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The Presentation of Christ in the Temple

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The Presentation of the Virgin in the Temple, from The Life of the Virgin

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c. 1503–04, published 1511

Albrecht Dürer German, 1471-1528

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Meder 193 1511 Latin text

Schoch, Mende, & Scherbaum 171

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The Presentation of Christ in the Temple

Albrecht dürer c. 1504/1505, national gallery of art, washington dc washington, dc, united states.

  • Title: The Presentation of Christ in the Temple
  • Creator: Albrecht Dürer
  • Date Created: c. 1504/1505
  • Physical Dimensions: sheet: 29.7 × 21.1 cm (11 11/16 × 8 5/16 in.) image: 29.4 × 20.9 cm (11 9/16 × 8 1/4 in.)
  • Medium: woodcut

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The Presentation of the Virgin in the Temple

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1st edition, Latin text

The Presentation in the Temple , 1505 (1511)

Albrecht dürer expand_more.

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Gift of Herschel V. Jones, 1926 expand_more   P.10,895

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Albrecht Dürer

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Albrecht Dürer ( German , 1471-1528), printmaker

Presentation of Christ in the Temple , from The Life of the Virgin

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Lettered with the artist's monogram LL within image: "AD"

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The Presentation in the Temple

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durer presentation in the temple

Durer’s woodcut showcases the Virgin Mary and Joseph presenting Christ to the Temple in Jerusalem. On the image’s right, a bearded and aging Simeon (clothed in the outfit of the High Priest) holds the small body of Christ close to himself. The crowded Temple also showcases Durer’s architectural abilities in woodcutting, as detailed in the overhanging square, crisscrossed beams, and the protruding rounded pillars.

SKU: 9866 Creator: Albrecht Dürer Date: 1503 Original Medium: woodcut Location: Private Collection

The Presentation in the Temple

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  • Albrecht Dürer: Complete woodcuts , 048
  • Catalogue of Early German and Flemish Woodcuts in the British Museum, Vol. 1 , C. D. 41
  • Kurth's Complete Woodcuts of Albrecht Dürer , 179
  • https://clevelandart.org/art/1959.99.6 ( English )
  • https://clevelandart.org/art/1922.289 ( English )
  • https://sempub.ub.uni-heidelberg.de/duerer.online/wisski/navigate/59586/view ( German )
  • GND :  1070806846

https://purl.org/nga/collection/artobject/6696

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Historical Description

In this monumental piece, Dürer’s remarkable architectural sense is even more revealed to his audience.  His use of various columns and recessed ceiling panels make way for an exercise in depth perception and execution.  His shading recalls that of many others in this series; stark contrasts in light and dark illuminate the vast room and help convey the crowded, bustling aura of the people who have come to watch this Presentation of Christ .

According to W. Strauss (1980), “Almost overpowered by the monumental architecture, denoting the weightiness of the Old Law, Joseph and Mary present the infant Christ in the Temple of Jerusalem.  The child is held by Simeon, while the prophetess Hannah points her finger.  The Virgin child is held by Simeon, while the prophetess Hannah points her finger.  The Virgin is offering a dove as sacrifice; Joseph is pictured very much as in the two preceding sheets.  Even more than in ‘The Circumcision,’ Dürer succeeds in drawing the beholder in the changer” (pg. 325-7)

Created in c. 1505, this work is monogrammed ‘AD’ on a slate in the lower left of the image.  A Meder (b) of (f) impression, this work is printed on a fine laid paper with the Bishop’s Crest Watermark (Meder 39, not in Briquet) dating this work to c. 1540-1550.

Catalogue Raisonné & COA: Albrecht Durer The Presentation of Christ in the Temple (The Life of the Virgin), c. 1505  is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoice accompanying the final sale of the work):

1. Bartsch. The Illustrated Bartsch Vol. 10. Edited by Walter L. Strauss. New York: Abaris Books, 1981.Listed and illustrated as catalogue raisonné no. 88.

2. Kurth, W. Dr. The Complete Woodcuts of Albrecht Dürer. New York: Dover Publications, Inc.,1963. The Complete Woodcuts of Albrecht Dürer . Listed and illustrated as catalogue raisonné no. 186.

3. Meder, J. Dürer-Katalog. Wien: Verlag Gilhoffer & Ranschburg, 1932.  Listed as catalogue raisonné no. 200. Watermark listed and illustrated as M Wz. 39 on pgs. 301-302.

4. Pawlak, M. Albrecht Dürer: 1471 bis 1528, Das gesamte Graphische Werk, Druckgraphik, Band II . München, Verlag Rogner & Bernhard GMBH.  Listed and illustrated as plate no. 1574.

5. Scheller, R. W. and Boon, K. G. The Graphic Art of Albrecht Dürer, Hans Dürer and the Dürer School. Amsterdam: Vengendt & Co, 1971.  Listed and illustrated as catalogue raisonné no. 200.

6. Schoch, R. Albrecht Dürer: Das druckgraphische Werk, Band II Holzschnitte und Holzschnittfolgen . München: Prestel Verlag, 2002. Listed and illustrated as catalogue raisonné no. 178.

7. Strauss, W. L. Albrecht Dürer, Woodcuts and Wood Blocks . New York: Abaris Books, 1980. Listed and illustrated as catalogue raisonné no. 99.

8. A Certificate of Authenticity will accompany this work.

ABOUT THE FRAMING: Albrecht Durer The Presentation of Christ in the Temple (The Life of the Virgin), c. 1505 is framed to museum-grade, conservation standards, presented in a complementary moulding and finished with linen-wrapped mats and optical grade Plexiglas.

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The Presentation of the Virgin in the Temple, from "The Life of the Virgin"

Albrecht Dürer German

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The Presentation of the Virgin in the Temple, from "The Life of the Virgin", Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), Woodcut

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Title: The Presentation of the Virgin in the Temple, from "The Life of the Virgin"

Series/Portfolio: The Life of the Virgin

Artist: Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg)

Date: ca. 1503

Medium: Woodcut

Dimensions: sheet: 12 1/8 x 8 3/8 in. (30.8 x 21.3 cm) image: 11 5/8 x 8 5/16 in. (29.5 x 21.1 cm)

Classification: Prints

Credit Line: Gift of Junius Spencer Morgan, 1919

Accession Number: 19.73.150

Learn more about this artwork

Timeline of art history, albrecht dürer (1471-1528), anselm kiefer (born 1945), arms and armor - common misconceptions and frequently asked questions, europe and the age of exploration, jan gossart (ca. 1478-1532) and his circle, portraiture in renaissance and baroque europe, rembrandt van rijn (1606-1669): prints, the decoration of arms and armor, the printed image in the west: history and techniques, the rediscovery of classical antiquity, the reformation, central europe (including germany), 1400-1600 a.d., museum publications.

Gothic and Renaissance Art in Nuremberg, 1300–1550

Gothic and Renaissance Art in Nuremberg, 1300–1550

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durer presentation in the temple

The Presentation of the Virgin in the Temple

Albrecht durer.

  • Date: 1504 - 1505
  • Style: Northern Renaissance
  • Series: Life of the Virgin
  • Genre: religious painting
  • Media: woodcut
  • Location: Albertina, Vienna, Austria

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Luke 2:22-35 New English Translation

Jesus’ presentation at the temple.

22  Now [ a ] when the time came for their [ b ] purification according to the law of Moses, Joseph and Mary [ c ] brought Jesus [ d ] up to Jerusalem to present him to the Lord 23  (just as it is written in the law of the Lord, “ Every firstborn male [ e ] will be set apart to the Lord ” [ f ] ), 24  and to offer a sacrifice according to what is specified in the law of the Lord, a pair of doves [ g ] or two young pigeons . [ h ]

The Prophecy of Simeon

25  Now [ i ] there was a man in Jerusalem named Simeon who was righteous [ j ] and devout, looking for the restoration [ k ] of Israel, and the Holy Spirit [ l ] was upon him. 26  It [ m ] had been revealed [ n ] to him by the Holy Spirit that he would not die [ o ] before [ p ] he had seen the Lord’s Christ. [ q ] 27  So [ r ] Simeon, [ s ] directed by the Spirit, [ t ] came into the temple courts, [ u ] and when the parents brought in the child Jesus to do for him what was customary according to the law, [ v ] 28  Simeon [ w ] took him in his arms and blessed God, saying, [ x ]

29  “Now, according to your word, [ y ] Sovereign Lord, [ z ] permit [ aa ] your servant [ ab ] to depart [ ac ] in peace. 30  For my eyes have seen your salvation [ ad ] 31  that you have prepared in the presence of all peoples: [ ae ] 32  a light, [ af ] for revelation to the Gentiles, and for glory [ ag ] to your people Israel.”

33  So [ ah ] the child’s [ ai ] father [ aj ] and mother were amazed [ ak ] at what was said about him. 34  Then [ al ] Simeon blessed them and said to his mother Mary, “Listen carefully: [ am ] This child [ an ] is destined to be the cause of the falling and rising [ ao ] of many in Israel and to be a sign that will be rejected. [ ap ] 35  Indeed, as a result of him the thoughts [ aq ] of many hearts will be revealed [ ar ] —and a sword [ as ] will pierce your own soul as well!” [ at ]

  • Luke 2:22 tn Here καί ( kai ) has been translated as “now” to indicate the transition to a new topic.
  • Luke 2:22 tc The translation follows most mss , including early and significant ones ( א A B L). Some copyists, aware that the purification law applied to women only, produced mss (76 it pt vg [though the Latin word eius could be either masculine or feminine]) that read “her purification.” But the extant evidence for an unambiguous “her” is shut up to one late minuscule (codex 76) and a couple of patristic citations of dubious worth (Pseudo-Athanasius whose date is unknown, and the Catenae in euangelia Lucae et Joannis , edited by J. A. Cramer. The Catenae is a work of collected patristic sayings whose exact source is unknown [thus, it could come from a period covering hundreds of years]). A few other witnesses (D lat) read “his purification.” The KJV has “her purification,” following Beza’s Greek text (essentially a revision of Erasmus’). Erasmus did not have it in any of his five editions. Most likely Beza put in the feminine form αὐτῆς ( autēs ) because, recognizing that the eius found in several Latin mss could be read either as a masculine or a feminine, he made the contextually more satisfying choice of the feminine. Perhaps it crept into one or two late Greek witnesses via this interpretive Latin back-translation. So the evidence for the feminine singular is virtually nonexistent, while the masculine singular αὐτοῦ ( autou , “his”) was a clear scribal blunder. There can be no doubt that “ their purification” is the authentic reading. tn Or “when the days of their purification were completed.” In addition to the textual problem concerning the plural pronoun (which apparently includes Joseph in the process) there is also a question whether the term translated “purification” ( καθαρισμός , katharismos ) refers to the time period prescribed by the Mosaic law or to the offering itself which marked the end of the time period (cf. NLT, “it was time for the purification offering”). sn Exegetically the plural pronoun “their” creates a problem. It was Mary’s purification that was required by law, forty days after the birth ( Lev 12:2-4 ). However, it is possible that Joseph shared in a need to be purified by having to help with the birth or that they also dedicated the child as a first born ( Exod 13:2 ), which would also require a sacrifice that Joseph would bring. Luke’s point is that the parents followed the law. They were pious.
  • Luke 2:22 tn Grk “they”; the referents (Joseph and Mary) have been specified in the translation for clarity.
  • Luke 2:22 tn Grk “him”; the referent (Jesus) has been specified in the translation for clarity.
  • Luke 2:23 tn Grk “every male that opens the womb” (an idiom for the firstborn male).
  • Luke 2:23 sn An allusion to Exod 13:2 , 12 , 15 .
  • Luke 2:24 sn The offering of a pair of doves or two young pigeons , instead of a lamb, speaks of the humble roots of Jesus’ family—they apparently could not afford the expense of a lamb.
  • Luke 2:24 sn A quotation from Lev 12:8 ; 5:11 (LXX).
  • Luke 2:25 tn Grk “And behold.” Here καί ( kai ) has been translated as “now” to indicate the transition to a new topic. The Greek word ἰδού ( idou ) at the beginning of this statement has not been translated because it has no exact English equivalent here, but adds interest and emphasis (BDAG 468 s.v. 1).
  • Luke 2:25 tn Grk “This man was righteous.” The Greek text begins a new sentence here, but this was changed to a relative clause in the translation to avoid redundancy.
  • Luke 2:25 tn Or “deliverance,” “consolation.” sn The restoration of Israel refers to Simeon’s hope that the Messiah would come and deliver the nation ( Isa 40:1 ; 49:13 ; 51:3 ; 57:18 ; 61:2 ; 2 Bar . 44:7).
  • Luke 2:25 sn Once again, by mentioning the Holy Spirit , Luke stresses the prophetic enablement of a speaker. The Spirit has fallen on both men (Zechariah, 1:67 ) and women (Elizabeth, 1:41 ) in Luke 1-2 as they share the will of the Lord.
  • Luke 2:26 tn Grk “And it.” Here καί ( kai ) has not been translated because of differences between Greek and English style.
  • Luke 2:26 tn The use of the passive suggests a revelation by God, and in the OT the corresponding Hebrew term represented here by κεχρηματισμένον ( kechrēmatismenon ) indicated some form of direct revelation from God ( Jer 25:30 ; 33:2 ; Job 40:8 ).
  • Luke 2:26 tn Grk “would not see death” (an idiom for dying).
  • Luke 2:26 tn On the grammar of this temporal clause, see BDF §§383.3; 395.
  • Luke 2:26 tn Or “Messiah”; both “Christ” (Greek) and “Messiah” (Hebrew and Aramaic) mean “one who has been anointed.” sn The revelation to Simeon that he would not die before he had seen the Lord ’ s Christ is yet another example of a promise fulfilled in Luke 1-2 . Also, see the note on Christ in 2:11 .
  • Luke 2:27 tn Here καί ( kai ) has been translated as “so” to indicate the consequential nature of the action.
  • Luke 2:27 tn Grk “he”; the referent (Simeon) has been specified in the translation for clarity.
  • Luke 2:27 tn Grk “So in the Spirit” or “So by the Spirit,” but since it refers to the Spirit’s direction the expanded translation “directed by the Spirit” is used here.
  • Luke 2:27 tn Grk “the temple.” sn The temple courts is a reference to the larger temple area, not the holy place. Simeon was either in the court of the Gentiles or the court of women, since Mary was present.
  • Luke 2:27 tn Grk “to do for him according to the custom of the law.” See Luke 2:22-24 .
  • Luke 2:28 tn Grk “he”; the referent (Simeon) has been specified in the translation for clarity.
  • Luke 2:28 tn Grk “and said.” The finite verb in Greek has been replaced with a participle in English to improve the smoothness of the translation.
  • Luke 2:29 sn The phrase according to your word again emphasizes that God will perform his promise.
  • Luke 2:29 tn The Greek word translated here by “Sovereign Lord” is δεσπότης ( despotēs ).
  • Luke 2:29 sn This short prophetic declaration is sometimes called the Nunc dimittis , which comes from the opening phrase of the saying in Latin, “now dismiss,” a fairly literal translation of the Greek verb ἀπολύεις ( apolueis , “now release”) in this verse.
  • Luke 2:29 tn Here the Greek word δοῦλος ( doulos , “slave”) has been translated “servant” since it acts almost as an honorific term for one specially chosen and appointed to carry out the Lord’s tasks. sn Undoubtedly the background for the concept of being the Lord’s slave or servant is to be found in the Old Testament scriptures. For a Jew this concept did not connote drudgery, but honor and privilege. It was used of national Israel at times ( Isa 43:10 ), but was especially associated with famous OT personalities, including such great men as Moses ( Josh 14:7 ), David ( Ps 89:3 ; cf. 2 Sam 7:5 , 8 ) and Elijah ( 2 Kgs 10:10 ); all these men were “servants (or slaves) of the Lord.”
  • Luke 2:29 tn Grk “now release your servant.”
  • Luke 2:30 sn To see Jesus, the Messiah, is to see God’s salvation .
  • Luke 2:31 sn Is the phrase all peoples a reference to Israel alone, or to both Israel and the Gentiles? The following verse makes it clear that all peoples includes Gentiles, another key Lukan emphasis ( Luke 24:47 ; Acts 10:34-43 ).
  • Luke 2:32 tn The syntax of this verse is disputed. Most read “light” and “glory” in parallelism, so Jesus is a light for revelation to the Gentiles and is glory to the people for Israel. Others see “light” ( 1:78-79 ) as a summary, while “revelation” and “glory” are parallel, so Jesus is light for all, but is revelation for the Gentiles and glory for Israel. Both readings make good sense and either could be correct, but Luke 1:78-79 and Acts 26:22-23 slightly favor this second option.
  • Luke 2:32 sn In other words, Jesus is a special cause for praise and honor (“ glory ”) for the nation.
  • Luke 2:33 tn Here καί ( kai ) has been translated as “so” to indicate the consequential nature of the action.
  • Luke 2:33 tn Grk “his”; the referent (the child) has been specified in the translation for clarity.
  • Luke 2:33 tc Most mss ([A] Θ [ Ψ ] ƒ 13 33 M it) read “Joseph,” but in favor of the reading ὁ πατὴρ αὐτοῦ ( ho patēr autou , “his father”) is both external ( א B D L W 1 700 1241 sa) and internal evidence. Internally, the fact that Mary is not named at this point and that “Joseph” is an obviously motivated reading, intended to prevent confusion over the virgin conception of Christ, argues strongly for ὁ πατὴρ αὐτοῦ as the authentic reading here. See also the tc note on “parents” in 2:43 .
  • Luke 2:33 tn The term refers to the amazement at what was happening as in other places in Luke 1-2 ( 1:63 ; 2:18 ). The participle is plural, while the finite verb used in the periphrastic construction is singular, perhaps to show a unity in the parents’ response (BDF §135.1.d: Luke 8:19 ).
  • Luke 2:34 tn Here καί ( kai ) has been translated as “then” to indicate the implied sequence of events within the narrative.
  • Luke 2:34 tn Grk “behold.”
  • Luke 2:34 tn Grk “this one”; the referent (the child) is supplied in the translation for clarity.
  • Luke 2:34 sn The phrase the falling and rising of many emphasizes that Jesus will bring division in the nation, as some will be judged ( falling ) and others blessed ( rising ) because of how they respond to him. The language is like Isa 8:14-15 and conceptually like Isa 28:13-16 . Here is the first hint that Jesus’ coming will be accompanied with some difficulties.
  • Luke 2:34 tn Grk “and for a sign of contradiction.”
  • Luke 2:35 tn Or “reasonings” (in a hostile sense). See G. Schrenk, TDNT 2:97.
  • Luke 2:35 sn The remark the thoughts of many hearts will be revealed shows that how people respond to Jesus indicates where their hearts really are before God.
  • Luke 2:35 sn A sword refers to a very large, broad two-edged sword. The language is figurative, picturing great pain. Though it refers in part to the cross, it really includes the pain all of Jesus’ ministry will cause, including the next event in Luke 2:41-52 and extending to the opposition he faced throughout his ministry.
  • Luke 2:35 sn This remark looks to be parenthetical and addressed to Mary alone, not the nation. Many modern English translations transpose this to make it the final clause in Simeon’s utterance as above to make this clear.

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IMAGES

  1. Albrecht Dürer

    durer presentation in the temple

  2. Albrecht Durer

    durer presentation in the temple

  3. The Presentation in the Temple, c.1503/4

    durer presentation in the temple

  4. Albrecht Dürer

    durer presentation in the temple

  5. Lot

    durer presentation in the temple

  6. The Presentation of Christ in the Temple

    durer presentation in the temple

COMMENTS

  1. Albrecht Dürer

    Title: The Presentation of The Virgin in the Temple, from "The Life of The Virgin" Series/Portfolio: The Life of the Virgin. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg) Date: ca. 1503. Medium: Woodcut. Dimensions: sheet: 11 3/4 x 8 5/16 in. (29.9 x 21.1 cm) Classification: Prints. Credit Line: Bequest of Grace M. Pugh, 1985

  2. The Presentation of Christ in the Temple

    'The Presentation of Christ in the Temple' was created in 1505 by Albrecht Durer in Northern Renaissance style. Find more prominent pieces of religious painting at Wikiart.org - best visual art database.

  3. The Presentation of Christ in the Temple

    Woodcut. Brief description. The Presentation of Christ in the Temple, woodcut by Albrecht Dürer. Physical description. Woodcut print on paper depicting the presentation of Christ in the Temple. Dimensions. Cut to height: 29.9cm. Cut to width: 21cm. Measured for the Medieval and Renaissance Galleries.

  4. The Presentation of Christ in the Temple, from The Life of the Virgin

    The Presentation of Christ in the Temple, from The Life of the Virgin Place Germany (Artist's nationality:) Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may ...

  5. The Presentation of the Virgin in the Temple, from The Life of the

    The Presentation of the Virgin in the Temple, from The Life of the Virgin Place Germany (Artist's nationality:) Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and ...

  6. The Presentation of Christ in the Temple

    Details. Title: The Presentation of Christ in the Temple. Creator: Albrecht Dürer. Date Created: c. 1504/1505. Physical Dimensions: sheet: 29.7 × 21.1 cm (11 11/16 × 8 5/16 in.) image: 29.4 × 20.9 cm (11 9/16 × 8 1/4 in.) Medium: woodcut. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. Google Arts ...

  7. The Presentation of the Virgin in the Temple Germany, early 16th

    Dürer devoted three woodcuts (1959.99.5-7) to the significant events in Mary's youth prior to her sacred calling. His depiction of her birth recalls a contemporary birthing scene, complete with midwives, female friends, and relatives. Anna rests from her efforts in the background while an attendant bathes the infant Mary in the immediate right foreground. The religious significance of the ...

  8. The Presentation of Christ in the Temple

    After Jesus's circumcision and presentation at the temple the Holy Family fled to Egypt to avoid Herod and stayed there for several years. The seemingly out of place last scene shows a glimpse of their daily life in Egypt as Joseph continues his carpentry and Mary spins wool. The Holy Family is surrounded by angels and helpful putti and are ...

  9. The Presentation in the Temple, Albrecht Dürer

    The Presentation in the Temple. Dated 1505 (1511) Artist Albrecht Dürer. Nationality German. Artist Life 1471-1528. Role Artist. Gallery Not on View. Department European Art. Dimension. 11 11/16 x 8 3/16 in. (29.69 x 20.8 cm) (image) Credit Gift of Herschel V. Jones, 1926. Accession Number P.10,895. Medium Woodcut. Country Germany. Century

  10. Presentation of Christ in the Temple

    Presentation of Christ in the Temple; , from The Life of the Virgin, 1502-1510. woodcut. 29.5 x 21 cm (11 5/8 x 8 1/4 inches) (plate) Museum Works of Art Fund 48.359. To request new photography, please send an email to [email protected] and include your name and the object's accession number.

  11. The Presentation in the Temple

    Durer's woodcut showcases the Virgin Mary and Joseph presenting Christ to the Temple in Jerusalem. On the image's right, a bearded and aging Simeon (clothed in the outfit of the High Priest) holds the small body of Christ close to himself. The crowded Temple also showcases Durer's architectural abilities in woodcutting, as detailed in the overhanging square, crisscrossed beams, and the ...

  12. Albrecht Dürer, The Presentation of Christ in the Temple (The Life of

    The Presentation of Christ in the Temple (The Life of the Virgin) c. 1505: Reference: [B. 88; K. 186; M. 200; H. 200; BB. 200] Medium: Original Durer Woodcut: Image Size: 11 7/8 in x 8 3/8 in (30.2 cm x 21.3 cm) ... bustling aura of the people who have come to watch this Presentation of Christ. Created in c. 1505, this stunning woodcut features ...

  13. File:Albrecht Dürer, The Presentation of the Virgin in the Temple, c

    File:Albrecht Dürer, The Presentation of the Virgin in the Temple, c. 1502-1503, NGA 609.jpg; File:Albrecht Dürer, The Presentation of the Virgin in the Temple, c. 1502-1503, NGA 6696.jpg; File:Albrecht Dürer - Life of the Virgin- Presentation of the Young Virgin in the Temple - 1922.289 - Cleveland Museum of Art.jpg

  14. Albrecht Dürer, The Presentation of Christ in the Temple (The Life of

    Albrecht Durer The Presentation of Christ in the Temple (The Life of the Virgin), c. 1505 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoice accompanying the final sale of the work): 1. Bartsch. The Illustrated Bartsch Vol. 10. Edited by Walter L. Strauss.

  15. Presentation of Jesus

    The Presentation of Jesus is an early episode in the life of Jesus Christ, describing his presentation at the Temple in Jerusalem.It is celebrated by many churches 40 days after Christmas on Candlemas, or the "Feast of the Presentation of Jesus".The episode is described in chapter 2 of the Gospel of Luke in the New Testament. Within the account, "Luke's narration of the Presentation in the ...

  16. Albrecht Dürer

    The Presentation of the Virgin in the Temple, from "The Life of the Virgin" Albrecht Dürer German. ca. 1503 Not on view View more. Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded. Public Domain. Open Access. As part of the Met ...

  17. File:Albrecht Dürer, The Presentation of Christ in the Temple, c. 1504

    The following other wikis use this file: Usage on it.wikipedia.org Incisioni di Albrecht Dürer; Usage on mk.wikipedia.org Список на дрворези од Албрехт Дирер

  18. Presentation in the Temple

    Other articles where Presentation in the Temple is discussed: Albrecht Dürer: Second journey to Italy of Albrecht Dürer: …Bellini's free adaptation of Mantegna's Presentation in the Temple. Dürer's work is a virtuoso performance that shows mastery and close attention to detail. In the painting the inscription on the scrap of paper out of the book held by the old man in the ...

  19. The Presentation of The Virgin in the Temple , Early20th Century

    From Wallector, Albrecht Dürer, The Presentation of The Virgin in the Temple (Early20th Century), Original Woodcut, 30 × 21 × 0.2 cm

  20. Albrecht Dürer

    From Katie Feygie Art Gallery, Albrecht Dürer, The Presentation In The Temple (1505), Woodcut Print, 31.5 × 24 cm

  21. The Presentation of the Virgin in the Temple

    'The Presentation of the Virgin in the Temple' was created in 1505 by Albrecht Durer in Northern Renaissance style. Find more prominent pieces of religious painting at Wikiart.org - best visual art database.

  22. Luke 2:22-35 NET

    Luke 2:22-35. New English Translation. Jesus' Presentation at the Temple. 22 Now[ a] when the time came for their[ b] purification according to the law of Moses, Joseph and Mary[ c] brought Jesus[ d] up to Jerusalem to present him to the Lord 23 (just as it is written in the law of the Lord, "Every firstborn male[ e] will be set apart to ...