The Writing Center • University of North Carolina at Chapel Hill

Transitions

What this handout is about.

In this crazy, mixed-up world of ours, transitions glue our ideas and our essays together. This handout will introduce you to some useful transitional expressions and help you employ them effectively.

The function and importance of transitions

In both academic writing and professional writing, your goal is to convey information clearly and concisely, if not to convert the reader to your way of thinking. Transitions help you to achieve these goals by establishing logical connections between sentences, paragraphs, and sections of your papers. In other words, transitions tell readers what to do with the information you present to them. Whether single words, quick phrases, or full sentences, they function as signs that tell readers how to think about, organize, and react to old and new ideas as they read through what you have written.

Transitions signal relationships between ideas—relationships such as: “Another example coming up—stay alert!” or “Here’s an exception to my previous statement” or “Although this idea appears to be true, here’s the real story.” Basically, transitions provide the reader with directions for how to piece together your ideas into a logically coherent argument. Transitions are not just verbal decorations that embellish your paper by making it sound or read better. They are words with particular meanings that tell the reader to think and react in a particular way to your ideas. In providing the reader with these important cues, transitions help readers understand the logic of how your ideas fit together.

Signs that you might need to work on your transitions

How can you tell whether you need to work on your transitions? Here are some possible clues:

  • Your instructor has written comments like “choppy,” “jumpy,” “abrupt,” “flow,” “need signposts,” or “how is this related?” on your papers.
  • Your readers (instructors, friends, or classmates) tell you that they had trouble following your organization or train of thought.
  • You tend to write the way you think—and your brain often jumps from one idea to another pretty quickly.
  • You wrote your paper in several discrete “chunks” and then pasted them together.
  • You are working on a group paper; the draft you are working on was created by pasting pieces of several people’s writing together.

Organization

Since the clarity and effectiveness of your transitions will depend greatly on how well you have organized your paper, you may want to evaluate your paper’s organization before you work on transitions. In the margins of your draft, summarize in a word or short phrase what each paragraph is about or how it fits into your analysis as a whole. This exercise should help you to see the order of and connection between your ideas more clearly.

If after doing this exercise you find that you still have difficulty linking your ideas together in a coherent fashion, your problem may not be with transitions but with organization. For help in this area (and a more thorough explanation of the “reverse outlining” technique described in the previous paragraph), please see the Writing Center’s handout on organization .

How transitions work

The organization of your written work includes two elements: (1) the order in which you have chosen to present the different parts of your discussion or argument, and (2) the relationships you construct between these parts. Transitions cannot substitute for good organization, but they can make your organization clearer and easier to follow. Take a look at the following example:

El Pais , a Latin American country, has a new democratic government after having been a dictatorship for many years. Assume that you want to argue that El Pais is not as democratic as the conventional view would have us believe.

One way to effectively organize your argument would be to present the conventional view and then to provide the reader with your critical response to this view. So, in Paragraph A you would enumerate all the reasons that someone might consider El Pais highly democratic, while in Paragraph B you would refute these points. The transition that would establish the logical connection between these two key elements of your argument would indicate to the reader that the information in paragraph B contradicts the information in paragraph A. As a result, you might organize your argument, including the transition that links paragraph A with paragraph B, in the following manner:

Paragraph A: points that support the view that El Pais’s new government is very democratic.

Transition: Despite the previous arguments, there are many reasons to think that El Pais’s new government is not as democratic as typically believed.

Paragraph B: points that contradict the view that El Pais’s new government is very democratic.

In this case, the transition words “Despite the previous arguments,” suggest that the reader should not believe paragraph A and instead should consider the writer’s reasons for viewing El Pais’s democracy as suspect.

As the example suggests, transitions can help reinforce the underlying logic of your paper’s organization by providing the reader with essential information regarding the relationship between your ideas. In this way, transitions act as the glue that binds the components of your argument or discussion into a unified, coherent, and persuasive whole.

Types of transitions

Now that you have a general idea of how to go about developing effective transitions in your writing, let us briefly discuss the types of transitions your writing will use.

The types of transitions available to you are as diverse as the circumstances in which you need to use them. A transition can be a single word, a phrase, a sentence, or an entire paragraph. In each case, it functions the same way: First, the transition either directly summarizes the content of a preceding sentence, paragraph, or section or implies such a summary (by reminding the reader of what has come before). Then, it helps the reader anticipate or comprehend the new information that you wish to present.

  • Transitions between sections: Particularly in longer works, it may be necessary to include transitional paragraphs that summarize for the reader the information just covered and specify the relevance of this information to the discussion in the following section.
  • Transitions between paragraphs: If you have done a good job of arranging paragraphs so that the content of one leads logically to the next, the transition will highlight a relationship that already exists by summarizing the previous paragraph and suggesting something of the content of the paragraph that follows. A transition between paragraphs can be a word or two (however, for example, similarly), a phrase, or a sentence. Transitions can be at the end of the first paragraph, at the beginning of the second paragraph, or in both places.
  • Transitions within paragraphs: As with transitions between sections and paragraphs, transitions within paragraphs act as cues by helping readers to anticipate what is coming before they read it. Within paragraphs, transitions tend to be single words or short phrases.

Transitional expressions

Effectively constructing each transition often depends upon your ability to identify words or phrases that will indicate for the reader the kind of logical relationships you want to convey. The table below should make it easier for you to find these words or phrases. Whenever you have trouble finding a word, phrase, or sentence to serve as an effective transition, refer to the information in the table for assistance. Look in the left column of the table for the kind of logical relationship you are trying to express. Then look in the right column of the table for examples of words or phrases that express this logical relationship.

Keep in mind that each of these words or phrases may have a slightly different meaning. Consult a dictionary or writer’s handbook if you are unsure of the exact meaning of a word or phrase.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Transitional Words and Phrases

One of your primary goals as a writer is to present ideas in a clear and understandable way. To help readers move through your complex ideas, you want to be intentional about how you structure your paper as a whole as well as how you form the individual paragraphs that comprise it. In order to think through the challenges of presenting your ideas articulately, logically, and in ways that seem natural to your readers, check out some of these resources: Developing a Thesis Statement , Paragraphing , and Developing Strategic Transitions: Writing that Establishes Relationships and Connections Between Ideas.

While clear writing is mostly achieved through the deliberate sequencing of your ideas across your entire paper, you can guide readers through the connections you’re making by using transitional words in individual sentences. Transitional words and phrases can create powerful links between your ideas and can help your reader understand your paper’s logic.

In what follows, we’ve included a list of frequently used transitional words and phrases that can help you establish how your various ideas relate to each other. We’ve divided these words and phrases into categories based on the common kinds of relationships writers establish between ideas.

Two recommendations: Use these transitions strategically by making sure that the word or phrase you’re choosing matches the logic of the relationship you’re emphasizing or the connection you’re making. All of these words and phrases have different meanings, nuances, and connotations, so before using a particular transitional word in your paper, be sure you understand its meaning and usage completely, and be sure that it’s the right match for your paper’s logic. Use these transitional words and phrases sparingly because if you use too many of them, your readers might feel like you are overexplaining connections that are already clear.

Categories of Transition Words and Phrases

Causation Chronology Combinations Contrast Example

Importance Location Similarity Clarification Concession

Conclusion Intensification Purpose Summary

Transitions to help establish some of the most common kinds of relationships

Causation– Connecting instigator(s) to consequence(s).

accordingly as a result and so because

consequently for that reason hence on account of

since therefore thus

Chronology– Connecting what issues in regard to when they occur.

after afterwards always at length during earlier following immediately in the meantime

later never next now once simultaneously so far sometimes

soon subsequently then this time until now when whenever while

Combinations Lists– Connecting numerous events. Part/Whole– Connecting numerous elements that make up something bigger.

additionally again also and, or, not as a result besides even more

finally first, firstly further furthermore in addition in the first place in the second place

last, lastly moreover next second, secondly, etc. too

Contrast– Connecting two things by focusing on their differences.

after all although and yet at the same time but

despite however in contrast nevertheless nonetheless notwithstanding

on the contrary on the other hand otherwise though yet

Example– Connecting a general idea to a particular instance of this idea.

as an illustration e.g., (from a Latin abbreviation for “for example”)

for example for instance specifically that is

to demonstrate to illustrate

Importance– Connecting what is critical to what is more inconsequential.

chiefly critically

foundationally most importantly

of less importance primarily

Location– Connecting elements according to where they are placed in relationship to each other.

above adjacent to below beyond

centrally here nearby neighboring on

opposite to peripherally there wherever

Similarity– Connecting to things by suggesting that they are in some way alike.

by the same token in like manner

in similar fashion here in the same way

likewise wherever

Other kinds of transitional words and phrases Clarification

i.e., (from a Latin abbreviation for “that is”) in other words

that is that is to say to clarify to explain

to put it another way to rephrase it

granted it is true

naturally of course

finally lastly

in conclusion in the end

to conclude

Intensification

in fact indeed no

of course surely to repeat

undoubtedly without doubt yes

for this purpose in order that

so that to that end

to this end

in brief in sum

in summary in short

to sum up to summarize

what are transitions in essay

Improving Your Writing Style

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Clear, Concise Sentences

Use the active voice

Put the action in the verb

Tidy up wordy phrases

Reduce wordy verbs

Reduce prepositional phrases

Reduce expletive constructions

Avoid using vague nouns

Avoid unneccessarily inflated words

Avoid noun strings

Connecting Ideas Through Transitions

Using Transitional Words and Phrases

Some experts argue that focusing on individual actions to combat climate change takes the focus away from the collective action required to keep carbon levels from rising. Change will not be effected, say some others, unless individual actions raise the necessary awareness.

While a reader can see the connection between the sentences above, it’s not immediately clear that the second sentence is providing a counterargument to the first. In the example below, key “old information” is repeated in the second sentence to help readers quickly see the connection. This makes the sequence of ideas easier to follow.  

Sentence pair #2: Effective Transition

Some experts argue that focusing on individual actions to combat climate change takes the focus away from the collective action required to keep carbon levels from rising. Other experts argue that individual actions are key to raising the awareness necessary to effect change.

You can use this same technique to create clear transitions between paragraphs. Here’s an example:

Some experts argue that focusing on individual actions to combat climate change takes the focus away from the collective action required to keep carbon levels from rising. Other experts argue that individual actions are key to raising the awareness necessary to effect change. According to Annie Lowery, individual actions are important to making social change because when individuals take action, they can change values, which can lead to more people becoming invested in fighting climate change. She writes, “Researchers believe that these kinds of household-led trends can help avert climate catastrophe, even if government and corporate actions are far more important” (Lowery).

So, what’s an individual household supposed to do?

The repetition of the word “household” in the new paragraph helps readers see the connection between what has come before (a discussion of whether household actions matter) and what is about to come (a proposal for what types of actions households can take to combat climate change).

Sometimes, transitional words can help readers see how ideas are connected. But it’s not enough to just include a “therefore,” “moreover,” “also,” or “in addition.” You should choose these words carefully to show your readers what kind of connection you are making between your ideas.

To decide which transitional word to use, start by identifying the relationship between your ideas. For example, you might be

  • making a comparison or showing a contrast Transitional words that compare and contrast include also, in the same way, similarly, in contrast, yet, on the one hand, on the other hand. But before you signal comparison, ask these questions: Do your readers need another example of the same thing? Is there a new nuance in this next point that distinguishes it from the previous example? For those relationships between ideas, you might try this type of transition: While x may appear the same, it actually raises a new question in a slightly different way. 
  • expressing agreement or disagreement When you are making an argument, you need to signal to readers where you stand in relation to other scholars and critics. You may agree with another person’s claim, you may want to concede some part of the argument even if you don’t agree with everything, or you may disagree. Transitional words that signal agreement, concession, and disagreement include however, nevertheless, actually, still, despite, admittedly, still, on the contrary, nonetheless .
  • showing cause and effect Transitional phrases that show cause and effect include therefore, hence, consequently, thus, so. Before you choose one of these words, make sure that what you are about to illustrate is really a causal link. Novice writers tend to add therefore and hence when they aren’t sure how to transition; you should reserve these words for when they accurately signal the progression of your ideas.
  • explaining or elaborating Transitions can signal to readers that you are going to expand on a point that you have just made or explain something further. Transitional words that signal explanation or elaboration include in other words, for example, for instance, in particular, that is, to illustrate, moreover .
  • drawing conclusions You can use transitions to signal to readers that you are moving from the body of your argument to your conclusions. Before you use transitional words to signal conclusions, consider whether you can write a stronger conclusion by creating a transition that shows the relationship between your ideas rather than by flagging the paragraph simply as a conclusion. Transitional words that signal a conclusion include in conclusion , as a result, ultimately, overall— but strong conclusions do not necessarily have to include those phrases.

If you’re not sure which transitional words to use—or whether to use one at all—see if you can explain the connection between your paragraphs or sentence either out loud or in the margins of your draft.

For example, if you write a paragraph in which you summarize physician Atul Gawande’s argument about the value of incremental care, and then you move on to a paragraph that challenges those ideas, you might write down something like this next to the first paragraph: “In this paragraph I summarize Gawande’s main claim.” Then, next to the second paragraph, you might write, “In this paragraph I present a challenge to Gawande’s main claim.” Now that you have identified the relationship between those two paragraphs, you can choose the most effective transition between them. Since the second paragraph in this example challenges the ideas in the first, you might begin with something like “but,” or “however,” to signal that shift for your readers.  

  • picture_as_pdf Transitions

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Writing Transitions

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Good transitions can connect paragraphs and turn disconnected writing into a unified whole. Instead of treating paragraphs as separate ideas, transitions can help readers understand how paragraphs work together, reference one another, and build to a larger point. The key to producing good transitions is highlighting connections between corresponding paragraphs. By referencing in one paragraph the relevant material from previous paragraphs, writers can develop important points for their readers.

It is a good idea to continue one paragraph where another leaves off. (Instances where this is especially challenging may suggest that the paragraphs don't belong together at all.) Picking up key phrases from the previous paragraph and highlighting them in the next can create an obvious progression for readers. Many times, it only takes a few words to draw these connections. Instead of writing transitions that could connect any paragraph to any other paragraph, write a transition that could only connect one specific paragraph to another specific paragraph.

Writing Studio

Common transition words and phrases.

In an effort to make our handouts more accessible, we have begun converting our PDF handouts to web pages. Download this page as a PDF: Transitions Return to Writing Studio Handouts

Transitions clarify the logic of your argument by orienting your reader as you develop ideas between sentences and paragraphs. These tools should alert readers to shifts in your argument while and also maintain the smoothness and clarity of your prose. Below, you’ll find some of the most commonly used transition categories and examples of each. Depending on the example, these suggestions may be within sentences or at the beginning of sentences.

Transitions by Category

1. addition.

Use when presenting multiple ideas that flow in the same direction, under the same heading/ idea also, another, finally, first, first of all, for one thing, furthermore, in addition, last of all, likewise, moreover, next, and, second, the third reason

2. Sequence/ Order

Use to suggest a temporal relationship between ideas; places evidence in sequence first, second (etc.), next, last, finally, first of all, concurrently, immediately, prior to, then, at that time, at this point, previously, subsequently, and then, at this time, thereafter, previously, soon, before, after, followed by, after that, next, before, after, meanwhile, formerly, finally, during

3. Contrast

Use to demonstrate differences between ideas or change in argument direction but, however, in contrast, on the other hand, on the contrary, yet, differ, difference, balanced against, differing from, variation, still, on the contrary, unlike, conversely, otherwise, on the other hand, however

4. Exception

Use to introduce an opposing idea however, whereas, on the other hand, while, instead, in spite of, yet, despite, still, nevertheless, even though, in contrast, but, but one could also say…

5. Comparison

Use to demonstrate similarities between ideas that may not be under the same subject heading or within the same paragraph like, likewise, just, in a different way / sense, whereas, like, equally, in like manner, by comparison, similar to, in the same way, alike, similarity, similarly, just as, as in a similar fashion, conversely

6. Illustration

Use to develop or clarify an idea, to introduce examples, or to show that the second idea is subordinate to the first for example, to illustrate, on this occasion, this can be seen, in this case, specifically, once, to illustrate, when/where, for instance, such as, to demonstrate, take the case of, in this case

7. Location

Use to show spatial relations next to, above, below, beneath, left, right, behind, in front, on top, within

8. Cause and Effect

Use to show that one idea causes, or results from, the idea that follows or precedes it because, therefore, so that, cause, reason, effect, thus, consequently, since, as a result, if…then, result in

9. Emphasis

Use to suggest that an idea is particularly important to your argument important to note, most of all, a significant factor, a primary concern, a key feature, remember that, pay particular attention to, a central issue, the most substantial issue, the main value, a major event, the chief factor, a distinctive quality, especially valuable, the chief outcome, a vital force, especially relevant, most noteworthy, the principal item, above all, should be noted

10. Summary or Conclusion

Use to signal that what follows is summarizing or concluding the previous ideas; in humanities papers, use these phrases sparingly. to summarize, in short, in brief, in sum, in summary, to sum up, in conclusion, to conclude, finally

Some material adapted from Cal Poly Pomona College Reading Skills Program and “ Power Tools for Technical Communication .” 

Writing Effective Sentence Transitions (Advanced)

Transitions are the rhetorical tools that clarify the logic of your argument by orienting your reader as you develop ideas between sentences and paragraphs. The ability to integrate sentence transitions into your prose, rather than simply throwing in overt transition signals like “in addition,” indicates your mastery of the material. (Note: The visibility of transitions may vary by discipline; consult with your professor to get a better sense of discipline or assignment specific expectations.)

Transition Signals

Transition signals are words or phrases that indicate the logic connecting sets of information or ideas. Signals like therefore, on the other hand, for example, because, then, and afterwards can be good transition tools at the sentence and paragraph level. When using these signals, be conscious of the real meaning of these terms; they should reflect the actual relationship between ideas.

Review Words

Review words are transition tools that link groups of sentences or whole paragraphs. They condense preceding discussion into a brief word or phrase. For example: You’ve just completed a detailed discussion about the greenhouse effect. To transition to the next topic, you could use review words like “this heat-trapping process” to refer back to the green house effect discussion. The relative ability to determine a cogent set of review words might signal your own understanding of your work; think of review words as super-short summaries of key ideas.

Preview words

Preview words condense an upcoming discussion into a brief word or phrase. For example: You’ve just explained how heat is trapped in the earth’s atmosphere. Transitioning to the theory that humans are adding to that effect, you could use preview words like “sources of additional CO2 in the atmosphere include” to point forward to that discussion.

Transition Sentences

The strongest and most sophisticated tools, transition sentences indicate the connection between the preceding and upcoming pieces of your argument. They often contain one or more of the above transition tools. For example: You’ve just discussed how much CO2 humans have added to the atmosphere. You need to transition to a discussion of the effects. A strong set of transition sentences between the two sections might sound like this:

“These large amounts of CO2 added to the atmosphere may lead to a number of disastrous consequences for residents of planet earth. The rise in global temperature that accompanies the extra CO2 can yield effects as varied as glacial melting and species extinction.”

In the first sentence, the review words are “These large amounts of CO2 added to the atmosphere”; the preview words are “number of disastrous consequences”; the transition signals are “may lead to.” The topic sentence of the next paragraph indicates the specific “disastrous consequences” you will discuss.

If you don’t see a way to write a logical, effective transition between sentences, ideas or paragraphs, this might indicate organizational problems in your essay; you might consider revising your work.

Some material adapted from Cal Poly Pomona College Reading Skills Program  and “ Power Tools for Technical Communication .”

Last revised: 07/2008 | Adapted for web delivery: 05/2021

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33 Transition Words and Phrases

Transitional terms give writers the opportunity to prepare readers for a new idea, connecting the previous sentence to the next one.

Many transitional words are nearly synonymous: words that broadly indicate that “this follows logically from the preceding” include accordingly, therefore, and consequently . Words that mean “in addition to” include moreover, besides, and further . Words that mean “contrary to what was just stated” include however, nevertheless , and nonetheless .

as a result : THEREFORE : CONSEQUENTLY

The executive’s flight was delayed and they accordingly arrived late.

in or by way of addition : FURTHERMORE

The mountain has many marked hiking trails; additionally, there are several unmarked trails that lead to the summit.

at a later or succeeding time : SUBSEQUENTLY, THEREAFTER

Afterward, she got a promotion.

even though : ALTHOUGH

She appeared as a guest star on the show, albeit briefly.

in spite of the fact that : even though —used when making a statement that differs from or contrasts with a statement you have just made

They are good friends, although they don't see each other very often.

in addition to what has been said : MOREOVER, FURTHERMORE

I can't go, and besides, I wouldn't go if I could.

as a result : in view of the foregoing : ACCORDINGLY

The words are often confused and are consequently misused.

in a contrasting or opposite way —used to introduce a statement that contrasts with a previous statement or presents a differing interpretation or possibility

Large objects appear to be closer. Conversely, small objects seem farther away.

used to introduce a statement that is somehow different from what has just been said

These problems are not as bad as they were. Even so, there is much more work to be done.

used as a stronger way to say "though" or "although"

I'm planning to go even though it may rain.

in addition : MOREOVER

I had some money to invest, and, further, I realized that the risk was small.

in addition to what precedes : BESIDES —used to introduce a statement that supports or adds to a previous statement

These findings seem plausible. Furthermore, several studies have confirmed them.

because of a preceding fact or premise : for this reason : THEREFORE

He was a newcomer and hence had no close friends here.

from this point on : starting now

She announced that henceforth she would be running the company.

in spite of that : on the other hand —used when you are saying something that is different from or contrasts with a previous statement

I'd like to go; however, I'd better not.

as something more : BESIDES —used for adding information to a statement

The city has the largest population in the country and in addition is a major shipping port.

all things considered : as a matter of fact —used when making a statement that adds to or strengthens a previous statement

He likes to have things his own way; indeed, he can be very stubborn.

for fear that —often used after an expression denoting fear or apprehension

He was concerned lest anyone think that he was guilty.

in addition : ALSO —often used to introduce a statement that adds to and is related to a previous statement

She is an acclaimed painter who is likewise a sculptor.

at or during the same time : in the meantime

You can set the table. Meanwhile, I'll start making dinner.

BESIDES, FURTHER : in addition to what has been said —used to introduce a statement that supports or adds to a previous statement

It probably wouldn't work. Moreover, it would be very expensive to try it.

in spite of that : HOWEVER

It was a predictable, but nevertheless funny, story.

in spite of what has just been said : NEVERTHELESS

The hike was difficult, but fun nonetheless.

without being prevented by (something) : despite—used to say that something happens or is true even though there is something that might prevent it from happening or being true

Notwithstanding their youth and inexperience, the team won the championship.

if not : or else

Finish your dinner. Otherwise, you won't get any dessert.

more correctly speaking —used to introduce a statement that corrects what you have just said

We can take the car, or rather, the van.

in spite of that —used to say that something happens or is true even though there is something that might prevent it from happening or being true

I tried again and still I failed.

by that : by that means

He signed the contract, thereby forfeiting his right to the property.

for that reason : because of that

This tablet is thin and light and therefore very convenient to carry around.

immediately after that

The committee reviewed the documents and thereupon decided to accept the proposal.

because of this or that : HENCE, CONSEQUENTLY

This detergent is highly concentrated and thus you will need to dilute it.

while on the contrary —used to make a statement that describes how two people, groups, etc., are different

Some of these species have flourished, whereas others have struggled.

NEVERTHELESS, HOWEVER —used to introduce a statement that adds something to a previous statement and usually contrasts with it in some way

It was pouring rain out, yet his clothes didn’t seem very wet.

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Transition Words and Phrases

Transitions are connecting words or phrases that strengthen the internal cohesion of your writing. Transition words tell the reader how one idea relates to another. Using them appropriately makes your argument more convincing because the reader is able to understand the flow between and within paragraphs, including the relationship between different ideas, evidence, and analysis. 

Types of Transition Words and Phrases

  • additionally
  • coupled with
  • furthermore
  • equally important
  • in addition

Cause and Effect

  • accordingly
  • as consequence
  • as a result
  • at that time
  • concurrently
  • consequently
  • followed by
  • for this purpose
  • for this reason
  • subsequently
  • comparatively
  • correspondingly
  • in the same way
  • on the one han
  • together with

Contrast/Exception/Concession

  • a different view is
  • alternatively
  • despite/in spite of (+ noun)
  • differing from
  • even though
  • in contrast
  • it could also be said that
  • nevertheless
  • notwithstanding (+ noun)
  • nonetheless
  • on the contrary
  • on (the) one hand
  • on the other hand
  • regardless of (+ noun)
  • in particular
  • particularly

Example/Illustration

  • as an example
  • as an illustration
  • for example
  • for instance
  • illustrated by
  • in the/this case
  • on this occasion
  • specifically
  • to demonstrate
  • to illustrate
  • all things considered
  • at the same time
  • in other words
  • on the whole
  • that is to say
  • to put it differently
  • first, second, third, etc.

Summary/Conclusion

  • by and large
  • in any case
  • in any event
  • in conclusion
  • to conclude
  • to summarize
  • at that/this point
  • at that/this time
  • immediately
  • in the future
  • in the meantime
  • in the past
  • simultaneously

Sample Transition Words

While (1) qualitative data is helpful in gauging graduate student responses to Boot Camp, it is also crucial that we undertake data-driven analysis to support the value of the four-day writing event.   Currently (2),   quantitative measures of satisfaction of Dissertation Boot Camp participants are tracked in two ways: through a formal survey posted through SurveyMonkey and an informal survey that is handwritten at the end of the Camp.   In fact (3),   to ensure reliable data for analysis, the SurveyMonkey questionnaire is filled out by students at three different times: before Camp, on the first day of Camp, and 30 days after Camp. The decision to send the survey at three different times was made in order to ensure that attitudes prior to Camp matched attitudes on the first day, and to then compare that to results after Camp.   However (4) the current survey questions are somewhat informal, and none have been psychometrically tested. In order to improve the reliability and usefulness of the collected data, we will need to revise some of our Likert-scale based questions using currently-available test questions from other indices.   Ultimately (5) , this combination of quantitative and qualitative data will help us to make decisions about the program as it is offered in subsequent semesters.

(1) Comparison

(3) Emphasis

(4) Contrast/Exception/Concession

(5) Summary/Conclusion

English Studies

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Transitions in Essay Writing

Transitions in an essay are words, phrases, or sentences that help to establish connections and smooth transitions between different ideas, paragraphs, or sections.

What are Transitions in an essay?

Table of Contents

Transitions in an essay are words, phrases, or sentences that help to establish connections and smooth transitions between different ideas, paragraphs , or sections. They play a crucial role in making essay flow well and cohere, forcing the readers to follow the logical progression of the argument or narrative .

Important Aspects of Transitions in an Essay

Here are some important aspects used in essay writing:

Remember, the specific choice and placement depend on the context, purpose, and structure of your essay. Utilizing them effectively ensures a well-organized and seamless flow of ideas, resulting in a more compelling and coherent piece of writing.

Uses of Transitions

Example of transitions in introduction, types of transitions.

These transitions can be very useful when writing essays, reports, or any type of content where you need to guide your readers through your ideas and arguments.

Suggested Readings

  • Graff, Gerald, and Cathy Birkenstein. They Say / I Say : The Moves That Matter in Academic Writing. 3rd ed., W.W. Norton & Co., 2014.
  • Williams, Joseph M. Style: The Basics of Clarity and Grace . 5th ed., Pearson, 2014.

Related posts:

  • Essay Type-3
  • Background Information
  • Informative Thesis Statement
  • Informative Essay Writing Tips

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Transitions

Transitions between paragraphs.

While within-paragraph transitions serve the purpose of alerting readers of upcoming shifts in perspective or voice , between-paragraph transitions serve the unique purpose of alerting readers of upcoming shifts in argument or idea . Because one of the core rules of effective paragraph-writing is limiting each paragraph to only one controlling idea (see the Basic Paragraph Resource Center lesson), shifts in argument or idea only tend to happen between paragraphs within the academic essay.

There are literally dozens of transition words to choose from when shifting focus from one idea to another. There are transition words that show cause and effect, contrast, similarity, emphasis, and even sequence. To give you a general idea of the options available to you, below are examples of just a few of those categories and word combinations:

This is a table of Transition Words in English. Transition Words of Emphasis: undoubtedly, unquestionably, obviously, especially, clearly, importantly, absolutely, definitely, without a doubt, indeed, and it should be noted. Transition Words of Addition: along with, apart from this, moreover, furthermore, also, too, as well as that, besides, in addition. Transition Words of Contrast: unlike, nevertheless, on the other hand, nonetheless, contrary to, whereas, alternatively, conversely, even so, differing from. Transition Words of Order: following, at this time, previously, finally, subsequently, above all, before.

With so many available options, you may be wondering how you will ever be able to figure out which word or set of words would work best where.

Guiding Questions

While there are many approaches you could take, let’s take a look at a few basic guiding questions you should be asking yourself as you look over your own essay and create your own between-paragraph transitions:

  • What is the purpose of this paragraph? Is it to introduce, inform, persuade, address an opposing viewpoint, revisit or add emphasis to already discussed ideas?
  • Does the idea I’m sharing in this paragraph relate to or support any other idea or argument shared within the essay up to this point?
  • Does the idea I’m sharing in this paragraph present a different viewpoint or idea?
  • Is the idea I’m sharing separate from or dependent upon other ideas being shared within the essay?

Your answer to these four basic questions should help you more easily identify which categories of transition words might work best at the beginning of each of your paragraphs.

A Couple Tips to Get Started

Selecting proper transitions takes time and practice. To get you started on the right foot though, here are a couple tips to point you in the right direction:

  • Your body paragraphs would likely benefit most from the Addition and Order transition word categories as they tend to string together related or culminating ideas or arguments
  • Your concluding paragraph would likely benefit most from the Emphasis word category as one of its primary objectives is to revisit and re-emphasize major ideas presented in the essay

To see the power of an appropriately-used transition in action, let’s consider the following prompt question example. Imagine you were asked to write an essay based on the following prompt:

  • Do you believe that people have a specific “calling” in life? Why or why not?

A possible thesis statement (or answer to that prompt question) might be::

  • My spiritual study, secular study, and my own life experience has taught me that life callings tend to emerge not just once, but perhaps even multiple times, at crossway of spiritual gifts and need in the world.

Ponder and Record

  • Based on the thesis statement above, how many body paragraphs do you think this essay will need to have?
  • What controlling ideas (or arguments) might each body paragraph be engaging?
  • Are these arguments in any way related to each other or building on each other?
  • How might these body paragraphs benefit from transition words in the Addition or Order categories?

Body Paragraph Transitions

In answering the questions above, you likely realized that three body paragraphs will be required in this essay based on its current thesis statement. One body paragraph will focus on “spiritual” findings, another on “secular,” and then finally one supported by “personal experience.”

You also likely realized that the Addition transition word category cannot be applied to the first body paragraph as no arguments have been made yet that can be added to. This means that the first body paragraph would likely benefit most from a transition word selected from the Order category. An example of this in application might look like the following:

Body Paragraph #1 Topic Sentence

Above all, my spiritual study of the scriptures as well as the words of latter-day prophets have supported my belief that life callings emerge at the intersection of spiritual gifts and need in the world.

  • What does the selection of the transitional phrase “above all” suggest about the controlling idea that will be discussed in this paragraph?
  • What does it suggest about the ideas that will follow in subsequent paragraphs?

To see more “between-paragraph” transition words in action, let’s look at what the next body paragraph topic sentence might look like with the added benefit of transition words:

Body Paragraph #2 Topic Sentence

In addition to my spiritual study, my secular study of the “life calling” also supports this idea that life callings emerge again and again at the intersection of spiritual gifts and need in the world.

  • What is the transitional phrase used in the topic sentence above?
  • Which list is the transitional phrase “in addition” drawn from?
  • What purpose does it serve in this paragraph? How does it add value?

To really emphasize the value-add of between-paragraph transitions, let’s look at one final body paragraph example:

Body Paragraph #3 Topic Sentence

Finally, my own life experience has taught me that the concept of the “life calling” truly does lie at the intersection of gifts and need in the world.

  • Which list is the transitional phrase “finally” drawn from?

Concluding Paragraph

As mentioned above, the category of transition words that would most benefit your concluding paragraph is Emphasis . Since one of the main purposes of the concluding paragraph is to revisit ideas shared within the essay, transition words that express emphasis would be a natural fit and value-add. To see the power of this addition, feel free to examine the example below:

Concluding Paragraph Example

Without a doubt, I have come to realize over the years that a life calling is so much more than simply acting on a single moment in time— it is developing gifts and talents and constantly reassessing what value-add those gifts and talents can bring to the world at that particular moment.

  • What transitional phrase is used in the above concluding paragraph topic sentence?
  • How does the addition of “without a doubt” add emphasis to the conclusion? How does its addition help fulfill one of the concluding paragraph’s primary purposes?

Within-paragraph and between-paragraph transitions are truly the best ways to alert readers to upcoming changes in perspective and voice as well as argument or idea. As you write and then review your own writing, really try to consider which transition words would best help you create the most powerful and organized experience for your readers.

Writing Explained

What is a Transition? Definition, Examples of Transitions in Writing

Home » The Writer’s Dictionary » What is a Transition? Definition, Examples of Transitions in Writing

Transition definition: Transitions are words or phrases that are used to connect one idea to the next when writing.

What is a Transition?

Transitions are words or phrases that are inserted into writing in order to connect thoughts and ideas. These allow for the reader to easily follow the progression of the writing by adding flow.

Example of a Transition

When writing a step-by-step guide to how to do something, people often used numerical transitions such as first, second, and third in order to help the audience understand the separate steps involved.

Where Are Transitions Used?

Between sections : In lengthy writing, transitions are used between sections in order to summarize what has been already explained as well as introduce future material. For example, in history textbooks, the writers may include transitions between chapters in order to provide connections between the historical events.

Between ideas : Transitions are important to use between ideas in order to separate the individual thoughts. An example could be when giving people options to choose between, a person would want to add a transition in order to identify they have moved on to a new choice.

Between paragraphs : When including transitions between paragraphs, it is important to identify the connection between the two in order to effectively move from one paragraph to the next. Often times, a good way to this is to read the last sentence of the first paragraph and the first sentence of the second in order to find a connection. For example, when offering two sides to a situation, the transition word however could be a good connector between two paragraphs.

Within paragraphs : It is also important to include transitions within paragraphs so the thoughts within the section flow from one to the next in an organized manner. If the writer is talking about an idea and then wants to provide an example to illustrate, the transition for example will help the reader transition.

The Function of Transitions in Literature

Transitions are important in literature in order to help the reader understand the writing. They allow for the story to flow from one thought to the next allowing for the reader to build upon the ideas without having to think too hard in order to put them together.

Without effective transitions, writing may become ineffective and confusing.

In James Hurst’s “The Scarlet Ibis” the power of transitions is evident in order to show a character’s change of thought. First, let’s take a look at an example in which the transition word has been removed:

  • “It was bad enough having an invalid brother, but having one who possibly was not all there was unbearable, so I began to make plans to kill him by smothering him with a pillow…one afternoon as I watched him, my head poked between the iron posts of the foot of the bed, he looked straight at me and grinned.”

Second, let’s look at the line with the transition word in order to compare the difference:

  • “It was bad enough having an invalid brother, but having one who possibly was not all there was unbearable, so I began to make plans to kill him by smothering him with a pillow. However , one afternoon as I watched him, my head poked between the iron posts of the foot of the bed, he looked straight at me and grinned.”

By adding the transition word however , it signals to the reader that the narrator’s attitude toward his brother changed. Without the transition word, the change would be ambiguous.

Transition Examples in Literature

In John Boyne’s The Boy in the Striped Pajamas , he uses the transition phrase “ some days later” in order to denote a change in time between chapters.

  • “Some days later Bruno was lying on the bed in his room, staring at the ceiling above his head”

Carrie Brownstein includes the transition “nevertheless” in her memoir Hunger Makes Me a Modern Girl in order to show that she is adding to a previous point that she made:

  • “I really didn’t want to go to Western Washington University. I had no plan, and I left for the northern part of the state knowing only that I would not be there long. Departing for a departure. Nevertheless , I went through the motions.”

Summary: What are Transitions?

Define transition in literature: In summation, transitions are words are phrases that are used to connect thoughts or ideas together in a manner that helps the writing flow for the reader to limit confused or misunderstanding.

Final Example:

In Erik Larson’s The Devil in the White City , he uses the transition word however in order to show contrast between two ideas:

  • “Yes, he said, he was sure of it: The man in the photograph had come to his hotel…It was the children, however , that he remembered the most clearly, and now he told the detectives why.

English Language

Transition Words

As a "part of speech" transition words are used to link words, phrases or sentences. They help the reader to progress from one idea (expressed by the author) to the next idea. Thus, they help to build up coherent relationships within the text.

Transitional Words

This structured list of commonly used English transition words — approximately 200, can be considered as quasi complete. It can be used (by students and teachers alike) to find the right expression. English transition words are essential, since they not only connect ideas, but also can introduce a certain shift, contrast or opposition, emphasis or agreement, purpose, result or conclusion, etc. in the line of argument. The transition words and phrases have been assigned only once to somewhat artificial categories, although some words belong to more than one category.

There is some overlapping with prepositions and postpositions, but for the purpose of usage and completeness of this concise guide, I did not differentiate.

Linking & Connecting Words — Part 1/2

Agreement / Addition / Similarity

Opposition / limitation / contradiction, examples / support / emphasis, cause / condition / purpose, effect / consequence / result, conclusion / summary / restatement, time / chronology / sequence, space / location / place.

The transition words like also, in addition, and, likewise , add information , reinforce ideas , and express agreement with preceding material.

in the first place

not only ... but also

as a matter of fact

in like manner

in addition

coupled with

in the same fashion / way

first, second, third

in the light of

not to mention

to say nothing of

equally important

by the same token

identically

together with

comparatively

correspondingly

furthermore

additionally

Transition phrases like but , rather and or , express that there is evidence to the contrary or point out alternatives , and thus introduce a change the line of reasoning ( contrast ).

although this may be true

in contrast

different from

of course ..., but

on the other hand

on the contrary

at the same time

in spite of

even so / though

be that as it may

(and) still

even though

nevertheless

nonetheless

notwithstanding

These transitional phrases present specific conditions or intentions .

in the event that

granted (that)

as / so long as

on (the) condition (that)

for the purpose of

with this intention

with this in mind

in the hope that

to the end that

for fear that

in order to

seeing / being that

provided that

only / even if

inasmuch as

These transitional devices (like especially ) are used to introduce examples as support , to indicate importance or as an illustration so that an idea is cued to the reader.

in other words

to put it differently

for one thing

as an illustration

in this case

for this reason

to put it another way

that is to say

with attention to

by all means

important to realize

another key point

first thing to remember

most compelling evidence

must be remembered

point often overlooked

to point out

on the positive side

on the negative side

specifically

surprisingly

significantly

particularly

in particular

for example

for instance

to demonstrate

to emphasize

to enumerate

Some of these transition words ( thus, then, accordingly, consequently, therefore, henceforth ) are time words that are used to show that after a particular time there was a consequence or an effect .

Note that for and because are placed before the cause/reason. The other devices are placed before the consequences or effects.

as a result

under those circumstances

in that case

because the

consequently

accordingly

These transition words and phrases conclude , summarize and / or restate ideas, or indicate a final general statement . Also some words (like therefore ) from the Effect / Consequence category can be used to summarize.

as can be seen

generally speaking

in the final analysis

all things considered

as shown above

in the long run

given these points

as has been noted

for the most part

in conclusion

to summarize

by and large

on the whole

in any event

in either case

These transitional words (like finally ) have the function of limiting, restricting, and defining time . They can be used either alone or as part of adverbial expressions .

at the present time

from time to time

sooner or later

up to the present time

to begin with

in due time

in the meantime

in a moment

without delay

all of a sudden

at this instant

first, second

immediately

straightaway

by the time

occasionally

Many transition words in the time category ( consequently; first, second, third; further; hence; henceforth; since; then, when; and whenever ) have other uses.

Except for the numbers ( first, second, third ) and further they add a meaning of time in expressing conditions, qualifications, or reasons. The numbers are also used to add information or list examples . Further is also used to indicate added space as well as added time.

These transition words are often used as part of adverbial expressions and have the function to restrict, limit or qualify space . Quite a few of these are also found in the Time category and can be used to describe spatial order or spatial reference.

in the middle

to the left/right

in front of

on this side

in the distance

here and there

in the foreground

in the background

in the center of

adjacent to

opposite to 

List of Transition Words

Transition Words & Phrases

Transition Words are also sometimes called (or put in the category of) Connecting Words. Please feel free to download them via this link to the category page: Linking Words & Connecting Words as a PDF. It contains all the transition words listed on this site. The image to the left gives you an impression how it looks like.

Usage of Transition Words in Essays

Transition words and phrases are vital devices for essays , papers or other literary compositions. They improve the connections and transitions between sentences and paragraphs. They thus give the text a logical organization and structure (see also: a List of Synonyms ).

All English transition words and phrases (sometimes also called 'conjunctive adverbs') do the same work as coordinating conjunctions : they connect two words, phrases or clauses together and thus the text is easier to read and the coherence is improved.

Usage: transition words are used with a special rule for punctuation : a semicolon or a period is used after the first 'sentence', and a comma is almost always used to set off the transition word from the second 'sentence'.

Example 1: People use 43 muscles when they frown; however, they use only 28 muscles when they smile.

Example 2: however, transition words can also be placed at the beginning of a new paragraph or sentence - not only to indicate a step forward in the reasoning, but also to relate the new material to the preceding thoughts..

Use a semicolon to connect sentences, only if the group of words on either side of the semicolon is a complete sentence each (both must have a subject and a verb, and could thus stand alone as a complete thought).

Further helpful readings about expressions, writing and grammar: Compilation of Writing Tips How to write good   ¦   Correct Spelling Study by an English University

Are you using WORD for writing professional texts and essays? There are many easy Windows Shortcuts available which work (almost) system-wide (e.g. in every programm you use).

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Essay Writing Guide

Transition Words For Essays

Last updated on: Dec 19, 2023

220 Best Transition Words for Essays

By: Nova A.

15 min read

Reviewed By: Jacklyn H.

Published on: Jul 9, 2019

Transition Words for Essays

Writing essays can be hard, and making sure your transitions are smooth is even harder. 

You've probably heard that good essays need good transitions, but what are they? How do you use them in your writing? Also, your essays are assessed according to particular criteria and it is your responsibility to ensure that it is being met.

But don't worry, we are here to help. This blog will give you transition words for essays, including how to choose the right ones and where to place them for maximum impact. Essay writing is a technical process that requires much more effort than simply pouring your thoughts on paper.

If you are new to the concept of transition words and phrases, deep dive into this article in order to find out the secret to improving your essays.

Transition Words for Essays

On this Page

What Are Transition Words 

Transition words are essential elements in essay writing that create smooth transitions between ideas. 

Think of a transition as a conjunction or a joining word. It helps create strong relationships between ideas, paragraphs, or sentences and assists the readers to understand the word phrases and sentences easily.

As writers, our goal is to communicate our thoughts and ideas in the most clear and logical manner. Especially when presenting complex ideas, we must ensure that they are being conveyed in the most understandable way.

To ensure that your paper is easy to understand, you can work on the sequencing of ideas. Break down your ideas into different sentences and paragraphs then use a transition word or phrase to guide them through these ideas.

Why Should You Use Transitions

The purpose of transition words goes beyond just connectivity. They create a cohesive narrative , allowing your ideas to flow seamlessly from one point to another. These words and phrases act as signposts and indicate relationships. 

These relations could include:

  • Cause and Effect
  • Comparison and Contrast
  • Addition and Emphasis
  • Sequence and Order
  • Illustration and Example
  • Concession and Contradiction
  • Summary and Conclusion

They form a bridge and tie sentences together, creating a logical connection. In addition to tying the entire paper together, they help demonstrate the writer’s agreement, disagreement, conclusion, or contrast.

However, keep in mind that just using or including transitional words isn’t enough to highlight relationships between ideas. The content of your paragraphs must support the relationship as well. So, you should avoid overusing them in a paper.

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Types of Transitions

Transitions in essays can be classified into different types based on the relationships they indicate between ideas. Each type serves a specific purpose in guiding readers through your arguments. 

Let's explore some common types of transitions and their examples:

Additive Transitions 

These transitions are used to add information or ideas. They help you expand on your points or provide additional supporting evidence. Examples:

  • In addition
  • Furthermore
  • Additionally
  • Not only... but also
  • Coupled with

Adversative Transitions

Adversative transitions show contrast or contradiction between ideas. They are used to present opposing viewpoints or highlight differences. Examples:

  • Nevertheless
  • On the other hand
  • In contrast

Causal Transitions

Causal transitions explain cause-and-effect relationships. They help you establish the reasons behind certain outcomes or actions. Examples:

  • As a result
  • Consequently
  • Resulting in
  • For this reason

Sequential Transitions

Sequential transitions indicate the order or sequence of events or ideas. They help you present your thoughts in a logical and organized manner. Examples: 

  • Subsequently
  • In the meantime
  • Simultaneously

Comparative Transitions

Comparative transitions highlight similarities or comparisons between ideas. They help you draw connections and illustrate relationships. Here are some transition words for essays examples: 

  • In the same way
  • Compared to
  • In comparison
  • Correspondingly
  • By the same token
  • Equally important
  • Analogous to

Getting started on your essay? Check out this insightful read on essay writing to make sure you ace it!

List of Good Transition Words for Essays

As mentioned above, there are different categories of transitions that serve a unique purpose. Understanding these different types will help you pick the most suitable word or phrase to communicate your message.

Here we have categorized the best transition words for essays so you can use them appropriately!

Transition Words for Argumentative Essays

In argumentative essays , the effective use of transition words is essential for presenting a well-structured and coherent argument. 

Transition Words for Compare and Contrast Essays

In compare and contrast essays , transition words play a crucial role in highlighting the similarities and differences between the subjects being compared. 

Here are a few transition words that are particularly useful in compare and contrast essays:

Transition Words for Cause and Effect Essays

In cause and effect essays , transition words help illustrate the relationships between causes and their corresponding effects. 

Here are a few transition words that are particularly useful in cause-and-effect essays:

Transition Words for Different Parts of Essays

Transition words are valuable tools that can be used throughout different parts of an essay to create a smooth and coherent flow. By understanding the appropriate transition words for each section, you can logically connect your ideas. 

Introduction Transition Words for Essays

Introductions are one of the most impactful parts of the essay. It's important that it connects logically with the rest of the essay. To do this, you can utilize different transition words for essays to start. Here are some starting transition words for essays:

Transition Words for Essays Body Paragraph

In an essay, body paragraphs play a crucial role in presenting and developing your ideas. To ensure a logical flow within each body paragraph, the strategic use of transition words is essential.

Here are lists of transitions for essays for different body paragraphs:

Transition Words for Essays for First Body Paragraph

Here is a list of transition words that you can use for the first body paragraph of an essay:

Transition Words for Essays Second Body Paragraph

Here is a list of transition words for the second body paragraph of an essay:

Transition Words for Essays Third Body Paragraph

Transition words for essays last body paragraph, transition words for essays conclusion .

Here is a list of ending transition words for essays:

Do’s and Don’ts of Using Essay Transitions

When it comes to using transitions in your essay, there are certain do's and don'ts that can help you effectively enhance the flow of your writing. Here are some key guidelines to keep in mind:

  • Add transitions only when introducing new ideas.
  • Go through the paper to make sure they make sense.
  • Start by creating an outline, so you know what ideas to share and how.
  • Use different transitions for each idea.
  • Don’t overuse them.
  • Don’t keep adding transitions in the same paragraph.
  • Don’t completely rely on transitions to signal relationships.
  • Don’t incorporate it into your content without understanding its usage.

By now, you have probably understood how transition words can save you from disjointed and directionless paragraphs. They are the missing piece that indicates how ideas are related to one another. You can also generate more essays with our AI powered essay writer to learn the art of transitioning smoothly from one paragraph to another. 

If you are still unable to distinguish transitions to open or conclude your essays, don’t be upset - these things require time and practice.

If you are looking for the perfect essay-writing service, get in touch with the expert writers at 5StarEssays.com. We will include the right transitions according to the type of paper, ensuring a coherent flow of ideas.

Just say ‘ write my essay ’ now and let our essay writer create quality content at the most pocket-friendly rates available.

Nova A.

As a Digital Content Strategist, Nova Allison has eight years of experience in writing both technical and scientific content. With a focus on developing online content plans that engage audiences, Nova strives to write pieces that are not only informative but captivating as well.

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Essay Writing Guide

Transition Words For Essays

Nova A.

Transition Words For Essays - The Ultimate List

11 min read

transition words for essays

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Do you find it challenging to make your essays flow smoothly and hold your readers' attention from start to finish? Are your paragraphs disjointed, leaving your writing feeling unpolished?

It can be frustrating when your ideas don't connect seamlessly. You might wonder how to make your writing shine and ensure it leaves a lasting impression on your professors.

Don't worry; we've got you covered! 

In this guide, we'll introduce you to transition words for essays. These words are your secret weapon for crafting well-structured, compelling essays that will impress your teachers and elevate your writing game.  Let's get started!

Arrow Down

  • 1. What are Good Transition Words for Essays?
  • 2. Examples of Different Types of Transition Words
  • 3.   Transition Words for Argumentative Essays
  • 4. Transition Words for Persuasive Essays
  • 5. Transition Words for Compare and Contrast Essays
  • 6. Transition Words for Informative Essays
  • 7. Transition Words for Expository Essays
  • 8. Transition Words for Cause and Effect Essays
  • 9. Transition Words for Synthesis Essays
  • 10. Transition Words for Analysis Essays
  • 11. Conclusion Transition Words for Essays
  • 12. Beginning Transition Words for Essays
  • 13. Paragraph Transition Words for Essays
  • 14. Transition Words for Quotes in Essays
  • 15. Transition Words for Essays Middle School
  • 16. Transition Words for Essays High School
  • 17. Transition Words for Essays College
  • 18. Do’s and Don’ts of Using Transition Words

What are Good Transition Words for Essays?

Transition words are essential tools in essay writing , providing a clear path for your readers to follow. They serve the crucial purpose of connecting words, phrases, sentences, or even entire paragraphs. 

By using these transitions effectively, you can effortlessly convey your ideas and thoughts in a coherent and easily understandable manner.

However, it's crucial to exercise moderation when using transition words. Overusing them can clutter your essay, making it confusing and difficult to read. 

On the other hand, omitting them entirely can result in a piece that lacks flow and direction. Striking the right balance ensures that your essay is both engaging and comprehensible.

Purpose of Transition Words

Let’s take a look at the purpose of using transitions in essays:

  • Enhance Readability: Transition words improve the overall flow and coherence of your writing.
  • Clarify Relationships: They signal connections between ideas, whether it's adding, contrasting, or summarizing.
  • Improve Comprehension: Readers can follow your argument or narrative more easily.
  • Smooth Transitions: They act as bridges, seamlessly guiding your audience from one point to the next.
  • Manage Change: They prepare the reader for shifts in topic or perspective.
  • Enhance Engagement: Well-placed transitions keep readers interested and invested in your content.
  • Encourage Flow: They maintain a logical progression, aiding in the overall structure of your work.

Examples of Different Types of Transition Words

Here are some common types of transitions for essays that can be used in almost any situation. 

Addition Transitions

  • Furthermore
  • Additionally
  • In addition
  • Not only...but also

Comparison Transitions

  • In the same way
  • Comparable to
  • Correspondingly
  • In comparison
  • By the same token

Contrast Transitions

  • On the other hand
  • In contrast
  • Nevertheless
  • Nonetheless
  • Even though

Cause and Effect Transitions

  • Consequently
  • As a result
  • For this reason
  • Accordingly

Time Transitions

  • Simultaneously
  • In the meantime
  • Subsequently
  • At the same time

Illustration Transitions

  • For example
  • For instance
  • Specifically
  • To illustrate
  • In particular
  • In this case
  • As an illustration

Emphasis Transitions

  • Undoubtedly
  • Without a doubt

Summary Transitions 

  • To summarize
  • To conclude

Sequence Transitions

Example transitions.

  • As an example
  • To demonstrate
  • For one thing
  • As evidence
  • As an instance

For Showing Exception

  • At The Same Time 
  • Nevertheless  
  • On The Other Hand 
  • But At The Same Time 
  • Conversely 

For Proving

  • For This Reason 
  • Certainly 
  • To Demonstrate
  • In Fact 
  • Clearly 
  • As A Result

This transition words for essays list will make it easier for you to understand what words to use in which kind of essay or for which purpose. 

  Transition Words for Argumentative Essays

  • To begin with
  • By contrast
  • One alternative is
  • To put more simply
  • On the contrary
  • With this in mind
  • All things considered
  • Generally speaking
  • That is to say
  • Yet another

Transition Words for Persuasive Essays

  • furthermore 
  • Moreover 
  • Because 
  • Besides that
  • Pursuing this further 

Transition Words for Essays PDF

Transition Words for Compare and Contrast Essays

  • Althoughyhtjyjum,u
  • Notwithstanding

Transition Words for Informative Essays

  •  After all
  • As can be expected
  • Obviously 

Transition Words for Expository Essays

  • Equally important
  • Another reason
  • Not long after that
  • Looking back

Transition Words for Cause and Effect Essays

  • In order to
  • Provided that
  • Because of this

Transition Words for Synthesis Essays

  • As noted earlier
  • Consequently 
  • Whereas 
  • This leads to 
  • Another factor 
  • This lead to 
  • The underlying concept 
  • In this respect 

Transition Words for Analysis Essays

  • (once) again 
  • Primarily 
  • Due to 
  • Accordingly 
  • That is to say 
  • Subsequently 
  • To demonstrate 
  • However 

Conclusion Transition Words for Essays

  • In any event
  • As mentioned
  • In other words
  • As you can see

Beginning Transition Words for Essays

These are some introduction transition words for essays to start writing: 

  • In the first place
  • First of all
  • For the most part
  • On one hand
  • As a rule 

Paragraph Transition Words for Essays

  • To put it differently
  • Once and for all

Transition Words for Essay’s First Body Paragraph

  • To start with
  • First and foremost
  • In the beginning

Transition Words for Essay’s Second Body Paragraph 

  • In addition to this 
  • Furthermore 

Transition Words for Essay’s Last Body Paragraph

  • In conclusion
  • Finally 
  • Last but not least 
  • To sum up 
  • Altogether 

Transition Words for Quotes in Essays

  • Acknowledges

Transition Words for Essays Middle School

  • In conclusion 
  • For instance 

Transition Words for Essays High School

  • Today 
  • In addition 
  • To summarize 
  • On the other hand 
  • As well as 
  • Although 

Transition Words for Essays College

Here are some college level transition words for essay:

  • Pursuing this
  • Similarly 
  • What’s more 
  • As much as 
  • In a like manner
  • In the same fashion

Do’s and Don’ts of Using Transition Words

So, now you have some strong transition words for essays at hand. But how do you use these transition words? 

Here are the basic dos and don’ts of using transition words for essays. 

  • Understand that these terms are an important part of any type of essay or paper, adding to its overall flow and readability. 
  • Use these words when you are presenting a new idea. For example, start a new paragraph with these phrases, followed by a comma. 
  • Do not overuse transition words. It is one of the most common essay writing problems that students end up with. It is important to only use those words required to convey your message clearly. It is good to sound smart by using these words but don’t overdo it. 
  • Avoid using these words at the start and in the middle. Always try to use transition words only a few times where it is necessary to make it easy for the readers to follow the ideas.

So, now you have an extensive list of transition words. These are some of the best transition words for essays that you can add to your essays.

If your essay seems redundant because you used similar transition words, you can always have a look at this list to find some good replacements. 

So, whenever you’re writing an essay, refer back to this list and let your words flow!

If you still feel that your essay is not properly conveying your ideas, turn to our expert essay writers at MyPerfectWords.com.

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essay writing guide

Florida State University

FSU | Writing Resources

Writing Resources

The English Department

  • College Composition

Transitions

Out of sequence: organization and transition exercise.

  • “AC/DC? No, AB/BC!”Out of Sequence: Organization and Transition Exercise

Picturing Transitions: Narrating Scene Shifts

Looking for connections between ideas, don’t take this exercise for granted: transitions.

  • Puzzle Pieces: Effective Transitions 

Purpose:  This activity challenges students to order paragraphs logically and create smooth transition sentences, teaching them to effectively organize their ideas and effectively transition from one idea to the next.

Description : This exercise asks students to reorder paragraphs and construct transitions using the essay  “Tied Together by Haunting”  by Teri Bruno, which can be found in  Our Own Words: A Students Guide to First Year Composition .

Suggested Time : 30 minutes

Procedure: 

  • Provide each student with a copy of Bruno’s essay out of sequence (copied below). In a computer classroom, this may be done digitally.
  • Instruct the students to a) read the essay, b) evaluate its overall organization and renumber its paragraphs accordingly, and c) support this re-organization by writing transitional sentences. Tell students to continue one paragraph where another ends, highlighting key ideas, phrases and words from the previous paragraph in order to create a logical progression. Note: Obviously the introduction paragraph (once it has been identified) will not need a transition.
  • Give the students ample time to complete the exercise. Walk around and answer questions if necessary.
  • After students have finished, have them volunteer to share their results with the class via projector or doc cam. Compare/contrast results with original out-of-sequence essay. Discuss what changes were made and why.

“Tied Together by Haunting” by Teri Bruno

Paragraph 1,  but should be Paragraph ___

While first person perspective is very common in stories because it allows the author to step into the role of one character and give the readers intimate details, the point of view in “Lucky Chow Fun” is essential to lead the readers into the mind and thoughts of the main character, a round and unattractive teenage girl named Lollie. The readers can see the small town of Templeton through Lollie's eyes, and this especially important when the town is hit by a huge event, the discovery that the local restaurant called Lucky Chow Fun was a secretive whorehouse. When Lollie was in the parking lot of the restaurant one night before the event, she almost knocked into one of the many Chinese girls who worked there, simply mumbling and stepping away, not really looking at the girl she had almost trampled because “nobody in Templeton cared to figure out who the girls were” (8). Yet Lollie vividly describes the girls, saying the girls were like “ghosts in white uniforms chopping things, frying things, talking quietly to one another” (9). When she hears on the news the next day that one of the girls died, and this lead to the discovery of the whorehouse, Lollie is shocked and we see the impact that the tragedy has not only on her, but on the town. Her mother’s boyfriend had apparently been one of the names on the list to visit Lucky Chow Fun, and numbers of wives discovered their husbands’ unfaithfulness, leading to a scandal in the town and casting the Chinese girls as the enemies. Though Lollie admits that she forgot about the poor Lucky Chow Fun girls, years later she dreams about “the seven ghosts” and imagines the terrible events that they had to endure. It is important that Groff uses Lollie’s perspective in this story, the perspective of a girl the same age as the girls who were discovered to have been taken from their homes in China and placed into a whorehouse. In this way, the first person perspective serves to take the readers on the journey of a coming-of-age event that greatly impacts Lollie.

Paragraph 2,  but should be Paragraph ___  

Although second person narration is rare, it is absolutely vital to the story called “Watershed.” Often times, authors may limit their use of this point of view because it is an intimate perspective in which the story tells the reader what to think and feel. Yet this is Groff’s goal in this particular story. Celie, the narrator, recounts the details of her marriage to a specified “you,” who readers discover is her husband. With her profession in the story being a storyteller, it is fitting that Groff chose to use this point of view. As the story continues, Celie reveals that her husband is dead. After Celie starts an argument about how she hates the town and all the people in it, her husband leaves in a rain storm and ends up hydroplaning and crashing his truck into a tree which sticks a branch through his chest. He dies later in the hospital from Hydrocephalus. Groff’s use of the second person point of view turns the reader into the character of the dead husband, which is who Celie is ultimately addressing. She is retelling the tale to him, almost as if by his bedside, hoping he will wake up. Celie asks whether she imagined, “the tightening of your thumb on my palm” (Groff 186). It helps the reader understand Celie’s grief about the loss of her husband and the guilt that she feels. However, when Celie reveals later that “I see you now just leaving rooms I am in,” the reader can see that she is still haunted by the incident (188). By using this perspective, Groff allows the readers to fully grasp the vulnerable and stricken state of Celie, who is intimately recounting their relationship to her dead husband.

Paragraph 3,  but should be Paragraph ___

Overall, however, the reader wonders why Groff might have chosen birds as a major theme throughout her collection. As Connie Ogle states in the Miami Herald, “the women in Lauren Groff’s debut story collection exist in varying stages of unrest” (Ogle 1). These women are emotionally trapped and are struggling to break free and fly. Groff uses the birds to convey the point that all women go through experiences in which they must learn lessons and try to overcome challenges given to them.

Paragraph 4,  but should be Paragraph ___

Throughout the story, water appears in many of the scenes. “Watershed” starts off with a diver telling a couple a story about how he once went down with a diving buddy, and upon realizing that his partner was falling down into an abyss, the diver saved him because he had never felt a purer love for a human being. Later in the story, however, when the woman is at the funeral for her husband, the diver approaches the woman again and retells the tale. The diver actually doesn’t save the man and just lets him go while he floated in the water suspended alone. In both occurrences, the diver’s story is parallel to the state of the couple. When they were together and in love, the diver saved the man. When the woman was left alone by the tragic death of her husband, the diver too had stood alone. However, as Claire Hopley states in the Washington Post, “his reminders of the people that may never have emerged from its depths are eerie and alarming” (Hopley 1). The revision to the diver’s story is a turning point for Celie. He says that the love was all true, but only after he couldn’t see him anymore, when he was “just staring down into that trench, just suspended there alone” (Groff 190). With the loss of her husband, Celie is alone as well, and the diver’s story is tied to hers not only in the deaths due to water, but also in their realization of the love they have for the people they lost. Groff uses water because of its unruly nature, and it parallels the major and unforeseen events that occur in Celie’s life. John Marshall, a book critic who wrote for the Seattle Post, describes Groff’s thematic specialty as “where her perceptive vision is focused - turns out to be turning-point moments, often for women characters - turning-point moments sometimes not recognized as that until it is too late” (Marshall 1).

Paragraph 5,  but should be Paragraph ___

Despite Groff’s varying perspectives on stories and use of themes to help convey her messages, there is one story in particular that weakens her collection. “Fugue” is a story that is very complex and takes time coming together. Groff presents three different sub-stories and then attempts to tie them all together at the end. To the reader, the story stretches out a bit too long, and the readers are in a circle of sub-stories, wondering what the point is. As John Marshall states, “ Groff’s arching ambition for the story results in too many details withheld in hopes of adding mystery, too many characters and their too complex personal stories, too much confusing artifice” (Marshall 1).

Paragraph 6,  but should be Paragraph ___

In the small town that the couple lives, it rains constantly. The husband dies because he hydroplaned while driving in his truck and a tree branch smashed through his chest. Ultimately, though, he dies of Hydrocephalus, otherwise known as “water in the brain.” When the woman is driving home during one of her college years, she hears on the radio that an old couple died by jumping into the Niagara Falls together. These themes of water tie into the concluding paragraph and the point of Groff’s story, that “there is no ending, no neatness in this story. There never really is, where water is concerned” (Groff 192). This ending is not necessarily described as a happy one in which the conflict is resolved with a simple solution or the conflict was simply an illusion or a dream. But it is satisfying in the sense that the readers can relate to how Celie has changed and is coping with the unfortunate events that have occurred in her life.

Paragraph 7,  but should be Paragraph ___

In “Watershed,” for example, when Celie’s husband says that he wants to build her a house before they get married, he states that “every bird needs her nest” (171). It is this sentence in particular that casts fear and doubt in Celie. As she looks back on this incident as she tells the story, she says that it was her fault she didn’t say what she should have, that she “wasn’t the bird type, or maybe the nest type” (172). It is clear from Celie’s thoughts that she fears being constrained and that she is different from the typical flock of birds. Instead, Celie tends to stray from the flock of birds that is the traditional small town in which she now lives with her new husband.

Paragraph 8,  but should be Paragraph ___

In “Delicate Edible Birds,” we also see the character of Bern struggle when she is presented with a delicacy of a tiny bird while eating dinner with her lover, the Mayor of Philadelphia, in France. While everyone else veiled their faces with napkins as they ate the birds, Bern wrapped the bird in a napkin and later dropped the carcass from the hotel balcony, “setting it free, she thought, though it dropped like a lead weight to the ground for some prowling beast to eat” (Groff 288). This occurrence is important because it helps the readers later understand why Bern, who is notorious for having affairs and sleeping with lots of men, refuses to have sex with the Fascist man who is keeping them hostage and will let everyone free if she complies. She too wants to be free, and holds to her choice of not having sex with their captive. Yet as the time nears when the Nazis might come and find them, the men start to urge Bern to comply with the man’s wishes. Bern is the bird, trying to set herself free, but who gets dropped to the ground like the lead weight and has sex with the prowling beast.

Paragraph 9,  but should be Paragraph ___

Groff uses the third person omniscient perspective, another fairly rare point of view because the author can give the readers access into any characters’ thoughts and feelings. Though the majority of the story is in the perspective of the woman character, Bern, occasionally the story flips into the perspective of one of the four men. Groff puts us in the mind of all the four men at one point or another in the story. She does this for one reason in particular, which is so the readers can understand the various perspectives on the conflict with Bern. The five characters in the story, four men and one woman, are all journalists, with the exception of one who is a photographer. Set during World War II, the group is following news of the war, and their car breaks down just outside of Paris in front of a fascist man’s house, who demands that Bern have sex with him. When Bern refuses to have sex with him, the fascists man holds them hostage but will let everyone go if she complies. At first, all the men seem to understand. However, as the time draws nearer to when the Nazis will possibly come for them, Groff allows us into their minds and we understand why they start to change their perspective on Bern having sex with the man. While at first the men claimed that “nothing of the sort can happen, of course” and that there was “no question...for the principle of the thing” the men all have different reasons for wanting to be free from the threat of the oncoming Nazis (285). Parnell has a family back home in England, and Lucci has a wife who has disappeared, yet he still wants to live in hopes that she is alive. The men slowly start to believe that Bern, who is notorious for sleeping with numbers of men, should “just do it and get it over with” and when all of them turn their backs on her, she complies, crushed and confused as to what has changed their minds (286). Despite this all-knowing perspective, Groff only goes into the minds of others on a need-to-know basis. As Carolyn See states in a piece on point of view, an author should only go into a character’s mind “if they absolutely need to think or feel something…otherwise, let them alone” (See 151). Without the use of this all-knowing perspective, the readers wouldn’t have the insight into the men’s minds to understand their desperation and reasons why they eventually disregard Bern and all quietly agree that she needs to comply.

Paragraph 10,  but should be Paragraph ___

Birds also serve as an important theme in “Lucky Chow Fun.” Lollie’s younger sister, Pot, collects taxidermied birds that are scattered around her bedroom. However, Lollie avoids her room as much as possible because she had “one particular gyrfalcon perched on her dresser that seemed malicious, if not downright evil, ready to scratch at your jugular if you were to saunter innocently by” (3). Though the birds are an escape for Pot, they serve to parallel the girls who work at the whorehouse. Groff does not use real birds, but instead decides that Pot will have a collection of stuffed birds who sit on shelves, quiet, fake, and dead on the inside. In a similar way, Lollie describes the girls at Lucky Chow Fun as ghosts, yet they more so resemble the birds. The girls were always quiet, only speaking softly to each other, and though they were alive, they weren’t really living. Lollie later describes the girls as “wordless, as always” (39). Lollie’s reaction to the birds mirrors the girls. She tends to avoid them. On the outside, they resembled people, like the taxidermied birds resembled live birds, however on the inside, they too were stuffed and mind as well have been sitting on Pot’s shelf.

Paragraph 11,  but should be Paragraph ___

In many of the endings, the reader can infer from the various point of views that the characters will still be struggling. In “Watershed,” for example, the last few paragraphs no longer address Celie’s husband but instead focus on her coming to terms with his death. Celie’s husband is still dead, and she must come to the harsh reality that there are things in life that are out of her control. Groff shies away from taking the easy way out in her stories, and prefers to end the stories more realistically. In an ideal world, Bern probably would have held to her morals and not have slept with the Fascist, while Lucky Chow Fun wouldn’t have turned the small town of Templeton into a mass of scandal that broke families apart. However, Groff paints realistic characters by making them not always take the right path, by questioning their morals, and by not coming to a complete realization of who they are. In this way, Groff pulls empathy from her readers, and portrays situations and decisions that people can relate to. Lauren Groff best sums up her idea of happy endings in her first story, “Lucky Chow Fun”: and it is a happy ending, perhaps, in the way that myths and fairy tales have happy endings; only if one forgets the bloody, dark middles, the fifty dismembered girls in the vat, the parents who sent their children into the woods with only a crust of bread. I like to think it’s a happy ending, though it is the middle that haunts me (Groff 39). And though our own personal stories and lives have middles that are haunting, they are the very strings that Groff uses to tie our experiences to her stories, giving us reassurance that we are not alone in our challenges.

Paragraph 12,  but should be Paragraph ___  

Ever since I was young, whenever I cracked open a book or sat in front of the television watching a movie, I always wished for a happy ending. Anxiously, I would sit squeezing my fingers together, hoping the prince would save the princess, the animals would find their way back home, and the hero would conquer the villain. However, happy endings are rarely realistic and hardly convey the true resolutions to life’s messy conflicts. In Lauren Groff’s  Delicate Edible Birds , the author employs several methods of delivering perspective, while threading a constant theme throughout her stories in order to evoke empathy in the readers without simply supplying a happy ending. ­­­­­

Works Cited

Groff, Lauren. Delicate Edible Birds. New York: Hyperion, 2009.

Hopley, Claire. "Tales of Tough Women." 22 Feb. 2009. LexisNexis. 10 Nov. 2009.

Marshall, John. "Short Story Collection's Dazzling Variety Spans Decades and Continents." 02 Feb. 2009. LexisNexis. 10 Nov. 2009.

Ogle, Connie. "Female Characters Discover Hardships and Joys of Life." 01 Feb. 2009. LexisNexis. 10 Nov. 2009 .

See, Carolyn. Making a Literary Life. New York: Random House, 2002. Print.

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“ac/dc no, ab/bc” arrangement for transition and emphasis.

Purpose:   This brief editorial exercise shows students how transitions are created through arrangement and how arrangement can be used to emphasize points. Since this exercise is based on arranging pieces, its best used when pieces are available—a paper’s paragraphs, a paragraph’s sentences, or even audio tracks. Students will practice arranging those pieces, “bonding” them to create transitions and emphasis. Completing this exercise provides practice with close-editing skills and teaches students to attend to arrangement.

Description:  This exercise requires, at minimum, paper and pencil for the student and a chalkboard for the instructor. Students will either bring a brief writing sample to class or write a short piece when class begins. The instructor will then explain the idea of “bonding” two units of text (paragraphs, sentences, etc.) by overlapping the content located in one’s ending and the other’s beginning. Students will then practice this concept by rearranging their writing sample in a similar manner.

Suggested Time:

  • 40 minutes (if sample is provided by instructor or is brought to class by students)
  • 50 minutes (if writing sample is written in class)
  • Two 20-minute periods over two days if the revision section is assigned as homework
  • Either assign students to bring a sample to class or begin class by having them write a short piece—minimum of 2 paragraphs with a total of at least 10 sentences. This minimum is necessary for students to practice arrangement of sentences as well as arrangement of paragraphs in a single session.
  • The instructor will explain the concept of “AB/BC” organization: Each sentence has two parts: the beginning content (A) and the end content (B). Like notation for a poem’s rhyme schemes, new content can be labeled with a new letter (A is B. C is not D.) with repeated content using the same letter (A is B. B is not C). To create emphasis and clear transition between the first sentence (1) and its following sentence (2), there should be some overlap and repeats in the content that ends the first sentence and begins the second. For example, in the following sample section the words “sentence” and “focus” repeat, emphasizing those words while at the same time creating transitions between the sentences:  The strongest part of a paragraph (1A) is at the end of the paragraph’s first sentence (1B). That sentence (2B) will set up the paragraphs' focus (2C). Focus (3C) is especially important when...
  • To visual this point, the instructor may show the students a short video clip and discuss how directors will often use the same cues when making large leaps. For example, towards the end of  Cast Away , Tom Hank’s character (1A) lays on his raft while a ship passes before him. He cries out his love’s name: “Lilly!” (1B) and the audience hears the ship’s rhythmic siren (1C). The scene then cuts to a kitchen, Close up on a phone. It’s ringing with a rhythm and pitch similar to the siren’s (1C). The camera pans back. There’s Lilly (1B). She answers the phone.
  • After the lecture on AB/BC arrangement, the students should be given 15 minutes to rearrange their writing sample’s sentences, rewriting sentences if necessary. After that, 5 minutes should be spent on rearranging the writing sample’s paragraphs, revising the beginning and ending sentences as necessary.
  • For the last 10 minutes of class, the instructor should lead a discussion in which the students discuss their challenges with the exercise. They should also share samples of their rearranged sentences, reading both the original and the revision.
  • Alternately, the instructor can collect the original and its revision and compile a selection of samples to show the class at the start of the next session. This way the instructor can use the assignment as a transition to the next class, practicing the lesson upon the framework of the class itself. Like showing the video, this draws attention to how many types of compositions, not just paragraphs and sentences, can be arranged with an awareness of overlapping beginnings and endings.

Additional Information:  The core exercise can be done in one 50 minute session: 10 minutes to write a brief piece; 10 minutes to establish the concept of AB/BC bonding; 15 minutes to rearrange the writing sample’s sentences; 5 minutes to rearrange the writing sample’s paragraphs, and 10 minutes of discussion. Alternately, if a 5-minute video is incorporated in the lecture portion of class, 5 minutes may be removed from the discussion portion.

Media-based and Peer-Review-based Variables:  This exercise can be incorporated into peer review sessions. (“Rearrange the sentences/paragraphs in your peer’s paper to create emphasis and/or transitions where needed.”) If using media such as audio files, rearrangement may take be assigned as homework. (“Rearrange these 5 music tracks to make a mix, paying attention to arrangement and how the songs transition. Write one double-spaced page that defines the playlist and explains the reasoning behind your chosen arrangement.”)

Purpose:   This activity will help students create effective transitions between paragraphs and topics in their writing. It should also get them to think about how transitions help to guide the reader through their work.

Description:  This activity forces students to think outside of the box and consider the function of transitions in their writing.

Suggested Time:  40-60 minutes

Procedure:  Divide your class into groups of 4-5 and bring in enough magazines for each group to have at least two (check the magazine racks around campus if you need extra copies). Also, bring in scissors so that they can cut pictures from the magazines.

This is a four part collaborative exercise: 1) cutting images out, 2) writing descriptions, 3) creating transitions, 4) sharing and discussing the work.

Explain that they will be working on developing effective transitions by connecting different scenes that possess no direct relationship with one another. They will cut out pictures from a magazine, generate short descriptions of the scenes, and then link them with one another by constructing effective conclusions and introductions that weave the scenes together. However, instead of one group doing all three processes, groups will pass the work they do for one part of the assignment to a neighboring group so that a different group is engaged in each phase of the process. The fact that other groups will be completing the work should encourage students to come up with out of the box images and/or descriptions, fueling creativity and a sense of competition. Inform them that what they create will be shared with their peers.

  • Have students cut out four pictures. Tell them to try and find the most unrelated, crazy images possible (10 minutes). Note: Reduce the images to three if you are under significant time constraints.
  • Have them pass their images to the right and then ask each group to create a short narrative of the scene (what is going on, etc.). However, also ask them to take a specific, unified rhetorical approach. For example, they might take a narrative approach and write from a single character's perspective or write from a specific analytical perspective and treat it like a research paper or expository piece (e.g. famous vacation spots or best spots around town). Tell them not to spend too much time on writing for one image and to write only three-four sentences for each. (10-15 minutes)
  • Have them pass the images and descriptions to the right and ask each group to create introductory and conclusion sentences that weave together each scene. Be sure to tell them not to become too clichéd in their process and to avoid redundancy (e.g. simply writing next I went to the mall and now I'm at the mall when someone is traveling from a beach scene is not acceptable). Encourage creativity and critical writing. (10-15 minutes)
  • Share what students have written. Everyone should enjoy seeing how the scenes they picked out were described and how their descriptions were linked to each other. After each reading, discuss what was strong and weak about each piece (in a constructive, positive manner, of course). If necessary, this last part can be delayed until the following class, giving you time to look over the responses. (10-20 Minutes)

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Purpose:  This exercise aims to teach students how to construct effective transitions in their writing and look for connections between ideas where a natural link might not be obvious.

Description:  Transitions asks students to link unrelated ideas and discovery new and creative ways of tying together concepts in their writings.

Suggested Time:  About 20 minutes

  • Tell them to divide a sheet of paper in half, making two columns. In the left column, have them list what they like about Tallahassee. In the right column, what they dislike. Give them time to make a fairly decent sized list, at least seven or eight in each column. I write my own list on the board.
  • Have them randomly circle two ideas in the like column, then two ideas in the dislike column.
  • Have them number these four ideas, starting with a like, then a dislike, then back to a like again. e.g. 1) rainbows 2) bloody noses 3) warm soup 4) pop quizzes
  • Now begin a discussion about transitions. Ask them if they understand what teachers mean by rough transitions. I explain that the difficulty often arises in people's inability to see the connections between ideas, and one way to get better at that is to practice looking for those connections between ideas which don't seem naturally related.
  • Tell them to write, to move from subject one to two to three to four. I explain that a bad transition is one which just jumps suddenly from one idea to another with no idea logically connecting the two. It will probably also be beneficial to explain that good transitions also do not stray too far from the main idea of the writing (i.e. don't just ramble).
  • (optional) When they have worked on this for a while, have some people read their pieces out loud. The first people done will probably be the ramblers. Discuss what could be done to tie all of their ideas together.

Purpose:  This exercise encourages students to explore ways of employing effective detail-driven transitions within their writing. By finding common threads, they’ll be able to unify ideas within their papers.

Description:  Students will work to combine significant events, people, or beliefs with effective transitions. This can either be done in groups or individually, depending on how much time you would like to spend. Both ways can benefit from reading Meagan C. Arrastia's "The One I Took for Granted” (2004-2005 McCrimmon Award Winner).

Suggested Time:  For both methods, about 35-40 minutes will suffice.

For Group Paper:

 1. Divide the class into groups of three or four and have them brainstorm on common  themes in their life (ex: "overcoming adversity," "growing pains,"  "influential people," "trips," "beliefs," etc).  2. The students will then list as many important moments or ideas that have defined their lives and that they feel circle around this common theme.  3. The groups will select one event from each member’s list, based on which event sounds the most interesting and that they'd all like to hear more about. It doesn't matter how disparate the events or moments are. As a matter of fact, students should be encouraged to choose events that don't tie together in obvious ways to make their group paper more interesting.  4. Each group member will then freewrite on his or her topic. After 10 minutes,  group members will come back together and share what they have written and try  to figure out how they can string the story together. Ideally, they will work  out ways to transition between the snapshots of the lives of different group  members in an engaging way.

For Individual Paper:  1. Students are asked to choose "a significant person," "a significant  event," and "a significant belief," and list them on a clean sheet of paper. Below each "significant" header, students choose and list three scenes or incidents that are especially vivid about that person, event, or belief. They are encouraged to choose scenes that are far apart in  time and place and perhaps don't seem to connect in obvious ways.  2. Students then trade their paper with classmates; at least six or seven other people. Each classmate votes for which topic sounds the most interesting, based on the "scenes" listed. With that many opinions, they can see where the reader's interests lie.  3. When students get their sheets back, they are tied to the topic that received  the most "reader votes." For each scene in that topic, they start listing the personal emotions they felt, the adjectives that describe the person, event, or belief as well as their state of mind. The goal is to keep them from tying their paper together in a simple chronological way, and to order it ideationally. Hopefully, they find that in many of these scenes they were in a similar state  of mind.  4. Have students begin freewriting one of the scenes, and as soon as they find themselves expounding on one of the adjectives or emotions that help tie the scene together, they’ll jump to the next scene (they can always come back later to flesh out the scene fully, but they have the ever-important and ever-missing from freshman writing – transition). They do this until they've tied together all their scenes, and they have the bare bones of a personal experience paper.

Additional Information:  For other ways of "making connections," students could also look at Becky Godlasky's essay "Using Metaphor to Make Connections," which is in The Inkwell. Also look at the Raymond Carver's poem "Sunday Night," in Bishop's  On Writing . (As Bishop writes, "what small, overlooked elements might loom large in your composition?" In other words, how can find unique connections in the minute details of your stories?)

Puzzle Pieces: Effective Transitions

Purpose:  This activity should help students identify effective and creative transitions in the essay by restructuring the final draft. It should also show them how to allow the connecting ideas to serve as the transition in an essay vs. only using one-word transitions. Use with “Adaptations, Limitations, and Imitations,” OOW 2006-2007.

Description:  The author of “Adaptations, Limitations, and Imitations” wrote in a process memo that he/she initially encountered difficulty trying to organize the paper logically, but the final draft was structured beautifully. By cutting up this essay into individual paragraphs, students are forced to seek out connecting ideas as they try to organize the essay in a logical way. Students also see how different organizational structures can significantly change an essay.

Suggested Time:  30-40 minutes

 1. Before class, make five copies of the essay and cut them up, separating the different paragraphs. (Numbering the paragraphs out of order may help in discussion).  2. Divide the class into no more than five groups, with 4-5 students in each group. Give each group one dismantled essay and ask them to put the pieces together in “logical” order. This may take up to 20 minutes.  3. Students should discuss amongst themselves (1) the essay’s progression, (2) what the transitions are, and (3) the lack of “obvious” conclusion (In brief, In Conclusion).  4. As a class, ask students how they organized the essay and why. (This is where the prior numbering would come in handy. For example, the group would be able to easily say “We think paragraph D goes first, etc). Ask them to identify the connecting ideas for each paragraph of the essay (i.e. the second paragraph connects to the introduction because it continues the anecdote about the writer’s sophomore year of high school). If the different groups disagree about where the paragraphs go, ask them to explain why they think.

100 Creative Writing Prompts for Middle & High School – 2024

April 15, 2024

creative writing prompts for high school and middle school teens

Some high school students dream of writing for a living, perhaps pursuing an English major in college, or even attending a creative writing MFA program later on. For other students, creative writing can be useful for school assignments, in English and other subjects, and also for preparing their Common App essays . In a less goal-oriented sense, daily freewriting in a journal can be a healthy life practice for many high schoolers. Not sure where to start? Continue reading for 100 creative writing prompts for middle school and high school students. These middle/high school writing prompts offer inspiration for getting started with writing in a number of genres and styles.

Click here to view the 35 Best Colleges for Creative Writing .

What are Creative Writing Prompts?

Similar to how an academic essay prompt provides a jumping-off point for forming and organizing an argument, creative writing prompts are points of initiation for writing a story, poem, or creative essay. Prompts can be useful for writers of all ages, helping many to get past writer’s block and just start (often one of the most difficult parts of a writing process).

Writing prompts come in a variety of forms. Sometimes they are phrases used to begin sentences. Other times they are questions, more like academic essay prompts Writing prompts can also involve objects such as photographs, or activities such as walking. Below, you will find high school writing prompts that use memories, objects, senses (smell/taste/touch), abstract ideas , and even songs as jumping-off points for creative writing. These prompts can be used to write in a variety of forms, from short stories to creative essays, to poems.

How to use Creative Writing Prompts

Before we get started with the list, are a few tips when using creative writing prompts:

Experiment with different formats : Prose is great, but there’s no need to limit yourself to full sentences, at least at first. A piece of creative writing can begin with a poem, or a dialogue, or even a list. You can always bring it back to prose later if needed.

Interpret the prompt broadly : The point of a creative writing prompt is not to answer it “correctly” or “precisely.” You might begin with the prompt, but then your ideas could take you in a completely different direction. The words in the prompt also don’t need to open your poem or essay, but could appear somewhere in the middle.

Switch up/pile up the prompts : Try using two or three prompts and combine them, or weave between them. Perhaps choose a main prompt, and a different “sub-prompt.” For example, your main prompt might be “write about being in transit from one place to another,” and within that prompt, you might use the prompt to “describe a physical sensation,” and/or one the dialogue prompts.  This could be a fun way to find complexity as you write.

Creative Writing Prompts for Middle School & High School Students (Continued)

Write first, edit later : While you’re first getting started with a prompt, leave the typos and bad grammar. Obsessing over details can take away from your flow of thoughts. You will inevitably make many fixes when you go back through to edit.

Write consistently : It often becomes easier to write when it’s a practice , rather than a once-in-a-while kind of activity. For some, it’s useful to write daily. Others find time to write every few days, or every weekend. Sometimes, a word-count goal can help (100 words a day, 2,000 words a month, etc.). If you set a goal, make sure it’s realistic. Start small and build from there, rather than starting with an unachievable goal and quickly giving up.

100 Creative Writing Prompts for Middle School & High School Teens

Here are some prompts for getting started with your creative writing. These are organized by method, rather than genre, so they can inspire writing in a variety of forms. Pick and choose the ones that work best for you, and enjoy!

Prompts using memories

  • Begin each sentence or group of sentences with the phrase, “I remember…”
  • Describe a family ritual.
  • Choose an event in your life, and write about it from the perspective of someone else who was there.
  • Pick a pathway you take on a regular basis (to school, or to a friend’s house). Describe five landmarks that you remember from this pathway.
  • Write about your house or apartment using a memory from each room.
  • Write an imaginary history of the previous people who lived in your house or apartment.
  • Write about an ancestor based on stories you’ve heard from relatives.
  • What’s your earliest memory?
  • Who was your first friend?
  • Write a letter to someone you haven’t seen since childhood.
  • Write about yourself now from the perspective of yourself twenty, or eighty, years from now.
  • Write about the best month of the year.
  • Write about the worst day of the year.
  • Rant about something that has always annoyed you.
  • Write about the hottest or coldest day you can remember.
  • Visualize a fleeting moment in your life and as though it’s a photograph, and time yourself 5 minutes to write every detail you can remember about the scene.
  • Draw out a timeline of your life so far. Then choose three years to write about, as though you were writing for a history book.
  • Write about a historical event in the first person, as though you remember it.
  • Write about a memory of being in transit from one place to another.

Objects and photographs as creative writing prompts

  • Describe the first object you see in the room. What importance does it have in your life? What memories do you have with this object? What might it symbolize?
  • Pick up an object, and spend some time holding it/examining it. Write about how it looks, feels, and smells. Write about the material that it’s made from.
  • Choose a favorite family photograph. What could someone know just by looking at the photograph? What’s secretly happening in the photograph?
  • Choose a photograph and tell the story of this photograph from the perspective of someone or something in it.
  • Write about a color by describing three objects that are that color.
  • Tell the story of a piece of trash.
  • Tell the story of a pair of shoes.
  • Tell the story of your oldest piece of clothing.

Senses and observations as creative writing prompts

  • Describe a sound you hear in the room or outside. Choose the first sound you notice. What are its qualities? It’s rhythms? What other sounds does it remind you of?
  • Describe a physical sensation you feel right now, in as much detail as possible.
  • Listen to a conversation and write down a phrase that you hear someone say. Start a free-write with this phrase.
  • Write about a food by describing its qualities, but don’t say what it is.
  • Describe a flavor (salty, sweet, bitter, etc.) to someone who has never tasted it before.
  • Narrate your day through tastes you tasted.
  • Narrate your day through sounds you heard.
  • Narrate your day through physical sensations you felt.
  • Describe in detail the physical process of doing an action you consider simple or mundane, like walking or lying down or chopping vegetables.
  • Write about the sensation of doing an action you consider physically demanding or tiring, like running or lifting heavy boxes.
  • Describe something that gives you goosebumps.
  • Write a story that involves drinking a cold glass of water on a hot day.
  • Write a story that involves entering a warm house from a cold snowy day.
  • Describe someone’s facial features in as much detail as possible.

Songs, books, and other art

  • Choose a song quote, write it down, and free-write from there.
  • Choose a song, and write a story in which that song is playing in the car.
  • Choose a song, and write to the rhythm of that song.
  • Choose a character from a book, and describe an event in your life from the perspective of that character.
  • Go to a library and write down 10 book titles that catch your eye. Free-write for 5 minutes beginning with each one.
  • Go to a library and open to random book pages, and write down 5 sentences that catch your attention. Use those sentences as prompts and free-write for 5-minutes with each.
  • Choose a piece of abstract artwork. Jot down 10 words that come to mind from the painting or drawing, and free-write for 2 minutes based on each word.
  • Find a picture of a dramatic Renaissance painting online. Tell a story about what’s going on in the painting that has nothing to do with what the artist intended.
  • Write about your day in five acts, like a Shakespearean play. If your day were a play, what would be the introduction, rising action, climax, falling action, and resolution?
  • Narrate a complicated book or film plot using only short sentences.
  • Read a short poem. Then write a poem that could be a “sister” or “cousin” of that poem.

Abstract ideas as creative writing prompts

  • Write about an experience that demonstrates an abstract idea, such as “love” or “home” or “freedom” or “loss” without ever using the word itself.
  • Write a list of ways to say “hello” without actually saying “hello.”
  • Write a list of ways to say “I love you” without actually saying “I love you.”
  • Do you believe in ghosts? Describe a ghost.
  • Invent a mode of time travel.
  • Glass half-full/half-empty: Write about an event or situation with a positive outlook. Then write about it with a miserable outlook.
  • Free-write beginning with “my religion is…” (what comes next can have as much or as little to do with organized religion as you’d like).
  • Free-write beginning with “my gender is…” (what comes next can have as much or as little to do with common ideas of gender as you’d like).
  • Write about a person or character that is “good” and one that is “evil.” Then write about the “evil” in the good character and the “good” in the evil character.
  • Write like you’re telling a secret.
  • Describe a moment of beauty you witnessed. What makes something beautiful?

Prompts for playing with narrative and character

  • Begin writing with the phrase, “It all started when…”
  • Tell a story from the middle of the most dramatic part.
  • Write a story that begins with the ending.
  • Begin a story but give it 5 possible endings.
  • Write a list of ways to dramatically quit a terrible job.
  • Write about a character breaking a social rule or ritual (i.e., walking backwards, sitting on the floor of a restaurant, wearing a ballgown to the grocery store). What are the ramifications?
  • You are sent to the principal’s office. Justify your bad behavior.
  • Re-write a well-known fairytale but set it in your school.
  • Write your own version of the TV show trope where someone gets stuck in an elevator with a stranger, or a secret love interest, or a nemesis.
  • Imagine a day where you said everything you were thinking, and write about it.
  • Write about a scenario in which you have too much of a good thing.
  • Write about a scenario in which money can buy happiness.
  • Invent a bank or museum heist.
  • Invent a superhero, including an origin story.
  • Write using the form of the scientific method (question, hypothesis, test, analyze data conclusion).
  • Write using the form of a recipe.

Middle School & High School Creative writing prompts for playing with fact vs. fiction

  • Write something you know for sure is true, and then, “but maybe it isn’t.” Then explain why that thing may not be true.
  • Write a statement and contradict that statement. Then do it again.
  • Draft an email with an outlandish excuse as to why you didn’t do your homework or why you need an extension.
  • Write about your morning routine, and make it sound extravagant/luxurious (even if it isn’t).
  • You’ve just won an award for doing a very mundane and simple task. Write your acceptance speech.
  • Write about a non-athletic event as though it were a sports game.
  • Write about the most complicated way to complete a simple task.
  • Write a brief history of your life, and exaggerate everything.
  • Write about your day, but lie about some things.
  • Tell the story of your birth.
  • Choose a historical event and write an alternative outcome.
  • Write about a day in the life of a famous person in history.
  • Read an instructional manual, and change three instructions to include some kind of magical or otherwise impossible element.

Prompts for starting with dialogue

  • Write a texting conversation between two friends who haven’t spoken in years.
  • Write a texting conversation between two friends who speak every day and know each other better than anyone.
  • Watch two people on the street having a conversation, and imagine the conversation they’re having. Write it down.
  • Write an overheard conversation behind a closed door that you shouldn’t be listening to.
  • Write a conversation between two characters arguing about contradicting memories of what happened.
  • You have a difficult decision to make. Write a conversation about it with yourself.
  • Write a conversation with a total lack of communication.
  • Write a job interview gone badly.

Final Thoughts – Creative Writing Prompts for Middle School & High School 

Hopefully you have found several of these creative writing prompts helpful. Remember that when writing creatively, especially on your own, you can mix, match, and change prompts. For more on writing for high school students, check out the following articles:

  • College Application Essay Topics to Avoid
  • 160 Good Argumentative Essay Topics
  • 150 Good Persuasive Speech Topics
  • Good Transition Words for Essays
  • High School Success

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Sarah Mininsohn

With a BA from Wesleyan University and an MFA from the University of Illinois at Urbana-Champaign, Sarah is a writer, educator, and artist. She served as a graduate instructor at the University of Illinois, a tutor at St Peter’s School in Philadelphia, and an academic writing tutor and thesis mentor at Wesleyan’s Writing Workshop.

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  1. 92 Essay Transition Words to Know, With Examples

    Abruptly switching topics in essays can be jarring; however, transition words can smooth the change for the convenience of the reader.Moreover, you can use essay transition words to start a paragraph, sentence, or clause more naturally.Additionally, essay transition words can connect new information to the previous statement so you don't have to say everything at once.

  2. Transitions

    A transition between paragraphs can be a word or two (however, for example, similarly), a phrase, or a sentence. Transitions can be at the end of the first paragraph, at the beginning of the second paragraph, or in both places. Transitions within paragraphs: As with transitions between sections and paragraphs, transitions within paragraphs act ...

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  4. Transition Sentences

    Clear transitions are crucial to clear writing: They show the reader how different parts of your essay, paper, or thesis are connected. Transition sentences can be used to structure your text and link together paragraphs or sections. Example of a transition sentence for a new paragraph. In this case, the researchers concluded that the method ...

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    Example sentence. Transition words and phrases. Addition. We found that the mixture was effective. Moreover, it appeared to have additional effects we had not predicted. indeed, furthermore, moreover, additionally, and, also, both x and y, not only x but also y, besides x, in fact. Introduction.

  6. Transitions

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  7. Transition Sentences: Definition, Usage Tips & Examples

    Transition sentences, as their name implies, express the transitions between thoughts that link them together. They're the segues that communicate the how, when, where, why, and other relationships you explore in your writing as you move from the introduction to the conclusion, incorporating all relevant supporting points along the way.

  8. Transition Words and Phrases Examples

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  9. PDF 7th Edition Transitions Quick Guide

    Transitions Quick Guide. There are two kinds of transitions: (a) transitional words and phrases that are used at the start of a sentence to show how the sentence connects with the previous sentence and (b) transitional sentences that are used at the start of a paragraph to show how the paragraph logically connects with the previous paragraph.

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    Common Transition Words and Phrases. ... 9. Emphasis. Use to suggest that an idea is particularly important to your argument important to note, most of all, a significant factor, a primary concern, a key feature, remember that, pay particular attention to, a central issue, the most substantial issue, the main value, a major event, the chief factor, a distinctive quality, especially valuable ...

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    Transitional terms give writers the opportunity to prepare readers for a new idea, connecting the previous sentence to the next one. Many transitional words are nearly synonymous: words that broadly indicate that "this follows logically from the preceding" include accordingly, therefore, and consequently.Words that mean "in addition to" include moreover, besides, and further.

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    3. The "Connecting Back to Your Topic" Transition. With this approach, you establish your central topic, then connect back to it in your transition sentences. Notice in the " Translating " essay, for example, how each transition sentence connects back to the central theme:

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  24. 100 Creative Writing Prompts for Middle & High School

    Some high school students dream of writing for a living, perhaps pursuing an English major in college, or even attending a creative writing MFA program later on. For other students, creative writing can be useful for school assignments, in English and other subjects, and also for preparing their Common App essays.In a less goal-oriented sense, daily freewriting in a journal can be a healthy ...