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Movie Review | 'Freedom Writers'

To Ms. With Love: A Teacher’s Heart Fords a Social Divide

By Manohla Dargis

• Jan. 5, 2007

As a cinematic subspecies, films about teachers working with throwaway kids tend to follow a predictable arc involving conflict and resolution, smooth beats and bitter tears. Sometimes, as with “Dangerous Minds,” the 1995 film in which Michelle Pfeiffer uses her cheekbones to disarm high school toughs, the results are risible. Sometimes, as with the egregiously offensive “187” (1997), wherein Samuel L. Jackson makes like Charles Bronson with some bad students, it’s an argument for universal home schooling.

“Freedom Writers,” a true story about a white teacher trying to make a difference in a room crammed with black, Latino and Asian high school freshmen, has the makings of another groaner. One worrisome sign is Hilary Swank, the two-time Academy Award winner with the avid smile who recently vamped across screens as a femme fatale in Brian De Palma’s period thriller “The Black Dahlia.” Ms. Swank is an appealing actress of, at least to date, fairly restricted range. In her finest roles — a transgender man in “Boys Don’t Cry,” a boxer in “Million Dollar Baby” — she plays women whose hard-angled limbs and squared jaws never fully obscure a desperate, at times almost embarrassingly naked neediness.

In “Freedom Writers” Ms. Swank uses that neediness to fine effect in a film with a strong emotional tug and smartly laid foundation. She plays Erin Gruwell, who in 1994 was a 23-year-old student teacher assigned to teach freshman English at Wilson High School in Long Beach, Calif.

Twenty-two miles from downtown Los Angeles, this ethnically diverse port city, birthplace of both Bo Derek and Snoop Dogg, is south of Compton (home of N.W.A.), right at the edge of Orange County (home of “The O.C.”). In 1992 the Rodney King riots that rocked Los Angeles spilled into Long Beach; recently the city made news for an alleged hate crime involving black teenagers charged with severely beating three white women.

By the time Erin steps into her classroom, a scant two years after the riots, the climate inside is at once frosty and scorching. Turned out in a cherry-red suit and black pumps, her strand of pearls gleaming as bright as her teeth, Erin cuts an unavoidably awkward, borderline goofy figure.

The students are understandably skeptical, excruciatingly contemptuous. From where they sit, slumped and hunched, some with their backs literally turned away from the front of the room, Erin looks like the stranger she is. She’s an interloper, a do-gooder, a visitor from another planet called Newport Beach, and the class sees through her as if she were glass because the writer and director Richard LaGravenese makes sure that we do too.

Funny how point of view works. If so many films about so-called troubled teenagers come off as little more than exploitation, it’s often because the filmmakers are not really interested in them, just their dysfunction. “Freedom Writers,” by contrast, isn’t only about an amazingly dedicated young teacher who took on two extra jobs to buy supplies for her students (to supplement, as Mr. LaGravenese carefully points out, a $27,000 salary); it’s also, emphatically, about some extraordinary young people. In this respect Mr. LaGravenese, whose diverse writing credits include “The Ref” and “The Bridges of Madison County,” appears to have taken his egalitarian cue from the real Erin Gruwell, who shares author credit with her students in their 1999 book, “The Freedom Writers Diary,” a collection of their journal entries.

Mr. LaGravenese keeps faith with the multiple perspectives in the book, which includes Ms. Gruwell’s voice and those of her students, whose first-person narratives pay witness to the effects of brutalizing violence, dangerous tribal allegiances and institutional neglect. The film pops in on Erin and her increasingly troubled relationship with her husband, Scott (Patrick Dempsey), and there’s a really lovely scene between the two that finds them talking ruefully over a bottle of wine about the divide between fantasy and reality in marriage, a divide one partner tries to bridge and the other walks away from. But while we keep time with Erin, we also listen to the teenagers, several of whom tell their stories in voice-over.

Among the most important of those stories is that of Eva (the newcomer April Lee Hernandez), whose voice is among the first we hear in the film. Through quick flashbacks and snapshot scenes of the present, Eva’s young life unfolds with crushing predictability. From her front steps, this 9-year-old watches as her cousin is gunned down in a drive-by shooting. Later her father is arrested; she’s initiated into a gang. One day, while walking with a friend under the glorious California sun, a couple of guys pull up in a car and start firing in their direction. Eva dodges bullets and embraces violence because she knows nothing else; she hates everyone, including her white teacher, because no one has ever given her a reason not to.

In time Eva stops hating Erin, though the bullets keep coming. It’s a hard journey for both women, one that includes other students, most of whom are played by actors who look too old for their roles and are nonetheless very affecting. None of these actors are outstanding, but two are memorable: the singer Mario, who plays an angry drug dealer, Andre, and another newcomer, Jason Finn, whose big, soft, moon face swells with fury and vulnerability as a homeless teenager named Marcus.

Mr. LaGravenese isn’t a natural-born filmmaker, but he’s a smart screenwriter whose commitment to characters like Marcus makes up for the rough patches in his directing. Like Ms. Swank, who shares the screen comfortably with her younger co-stars, he gives credit where credit is due.

“Freedom Writers” is rated PG-13 (Parents strongly cautioned). There is some gun violence and adult language.

The headline for a film review in Weekend on Friday about “Freedom Writers” misidentified the California city in which the movie is set. It is Long Beach, not Los Angeles.

The listing of credits omitted a producer. Danny DeVito was a producer, along with Stacey Sher and Michael Shamberg.

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Freedom writers, common sense media reviewers.

True story of inspirational teacher; language, violence.

A Lot or a Little?

What you will—and won't—find in this movie.

While based on a true story in which "at-risk" stu

Lead character is an idealistic teacher determined

Repeated verbal and visual references to street/gu

Allusions to teen pregnancy, some kissing between

Some profanity, including one dramatic use of "f--

Starbucks coffee cup clearly shown in one scene. S

Erin and Scott drink wine several times; she gets

Parents need to know that Freedom Writers is a 2007 movie in which Hilary Swank plays an idealistic young white teacher who inspires a group of "at-risk" students of color to believe in themselves. The movie is set in a Long Beach, California high school in the mid-1990s against the backdrop of deep racial…

Positive Messages

While based on a true story in which "at-risk" students of color learn to value their self worth and their futures with the help of an idealistic young white teacher, the movie also clearly falls into the "white savior narrative." That said, students find ways to discover their inner strength and a way to express themselves by writing in their journals, and develop an understanding of a world beyond their neighborhoods through reading, writing, and through meeting with Holocaust survivors.

Positive Role Models

Lead character is an idealistic teacher determined to reach the "at-risk" students she teaches. She helps to foster a community in the class, one that goes beyond the racial tensions and difficult home lives many of the students face outside the classroom. As a result of the work in her classroom, in real life, the student journal writing led to the publication of "The Freedom Writers Diary," and the creation of the Freedom Writers Foundation. At the same time, this movie is part of a larger pattern of the "white savior narrative" in film, and should be examined as such.

Violence & Scariness

Repeated verbal and visual references to street/gun violence (the film opens with clips from the Rodney King tape, riots in Los Angeles, and reports on murders in Long Beach). Brief but jolting fight between students (one pulls a gun). A shooting in a minimart leaves one boy with a bloody bullet wound in chest. Discussions about losing friends to shootings, as well as historical systems of oppression (specifically, the Holocaust); descriptions of Holocaust violence. While writing in their journals, flashback scenes show students who have witnessed drive-by shootings, domestic abuse, and a memory a teen shares when, as a young boy, his best friend shows him a handgun while they sit on a park bench before his best friend accidentally shoots himself and dies.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Sex, Romance & Nudity

Allusions to teen pregnancy, some kissing between high school couples, girls in tight outfits. Some kissing and innuendo between a married couple.

Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.

Some profanity, including one dramatic use of "f--k you." "N" word used in a journal entry. Racial slurs against Asian characters, and during a racially-charged classroom conflict, one character yells, "Get your ass back to China." "Bulls--t," "s--t," "bitch," "goddamn," "ass."

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Products & Purchases

Starbucks coffee cup clearly shown in one scene. Students drink Coca-Cola Classic. Teacher gives out gift bags from Borders Books. Lead character also works at a Mariott Hotel.

Drinking, Drugs & Smoking

Erin and Scott drink wine several times; she gets drunk after an emotional upheaval. Lead character's father drinks whiskey at dinner.

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Parents Need to Know

Parents need to know that Freedom Writers is a 2007 movie in which Hilary Swank plays an idealistic young white teacher who inspires a group of "at-risk" students of color to believe in themselves. The movie is set in a Long Beach, California high school in the mid-1990s against the backdrop of deep racial tensions in the aftermath of the Rodney King beating by police officers. Characters are killed in drive-by shootings. One of the characters is shown getting beaten up in a gang initiation. Gang violence, loss of a friend or family member, and the Holocaust are addressed. Kids argue with each other, including a scene in which characters use racial slurs to describe Asians. teacher. Students discuss the Holocaust, Anne Frank, and meet a survivor who describes her ordeal. Students write about their losses in their journals, which the teacher reads out loud or in voiceover; these scenes depict memories of shootings (including a young boy accidentally shooting himself and dying on a park bench), and domestic abuse. Profanity includes use of the "N" word in a journal entry, and a dramatic use of "f--k you." While the movie is based on a true story, families should take the opportunity to discuss it in the context of the "white savior narrative," and how and why movies like these can be problematic as America comes to grips with the far-reaching effects of systemic racism. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

Where to Watch

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Community Reviews

• Parents say (16)
• Kids say (35)

Based on 16 parent reviews

This Movie Is Awesome

What's the story.

In FREEDOM WRITERS, enthusiastic and innocent teacher Erin Gruwell ( Hilary Swank ) arrives at a high school in Long Beach just after the L.A. uprising in 1992, aiming to follow in her civil rights activist father's footsteps. Erin's first few days at school are daunting: She witnesses a fight, sees a boy pull out a gun, and endures taunts from her students, who see themselves as their other teachers see them: the "ghetto-ass class" unworthy of attention or time. Erin is also discouraged by her cynical colleagues but she persists, seeking ways to connect with her students. Finally, one of them -- distrustful Eva (April Lee Hernandez) -- explains her rage: "White people running this world," she says. "I saw white cops shoot my friend in the back for reaching into his pocket. They can because they're white. I hate white people on sight." Erin realizes that since her students self-segregate by race, they never learn one another's stories. So, she has them stand together in the classroom when they've shared an experience, like losing a friend to violence. They begin to recognize their similarities. As the students write about their lives in a "war zone," Erin also has them visit L.A.'s Holocaust museum and read Anne Frank: The Diary of a Young Girl . Moved by Frank's story, the kids raise money to bring Miep Gies (Pat Carroll), the woman who hid Frank from the Nazis, to campus.

Is It Any Good?

This deeply earnest drama follows a familiar storyline. An idealistic young teacher inspires her "at-risk" urban students to respect each other and themselves. She's white, they're mostly of color; she's clueless about their harsh lives, they initially resent her cluelessness but learn to appreciate her efforts to understand them. It's this last part that makes director Richard LaGravenese's film work, despite its many clichés. Erin Gruwell ( Hilary Swank ) makes a difference by asking her students to talk to her and each other -- and acting on what they say.

The plot is predicable, the actors too old to play high school students, and the pacing too slow. And really, the camera circles around deep-thinking faces a few too many times. But Freedom Writers also argues for listening to teenagers. That in itself makes it a rare and close-to-wonderful thing.

Talk to Your Kids About ...

Families can talk about the way that Erin engages her students -- by listening to them. How is this an effective way to teach? How do the students learn from one other when they share their stories?

How is this movie an example of the "white savior narrative?" What are some other examples of movies in which people of color struggle to find their way in the world until a white protagonist comes along and finds their true calling in life by saving the people of color from their circumstances?

This is a movie based on a true story. What aspects of the story do you think actually happened, and what aspects do you think were heightened or exaggerated for the sake of creating more drama and conflict in the movie?

Movie Details

• In theaters : January 4, 2007
• On DVD or streaming : April 17, 2007
• Cast : Hilary Swank , Imelda Staunton , Patrick Dempsey
• Director : Richard LaGravenese
• Inclusion Information : Female actors
• Studio : Paramount Pictures
• Genre : Drama
• Run time : 123 minutes
• MPAA rating : PG-13
• MPAA explanation : violent content, some thematic material and language.
• Last updated : September 6, 2023

Did we miss something on diversity?

Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

Suggest an Update

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Coach Carter

Movies with inspiring teachers, movies that inspire kids to change the world.

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Freedom Writers Reviews

LaGravenese tends to simplify and lean on the melodrama but he tells the stories of the students with compassion, notably Eve (April Lee Hernandez), who has grown up in a war zone of an inner city defined by ethnic boundaries.

Full Review | Aug 19, 2023

This film delivered an injection of fresh ideas into a stale genre.

Full Review | Original Score: 3.5/5 | Oct 21, 2022

A touching performance from Hilary Swank ensures that Freedom Writers is not just another tripe genre movie.

Full Review | Original Score: 3/5 | Nov 3, 2018

The movie benefits from an interesting subject and good acting, I just wish it were more focused and deep.

Full Review | Original Score: C+ | Jul 3, 2011

Full Review | Original Score: 7/10 | Feb 9, 2011

A richly rewarding film experience that rises to the top of its genre.

Full Review | Original Score: B+ | Jan 4, 2008

While it is, like its genre brethren, inspiring and uplifting, Freedom Writers glosses over so much material that it makes the process look too easy.

Full Review | Aug 13, 2007

Ironically, the film features almost zero teaching. Despite much pedagogical posturing, it doesn't teach us much, either.

Full Review | Original Score: C- | Aug 4, 2007

Worthwhile because of its honesty, because it tells a true story that's worth telling, and because Hilary Swank and company have done it so well.

Full Review | Original Score: 82/100 | Jul 16, 2007

Is this film formulaic? Yes. Does it accomplish what it set out to do? Yes. ... It's certainly not a perfect movie but it does offer many pleasures.

Full Review | Original Score: C+ | Jul 14, 2007

Swank's earthiness is key here, and she consistently rises above the story's cliches.

Full Review | Jul 10, 2007

The script won't win any stars for originality, it's all put across with enough sincerity to make the corn easy to swallow.

Full Review | Original Score: 3/5 | Mar 30, 2007

Hilary Swank is all heart in this uplifting film about kids from the wrong side of the track who become inspired to learn and do the right thing.

Full Review | Mar 16, 2007

yet another feel-good teacher flick that will leave most audiences satisfied

Full Review | Original Score: 3/4 | Mar 7, 2007

An Inspirational Teacher Movie that is moving, thought-provoking and succeeds in being genuinely inspiring.

Full Review | Original Score: 4/5 | Mar 1, 2007

This is moving stuff, thoughtfully handled and well performed.

Full Review | Feb 27, 2007

It may only deserve a C for achievement, but it ranks a B+ for effort.

Full Review | Original Score: 3/5 | Feb 27, 2007

You'll be embarrassed, sad, happy then exhausted.

Has its inspiring moments - especially given the true story - and some tense, dramatic scenes amid the speedy montages of confusing gang action.

Despite solid work from the engaging cast, there's nothing new here to distinguish Freedom Writers as anything beyond a C+.

Full Review | Original Score: 2/5 | Feb 27, 2007

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• DVD & Streaming

Freedom Writers

Content caution.

In Theaters

• Hilary Swank as Erin Gruwell; Patrick Dempsey as Scott Casey; April Lee Hernandez as Eva; Imelda Staunton as Margaret Campbell; Jason Finn as Marcus; Mario as Andre

Home Release Date

• Richard LaGravenese

Distributor

• Paramount Pictures

Movie Review

For the students of Wilson High School, their Long Beach, Calif., campus has become a war zone. Undefined boundaries separate the racially divided gangs and cliques—most prominently, the Asians, African-Americans, Latinos and whites.

Inside the classrooms, the territorial delineation is more distinct, as “at-risk” students from poorer neighborhoods are assigned separate classes from the “normal” suburban teens. Not that anybody’s there to learn. For these juvenile delinquents, gang members, drug pushers and underprivileged students, it’s a matter of being babysat during school hours—warehoused until they’re old enough to drop out on their own. That’s if they live to see the day.

In 1994, straight-out-of-college teacher Erin Gruwell (this story is based on her real-life feats) walks into this defective system with high hopes. The English teacher is ready to change the world, one classroom at a time. Her students and even other faculty members have other thoughts. Department head Margaret Campbell blasts Erin’s efforts with, “You can’t make someone want an education. The best you can do is make them obey and learn discipline.” One of her students puts things much more bluntly: “I’ll give this b–ch a week.”

Positive Elements

Freedom Writers could’ve just as easily been called Ode to a Teacher , considering the high praise it pours on educators who earnestly care about bettering their students. Despite her youth and inexperience, Erin is certainly praiseworthy for her passion to see kids escape the prison of their surroundings through proper education. As her father is apt to point out, she could’ve easily been a successful businesswoman or, at the very least, taught at a better school. Yet Erin truly wants to change the world—particularly for these teenagers who only know a world of abuse, addiction, violence and hate.

By underscoring what the divided class members have in common rather than their differences, she seeks to break down their walls and exposes their unfounded prejudice. And she’s determined to prove that what they’re studying is applicable to their lives. (To add relativity to their studies, she has her class write daily journal entries.)

Erin takes care to point out to her charges the irrationality and futility of racism. When she discovers a racist drawing is being passed around during class, she uses the moment to compare the students’ feelings toward each other to the rise of Nazi Germany and the eventual Holocaust. After a heated discussion, she’s aghast to discover that only one of her students (the lone suburban white kid) has even heard of the Holocaust. This launches an extensive study that, while proving how harmful racism is, also reminds the students that they’re not alone in their bleak situation.

Specifically, Erin uses The Diary of Anne Frank to show how, like them, a 13-year-old girl faced baseless hatred, bigotry, persecution and a system out to destroy her. (Lines from Frank’s original writings are poignantly interwoven with scenes from the teens’ frightening home lives.) Eventually, the class’ study of Frank and their continual journal writing leads them to extend an invitation to one of the Frank’s protectors, Miep Gies, and to raise enough money to bring her to their school. When the old woman arrives, she tells the group, “I did what I had to do because it is the right thing to do—that is all. … [Anyone], even a teenager, can turn on a small light in a dark room.” After a student calls her his hero, Gies quickly deflects the title: “ You are the heroes. You are the heroes every day. … Your faces are engraved in my heart.”

Off campus, Erin’s father initially tells his daughter, “These kids are criminals, not activists. Don’t waste your time on people who don’t give a d–n about education.” He adds, “You’re not responsible for their lives outside of the classroom.” But by the end he’s telling her, “You are an amazing teacher. You have been blessed with a burden, and I envy that and admire that.”

[ Spoiler Warning ] And just as her dad comes around, so do her students. And they’re eager to thank her for her prodding. They notice that she’s the only teacher willing to give them new and unabbreviated books (which she pays for by working extra jobs). They notice that she sincerely respects them, especially when she takes them out on a field trip that includes a ritzy dinner. Reading his journal entry one boy exclaims, “Ms. G. is the only person that makes me think of hope.”

Among the many other positives in Freedom Writers is a girl deciding to tell the truth, even at the cost of risking her life and her relationship with her father.

Spiritual Elements

As a young man reads from Anne Frank’s diaries, we hear the line, “If God lets me live …” After visiting a Holocaust museum, a student remembers how a survivor left behind a letter to God. A couple of scenes from students’ houses show crucifixes hanging on the wall. A cross is shown at a funeral. On the flip side of the spiritual coin, one student’s monologue describes joining a gang as a “baptism” that gives you new life. A rap during the end credits includes the line, “I believe in heaven more than hell.”

Sexual Content

A student mentions that she was supposed to be the girl who gets pregnant by age 16, but that Erin’s Room 203 class has helped her avoid such a path. But another teen kisses her boyfriend and also asks Erin when two people mentioned in Anne Frank’s book will “hook up.” While two girls get dressed, the camera catches a glimpse of a tattoo on the small of one girl’s back.

Erin and her husband, Scott, kiss on a couple of different occasions. From Scott’s point of view, the camera briefly focuses on Erin’s backside. And Scott (vainly) attempts to initiate sex with his wife by talking about a school-teacher fantasy.

Violent Content

It’s obvious the filmmakers tried to show some restraint in depicting the all-too-real gangbanging surroundings of this story. Much of the abuse, domestic violence, and race- and gang-related shootings are spoken of rather than shown. However, we still see a young man mistakenly shot in a convenience store, and the camera spies a bullet hole in his chest as he lies in a pool of blood.

Two kids handle a newly acquired gun, which suddenly goes off and kills one of the boys. (He’s shown slumped over on a blood-stained bench.) A female student’s mother is described as being “half-beaten to death” one night, and we see a man strike her a few times (drawing blood) and beat the student with a belt. (The man also abandons this girl and her young brother on the side of the road, forcing them to sleep on the sidewalk.)

A teen girl is chased down by three gang members, held and threatened at gunpoint. She’s also beaten up on two other occasions. It’s not surprising, then, that she tells Erin she wishes Anne Frank would “smoke” Hitler and motions with an imaginary gun to her head. Another student says that “at 16, I’ve seen more dead bodies than a mortician.” Snapshots from a civil rights movement documentary show a mob beating up an activist (the after-shots are included as well), along with a bus that’s been torched.

When a melee breaks out in the school courtyard, multiple students (guys and girls) are shown exchanging punches, kicks, shoves and various body blows. A pair of girls wrestle and claw at each other. A classroom scrap involves shoving and missed punches.

Crude or Profane Language

God’s name is profaned on close to half-a-dozen occasions, two or three times in combination with “d–n.” The f-word is used once, while the s-word is uttered at least 10 times. An additional 30-plus milder profanities are spoken (“d–n,” “a–,” “h—“), including a crude reference to male anatomy and a single mention of the n-word.

Drug and Alcohol Content

Erin’s father downs some liquor while he meets with his daughter. Erin and Scott drink wine, mostly over dinner. During a trying discussion about their damaged relationship, both drink several glasses of alcohol. Scott comments on his wife drinking too much. She replies that alcohol won’t hurt her as much as their fighting does. A rap lyric mentions how “alcohol followed me.”

Though they’re never shown, it’s implied that drugs are readily available on campus. To prove that those in her class aren’t actually as different as they say they are, Erin begins by asking them how many know where to get drugs. (They all raise their hands.) Later, it becomes clear that one student is working for a neighborhood drug pusher.

Other Negative Elements

[ Spoiler Warning ] While Erin’s efforts to change her students’ lives are noble and selfless, they also cause a strain on her commitment to her husband. Though initially supportive of his wife finding her apparent calling in life, Scott struggles with feelings of detachment and a lack of passion for her causes. “I’m living a life I didn’t agree to,” he says (adding that he’s still proud of the good she’s done). At Scott’s prompting, the two regretfully agree to divorce—a disappointing move and one that’s unfortunately true-to-life for the real Erin Gruwell.

In the classroom, Erin uses Tupac Shakur as an example of a talented poet. Unfortunately, she never explains that many of his songs glorify the very kind of violent acts she’s fighting against. Snoop Dogg is also referenced in a neutral context.

Freedom Writers travels down a well-worn path already trod by such films as Dangerous Minds, Up the Down Staircase, Stand and Deliver and even Dead Poets Society . New-to-the-system teacher uses unconventional methods to transform a classroom full of “unteachables.” This time it’s set in a racially heated, gangbanging environment where students’ main goal is to stay alive until their 18th birthday.

Fifty profanities and moments of gore certainly detract from this story, but what doesn’t diminish it is the familiar turf. In terms of true stories, Erin Gruwell’s is a remarkable adventure that encompasses sacrifice, determination, fearlessness and hope. It’s more than worthy to be told onscreen. And the result is that exceptional messages get communicated in almost every scene as these kids grab hold of something beautiful and life-changing.

For the record, according to the film, Erin’s inspirational efforts have resulted in most of the original 150 “Freedom Writers” (named after the Freedom Riders of the U.S. civil rights movement) becoming the first members of their families to attend college. Many went on to finish college and graduate school; some now teach at schools similar to Wilson High.

In some ways it’s those kids more than Erin who make Freedom Writers unique. Yes, Erin is definitely deserving of the praise and attention she’s been given. But it’s obvious the filmmakers wanted to place the bigger spotlight on the students’ courage and perseverance to overcome obstacles. “In this country we dismiss kids who aren’t showing up for class or aren’t doing well and say that they can’t learn,” says director Richard LaGravenese. “We never take that step that Erin Gruwell took to find out why and learn about the life they’re living on the streets, the poverty and the violence that they face every day. After reading their words and hearing their stories, you realize how can they possibly be thinking about homework or showing up on time? To me, the whole point was being able to tell a story that showed their lives and how a teacher listened and respected them enough to figure out how to teach them instead of letting them fall through the cracks.”

Marcus Yoars

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Freedom Writers (United States, 2007)

The key to making a successful formula motion picture is to infuse it with energy and add a few original elements. The overall product might seem familiar but that doesn't mean it can't be an enjoyable viewing experience. This is true regardless of the formula: underdog sports hero, boy meets girl, or unconventional teacher who makes a difference. Freedom Writers falls into the latter category and, as often seems to be the case with movies of this genre, it is based on a true story. Writer/director Richard LaGravenese (whose previous screenplays include The Fisher King and The Bridges of Madison County ) does what competent filmmakers do with these Dangerous Minds tales - he takes the basic facts and massages them until they are suitably cinematic. The MTV imprimatur indicates the movie is being targeted at teenagers.

The film is set in Long Beach shortly after the L.A. riots. Hilary Swank plays Erin Gruwell, a crusading young woman who believes the way to stop racial hatred is to influence young minds. To that aim, she applies to work in a forcibly integrated school where the students are divided into four camps: whites, Latinos, Cambodians, and blacks. Her lofty goals are not shared by her department head, Margaret Campbell (Imelda Staunton), her ex-activist father (Scott Glenn), or her neglected husband, Scott (Patrick Dempsey). Erin's first few days in class are a rude awakening, but a discussion about Hitler and the Holocaust opens unexpected doors and the teacher begins to connect with some of her students, including the hardcore Eva (April Lee Hernandez) and the closed-off Andre (Mario). Erin then hands out composition books and has the teenagers make daily entries. In 1999, those "assignments" were published as The Freedom Writers Diary , which is the source material for the movie.

The bottom line premise - that Erin changes the lives of her students while they change her - lies at the core of every similar movie. But the means are refreshingly different. Erin finds ways to compare Hitler's actions against the Jews to instances of gang violence. Although it may seem to be a stretch, making these similarities gives Erin an entrance into her pupils' world. When she hands out copies of The Diary of Ann Frank , the kids are engrossed. Erin's assignment for them to write letters to Miep Gies (Pat Carroll), the woman who hid Ann from the Nazis, results in a visit from the elderly lady, whom one black student labels as his "hero."

The structure is awkward. The emotional climax of Freedom Writers comes 90 minutes into the film with the arrival of Miep Gies and the life-altering choice made by one of the students as a result. However, LaGravenese keeps things going for 30 more minutes, and Freedom Writers begins to wear out its welcome. There's another emotional moment at the end, but it feels contrived. While the one at the 1:30 mark has a ring of authenticity, the one at the film's end feels like it's all Hollywood.

There's also something strange going on with Erin's pearl necklace. During the first 20 minutes, an inordinate amount of attention is paid to that piece of jewelry. We are sure it's going to be stolen. Then, unexpectedly, this plot element is dropped. Has the necklace been pilfered? Has she stopped wearing it? Is the fact that it isn't stolen proof that the kids aren't thugs? We don't know because the movie doesn't tell us. I'm sure something ended up on the cutting room floor, but what remains in the final version is sloppy. LaGravenese should have either provided a resolution or found a cleaner way to assemble the theatrical print. It's not a big thing but it is annoying.

The film mixes new, young talent with experienced veterans. The best of the former is April Lee Hernandez, who possesses a "firecracker" quality that could lead to bigger roles. Her Eva is part of a high school ensemble but she stands out. Thus far, Hernandez's credits are primarily TV guest spots, but there's no reason she couldn't graduate to more visible parts. (As might be expected the Ms. Gruwell's "freshmen" are often played by actors in their early 20s. Work hours for actual teenagers are too restrictive.) Hilary Swank smiles her way through the early part of the movie then develops a harder edge later in the proceedings. It's nice to see Scott Glenn (who has primarily been doing TV since the turn of the century), although his role is of limited importance. Patrick Dempsey is underused; one suspects he took this role before Gray's Anatomy boosted his image.

Freedom Writers delivers the expected messages about hope and the ability to change one's destiny, and does it in a manner that it is emotionally and intellectually satisfying. This isn't a great movie, but it is effective drama where the big emotional scenes more often feel real than contrived. Through voiceovers, LaGravenese uses passages lifted from the actual students' diaries to provide the framework for the secondary stories (those of the teenagers), thereby lending a ring of authenticity. For those who see it, the movie has a chance to connect. Freedom Writers is superior to what film-goers typically expect from an early January release.

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Freedom Writers

By Peter Travers

Peter Travers

Leave it to Hilary Swank. Even when her film’s pace lags behind its cliches, she sparks this true story, about a California teacher who sparks her students, with the passion the subject demands. Erin Gruwell (Swank), wearing pearls, yet, seems helplessly ill-equipped on her first day at Wilson High School in Long Beach. The time is just after the Rodney King riots. Racial tension is high. But Erin, inexperienced and hopelessly naive, thinks she really can teach English to a class of blacks, whites, Latinos and Asians, most of whom are involved with gangs. The school authorities, repped by a ramrod Imelda Staunton, merely expect Erin to warehouse these alleged no-hopers, played with feeling by a cast of newcomers, who move their desks to segregate themselves into racial groups. Erin must learn their ghetto reality before she can reach them, which she does by assigning The Diary of Anne Frank and getting them to write letters to Miep Gies (Pat Carroll), the woman who helped the Frank family hide from the Nazis. Miep’s visit to Erin’s classroom is the film’s emotional highlight. But Erin’s most notable accomplishment was to persuade her students to write their own stories of persecution. These journals were published in 1999 as The Freedom Writers Diary , which writer-director Richard LaGravenese ( Living Out Loud ) used as his source material. Erin’s dedication helped end her marriage — Patrick Dempsey, a.k.a. Grey’s Anatomy ‘s Dr. McDreamy, plays the whiny husband — but ted young lives on a whole new course. Corny? You bet. And worse when the plot veers into the glitz of a Dangerous Minds and the sappiness of a TV After School Special . But the movie, which Swank helped produce by using her clout as a two-time Oscar winner, gets to you.

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Freedom Writers Review

02 Mar 2007

123 minutes

Freedom Writers

Enthusiastic white teacher takes a job educating disillusioned ethnic-minority kids from LA’s gang-torn suburbs and turns a bunch of tetchy no-hopers into students who would make America proud. Veteran screenwriter Richard LaGravenese has hardly picked an original storyline for his first major feature as director, and comparisons with the likes of The Emperor’s Club, Coach Carter and, most obviously, Dangerous Minds are inevitable — and fair.

Like Minds, Freedom Writers is Based On A True Story — in this instance that of novice teacher Erin Gruwell, who sacrifices her time, her personal life, even her style of dress to bring some inspiration to her materially and emotionally deprived class — and, despite its clearly noble intentions, it plays as a vehicle for its female star, this time an ultra-perky Hilary Swank. Swank’s Erin redefines “determined”, unable to take no for an answer and as sweet and wholesome as Anneka Rice dipped in chocolate. To Swank’s credit, she doesn’t try to disguise how downright irritating such qualities can be, and it’s hard not to empathise with her students’ early hostility as she bounces around like a cheerleader on speed. That said, there is true grit here, and the actress brings a depth to a role that could have been blandly one-dimensional. As Erin’s home-life falls apart thanks to her commitment to her cause, there’s an interesting hint at the selfishness inherent in such a single-minded pursuit, however well-intentioned.

Patrick Dempsey, currently riding high on the phenomenal success of Grey’s Anatomy in the States, fares less well as Erin’s husband Scott. It’s hard to see why he took such an underwritten role. Still, the talented young cast (April Lee Hernandez is a standout) playing the students approach their roles with passion and sincerity, and as education is gradually revealed to be an opportunity to grow rather than a chore — Erin encouraging them to keep diaries of their innermost thoughts, these becoming the book on which the film is based — only the hardest of hearts could fail to get caught up in their newfound hopes and ambitions. It’s just a shame that the Hollywood sheen of this MTV-produced film dilutes the impact of a genuinely remarkable story.

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Movies | 12 05 2005

Screen Rant

Is freedom writers a true story the real erin gruwell explained.

Freedom Writers is about Erin Gruwell, a teacher who transformed the lives of inner-city students, and here's the real Freedom Writers true story.

• Freedom Writers is a powerful drama based on a true story that tackles the challenges and complexities of urban education.
• Erin Gruwell, the teacher portrayed in the movie, used innovative teaching methods to break down barriers in a racially divided school.
• The film accurately reflects the personal sacrifices Gruwell made in her commitment to teaching, including the strain it put on her marriage.

Freedom Writers , a poignant and powerful drama released in 2007, delves into the challenging yet transformative journey of a teacher and her students in a racially divided urban high school, and Freedom Writers is based on a true story. At the heart of the movie is Erin Gruwell (Hilary Swank), a young teacher brimming with idealism and determination. Set in the aftermath of the Los Angeles riots, the movie vividly captures the volatile atmosphere of the mid-1990s, where racial tensions and gang violence were rampant in schools. Gruwell, assigned to a class of students deemed "unteachable," faces the formidable task of breaking through the walls of hostility and distrust.

Freedom Writers is more than a mere inspirational teacher story ; it is a reflection of the challenges and complexities of urban education. It's a tale that transcends the typical classroom drama, delving into the lives of students battling with issues of race, violence, and survival. These themes are juxtaposed against Gruwell's own journey, as she evolves from a naive newcomer to a fierce advocate for her students. The film's impact lies in its ability to bring to light the often-overlooked struggles within the education system while celebrating the resilience of young minds. Freedom Writers also poses a significant question: How closely does the film align with the true story?

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Freedom writers is based on the true story of erin gruwell.

Freedom Writers closely mirrors the true story of Erin Gruwell, a remarkable teacher whose unconventional methods transformed the lives of her students. Gruwell, fresh out of college and filled with idealism, stepped into Room 203 at Woodrow Wilson High School in Long Beach, California in 1994, not fully grasping the challenges ahead. The school, reeling from the aftermath of the Rodney King riots , was a hotbed of racial tension, gang violence, and deep-seated mistrust between students. Gruwell faced a class of students segregated along racial lines, hostile and disinterested in education. Unfazed, she embarked on a journey to break down these barriers.

Gruwell employed innovative teaching methods that included the use of journals and books like The Diary of Anne Frank, relating their contents to the students' own turbulent lives. This approach, though initially met with skepticism, gradually began to turn the tide, sparking interest and engagement among her students. Gruwell's real-life story is one of unwavering commitment and resilience; she recognized that traditional teaching methods were ineffective for her class of at-risk students, who were more preoccupied with survival in their neighborhoods than with academics. Determined to reach them, Gruwell introduced projects that encouraged students to express their thoughts and experiences through writing.

This initiative led to the creation of "The Freedom Writers Diary," a compilation of the students' powerful and raw journal entries. The film, while dramatizing certain aspects for cinematic effect, accurately captures the essence of Gruwell's extraordinary dedication. Her approach not only transformed the lives of her students but also challenged and changed the educational system's approach to dealing with at-risk youth. Through her story, both in real life and as depicted in Freedom Writers , Erin Gruwell emerged as a beacon of hope and a testament to the impact a devoted teacher can have on students who are otherwise written off by society.

Erin Gruwell’s Husband Really Did Leave Her Due To Her Commitment To Teaching

The personal sacrifices made by Erin Gruwell, as portrayed in Freedom Writers , indeed mirror her real-life experiences. Gruwell's unwavering commitment to her students did strain her marriage , ultimately leading to a divorce. Her husband, as depicted in the movie, struggled with the amount of time and emotional energy she devoted to her students, which took a toll on their relationship. This aspect of the film accurately reflects the personal cost that Gruwell had to bear in her pursuit of being a transformative educator, demonstrating the sometimes unseen sacrifices teachers make in their dedication to their students.

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Erin gruwell didn’t work two part-time jobs just to buy her students books.

The narrative of Erin Gruwell working two part-time jobs in Freedom Writers captures her extraordinary commitment but slightly skews the reality of her endeavors. In truth, Gruwell's additional employment was primarily aimed at funding her graduate education . She was enrolled in a master's program at California State University, Long Beach, where she was simultaneously a student and a student teacher. Gruwell, ever determined to expand her own education and teaching skills, juggled her responsibilities at the university with her teaching role at Woodrow Wilson High School. One of her part-time jobs was at a hotel, where she worked tirelessly, often juggling long hours after her school day.

However, the movie's portrayal of Gruwell using her earnings to buy books for her students does hold a kernel of truth. While her primary goal with her extra jobs was to fund her own education, Gruwell indeed allocated a portion of her earnings to cover expenses for a trip to the Simon Wiesenthal Museum of Tolerance (via LA Times ). This was an investment in her students' education and a testament to her belief in their potential. Gruwell's decision to spend her hard-earned money on these resources highlights a pivotal aspect of her teaching philosophy: the importance of connecting educational material to her students' real-life experiences.

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The speaker in freedom writers wasn’t an actual holocaust survivor (but holocaust survivors were in the movie).

In Freedom Writers , there's a memorable scene in which Holocaust survivor Miep Gies addresses Erin Gruwell's class. This powerful portrayal led audiences to believe that the woman really was Gies, but she was in fact a trained actor named Pat Carroll. However, Freedom Fighters does still feature Holocaust survivors , and they were the same survivors who shared their stories of resilience and survival with the real Freedom Writers students. Such experiences underscored Gruwell's commitment to not only educating her students academically but also enriching their understanding of humanity and compassion, lessons that extended far beyond the walls of the classroom.

Pat Carroll was an actor for 70 years before she passed away in 2022; Miep Gies passed away in 2010.

Erin Gruwell’s Real Pearls Story Is Significantly Different From The Movie

Freedom Writers includes a scene where Erin is advised to remove her pearl necklace before teaching, suggesting a potential cultural disconnect with her students. In reality, while Gruwell did wear pearls the first time she stepped foot in the school halls , there was no such incident. Nevertheless, the real Gruwell revealed in her book Teach with Your Heart that she did question whether her appearance might create a barrier with her students, reflecting on the subtle ways in which educators must navigate cultural and socio-economic differences in the classroom. This narrative in the film, though dramatized, underscores the real challenges faced by teachers in connecting with students from different backgrounds.

Freedom Writers Actor Armand Jones Was Killed In Real Life

Armand Jones, who portrayed Grant Rice, tragically echoed the film's themes of inner-city violence in his own life. In a cruel twist of fate that mirrored the struggles depicted in the movie, Jones was fatally shot in 2006 , just a few months following the completion of the film (via OC Register ). The incident occurred after a confrontation at a Denny’s restaurant in Anaheim, California, not far from Long Beach where Freedom Writers is set. Jones, only 18 years old at the time of his death, had delivered a poignant performance in the film, showcasing the potential and the plight of young people caught in the crossfires of urban violence.

The death of Armand Jones had a profound impact on the cast and crew of Freedom Writers , as well as its audience. It served as a grim reminder that the issues addressed in the movie were not just fictional scenarios but real-life challenges faced by many young people. Jones' talent and potential, so evident in his portrayal in the film, highlighted the tragic loss of so many young lives to senseless violence. This real-life tragedy reinforced the importance of the film's message and the work of educators like Erin Gruwell, who strive to make a difference in the lives of at-risk youth. Freedom Writers was dedicated to Jones' memory.

What Is The Real Erin Gruwell Doing Today?

Today, Erin Gruwell continues her legacy of transformative education. In 2000, she ran for Congress, declaring herself a Democratic candidate for the 38th Congressional District (via LA Times ), bringing her educational insights to the political arena. She dedicates her time to the Freedom Writers Foundation, a non-profit created to " inspire young, underprivileged students to pick up pens instead of guns ." Additionally, Gruwell authored a memoir, Teach with Your Heart , sharing her experiences and the profound lessons she learned through her journey as an educator. Following Freedom Writers , her ongoing work and advocacy continue to inspire and influence the field of education, demonstrating the lasting impact of her innovative teaching methods.

Where to Watch Freedom Writers

Sources: LA Times , Teach with Your Heart, OC Register , LA Times

Search Reeling Reviews

Freedom writers.

Newly minted, fresh faced and idealistic high school teacher, 23-year old Erin Gruwell (Hilary Swank), is assigned the thankless task of trying to teach the remedial dregs of a gang-dominated Long Beach school. But, she is not deterred by her tough, violence-hardened students or the lack of support by her superiors and dedicates herself to open her wards eyes to a bigger world in “Freedom Writers.”

Laura's Review: B

In 1994, brand new teacher Erin Gruwell (Hilary Swank, "Million Dollar Baby," "The Black Dahlia") has an idealistic, squeaky clean outlook on her profession that does not prepare her for the reality of racially and ethnically divided Wilson High School. But then she opens her student's eyes by having them recognize the commonality of their lives while expressing individual voices in private journals and turns a class of high school freshmen into a published group known as the "Freedom Writers." As inspirational teacher movies go, writer/director Richard LaGravenese's ("Living Out Loud") take on a true story hues close to reality by using the real Freedom Writers' words and embracing the geeky earnestness of his main character. By emphasizing her dazzling, toothy smile and can-do cheerleading style, Hilary Swank makes her well-intentioned misfit utterly believable. A well chosen cast of unknowns and up and comers flesh out the story with differentiated characterizations while Academy Award nominee Imelda Staunton ("Vera Drake") and character actor John Benjamin Hickey ("Flags of Our Fathers") turn old school educators into contemporary villains. Young Latina Eva (April Hernandez, TV's "Law and Order," "ER") is our guide into the young teens' world, narrating an existence where simply leaving one's house makes one a potential gunshot victim. As LaGravenese shows us the everyday violence of the integrated Blacks, Asians and Latinos and segregated society they lead on the white's home school turf, Eva describes it, setting the stage for Erin's arrival. An excited Gruwell, bedecked in prim pearls, hopes to share her ambitious class plans and reading lists with her superior, but a condescending Margaret Vail (Staunton) smirks and advises lower standards. Seeking help for her curriculum from her junior/senior counterpart, Brian Gelford (Hickey), Erin is shocked to be brutally rebuffed. That is nothing, though, than the violence she witnesses both in her barely controlled classroom and on the school grounds. The shining naif is told by Eva that she is hated because she is white and by Andre (Grammy–nominated artist Mario) that she is expecting respect she has not earned. Two events finally give Erin the wherewithal to connect with her class. A convenience store shooting involving three separate factions of her class creates tension she uses to break down barriers via shared experience. Then, when she intercepts an ugly racial caricature, she uses the Holocaust as an example of where the insidious nature of racial hatred leads. Her anger and passion make the kids take notice. One misguided reviewer failed to understand how the film could equate the Rodney King riots to the Holocaust, but the point was missed - it is the racial profiling of the Jews used by the Nazis to further their cause that Erin reinterprets for her students' culture. This leads as a jumping off point for eye-opening experiences at the Simon Wiesenthal Center and subsequent visits with real Holocaust survivors (played by the real deal by Renee Firestone, Eddie Ilam, Elisabeth Mann, and Gloria Ungar), field trips which Erin underwrites with two additional part time jobs. Her dedication to her students results in a personal breakdown, costing her her marriage but gaining the renewed support of her liberal dad (Scott Glenn, "Training Day"). Swank may have been unconvincing as a femme fatale in her last outing, but this role is tailor made for her and the actress pulls in the audience along with her character's pupils, even after both parties may initially scoff. Her determined teaching spirit is beautifully set off by superiors who do everything to undermine her, one masking threat as outrage (Staunton), the other determined to stake his tenured territory. The kids are all terrific and, as is so often not the case in this genre, distinct. Hernandez shows the conflict in a young woman wishing to buck the pressure to stand by her own kind when they are not in the right. Newcomer Jaclyn Ngan is her suspicious Cambodian counterpart who blossoms into a friend. Jason Finn ("Mercy Street") is the angry former street thug who turns around via a most unlikely hero - Miep Gies (Pat Carroll, "Songcatcher," voice of "The Little Mermaid's" Ursula), the protector of Anne Frank. Also good is Hunter Parrish ("RV") as the class's terrified token white boy, Ben. "Freedom Writers" loses some steam in its final act when real drama is replaced by the trumped up sort, a fight for Gruwell to keep her class in their third and fourth years, but at least she's still bucking the system. Erin Gruwell used her English class to teach history in order to halt hatred and her "Freedom Writers'" tales invite compassion.

Robin's Review: B+

If you’re expecting to see “To Sir, with Love” remade in this modern day true story of one teacher’s mission to make a difference with her students, you are in for a surprise. Where the earlier film showed squeaky clean English high school “thugs” that Sidney Portier changes into upright “nice” kids, “Freedom Writers” deals with the real problems facing inner city kids that the system has decided to leave behind. It is post Rodney King riots in Los Angeles and Wilson High, a former A-rated school, has been “voluntarily integrated” – a term that means dumbed down to the lowest academic denominator. Erin, new to Wilson, is assigned the dumbest of the school’s student body and is told to simplify her lesson plan for them. Instead of educating her kids, Erin is ordered to just push them through and get them out of the school system with as little fuss as possible. Erin is determined, despite the protests of the school’s principal (John Benjamin Hickey) and administrator (Imelda Staunton), that she is going to really teach her students. She first tries to introduce The Diary of Ann Frank to the class but the idea is shot down by her superiors as too hard and complicated for the kids. She enlists the support of the superintendent of schools (Robert Wisdom) and, with her own money, buys copies of the book for the entire class. This begins the process of opening the eyes of her students as she plants the seeds of learning tolerance in her gang banger-influenced teens. What sets “Freedom Writers” apart from the typical teacher-makes-a-difference films is a combination of a solid performance by Swank as the compassionate and dedicated Erin and students that don’t seem to come right out of central casting. Usually, in an inspirational film like this, one or two of the students are given shrift and the rest are left to be colorful background characters. Here, though, nearly all of Erin’s students are given back stories and depth of character, making “Freedom Writers” a generous cut above the usual. The film starts out with one of the students, Eva (April Lee Hernandez), giving a voice over talking about the plight of inner city kids in LA. Violence and, frequently, death are a daily part of their lives where gang bangers carry guns and use them indiscriminately. It is two years after the riots spawned by the Rodney King court decision and the wounds it opened have yet to heal. Enter Erin into Wilson High and we soon learn that she has her work cut out for her when she meets her cynical students for the first time. Undeterred by her kids’ negative attitude and distrust for their decidedly liberal, middle class teacher, Erin begins a course of enlightenment designed to break through their cynicism and open their eyes to a world they have little or no knowledge of. After getting them to read Ann Frank’s poignant diary – which impacts them as she fully expected – she teaches them about the Holocaust, even arranging a field trip (to the chagrin of the school’s principal and administrator) to the Simon Weisenthal Holocaust Center. Then, she introduces the thing she wants most – to have her students to write down, daily, their thoughts in their individual journals. What transpires are a collected work called The Freedom Writers Diary (which became a published work). Freedom Writers” is a truly inspirational film that transcends the typical inspirational students- rising-above-adversity movie, making this a special work by writer/director Richard LaGravenese (adapting Gruwell’s book. Solid performances by Swank and her students are supplemented by hissable, Simon Legree-like characters by Staunton and Hickey. It is pretty black and white story of learning understanding but the film has a boat load of heart. This is the kind of film that is aimed at young adults but has such quality that it should appeal to more mature audiences, too.

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FREEDOM WRITERS

"lighting candles in the darkness".

What You Need To Know:

(BBB, Ro, Fe, LLL, VV, A, M) Very strong moral worldview encourages young people to do the right thing, tell the truth, be kind, be polite, treat others with respect, gain knowledge about truth and apply it to your life and those around you, etc., with one positive mention of God (plus song talks about making a stand and promoting light and truth, and respected elderly woman encourages rapt students to light a candle in the darkness) and some light Romantic notions about the power of education to transform, but doing the right thing is emphasized most of the time so it's couched in a context of fulfilling good moral values, and, though the movie has a slightly liberal point of view about race relations and education, it's not politically correct because it generally avoids multiculturalism and the identity politics of envy of the current liberal left, but there's a silly feminist element in that the protagonist is married but writes "Ms." before her last name; 26 obscenities (including one to three "f" words with two seeming to be muffled if they occurred at all and one "s" word in lyric title over end credits), two strong profanities, and three light profanities; light references to gang violence such as one gunfight, gangs twice rough up teenage girl, man shot in chest (shown from long shot), fighting in classroom, a melee in the school yard, talk about the Holocaust but nothing really violent, TV scenes of 1992 riots in Los Angeles, and strong violent scene where teenage boy ducks gunfire and another teenage boy is hit in chest and there is a close up of the bloody hole in his chest with a pool of blood swelling from under his dead body (but nothing extremely graphic or really bloody); no sex scenes; no nudity; brief alcohol use with man drinking wine; no smoking but verbal references to drugs (nothing really implied and nothing depicted – movie is much more about the gang violence and hatred between ethnic groups); and, inner city gang activity and racism are very strongly rebuked, but a married couple gets divorced.

More Detail:

FREEDOM WRITERS is one of those movies about an idealistic but strong-willed teacher who transforms a chaotic class of hardened inner city youths. The movie is a little too slick and polished for its own good, but its positive, uplifting moral messages and interesting characters and situations echo the good qualities of such true classics as BLACKBOARD JUNGLE and STAND AND DELIVER.

Based on a true story, the movie stars Hillary Swank as Erin Gruwell, a young teacher who accepts a position teaching freshman and sophomore English at Woodrow Wilson High School in Long Beach, Calif. It’s two years after the Los Angeles riots in 1992, and Mrs. Gruwell is having trouble relating to her mixed freshman class of Hispanics, blacks, Asians, and one white student. The white student just wants to leave, and the Hispanics, blacks and Asians have taken their gang warfare from the streets into the classroom. They aren’t interested in her earnest attempts to discuss Homer, the Greek poet, or teach proper grammar.

When one Hispanic student draws a racist picture of one black student, Mrs. Gruwell angrily starts telling them about the horrors of racism through the historical prism of National Socialist Germany and its bigotry and genocide against the Jews. Adolf Hitler’s “gang” puts your gangs to shame, she tells her students. She realizes, however, that only one of the students knows anything about the Holocaust at all. So, she decides to rebuke their hatred of one another by teaching them about the Holocaust, and having them read THE DIARY OF ANNE FRANK and write about their own experiences in a daily journal. Slowly, the students start to change, but Mrs. Gruwell’s efforts generate conflict with the backward thinking of her department head and with her husband, who just wants to forget about the outside world when he is home.

If FREEDOM WRITERS is a little too slick, it still contains enough heartfelt, provocative moments to become the first really good, entertaining movie of 2007 to be released. Though the movie’s emphasis on the efforts of a public school teacher is mostly secular and, hence, somewhat Romantic (see the definition below), the movie keeps returning to moral issues. Do the right thing, end the murderous violence, treat others with kindness and respect, and stop breaking up into hateful little tribes of angry racists, the movie repeatedly teaches. Thus, the focus of FREEDOM WRITERS is on positive moral values. This focus, which also strongly rebukes racism and inner city gang activity, is not only emotionally powerful and intellectually stimulating; it is also uplifting and entertaining. One of the most encouraging messages was the fact that the students gained knowledge about the truth and higher moral values, and then applied what they learned to their own lives and the people around them. This is exactly what happens when we place our faith in Jesus Christ, learn about His Way, Truth and Life in the Bible (John 14:6) and apply that faith, knowledge, hope, and, ultimately, love (1 Cor. 13:1 through 1 Cor. 14:1), through the renewing of our spirits by the power of the Holy Spirit (Romans 12:2 and Galatians 5:22-26).

Finally, although FREEDOM WRITERS is slightly liberal and (more strongly) secular in its approach, it is not so offensively liberal or secular that a conservative or a Bible-believing Jew or Christian couldn’t enjoy the movie and its messages (in fact, today’s average left-leaning liberal and atheist probably will think the movie doesn’t go far enough at all). What is more offensive is the movie’s inclusion of too much foul language, but the foul language lessens as the teacher transforms her students for the better, morally speaking as well as psychologically speaking.

EDITOR’S NOTE: Romanticism teaches that Man is essentially good and noble, and civilization (by which Rousseau, the “father” of Romanticism, meant Christianity) corrupts man. Man is controlled by his “heart” and emotions, not by his intellect or logical mind, and education (usually divorced from God or gods and God’s transcendent moral law) can transform Man, as well as his society, for the “better.” Paganism and mob rule are related to Romanticism, though Romanticism is more consistent and avoids totemism. Romanticism is not related to the idea of romance, but is an idealistic worldview.

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Freedom Writers Parent Guide

Based on a true story, Freedom Writers follows the efforts of Erin Gruwell (Hilary Swank), an inexperienced high school teacher who is forced to change her lesson plan when faced with a classroom full of racial intolerance and gang violence.

Release date January 4, 2007

Run Time: 123 minutes

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The guide to our grades, parent movie review by rod gustafson.

In the early 1990s, an undeclared war claims countless lives and devastates unnumbered families in Los Angeles neighborhoods. Armed with guns, gangs of youths—Hispanic, Asian, Black and White—- fight amongst themselves for territory on the street and even in the schoolyard.

Coming to the ethnically and economically diverse Wilson High School as a young, unproven teacher, Erin Gruwell (Hilary Swank) is enthusiastic, idealistic and extremely naïve about the classroom of freshmen she is about to take on. But the first day of school soon opens her eyes when the students immediately segregate their desks into racial groups and a fight breaks out during her lesson.

Still Erin persists. Along with sentence structure and vocabulary lists, she tackles the racial tensions that dominate the classroom by initiating innovative approaches to English. She introduces her class members to the horrors of the Holocaust and The Diary of Anne Frank . Later, she teaches her pupils the power of the written word by giving each student a journal in which to record his or her own experiences. It becomes their avenue to record and help make sense of their lives. In turn, as she reads through the scrawled entries, Erin gains a whole new appreciation for the challenges and ordeals her students face every day on the streets.

Yet not everyone applauds her success. Threatened by Erin’s persistent and sometimes unorthodox efforts, Margaret Campbell (Imelda Staunton), the English department head, becomes increasingly stingy with resources and hesitates to help the class of “at-risk” underachievers. Even Erin’s husband Scott (Patrick Dempsey) distances himself as the highly-motivated educator commits more and more of herself to her students.

Bloody depictions of gang violence (drive-by shootings, beatings and gunfire) and frequent profanities including one sexual expletive help to establish the rough backgrounds from which these students come. However they are likely too graphic for some teens and especially children. Tension and disrespect also run rampant in the classroom and is aimed at students and teacher alike.

Despite the students’ aggressive outbreaks and the administration’s lack of support, Erin pushes herself to connect with her pupils. Believing the kids are not “unteachable,” her perseverance eventually breaks through their tough exteriors. Helping the hopeless find a venue for their voices, Erin Gruwell’s real life story will inspire older students, parents and educators alike.

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Rod Gustafson

Freedom writers rating & content info.

Why is Freedom Writers rated PG-13? Freedom Writers is rated PG-13 by the MPAA for violent content, some thematic material and language

Living in gang-run neighborhoods, the students in Ms. Gruwell’s freshman English class (along with the viewers) are exposed to gunfire, drive-by shootings, and domestic abuse as well as the ruthless beatings and bloody murders of friends and family. Teens carry guns to school and fights break out in classrooms and on the grounds. Footage from the Rodney King riots and clippings of the Holocaust are also shown. Adults have alcohol with dinner and one couple drinks during an emotionally upsetting discussion. The script also contains profanities, ethno-cultural slurs and the use of one sexual expletive in a non-sexual context.

Page last updated April 7, 2018

Freedom Writers Parents' Guide

The students’ personal diaries give them a chance to record their feelings and experiences. How can journaling help a person make sense of their life? Why is it important to find a place to develop a personal voice? What power comes from expressing oneself?

How do media portrayals of racial violence color our view of others? Are these depictions always accurate? How do they affect the way we interact with one another?

How does learning about the Holocaust help the students understand discrimination and war from another perspective? In what ways do the students relate to Anne Frank? How do the experiences of the Holocaust survivors influence the pupils?

For more information on Anne Frank go to: http://www.annefrank.com/. For other readings about the Holocaust, check out Number the Stars , Luba: The Angel of Bergen-Belsen and Remember World War II: Kids Who Survived Tell Their Stories.

The most recent home video release of Freedom Writers movie is April 16, 2007. Here are some details…

  DVD Release Date: 17 April 2007

Fans of Freedom Writers take note: The film is coming to DVD in either full or wide screen presentations. Bonus extras include alternate and deleted scenes, as well as the movie’s theatrical trailer. Featurettes cover Making A Dream (a behind-the-scenes look at the movie), the Freedom Writers Family, and Freedom Writers: The Story Behind the Story (a documentary about the real Erin Gruwell). Audio tracks and subtitles are available in English.

Related home video titles:

Other stories based on the real life efforts of educators and young advocates have also made it to film. Gang violence rips apart the lives of youth on the streets and even inside prison walls until a camp guard introduces football as a way to deal with aggression and breakdown barriers in Gridiron Gang . Jaime Escalante takes on the challenge of teaching Calculus to a group of struggling inner city kids in Stand and Deliver . The documentary Paperclips follows the exceptional experiences of a small school in Tennessee that implements a Holocaust study with their students.

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Freedom Writers

• A young teacher inspires her class of at-risk students to learn tolerance, apply themselves and pursue education beyond high school.
• It's 1994 in Long Beach, California. Idealistic Erin Gruwell is just starting her first teaching job, that as freshman and sophomore English teacher at Woodrow Wilson High School, which, two years earlier, implemented a voluntary integration program. For many of the existing teachers, the integration has ruined the school, whose previously stellar academic standing has been replaced with many students who will be lucky to graduate or even be literate. Despite choosing the school on purpose because of its integration program, Erin is unprepared for the nature of her classroom, whose students live by generations of strict moral codes of protecting their own at all cost. Many are in gangs and almost all know somebody that has been killed by gang violence. The Latinos hate the Cambodians who hate the blacks and so on. The only person the students hate more is Ms. Gruwell. It isn't until Erin holds an unsanctioned discussion about a recent drive-by shooting death that she fully begins to understand what she's up against. And it isn't until she provides an assignment of writing a daily journal - which will be not graded, and will remain unread by her unless they so choose - that the students begin to open up to her. As Erin tries harder and harder to have resources provided to teach properly (which often results in her needing to pay for them herself through working second and third jobs), she seems to face greater resistance, especially from her colleagues, such as Margaret Campbell, her section head, who lives by regulations and sees such resources as a waste, and Brian Gelford, who will protect his "priviledged" position of teaching the senior honors classes at all cost. Erin also finds that her teaching job is placing a strain on her marriage to Scott Casey, a man who seems to have lost his own idealistic way in life. — Huggo
• A young teacher inspires her class of at-risk students to learn tolerance, apply themselves and pursue education beyond high school. Woodrow Wilson High School is located in Long Beach, California. The school is voluntarily integrated, and it isn't working. The Asians, the blacks, the Latinos, and a very few whites not only don't get along but also stay within their cultural cliques and are part of protective and violent gangs. There isn't much teaching or learning going on at the school. It is a warehouse for young teenagers until they can drop out or are kicked out. — yusufpiskin
• The storyline of the movie takes place between 19921995, beginning with scenes from the 1992 Los Angeles Riots. Hilary Swank plays the role of Erin Gruwell, a new, excited schoolteacher who leaves the safety of her hometown, Newport Beach, to teach at Woodrow Wilson High School in Long Beach, a formerly high achieving school which has recently had an integration program put in place. Her enthusiasm is quickly challenged when she realizes that her class are all "at-risk" students, also known as "unteachables", and not the eager students she was expecting. The students segregate themselves into racial groups in the classroom, fights break out, and eventually most of the students stop turning up to class. Not only does Gruwell meet opposition from her students, but she also has a hard time with her department head, who refuses to let her teach her students with books in case they get damaged and lost, and instead tells her to focus on teaching them discipline and obedience. One night, two students, Eva (April Lee Hernández), a Hispanic girl and narrator for much of the film, and a Cambodian refugee, Sindy (Jaclyn Ngan), find themselves in the same convenience store. Another student, Grant Rice (Armand Jones) is frustrated at losing an arcade game and demands a refund from the owner. When he storms out, Eva's boyfriend attempts a drive-by shooting, wanting to kill Grant but misses, accidentally killing Sindy's boyfriend. As Eva is a witness, she must testify at court; she intends to protect her own kind in her testimony. At school, Gruwell intercepts a racist drawing of one of her students and uses it to teach them about the Holocaust. She gradually begins to earn their trust and buys them composition books to record their diaries, in which they talk about their experiences of being abused, seeing their friends die, and being evicted. Determined to reform her students, she takes two part-time jobs to pay for more books and spends more time at school, to the disappointment of her husband (Patrick Dempsey). Her students start to behave with respect and learn more. A transformation is especially visible in one of her students, Marcus (Jason Finn). She invites several Holocaust survivors to talk with her class about their experiences and takes them on a field trip to the Museum of Tolerance. Meanwhile, her unorthodox teaching methods are scorned by her colleagues and department chair Margaret Campbell (Imelda Staunton). The next year comes, and Gruwell teaches her class again for sophomore (second) year. In class, when reading The Diary of Anne Frank, they invite Miep Gies (Pat Carroll), the woman who sheltered Anne Frank from the German soldiers to talk to them. After they raise the money to bring her over, she tells them her experiences hiding Anne Frank. When Marcus tells her that she is his hero, she denies it, claiming she was merely doing the right thing. Her denial causes Eva to rethink lying during her testimony. When she testifies, she finally breaks down and tells the truth, much to some of her family members' dismay. Meanwhile, Gruwell asks her students to write their diaries in book form. She compiles the entries and names it The Freedom Writers Diary. Her husband divorces her and Margaret tells her she cannot teach her kids for their junior year. She fights this decision, eventually convincing the superintendent to allow her to teach her kids' junior and senior year. The film ends with a note that Gruwell successfully brought many of her students to graduation and college.

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Review of “Freedom Writers” Essay (Movie Review)

This paper analyses a movie review “ Freedom Writers ”. The movie discussed how a tutor and one-hundred and fifty students utilized education to transform themselves and the surrounding world. Actually, the debate was a true incident.

“Freedom Writers” was an account how Gruwell, a high school tutor, trained students who were perceived illiterate. In fact, Gruwell taught students using the book of Filopvic Zlata and Anne Frank in order to educate students about importance of open-mindedness.

Students countered such lectures through making notes in their dairies. Moreover, students learnt how to handle violence and other pessimistic issues in their lives. Students made notes based on analysis they derived from the book of Zlata Filopvic and Anne Frank.

Actually, the movie was significant in teaching performance for multicultural education in United States. America has experienced increase of international students who need to pursue high quality education.

In fact, such response called for educational reforms in order to support all students from different cultural backgrounds. Indeed, Gruwell employed instructional polices which empowered every student to attain open-mindedness.

“ Freedom Writers ” was a film that intended to promote multiracial social rights that called for integration of international social values. Actually, Swank Hilary represented Gruwell in the film as a high school teacher. Swank was disappointed when she realized that her students were unteachable.

Moreover, Swank emphasized integration policy in education. Unfortunately, assimilation of various ethnicities discouraged students who eventually declined to attend lectures (Bennett, 2010). In addition, Swank encountered challenges with her fellow teachers who never allowed her to use the book of Filopvic Zlata and Anne Frank.

In fact, Swank was advised to teach students on discipline issues only. Actually, Swank discouraged racism through mentoring students about Holocaust experiences to the Jews in Germany. In fact, Swank captured students’ attention that began to writes note in their dairies.

Moreover, Swank invited several Jewish survivors to share their experiences with students. Holocaust experience was so negative that many Jewish people suffered because of racial prejudice. Swank encouraged students to continue their studies post high school level (Bennett, 2010).

Swank also emphasized need for cultural integration. Actually, people should not repeat Holocaust experience when Nazi regime persecuted Jewish community because of racism.

According to Bennett, Swank emphasized on multicultural education to develop democracy (2010). Actually, multicultural education was focused to promote high quality of academic attainment to all learners.

Indeed, Swank thought that multicultural education would promote optimistic self-value through provision of insight concerning cultural background, past information and importance of diversified society (Bennett, 2010). In fact, multicultural education would build prospect of American community to be pluralistic in nature.

In the modern world, students came from diverse languages, collective and cultural settings. Actually, there was a need to promote English in the multicultural education since the language has been commonly used as a second language both in remote and town regions.

Moreover, Swank viewed that multicultural education would enhanced critical analysis while discouraging cultural inequality. In fact, Bennett viewed that multicultural education would reform education programs to provide learners with equal opportunity for learning experiences and employment opportunities (2010).

Actually, Swank stressed on multicultural education that would promote five objectives: cultural integration, development of insight processes, discouragement of prejudice, empowerment of social values, and equality in educational opportunities.

Indeed, Bennett expressed that multicultural education has developed a notion that learners and their cultural experiences and backgrounds simultaneously are key focus in multicultural education (2010).

Actually, such kind of education needs to be adopted in a social context which promotes an integrated perception of knowledge. Multicultural education was therefore a device for instilling learners with self-esteem and empowerment of special and varied cultural origins.

Furthermore, Swank viewed that multicultural education adopted globalization as a social tool that integrated human being from various cultural origins (Bennett, 2010). Indeed, multicultural education emerged as a need for globalization in the entire world.

Indeed, multicultural education has offered a fairer education atmosphere for international students. Moreover, such education was important to enable international students to easily get engaged in new environment.

In fact, such kind of integrated education enabled international students to get opportunities in order to develop their knowledge (Bennett, 2010). Furthermore, when teachers endeavored to promote multicultural education, international students would definitely receive global perspectives.

Hilary Swank acted such kind of the movie to influence people positively in order to develop open-mindedness that would embrace globalization.

The aim of multicultural education was to train teachers to give out an effectual and useful knowledge to all students. Indeed, multicultural education was focused to provide holistic and integrated kind of education to every student (internationally and domestically) with equal opportunity to acquire global knowledge, regardless of cultural origin.

Bennett, C. I. (2010). Comprehensive Multicultural Education: Theory and Practice . 7 ed. Boston: Pearson College Div.

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Freedom Writers (2007) movie review & summary & introduction

“Freedom Writers” is a drama film released in 2007, directed by Richard LaGravenese. The movie is based on the true story of Erin Gruwell, a young teacher who inspires her at-risk students to express themselves through writing and literature. The production of “Freedom Writers” faced several challenges, including accurately portraying the real-life events and struggles faced by Gruwell and her students. Additionally, casting authentic actors to portray the diverse group of students was crucial for maintaining the film’s authenticity.

Director and Actors

Director: Richard LaGravenese

Actors and Roles:

• Hilary Swank as Erin Gruwell: A young teacher who takes on a challenging assignment at an inner-city high school and inspires her at-risk students to succeed academically.
• Scott Glenn as Steve Gruwell: Erin Gruwell’s husband, who supports her in her efforts to make a difference in her students’ lives.
• Imelda Staunton as Margaret Campbell: Erin Gruwell’s colleague and mentor, who initially doubts her teaching methods.
• Patrick Dempsey as Scott Casey: Erin Gruwell’s friend and colleague, who encourages her to persevere despite the challenges she faces.
• April Lee Hernandez as Eva Benitez: One of Gruwell’s students who initially struggles with anger and resentment but finds redemption through writing.
• Mario as Andre Bryant: A troubled student who joins Gruwell’s class and discovers a passion for poetry.
• Kristin Herrera as Gloria Munez: Another student who learns to overcome her personal struggles and embrace her potential.

General Concept

“Freedom Writers” follows the story of Erin Gruwell, a young teacher who takes on a challenging assignment at an inner-city high school in Long Beach, California. Faced with a class of at-risk students from diverse backgrounds, Gruwell discovers that many of them are struggling with poverty, violence, and discrimination. Determined to make a difference, she introduces her students to the power of writing and literature as a means of self-expression and healing.

The film explores themes of education, identity, and social justice. It highlights the transformative impact of a dedicated teacher who refuses to give up on her students and empowers them to find their voices and create positive change in their lives and communities.

  ویزای مولتی آلمان

Complete story.

The film begins with Erin Gruwell, a young teacher, starting her first day at Wilson High School in Long Beach, California. She is assigned to teach freshman English to a group of at-risk students from diverse backgrounds, many of whom are struggling academically and emotionally.

Gruwell quickly discovers that her students are facing significant challenges, including poverty, violence, and discrimination. Determined to make a difference, she introduces them to the power of writing and literature as a means of self-expression and healing.

Despite initial resistance from her students and skepticism from her colleagues, Gruwell perseveres and forms a strong bond with her class. She encourages them to share their personal stories through writing and inspires them to embrace their potential.

As the school year progresses, Gruwell’s students undergo profound transformations. They learn to overcome their personal struggles, confront their biases and prejudices, and embrace their identities as individuals with the power to effect change.

One of the central conflicts in the film revolves around the racial tensions and gang violence that plague the community. Gruwell’s students, who come from different ethnic and cultural backgrounds, initially struggle to get along. However, through dialogue, empathy, and shared experiences, they learn to see past their differences and find common ground.

In one powerful scene, Gruwell invites a Holocaust survivor to speak to her class. The survivor shares his story of survival and resilience, inspiring the students to confront the injustices they face and stand up for what is right.

In the climax of the film, Gruwell’s students participate in a writing competition and win recognition for their work. Their success serves as a testament to the transformative power of education and the importance of believing in oneself and others.

“Freedom Writers” concludes with a message of hope and empowerment. Gruwell’s students graduate from high school and go on to pursue higher education and successful careers. Their journey serves as an inspiration to others and a reminder of the potential for positive change in even the most challenging circumstances.

Adaptation from Book

“Freedom Writers” is based on the book “The Freedom Writers Diary: How a Teacher and 150 Teens Used Writing to Change Themselves and the World Around Them” by Erin Gruwell and the Freedom Writers. The book is a compilation of diary entries written by Gruwell’s students during their time in her English class at Wilson High School. It details their personal experiences with poverty, violence, and discrimination, as well as their journey of self-discovery and empowerment through writing. Gruwell and her students’ story gained national attention and inspired the film adaptation.

Best Features of the Movie

“Freedom Writers” offers several compelling features that make it a must-see film:

• Inspiring True Story : The film is based on the real-life experiences of Erin Gruwell and her students, whose journey from adversity to empowerment is both inspiring and heartwarming. Their story serves as a testament to the transformative power of education and the importance of believing in oneself and others.
• Strong Performances : Hilary Swank delivers a powerful performance as Erin Gruwell, portraying the teacher’s passion, determination, and unwavering belief in her students. The supporting cast also delivers memorable performances, adding depth and authenticity to the story.
• Social Relevance : “Freedom Writers” addresses important social issues such as educational inequality, racial discrimination, and the impact of poverty on academic achievement. It sheds light on the challenges faced by students in underprivileged communities and the role of educators in empowering them to succeed.
• Emotional Depth : The film offers moments of humor, drama, and heartfelt emotion, creating a rich and engaging viewing experience. From the struggles and triumphs of the students to Gruwell’s unwavering commitment to their success, “Freedom Writers” tugs at the heartstrings and leaves a lasting impression.
• Universal Themes : While the film is set in a specific time and place, its themes of perseverance, empathy, and the pursuit of justice resonate with audiences around the world. It serves as a reminder of the importance of standing up for what is right and the potential for positive change in even the most challenging circumstances.
• Empowerment and Hope : “Freedom Writers” is ultimately a story of empowerment and hope. It celebrates the resilience and determination of individuals to overcome obstacles and create positive change in their lives and communities. The film inspires viewers to believe in themselves and their ability to make a difference.

Critical Reception

Upon its release, “Freedom Writers” received mixed to positive reviews from critics:

Roger Ebert of the Chicago Sun-Times gave the film three out of four stars, praising Hilary Swank’s performance and the film’s inspirational message. He wrote, “The performances are strong, and the message, despite its ‘Dangerous Minds’ retread plot, is inspiring.”

On Rotten Tomatoes, the film holds an approval rating of 69% based on reviews from critics, with the consensus stating, “Freedom Writers is a frank, formulaic entry in the inspirational inner-city teacher genre, with an energetic Hilary Swank leading the appealing cast of unknowns.”

While some critics praised the film for its uplifting message and powerful performances, others felt that it followed a formulaic plot and relied on clichés. However, “Freedom Writers” resonated with audiences and gained a dedicated fanbase for its portrayal of real-life struggles and triumphs.

Reasons to Watch the Movie

There are several compelling reasons to watch “Freedom Writers”:

• Inspiration : The film offers a powerful message about the transformative power of education and the importance of believing in oneself and others. It serves as a reminder that with hard work, determination, and the support of dedicated mentors, anything is possible.
• Social Commentary : “Freedom Writers” addresses important social issues such as educational inequality, racial discrimination, and the impact of poverty on academic achievement. It sheds light on the challenges faced by students in underprivileged communities and the role of educators in empowering them to succeed.
• Real-Life Impact : The film is based on the true story of Erin Gruwell and her students, many of whom went on to pursue higher education and successful careers. Their story serves as a testament to the power of high expectations and the potential for positive change in even the most challenging circumstances.
• Educational Value : “Freedom Writers” offers valuable lessons about the importance of setting high expectations for students, providing them with the support they need to succeed, and fostering a positive learning environment. It is a valuable resource for educators, students, and anyone interested in the field of education.
• Timeless Appeal : Despite being released over a decade ago, “Freedom Writers” remains relevant and resonant today. Its themes of perseverance, empathy, and social justice are timeless and continue to inspire audiences of all ages.

Similar Movies

If you enjoyed “Freedom Writers,” you may also appreciate these other films that share similar themes or production factors:

• “Dangerous Minds” (1995) – Directed by John N. Smith, this drama follows a former Marine who becomes a high school teacher in an inner-city school and inspires her students to succeed academically.
• “ Stand and Deliver ” (1988) – Directed by Ramón Menéndez, this drama tells the true story of a high school teacher who challenges his at-risk students to excel academically.
• “Lean on Me” (1989) – Directed by John G. Avildsen, this biographical drama follows the real-life experiences of Joe Clark, a principal who transforms a troubled inner-city school through strict discipline and high expectations.
• “To Sir, with Love” (1967) – Directed by James Clavell, this drama stars Sidney Poitier as a teacher who takes on a challenging assignment at an inner-city school in London and forms a bond with his students.
• “The Ron Clark Story” (2006) – Directed by Randa Haines, this biographical drama stars Matthew Perry as Ron Clark, a teacher who leaves his small-town roots to teach in a tough New York City school and inspires his students to excel academically.
• “Coach Carter” (2005) – Directed by Thomas Carter, this sports drama tells the true story of a high school basketball coach who imposes strict academic and behavioral standards on his team, leading them to success both on and off the court.

اگر خواننده جدید سایت «یک پزشک»  هستید!

شما در حال خواندن سایت یک پزشک (یک پزشک دات کام) به نشانی اینترنتی www.1pezeshk.com ‌ هستید. سایتی با 18 سال سابقه که برخلاف اسمش سرشار از مطالب متنوع است, ما را رها نکنید. بسیار ممنون می‌شویم اگر:, - سایت یک پزشک رو در مرورگر خود بوک‌مارک کنید., -مشترک فید یا rss یک پزشک شوید., - شبکه‌های اجتماعی ما را دنبال کنید: صفحه تلگرام - صفحه اینستاگرام ما, - برای سفارش تبلیغات ایمیل alirezamajidi در جی میل یا تلگرام تماس بگیرید., و دیگر مطالب ما را بخوانید. مثلا:, مجموعه‌ای از تصاویر هراس‌آور، عجیب با به اصطلاح نفرین‌شده, این عکس‌های تاریخی را یا ندیده‌اید یا احتمالش کم است که دیده باشید, داستان پسر دو سر بنگال، آن هم به صورتی تقریبا دیده نشده, نقاشی‌هایی که به بالاترین رقم‌ها قیمت‌گذاری و فروخته شده‌اند, هوش مصنوعی میدجرنی midjourney تصور می‌کند که اساتید رشته‌های مختلف باید چه ظاهری داشته باشند؟ گالری…, این هنرمند با استفاده از هوش مصنوعی جمعی از ثروتمندترین آدم‌های جهان را در قالب آدم‌های فقیر تصور….

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