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Great gatsby through the lens of feminism.
November 5, 2018
ENGL 100. Prof Whitley
The Great Gatsby through the lens of Feminism
Feminist criticism examines the ways in which literature has been written according to issues of gender. It focuses its attention on how cultural productions such as literature address the economic, social, political, and psychological oppression of women as a result of patriarchy. Patriarchal ideology has a deeply rooted influence on the way we think, speak, and view ourselves in the world, and an understanding of the pervasive nature of this ideology is necessary for a feminist critique. Demonstrating how people are a product of their culture, feminist criticism of The Great Gatsby reveals how the novel both supports and challenges the assumptions of a patriarchal society. The Great Gatsby displays various aspects of feminist philosophy by reflecting opposing principles of society’s model through very different female characters. By using a range of characters who respond to the figure of the New Woman, the novel shows how difficult it was to defy the norms of the time.
The novel paints a picture of America in the 1920’s. Before the war, women had no freedom, and they had to remain on a pedestal prescribed by the limits of male ideals. But now, women could be seen smoking and drinking, often in the company of men. They could also be seen enjoying the sometimes raucous nightlife offered at nightclubs and private parties. Even the new dances of the era, which seemed wild and overtly sexual to many, bespoke an attitude of free self-expression and unrestrained enjoyment. In other words, a “New Woman” emerged in the 1920’s. The appearance of the New Woman on the scene evoked a great deal of negative reaction from conservative members of society who felt that women’s rejection of any aspect of their traditional role would inevitably result in the destruction of the family and the moral decline of society as a whole.
The main female characters in the novel – Daisy, Jordan, and Myrtle – despite their many differences in class, occupation, appearance and personality traits, are all versions of the New Woman. All three display a good deal of modern independence. Only two are married, but they don’t keep their marital unhappiness a secret, although secrecy on such matters is cardinal in a patriarchal marriage. The women also challenge their assigned roles as females by preferring the excitement of night life to the more traditional employments of hearth and home. There is only one child among them, Daisy’s daughter, and while the child is well looked after by a nurse and affectionately treated by her mother, Daisy’s life does not revolve exclusively around her maternal role. Finally, all three women openly challenge patriarchal sexual taboo. Jordan engages in premarital sex, and Tom is even prompted to comment that Jordan’s family “shouldn’t let her run around the country in this way” (14). Daisy and Myrtle are both engaged in extramarital affairs, although Myrtle is more explicit about it than Daisy.
One of Daisy’s most memorable quotes is “All right, I’m glad it’s a girl. And I hope she’ll be a fool – that’s the best thing a girl can be in this world, a beautiful little food” (16). Daisy speaks of her hopes for her infant child, which reveals a lot about her character. Her bitterness and cynicism are signaled as she expresses this devastating critique of women’s position in society with reference to her daughter. It is clear that Daisy is a product of a social environment that, to a great extent, does not appreciate or value intellect in women. While Daisy conforms to a shared, patriarchal idea of femininity that values subservient and docile females, she also understands these social standards for women and chooses to play right into them. In this way, Daisy is a more subversive feminist.
Jordan is prescribed as a more masculine female character and seems to resist social pressure to conform to feminine norms. Not only does she have her own successful career, something that most women in the 1920’s did not have, but her career is in the male-dominated field of professional golf. She seems androgynous in her appearance and is described as having a “mustache of perspiration” and being “slender, small-breasted, with an erect carriage which accentuated by throwing her body backward at her shoulders like a young cadet.” The numerous masculine references in her physical descriptions through words such as ‘mustache,’ ‘erect,’ and ‘cadet’ demonstrate how she was not the typical 1920’s woman. She is also very honest and direct, where the patriarchal norm would be to remain submissive and quiet.
Myrtle’s characterization is more focused on her physicality, and she is more quickly undermined as artificial and even grotesque. Her death is undignified and stresses the destruction of her feminine aspects, with her left breast “swinging loose” and her mouth “ripped.” It is possible to argue that Myrtle is severely punished for her expression of sexuality, while Daisy, less overt about her illicit relationship with Gatsby, and a less sensual character altogether, is able to resume her life with Tom once she has left Gatsby.
The novel also abounds with minor female characters whose dress and activities identify them as incarnations of the New Woman, and they are portrayed as clones of a single, negative character type: shallow, revolting, exhibitionist and deceitful. For example, at Gatsby’s parties, we see insincere, “enthusiastic meetings between women who never knew each other’s names” (44), as well as numerous narcissistic attention-seekers in various stages of drunken hysteria. We meet, for example, a young woman who “dumps” down a cocktail “for courage” and “dances out alone on the canvass to perform” (45) and a “rowdy little girl who gave way upon the slightest provocation to uncontrollable laughter” (51). The novel’s discomfort with the New Woman becomes evident through these characterizations.
In conclusion, the women in this text are shown to be victims of social and cultural norms that they could not change, demonstrating how influential culture can be in shaping the lives of individuals. There is an attempt to redefine society and culture in a new way by gender relations and the women in this novel actively try to change the social norms through their attitudes and actions. It becomes clear, however, that patriarchy is deeply internalized for these characters, demonstrating how powerful and often devastating this ideology can be.
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The Great Gatsby
Analysis of the great gatsby through the feminist theory anonymous college.
The aim of this paper is to write an analysis of The Great Gatsby by Francis Scott Fitzgerald which was published in 1925. The first part of this essay is written based on a close reading. In the second part the feminist theory is applied to the concept of The Great Gatsby . Scott Fitzgerald was an American writer of The Jazz Age (which he named) or The Roaring Twenties. He belongs to the Lost Generation which is a generation of authors who lived thought the First World War. ‘They were considered to be “lost” due to their tendency to act aimlessly, even recklessly, often focusing on the hedonistic accumulation of personal wealth’ (Longley, 2019). What is typical for the Lost Generation is: ‘decadence, distorted visions of the “American Dream,” and gender confusion’ (Longley).
The main theme of this novel is money and the way how they can change people’s personality and goals in life. Characters have corrupt personalities and bad motivations in their lives. These motivations lead to wrong decisions and actions with which they hurt each other. I have decided to apply the feminist theory because the roles and rights of women in America are changing at this era. This influenced the society and the literature as well. My aim is to...
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The Great Gatsby
The Great Gatsby: Analysis and Feminist Critique
The great gatsby: abstract.
This Great Gatsby essay explores one of the greatest novels written in the 1920s. It was created in the days when the society was by far patriarchal, and the concept of the American dream was different. Essays on The Great Gatsby usually explore how much men had dominated society, which led to women discrimination and objectification; the novel will help us understand the concept of feminist critique.
Introduction
The feminist critique is an aspect that seeks to explore the topic of men domination in the social, economic, and political sectors. It aims to expose how much women characters have been discriminated in the society through the study of literature. This sample essay on The Great Gatsby will apply the concept of feminist critique with reference to the F. Scott Fitzgerald’s work to expose some of the aspects of patriarchal society as revealed in the novel.
The Great Gatsby: Summary and Analysis
The Great Gatsby starts by bringing in a male character, Nick Carraway, as the narrator. First, the narrator is just from the First World War and seeks to settle and takes a job in New York. Searching for wealth and happiness, he rents a bungalow in West Egg next to a generous and mysterious bachelor Jay Gatsby, who owned a mansion.
Nick describes the mansion as “a colossal affair by any standard – it is an imitation of some Hotel de villa in Normandy, with a tower on one side, spanking new under a thin beard of raw ivy, and a marble swimming pool, and more than forty acres of lawn and garden” (Fitzgerald 1).
The introduction analysis brings out a theme of male occupying a more significant portion of wealth. These two men were relatively young and yet so rich to own such property at their age. The mentioned women, Daisy, Jordan, and Myrtle, are just an attachment to the men in the society since they all at some level depict an aspect of lack of independence since men dominate every aspect of life.
Socially, men seem to dominate in the relationships in The Great Gatsby. Tom’s financial power sets him way ahead of that he can afford to have an affair outside marriage. That’s what he does in an open way as he invites Nick, Daisy’s cousin, to meet his mistress Myrtle Wilson. Nick’s reflection on the relationship between Tom and Daisy, Tom, and Myrtle shows a break of social norms.
Tom’s relationship with the two women is abusive and of so much control. He abuses Myrtle publicly in the name of making her straight by even beating her. Tom comes out as a man who has so much power to bully everybody, including Myrtle’s husband Wilson, he also has so much control in Daisy, his wife.
Usually, one will expect that Nick being a cousin to Daisy, will resist seeing their close relatives get involved in extra-marital affairs. Nick being a man, supports other men, Tom and Gatsby, in their moves. After knowing that Gatsby had been in love with Daisy before she got married, he allows reconnection to happen in his own house although Gatsby’s credibility was still in question to him.
He admires Gatsby’s having “an extraordinary gift for hope, a romantic readiness he had never found in any other person and which it was not likely he could ever find again” (Fitzgerald 1). This admiration overpowered his questions on Gatsby’s character and that of his company. This shows that men’s dominance was critical since women were to follow what the men wanted them to, not their choices.
The novel was written in a time when men could batter women if dissatisfied by their actions, absolutely ignoring women’s rights. In the meeting with Myrtle, when an argument ensued between Tom and the mistress, Tom broke her nose to shut her up. The whole thing looks normal and even when George complains to him, he is not moved by his cry.
Tom is the dominant character in the novel. He harasses people starting with his wife, his mistress, George and even Gatsby. Tom is seen doing the same thing Gatsby does, dating a married woman, but he has the guts to confront him on his affair with Daisy. When Myrtle died, he fires a battle between Gatsby and George by convincing him that Gatsby had an affair with Myrtle.
George kills Gatsby before killing himself as a sign of revenge. The revenge was purely egotistic to reclaim his position as Myrtle’s husband since his status as a man on top of the relationship had been invalid. This leaves a mark in moral decadence, which only happens in a patriarchal society that cannot be controlled by any other voice than the male voice.
The novel has so much influence geographically and culturally due to the approach used and the structure itself. Tom Buchanan’s treatment of his wife and mistress and Gatsby’s manipulation of Daisy, Tom’s wife, brings out the aspect of male domination. The male has a dominant part in the exploitation of power in the relationships, and marital status is nothing of a worry when one wants to pursue their mistresses. Men in the text have idolized women, and they justify their reasons for the exploitation of women.
For example, Gatsby’s life is made true by the fact that he managed to have a relationship with a lady he had loved before. He does everything to get her, which include him “buying a house in West Egg just so that Daisy would be just across the bay” (Fitzgerald 1). This was a crucial sport in being strategic in his plans.
Tom, on the other hand, uses his physical and financial powers to prove that he is in control. He and Gatsby set social structures that attract women to them. However, Nick, the narrator, was not able to relate with the unpredictable and manipulative Jordan Baker. Jordan Baker’s character of believing that she could do as much as a man could do scared him away. She is unlike Daisy, who chose to stay with Tom, although she was in the relationship for financial gains.
Gatsby describes her as one with “voice is full of money” (Fitzgerald 1). For Jordan’s belief in herself, Nick later blames his failure to cope with her on her partying, smoking, and drinking character without really revealing that he had the same character as being pragmatic. Women in the great gatsby had been accustomed to so much submission; an example is in Daisy’s character. She has a complacent kind of character that makes it difficult to make her own decisions.
She exhibits incapacity to have an independent sense of self-will that Gatsby takes advantage of to win her by flattering her with words like “You always have a green light that burns all night at the end of your dock” (Fitzgerald 1). The fact that she had a relationship before with Gatsby was enough to lead her in deciding to have an affair with him.
Myrtle also belongs to the same types of women as Daisy as she engages in a relationship with another woman’s husband just because they met and liked each other. This aspect manages to bring out a clear definition of gender roles and identity in the earlier days when the novel was written. Men ask, and women respond without looking at what could be affected in their decisions.
The Great Gatsby sample essay shows how the novel brings out an aspect of both genders reclaiming their positions in society in terms of gender relations. Though the male has dominated, and the female has proven to be dependent on men, they both need to redefine themselves as the victims of social norms.
The male gender has dominated the economic and social part of the society making sure that the role of women is reduced to being subjects to the male exercise of power. This has been shown clearly by women getting trapped in the misogyny and manipulation set by men hence making it hard for them to stand by their choices. Their gender nature dictates the character choice in the male-dominated world.
The male exercise their power over the significant female characters by ensuring that they remain the sole financial sources, and the women exercise their dependence by remaining in their marriages despite their involvement in affairs outside marriage. Though there are men like George, who have lost their position, they still exhibit their ego by defending their marriages.
Fitzgerald, Scott. The Great Gatsby. University of Adelaide, 2005. Web.
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Feminist Criticism of The Great Gatsby
Author: Marshall Vasquez
International Journal of Frontiers in Sociology , 2021, 3(6); doi: 10.25236/IJFS.2021.030610 .
A Feminist Approach to The Great Gatsby
School of the English Language and Culture, Xiamen University Tan Kah Kee College, Zhangzhou, China
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The Great Gatsby is Fitzgerald’s finest work, and it has been widely reviewed by critics. This paper focus on one of the female protagonists, Daisy Buchanan, to illustrate female modernity in the novel. This will be done by analyzing Daisy’s attitude toward marriage and family. It comes to the conclusion that the novel depicts female modernity and shows great concern about women. Thus, The Great Gatsby is also a women’s book.
feminism, modernity, identity
Cite This Paper
Yang Gao. A Feminist Approach to The Great Gatsby . International Journal of Frontiers in Sociology (2021), Vol. 3, Issue 6: 42-46. https://doi.org/10.25236/IJFS.2021.030610.
[1] Fitzgerald, Francis Scott. The Great Gatsby. London: Everyman’s Library, 1991.
[2] Ann Ardis. New Women, New Novels: Feminism and Early Modernism [M]. Rutgers University Press, 1990
[3] De Beauvoir, Simone. The Second Sex. London: Vintage, 1997.
[4] Donaldson, Scott. Critical Essays on F. Scott Fitzgerald’s The Great Gatsby. Boston: G. K. Hall and Co., 1984
[5] Fitzgerald, Francis Scott. The Letters of F. Scott Fitzgerald. Ed. Andrew Tusnbull. New York: Charles Scribner's sons, 1963.
[6] Gross, Dalton, and Maryjean Gross. Understanding the Great Gatsby: A Student Casebook to Issues, Sources, and Historical Documents. London: Greenwood, 1998.
[7] Hess, B. Beth and Sussman, B. Marvin. ed. Women and the Family: Two Decades of Change. New
[8] Matterson S. (1990) A Man’s Book: The Great Gatsby and Women. In: The Great Gatsby. The Critics Debate. Palgrave, London.
[9] Piper, Henry D. Fitzgerald’s “The Great Gatsby”. New York: Charles Scribner’s
Sons, 1970.
[10] Søland, Birgitte. Becoming Modern: Young Women and the Reconstruction of Womanhood in the 1920s. Princeton: Princeton UP, 2000.
[11] Volti, Rudi. Cars and Culture: The Life Story of a Technology. Connecticut: Greenwood, 2004.
[12] Wolfreys, Julian. Critical Keywords in Literary and Cultural Theory. New York: Palgrave Macmillan, 2004.
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Role Of Feminism in The Great Gatsby
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