreviations vol. and no. followed by the number and a comma.
• Publication date. Give the month or season and the year of publication, if available. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, or July.
• Page numbers. Give p . (singular) or pp. (plural) and the page number or numbers of the article, followed by a period.
• Title of the database. Put the database title in italics, followed by a comma.
• Location. Give a DOI if available, and end with a period. If there is no DOI, give a URL, preferably a permalink, without http://.

25. Article in an academic journal

Daddis, Gregory A. “Out of Balance: Evaluating American Strategy in Vietnam, 1968–72.” War & Society, vol. 32, no. 3, Oct. 2013, pp. 252-70. EBSCOhost, doi:10.1179/0729247313Z.00000000026.

Daddis, Gregory A. “Out of Balance: Evaluating American Strategy in Vietnam, 1968–72.” War & Society, vol. 32, no. 3, Oct. 2013, pp. 252-70.

Squires, Scot. “Do Generations Differ When It Comes to Green Values and Products?” Electronic Green Journal, no. 42, 2019, escholarship.org/uc/item/6f91213q.

The journal in the example numbers issues only, so no volume number is given.

26. Article in a weekly or biweekly magazine

To cite an article in a weekly or biweekly magazine, give the author, title of the article, title of the magazine, publication date (day, month, year), and page numbers. If you found the article through a database, add the title of the database and a DOI or URL. If you found the article online, add the URL.

Sanneh, Kelefa. “The Color of Money.” The New Yorker, 8 Feb. 2021, pp. 26-31. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType=aph&AN=148411685&site=ehost-live&scope=site.

Sanneh, Kelefa. “The Color of Money.” The New Yorker, 8 Feb. 2021, pp. 26-31.

Ferrer, Ada. “My Brother’s Keeper.” The New Yorker, 22 Feb. 2021, www.newyorker.com/magazine/2021/03/01/my-brothers-keeper.

27. Article in a monthly or bimonthly magazine

To cite an article in a monthly or bimonthly magazine, give the author, title of the article, title of the magazine, publication month and year, and page numbers. If you found the article through a database, add the title of the database and a DOI or URL. If you found the article online, add the URL.

Sneed, Annie. “Giant Shape-Shifters.” Scientific American, Sept. 2017, pp. 20-22. EBSCOhost, doi:10.1038/scientificamerican1017-20.

Sneed, Annie. “Giant Shape-Shifters.” Scientific American, Sept. 2017, pp. 20-22.

Stewart, Jamila. “A Look Inside the Black Designers of Canada Initiative.” Essence, July 2020, www.essence.com/fashion/black-designers-of-canada-digital-index/.

To cite a comment on an article, see Model 54.

28. Article in a newspaper

To cite an article in a newspaper, give the author, title of the article, title of the newspaper, publication date (day, month, year), and the page numbers. If you found the article through a database, add the title of the database and a DOI or a URL. If you found the article online, add the URL.

Krueger, Alyson. “When Mom Knows Best, on Instagram.” The New York Times, 27 Nov. 2019, pp. B1-B4. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType =aph&AN=139891108&site=ehost-live&scope=site.

Krueger, Alyson. “When Mom Knows Best, on Instagram.” The New York Times, 27 Nov. 2019, pp. B1-B4.

Smith, Doug. “They’re Building Affordable Housing for the Homeless—Without Government Help.” Los Angeles Times, 10 Feb. 2021, www.latimes.com/california/story/2021-02-10/theyre-building-affordable-housing-for-the-homeless-without-government-help.

29. Editorial or letter to the editor

An editorial may or may not have an author’s name attached to it. If it does, give the author’s name first. If it does not, start with the title. In both situations, add the designation Editorial or Letter to the Editor after the title.

“For Better Elections, Copy the Neighbors.” Editorial. The Wall Street Journal, 16 Feb. 2021, www.wsj.com/articles/for-better-elections-copy-the-neighbors-11613518448.

To cite a review of a book, film, television show, or other work, give the name of the reviewer and title of the review, add Review of before the title of work being reviewed, and give the name of the work’s author, director, or creator after the title.

Girish, Devika. “Refocusing the Lens on Race and Gender.” Review of Test Pattern, directed by Shatara Michelle Ford. The New York Times, 18 Feb. 2021, www.nytimes.com/2021/02/18/movies/test-pattern-review.html.

Use the following guidelines for books and parts of books, such as a selection from an anthology, an article in a collection, a published letter, and so on.

31. Basic entry for a book

Author’s Last Name, First Name. Title of Book. Publisher, Year of Publication.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr. or PhD. End with a period.
• Title of the book. Put the book’s title in italics. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title, even if the book’s cover does not use conventional capitalization. End the title with a period.
• Publisher. List the publisher’s name without words such as “Inc.” or “Company.” Shorten “University Press” to “UP.” End with a comma.
• Year of publication. Provide the publication date, and end with a period.

32. Print book

Wilkerson, Isabel. The Warmth of Other Suns: The Epic Story of America’s Great Migration. Vintage Books, 2010.

33. E-book formatted for a specific reader device or service

Wilkerson, Isabel. The Warmth of Other Suns: The Epic Story of America’s Great Migration. Kindle ed., Vintage Books, 2010.

34. Book, anthology, or collection with an editor

Add the abbreviation ed. or eds. (if more than one) after the editor’s first name:

Lunsford, Andrea, ed. Reclaiming Rhetorica: Women in the Rhetorical Tradition. U of Pittsburgh P, 1995.

35. Work in an anthology or chapter in an edited collection

After the author and title of the work, give the title of the anthology or edited collection, name of the editor, publication information, and page numbers of the work:

Royster, Jacqueline Jones. “To Call a Thing by Its True Name: The Rhetoric of Ida B. Wells.” Reclaiming Rhetorica: Women in the Rhetorical Tradition, edited by Andrea Lunsford, U of Pittsburgh P, 1995, pp. 167-84.

36. Two or more works in an anthology or edited collection

When you cite two or more selections from the same anthology or edited collection, list the anthology separately under the editor’s name. In the entries for the selections you cite, include the editor’s name and the page numbers on which the selections appear:

Lipscomb, Drema R. “Sojourner Truth: A Practical Public Discourse.” Lunsford, pp. 227-46.

Royster, Jacqueline Jones. “To Call a Thing by Its True Name: The Rhetoric of Ida B. Wells.” Lunsford, pp. 167-84.

37. Revised or later edition

For a book published in an edition other than the first, give the edition number after the title:

Strunk, William, Jr., and E. B. White. The Elements of Style, 4th ed., Pearson, 2019.

38. Multivolume work

For a book published in more than one volume, give the total number of volumes after the title:

Klinger, Leslie S. The New Annotated Sherlock Holmes. 2 vols., W. W. Norton, 2005.

39. One volume of a multivolume work

Klinger, Leslie S. The New Annotated Sherlock Holmes. Vol. 2, W. W. Norton, 2005.

When each volume of a multivolume set has an individual title, list the volume’s full publication information first, followed by series information (number of volumes, dates). When separate volumes were published in different years, give inclusive dates:

Churchill, Winston S. Triumph and Tragedy. Houghton Mifflin, 1953. Vol. 6 of The Second World War. 6 vols. 1948-53.

However, if the volume you are using has its own title, you may cite the book without referring to the other volumes as if it were an independent publication.

40. Book in a series

Add the title of the series at the end of the entry:

Thaiss, Christopher. Language across the Curriculum in the Elementary Grades. WAC Clearinghouse, 2011, wac.colostate.edu/books/landmarks/thaiss/. Landmark Publications in Writing Studies.

41. Republished book

Give the original publication date after the title and the date the book was republished after the publisher:

Evans, Elizabeth E. G. The Abuse of Maternity. 1875. Arno, 1974.

42. Sacred text

Give the complete title of the version you consulted followed by the name of the editor and/or translator, the edition, the publisher, and the publication date:

The Bible. Authorized King James Version . Edited by Robert Carroll and Stephen Prickett, Oxford UP, 2008.

The Koran. Translated by N. J. Dawood, rev. ed., Penguin Books, 2015.

43. Introduction, preface, foreword, or afterword

Start with the author of the introduction, preface, foreword, or afterword, followed by a description of the work you are citing, such as “Foreword.” Give the author of the work after the title:

Offill, Jenny. Foreword. Mrs. Dalloway, by Virginia Woolf, Penguin Classics, 2021, pp. vii-xiv.

44. Published letter

Roosevelt, Theodore. Letter to Upton Sinclair. 15 Mar. 1906. Theodore Roosevelt: Letters and Speeches, edited by Louis Auchincloss, 2004, pp. 310-11.

45. Conference paper

Killi, Stainer, and Andrew Morrison. “Could the Food Market Pull 3D Printing Appetites Further?” Industry 4.0—Shaping the Future of the Digital World: Proceedings of the 2nd International Conference on Sustainable & Smart Manufacturing, edited by Paulo Bartolo et al., CRC Press, 2021, pp. 197-203.

Use the following guidelines for works that are published only online and do not have an overarching publication, such as a journal, newspaper, magazine, or database.

46. Basic format for a short work or page on a website

Author’s Last Name, First Name. “Title of Short Work.” Title of Website, Publisher, Publication Date, URL.

• Author. Give the last name, a comma, the first name, and any middle name or initial. Do not list an author’s professional title, such as Dr . or PhD. End with a period.
• Title of the short work. Put the title in quotation marks. Give the full title and any subtitle, separating them with a colon. Capitalize all significant words in the title. End with a period inside the closing quotation mark.
• Title of the website. Put the title of the website in italics. Capitalize all significant words in the title. End the title with a comma.
• Publisher. If the publisher of the website is different from the title of the website (as shown in Model 48), give it next, followed by a comma. If they are the same (as shown in Model 47), give only the title of the website.
• Publication date. Give the day, month, and year the work was posted, if available. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, and July.
• URL. Give the URL, without “http://.”

47. Short work or page on a website

Shetterly, Margot Lee. “Katherine Johnson Biography.” NASA , 24 Feb. 2020, www.nasa.gov/content/katherine-johnson-biography.

If the source you are citing has no author listed, start with the title. If the page has no title, give the name of the site and a descriptive label, such as “Home page” or “Blog post.”

48. Blog post

Blazich, Frank A. “The Cold Morning of the Day After.” Smithsonian Voices , Smithsonian Magazine, 5 Feb. 2021, www.smithsonianmag.com/blogs/national-museum-american-history/2021/02/05/cold-morning-day-after/.

49. Entire website

Beinecke Rare Book and Manuscript Library. Yale U, 2021, beinecke.library.yale.edu/.

If the website lists an editor, give the person’s name as you would an author, followed by a comma and ed.

“Coronavirus.” Wikipedia. Wikimedia Foundation, 22 Feb. 2021, en.wikipedia.org/wiki/Coronavirus.

Social media include posts made to various platforms and forums, comments made by individuals to posts, and online articles.

51. Basic format for a social media post

Author. “Text of untitled post” or “Title of post” or Descriptive label. Title of Site , Date of Post, Time of Post, URL.

• Author. Give the author’s handle and name. End with a period.
• Text, title, or description of post. Match the capitalization exactly, add quotation marks, and end with a period inside the closing quotation mark.
• Title of the social media site. Put the title of the site in italics, ending with a comma.
• Publication date and time. Give the day, month, year, and time of the post. Use the following abbreviations for months: Jan., Feb., Mar., Apr., Aug., Sept., Oct., Nov., and Dec. Do not abbreviate May, June, and July.

52. Social media post

@Holleratcha (James Holler). “People go out and vote tomorrow!” Twitter, 2 Nov. 2020, 2:08 p.m., twitter.com/holleratcha/status/1270432672544784384.

Death Valley National Park. “What does it mean to protect something you love?” Facebook, 23 Feb. 2021, 5:01 p.m., www.facebook.com/DeathValleyNPS/posts/4108808255810092.

See Model 54 for how to cite a comment.

53. Online forum post

@Duckpond318. “Turkeys in the arboretum.” Reddit, 15 Mar. 2021, 11:22 a.m., www.reddit.com/r/Wildlife/comments/lqlbo3/turkeys_in_the_arboretum/. Accessed 4 Feb. 2021.

54. Online comment

AKJersey. Comment on “Can We Stop Fighting about Charter Schools?” The New York Times, 22 Feb. 2021, www.nytimes.com/2021/02/22/opinion/charter-schools-democrats.html#commentsContainer.

Use the following guidelines to cite email, text messages, and letters that you sent or received.

Roberts, Jeffrey. “Study results.” Received by Kenneth Berg, 21 Oct. 2020.

56. Text message

Igoe, Beverlee. Text message. Received by Alison McGrath, 2 Apr. 2020.

57. Personal letter

Atwood, Margaret. Letter to the author. 11 Mar. 2007.

Use the following guidelines to cite various media sources.

Begin with the title, followed by the director, the studio, and the year released.

Casablanca. Directed by Michael Curtiz, Warner Brothers, 1942.

You may also cite other contributors and their roles after the title (as illustrated below). If your paper is concerned with a particular person’s work on a film, such as the director, an actor, or someone else, begin with that person’s name and arrange all other information accordingly. For a film you stream, add the title of the streaming service and the URL:

Moonlight. Directed by Barry Jenkins, performances by Mahershala Ali, Naomie Harris, and Trevante Rhodes. A24, 2016. Netflix, www.netflix.com/watch/80121348?trackId=13752289&tctx=8%2C.

59. Online video

NASA. “Apollo 11 Moonwalk – Original NASA EVA Mission Video.” 20 July 1969. YouTube, 17 July 2014, www.youtube.com/watch?v=S9HdPi9Ikhk.

60. Television series or episode

The Good Place. Michael Schur, creator. NBC, 2016-20.

Streamed TV episode

“Jason Mendoza.” The Good Place, season 1, episode 4, NBC, 2016. Netflix, www.netflix.com/watch/80191852?trackId=13752289&tctx=%2C%2C.

61. Advertisement

XOFLUZA. Flu medication advertisement. The New Yorker, 8. Feb. 2021, pp. 5-6.

General Motors. “Will Ferrell Super Bowl Ad.” YouTube, 3 Feb. 2021, www.youtube.com/watch?v=mdsPvbSpB2Y&t=24s.

62. Cartoon or comic

Davis, Jim. “Garfield.” Cartoon. Courier [Findlay, OH], 17 May 1996, p. 18.

If the source you cite appears in a local newspaper, as it does here, give the city and state in brackets after the name of the newspaper if the city is not part of the newspaper’s name.

Gauld, Tom. “Waiting for Godot to Join the Zoom Meeting.” You’re All Just Jealous of My Jetpack, 31 Jan. 2021, myjetpack.tumblr.com/.

63. Painting or other visual artwork

Rivera, Diego. Detroit Industry Murals. 1932-33. Detroit Institute of Art.

If the city is not part of the name of the museum, add it after museum. For example, if the work you viewed was at the Museum of Modern Art in New York City, you would end the entry as follows: Museum of Modern Art, New York.

Neel, Alice. Elenka. 1936. Alice Neel: People Come First, by Kelly Baum and Randall Griffey, The Metropolitan Museum of Art, 2021, p. 142.

Basquiat, Jean-Michel. Untitled. 1983. Museum of Modern Art, www.moma.org/collection/works/63997?artist_id=370&page=1&sov_referrer=artist. Accessed 24 Sept. 2020.

64. Map, chart, or diagram

Everglades National Park. National Geographic Society Maps, 2019.

“Map: Expedition of Lewis and Clark.” National Park Service, 2 Jan. 2018, nps.gov/subjects/travellewisandclark/map.htm.

65. Sound recording

Sound recordings include songs, albums, and spoken word. If you stream a sound recording or watch a performance online, add the name of the streaming service, such as Spotify, Apple Music, or Amazon Music, after the date. If you access the recording online, add the name of the website and the URL after the date.

Prince. Purple Rain. Warner Brothers, 1984.

The Supremes. “Baby Love.” Where Did Our Love Go, Motown, 1964. Spotify.

Gorman, Amanda. “The Hill We Climb.” 20 Jan. 2021, YouTube, www.youtube.com/watch?v=LZ055ilIiN4.

The Road to Higher Ground. Hosted by Jonathan Overby. WPR, 9 Jan. 2021.

If you listened to the radio program online, add the URL after the date.

67. Podcast

McEvers, Kelly, host. “This Is Not a Joke.” Embedded, season 9, episode 2, NPR, 7 Nov. 2019, Apple Podcasts.

If you listened to the podcast on the web, add the URL instead of the podcast service.

68. Interview

Wilkerson, Isabel. Interview. Fresh Air, NPR, 4 Aug. 2020.

Sowell, Thomas. Interview. Hoover Institution , 3 Jan. 2015, www.wsj.com/video/uncommon-knowledge-thomas-sowell-basic-economics/51837CB6-9FF2-305AE55D179A.html.

Wong, Diana. Personal interview. 12 Sept. 2020.

69. Video game, software, or app

Houser, Dan, et al., writers. Grand Theft Auto V. Rockstar Games, 2013. Xbox 360.

70. Live lecture, speech, address, or reading

Diaz, Shanna. “Your Dazzling Brain: The Symphony of Sleep.” Community Lecture Series, University of New Mexico Health Science and the City of Albuquerque, 13 Mar. 2018, Albuquerque Academy.

71. Live performance

Hamilton. By Lin-Manuel Miranda, directed by Thomas Kail, 11 Mar. 2018, CIBC Theater, Chicago.

If you watch a video of a performance online, cite it as you would cite an online video.

72. Letter in an archive

Mucklestone, Ada. Letter to Maj. Gen. Ralph J. Olson. 6 Nov. 1958. Wisconsin Historical Society, Madison, Alphabetical Subject File, 1950-66, 1715, Box 13.

73. Dissertation

Park, Eun Jung. Korean American Artists and the 1992 Los Angeles Riots. 2013. U of California, San Diego, PhD dissertation. ProQuest, www.proquest.com/doc-view/1425303659.

Boothby, Daniel W. The Determinants of Earnings and Occupation for Young Women. 1978. U of California, Berkeley, PhD dissertation.

74. Pamphlet

“Facts about Fallout.” Civil Defense Administration, 1961.

MLA Paper Format

Follow your instructor’s formatting guidelines or those indicated here. For sample papers with MLA format and works-cited pages, visit this site .

• Margins. Use one-inch margins on all sides.
• Spacing. Double-space throughout the paper, including the works-cited page.
• Paragraph format. Indent paragraphs one-half inch.
• Page numbers. Start numbering on the first page of your paper and continue to the end of the works-cited page. Place page numbers in the upper-right corner, and add your last name before the page number: “Coleman 3.”
• Identifying information. Put your name, your instructor’s name, the course title, and the date in the left corner of the first page of the body of the paper, not in the header. Double-space this information.
• Title. Center the title on the first page. Do not use italics, boldface, all capitals, or quotation marks. Do not add extra space below the title.
• Long quotations and quotations from poetry. See Quotations for how to cite long quotations and poetry quotations.

H 14 . APA Documentation and Format

Disciplines in the social sciences—psychology, sociology, anthropology, political science, economics, social work, and often education—use the APA name-and-date system of documentation. APA style highlights authors and dates of publication because timeliness of published material is of primary importance in these disciplines. The following are general features of APA style:

• All material borrowed from sources is cited in the text of a paper by the author’s name, date of publication, and page numbers (if available).
• A list of references at the end of a paper provides full publication data for each source cited in the text of the paper.

The instruction in this section follows the Publication Manual of the American Psychological Association, 7th edition (2020). For more information on APA style, visit this site . For examples of student papers in the textbook using APA documentation style, see Section 4 in Chapters 6, 8, and 15.

In-text citations feature author names, dates of publication, and page numbers, depending on what information is available. The Index located in H12 provides a listing of the models that are included below.

75. One author

When you quote, paraphrase, or summarize a source, include the last name of the source’s author, if known, in a signal phrase or in parentheses at the end of your sentence. Give the publication date after the author’s name. Provide the page or pages on which the original material appeared preceded by p. or pp. See Spotlight on … Citation .

According to Thomas (1974), many bacteria become dangerous only if they manufacture exotoxins (p. 76). Many bacteria become dangerous only if they manufacture exotoxins (Thomas, 1974, p. 76).

If you cite two or more works by the same author, published in the same year, use letters after the year to distinguish them: (Gallivan, 2019a, 2019b, 2019c).

76. Two authors

Smith and Hawkins (1990) confirmed that bacteria producing exotoxins are harmful to humans (p. 17). The study confirmed that bacteria producing exotoxins are harmful to humans (Smith & Hawkins, 1990, p. 17).

77. Three or more authors

The results indicate that alcohol use rose during the period of the study (Dominic et al., 2021, p. 16).

78. Authors with the same last name

When authors of different sources have the same last name, include their initials: Since the legalization of marijuana for recreational use, frequent use among adults has risen (J. T. Greene, 2019, p. 21; M. Greene, 2020, p. 30).

When authors of the same source have the same name, do not include their initials: (Kim & Kim, 2018, p. 47).

79. Organization, government, corporation, or association as author

When citing a well-known organization, government agency, corporation, or association, introduce an abbreviation of the name in the first reference and use it in subsequent references:

On multiple occasions, the Department of Veterans Affairs (VA, 2018) reported that formal efforts to reintegrate combat veterans into civilian life were beneficial.

80. Unknown author

When the author of a work is unknown, use the work’s title in a signal phrase, or put the title in parentheses. Put quotation marks around article titles, and put book or journal titles in italics:

In a pointed editorial, The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated (”Don’t Let the Games Begin,” 2020). In its pointed editorial, “Don’t Let the Games Begin” (2020), The New York Times argued that college athletic departments should support public health by canceling sports seasons until athletes and the public were vaccinated.

81. Two or more works in the same citation

When you cite more than one work in parentheses, put the works in the same order that they appear in your list of references, and use a semicolon between them:

Americans who resisted or ignored civil defense were later cast as heroic people who chose not to build fallout shelters or as marginalized people who could not afford them (Garrison, 2006; Mechling & Mechling, 1991).

82. Work with no page numbers

If the work you are citing has no page numbers, help readers find the quotation by providing a heading, a section name, and/or a paragraph number (using the abbreviation para. or paras. ):

According to the National Institute of Mental Health (NIMH, 2019), research on PTSD includes gene research and brain imaging technologies (Next Steps for PTSD Research section, para. 6).

For audio or visual works, give the time stamp of the beginning of the source: (Wong, 2020, 34:16).

83. Source quoted in another source (indirect quotation)

When a quotation or any information in your source is originally from another source, try to track down the original source. If you cannot find the original, use the words “as cited in”:

The research collective, which has studied global health including access to food, sounded the alarm about a potential “worldwide food crisis” in the early 2000s (as cited in Sing, 2018, p. 32).

84. Entire work

When you cite an entire work, you do not need to give a page number. See Models 79 and 80. When you mention an entire website, link to the website directly or give the URL. You do not need to include the website in the references list:

The Department of Veterans Affairs maintains a website for PTSD, which contains resources and help for families and healthcare providers as well as veterans (https://www.ptsd.va.gov/).

85. Personal communication

Because personal communications such as emails, letters, personal interviews, and the like cannot be found by other researchers, cite them in the text only:

During our interview, Morales explained that she had quit her job to help her children with their schooling (personal communication, January 4, 2021).

APA References

Each source cited in the text of your paper refers readers to the list of references, a complete list of all the sources you quoted, paraphrased, or summarized. Every source cited in the text of your paper must be included in the references list, and every source in the references list must be cited in the text of your paper.

After the last page of your paper, start a new page with the centered, boldfaced title References at the top. Create an entry for each source using the following guidelines and examples.

• Alphabetize the entries according to authors’ last names. If two or more authors have the same last name, alphabetize by the initials of their first and middle names. Alphabetize sources with unknown authors by the first word of the title, excluding a, an, or the.

Core Elements (APA)

Each entry in the list of references consists of core elements:

• Date of publication. When was the work published?
• Publication information. Where can the work be found so that others can consult it?

Sometimes core elements are unknown or missing. In such cases, the entry in the reference list entry must be adapted:

• No author? If the source has no known author, cite it by the title. See Models 90 and 98.
• No date of publication? If the source has no publication date, write n.d . instead of the publication date. See Model 110.
• No title? If the work has no title, put a brief description in square brackets.
• No publication information? If the source is a personal communication that only you have a record of, cite the source in your text, not in the references, because it cannot be retrieved by other readers. See “Personal communication” above.

A note on retrieval dates: APA recommends adding a retrieval date for sources that are not archived or are likely to change over time, such as a developing news story. If you add a retrieval date, place it at the end of the references entry in this format: “Retrieved April 4, 2020, from https://www.nytimes.com.” Ask your instructors if they require retrieval dates.

Give the author’s last name, comma, and first and middle initials if available. For works with more than one author, put a comma and an ampersand (&) before the final author’s name, even when there are two authors.

86. One author

Milanovic, B. (2016). Global inequality: A new approach for the age of globalization. Harvard UP.

87. Two authors

Kristoff, N. D., & WuDunn, S. (2009). Half the sky: Turning oppression into opportunity for women worldwide. Alfred A. Knopf.

88. Three to twenty authors

Provide last names and initials for up to and including 20 authors.

Barlow, D. H., Durand, V. M., & Hofmann, S. G. (2017). Abnormal psychology: An integrative approach. Cengage Learning.

For more than 20 authors, include the first 19 authors’ names, insert an ellipsis, and then add the final author’s name.

89. Work by an organization, a government, a corporation, or an association

Works published by organizations often have the same author and publisher, which is frequently the title of a website. When the author and publisher are not the same, give the author and the title of the website:

National Institute of Mental Health. (2020). Post-traumatic stress disorder. U.S. Department of Health and Human Services, National Institutes of Health. https://www.nimh.nih.gov/health/publications/post-traumatic-stress-disorder-ptsd/index.shtml.

When the author and the publisher or title of the website are the same, omit the latter:

Centers for Disease Control and Prevention. (2021, February 17). Variants of the virus. https://www.cdc.gov/coronavirus/2019-ncov/variants/index.html.

90. Unknown author

If no author is given, start with the title:

The most beautiful battalion in the army. (1968). Grunt magazine, 12-15.

91. Two or more works by the same author

List two or more works by the same author (or the same author team listed in the same order) chronologically by year in the reference list, with the earliest first. Arrange works published in the same year alphabetically by title, placing lowercase letters after the publication dates:

Bandura, A. (1969). Principles of behavior modification. Holt, Rinehart, and Winston.

Bandura, A. (1977a). Self-efficacy: Toward a unifying theory of behavioral change. Psychological Review, 84, 191-215.

Bandura, A. (1977b). Social learning theory. Prentice Hall.

Articles, reviews, editorials, and other short works are published in journals, newspapers, and magazines, and they appear in print, on databases, and on websites (though often through a paywall). As a student, you are likely to access many articles and other short research sources primarily through databases available through your library.

92. Basic format for an article in an academic journal

Author’s Last Name, Initials. (Date of Publication). Title of article. Title of Journal, Volume (number), Pages. DOI or URL.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr. or PhD. End with a period.
• Date of Publication. In parentheses, give the year of publication, a comma, and the month or season of publication. End with a period outside the closing parentheses.
• Title of the article. Give the full title and any subtitle, separating them with a colon. For articles and book chapters, do not use quotation marks or italicize the title. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Title of the journal. Put the journal title in italics. Capitalize all significant words in the title. End the title with a comma.
• Volume and issue numbers. Italicize the volume number, and follow it with the issue number in parentheses (not italicized). End with a comma.
• Page numbers. Give inclusive page numbers without p. or pp . End with a period.
• DOI or URL. Provide a DOI (if available) or a URL. Include “http://,” and do not add a period at the end. The preferred format for a DOI is “https://doi.org/” followed by the number. You may encounter older formats for DOI; if so, change them to this format. If the article is online and does not have a DOI, give the URL instead.

93. Article in an academic journal

Gawande, A. A. (2017, April). It’s time to adopt electronic prescriptions for opioids. Annals of Surgery, 265 (4), 693-94. https://doi.org/10.1097/SLA.0000000000002133

Squires, S. (2019). Do generations differ when it comes to green values and products? Electronic Green Journal, 42 . http://escholarship.org/uc/item/6f91213q

The online journal in the example numbers issues only, so no volume number or page numbers are given.

Lowther, M. A. (1977, Winter). Career change in mid-life: Its impact on education. Innovator, 8 (7), 9-11.

An older journal article you consult in print may not have a DOI. In that case, end with the page numbers.

94. Article in a magazine

For a magazine article you read on a database or online, give the DOI if the article has one; otherwise give the URL. For a magazine article you consulted in print, end the entry after the page number unless a DOI is provided.

Sneed, A. (2017, September 19). Giant shape-shifters. Scientific American, 317 (4), 20. https://doi.org/10.1038/scientificamerican1017-20

Sneed, A. (2017, September 19). Giant shape-shifters. Scientific American, 317 (4), 20.

Myszkowski, S. (2018, October 10). On the trail of missing American Indian women. The Atlantic. https://www.theatlantic.com/health/archive/2018/10/trail-missing-american-indian-women/571657/

95. Article in a newspaper

For a newspaper article that you read on a database or in print, end the entry after the page numbers. For a newspaper article that you read online, give the URL instead of page numbers.

Krueger, A. (2019, November 27). When mom knows best, on Instagram. The New York Times, B1-B4.

Healy, J. (2021, January 12). Tribal elders are dying from the pandemic, causing a cultural crisis for American Indians. The New York Times. https://www.nytimes.com/2021/01/12/us/tribal-elders-native-americans-coronavirus.html

96. Blog post

Blazich, F. A. (2021, February 5). The cold morning of the day after. Smithsonian Voices. https://www.smithsonianmag.com/blogs/national-museum-american-history/2021/02/05/cold-morning-day-after/

97. Published interview

Beard, A. (2013, May). Life’s work: An interview with Maya Angelou. Harvard Business Review. https://hbr.org/2013/05/maya-angelou

98. Editorial or letter to the editor

An editorial may or may not have an author’s name attached to it. If it does, give the author’s name first. If it does not, start with the title. In both situations, add Editorial or Letter to the Editor in square brackets after the title.

For better elections, copy the neighbors [Editorial]. (2021, February 16). The Wall Street Journal. https://www.wsj.com/articles/for-better-elections-copy-the-neighbors-11613518448

To cite a review of a book, film, television show, or other work, begin with the reviewer’s last name, followed by the first and middle (if any) initials. In parentheses, add the year, followed by the title, month, and day of the review. Then in square brackets, add Review of the and the type of work being reviewed, followed by the title and the name of the author, director, or creator and their role. Then give the publication in which the review appeared, ending with a period, and the URL:

Girish, D. (2021, February 18). Refocusing the lens on race and gender [Review of the film Test Pattern, by S. M. Ford, Dir.]. The New York Times. https://www.nytimes.com/2021/02/18/movies/test-pattern-review.html

Use the following guidelines for books and parts of books, such as a selection from an anthology, a chapter in a collection, a published conference paper, and so on.

100. Basic entry for a book

Author’s Last Name, Initials. (Year of Publication). Title of book. Publisher.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr . or PhD . End with a period.
• Year of publication. In parentheses, give the year of publication, ending with a period outside the closing parentheses.
• Title of the book. Put the book’s title in italics. Give the full title and any subtitle, separating them with a colon. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Publisher. Give the publisher’s name as shown on the work, omitting words such as Inc. or Company.

101. Print book or e-book

Aronson, L. (2019). Elderhood: Redefining aging, transforming medicine, reimagining life. Bloomsbury Publishing.

Use the same format for an e-book when the content is the same. If you consult a book that has a DOI, provide it after the publisher, using the format “https://doi.org/” followed by the number. (If you encounter older formats for DOI, change them to this format.) If you read a book online, give the URL.

102. Book, anthology, or collection with an editor

Schaefer, C. E., & Reid, S. E. (Eds.). (2001). Game play: Therapeutic use of childhood games (2nd ed.) . Wiley.

103. Article or chapter in an edited book, an anthology, or a collection

Burks, H. F. (2001). Using the imagine game as a projective technique. In C. E. Schaefer & S. E. Reid (Eds.), Game play: Therapeutic use of childhood games (2nd ed., pp. 39-66). Wiley.

104. Translated or reprinted book

Freud, S. (1950). The interpretation of dreams (A. A. Brill, Trans.). Modern Library. (Original work published 1900)

105. Revised edition

Strunk, W., Jr., & White, E. B. (2019). The elements of style (4th ed.). Pearson.

106. One volume of a multivolume work

Waldrep, T. (Ed.). (1988). Writers on writing (Vol. 2). Random House.

107. Report or publication by a government agency or other organization

National Institute of Mental Health. (2020). Post-traumatic stress disorder. U.S. Department of Health and Human Service, National Institutes of Health.

If you consulted the publication online, include the URL after the publisher. See Model 89.

108. Conference paper

Killi, S., & Morrison, A. (2021). Could the food market pull 3D printing appetites further? In J.D. da Silva Bartolo, F. M. da Silva, S. Jaradat, & H. Bartolo (Eds.), Industry 4.0—shaping the future of the digital world: Proceedings of the 2nd International Conference on Sustainable & Smart Manufacturing (pp. 197-203). CRC Press.

Use the following guidelines for works published only online that do not have an overarching publication, such as a journal, newspaper, or magazine.

109. Basic format for a page or work on a website

Author’s Last Name, Initials. (Publication Date). Title of work. Title of website. URL.

• Author. Give the last name, a comma, and the initials of the first name and middle name (if available). Do not list an author’s professional title, such as Dr. or PhD . End with a period.
• Date of publication. In parentheses, give the year of publication and a comma, followed by the month and the day. End with a period outside the closing parentheses.
• Title of the work. Put the title of the work in italics. Give the full title and any subtitle, separating them with a colon. Capitalize only the first word of the title and the first word of a subtitle and any proper nouns.
• Title of the website. Give the title of the website and end with a period. If the author and the website title are the same, you can omit the title of the site.
• URL. Copy and paste the URL from your browser window.

110. Page or work on a website

Shetterly, M. L. (2020, February 24). Katherine Johnson biography. NASA. https://www.nasa.gov/content/katherine-johnson-biography

U.S. Department of Veterans Affairs. (n.d.). What is PTSD? National Center for PTSD. https://www.ptsd.va.gov/understand/what/index.asp

If the source you are citing has no author listed, start with the title. See Model 90.

Coronavirus. (2021, February 22). In Wikipedia. https://en.wikipedia.org/wiki/Coronavirus

When you cite a social media post as a source, use labels in square brackets to indicate the type of post and whether images were attached to it.

112. Social media post

Holler, J. [@holleratcha]. (2020, November 2). Everyone get out and vote tomorrow! [Tweet]. Twitter. http://twitter.com/holleratcha/status/1270432672544784384

Death Valley National Park. (2021, February 23). What does it mean to protect something you love? [Images attached] [Status update]. Facebook. www.facebook.com/DeathValleyNPS/posts/4108808255810092.

113. Online forum post

National Aeronautics and Space Administration [NASA]. (2020, November 14). We’re engineers, astronaut trainers, and other specialists working to launch humans on commercial spacecraft from U.S. soil! Ask us anything about the NASA SpaceX Crew-1 mission! [Online forum post]. Reddit. https://www.reddit.com/r/space/comments/jsx91g/were_engineers_astronaut_trainers_and_other/

When you cite nonprint sources, such as visual and multimedia sources, use labels in square brackets to indicate the type of source, such as a film, a TV episode, a song, a painting, a photograph, and so on.

When you cite a film that you saw in a theater or streamed, you do not need to specify how you watched it.

Jenkins, B. (Director). (2016). Moonlight [Film]. A24.

115. Online video

For an online video, give the name of the person or organization that uploaded it as the author:

TED. (2017, February 27). Sue Klebold: My son was a Columbine shooter. This is my story [Video]. YouTube. https://www.youtube.com/watch?v=BXlnrFpCu0c

116. Television program

Schur, M., Miner, D., Sackett, M., & Goddard, D. (Executive Producers). (2016-20). The good place [TV series]. Fremulon; 3 Arts Entertainment; Universal Television; NBC.

Mande, J. (Writer), & Benz, P. (Director). (2016, September 29). Jason Mendoza (Season 1, Episode 4) [TV series episode]. In M Schur, D. Miner, M. Sackett, & D. Goddard (Executive Producers), The good place. Fremulon; 3 Arts Entertainment; Universal Television; NBC.

117. Music recording

For an artist whose music is available only through a website, include the URL. If the artist’s music is available on multiple platforms, you do not need to specify how you accessed it.

Prince. (1984). Purple rain [Album]. Warner Brothers.

The Supremes. (1964). Baby love [Song]. On Where did our love go. Motown.

Overby, J. (Host). (2021, January 9). The road to higher ground: World music with African roots and more. WPR.

119. Podcast

McEvers, K. (Host). (2019, November 7). This is not a joke (Season 9, Episode 9) [Audio podcast episode]. In Embedded. NPR.

120. Painting or other visual artwork

For a work of visual art, give the location of the museum or gallery. If you saw the work online, add the URL after the location:

Rivera, D. (1932-33). Detroit industry murals [Painting]. Detroit Institute of Art, Detroit, MI, United States.

Basquiat, J-M. (1983). Untitled [Painting]. Museum of Modern Art, New York, NY, United States. https://www.moma.org/collection/works/63997?artist_id=370&page=1&sov_referrer=artist

121. Map, photograph, infographic, or other visual

If the work you consulted names an author, start with the author. If there is no author, start with the title and a description of the work in square brackets, such as [Map], [Photograph], [Infographic], [Diagram], or another appropriate descriptor:

Expedition of Lewis and Clark [Map]. (2018). National Park Service. http://nps.gov/subjects/travellewisandclark/map.htm

122. Video game, software, or app

Benzies, L., & Sarwar, I. (2017). Grand theft auto V [Video game]. Rockstar Games. https://www.rockstargames.com/games/V

APA Paper Format

Follow your instructor’s formatting guidelines or those indicated here. For sample papers showing APA paper format, see this site .

• Title page. Give the title of the paper in bold, centered. Then, on separate lines and not boldfaced, give your name, academic department, name of your college or university, course number and name, instructor’s name, and the due date, all centered. Repeat only the title on the first page of the text of your paper.
• Spacing. Double-space throughout the paper, including the references page.
• Headings. Give headings for the major sections of your paper, such as Method, Results or Findings, and Discussion . Put the headings in bold and center them on the page. Put the next level of headings in bold and place them flush left.
• Page numbers. Start numbering on the title page of your paper and continue to the end of the references page. Place page numbers in the upper-right corner.
• Long quotations. See Quotations for how to cite long quotations.

H 15 . Further Reading

MLA Handbook , 8th ed., Modern Language Association of America, 2016.

MLA Handbook, 9 th ed., Modern Language Association of America, 2020.

Publication Manual of the American Psychological Association , 7th ed., American Psychological Association, 2020.

H 16 . Works Cited

Addams, Jane. Twenty Years at Hull-House. Digital Public Library of America , 1910, dp.la/primary-source-sets/theodore-dreiser-s-sister-carrie-and-the-urbanization-of-chicago/.

Becker, Jo. Forcing the Spring: Inside the Fight for Marriage Equality. Penguin Press, 2014.

Behn, Aphra. “The Character.” The Works of Aphra Behn. Edited by Montague Summers, vol. 6, Project Gutenberg , 2014, www.gutenberg.org/files/45777/45777-h/45777-h.htm#Page_113.

Behn, Aphra. “Love’s Power.” The Works of Aphra Behn. Edited by Montague Summers, vol. 6, Project Gutenberg, 2014, www.gutenberg.org/files/45777/45777-h/45777-h.htm#Page_113.

Brooks, Gwendolyn. “We Real Cool.” Blacks , Third World Press, 1994.

Da 5 Bloods. Directed by Spike Lee. Netflix, 2020.

Eisenberg, Richard. “How to Fix Social Security for Vulnerable Americans.” Forbes , 5 July 2018, www.forbes.com/sites/nextavenue/2018/07/05/how-to-fix-social-security-for-vulnerable-americans/.

“Environmental Impacts of Natural Gas.” Union of Concerned Scientists, 19 June 2014, www.ucsusa.org/resources/environmental-impacts-natural-gas.

Garrison, Dee. Bracing for Armageddon: Why Civil Defense Never Worked. Oxford UP, 2006.

Hollar-Zwick, Carol. Me, Hemorrhage: Recovery from a Ruptured Arteriovenous Malformation. Amazon, 2020.

The King James Bible. Project Gutenberg, 1989, www.gutenberg.org/files/10/10-h/10-h.htm#The_Gospel_According_to_Saint_Matthew.

Konish, Lorie. “Some Retirees Get by on Just Social Security. Experts Disagree on How Many.” CNBC, 10 Feb. 2020, www.cnbc.com/2020/02/10/some-retirees-live-on-social-security-experts-disagree-on-how-many.html.

Mechling, Elizabeth Walker, and Jay Mechling. “The Campaign for Civil Defense and the Struggle to Naturalize the Bomb.” Western Journal of Speech Communication, vol. 55, no. 2, Spring 1991, pp. 105-33.

Myers, David. “The Funds, Friends, and Faith of Happy People.” American Psychologist , vol. 55, no. 1, Jan. 2000, pp. 56-67.

“This Is Who We Are.” U.S. Forest Service, United States Department of Agriculture, Mar. 2019, http://www.fs.usda.gov/sites/default/files/This-is-Who-We-Are.pdf.

Thomas, Lewis. Lives of a Cell: Notes of a Biology Watcher. Penguin Books, 1978.

Thoreau, Henry David. Walden. Project Gutenberg, 1995, http://www.gutenberg.org/files/205/205-h/205-h.htm.

University of Agder. “Sorry (not sorry).” YouTube , 6 Feb. 2021, http://www.youtube.com/watch?v=Mi3JQa1ynDw.

Wilkerson, Isabel. Caste: The Origins of Our Discontents. Random House, 2020.

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• Authors: Michelle Bachelor Robinson, Maria Jerskey, featuring Toby Fulwiler
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• Book title: Writing Guide with Handbook
• Publication date: Dec 21, 2021
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Informal Writing Assignments

Brad hughes, martin nystrand, paige byam, and tom curtis, english.

The assignments below are generally short, informal, perhaps ungraded writing assignments that instructors might consider adapting to their classes. Students often appreciate the opportunity to explore their thoughts on paper in a way that relieves the pressure of a longer, more formal writing assignment.

The Question Box

Having students write anonymous questions about the content of lectures encourages them to think more critically about what they are hearing. Students can be asked to write these questions before, during, and after lectures. They can deposit their questions in a cardboard box near the exit of the lecture hall. During subsequent classes, the lecturer actually incorporates these student questions and insights into the presentation material, usually by reproducing the remarks on transparencies and projecting them directly to the class for comment and response.

Anticipatory Writing or Freewriting

Instructors can ask students to write informally (or to engage in a “freewrite”) about a particular course topic before they read, hear a lecture, or participate in a discussion about it. Such anticipatory writing helps students connect their previous knowledge with new information and prepares them for fuller participation in reading, lecture, or discussion.

• EXAMPLE (from a sociology course on criminal justice, before lectures about police corruption): “List the factors you can think of that lead to police corruption. How do you think those reasons might vary from urban to non-urban police forces?”

Microthemes or Minute Papers

Brief essays, written in class or as homework, ranging from a 3 x 5 card to a page in length. This kind of assignment is designed to encourage students to reflect on what they’re learning, to give feedback to instructors, and to promote specific cognitive skills, such as summarizing, argument, analysis, problem solving, or hypothesizing from data. Some benefits: students must learn to see right to the heart of an issue, to select only major points; instructors can emphasize a particular issue or type of thinking, can learn what students understand and what they don’t, and can read the microthemes quickly.

• EXAMPLE (from any course): To be written quickly and submitted at the end of the class—”What was the most important thing that you learned today?” “What were the main points of today’s lecture?” “What questions remain uppermost in your mind?” Begin the next class meeting by reading aloud selected microthemes.
• EXAMPLE (from a course in gender and the professions): “You are a writer for a major advertising firm. You have been asked to design two written advertisements for a vacation in England, one of which will attract men (Esquire) and the other to appeal to women (Ms.). You think, however, that two ads are unnecessary. Write a memo to your boss and explain why.”
• EXAMPLE (to promote specific kinds of thinking in any course): Provide students with a thesis that they then have to support in the microtheme with specifics. From a finance course: “Choose one of the following propositions and defend it in two pages: The price earnings ratio of a stock does/does not reflect the rate or return that investors in that stock will achieve.” Or provide students with specifics that they must draw a conclusion from. Or ask students to apply a theory to a new set of facts. Or ask students to explain (perhaps in outline form) a process for solving a problem.
• EXAMPLE (from a course in physiology): “Some organs of the body are functionally unique single structures (e.g., one heart, one spleen). Others are found as functionally redundant pairs (two kidneys, two lungs). Explain how the human brain might be cited as an illustration of both kinds of anatomical structure.”

Response Papers

These are one-, two-, or three-page exploratory “think pieces” requiring students to react to some aspect of an article or book or lecture. Typically the instructor asks students to take an idea that has come up in class lecture or discussion or in readings and develop it more fully. These pieces of writing should be treated as exploratory drafts; students might pick 2 or 3 such texts to revise and submit for grading at the end of the term. They will be most effective if instructors assign or allow students to choose a persona to adopt, a particular situation to respond to, an audience to address, a particular purpose to fulfill. To set this up, instructors should assign students a professional identity, a situation, and even a rhetorical form (letter, memo, etc.).

• EXAMPLE (from Professor Lee Hansen’s Econ. 450 class): “Imagine that you are serving as the principal economic adviser to Secretary of Labor Brock who asks you for a two-page analysis of Reissman’s proposal (attached) for a legislated four-day, 32-hour week; this would entail amending the Fair Labor Standards Act. Explain the likely effects of such legislation on measured employment and unemployment, total hours worked, the labor cost index, and earnings.”

Letters to Authors

A personal response to an assigned reading in the form of a letter. The informal style and imagined possibility of letters often makes them easier to write than essays.

• EXAMPLE: “Pick an author with whom you disagree or whom you admire. Write a letter to this person expressing your views.”

Persona Pieces

A short text in which a student role plays a particular figure, perhaps in the form of a journal entry or a letter.

• EXAMPLE: “Imagine that you are William Buckley and you are getting ready to debate Noam Chomsky on American foreign policy in Central America. Write down the points you intend to make in your debate. In order to anticipate Chomsky’s own arguments and be prepared, also write down what you expect to be his main points and how you will respond.”

Argumentative and persuasive texts geared to the classroom community or to a broader group.

• EXAMPLE (from a philosophy course): “Write an editorial for The Progressive or The National Review in which you support or argue against parents’ and doctors’ use of sophisticated biomedical techniques to detect potential birth defects in fetuses.”

Journals (special notebooks in which students write regularly) provide students with time and a requirement to think about course material and to engage in an ongoing written dialogue with their instructors. As Toby Fulwiler explains, journals can help individualize learning and encourage “writers to become conscious, through language, of what is happening to them, both personally and academically.” Students can use journals to

• record thoughts, insights, and impressions about course material
• ask questions and speculate; clarify, modify, and extend ideas
• respond to reading, lectures, or instructor’s questions
• begin thinking about ideas that can later be developed into more formal papers
• discover connections between course materials; prepare for exams, class discussion, or course papers
• gain fluency in writing.

Journals are different from other kinds of assignments in the freedom they provide for thinking that isn’t directly evaluated by the professor; they can provide a place for personal responses and for experimentation. Because journals are personal and because instructors need to make students feel comfortable being tentative and taking the kinds of risks that journals offer, it’s important to allow students leeway in the kinds of entries that they choose to write. Some students respond well to using a journal to sponsor their own topics in an unstructured way, while others seem to need more specific guidelines for journal writing.

Even though instructors do not usually grade journals for content or expression, they should, however, expect students to write regularly and thoughtfully in their journals. Part of a discussion or participation grade or a percentage of a student’s overall grade is often based on the effort exhibited in regularly writing in the journal. (Many instructors give their students A’s for a journal-keeping requirement if students regularly write in it and “No Credit” if they don’t.) One way to stress the importance of journals is to integrate them with other class activities. For example, journals can be used as a place for students to write at the beginning or end of class; instructors can periodically ask students to read entries aloud in class as a way to open up discussion. Students can also be asked to develop formal papers out of promising journal entries. And because journal writing takes place over an extended period of time and emphasizes developing thinking, some instructors have students review and write an introduction to their journals as a culminating assignment.

To make students take a journal assignment seriously and to encourage good thinking, instructors must read and respond to the journals, especially early in the semester. To keep the reading load manageable, instructors often

• skim journals to check on progress
• collect journals on a rotating basis
• respond briefly to selected entries that appear interesting or that students have selected for response; responses can take the form of a personal comment or a question to prompt further thought.

Double-Entry Learning Logs

These are special journals in which students respond to the material they read for class, on the one hand, and “talk with the teacher about the readings,” on the other. In these logs, students summarize key information (rather than just highlight key passages in the books or articles themselves) and respond to the reading—raising questions, drawing parallels, voicing objections, confessing confusion. If instructors respond to these logs, they can focus and direct students, point our ideas for fuller treatment in formal papers, suggest other reading, answer questions, challenge ideas. (Students can use a variation of this technique as they take class notes: in the right-hand column they can summarize, respond to, or question the detailed notes in the left column.) A word of caution, however: journals and learning logs are time-consuming for both instructors and students, and if instructors assign them, they may have to adjust the amount of reading as they assign or else use the logs for only certain readings.

Class Minutes

Summary of the class lecture or discussion, prepared by a student selected as secretary-for-the-day; duplicated for all class members, presented, and discussed briefly at the beginning of the next class.

Course Dictionaries

Glossary of key terms in a course, with students producing definitions, examples, illustrations, maps, diagrams, etc. During the first part of a course, students identify main terms and major concepts; during the second part, students collaboratively compile the course dictionary. The audience for the dictionary is students who will take the course in future semesters.

Students read half a story, chapter, book, or experiment, or a partial data set, and then predict the rest and justify their conclusions.

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Guidelines for Article Preparation for Submission

• Data (and Software) Availability
• Author Contributions
• Competing Interests
• Grant Information
• Acknowledgments (optional)
• Figures and Tables (if applicable)
• provide full affiliation information (full institutional address and ZIP code, and e-mail address) for all authors, and
• indicate who is/are the corresponding author(s).
• Journal abbreviations should follow the Index Medicus/MEDLINE abbreviation approach.
• Preprints can be cited and listed in the reference list.
• Only articles, books and book chapters, datasets and abstracts that have been published or are in press, or are available through public e-print/preprint servers/data repositories, may be cited. Unpublished abstracts, papers that have been submitted to a journal but not yet accepted, and personal communications should instead be included in the text; they should be referred to as ‘personal communications’ or ‘unpublished reports’ and the researchers involved should be named. Authors are responsible for getting permission to quote any personal communications from the cited individuals.
• Web links, URLs, and links to the authors’ own websites should be included as hyperlinks within the main body of the article, and not as references.
• References to trials on a clinical trial database should be as follows: [Authors/name of group], [title of the trial], In: ClinicalTrials.gov [cited year month date], Available from [URL of the link from ClinicalTrials.gov]. Example: Kovacs Foundation, The Effect of Ozone Therapy for Lumbar Herniated Disc. In: ClinicalTrials.gov [cited 2012 Aug 30], Available from http://clinicaltrials.gov/ct2/show/NCT00566007 .
• Datasets published or deposited elsewhere (for example, in figshare, Dryad, etc.) should be listed in the "References" section and the citation to the dataset should follow one of these examples .

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UMGC Effective Writing Center The Perfect Business Letter

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• Writing Resources

When sitting down to complete a business letter assignment in school, students know intuitively that they are engaging in a type of writing that is much different from the typical school assignment. One goal of this resource is to upgrade that intuitive understanding to conscious status and, by doing so, sharpen your understanding of the distinct differences between business and academic writing that must be observed as you transition between the two worlds.

School Writing v. Business Writing

It may sound crass, but the difference between the two can be summarized simply: In school you write to get grades. In the real world, you write to do your job.

It's helpful to think of most school writing as a type of exam: You write to demonstrate to a specific teacher that you understand and can use material in a specific discipline. Those who become outstanding writers in school have usually mastered an important skill of audience analysis: figuring out exactly what an audience of one (the teacher) wants and how he or she wants it delivered.

The audience of one in school becomes the audience of many in the work world. Moreover, everyone who may read your business writing will not be known to you. Especially when your business writing travels outside the company, as it does when in letter format, you have little idea of how many people may read it, much less who they are. And the real kicker is that, unlike teachers, few in the business world get paid to read your writing no matter how poor it is. Other key differences include the following:

Clearly, when authoring a business document, you are taking on a higher degree of responsibility because of potential consequences, both positive and negative, that the writing can have. These consequences are particularly serious for the writer since the lifespan of whatever you write in the work place is potentially your entire career, compared to the duration of a course in school.

Get career planning tips from the advisors at UMGC .

How to Create Your Business Letter

These inherent differences between the two worlds of writing--business and academic--are also reflected in the steps successful writers follow when creating real-world documents like business letters.

Analyze Audience

It's helpful to divide your audience into primary and secondary members. Your primary audience is those whom you are certain will read what you write. The secondary audience is those who may be likely to read it. Your task is to speak directly to the needs of the primary audience while keeping in mind this secondary audience: what they know about the topic and their possible attitudes.

Clarify Purpose

In order for your writing and its purpose to be clear for your audience, it must be twice as clear for you, the writer. Good business writers can provide sharp, succinct answers to the question, "What do I want my readers to know and/or do after reading what I write?" Write the answer down and filter all writing choices through its prism.

Based on the crystal clear idea of what the writing hopes to achieve, the outline represents how the writer will achieve it by arranging information and instructions in the exact order the audience should encounter them for best effect.

The formats for business and technical writing are well known and expected by your audience. These standard formats are usually (1) adhered to rigorously and (2) are modified by any guidelines you have been given by your organization.

Draft & Revise

The first draft is your first opportunity to combine all of the above. However, it should be far from your last. Gone are the days of "once and done" the night before the assignment is due. Especially important is building in some time for a draft to get cold before you revisit with fresh eyes.

Get Feedback

Never let your audience be just the second set of eyes to see what you have written. In between yourself and your audience, insert a knowledgeable person who will act as a proxy for your audience and give you honest feedback.

Business Letter Styles

The two most common formats of business letters today are the full-block format and modified-block format. Note that the full-block format should be used only with letterhead. One variation on these two styles includes indenting paragraphs in the body section. As always, follow the style preferred by your organization unless there is a clear reason not to.

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Understanding Assignments

What this handout is about.

The first step in any successful college writing venture is reading the assignment. While this sounds like a simple task, it can be a tough one. This handout will help you unravel your assignment and begin to craft an effective response. Much of the following advice will involve translating typical assignment terms and practices into meaningful clues to the type of writing your instructor expects. See our short video for more tips.

Basic beginnings

Regardless of the assignment, department, or instructor, adopting these two habits will serve you well :

• Read the assignment carefully as soon as you receive it. Do not put this task off—reading the assignment at the beginning will save you time, stress, and problems later. An assignment can look pretty straightforward at first, particularly if the instructor has provided lots of information. That does not mean it will not take time and effort to complete; you may even have to learn a new skill to complete the assignment.
• Ask the instructor about anything you do not understand. Do not hesitate to approach your instructor. Instructors would prefer to set you straight before you hand the paper in. That’s also when you will find their feedback most useful.

Assignment formats

Many assignments follow a basic format. Assignments often begin with an overview of the topic, include a central verb or verbs that describe the task, and offer some additional suggestions, questions, or prompts to get you started.

An Overview of Some Kind

The instructor might set the stage with some general discussion of the subject of the assignment, introduce the topic, or remind you of something pertinent that you have discussed in class. For example:

“Throughout history, gerbils have played a key role in politics,” or “In the last few weeks of class, we have focused on the evening wear of the housefly …”

The Task of the Assignment

Pay attention; this part tells you what to do when you write the paper. Look for the key verb or verbs in the sentence. Words like analyze, summarize, or compare direct you to think about your topic in a certain way. Also pay attention to words such as how, what, when, where, and why; these words guide your attention toward specific information. (See the section in this handout titled “Key Terms” for more information.)

“Analyze the effect that gerbils had on the Russian Revolution”, or “Suggest an interpretation of housefly undergarments that differs from Darwin’s.”

Additional Material to Think about

Here you will find some questions to use as springboards as you begin to think about the topic. Instructors usually include these questions as suggestions rather than requirements. Do not feel compelled to answer every question unless the instructor asks you to do so. Pay attention to the order of the questions. Sometimes they suggest the thinking process your instructor imagines you will need to follow to begin thinking about the topic.

“You may wish to consider the differing views held by Communist gerbils vs. Monarchist gerbils, or Can there be such a thing as ‘the housefly garment industry’ or is it just a home-based craft?”

These are the instructor’s comments about writing expectations:

“Be concise”, “Write effectively”, or “Argue furiously.”

Technical Details

These instructions usually indicate format rules or guidelines.

“Your paper must be typed in Palatino font on gray paper and must not exceed 600 pages. It is due on the anniversary of Mao Tse-tung’s death.”

The assignment’s parts may not appear in exactly this order, and each part may be very long or really short. Nonetheless, being aware of this standard pattern can help you understand what your instructor wants you to do.

Interpreting the assignment

Ask yourself a few basic questions as you read and jot down the answers on the assignment sheet:

Why did your instructor ask you to do this particular task?

Who is your audience.

• What kind of evidence do you need to support your ideas?

What kind of writing style is acceptable?

• What are the absolute rules of the paper?

Try to look at the question from the point of view of the instructor. Recognize that your instructor has a reason for giving you this assignment and for giving it to you at a particular point in the semester. In every assignment, the instructor has a challenge for you. This challenge could be anything from demonstrating an ability to think clearly to demonstrating an ability to use the library. See the assignment not as a vague suggestion of what to do but as an opportunity to show that you can handle the course material as directed. Paper assignments give you more than a topic to discuss—they ask you to do something with the topic. Keep reminding yourself of that. Be careful to avoid the other extreme as well: do not read more into the assignment than what is there.

Of course, your instructor has given you an assignment so that they will be able to assess your understanding of the course material and give you an appropriate grade. But there is more to it than that. Your instructor has tried to design a learning experience of some kind. Your instructor wants you to think about something in a particular way for a particular reason. If you read the course description at the beginning of your syllabus, review the assigned readings, and consider the assignment itself, you may begin to see the plan, purpose, or approach to the subject matter that your instructor has created for you. If you still aren’t sure of the assignment’s goals, try asking the instructor. For help with this, see our handout on getting feedback .

Given your instructor’s efforts, it helps to answer the question: What is my purpose in completing this assignment? Is it to gather research from a variety of outside sources and present a coherent picture? Is it to take material I have been learning in class and apply it to a new situation? Is it to prove a point one way or another? Key words from the assignment can help you figure this out. Look for key terms in the form of active verbs that tell you what to do.

Key Terms: Finding Those Active Verbs

Here are some common key words and definitions to help you think about assignment terms:

Information words Ask you to demonstrate what you know about the subject, such as who, what, when, where, how, and why.

• define —give the subject’s meaning (according to someone or something). Sometimes you have to give more than one view on the subject’s meaning
• describe —provide details about the subject by answering question words (such as who, what, when, where, how, and why); you might also give details related to the five senses (what you see, hear, feel, taste, and smell)
• explain —give reasons why or examples of how something happened
• illustrate —give descriptive examples of the subject and show how each is connected with the subject
• summarize —briefly list the important ideas you learned about the subject
• trace —outline how something has changed or developed from an earlier time to its current form
• research —gather material from outside sources about the subject, often with the implication or requirement that you will analyze what you have found

Relation words Ask you to demonstrate how things are connected.

• compare —show how two or more things are similar (and, sometimes, different)
• contrast —show how two or more things are dissimilar
• apply—use details that you’ve been given to demonstrate how an idea, theory, or concept works in a particular situation
• cause —show how one event or series of events made something else happen
• relate —show or describe the connections between things

Interpretation words Ask you to defend ideas of your own about the subject. Do not see these words as requesting opinion alone (unless the assignment specifically says so), but as requiring opinion that is supported by concrete evidence. Remember examples, principles, definitions, or concepts from class or research and use them in your interpretation.

• assess —summarize your opinion of the subject and measure it against something
• prove, justify —give reasons or examples to demonstrate how or why something is the truth
• evaluate, respond —state your opinion of the subject as good, bad, or some combination of the two, with examples and reasons
• support —give reasons or evidence for something you believe (be sure to state clearly what it is that you believe)
• synthesize —put two or more things together that have not been put together in class or in your readings before; do not just summarize one and then the other and say that they are similar or different—you must provide a reason for putting them together that runs all the way through the paper
• analyze —determine how individual parts create or relate to the whole, figure out how something works, what it might mean, or why it is important
• argue —take a side and defend it with evidence against the other side

More Clues to Your Purpose As you read the assignment, think about what the teacher does in class:

• What kinds of textbooks or coursepack did your instructor choose for the course—ones that provide background information, explain theories or perspectives, or argue a point of view?
• In lecture, does your instructor ask your opinion, try to prove their point of view, or use keywords that show up again in the assignment?
• What kinds of assignments are typical in this discipline? Social science classes often expect more research. Humanities classes thrive on interpretation and analysis.
• How do the assignments, readings, and lectures work together in the course? Instructors spend time designing courses, sometimes even arguing with their peers about the most effective course materials. Figuring out the overall design to the course will help you understand what each assignment is meant to achieve.

Now, what about your reader? Most undergraduates think of their audience as the instructor. True, your instructor is a good person to keep in mind as you write. But for the purposes of a good paper, think of your audience as someone like your roommate: smart enough to understand a clear, logical argument, but not someone who already knows exactly what is going on in your particular paper. Remember, even if the instructor knows everything there is to know about your paper topic, they still have to read your paper and assess your understanding. In other words, teach the material to your reader.

Aiming a paper at your audience happens in two ways: you make decisions about the tone and the level of information you want to convey.

• Tone means the “voice” of your paper. Should you be chatty, formal, or objective? Usually you will find some happy medium—you do not want to alienate your reader by sounding condescending or superior, but you do not want to, um, like, totally wig on the man, you know? Eschew ostentatious erudition: some students think the way to sound academic is to use big words. Be careful—you can sound ridiculous, especially if you use the wrong big words.
• The level of information you use depends on who you think your audience is. If you imagine your audience as your instructor and they already know everything you have to say, you may find yourself leaving out key information that can cause your argument to be unconvincing and illogical. But you do not have to explain every single word or issue. If you are telling your roommate what happened on your favorite science fiction TV show last night, you do not say, “First a dark-haired white man of average height, wearing a suit and carrying a flashlight, walked into the room. Then a purple alien with fifteen arms and at least three eyes turned around. Then the man smiled slightly. In the background, you could hear a clock ticking. The room was fairly dark and had at least two windows that I saw.” You also do not say, “This guy found some aliens. The end.” Find some balance of useful details that support your main point.

You’ll find a much more detailed discussion of these concepts in our handout on audience .

The Grim Truth

With a few exceptions (including some lab and ethnography reports), you are probably being asked to make an argument. You must convince your audience. It is easy to forget this aim when you are researching and writing; as you become involved in your subject matter, you may become enmeshed in the details and focus on learning or simply telling the information you have found. You need to do more than just repeat what you have read. Your writing should have a point, and you should be able to say it in a sentence. Sometimes instructors call this sentence a “thesis” or a “claim.”

So, if your instructor tells you to write about some aspect of oral hygiene, you do not want to just list: “First, you brush your teeth with a soft brush and some peanut butter. Then, you floss with unwaxed, bologna-flavored string. Finally, gargle with bourbon.” Instead, you could say, “Of all the oral cleaning methods, sandblasting removes the most plaque. Therefore it should be recommended by the American Dental Association.” Or, “From an aesthetic perspective, moldy teeth can be quite charming. However, their joys are short-lived.”

Convincing the reader of your argument is the goal of academic writing. It doesn’t have to say “argument” anywhere in the assignment for you to need one. Look at the assignment and think about what kind of argument you could make about it instead of just seeing it as a checklist of information you have to present. For help with understanding the role of argument in academic writing, see our handout on argument .

What kind of evidence do you need?

There are many kinds of evidence, and what type of evidence will work for your assignment can depend on several factors–the discipline, the parameters of the assignment, and your instructor’s preference. Should you use statistics? Historical examples? Do you need to conduct your own experiment? Can you rely on personal experience? See our handout on evidence for suggestions on how to use evidence appropriately.

Make sure you are clear about this part of the assignment, because your use of evidence will be crucial in writing a successful paper. You are not just learning how to argue; you are learning how to argue with specific types of materials and ideas. Ask your instructor what counts as acceptable evidence. You can also ask a librarian for help. No matter what kind of evidence you use, be sure to cite it correctly—see the UNC Libraries citation tutorial .

You cannot always tell from the assignment just what sort of writing style your instructor expects. The instructor may be really laid back in class but still expect you to sound formal in writing. Or the instructor may be fairly formal in class and ask you to write a reflection paper where you need to use “I” and speak from your own experience.

Try to avoid false associations of a particular field with a style (“art historians like wacky creativity,” or “political scientists are boring and just give facts”) and look instead to the types of readings you have been given in class. No one expects you to write like Plato—just use the readings as a guide for what is standard or preferable to your instructor. When in doubt, ask your instructor about the level of formality they expect.

No matter what field you are writing for or what facts you are including, if you do not write so that your reader can understand your main idea, you have wasted your time. So make clarity your main goal. For specific help with style, see our handout on style .

Technical details about the assignment

The technical information you are given in an assignment always seems like the easy part. This section can actually give you lots of little hints about approaching the task. Find out if elements such as page length and citation format (see the UNC Libraries citation tutorial ) are negotiable. Some professors do not have strong preferences as long as you are consistent and fully answer the assignment. Some professors are very specific and will deduct big points for deviations.

Usually, the page length tells you something important: The instructor thinks the size of the paper is appropriate to the assignment’s parameters. In plain English, your instructor is telling you how many pages it should take for you to answer the question as fully as you are expected to. So if an assignment is two pages long, you cannot pad your paper with examples or reword your main idea several times. Hit your one point early, defend it with the clearest example, and finish quickly. If an assignment is ten pages long, you can be more complex in your main points and examples—and if you can only produce five pages for that assignment, you need to see someone for help—as soon as possible.

Tricks that don’t work

Your instructors are not fooled when you:

• spend more time on the cover page than the essay —graphics, cool binders, and cute titles are no replacement for a well-written paper.
• use huge fonts, wide margins, or extra spacing to pad the page length —these tricks are immediately obvious to the eye. Most instructors use the same word processor you do. They know what’s possible. Such tactics are especially damning when the instructor has a stack of 60 papers to grade and yours is the only one that low-flying airplane pilots could read.
• use a paper from another class that covered “sort of similar” material . Again, the instructor has a particular task for you to fulfill in the assignment that usually relates to course material and lectures. Your other paper may not cover this material, and turning in the same paper for more than one course may constitute an Honor Code violation . Ask the instructor—it can’t hurt.
• get all wacky and “creative” before you answer the question . Showing that you are able to think beyond the boundaries of a simple assignment can be good, but you must do what the assignment calls for first. Again, check with your instructor. A humorous tone can be refreshing for someone grading a stack of papers, but it will not get you a good grade if you have not fulfilled the task.

Critical reading of assignments leads to skills in other types of reading and writing. If you get good at figuring out what the real goals of assignments are, you are going to be better at understanding the goals of all of your classes and fields of study.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Formatting and presenting your assessments correctly is important because many include marks for presentation.

This may include marks for things such as:

• formatting and layout
• APA referencing
• writing style
• grammar and spelling.

Before you start on your assessment:

• check your assessment question, emails from your course leader, and learning materials for how it should be presented
• read the instructions carefully. Make sure you understand them and follow them exactly
• if you're not sure about what’s required contact your course leader.

General guidelines for electronic submissions

• Most assessments should be produced using Microsoft Word.
• You can also submit assessments using: .doc, .docx, .xls, .xlsx or .rtf.
• if you don’t have Microsoft Word go to My Open Polytechnic to download and access your free version
• if you're not sure about the file type required, contact your course leader.
• Use a clear, readable font, such as Verdana, Calibri, Tahoma or Arial and use the same font throughout.
• Use black text on a white background.
• Avoid coloured backgrounds or text in a colour other than black, unless you have special permission to use them.
• Use 11 or 12 point font for the body of your assessment.
• Use 1.5 spacing and 2.53 cm (1”) wide margins.
• Leave a blank line between paragraphs.
• If the questions are short, leave a blank line between each question. If they are long, start each question on a new page.
• Left-justify your work (also known as left-aligned).
• Use bold for headings.
• Essays don’t usually need subheadings; reports usually do.

Most assessments need a title page, which should include:

• the title and number of the assessment
• the course number and name
• the due date
• your full name and student number.

Centre this information on the page, starting approximately one-third of the way down the page.

• Number and clearly label figures and tables.
• Add numbers as follows: Figure 1, Figure 2, Table 1, Table 2, and so on.
• Put table and figure captions above the table.
• Don't number the items in a reference list.

For more help with figures and tables, check:

Get more help with tables  and figures – APA  Style website

Headers and footers

Insert a header or footer on each page (except the title page). It should contain:

• your name (last name, first name/s)
• your student number
• the course code
• the assessment number
• page numbers.

Reference list

The reference list comes at the end of the assessment and should start on a new page labelled 'References'.

Need more help with reference lists? Check out the guides below:

Quick referencing APA guidelines  (PDF 47 KB; opens in a new window)

Guide to APA referencing  (PDF 395.11 KB; opens in a new window)

Appendices are used for information that:

• is too long to include in the body of your assessment
• supplements or complements the information you are providing.

Start each appendix (if applicable) on a new page. If there's just one appendix label it ‘Appendix’ without a number. If there is more than one, label them Appendix A, Appendix B, and so on.

In the main text of your assessment, refer to the Appendix by the label – for example, Appendix A.

Tops and bottoms of pages

Check the top and bottom of your pages to ensure they avoid:

• widows – single lines of text at the top of a page
• orphans – first lines of paragraphs at the bottom of a page
• tombstones – headings or subheadings alone at the bottom of a page
• split lists – lists that are divided between two pages (if possible).

General guidelines for hard copies

Most of the guidelines above also apply to hard copies (printed or handwritten documents).

If your course requires or allows handwritten assessments, be sure to follow the course instructions on presenting handwritten assessments.

Word limits and word count guidelines 

Word limits support the development of concise writing skills. Word count guidelines help you to understand the expectation of workload for an assessment.

 For more detailed information about these go to:

Word limits and word count guidelines  

Got a question?

If you want to talk with someone about formatting and presenting your assessments, contact The Library and Learning Centre | Te Whare Pukapuka Wāhanga Whakapakari Ako. 

Contact the Library and Learning Centre